tag:blogger.com,1999:blog-27363532183045707032024-03-06T07:54:14.214+00:00scriptorium.index- Nada do que é humano me é estranho (Terêncio) - «Ralações» mais ou menos ordenadas e agrupadas das matérias publicadas nas minhas outras oito chagas ou blogs. Dá trabalho, não são como imaginei, mas como trabalhar dá saúde, imaginem como eu estaria sem este e outros trabalhos em que me meto ou me metem. Múmia vegetante, mas viva. E Viva a Vida, com Alegria, Amor e Fantasia. Ah! ... e não esquecer alguns trocos para os gastos! (Victor Nogueira)Victor Nogueirahttp://www.blogger.com/profile/13759238536489604722noreply@blogger.comBlogger156125tag:blogger.com,1999:blog-2736353218304570703.post-41111132710107781912012-08-03T23:02:00.001+01:002012-08-03T23:02:42.488+01:00História das relações internacionais no século XX<table border="0" bordercolor="#333333" cellpadding="0" cellspacing="0" height="682" id="AutoNumber2" style="background-color: #d2dfde; border-collapse: collapse;" width="778"><tbody>
<tr><td bgcolor="#333333" colspan="4" height="30" width="193"><a href="" name="up"><img border="0" height="30" src="http://www.historiasiglo20.org/TEXT/images/Logo.gif" usemap="#FPMap0" width="780" /></a></td></tr>
<tr><td bgcolor="#333333" colspan="4" height="40" style="font-family: Arial;" width="780"><a href="http://www.historiasiglo20.org/RI/index.htm" target="_blank"><img border="0" height="40" src="http://www.historiasiglo20.org/TEXT/images/logohrriisXX.jpg" width="780" /></a></td></tr>
<tr><td colspan="4" height="100" width="780"><img border="0" height="100" src="http://www.historiasiglo20.org/TEXT/images/textoportad.jpg" width="780" /></td></tr>
</tbody></table>
<br />
<br />
<br />
<span style="color: maroon; font-family: Arial; font-size: small; font-weight: bold; text-align: -webkit-center;"><br />Períodos históricos</span><br />
<hr color="#800000" size="3" style="font-family: Arial; font-size: 10.399999618530273px; font-weight: bold; text-align: -webkit-center;" width="90%" />
<div style="font-family: Arial; font-size: 10.399999618530273px; font-weight: bold; margin-left: 5px; text-align: -webkit-center;">
<a class="e" href="http://www.historiasiglo20.org/TEXT/index.htm#Inicios del siglo XX" style="color: maroon; font-size: 8pt; text-decoration: none;">Inicios del siglo XX</a> | <a class="e" href="http://www.historiasiglo20.org/TEXT/index.htm#Primera Guerra Mundial" style="color: maroon; font-size: 8pt; text-decoration: none;">Primera Guerra Mundial</a> | <a class="e" href="http://www.historiasiglo20.org/TEXT/index.htm#Entreguerras 1919-1939" style="color: maroon; font-size: 8pt; text-decoration: none;">Entreguerras 1919-1939</a> | <a class="e" href="http://www.historiasiglo20.org/TEXT/index.htm#Segunda Guerra Mundial" style="color: maroon; font-size: 8pt; text-decoration: none;">Segunda Guerra Mundial</a><br /> <a class="e" href="http://www.historiasiglo20.org/TEXT/index.htm#La Guerra Fría" style="color: maroon; font-size: 8pt; text-decoration: none;">La Guerra Fría</a> | <a class="e" href="http://www.historiasiglo20.org/TEXT/index.htm#El Fin de la Guerra Fría" style="color: maroon; font-size: 8pt; text-decoration: none;">El Fin de la Guerra Fría</a></div>
<hr color="#800000" size="3" style="font-family: Arial; font-size: 10.399999618530273px; font-weight: bold; text-align: -webkit-center;" width="90%" />
<blockquote style="font-family: Arial; font-size: 10.399999618530273px; font-weight: bold; text-align: -webkit-center;">
<h1 align="left" style="font-size: 12pt; margin-left: 5px;">
<span style="color: maroon;"> <a href="" name="Inicios del siglo">Inicios del siglo XX</a></span></h1>
<div align="left" style="margin-left: 5px;">
<img border="0" height="6" src="http://www.historiasiglo20.org/TEXT/images/maroon_arrow.gif" width="6" /> <a class="b" href="http://www.historiasiglo20.org/TEXT/triplealianza.htm" style="color: maroon; font-size: 8pt; text-decoration: none;">Triple Alianza entre Alemania, Austria-Hungría e Italia 1882</a><br /><img border="0" height="6" src="http://www.historiasiglo20.org/TEXT/images/maroon_arrow.gif" width="6" /> <a class="b" href="http://www.historiasiglo20.org/TEXT/acuerdofranco-ruso.htm" style="color: maroon; font-size: 8pt; text-decoration: none;">Acuerdo Militar Franco-Ruso 1892</a><br /><img border="0" height="6" src="http://www.historiasiglo20.org/TEXT/images/maroon_arrow.gif" width="6" /> <a class="b" href="http://www.historiasiglo20.org/TEXT/ententecordiale.htm" style="color: maroon; font-size: 8pt; text-decoration: none;">Entente Cordiale 1904</a><br /><img border="0" height="6" src="http://www.historiasiglo20.org/TEXT/images/maroon_arrow.gif" width="6" /> <a class="b" href="http://www.historiasiglo20.org/TEXT/alemaniamarruecos.htm" style="color: maroon; font-size: 8pt; text-decoration: none;">Alemania y la crisis de Marruecos 1904</a><br /><img border="0" height="6" src="http://www.historiasiglo20.org/TEXT/images/maroon_arrow.gif" width="6" /> <a class="b" href="http://www.historiasiglo20.org/TEXT/ambientebelicista.htm" style="color: maroon; font-size: 8pt; text-decoration: none;">El ambiente belicista en Europa: artículo en el diario alemán <i>Die Post</i> 1914</a> </div>
<h1 align="left" style="font-size: 12pt; margin-left: 5px;">
<span style="color: maroon;">Primera Guerra Mundial</span></h1>
<div align="left" style="margin-left: 5px;">
<img border="0" height="6" src="http://www.historiasiglo20.org/TEXT/images/maroon_arrow.gif" width="6" /> <a class="b" href="http://www.historiasiglo20.org/TEXT/locura1914.htm" style="color: maroon; font-size: 8pt; text-decoration: none;">La locura del verano de 1914: antes y después del asesinato de Jean Jaurès </a><br /> <img border="0" height="6" src="http://www.historiasiglo20.org/TEXT/images/maroon_arrow.gif" width="6" /> <a class="b" href="http://www.historiasiglo20.org/TEXT/frenteoccidental.htm" style="color: maroon; font-size: 8pt; text-decoration: none;">El frente occidental - Eric Hosbsbawn "Historia del siglo XX"</a><br /> <img border="0" height="6" src="http://www.historiasiglo20.org/TEXT/images/maroon_arrow.gif" width="6" /> <a class="b" href="http://www.historiasiglo20.org/TEXT/cartasoldadoingles.htm" style="color: maroon; font-size: 8pt; text-decoration: none;">Carta desde el frente de un soldado inglés</a><br /> <img border="0" height="6" src="http://www.historiasiglo20.org/TEXT/images/maroon_arrow.gif" width="6" /> <a class="b" href="http://www.historiasiglo20.org/TEXT/propaganda.htm" style="color: maroon; font-size: 8pt; text-decoration: none;">La propaganda en la prensa francesa </a><br /> <img border="0" height="6" src="http://www.historiasiglo20.org/TEXT/images/maroon_arrow.gif" width="6" /> <a class="b" href="http://www.historiasiglo20.org/TEXT/penurias.htm" style="color: maroon; font-size: 8pt; text-decoration: none;">Las penurias de la población civil</a><br /> <img border="0" height="6" src="http://www.historiasiglo20.org/TEXT/images/maroon_arrow.gif" width="6" /> <a class="b" href="http://www.historiasiglo20.org/TEXT/catorcepuntos.htm" style="color: maroon; font-size: 8pt; text-decoration: none;">El discurso de los Catorce Puntos de Wilson 1918</a><br /> <img border="0" height="6" src="http://www.historiasiglo20.org/TEXT/images/maroon_arrow.gif" width="6" /> <a class="b" href="http://www.historiasiglo20.org/TEXT/diverglloydgeorge.htm" style="color: maroon; font-size: 8pt; text-decoration: none;">Las posturas divergentes de los vencedores: Lloyd George</a><br /> <img border="0" height="6" src="http://www.historiasiglo20.org/TEXT/images/maroon_arrow.gif" width="6" /> <a class="b" href="http://www.historiasiglo20.org/TEXT/divergwilson.htm" style="color: maroon; font-size: 8pt; text-decoration: none;">Las posturas divergentes de los vencedores: Wilson</a><br /> <img border="0" height="6" src="http://www.historiasiglo20.org/TEXT/images/maroon_arrow.gif" width="6" /> <a class="b" href="http://www.historiasiglo20.org/TEXT/divergclemenceau.htm" style="color: maroon; font-size: 8pt; text-decoration: none;">Las posturas divergentes de los vencedores: Clemenceau</a><br /> <img border="0" height="6" src="http://www.historiasiglo20.org/TEXT/images/maroon_arrow.gif" width="6" /> <a class="b" href="http://www.historiasiglo20.org/TEXT/negativaaliada.htm" style="color: maroon; font-size: 8pt; text-decoration: none;">Negativa aliada a las propuestas alemanas en Versalles 1919</a><br /> <img border="0" height="6" src="http://www.historiasiglo20.org/TEXT/images/maroon_arrow.gif" width="6" /> <a class="b" href="http://www.historiasiglo20.org/TEXT/pactosdn.htm" style="color: maroon; font-size: 8pt; text-decoration: none;">Pacto de la Sociedad de Naciones 1919</a><br /> <img border="0" height="6" src="http://www.historiasiglo20.org/TEXT/images/maroon_arrow.gif" width="6" /> <a class="b" href="http://www.historiasiglo20.org/TEXT/versalles1.htm" style="color: maroon; font-size: 8pt; text-decoration: none;">El Tratado de Versalles - Cláusulas territoriales 1919</a><br /> <img border="0" height="6" src="http://www.historiasiglo20.org/TEXT/images/maroon_arrow.gif" width="6" /> <a class="b" href="http://www.historiasiglo20.org/TEXT/versalles2.htm" style="color: maroon; font-size: 8pt; text-decoration: none;">El Tratado de Versalles - Cláusulas militares 1919</a><br /> <img border="0" height="6" src="http://www.historiasiglo20.org/TEXT/images/maroon_arrow.gif" width="6" /> <a class="b" href="http://www.historiasiglo20.org/TEXT/versalles3.htm" style="color: maroon; font-size: 8pt; text-decoration: none;">El Tratado de Versalles - Reparaciones de guerra 1919</a><br /> <img border="0" height="6" src="http://www.historiasiglo20.org/TEXT/images/maroon_arrow.gif" width="6" /> <a class="b" href="http://www.historiasiglo20.org/TEXT/versalles4.htm" style="color: maroon; font-size: 8pt; text-decoration: none;">El Tratado de Versalles - Garantías de ejecución 1919</a></div>
<div align="right" style="margin-left: 5px;">
<a href="http://www.historiasiglo20.org/TEXT/index.htm#up"><img border="0" height="12" src="http://www.historiasiglo20.org/TEXT/images/arriba.gif" width="16" /></a></div>
<h1 align="left" style="font-size: 12pt; margin-left: 5px;">
<span style="color: maroon;">Entreguerras 1919-1939</span></h1>
<div align="left" style="margin-left: 5px;">
<img border="0" height="6" src="http://www.historiasiglo20.org/TEXT/images/maroon_arrow.gif" width="6" /> <a class="b" href="http://www.historiasiglo20.org/TEXT/wilsonsdn.htm" style="color: maroon; font-size: 8pt; text-decoration: none;">Discurso de Wilson defendiendo la Sociedad de Naciones 1919</a><br /> <img border="0" height="6" src="http://www.historiasiglo20.org/TEXT/images/maroon_arrow.gif" width="6" /> <a class="b" href="http://www.historiasiglo20.org/TEXT/aislacionismo.htm" style="color: maroon; font-size: 8pt; text-decoration: none;">El aislacionismo americano: la hostilidad a la Sociedad de Naciones 1919</a><br /> <img border="0" height="6" src="http://www.historiasiglo20.org/TEXT/images/maroon_arrow.gif" width="6" /> <a class="b" href="http://www.historiasiglo20.org/TEXT/consecuenciasIGM.htm" style="color: maroon; font-size: 8pt; text-decoration: none;">Consecuencias de la Primera Guerra Mundial para Europa </a><br /> <img border="0" height="6" src="http://www.historiasiglo20.org/TEXT/images/maroon_arrow.gif" width="6" /> <a class="b" href="http://www.historiasiglo20.org/TEXT/pequenaentente.htm" style="color: maroon; font-size: 8pt; text-decoration: none;">Acuerdos de la "Pequeña Entente" 1920-1921 </a><br /> <img border="0" height="6" src="http://www.historiasiglo20.org/TEXT/images/maroon_arrow.gif" width="6" /> <a class="b" href="http://www.historiasiglo20.org/TEXT/rapallo.htm" style="color: maroon; font-size: 8pt; text-decoration: none;">Tratado de Rapallo entre Alemania y Rusia 1923 </a><br /> <img border="0" height="6" src="http://www.historiasiglo20.org/TEXT/images/maroon_arrow.gif" width="6" /> <a class="b" href="http://www.historiasiglo20.org/TEXT/stresemann1925.htm" style="color: maroon; font-size: 8pt; text-decoration: none;">Los fines de la política exterior alemana en 1925</a><br /> <img border="0" height="6" src="http://www.historiasiglo20.org/TEXT/images/maroon_arrow.gif" width="6" /> <a class="b" href="http://www.historiasiglo20.org/TEXT/locarno.htm" style="color: maroon; font-size: 8pt; text-decoration: none;">El Pacto de Locarno 1925 </a><br /> <img border="0" height="6" src="http://www.historiasiglo20.org/TEXT/images/maroon_arrow.gif" width="6" /> <a class="b" href="http://www.historiasiglo20.org/TEXT/impresioneslocarno.htm" style="color: maroon; font-size: 8pt; text-decoration: none;">Impresiones de los protagonistas del Tratado de Locarno </a><br /> <img border="0" height="6" src="http://www.historiasiglo20.org/TEXT/images/maroon_arrow.gif" width="6" /> <a class="b" href="http://www.historiasiglo20.org/TEXT/pactobriand-kellogg.htm" style="color: maroon; font-size: 8pt; text-decoration: none;">El Pacto Briand-Kellogg 1928</a><br /> <img border="0" height="6" src="http://www.historiasiglo20.org/TEXT/images/maroon_arrow.gif" width="6" /> <a class="b" href="http://www.historiasiglo20.org/TEXT/pazguerramussolini.htm" style="color: maroon; font-size: 8pt; text-decoration: none;">La paz y la guerra según Mussolini, 1932 </a><br /> <img border="0" height="6" src="http://www.historiasiglo20.org/TEXT/images/maroon_arrow.gif" width="6" /> <a class="b" href="http://www.historiasiglo20.org/TEXT/stresavisionalemana.htm" style="color: maroon; font-size: 8pt; text-decoration: none;">La Conferencia de Stresa desde el punto de vista alemán</a><br /> <img border="0" height="6" src="http://www.historiasiglo20.org/TEXT/images/maroon_arrow.gif" width="6" /> <a class="b" href="http://www.historiasiglo20.org/TEXT/duceetiopia.htm" style="color: maroon; font-size: 8pt; text-decoration: none;">El Duce Mussolini declara la guerra a Etiopía 1935</a><br /> <img border="0" height="6" src="http://www.historiasiglo20.org/TEXT/images/maroon_arrow.gif" width="6" /> <a class="b" href="http://www.historiasiglo20.org/TEXT/pactoantikomintern.htm" style="color: maroon; font-size: 8pt; text-decoration: none;">El Pacto Antikomintern 1936 </a><br /> <img border="0" height="6" src="http://www.historiasiglo20.org/TEXT/images/maroon_arrow.gif" width="6" /> <a class="b" href="http://www.historiasiglo20.org/TEXT/hitlersudetes.htm" style="color: maroon; font-size: 8pt; text-decoration: none;">Hitler y la cuestion de los Sudetes 1938 </a><br /> <img border="0" height="6" src="http://www.historiasiglo20.org/TEXT/images/maroon_arrow.gif" width="6" /> <a class="b" href="http://www.historiasiglo20.org/TEXT/chamberlainmunich.htm" style="color: maroon; font-size: 8pt; text-decoration: none;">Comentarios de Chamberlain antes de la Conferencia de Munich </a><br /> <img border="0" height="6" src="http://www.historiasiglo20.org/TEXT/images/maroon_arrow.gif" width="6" /> <a class="b" href="http://www.historiasiglo20.org/TEXT/pactomunich.htm" style="color: maroon; font-size: 8pt; text-decoration: none;">El Pacto de Munich 1938</a><br /> <img border="0" height="6" src="http://www.historiasiglo20.org/TEXT/images/maroon_arrow.gif" width="6" /> <a class="b" href="http://www.historiasiglo20.org/TEXT/blumchurchill.htm" style="color: maroon; font-size: 8pt; text-decoration: none;">El Pacto de Munich, dos visiones contrapuestas: Blum y Churchill</a><br /> <img border="0" height="6" src="http://www.historiasiglo20.org/TEXT/images/maroon_arrow.gif" width="6" /> <a class="b" href="http://www.historiasiglo20.org/TEXT/pactonoagresion.htm" style="color: maroon; font-size: 8pt; text-decoration: none;">El Pacto de No Agresión Germano-Soviético 1939 </a><br /> <img border="0" height="6" src="http://www.historiasiglo20.org/TEXT/images/maroon_arrow.gif" width="6" /> <a class="b" href="http://www.historiasiglo20.org/TEXT/protocolosecreto.htm" style="color: maroon; font-size: 8pt; text-decoration: none;">El Pacto de No Agresión Germano-Soviético - Protocolos Adicionales Secretos </a></div>
<div align="right" style="margin-left: 5px;">
<a href="http://www.historiasiglo20.org/TEXT/index.htm#up"><img border="0" height="12" src="http://www.historiasiglo20.org/TEXT/images/arriba.gif" width="16" /></a></div>
<h1 align="left" style="font-size: 12pt; margin-left: 5px;">
<span style="color: maroon;">Segunda Guerra Mundial</span></h1>
<div align="left" style="margin-left: 5px;">
<img border="0" height="6" src="http://www.historiasiglo20.org/TEXT/images/maroon_arrow.gif" width="6" /> <a class="b" href="http://www.historiasiglo20.org/TEXT/ultimatumfr1939.htm" style="color: maroon; font-size: 8pt; text-decoration: none;">Ultimátum francés a Alemania 1939</a><br /> <img border="0" height="6" src="http://www.historiasiglo20.org/TEXT/images/maroon_arrow.gif" width="6" /> <a class="b" href="http://www.historiasiglo20.org/TEXT/ultimatumgb1939.htm" style="color: maroon; font-size: 8pt; text-decoration: none;">Ultimátum británico a Alemania 1939</a><br /> <img border="0" height="6" src="http://www.historiasiglo20.org/TEXT/images/maroon_arrow.gif" width="6" /> <a class="b" href="http://www.historiasiglo20.org/TEXT/churchill1940.htm" style="color: maroon; font-size: 8pt; text-decoration: none;">Winston Churchill: el discurso de "sangre, esfuerzo, lágrimas y sudor" 1940</a><br /> <img border="0" height="6" src="http://www.historiasiglo20.org/TEXT/images/maroon_arrow.gif" width="6" /> <a class="b" href="http://www.historiasiglo20.org/TEXT/unionfr-gb.htm" style="color: maroon; font-size: 8pt; text-decoration: none;">Propuesta de Unión franco-británica 1940</a><br /> <img border="0" height="6" src="http://www.historiasiglo20.org/TEXT/images/maroon_arrow.gif" width="6" /> <a class="b" href="http://www.historiasiglo20.org/TEXT/degaulle1940.htm" style="color: maroon; font-size: 8pt; text-decoration: none;">Discurso del General De Gaulle llamando a la lucha contra Alemania 1940</a><br /> <img border="0" height="6" src="http://www.historiasiglo20.org/TEXT/images/maroon_arrow.gif" width="6" /> <a class="b" href="http://www.historiasiglo20.org/TEXT/cartaatlantico.htm" style="color: maroon; font-size: 8pt; text-decoration: none;">La Carta del Atlántico 1941</a><br /> <img border="0" height="6" src="http://www.historiasiglo20.org/TEXT/images/maroon_arrow.gif" width="6" /> <a class="b" href="http://www.historiasiglo20.org/TEXT/hitlerduceURSS.htm" style="color: maroon; font-size: 8pt; text-decoration: none;">Carta de Hitler a Mussolini anunciándole la invasión de Rusia 1941</a><br /> <img border="0" height="6" src="http://www.historiasiglo20.org/TEXT/images/maroon_arrow.gif" width="6" /> <a class="b" href="http://www.historiasiglo20.org/TEXT/stalin1941.htm" style="color: maroon; font-size: 8pt; text-decoration: none;">Discurso de Stalin llamando a la resistencia 1941</a><br /> <img border="0" height="6" src="http://www.historiasiglo20.org/TEXT/images/maroon_arrow.gif" width="6" /> <a class="b" href="http://www.historiasiglo20.org/TEXT/decguerrajapon.htm" style="color: maroon; font-size: 8pt; text-decoration: none;">Declaración de guerra de Japón 1941</a><br /> <img border="0" height="6" src="http://www.historiasiglo20.org/TEXT/images/maroon_arrow.gif" width="6" /> <a class="b" href="http://www.historiasiglo20.org/TEXT/decnacionesunidas.htm" style="color: maroon; font-size: 8pt; text-decoration: none;">Declaración de las Naciones Unidas 1942</a><br /> <img border="0" height="6" src="http://www.historiasiglo20.org/TEXT/images/maroon_arrow.gif" width="6" /> <a class="b" href="http://www.historiasiglo20.org/TEXT/armisticioitalia.htm" style="color: maroon; font-size: 8pt; text-decoration: none;">Armisticio de Italia 1943</a><br /> <img border="0" height="6" src="http://www.historiasiglo20.org/TEXT/images/maroon_arrow.gif" width="6" /> <a class="b" href="http://www.historiasiglo20.org/TEXT/confteheran.htm" style="color: maroon; font-size: 8pt; text-decoration: none;">Acuerdos de la Conferencia de Teherán 1943</a><br /> <img border="0" height="6" src="http://www.historiasiglo20.org/TEXT/images/maroon_arrow.gif" width="6" /> <a class="b" href="http://www.historiasiglo20.org/TEXT/dumbartonoaks.htm" style="color: maroon; font-size: 8pt; text-decoration: none;">Declaración de Dumbarton Oaks sobre las Naciones Unidas 1944</a><br /> <img border="0" height="6" src="http://www.historiasiglo20.org/TEXT/images/maroon_arrow.gif" width="6" /> <a class="b" href="http://www.historiasiglo20.org/TEXT/yalta-onu.htm" style="color: maroon; font-size: 8pt; text-decoration: none;">Conferencia de Yalta - Resoluciones sobre la ONU 1945</a><br /> <img border="0" height="6" src="http://www.historiasiglo20.org/TEXT/images/maroon_arrow.gif" width="6" /> <a class="b" href="http://www.historiasiglo20.org/TEXT/yalta-europaliberada.htm" style="color: maroon; font-size: 8pt; text-decoration: none;">Conferencia de Yalta - Declaración sobre la Europa liberada 1945</a> <br /> <img border="0" height="6" src="http://www.historiasiglo20.org/TEXT/images/maroon_arrow.gif" width="6" /> <a class="b" href="http://www.historiasiglo20.org/TEXT/yalta-alemania.htm" style="color: maroon; font-size: 8pt; text-decoration: none;">Conferencia de Yalta - Resoluciones sobre Alemania 1945</a><br /> <img border="0" height="6" src="http://www.historiasiglo20.org/TEXT/images/maroon_arrow.gif" width="6" /> <a class="b" href="http://www.historiasiglo20.org/TEXT/yalta-polonia.htm" style="color: maroon; font-size: 8pt; text-decoration: none;">Conferencia de Yalta - Resoluciones sobre Polonia 1945</a><br /> <img border="0" height="6" src="http://www.historiasiglo20.org/TEXT/images/maroon_arrow.gif" width="6" /> <a class="b" href="http://www.historiasiglo20.org/TEXT/yalta-japon.htm" style="color: maroon; font-size: 8pt; text-decoration: none;">Conferencia de Yalta - Resoluciones sobre Japón 1945</a><br /> <img border="0" height="6" src="http://www.historiasiglo20.org/TEXT/images/maroon_arrow.gif" width="6" /> <a class="b" href="http://www.historiasiglo20.org/TEXT/rendicionalemania.htm" style="color: maroon; font-size: 8pt; text-decoration: none;">Capitulación de Alemania 1945</a><br /> <img border="0" height="6" src="http://www.historiasiglo20.org/TEXT/images/maroon_arrow.gif" width="6" /> <a class="b" href="http://www.historiasiglo20.org/TEXT/trumansanfrancisco.htm" style="color: maroon; font-size: 8pt; text-decoration: none;">Discurso de Truman en la Conferencia de San Francisco 1945</a><br /> <img border="0" height="6" src="http://www.historiasiglo20.org/TEXT/images/maroon_arrow.gif" width="6" /> <a class="b" href="http://www.historiasiglo20.org/TEXT/cartaonu.htm" style="color: maroon; font-size: 8pt; text-decoration: none;">Carta de las Naciones Unidas 1945</a><br /> <img border="0" height="6" src="http://www.historiasiglo20.org/TEXT/images/maroon_arrow.gif" width="6" /> <a class="b" href="http://www.historiasiglo20.org/TEXT/potsdam-japon.htm" style="color: maroon; font-size: 8pt; text-decoration: none;">Conferencia de Potsdam - Ultimátum a Japón 1945</a> <br /> <img border="0" height="6" src="http://www.historiasiglo20.org/TEXT/images/maroon_arrow.gif" width="6" /> <a class="b" href="http://www.historiasiglo20.org/TEXT/capitulacionjapon.htm" style="color: maroon; font-size: 8pt; text-decoration: none;">Capitulación de Japón 1945</a></div>
<div align="right" style="margin-left: 5px;">
<a href="http://www.historiasiglo20.org/TEXT/index.htm#up"><img border="0" height="12" src="http://www.historiasiglo20.org/TEXT/images/arriba.gif" width="16" /></a></div>
<h1 align="left" style="font-size: 12pt; margin-left: 5px;">
<span style="color: maroon;">La Guerra Fría</span></h1>
<div align="left" style="margin-left: 5px;">
<img border="0" height="6" src="http://www.historiasiglo20.org/TEXT/images/maroon_arrow.gif" width="6" /> <a class="b" href="http://www.historiasiglo20.org/TEXT/stalin1946.htm" style="color: maroon; font-size: 8pt; text-decoration: none;">Discurso de Stalin en Moscú 1946 </a><br /> <img border="0" height="6" src="http://www.historiasiglo20.org/TEXT/images/maroon_arrow.gif" width="6" /> <a class="b" href="http://www.historiasiglo20.org/TEXT/kennan1946.htm" style="color: maroon; font-size: 8pt; text-decoration: none;">Telegrama de George Kennan 1946 </a><br /> <img border="0" height="6" src="http://www.historiasiglo20.org/TEXT/images/maroon_arrow.gif" width="6" /> <a class="b" href="http://www.historiasiglo20.org/TEXT/doctrinatruman.htm" style="color: maroon; font-size: 8pt; text-decoration: none;">La Doctrina Truman 1947 </a><br /> <img border="0" height="6" src="http://www.historiasiglo20.org/TEXT/images/maroon_arrow.gif" width="6" /> <a class="b" href="http://www.historiasiglo20.org/TEXT/fulton-churchill.htm" style="color: maroon; font-size: 8pt; text-decoration: none;">Discurso de Churchill en Fulton 1946 </a><br /> <img border="0" height="6" src="http://www.historiasiglo20.org/TEXT/images/maroon_arrow.gif" width="6" /> <a class="b" href="http://www.historiasiglo20.org/TEXT/stalin1946-2.htm" style="color: maroon; font-size: 8pt; text-decoration: none;">Discurso de Stalin respondiendo al de Churchill en Fulton 1946 </a><br /> <img border="0" height="6" src="http://www.historiasiglo20.org/TEXT/images/maroon_arrow.gif" width="6" /> <a class="b" href="http://www.historiasiglo20.org/TEXT/zurich-churchill.htm" style="color: maroon; font-size: 8pt; text-decoration: none;">Discurso de Churchill en Zurich 1946 </a><br /> <img border="0" height="6" src="http://www.historiasiglo20.org/TEXT/images/maroon_arrow.gif" width="6" /> <a class="b" href="http://www.historiasiglo20.org/TEXT/kennan1947.htm" style="color: maroon; font-size: 8pt; text-decoration: none;">George Kennan: Los orígenes de la conducta soviética 1947 </a><br /> <img border="0" height="6" src="http://www.historiasiglo20.org/TEXT/images/maroon_arrow.gif" width="6" /> <a class="b" href="http://www.historiasiglo20.org/TEXT/planmarshall.htm" style="color: maroon; font-size: 8pt; text-decoration: none;">El Plan Marshall 1947 </a><br /> <img border="0" height="6" src="http://www.historiasiglo20.org/TEXT/images/maroon_arrow.gif" width="6" /> <a class="b" href="http://www.historiasiglo20.org/TEXT/informejdanov.htm" style="color: maroon; font-size: 8pt; text-decoration: none;">El Informe Jdanov 1947 </a><br /> <img border="0" height="6" src="http://www.historiasiglo20.org/TEXT/images/maroon_arrow.gif" width="6" /> <a class="b" href="http://www.historiasiglo20.org/TEXT/opinionsovietica1947.htm" style="color: maroon; font-size: 8pt; text-decoration: none;">La Doctrina Truman y el Plan Marshall desde el punto de vista soviético 1947 </a><br /> <img border="0" height="6" src="http://www.historiasiglo20.org/TEXT/images/maroon_arrow.gif" width="6" /> <a class="b" href="http://www.historiasiglo20.org/TEXT/israelindependencia.htm" style="color: maroon; font-size: 8pt; text-decoration: none;">La Declaración de Independencia de Israel 1948 </a><br /> <img border="0" height="6" src="http://www.historiasiglo20.org/TEXT/images/maroon_arrow.gif" width="6" /> <a class="b" href="http://www.historiasiglo20.org/TEXT/decderechoshumanos.htm" style="color: maroon; font-size: 8pt; text-decoration: none;">Declaración Universal de los Derechos Humanos de la ONU 1948 </a><br /> <img border="0" height="6" src="http://www.historiasiglo20.org/TEXT/images/maroon_arrow.gif" width="6" /> <a class="b" href="http://www.historiasiglo20.org/TEXT/declaracionPCY.htm" style="color: maroon; font-size: 8pt; text-decoration: none;">Declaración del Comité Central del Partido Comunista de Yugoslavia 1948 </a><br /> <img border="0" height="6" src="http://www.historiasiglo20.org/TEXT/images/maroon_arrow.gif" width="6" /> <a class="b" href="http://www.historiasiglo20.org/TEXT/vandenberg.htm" style="color: maroon; font-size: 8pt; text-decoration: none;">Resolución Vandenberg 1948 </a><br /> <img border="0" height="6" src="http://www.historiasiglo20.org/TEXT/images/maroon_arrow.gif" width="6" /> <a class="b" href="http://www.historiasiglo20.org/TEXT/otan.htm" style="color: maroon; font-size: 8pt; text-decoration: none;">Tratado del Atlántico Norte 1949 </a><br /> <img border="0" height="6" src="http://www.historiasiglo20.org/TEXT/images/maroon_arrow.gif" width="6" /> <a class="b" href="http://www.historiasiglo20.org/TEXT/corea-urss.htm" style="color: maroon; font-size: 8pt; text-decoration: none;">El inicio de la Guerra de Corea: la interpretación soviética 1950 </a><br /> <img border="0" height="6" src="http://www.historiasiglo20.org/TEXT/images/maroon_arrow.gif" width="6" /> <a class="b" href="http://www.historiasiglo20.org/TEXT/anzus.htm" style="color: maroon; font-size: 8pt; text-decoration: none;">Tratado ANZUS de Seguridad en el Pacífico 1951 </a><br /> <img border="0" height="6" src="http://www.historiasiglo20.org/TEXT/images/maroon_arrow.gif" width="6" /> <a class="b" href="http://www.historiasiglo20.org/TEXT/tratadojapon.htm" style="color: maroon; font-size: 8pt; text-decoration: none;">Tratado de Paz con Japón 1951 </a><br /> <img border="0" height="6" src="http://www.historiasiglo20.org/TEXT/images/maroon_arrow.gif" width="6" /> <a class="b" href="http://www.historiasiglo20.org/TEXT/convencionbonn.htm" style="color: maroon; font-size: 8pt; text-decoration: none;">Convención de Bonn sobre Alemania 1952 </a><br /> <img border="0" height="6" src="http://www.historiasiglo20.org/TEXT/images/maroon_arrow.gif" width="6" /> <a class="b" href="http://www.historiasiglo20.org/TEXT/ced.htm" style="color: maroon; font-size: 8pt; text-decoration: none;">Tratado de la Comunidad Europea de Defensa 1952 </a><br /> <img border="0" height="6" src="http://www.historiasiglo20.org/TEXT/images/maroon_arrow.gif" width="6" /> <a class="b" href="http://www.historiasiglo20.org/TEXT/indochina54.htm" style="color: maroon; font-size: 8pt; text-decoration: none;">Los Acuerdos de Ginebra sobre Indochina 1954 </a><br /> <img border="0" height="6" src="http://www.historiasiglo20.org/TEXT/images/maroon_arrow.gif" width="6" /> <a class="b" href="http://www.historiasiglo20.org/TEXT/seato.htm" style="color: maroon; font-size: 8pt; text-decoration: none;">Tratado de Defensa Colectiva del Sureste de Asia (SEATO) 1954 </a><br /> <img border="0" height="6" src="http://www.historiasiglo20.org/TEXT/images/maroon_arrow.gif" width="6" /> <a class="b" href="http://www.historiasiglo20.org/TEXT/bandung1.htm" style="color: maroon; font-size: 8pt; text-decoration: none;">Bandung - Declaración en favor del desarrollo de la paz y la cooperación mundial 1955 </a><br /> <img border="0" height="6" src="http://www.historiasiglo20.org/TEXT/images/maroon_arrow.gif" width="6" /> <a class="b" href="http://www.historiasiglo20.org/TEXT/bandung2.htm" style="color: maroon; font-size: 8pt; text-decoration: none;">Bandung - Declaración sobre los problemas de los pueblos dependientes 1955 </a><br /> <img border="0" height="6" src="http://www.historiasiglo20.org/TEXT/images/maroon_arrow.gif" width="6" /><a class="b" href="http://www.historiasiglo20.org/TEXT/pactovarsovia.htm" style="color: maroon; font-size: 8pt; text-decoration: none;"> El Pacto de Varsovia 1955 </a><br /> <img border="0" height="6" src="http://www.historiasiglo20.org/TEXT/images/maroon_arrow.gif" width="6" /> <a class="b" href="http://www.historiasiglo20.org/TEXT/suez1956.htm" style="color: maroon; font-size: 8pt; text-decoration: none;">Nacionalización del Canal de Suez 1956 </a><br /> <img border="0" height="6" src="http://www.historiasiglo20.org/TEXT/images/maroon_arrow.gif" width="6" /><a class="b" href="http://www.historiasiglo20.org/TEXT/budapest1956.htm" style="color: maroon; font-size: 8pt; text-decoration: none;"> La insurrección de Budapest 1956</a><br /> <img border="0" height="6" src="http://www.historiasiglo20.org/TEXT/images/maroon_arrow.gif" width="6" /><a class="b" href="http://www.historiasiglo20.org/TEXT/xxcongresopcus.htm" style="color: maroon; font-size: 8pt; text-decoration: none;"> El "Informe Secreto" de Kruschev al XX Congreso del PCUS 1956</a><br /> <img border="0" height="6" src="http://www.historiasiglo20.org/TEXT/images/maroon_arrow.gif" width="6" /><a class="b" href="http://www.historiasiglo20.org/TEXT/tratadoroma.htm" style="color: maroon; font-size: 8pt; text-decoration: none;"> Tratados de Roma 1957</a><br /> <img border="0" height="6" src="http://www.historiasiglo20.org/TEXT/images/maroon_arrow.gif" width="6" /><a class="b" href="http://www.historiasiglo20.org/TEXT/kruschevcoexpacif.htm" style="color: maroon; font-size: 8pt; text-decoration: none;"> Kruschev y la "coexistencia pacífica" 1959</a><br /> <img border="0" height="6" src="http://www.historiasiglo20.org/TEXT/images/maroon_arrow.gif" width="6" /><a class="b" href="http://www.historiasiglo20.org/TEXT/onu1514-1960.htm" style="color: maroon; font-size: 8pt; text-decoration: none;"> Resolución 1514 de la ONU sobre la Independencia a los pueblos coloniales 1960</a><br /> <img border="0" height="6" src="http://www.historiasiglo20.org/TEXT/images/maroon_arrow.gif" width="6" /><a class="b" href="http://www.historiasiglo20.org/TEXT/berlin1961.htm" style="color: maroon; font-size: 8pt; text-decoration: none;"> Una reacción occidental ante la construcción del Muro de Berlín 1961</a><br /> <img border="0" height="6" src="http://www.historiasiglo20.org/TEXT/images/maroon_arrow.gif" width="6" /><a class="b" href="http://www.historiasiglo20.org/TEXT/belgrado1961.htm" style="color: maroon; font-size: 8pt; text-decoration: none;"> Declaración de Belgrado de Países No Alineados 1961</a><br /> <img border="0" height="6" src="http://www.historiasiglo20.org/TEXT/images/maroon_arrow.gif" width="6" /><a class="b" href="http://www.historiasiglo20.org/TEXT/cuba1962-1.htm" style="color: maroon; font-size: 8pt; text-decoration: none;"> La crisis de Cuba - Carta de Kruschev a Kennedy 1962</a><br /> <img border="0" height="6" src="http://www.historiasiglo20.org/TEXT/images/maroon_arrow.gif" width="6" /><a class="b" href="http://www.historiasiglo20.org/TEXT/cuba1962-2.htm" style="color: maroon; font-size: 8pt; text-decoration: none;"> La crisis de Cuba - Carta de Kennedy a Kruschev 1962</a><br /> <img border="0" height="6" src="http://www.historiasiglo20.org/TEXT/images/maroon_arrow.gif" width="6" /><a class="b" href="http://www.historiasiglo20.org/TEXT/evian.htm" style="color: maroon; font-size: 8pt; text-decoration: none;"> Los Acuerdos de Evian sobre la autodeterminación de Argelia 1962</a><br /> <img border="0" height="6" src="http://www.historiasiglo20.org/TEXT/images/maroon_arrow.gif" width="6" /><a class="b" href="http://www.historiasiglo20.org/TEXT/evian.htm" style="color: maroon; font-size: 8pt; text-decoration: none;"> </a><a class="b" href="http://www.historiasiglo20.org/TEXT/kennedyberlin.htm" style="color: maroon; font-size: 8pt; text-decoration: none;">Discurso de Kennedy en Berlín 1963</a><br /> <img border="0" height="6" src="http://www.historiasiglo20.org/TEXT/images/maroon_arrow.gif" width="6" /><a class="b" href="http://www.historiasiglo20.org/TEXT/evian.htm" style="color: maroon; font-size: 8pt; text-decoration: none;"> </a><a class="b" href="http://www.historiasiglo20.org/TEXT/hoxha-urss.htm" style="color: maroon; font-size: 8pt; text-decoration: none;">La Albania de Enver Hoxha y su ruptura con la URSS 1964</a><br /> <img border="0" height="6" src="http://www.historiasiglo20.org/TEXT/images/maroon_arrow.gif" width="6" /><a class="b" href="http://www.historiasiglo20.org/TEXT/evian.htm" style="color: maroon; font-size: 8pt; text-decoration: none;"> </a><a class="b" href="http://www.historiasiglo20.org/TEXT/degaulle-europa.htm" style="color: maroon; font-size: 8pt; text-decoration: none;">Europa según De Gaulle 1964</a><br /> <img border="0" height="6" src="http://www.historiasiglo20.org/TEXT/images/maroon_arrow.gif" width="6" /><a class="b" href="http://www.historiasiglo20.org/TEXT/evian.htm" style="color: maroon; font-size: 8pt; text-decoration: none;"> </a><a class="b" href="http://www.historiasiglo20.org/TEXT/guerra6dias-urss.htm" style="color: maroon; font-size: 8pt; text-decoration: none;">La guerra de los seis días - La posición soviética 1967</a><br /> <img border="0" height="6" src="http://www.historiasiglo20.org/TEXT/images/maroon_arrow.gif" width="6" /><a class="b" href="http://www.historiasiglo20.org/TEXT/evian.htm" style="color: maroon; font-size: 8pt; text-decoration: none;"> </a><a class="b" href="http://www.historiasiglo20.org/TEXT/guerra6dias-israel.htm" style="color: maroon; font-size: 8pt; text-decoration: none;">La guerra de los seis días - La opinión de Abba Eban 1967</a><br /> <img border="0" height="6" src="http://www.historiasiglo20.org/TEXT/images/maroon_arrow.gif" width="6" /><a class="b" href="http://www.historiasiglo20.org/TEXT/evian.htm" style="color: maroon; font-size: 8pt; text-decoration: none;"> </a><a class="b" href="http://www.historiasiglo20.org/TEXT/242ONU.htm" style="color: maroon; font-size: 8pt; text-decoration: none;">La guerra de los seis días - La resolución 242 del Consejo de Seguridad de la ONU 1967</a><br /> <img border="0" height="6" src="http://www.historiasiglo20.org/TEXT/images/maroon_arrow.gif" width="6" /><a class="b" href="http://www.historiasiglo20.org/TEXT/evian.htm" style="color: maroon; font-size: 8pt; text-decoration: none;"> </a><a class="b" href="http://www.historiasiglo20.org/TEXT/primaverapraga.htm" style="color: maroon; font-size: 8pt; text-decoration: none;">La "Primavera de Praga" 1968</a><br /> <img border="0" height="6" src="http://www.historiasiglo20.org/TEXT/images/maroon_arrow.gif" width="6" /><a class="b" href="http://www.historiasiglo20.org/TEXT/evian.htm" style="color: maroon; font-size: 8pt; text-decoration: none;"> </a><a class="b" href="http://www.historiasiglo20.org/TEXT/doctrinabreznev.htm" style="color: maroon; font-size: 8pt; text-decoration: none;">La Doctrina Breznev 1968</a><br /> <img border="0" height="6" src="http://www.historiasiglo20.org/TEXT/images/maroon_arrow.gif" width="6" /><a class="b" href="http://www.historiasiglo20.org/TEXT/evian.htm" style="color: maroon; font-size: 8pt; text-decoration: none;"> </a><a class="b" href="http://www.historiasiglo20.org/TEXT/RFApolonia.htm" style="color: maroon; font-size: 8pt; text-decoration: none;">Acuerdo entre la RFA y Polonia 1970</a><br /> <img border="0" height="6" src="http://www.historiasiglo20.org/TEXT/images/maroon_arrow.gif" width="6" /><a class="b" href="http://www.historiasiglo20.org/TEXT/evian.htm" style="color: maroon; font-size: 8pt; text-decoration: none;"> </a><a class="b" href="http://www.historiasiglo20.org/TEXT/RFAurss.htm" style="color: maroon; font-size: 8pt; text-decoration: none;">Tratado entre la URSS y la RFA 1970</a><br /> <img border="0" height="6" src="http://www.historiasiglo20.org/TEXT/images/maroon_arrow.gif" width="6" /><a class="b" href="http://www.historiasiglo20.org/TEXT/evian.htm" style="color: maroon; font-size: 8pt; text-decoration: none;"> </a><a class="b" href="http://www.historiasiglo20.org/TEXT/EEUUchina.htm" style="color: maroon; font-size: 8pt; text-decoration: none;">Comunicado conjunto de la República Popular China y EEUU 1972</a><br /> <img border="0" height="6" src="http://www.historiasiglo20.org/TEXT/images/maroon_arrow.gif" width="6" /><a class="b" href="http://www.historiasiglo20.org/TEXT/evian.htm" style="color: maroon; font-size: 8pt; text-decoration: none;"> </a><a class="b" href="http://www.historiasiglo20.org/TEXT/SALTI.htm" style="color: maroon; font-size: 8pt; text-decoration: none;">Tratado SALT I 1972</a><br /> <img border="0" height="6" src="http://www.historiasiglo20.org/TEXT/images/maroon_arrow.gif" width="6" /><a class="b" href="http://www.historiasiglo20.org/TEXT/evian.htm" style="color: maroon; font-size: 8pt; text-decoration: none;"> </a><a class="b" href="http://www.historiasiglo20.org/TEXT/RAFARDA.htm" style="color: maroon; font-size: 8pt; text-decoration: none;">Tratado sobre las relaciones entre la RFA y la RDA 1972</a><br /> <img border="0" height="6" src="http://www.historiasiglo20.org/TEXT/images/maroon_arrow.gif" width="6" /><a class="b" href="http://www.historiasiglo20.org/TEXT/evian.htm" style="color: maroon; font-size: 8pt; text-decoration: none;"> </a><a class="b" href="http://www.historiasiglo20.org/TEXT/338ONU.htm" style="color: maroon; font-size: 8pt; text-decoration: none;">La guerra del Yom Kippur - Resolución 338 de la ONU 1973</a><br /> <img border="0" height="6" src="http://www.historiasiglo20.org/TEXT/images/maroon_arrow.gif" width="6" /><a class="b" href="http://www.historiasiglo20.org/TEXT/evian.htm" style="color: maroon; font-size: 8pt; text-decoration: none;"> </a><a class="b" href="http://www.historiasiglo20.org/TEXT/crisispetroleo.htm" style="color: maroon; font-size: 8pt; text-decoration: none;">La guerra del Yom Kippur - La crisis del petróleo 1973</a><br /> <img border="0" height="6" src="http://www.historiasiglo20.org/TEXT/images/maroon_arrow.gif" width="6" /><a class="b" href="http://www.historiasiglo20.org/TEXT/evian.htm" style="color: maroon; font-size: 8pt; text-decoration: none;"> </a><a class="b" href="http://www.historiasiglo20.org/TEXT/vietnam1973.htm" style="color: maroon; font-size: 8pt; text-decoration: none;">Acuerdo de la Conferencia de París sobre el fin de la Guerra del Vietnam 1973</a><br /> <img border="0" height="6" src="http://www.historiasiglo20.org/TEXT/images/maroon_arrow.gif" width="6" /><a class="b" href="http://www.historiasiglo20.org/TEXT/evian.htm" style="color: maroon; font-size: 8pt; text-decoration: none;"> </a><a class="b" href="http://www.historiasiglo20.org/TEXT/agentenaranja.htm" style="color: maroon; font-size: 8pt; text-decoration: none;">El defoliante de los bombardeos de hace 30 años aún contamina Vietnam 2003</a><br /> <img border="0" height="6" src="http://www.historiasiglo20.org/TEXT/images/maroon_arrow.gif" width="6" /><a class="b" href="http://www.historiasiglo20.org/TEXT/evian.htm" style="color: maroon; font-size: 8pt; text-decoration: none;"> </a><a class="b" href="http://www.historiasiglo20.org/TEXT/helsinki1975.htm" style="color: maroon; font-size: 8pt; text-decoration: none;">Acta Final de la Conferencia sobre Seguridad y la Cooperación en Europa 1975</a><br /> <img border="0" height="6" src="http://www.historiasiglo20.org/TEXT/images/maroon_arrow.gif" width="6" /><a class="b" href="http://www.historiasiglo20.org/TEXT/evian.htm" style="color: maroon; font-size: 8pt; text-decoration: none;"> </a><a class="b" href="http://www.historiasiglo20.org/TEXT/campdavid1978.htm" style="color: maroon; font-size: 8pt; text-decoration: none;">Acuerdos de Camp David entre Egipto e Israel 1978</a><br /> <img border="0" height="6" src="http://www.historiasiglo20.org/TEXT/images/maroon_arrow.gif" width="6" /><a class="b" href="http://www.historiasiglo20.org/TEXT/evian.htm" style="color: maroon; font-size: 8pt; text-decoration: none;"> </a><a class="b" href="http://www.historiasiglo20.org/TEXT/noalineados1979.htm" style="color: maroon; font-size: 8pt; text-decoration: none;">Declaración de la VI Conferencia de Países No Alineados 1979</a><br /> <img border="0" height="6" src="http://www.historiasiglo20.org/TEXT/images/maroon_arrow.gif" width="6" /><a class="b" href="http://www.historiasiglo20.org/TEXT/evian.htm" style="color: maroon; font-size: 8pt; text-decoration: none;"> </a><a class="b" href="http://www.historiasiglo20.org/TEXT/egiptoisrael1979.htm" style="color: maroon; font-size: 8pt; text-decoration: none;">Tratado de paz entre Israel y Egipto 1979</a><br /> <img border="0" height="6" src="http://www.historiasiglo20.org/TEXT/images/maroon_arrow.gif" width="6" /><a class="b" href="http://www.historiasiglo20.org/TEXT/evian.htm" style="color: maroon; font-size: 8pt; text-decoration: none;"> </a><a class="b" href="http://www.historiasiglo20.org/TEXT/malvinas1982.htm" style="color: maroon; font-size: 8pt; text-decoration: none;">Margaret Thatcher opina sobre la guerra de las Malvinas 1982</a><br /> <img border="0" height="6" src="http://www.historiasiglo20.org/TEXT/images/maroon_arrow.gif" width="6" /><a class="b" href="http://www.historiasiglo20.org/TEXT/evian.htm" style="color: maroon; font-size: 8pt; text-decoration: none;"> </a><a class="b" href="http://www.historiasiglo20.org/TEXT/reaganide1983.htm" style="color: maroon; font-size: 8pt; text-decoration: none;">Ronald Reagan anuncia la Iniciativa de Defensa Estratégica 1983</a></div>
<div align="right" style="margin-left: 5px;">
<a href="http://www.historiasiglo20.org/TEXT/index.htm#up"><img border="0" height="12" src="http://www.historiasiglo20.org/TEXT/images/arriba.gif" width="16" /></a></div>
<h1 align="left" style="font-size: 12pt; margin-left: 5px;">
<span style="color: maroon;">El Fin de la Guerra Fría</span></h1>
<div align="left" style="margin-left: 5px;">
<img border="0" height="6" src="http://www.historiasiglo20.org/TEXT/images/maroon_arrow.gif" width="6" /><a class="b" href="http://www.historiasiglo20.org/TEXT/evian.htm" style="color: maroon; font-size: 8pt; text-decoration: none;"> </a><a class="b" href="http://www.historiasiglo20.org/TEXT/washington1987.htm" style="color: maroon; font-size: 8pt; text-decoration: none;">Tratado sobre eliminación de misiles de alcance corto e intermedio 1987</a><br /> <img border="0" height="6" src="http://www.historiasiglo20.org/TEXT/images/maroon_arrow.gif" width="6" /><a class="b" href="http://www.historiasiglo20.org/TEXT/evian.htm" style="color: maroon; font-size: 8pt; text-decoration: none;"> </a><a class="b" href="http://www.historiasiglo20.org/TEXT/perestroika.htm" style="color: maroon; font-size: 8pt; text-decoration: none;">Gorbachov explica la <i>Perestroika</i> 1988</a><br /> <img border="0" height="6" src="http://www.historiasiglo20.org/TEXT/images/maroon_arrow.gif" width="6" /><a class="b" href="http://www.historiasiglo20.org/TEXT/evian.htm" style="color: maroon; font-size: 8pt; text-decoration: none;"> </a><a class="b" href="http://www.historiasiglo20.org/TEXT/afganistan1988.htm" style="color: maroon; font-size: 8pt; text-decoration: none;">Gorbachov - Acuerdo para la retirada de las tropas soviéticas de Afganistán 1988</a><br /> <img border="0" height="6" src="http://www.historiasiglo20.org/TEXT/images/maroon_arrow.gif" width="6" /><a class="b" href="http://www.historiasiglo20.org/TEXT/evian.htm" style="color: maroon; font-size: 8pt; text-decoration: none;"> </a><a class="b" href="http://www.historiasiglo20.org/TEXT/palestina1988.htm" style="color: maroon; font-size: 8pt; text-decoration: none;">Declaración de independencia de Palestina 1988</a><br /> <img border="0" height="6" src="http://www.historiasiglo20.org/TEXT/images/maroon_arrow.gif" width="6" /><a class="b" href="http://www.historiasiglo20.org/TEXT/evian.htm" style="color: maroon; font-size: 8pt; text-decoration: none;"> </a><a class="b" href="http://www.historiasiglo20.org/TEXT/thatcher1988.htm" style="color: maroon; font-size: 8pt; text-decoration: none;">El "Discurso de Brujas": la visión de Europa de Margaret Thatcher 1988</a><br /> <img border="0" height="6" src="http://www.historiasiglo20.org/TEXT/images/maroon_arrow.gif" width="6" /><a class="b" href="http://www.historiasiglo20.org/TEXT/evian.htm" style="color: maroon; font-size: 8pt; text-decoration: none;"> </a><a class="b" href="http://www.historiasiglo20.org/TEXT/gorbachovONU1988.htm" style="color: maroon; font-size: 8pt; text-decoration: none;">Gorbachov - Discurso en la ONU anunciando medidas soviéticas de desarme 1988</a><br /> <img border="0" height="6" src="http://www.historiasiglo20.org/TEXT/images/maroon_arrow.gif" width="6" /><a class="b" href="http://www.historiasiglo20.org/TEXT/evian.htm" style="color: maroon; font-size: 8pt; text-decoration: none;"> </a><a class="b" href="http://www.historiasiglo20.org/TEXT/muroberlin-muertes.htm" style="color: maroon; font-size: 8pt; text-decoration: none;">Setenta y nueve muertos en 28 años de Muro de Berlín 1989</a><br /> <img border="0" height="6" src="http://www.historiasiglo20.org/TEXT/images/maroon_arrow.gif" width="6" /><a class="b" href="http://www.historiasiglo20.org/TEXT/evian.htm" style="color: maroon; font-size: 8pt; text-decoration: none;"> </a><a class="b" href="http://www.historiasiglo20.org/TEXT/tiananmen1989.htm" style="color: maroon; font-size: 8pt; text-decoration: none;">La "matanza de Tiananmen" según una testigo 1989</a><br /> <img border="0" height="6" src="http://www.historiasiglo20.org/TEXT/images/maroon_arrow.gif" width="6" /><a class="b" href="http://www.historiasiglo20.org/TEXT/evian.htm" style="color: maroon; font-size: 8pt; text-decoration: none;"> </a><a class="b" href="http://www.historiasiglo20.org/TEXT/CSCEparis1990.htm" style="color: maroon; font-size: 8pt; text-decoration: none;">Cumbre de la C.S.C.E. en París - Declaración conjunta de 22 Estados Europeos 1990</a><br /> <img border="0" height="6" src="http://www.historiasiglo20.org/TEXT/images/maroon_arrow.gif" width="6" /><a class="b" href="http://www.historiasiglo20.org/TEXT/evian.htm" style="color: maroon; font-size: 8pt; text-decoration: none;"> </a><a class="b" href="http://www.historiasiglo20.org/TEXT/cartaparis1990.htm" style="color: maroon; font-size: 8pt; text-decoration: none;">Cumbre de la C.S.C.E. en París - Carta por una Nueva Europa 1990</a><br /> <img border="0" height="6" src="http://www.historiasiglo20.org/TEXT/images/maroon_arrow.gif" width="6" /><a class="b" href="http://www.historiasiglo20.org/TEXT/evian.htm" style="color: maroon; font-size: 8pt; text-decoration: none;"> </a><a class="b" href="http://www.historiasiglo20.org/TEXT/2+41990.htm" style="color: maroon; font-size: 8pt; text-decoration: none;">Tratado para un arreglo definitivo de la cuestión alemana - Tratado "2+4" 1990</a><br /> <img border="0" height="6" src="http://www.historiasiglo20.org/TEXT/images/maroon_arrow.gif" width="6" /><a class="b" href="http://www.historiasiglo20.org/TEXT/evian.htm" style="color: maroon; font-size: 8pt; text-decoration: none;"> </a><a class="b" href="http://www.historiasiglo20.org/TEXT/ONUguerragolfo1991.htm" style="color: maroon; font-size: 8pt; text-decoration: none;">Resoluciones de la ONU y la guerra del Golfo 1990-1991</a><br /> <img border="0" height="6" src="http://www.historiasiglo20.org/TEXT/images/maroon_arrow.gif" width="6" /><a class="b" href="http://www.historiasiglo20.org/TEXT/evian.htm" style="color: maroon; font-size: 8pt; text-decoration: none;"> </a><a class="b" href="http://www.historiasiglo20.org/TEXT/yugoslavia1991.htm" style="color: maroon; font-size: 8pt; text-decoration: none;">Los orígenes del conflicto de la ex-Yugoslavia 1991</a><br /> <img border="0" height="6" src="http://www.historiasiglo20.org/TEXT/images/maroon_arrow.gif" width="6" /><a class="b" href="http://www.historiasiglo20.org/TEXT/evian.htm" style="color: maroon; font-size: 8pt; text-decoration: none;"> </a><a class="b" href="http://www.historiasiglo20.org/TEXT/madrid1991.htm" style="color: maroon; font-size: 8pt; text-decoration: none;">Invitación americano-soviética a la Conferencia sobre Oriente Medio en Madrid 1991</a><br /> <img border="0" height="6" src="http://www.historiasiglo20.org/TEXT/images/maroon_arrow.gif" width="6" /><a class="b" href="http://www.historiasiglo20.org/TEXT/evian.htm" style="color: maroon; font-size: 8pt; text-decoration: none;"> </a><a class="b" href="http://www.historiasiglo20.org/TEXT/minsk1991.htm" style="color: maroon; font-size: 8pt; text-decoration: none;">Tratado de Minsk entre Rusia, Bielorrusia y Ucrania para la creación de la C.E.I. 1991</a><br /> <img border="0" height="6" src="http://www.historiasiglo20.org/TEXT/images/maroon_arrow.gif" width="6" /><a class="b" href="http://www.historiasiglo20.org/TEXT/evian.htm" style="color: maroon; font-size: 8pt; text-decoration: none;"> </a><a class="b" href="http://www.historiasiglo20.org/TEXT/almaata1991.htm" style="color: maroon; font-size: 8pt; text-decoration: none;">Tratado de Alma Atá de adhesión de diversas repúblicas ex-soviéticas a la C.E.I. 1991</a></div>
</blockquote>
<br />
<a href="http://www.historiasiglo20.org/RI/index.htm">http://www.historiasiglo20.org/RI/index.htm</a><br />
<blockquote style="font-family: Arial; font-size: 10.399999618530273px; font-weight: bold; text-align: -webkit-center;">
<div align="left" style="margin-left: 5px;">
<br /> </div>
</blockquote>Victor Nogueirahttp://www.blogger.com/profile/13759238536489604722noreply@blogger.com1tag:blogger.com,1999:blog-2736353218304570703.post-58922640573159586622011-12-05T04:31:00.001+00:002011-12-05T04:33:49.850+00:00Galeria " O Massacre dos Inocentes"<br />
<h3 class="post-title entry-title" style="font: normal normal normal 24px/normal Times, 'Times New Roman', serif; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; position: relative;">
<span class="Apple-style-span" style="background-color: white;"><br /></span></h3>
<div class="post-header" style="font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; font-size: 13px; line-height: 1.6; margin-bottom: 1.5em; margin-left: 0px; margin-right: 0px; margin-top: 0px;">
<div class="post-header-line-1">
</div>
</div>
<div class="post-body entry-content" id="post-body-7437833033080674895" style="background-color: #3d85c6; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; font-size: 13px; line-height: 18px; width: 500px;">
<div style="text-align: center;">
<span class="Apple-style-span" style="background-color: white;"><img alt="Ver Imagem" height="317" src="http://purl.pt/7025/1/e-368-a_JPG/e-368-a_JPG_24-C-R0072/e-368-a_0001_1_p24-C-R0072.jpg" style="padding-bottom: 8px; padding-left: 8px; padding-right: 8px; padding-top: 8px;" width="400" /></span></div>
<div style="text-align: center;">
<span class="Apple-style-span" style="background-color: white;"><br /></span></div>
<div style="text-align: center;">
<span class="Apple-style-span" style="background-color: white;"><span class="Apple-style-span" style="font-family: Verdana, sans-serif; font-size: 13px;">CAVALLERIIS, Giovanni Battista, 1525-1597</span><br style="font-family: Verdana, sans-serif; font-size: 13px; text-align: -webkit-auto;" /><span class="Apple-style-span" style="font-family: Verdana, sans-serif; font-size: 13px; text-align: -webkit-auto;">[A matança dos inocentes] [Visual gráfico / Jo. Baptista de Caualleris Lagerinus incideb. - [Romae : s.n., 1561]. - 1 gravura : água-forte, p&b. - Dim. da comp.: 46,5x59 cm</span></span></div>
<div style="text-align: center;">
<span class="Apple-style-span" style="background-color: white; font-family: Verdana, sans-serif; font-size: 13px; text-align: -webkit-auto;"><br /></span></div>
<div style="text-align: center;">
<span class="Apple-style-span" style="background-color: white;"><img alt="Ver Imagem" height="400" src="http://purl.pt/5133/1/e-679-v_JPG/e-679-v_JPG_24-C-R0072/e-679-v_0001_1_p24-C-R0072.jpg" style="padding-bottom: 8px; padding-left: 8px; padding-right: 8px; padding-top: 8px;" width="259" /></span></div>
<div style="text-align: center;">
<span class="Apple-style-span" style="background-color: white;"><br /></span></div>
<div style="text-align: center;">
<span class="Apple-style-span" style="background-color: white;"><span class="Apple-style-span" style="font-family: Verdana, sans-serif; font-size: 13px;">[A MATANCA DOS INOCENTES]</span><br style="font-family: Verdana, sans-serif; font-size: 13px; text-align: -webkit-auto;" /><span class="Apple-style-span" style="font-family: Verdana, sans-serif; font-size: 13px; text-align: -webkit-auto;">[A matança dos inocentes] [Visual gráfico. - [S.l. : s.n., 17--?]. - 1 gravura : buril e água-forte, p&b http://purl.pt/5133</span><br style="font-family: Verdana, sans-serif; font-size: 13px; text-align: -webkit-auto;" /><span class="Apple-style-span" style="font-family: Verdana, sans-serif; font-size: 13px; text-align: -webkit-auto;">. - Data provável baseada em características formais. - Dim. da comp.: 37x24,4 cm</span></span></div>
<div style="text-align: center;">
<span class="Apple-style-span" style="background-color: white; font-family: Verdana, sans-serif; font-size: 13px; text-align: -webkit-auto;"><br /></span></div>
<div style="text-align: center;">
</div>
<table align="center" border="0" cellpadding="10" cellspacing="10" style="background-color: white; font-family: tahoma; font-size: 12px; text-align: left;"><tbody>
<tr><td><img align="right" alt="" border="1" height="267" hspace="5" src="http://www.joaocladias.org.br/Editor/arquivos/02(70).jpg" style="padding-bottom: 8px; padding-left: 8px; padding-right: 8px; padding-top: 8px;" vspace="5" width="400" /></td></tr>
<tr><td style="text-align: center;"><em>Que mal poderia fazer a Herodes aquele Menino, filho de<br />carpinteiro, nascido numa gruta e deitado<br />numa manjedoura?</em>"Matança dos inocentes" - Catedral de Notre Dame, Paris<br /><br /><br /><img height="400" src="http://padornelo.com.sapo.pt/Livro%20de%20Horas%20de%20D%20Manuel%20matanca%20dos%20inocentes.jpg" style="padding-bottom: 8px; padding-left: 8px; padding-right: 8px; padding-top: 8px;" width="298" /><br /><br /><br /><i class="close_btn" style="background-attachment: initial; background-clip: initial; background-color: initial; background-image: url(http://www.google.pt/images/nav_logo95.png); background-origin: initial; background-position: -138px -84px; background-repeat: no-repeat no-repeat; border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; display: block; height: 14px; overflow-x: hidden; overflow-y: hidden; width: 14px;"></i><br /><div class="std" id="ilat" style="font-family: arial; font-size: 13px; line-height: 1px; padding-bottom: 8px; padding-left: 8px; padding-right: 8px; padding-top: 0px; text-align: -webkit-auto; width: 462.02338129496405px;">
<div class="ilat_fn" style="font-size: 16px; line-height: 19px; overflow-x: hidden; overflow-y: hidden; text-align: center;">
<a href="http://padornelo.com.sapo.pt/Livro%20de%20Horas%20de%20D%20Manuel%20matanca%20dos%20inocentes.jpg" saprocessedanchor="true" style="overflow-x: hidden; overflow-y: hidden; text-decoration: none; text-overflow: ellipsis; white-space: nowrap;"><span class="Apple-style-span" style="color: black;">Livro de Horas de D Manuel matanca dos inocentes</span></a></div>
<div class="ilat_fn" style="font-size: 16px; line-height: 19px; overflow-x: hidden; overflow-y: hidden; text-align: center;">
<br /></div>
<div class="ilat_fn" style="font-size: 16px; line-height: 19px; overflow-x: hidden; overflow-y: hidden; text-align: center;">
<br /></div>
<div class="ilat_fn" style="font-size: 16px; line-height: 19px; overflow-x: hidden; overflow-y: hidden; text-align: center;">
<div id="photo" style="background-color: #fefefe; font-family: Arial, Helvetica, sans-serif; font-size: 12px; line-height: 18px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; position: relative; text-align: left; width: 640px;">
<div class="photo-div" style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-align: center;">
<img alt="foto" height="448" id="imageChecker-13230540746130" src="http://farm2.staticflickr.com/1212/5169669418_5a5bca0c92_z.jpg" style="border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; display: inline-block; padding-bottom: 8px; padding-left: 8px; padding-right: 8px; padding-top: 8px;" width="316" /></div>
</div>
<div id="meta" style="background-color: #fefefe; font-family: Arial, Helvetica, sans-serif; font-size: 12px; line-height: 18px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-align: left; width: 562px;">
<h1 class="photo-title" id="title_div5169669418" property="dc:title" style="font-size: 20px; font-weight: normal; line-height: 1.3em; margin-bottom: 12px; margin-left: 0px; margin-right: 0px; margin-top: 12px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; position: relative; text-align: center;">
Matança dos Inocentes</h1>
<div class="photo-desc" id="description_div5169669418" style="line-height: 1.3em; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;">
<div id="yui_3_4_0_3_1323054074400_968" style="margin-bottom: 10px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;">
</div>
<div style="text-align: center;">
Livro de Horas</div>
<div style="text-align: center;">
Autor: Mestre das Inscrições Brancas</div>
<div style="text-align: center;">
Local de Produção: Bruges (Bélgica)</div>
<div style="text-align: center;">
Data de produção: Final de Séc. XV</div>
<div style="text-align: center;">
Proveniência: Fundo Patrimonial Biblioteca Pública de Évora (Portugal)</div>
<div style="text-align: center;">
[BPE – CIM Cód. CXXIV / 2-12, fl.120v]</div>
</div>
</div>
</div>
<div class="ilat_fn" style="font-size: 16px; line-height: 19px; overflow-x: hidden; overflow-y: hidden;">
<a href="http://www.flickr.com/photos/bibliotecapublicaevora/5169669418/" style="text-decoration: none;"><span class="Apple-style-span" style="color: black;">http://www.flickr.com/photos/bibliotecapublicaevora/5169669418/</span></a></div>
<div class="ilat_fn" style="font-size: 16px; line-height: 19px; overflow-x: hidden; overflow-y: hidden;">
<br /></div>
<div class="ilat_fn" style="font-size: 16px; line-height: 19px; overflow-x: hidden; overflow-y: hidden;">
<br /></div>
<div class="ilat_fn" style="font-size: 16px; line-height: 19px; overflow-x: hidden; overflow-y: hidden;">
<div style="background-color: #fafafa; font-family: arial, helvetica, sans-serif; line-height: 15px; text-align: center;">
<span style="background-attachment: initial; background-clip: initial; background-color: transparent; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; font-size: small; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;"><b style="background-attachment: initial; background-clip: initial; background-color: transparent; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;"><b style="background-attachment: initial; background-clip: initial; background-color: transparent; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;"><img height="228" src="http://t1.gstatic.com/images?q=tbn:ANd9GcTP7t3jzZEkGAengJZVhbFHmwq150oR5Dv95XJxQtIcYWxoFX5HQA" style="padding-bottom: 8px; padding-left: 8px; padding-right: 8px; padding-top: 8px;" width="320" /></b></b></span></div>
<div style="background-color: #fafafa; font-family: arial, helvetica, sans-serif; line-height: 15px; text-align: center;">
<span style="background-attachment: initial; background-clip: initial; background-color: transparent; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; font-size: small; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;"><b style="background-attachment: initial; background-clip: initial; background-color: transparent; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;"><b style="background-attachment: initial; background-clip: initial; background-color: transparent; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;"><br /></b></b></span></div>
<div style="background-color: #fafafa; font-family: arial, helvetica, sans-serif; line-height: 15px; text-align: center;">
<span style="background-attachment: initial; background-clip: initial; background-color: transparent; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; font-size: small; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;"><b style="background-attachment: initial; background-clip: initial; background-color: transparent; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;"><b style="background-attachment: initial; background-clip: initial; background-color: transparent; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;">Alegoria da Matança dos Inocentes por Pietro Testa</b></b></span></div>
</div>
<div class="ilat_fn" style="font-size: 16px; line-height: 19px; overflow-x: hidden; overflow-y: hidden;">
<br /></div>
<div class="ilat_fn" style="font-size: 16px; line-height: 19px; overflow-x: hidden; overflow-y: hidden;">
<div style="font-family: Arial, Helvetica, sans-serif; font-size: 14px; line-height: normal; margin-bottom: 5px; text-align: center;">
<img height="321" src="http://lh3.ggpht.com/_w86EVOKoVpg/SUmL6bsolRI/AAAAAAAADdo/L3zKjdXcTPg/4+Massacre+dos+Inocentes.jpg" style="padding-bottom: 8px; padding-left: 8px; padding-right: 8px; padding-top: 8px;" width="400" /></div>
</div>
</div>
<br />.<span class="Apple-style-span" style="background-color: #f3f3f3; font-family: 'PT Sans Caption'; font-size: 14px; line-height: 18px;">Giotto - Massacre dos Inocentes - Igreja de São Francisco de Assis, Itália (afresco)</span></td></tr>
</tbody></table>
<img height="400" src="http://4.bp.blogspot.com/_XYf3H5KDBfw/TLTPajE67RI/AAAAAAAABsM/7y4cVrz-RZY/s400/fresco+da+abadia+de+Lavaudieu,+fran%C3%A7a.JPG" style="padding-bottom: 8px; padding-left: 8px; padding-right: 8px; padding-top: 8px;" width="300" /><br /><div style="text-align: center;">
<br /></div>
<div style="text-align: center;">
<a href="http://4.bp.blogspot.com/_XYf3H5KDBfw/TLTPajE67RI/AAAAAAAABsM/7y4cVrz-RZY/s640/fresco+da+abadia+de+Lavaudieu,+fran%C3%A7a.JPG" saprocessedanchor="true" style="background-color: white; font-family: arial; font-size: 16px; line-height: 19px; overflow-x: hidden; overflow-y: hidden; text-align: -webkit-auto; text-decoration: none; text-overflow: ellipsis; white-space: nowrap;"><span class="Apple-style-span" style="color: black;">fresco+da+abadia+de+Lavaudieu,+frança</span></a></div>
<div style="text-align: center;">
<br /></div>
<div style="text-align: center;">
<img height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjp8JyN45MK81qVFAxi0HHKawoN-zroWkjBIqgfUVAjllRudT7j-x00t1fGcoeDrJrVU56hzTyETQ5g4xvXbVdnNarj1LzC0qEAmDaI3u1pPHQ2IshI3wmESEXGXyLAGX4TZ1R87Sa-IV0a/s400/596px-Giovanni_Pisano_Strage_Innocenti_Pistoia.jpg" style="padding-bottom: 8px; padding-left: 8px; padding-right: 8px; padding-top: 8px;" width="398" /></div>
<div style="text-align: center;">
<br /></div>
<div style="text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjp8JyN45MK81qVFAxi0HHKawoN-zroWkjBIqgfUVAjllRudT7j-x00t1fGcoeDrJrVU56hzTyETQ5g4xvXbVdnNarj1LzC0qEAmDaI3u1pPHQ2IshI3wmESEXGXyLAGX4TZ1R87Sa-IV0a/s400/596px-Giovanni_Pisano_Strage_Innocenti_Pistoia.jpg" saprocessedanchor="true" style="background-color: white; font-family: arial; font-size: 16px; line-height: 19px; overflow-x: hidden; overflow-y: hidden; text-align: -webkit-auto; text-decoration: none; text-overflow: ellipsis; white-space: nowrap;"><span class="Apple-style-span" style="color: black;">Giovanni_Pisano_Strage_Innocenti_Pistoia</span></a></div>
<div style="text-align: center;">
<br /></div>
<div style="text-align: center;">
<img height="400" src="http://www.snpcultura.org/fotografias/sagrada_familia_barcelona/32.jpg" style="padding-bottom: 8px; padding-left: 8px; padding-right: 8px; padding-top: 8px;" width="269" /></div>
<div style="text-align: center;">
<br /></div>
<div style="text-align: center;">
Igreja da Sagrada Família - Barcelona</div>
<div style="text-align: center;">
<br /></div>
<div style="text-align: center;">
<img height="313" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh6SVa8cHBKhfFLIFBPHEYZOvWoTd3VsayW0KW5cJAiAtPkVjqP-PmmHsDCjnubVC5BdrtVmrfDMBGk0lX-fG34L5473JyyCRva5KQsg_lyA0e6QJJkB5tZS3AEoN0rCbopTsCudgwEOrKZ/s400/rubens-le-massacre-des-innocents-1609-11.jpg" style="padding-bottom: 8px; padding-left: 8px; padding-right: 8px; padding-top: 8px;" width="400" /></div>
<div style="text-align: center;">
<br /></div>
<div style="text-align: center;">
<span class="Apple-style-span" style="background-color: white; font-family: Arial, Helvetica, sans-serif; font-size: 12px; font-style: italic; font-weight: bold;">"O Massacre dos Inocentes" (Rubens)</span></div>
<div style="text-align: center;">
<span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"><span class="Apple-style-span" style="font-size: 12px;"><b><i><br /></i></b></span></span></div>
<div style="text-align: center;">
<span style="background-attachment: initial; background-clip: initial; background-color: #fafafa; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; font-family: arial, helvetica, sans-serif; font-size: x-small; line-height: 15px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-align: -webkit-auto; vertical-align: baseline;"></span></div>
<div style="background-attachment: initial; background-clip: initial; background-color: transparent; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; font-size: 1.6em; margin-bottom: 0.75em; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;">
</div>
<div style="background-attachment: initial; background-clip: initial; background-color: transparent; background-image: initial; background-origin: initial; border-bottom-width: 1px; border-color: initial; border-left-color: rgb(85, 85, 85); border-left-width: 0px; border-right-color: rgb(85, 85, 85); border-right-width: 0px; border-style: initial; border-top-color: rgb(85, 85, 85); border-top-width: 0px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-align: center; text-decoration: none; vertical-align: baseline;">
<span style="background-attachment: initial; background-clip: initial; background-color: #fafafa; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; font-family: arial, helvetica, sans-serif; font-size: x-small; line-height: 15px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-align: -webkit-auto; vertical-align: baseline;"><a href="http://www.laicidade.org/?page_id=1222" style="background-attachment: initial; background-clip: initial; background-color: transparent; background-image: initial; background-origin: initial; border-bottom-width: 1px; border-color: initial; border-left-color: rgb(85, 85, 85); border-left-width: 0px; border-right-color: rgb(85, 85, 85); border-right-width: 0px; border-style: initial; border-top-color: rgb(85, 85, 85); border-top-width: 0px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-decoration: none; vertical-align: baseline;"><img alt="pogrom-1506-04-19-2a.jpg" height="393" src="http://www.laicidade.org/wp-content/uploads/2008/01/pogrom-1506-04-19-2a.jpg" style="background-attachment: initial; background-clip: initial; background-color: transparent; background-image: initial; background-origin: initial; border-bottom-style: none; border-bottom-width: 1px; border-color: initial; border-color: initial; border-left-color: rgb(170, 170, 170); border-left-style: none; border-left-width: 1px; border-right-color: rgb(170, 170, 170); border-right-style: none; border-right-width: 1px; border-style: initial; border-top-color: rgb(170, 170, 170); border-top-style: solid; border-top-width: 1px; border-width: initial; margin-bottom: 6px; margin-left: 0px; margin-right: 0px; margin-top: 0px; max-width: 100%; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 4px; padding-left: 4px; padding-right: 4px; padding-top: 4px; position: relative; vertical-align: baseline;" width="400" /></a></span></div>
<div style="background-attachment: initial; background-clip: initial; background-color: transparent; background-image: initial; background-origin: initial; border-bottom-width: 1px; border-color: initial; border-left-color: rgb(85, 85, 85); border-left-width: 0px; border-right-color: rgb(85, 85, 85); border-right-width: 0px; border-style: initial; border-top-color: rgb(85, 85, 85); border-top-width: 0px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-align: center; text-decoration: none; vertical-align: baseline;">
<span style="background-attachment: initial; background-clip: initial; background-color: #fafafa; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; font-family: arial, helvetica, sans-serif; font-size: x-small; line-height: 15px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-align: -webkit-auto; vertical-align: baseline;"><br /></span></div>
<div style="background-attachment: initial; background-clip: initial; background-color: transparent; background-image: initial; background-origin: initial; border-bottom-width: 1px; border-color: initial; border-left-color: rgb(85, 85, 85); border-left-width: 0px; border-right-color: rgb(85, 85, 85); border-right-width: 0px; border-style: initial; border-top-color: rgb(85, 85, 85); border-top-width: 0px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-align: center; text-decoration: none; vertical-align: baseline;">
<div style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; font-family: constantia, 'hoefler text', 'palatino linotype', serif; font-size: 1.6em; line-height: normal; margin-bottom: 0.75em; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;">
<span style="background-attachment: initial; background-clip: initial; background-color: #fafafa; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; font-family: arial, helvetica, sans-serif; font-size: x-small; line-height: 15px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-align: -webkit-auto; vertical-align: baseline;"><span style="background-attachment: initial; background-clip: initial; background-color: transparent; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; font-size: small; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;"><b style="background-attachment: initial; background-clip: initial; background-color: transparent; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;"><b style="background-attachment: initial; background-clip: initial; background-color: transparent; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;">MATANÇA DE JUDEUS EM LISBOA (19 de Abril de 1506)</b></b></span></span></div>
<div>
<span style="background-attachment: initial; background-clip: initial; background-color: #fafafa; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; font-family: arial, helvetica, sans-serif; font-size: x-small; line-height: 15px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-align: -webkit-auto; vertical-align: baseline;"><span style="background-attachment: initial; background-clip: initial; background-color: transparent; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; font-size: small; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;"><b style="background-attachment: initial; background-clip: initial; background-color: transparent; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;"><b style="background-attachment: initial; background-clip: initial; background-color: transparent; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;"><br /></b></b></span></span></div>
<div>
<span style="background-attachment: initial; background-clip: initial; background-color: #fafafa; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; font-family: arial, helvetica, sans-serif; font-size: x-small; line-height: 15px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-align: -webkit-auto; vertical-align: baseline;"><span style="background-attachment: initial; background-clip: initial; background-color: transparent; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; font-size: small; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;"><b style="background-attachment: initial; background-clip: initial; background-color: transparent; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;"><b style="background-attachment: initial; background-clip: initial; background-color: transparent; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;"><div style="background-color: white; font-family: Arial, Helvetica, sans-serif; font-size: 14px; font-weight: normal; line-height: normal; margin-bottom: 5px;">
<span style="font-size: x-small;"><img alt="" height="360" src="http://www.klickeducacao.com.br/Klick_Portal/Enciclopedia/images/Sa/2620/1002.jpg" style="border-bottom-color: currentcolor; border-bottom-width: 0px; border-left-color: currentcolor; border-left-width: 0px; border-right-color: currentcolor; border-right-width: 0px; border-style: initial; border-top-color: currentcolor; border-top-width: 0px; padding-bottom: 8px; padding-left: 8px; padding-right: 8px; padding-top: 8px;" width="550" /></span></div>
<div style="background-color: white; font-family: Arial, Helvetica, sans-serif; font-size: 14px; font-weight: normal; line-height: normal; margin-bottom: 5px; text-align: justify;">
<br /></div>
<div style="background-color: white; font-family: Arial, Helvetica, sans-serif; font-size: 14px; font-weight: normal; line-height: normal; margin-bottom: 5px; text-align: justify;">
<br /></div>
<div style="background-color: white; font-family: Arial, Helvetica, sans-serif; font-size: 14px; font-weight: normal; line-height: normal; margin-bottom: 5px;">
<span style="font-size: xx-small;"><em><strong>Massacre dos Inocentes</strong></em>, quadro do pintor huguenote François Dubois (1529–1584).</span></div>
<div style="background-color: white; font-family: Arial, Helvetica, sans-serif; font-size: 14px; font-weight: normal; line-height: normal; margin-bottom: 5px;">
<span style="font-size: xx-small;"><br /></span></div>
<div style="background-color: white; font-family: Arial, Helvetica, sans-serif; font-size: 14px; font-weight: normal; line-height: normal; margin-bottom: 5px;">
<img height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj5HWevKdojMj1AnJFswOYyFPs4jB3Ob1IHirMvEOVZQGYTyg-ggVBcptQLBYwQgYt1yu1TgNbaPSh80znhkWhaFnnsOn3VXHlUvJGc6FfaqdTY20HyLY86KWpxsC7enwYhxJwQnPQgm0s/s400/i162983.jpg" style="padding-bottom: 8px; padding-left: 8px; padding-right: 8px; padding-top: 8px;" width="380" /></div>
<div style="background-color: white; font-family: Arial, Helvetica, sans-serif; font-size: 14px; font-weight: normal; line-height: normal; margin-bottom: 5px;">
<br /></div>
<div style="background-color: white; font-family: Arial, Helvetica, sans-serif; font-size: 14px; font-weight: normal; line-height: normal; margin-bottom: 5px;">
A Matança dos Huguenotes (pormenor)</div>
<div style="background-color: white; font-family: Arial, Helvetica, sans-serif; font-size: 14px; font-weight: normal; line-height: normal; margin-bottom: 5px;">
<br /></div>
<div style="background-color: white; font-family: Arial, Helvetica, sans-serif; font-size: 14px; font-weight: normal; line-height: normal; margin-bottom: 5px;">
<br /></div>
<div style="background-color: white; font-family: Arial, Helvetica, sans-serif; font-size: 14px; font-weight: normal; line-height: normal; margin-bottom: 5px;">
<img src="http://www.espada.eti.br/Images/Inquisition_3.jpg" style="padding-bottom: 8px; padding-left: 8px; padding-right: 8px; padding-top: 8px;" /></div>
</b></b></span></span></div>
<div>
<span style="background-attachment: initial; background-clip: initial; background-color: #fafafa; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; font-family: arial, helvetica, sans-serif; font-size: x-small; line-height: 15px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-align: -webkit-auto; vertical-align: baseline;"><span style="background-attachment: initial; background-clip: initial; background-color: transparent; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; font-size: small; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;"><b style="background-attachment: initial; background-clip: initial; background-color: transparent; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;"><b style="background-attachment: initial; background-clip: initial; background-color: transparent; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;"><br /></b></b></span></span></div>
<div>
<span style="background-attachment: initial; background-clip: initial; background-color: #fafafa; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; font-family: arial, helvetica, sans-serif; font-size: x-small; line-height: 15px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-align: -webkit-auto; vertical-align: baseline;"><span style="background-attachment: initial; background-clip: initial; background-color: transparent; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; font-size: small; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;"><b style="background-attachment: initial; background-clip: initial; background-color: transparent; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;"><b style="background-attachment: initial; background-clip: initial; background-color: transparent; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;">O Tribunal do Santo Ofício</b></b></span></span></div>
<div>
<span style="background-attachment: initial; background-clip: initial; background-color: #fafafa; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; font-family: arial, helvetica, sans-serif; font-size: x-small; line-height: 15px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-align: -webkit-auto; vertical-align: baseline;"><span style="background-attachment: initial; background-clip: initial; background-color: transparent; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; font-size: small; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;"><b style="background-attachment: initial; background-clip: initial; background-color: transparent; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;"><b style="background-attachment: initial; background-clip: initial; background-color: transparent; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;"><br /></b></b></span></span></div>
<div>
<span style="background-attachment: initial; background-clip: initial; background-color: #fafafa; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; font-family: arial, helvetica, sans-serif; font-size: x-small; line-height: 15px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-align: -webkit-auto; vertical-align: baseline;"><span style="background-attachment: initial; background-clip: initial; background-color: transparent; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; font-size: small; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;"><b style="background-attachment: initial; background-clip: initial; background-color: transparent; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;"><b style="background-attachment: initial; background-clip: initial; background-color: transparent; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;"><img height="234" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjAv9ZN3Ipffo4RJXwFfjNUcQNYTPwWePyePHTaBTSzDclJWExeRSlAthdvr6JA4Gkb5pi3H-eBZil4xwX5CSoQ_KnTJMD545jRWEYixGp6_0q7AFDCCjJllCo8vQ7RE8cZA0YvuKoNbE55/s400/auto+de+fe2.JPG" style="padding-bottom: 8px; padding-left: 8px; padding-right: 8px; padding-top: 8px;" width="400" /></b></b></span></span></div>
<div>
<span style="background-attachment: initial; background-clip: initial; background-color: #fafafa; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; font-family: arial, helvetica, sans-serif; font-size: x-small; line-height: 15px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-align: -webkit-auto; vertical-align: baseline;"><span style="background-attachment: initial; background-clip: initial; background-color: transparent; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; font-size: small; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;"><b style="background-attachment: initial; background-clip: initial; background-color: transparent; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;"><b style="background-attachment: initial; background-clip: initial; background-color: transparent; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;"><br /></b></b></span></span></div>
<div>
<span style="background-attachment: initial; background-clip: initial; background-color: #fafafa; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; font-family: arial, helvetica, sans-serif; font-size: x-small; line-height: 15px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-align: -webkit-auto; vertical-align: baseline;"><span style="background-attachment: initial; background-clip: initial; background-color: transparent; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; font-size: small; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;"><b style="background-attachment: initial; background-clip: initial; background-color: transparent; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;"><b style="background-attachment: initial; background-clip: initial; background-color: transparent; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;">Auto de Fé no Terreiro do Paço - Lisboa</b></b></span></span></div>
<div>
<span style="background-attachment: initial; background-clip: initial; background-color: #fafafa; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; font-family: arial, helvetica, sans-serif; font-size: x-small; line-height: 15px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-align: -webkit-auto; vertical-align: baseline;"><span style="background-attachment: initial; background-clip: initial; background-color: transparent; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; font-size: small; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;"><b style="background-attachment: initial; background-clip: initial; background-color: transparent; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;"><b style="background-attachment: initial; background-clip: initial; background-color: transparent; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;"><br /></b></b></span></span></div>
<div>
<span style="background-attachment: initial; background-clip: initial; background-color: #fafafa; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; font-family: arial, helvetica, sans-serif; font-size: x-small; line-height: 15px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-align: -webkit-auto; vertical-align: baseline;"><span style="background-attachment: initial; background-clip: initial; background-color: transparent; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; font-size: small; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;"><b style="background-attachment: initial; background-clip: initial; background-color: transparent; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;"><b style="background-attachment: initial; background-clip: initial; background-color: transparent; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;"><img height="258" src="http://www.paracompusa.com/SmartScience/Popa/images/autodefe3.jpg" style="padding-bottom: 8px; padding-left: 8px; padding-right: 8px; padding-top: 8px;" width="400" /></b></b></span></span></div>
<div>
<span style="background-attachment: initial; background-clip: initial; background-color: #fafafa; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; font-family: arial, helvetica, sans-serif; font-size: x-small; line-height: 15px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-align: -webkit-auto; vertical-align: baseline;"><span style="background-attachment: initial; background-clip: initial; background-color: transparent; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; font-size: small; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;"><b style="background-attachment: initial; background-clip: initial; background-color: transparent; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;"><b style="background-attachment: initial; background-clip: initial; background-color: transparent; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;"><br /></b></b></span></span></div>
<div>
<span style="background-attachment: initial; background-clip: initial; background-color: #fafafa; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; font-family: arial, helvetica, sans-serif; font-size: x-small; line-height: 15px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-align: -webkit-auto; vertical-align: baseline;"><span style="background-attachment: initial; background-clip: initial; background-color: transparent; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; font-size: small; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;"><b style="background-attachment: initial; background-clip: initial; background-color: transparent; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;"><b style="background-attachment: initial; background-clip: initial; background-color: transparent; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;">Auto de Fé - Francisco Ricci</b></b></span></span></div>
<div>
<span style="background-attachment: initial; background-clip: initial; background-color: #fafafa; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; font-family: arial, helvetica, sans-serif; font-size: x-small; line-height: 15px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-align: -webkit-auto; vertical-align: baseline;"><span style="background-attachment: initial; background-clip: initial; background-color: transparent; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; font-size: small; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;"><b style="background-attachment: initial; background-clip: initial; background-color: transparent; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;"><b style="background-attachment: initial; background-clip: initial; background-color: transparent; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;"><br /></b></b></span></span></div>
<div>
<span style="background-attachment: initial; background-clip: initial; background-color: #fafafa; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; font-family: arial, helvetica, sans-serif; font-size: x-small; line-height: 15px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-align: -webkit-auto; vertical-align: baseline;"><img height="264" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh-V7idfakTdepciwijCLjobx-eQIrOzsCFWieIMJuLkkGibAiibMq00Vm2WiUEkD6-IYfi3ZVrrP4lMe_KqGCzOQKUlv2lfpqLTOuuuBtNHllD44RXl8DELc2ZL377MA99VKGgMkMIHcs/s400/Auto-de-F%25C3%25A9.jpg" style="padding-bottom: 8px; padding-left: 8px; padding-right: 8px; padding-top: 8px;" width="400" /></span></div>
<div>
<span style="background-attachment: initial; background-clip: initial; background-color: #fafafa; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; font-family: arial, helvetica, sans-serif; font-size: x-small; line-height: 15px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-align: -webkit-auto; vertical-align: baseline;"><br /></span></div>
<div>
<span style="background-attachment: initial; background-clip: initial; background-color: #fafafa; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; font-family: arial, helvetica, sans-serif; font-size: x-small; line-height: 15px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-align: -webkit-auto; vertical-align: baseline;">Gravura de um auto de fé em Espanha</span></div>
<div>
<span style="background-attachment: initial; background-clip: initial; background-color: #fafafa; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; font-family: arial, helvetica, sans-serif; font-size: x-small; line-height: 15px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-align: -webkit-auto; vertical-align: baseline;"><br /></span></div>
<div>
<span style="background-attachment: initial; background-clip: initial; background-color: #fafafa; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; font-family: arial, helvetica, sans-serif; font-size: x-small; line-height: 15px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-align: -webkit-auto; vertical-align: baseline;"><img alt="File:Auto de fe Lima.jpg" height="176" src="http://upload.wikimedia.org/wikipedia/commons/a/a9/Auto_de_fe_Lima.jpg" style="padding-bottom: 8px; padding-left: 8px; padding-right: 8px; padding-top: 8px;" width="400" /></span></div>
<div>
<span style="background-attachment: initial; background-clip: initial; background-color: #fafafa; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; font-family: arial, helvetica, sans-serif; font-size: x-small; line-height: 15px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-align: -webkit-auto; vertical-align: baseline;"><br /></span></div>
<div>
<span style="background-attachment: initial; background-clip: initial; background-color: #fafafa; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; font-family: arial, helvetica, sans-serif; font-size: x-small; line-height: 15px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-align: -webkit-auto; vertical-align: baseline;">Auto de fé em Lima</span></div>
<div>
<span style="background-attachment: initial; background-clip: initial; background-color: #fafafa; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; font-family: arial, helvetica, sans-serif; font-size: x-small; line-height: 15px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-align: -webkit-auto; vertical-align: baseline;"><br /></span></div>
<div>
<span style="background-attachment: initial; background-clip: initial; background-color: #fafafa; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; font-family: arial, helvetica, sans-serif; font-size: x-small; line-height: 15px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-align: -webkit-auto; vertical-align: baseline;"><img height="311" src="http://www.vallenajerilla.com/berceo/gildelrio/suplicio1.jpg" style="padding-bottom: 8px; padding-left: 8px; padding-right: 8px; padding-top: 8px;" width="400" /></span></div>
<div>
<span style="background-attachment: initial; background-clip: initial; background-color: #fafafa; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; font-family: arial, helvetica, sans-serif; font-size: x-small; line-height: 15px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-align: -webkit-auto; vertical-align: baseline;"><br /></span></div>
<div>
<span style="background-attachment: initial; background-clip: initial; background-color: #fafafa; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; font-family: arial, helvetica, sans-serif; font-size: x-small; line-height: 15px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-align: -webkit-auto; vertical-align: baseline;"><b style="font-family: 'Times New Roman'; font-size: medium; line-height: normal;"><span style="font-family: Arial; font-size: xx-small;">CELEBRADO EN LA CIUDAD DE LOGROÑO</span></b><span style="font-family: Arial; font-size: xx-small; line-height: normal;">en los días 6 y 7 de noviembre de l6l0</span></span></div>
<div>
<span style="background-attachment: initial; background-clip: initial; background-color: #fafafa; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; font-family: arial, helvetica, sans-serif; font-size: x-small; line-height: 15px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-align: -webkit-auto; vertical-align: baseline;"><span style="font-family: Arial; font-size: xx-small; line-height: normal;"><br /></span></span></div>
<div>
<span style="background-attachment: initial; background-clip: initial; background-color: #fafafa; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; font-family: arial, helvetica, sans-serif; font-size: x-small; line-height: 15px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-align: -webkit-auto; vertical-align: baseline;"><a href="http://bicycleyucatan.files.wordpress.com/2008/03/image010.jpg" style="font-family: 'Lucida Grande', Verdana, Arial, sans-serif; font-size: 12px; line-height: 16px; text-align: justify; text-decoration: none;" title="10 Mani"><img alt="10 Mani" src="http://bicycleyucatan.files.wordpress.com/2008/03/image010.jpg?w=450" style="border-bottom-style: none; border-color: initial; border-color: initial; border-left-style: none; border-right-style: none; border-top-style: none; border-width: initial; border-width: initial; max-width: 100%; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; position: relative;" /></a><br style="font-family: 'Lucida Grande', Verdana, Arial, sans-serif; font-size: 12px; line-height: 16px; text-align: justify;" /><strong style="font-family: 'Lucida Grande', Verdana, Arial, sans-serif; font-size: 12px; line-height: 16px; text-align: justify;">THIS PAINTING HANGS IN THE CORRIDOR OF THE MUNICIPAL BUILDING. IT DEPICTS THE “AUTO DE FE” OF 1562 WHEN THE SACRED WORKS OF THE MAYA WERE DESTROYED. IN THE SAME CORRIDOR IS A DISPLAY OF RECENT PHOTOS OF THE MAYA OF MANI MAKING A CEREMONY TO CHAK, THEIR GOD OF RAIN.</strong></span></div>
<div>
<span style="background-attachment: initial; background-clip: initial; background-color: #fafafa; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; font-family: arial, helvetica, sans-serif; font-size: x-small; line-height: 15px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-align: -webkit-auto; vertical-align: baseline;"><strong style="font-family: 'Lucida Grande', Verdana, Arial, sans-serif; font-size: 12px; line-height: 16px; text-align: justify;"><br /></strong></span></div>
<div>
<span style="background-attachment: initial; background-clip: initial; background-color: #fafafa; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; font-family: arial, helvetica, sans-serif; font-size: x-small; line-height: 15px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-align: -webkit-auto; vertical-align: baseline;"><img height="274" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgGU-0JrBXEQwH_f3RIsddT6-Vodtl5BkoTSfpC3hck048P8qWYHsiTRO6mTNfeDJYXuOGtbXts4xmJpm83nYbh_uqzt5PmRg08gkaa7sKf2ZJ1P3Ueo6eQq-BprCOOYthpsHamHD1ZqvU/s400/goya+desastres+da+guerra.jpg" style="padding-bottom: 8px; padding-left: 8px; padding-right: 8px; padding-top: 8px;" width="400" /></span></div>
<div>
<span style="background-attachment: initial; background-clip: initial; background-color: #fafafa; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; font-family: arial, helvetica, sans-serif; font-size: x-small; line-height: 15px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-align: -webkit-auto; vertical-align: baseline;"><br /></span></div>
<div>
<span style="background-attachment: initial; background-clip: initial; background-color: #fafafa; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; font-family: arial, helvetica, sans-serif; font-size: x-small; line-height: 15px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-align: -webkit-auto; vertical-align: baseline;"><img src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg8ZENAkdmK0Si_92VSAlGRortR4ViYniNaKVc60hk-gPQIyDtaFqYPxADSUUCakS6LLlmZcqMhdBP6UxqO8oqdcriJIHKVtQML3Nqunft10bcR6bJ_BVUFQTF20fLqldGd3nkvgsvIP7Vq/s320/goya+estragos+da+guerra+1.jpg" style="padding-bottom: 8px; padding-left: 8px; padding-right: 8px; padding-top: 8px;" /></span></div>
<div>
<span style="background-attachment: initial; background-clip: initial; background-color: #fafafa; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; font-family: arial, helvetica, sans-serif; font-size: x-small; line-height: 15px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-align: -webkit-auto; vertical-align: baseline;"><br /></span></div>
<div>
<span style="background-attachment: initial; background-clip: initial; background-color: #fafafa; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; font-family: arial, helvetica, sans-serif; font-size: x-small; line-height: 15px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-align: -webkit-auto; vertical-align: baseline;">Os desastres da Guerra - Goya</span></div>
<div>
<span style="background-attachment: initial; background-clip: initial; background-color: #fafafa; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; font-family: arial, helvetica, sans-serif; font-size: x-small; line-height: 15px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-align: -webkit-auto; vertical-align: baseline;"><strong style="font-family: 'Lucida Grande', Verdana, Arial, sans-serif; font-size: 12px; line-height: 16px; text-align: justify;"><br /></strong></span></div>
<div>
<span style="background-attachment: initial; background-clip: initial; background-color: #fafafa; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; font-family: arial, helvetica, sans-serif; font-size: x-small; line-height: 15px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-align: -webkit-auto; vertical-align: baseline;"><img height="177" src="http://apasargada.files.wordpress.com/2010/08/guernica-picasso.jpg" style="padding-bottom: 8px; padding-left: 8px; padding-right: 8px; padding-top: 8px;" width="400" /></span></div>
<div>
<span style="background-attachment: initial; background-clip: initial; background-color: #fafafa; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; font-family: arial, helvetica, sans-serif; font-size: x-small; line-height: 15px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-align: -webkit-auto; vertical-align: baseline;"><br /></span></div>
<div>
<span style="background-attachment: initial; background-clip: initial; background-color: #fafafa; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; font-family: arial, helvetica, sans-serif; font-size: x-small; line-height: 15px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-align: -webkit-auto; vertical-align: baseline;">Guernica - Picasso</span></div>
<div>
<span style="background-attachment: initial; background-clip: initial; background-color: #fafafa; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; font-family: arial, helvetica, sans-serif; font-size: x-small; line-height: 15px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-align: -webkit-auto; vertical-align: baseline;"><br /></span></div>
<div>
<span style="background-attachment: initial; background-clip: initial; background-color: #fafafa; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; font-family: arial, helvetica, sans-serif; font-size: x-small; line-height: 15px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-align: -webkit-auto; vertical-align: baseline;"><img height="291" src="http://ricardonagy.files.wordpress.com/2011/09/gernika-bombardeo.jpg" style="padding-bottom: 8px; padding-left: 8px; padding-right: 8px; padding-top: 8px;" width="400" /></span></div>
<div>
<span style="background-attachment: initial; background-clip: initial; background-color: #fafafa; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; font-family: arial, helvetica, sans-serif; font-size: x-small; line-height: 15px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-align: -webkit-auto; vertical-align: baseline;"><br /></span></div>
<div>
<span style="background-attachment: initial; background-clip: initial; background-color: #fafafa; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; font-family: arial, helvetica, sans-serif; font-size: x-small; line-height: 15px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-align: -webkit-auto; vertical-align: baseline;">Guernica após o bombardeamento Nazi-Fascista</span></div>
<div>
<span style="background-attachment: initial; background-clip: initial; background-color: #fafafa; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; font-family: arial, helvetica, sans-serif; font-size: x-small; line-height: 15px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-align: -webkit-auto; vertical-align: baseline;"><br /></span></div>
<div>
<span style="background-attachment: initial; background-clip: initial; background-color: #fafafa; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; font-family: arial, helvetica, sans-serif; font-size: x-small; line-height: 15px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-align: -webkit-auto; vertical-align: baseline;"><img height="242" src="http://www.infoescola.com/wp-content/uploads/2011/07/navio-negreiro.jpg" style="padding-bottom: 8px; padding-left: 8px; padding-right: 8px; padding-top: 8px;" width="400" /></span></div>
<div>
<span style="background-attachment: initial; background-clip: initial; background-color: #fafafa; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; font-family: arial, helvetica, sans-serif; font-size: x-small; line-height: 15px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-align: -webkit-auto; vertical-align: baseline;"><br /></span></div>
<div>
<span style="background-attachment: initial; background-clip: initial; background-color: #fafafa; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; font-family: arial, helvetica, sans-serif; font-size: x-small; line-height: 15px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-align: -webkit-auto; vertical-align: baseline;">Navio negreiro - o transporte dos escravos</span></div>
<div>
<span style="background-attachment: initial; background-clip: initial; background-color: #fafafa; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; font-family: arial, helvetica, sans-serif; font-size: x-small; line-height: 15px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-align: -webkit-auto; vertical-align: baseline;"><br /></span></div>
<div>
<span style="background-attachment: initial; background-clip: initial; background-color: #fafafa; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; font-family: arial, helvetica, sans-serif; font-size: x-small; line-height: 15px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-align: -webkit-auto; vertical-align: baseline;"><img src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjUGh8ZqInVgkiv7iW2J0w3WhzN5_WJ7C-57wXNj2E5CQKpHRh8fy2eKyJrt1NNhlkyFOWfNF0XJNBRdoecVfEPPxNjINrvWSi5XjUVVs1uSXbOyGqroeLx_GmCJ3d_xXRo0UL6FfvCwAuL/s1600/nagasaki.jpg" style="padding-bottom: 8px; padding-left: 8px; padding-right: 8px; padding-top: 8px;" /></span></div>
<div>
<span style="background-attachment: initial; background-clip: initial; background-color: #fafafa; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; font-family: arial, helvetica, sans-serif; font-size: x-small; line-height: 15px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-align: -webkit-auto; vertical-align: baseline;"><br /></span></div>
<div>
<span style="background-attachment: initial; background-clip: initial; background-color: #fafafa; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; font-family: arial, helvetica, sans-serif; font-size: x-small; line-height: 15px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-align: -webkit-auto; vertical-align: baseline;"><span style="background-attachment: initial; background-clip: initial; background-color: transparent; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; font-size: small; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;"><b style="background-attachment: initial; background-clip: initial; background-color: transparent; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;"><b style="background-attachment: initial; background-clip: initial; background-color: transparent; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;"> Nagasaqui Após o bombardeamento nuclear</b></b></span></span></div>
<div>
<span style="background-attachment: initial; background-clip: initial; background-color: #fafafa; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; font-family: arial, helvetica, sans-serif; font-size: x-small; line-height: 15px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-align: -webkit-auto; vertical-align: baseline;"><span style="background-attachment: initial; background-clip: initial; background-color: transparent; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; font-size: small; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;"><b style="background-attachment: initial; background-clip: initial; background-color: transparent; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;"><b style="background-attachment: initial; background-clip: initial; background-color: transparent; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;"><br /></b></b></span></span></div>
<div>
<span style="background-attachment: initial; background-clip: initial; background-color: #fafafa; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; font-family: arial, helvetica, sans-serif; font-size: x-small; line-height: 15px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-align: -webkit-auto; vertical-align: baseline;"><span style="background-attachment: initial; background-clip: initial; background-color: transparent; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; font-size: small; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;"><b style="background-attachment: initial; background-clip: initial; background-color: transparent; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;"><b style="background-attachment: initial; background-clip: initial; background-color: transparent; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;"><img height="266" src="http://cduarouca.files.wordpress.com/2010/08/hiroshima_maxdesfor.jpg" style="padding-bottom: 8px; padding-left: 8px; padding-right: 8px; padding-top: 8px;" width="400" /></b></b></span></span></div>
<div>
<span style="background-attachment: initial; background-clip: initial; background-color: #fafafa; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; font-family: arial, helvetica, sans-serif; font-size: x-small; line-height: 15px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-align: -webkit-auto; vertical-align: baseline;"><span style="background-attachment: initial; background-clip: initial; background-color: transparent; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; font-size: small; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;"><b style="background-attachment: initial; background-clip: initial; background-color: transparent; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;"><b style="background-attachment: initial; background-clip: initial; background-color: transparent; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;"><br /></b></b></span></span></div>
<div>
<span style="background-attachment: initial; background-clip: initial; background-color: #fafafa; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; font-family: arial, helvetica, sans-serif; font-size: x-small; line-height: 15px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-align: -webkit-auto; vertical-align: baseline;"><span style="background-attachment: initial; background-clip: initial; background-color: transparent; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; font-size: small; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;"><b style="background-attachment: initial; background-clip: initial; background-color: transparent; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;"><b style="background-attachment: initial; background-clip: initial; background-color: transparent; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;">Hiroshima após o bombardeamento nuclear</b></b></span></span></div>
<div>
<span style="background-attachment: initial; background-clip: initial; background-color: #fafafa; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; font-family: arial, helvetica, sans-serif; font-size: x-small; line-height: 15px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-align: -webkit-auto; vertical-align: baseline;"><span style="background-attachment: initial; background-clip: initial; background-color: transparent; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; font-size: small; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;"><b style="background-attachment: initial; background-clip: initial; background-color: transparent; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;"><b style="background-attachment: initial; background-clip: initial; background-color: transparent; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;"><br /></b></b></span></span></div>
<div>
<span style="background-attachment: initial; background-clip: initial; background-color: #fafafa; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; font-family: arial, helvetica, sans-serif; font-size: x-small; line-height: 15px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-align: -webkit-auto; vertical-align: baseline;"><span style="background-attachment: initial; background-clip: initial; background-color: transparent; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; font-size: small; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;"><b style="background-attachment: initial; background-clip: initial; background-color: transparent; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;"><b style="background-attachment: initial; background-clip: initial; background-color: transparent; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;"><img height="277" src="http://www.ushmm.org/lcmedia/photo/lc/image/90/90326.jpg" style="padding-bottom: 8px; padding-left: 8px; padding-right: 8px; padding-top: 8px;" width="400" /></b></b></span></span></div>
<div>
<span style="background-attachment: initial; background-clip: initial; background-color: #fafafa; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; font-family: arial, helvetica, sans-serif; font-size: x-small; line-height: 15px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-align: -webkit-auto; vertical-align: baseline;"><span style="background-attachment: initial; background-clip: initial; background-color: transparent; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; font-size: small; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;"><b style="background-attachment: initial; background-clip: initial; background-color: transparent; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;"><b style="background-attachment: initial; background-clip: initial; background-color: transparent; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;"><br /></b></b></span></span></div>
<div>
<span style="background-attachment: initial; background-clip: initial; background-color: #fafafa; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; font-family: arial, helvetica, sans-serif; font-size: x-small; line-height: 15px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-align: -webkit-auto; vertical-align: baseline;"><span style="background-attachment: initial; background-clip: initial; background-color: transparent; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; font-size: small; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;"><b style="background-attachment: initial; background-clip: initial; background-color: transparent; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;"><b style="background-attachment: initial; background-clip: initial; background-color: transparent; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;"><img height="258" src="http://4.bp.blogspot.com/_Nk9_ZM-I7bg/S7JV6KD7TDI/AAAAAAAAEek/_iJigVeuj8Q/s400/arbeit_macht_frei.jpg" style="padding-bottom: 8px; padding-left: 8px; padding-right: 8px; padding-top: 8px;" width="400" /></b></b></span></span></div>
<div>
<span style="background-attachment: initial; background-clip: initial; background-color: #fafafa; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; font-family: arial, helvetica, sans-serif; font-size: x-small; line-height: 15px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-align: -webkit-auto; vertical-align: baseline;"><span style="background-attachment: initial; background-clip: initial; background-color: transparent; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; font-size: small; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;"><b style="background-attachment: initial; background-clip: initial; background-color: transparent; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;"><b style="background-attachment: initial; background-clip: initial; background-color: transparent; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;"><br /></b></b></span></span></div>
<div>
<span style="background-attachment: initial; background-clip: initial; background-color: #fafafa; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; font-family: arial, helvetica, sans-serif; font-size: x-small; line-height: 15px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-align: -webkit-auto; vertical-align: baseline;"><span style="background-attachment: initial; background-clip: initial; background-color: transparent; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; font-size: small; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;"><b style="background-attachment: initial; background-clip: initial; background-color: transparent; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;"><b style="background-attachment: initial; background-clip: initial; background-color: transparent; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;"><img src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgclZZhDFQU21SzSpFpsjZ7gY-wNGAAtCOZzuFHsG3RfhiN3-8wGgpVqXLNoxSoYi0rD2uANTl4F7wncoJVYvA7J4m_-sGluwdeajmUvlQDlj5RO49lVHdddZ7sz9lsEdxJqR-9jhJ4dOA/s400/campo+de+concentra%C3%A7%C3%A3o.JPEG" style="padding-bottom: 8px; padding-left: 8px; padding-right: 8px; padding-top: 8px;" /></b></b></span></span></div>
<div>
<span style="background-attachment: initial; background-clip: initial; background-color: #fafafa; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; font-family: arial, helvetica, sans-serif; font-size: x-small; line-height: 15px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-align: -webkit-auto; vertical-align: baseline;"><span style="background-attachment: initial; background-clip: initial; background-color: transparent; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; font-size: small; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;"><b style="background-attachment: initial; background-clip: initial; background-color: transparent; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;"><b style="background-attachment: initial; background-clip: initial; background-color: transparent; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;"><br /></b></b></span></span></div>
<div>
<span style="background-attachment: initial; background-clip: initial; background-color: #fafafa; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; font-family: arial, helvetica, sans-serif; font-size: x-small; line-height: 15px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-align: -webkit-auto; vertical-align: baseline;"><span style="background-attachment: initial; background-clip: initial; background-color: transparent; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; font-size: small; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;"><b style="background-attachment: initial; background-clip: initial; background-color: transparent; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;"><b style="background-attachment: initial; background-clip: initial; background-color: transparent; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;">"O trabalho liberta" nos campos de extermínio nazi</b></b></span></span></div>
<div>
<span style="background-attachment: initial; background-clip: initial; background-color: #fafafa; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; font-family: arial, helvetica, sans-serif; font-size: x-small; line-height: 15px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-align: -webkit-auto; vertical-align: baseline;"><span style="background-attachment: initial; background-clip: initial; background-color: transparent; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; font-size: small; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;"><b style="background-attachment: initial; background-clip: initial; background-color: transparent; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;"><b style="background-attachment: initial; background-clip: initial; background-color: transparent; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;"><br /></b></b></span></span></div>
<div>
<span style="background-attachment: initial; background-clip: initial; background-color: #fafafa; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; font-family: arial, helvetica, sans-serif; font-size: x-small; line-height: 15px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-align: -webkit-auto; vertical-align: baseline;"><span style="background-attachment: initial; background-clip: initial; background-color: transparent; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; font-size: small; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;"><b style="background-attachment: initial; background-clip: initial; background-color: transparent; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;"><b style="background-attachment: initial; background-clip: initial; background-color: transparent; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;"><img height="234" src="http://bitaites.org/wp-content/uploads/photos/2007/julho/17/01.jpg" style="padding-bottom: 8px; padding-left: 8px; padding-right: 8px; padding-top: 8px;" width="400" /></b></b></span></span></div>
<div>
<span style="background-attachment: initial; background-clip: initial; background-color: #fafafa; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; font-family: arial, helvetica, sans-serif; font-size: x-small; line-height: 15px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-align: -webkit-auto; vertical-align: baseline;"><span style="background-attachment: initial; background-clip: initial; background-color: transparent; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; font-size: small; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;"><b style="background-attachment: initial; background-clip: initial; background-color: transparent; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;"><b style="background-attachment: initial; background-clip: initial; background-color: transparent; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;"><br /></b></b></span></span></div>
<div>
<span style="background-attachment: initial; background-clip: initial; background-color: #fafafa; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; font-family: arial, helvetica, sans-serif; font-size: x-small; line-height: 15px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-align: -webkit-auto; vertical-align: baseline;"><span style="background-attachment: initial; background-clip: initial; background-color: transparent; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; font-size: small; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;"><b style="background-attachment: initial; background-clip: initial; background-color: transparent; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;"><b style="background-attachment: initial; background-clip: initial; background-color: transparent; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;">Guerra do Vietname</b></b></span></span></div>
<div>
<span style="background-attachment: initial; background-clip: initial; background-color: #fafafa; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; font-family: arial, helvetica, sans-serif; font-size: x-small; line-height: 15px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-align: -webkit-auto; vertical-align: baseline;"><span style="background-attachment: initial; background-clip: initial; background-color: transparent; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; font-size: small; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;"><b style="background-attachment: initial; background-clip: initial; background-color: transparent; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;"><b style="background-attachment: initial; background-clip: initial; background-color: transparent; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;"><br /></b></b></span></span></div>
<div>
<span style="background-attachment: initial; background-clip: initial; background-color: #fafafa; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; font-family: arial, helvetica, sans-serif; font-size: x-small; line-height: 15px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-align: -webkit-auto; vertical-align: baseline;"><span style="background-attachment: initial; background-clip: initial; background-color: transparent; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; font-size: small; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;"><b style="background-attachment: initial; background-clip: initial; background-color: transparent; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;"><b style="background-attachment: initial; background-clip: initial; background-color: transparent; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;"><img src="http://www.tijolaco.com/wp-content/uploads/2010/08/Iraque_dor.jpg" style="padding-bottom: 8px; padding-left: 8px; padding-right: 8px; padding-top: 8px;" /> </b></b></span></span></div>
<div>
<span style="background-attachment: initial; background-clip: initial; background-color: #fafafa; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; font-family: arial, helvetica, sans-serif; font-size: x-small; line-height: 15px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-align: -webkit-auto; vertical-align: baseline;"><span style="background-attachment: initial; background-clip: initial; background-color: transparent; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; font-size: small; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;"><b style="background-attachment: initial; background-clip: initial; background-color: transparent; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;"><b style="background-attachment: initial; background-clip: initial; background-color: transparent; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;"><br /></b></b></span></span></div>
<div>
<span style="background-attachment: initial; background-clip: initial; background-color: #fafafa; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; font-family: arial, helvetica, sans-serif; font-size: x-small; line-height: 15px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-align: -webkit-auto; vertical-align: baseline;"><span style="background-attachment: initial; background-clip: initial; background-color: transparent; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; font-size: small; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;"><b style="background-attachment: initial; background-clip: initial; background-color: transparent; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;"><b style="background-attachment: initial; background-clip: initial; background-color: transparent; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;">Guerra do Iraque</b></b></span></span></div>
<div>
<span style="background-attachment: initial; background-clip: initial; background-color: #fafafa; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; font-family: arial, helvetica, sans-serif; font-size: x-small; line-height: 15px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-align: -webkit-auto; vertical-align: baseline;"><span style="background-attachment: initial; background-clip: initial; background-color: transparent; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; font-size: small; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;"><b style="background-attachment: initial; background-clip: initial; background-color: transparent; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;"><b style="background-attachment: initial; background-clip: initial; background-color: transparent; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;"><br /></b></b></span></span></div>
<div>
<span style="background-attachment: initial; background-clip: initial; background-color: #fafafa; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; font-family: arial, helvetica, sans-serif; font-size: x-small; line-height: 15px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-align: -webkit-auto; vertical-align: baseline;"><span style="background-attachment: initial; background-clip: initial; background-color: transparent; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; font-size: small; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;"><b style="background-attachment: initial; background-clip: initial; background-color: transparent; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;"><b style="background-attachment: initial; background-clip: initial; background-color: transparent; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;"><img src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhwxMElSogodbsQBoSaQq42C_F4WPlPG9lFSVv6CwtINAR_wFLhA97RXOh24JD1YO3TXa6bRhkN7omO2VJY80olpN08W1C5Ny9nmAj-LEH0KKimB-Ewe6geNKPDH64l0u1eGb-TG3gTZeBK/s400/Guerra+Colonial.jpg" style="padding-bottom: 8px; padding-left: 8px; padding-right: 8px; padding-top: 8px;" /></b></b></span></span></div>
<div>
<span style="background-attachment: initial; background-clip: initial; background-color: #fafafa; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; font-family: arial, helvetica, sans-serif; font-size: x-small; line-height: 15px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-align: -webkit-auto; vertical-align: baseline;"><span style="background-attachment: initial; background-clip: initial; background-color: transparent; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; font-size: small; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;"><b style="background-attachment: initial; background-clip: initial; background-color: transparent; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;"><b style="background-attachment: initial; background-clip: initial; background-color: transparent; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;"><br /></b></b></span></span></div>
<div>
<span style="background-attachment: initial; background-clip: initial; background-color: #fafafa; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; font-family: arial, helvetica, sans-serif; font-size: x-small; line-height: 15px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-align: -webkit-auto; vertical-align: baseline;"><span style="background-attachment: initial; background-clip: initial; background-color: transparent; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; font-size: small; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;"><b style="background-attachment: initial; background-clip: initial; background-color: transparent; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;"><b style="background-attachment: initial; background-clip: initial; background-color: transparent; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;"><img src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh4ZYCSa9wqVLbmBIP5PAvHG5YfUj97jSEczj4ykOV_xSt6M9-Ii6-O8qF3JHh5taStpqGtVgCdboNIrOMMWpxJfHlFwnYMPVT6zjBkiK7tNf7M5LlxyVT2SQ9LQgFdX_vOW8igdk-DnSTa/s320/sanzala.jpg" style="padding-bottom: 8px; padding-left: 8px; padding-right: 8px; padding-top: 8px;" /></b></b></span></span></div>
<div>
<span style="background-attachment: initial; background-clip: initial; background-color: #fafafa; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; font-family: arial, helvetica, sans-serif; font-size: x-small; line-height: 15px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-align: -webkit-auto; vertical-align: baseline;"><span style="background-attachment: initial; background-clip: initial; background-color: transparent; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; font-size: small; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;"><b style="background-attachment: initial; background-clip: initial; background-color: transparent; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;"><b style="background-attachment: initial; background-clip: initial; background-color: transparent; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;"><br /></b></b></span></span></div>
<div>
<span style="background-attachment: initial; background-clip: initial; background-color: #fafafa; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; font-family: arial, helvetica, sans-serif; font-size: x-small; line-height: 15px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-align: -webkit-auto; vertical-align: baseline;"><span style="background-attachment: initial; background-clip: initial; background-color: transparent; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; font-size: small; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;"><b style="background-attachment: initial; background-clip: initial; background-color: transparent; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;"><b style="background-attachment: initial; background-clip: initial; background-color: transparent; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;">Guerra colonial portuguesa</b></b></span></span></div>
<div>
<span style="background-attachment: initial; background-clip: initial; background-color: #fafafa; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; font-family: arial, helvetica, sans-serif; font-size: x-small; line-height: 15px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-align: -webkit-auto; vertical-align: baseline;"><span style="background-attachment: initial; background-clip: initial; background-color: transparent; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; font-size: small; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;"><b style="background-attachment: initial; background-clip: initial; background-color: transparent; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;"><b style="background-attachment: initial; background-clip: initial; background-color: transparent; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;"><br /></b></b></span></span></div>
<div>
<span style="background-attachment: initial; background-clip: initial; background-color: #fafafa; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; font-family: arial, helvetica, sans-serif; font-size: x-small; line-height: 15px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-align: -webkit-auto; vertical-align: baseline;"><span style="background-attachment: initial; background-clip: initial; background-color: transparent; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; font-size: small; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;"><b style="background-attachment: initial; background-clip: initial; background-color: transparent; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;"><b style="background-attachment: initial; background-clip: initial; background-color: transparent; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;"><img src="http://petrinus.com.sapo.pt/nambuang.jpg" style="padding-bottom: 8px; padding-left: 8px; padding-right: 8px; padding-top: 8px;" /></b></b></span></span></div>
<div>
<span style="background-attachment: initial; background-clip: initial; background-color: #fafafa; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; font-family: arial, helvetica, sans-serif; font-size: x-small; line-height: 15px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-align: -webkit-auto; vertical-align: baseline;"><span style="background-attachment: initial; background-clip: initial; background-color: transparent; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; font-size: small; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;"><b style="background-attachment: initial; background-clip: initial; background-color: transparent; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;"><b style="background-attachment: initial; background-clip: initial; background-color: transparent; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;"><br /></b></b></span></span></div>
<div>
<span style="background-attachment: initial; background-clip: initial; background-color: #fafafa; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; font-family: arial, helvetica, sans-serif; font-size: x-small; line-height: 15px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-align: -webkit-auto; vertical-align: baseline;"><span class="Apple-style-span" style="font-weight: 800;">15 de Março de 1961 - Massacres pela UPA de Holden Roberto, no norte de Angola, com a conivência dos EUA</span></span></div>
<div>
<span style="background-attachment: initial; background-clip: initial; background-color: #fafafa; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; font-family: arial, helvetica, sans-serif; font-size: x-small; line-height: 15px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-align: -webkit-auto; vertical-align: baseline;"><span class="Apple-style-span" style="font-weight: 800;"><br /></span></span></div>
<div>
<span style="background-attachment: initial; background-clip: initial; background-color: #fafafa; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; font-family: arial, helvetica, sans-serif; font-size: x-small; line-height: 15px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-align: -webkit-auto; vertical-align: baseline;"><span class="Apple-style-span" style="font-weight: 800;"><br /></span></span></div>
</div>
<br /><div style="clear: both;">
</div>
</div>
<div class="post-footer" style="background-color: #3d85c6; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; font-size: 13px; line-height: 1.6; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 1.5em;">
<div class="post-footer-line post-footer-line-1">
</div>
</div>Victor Nogueirahttp://www.blogger.com/profile/13759238536489604722noreply@blogger.com0tag:blogger.com,1999:blog-2736353218304570703.post-40051723213780201692011-11-03T20:23:00.000+00:002011-11-03T20:24:43.975+00:00Revolução de Outubro - Alguma bibliografia<br />
<h6 class="uiStreamMessage uiStreamPassive" data-ft="{"type":1}" style="background-color: white; color: grey; font-weight: normal; margin-bottom: 5px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-align: justify; word-wrap: break-word;">
<span class="Apple-style-span" style="font-family: Times, 'Times New Roman', serif; font-size: small;"><a class="passiveName" data-hovercard="/ajax/hovercard/user.php?id=1394553665" href="http://www.facebook.com/vicnog.na.rede" style="color: #3b5998; cursor: pointer; font-weight: bold; text-decoration: none;">Victor Nogueira</a> partilhou a <a class="pronoun-link " href="http://www.facebook.com/vicnog.na.rede/posts/293311760693416" style="color: #3b5998; cursor: pointer; text-decoration: none;">foto</a> de <a data-hovercard="/ajax/hovercard/user.php?id=100000821727589" href="http://www.facebook.com/livrariamarxista" style="color: #3b5998; cursor: pointer; text-decoration: none;">Livraria Marxista</a>.</span></h6>
<div class="mvm uiStreamAttachments clearfix fbMainStreamAttachment" data-ft="{"type":10}" style="background-color: white; color: #333333; line-height: 12px; margin-bottom: 10px; margin-top: 10px; text-align: left; zoom: 1;">
<div class="UIImageBlock clearfix" style="zoom: 1;">
<a ajaxify="http://www.facebook.com/photo.php?fbid=265356336835088&set=a.113108832059840.6375.100000821727589&type=1&ref=nf&src=http%3A%2F%2Fa8.sphotos.ak.fbcdn.net%2Fhphotos-ak-snc7%2F317369_265356336835088_100000821727589_648940_1172585546_n.jpg&theater&size=811%2C449" class="uiPhotoThumb UIImageBlock_Image UIImageBlock_MED_Image" data-ft="{"type":41}" href="http://www.facebook.com/photo.php?fbid=265356336835088&set=a.113108832059840.6375.100000821727589&type=1&ref=nf" rel="theater" style="border-bottom-color: rgb(204, 204, 204); border-bottom-style: solid; border-bottom-width: 1px; border-left-color: rgb(204, 204, 204); border-left-style: solid; border-left-width: 1px; border-right-color: rgb(204, 204, 204); border-right-style: solid; border-right-width: 1px; border-top-color: rgb(204, 204, 204); border-top-style: solid; border-top-width: 1px; color: #3b5998; cursor: pointer; display: inline-block; float: left; margin-right: 10px; text-decoration: none;" target="" title=""><img alt="" class="img" height="66px" src="http://photos-h.ak.fbcdn.net/hphotos-ak-snc7/317369_265356336835088_100000821727589_648940_1172585546_s.jpg" style="border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; display: block; margin-bottom: 3px; margin-left: 3px; margin-right: 3px; margin-top: 3px; max-width: 121px; text-align: justify;" width="121px" /></a><br />
<div class="UIImageBlock_Content UIImageBlock_MED_Content fsm fwn fcg" style="color: grey; display: table-cell; vertical-align: top; width: 10000px;">
<div class="uiAttachmentTitle" data-ft="{"type":11}" style="color: #333333; text-align: justify; word-wrap: break-word;">
<strong><a href="http://www.facebook.com/media/set/?set=a.113108832059840.6375.100000821727589&type=3" style="color: #3b5998; cursor: pointer; text-decoration: none;" target=""><span class="Apple-style-span" style="font-family: Times, 'Times New Roman', serif;">Fotos do Mural</span></a></strong></div>
<span class="caption"><span class="Apple-style-span" style="font-family: Times, 'Times New Roman', serif;"></span></span><br />
<div style="text-align: justify;">
<span class="caption"><span class="Apple-style-span" style="font-family: Times, 'Times New Roman', serif;"><span class="caption" style="text-align: left;"></span></span></span><br />
<div class="text_exposed_root text_exposed" id="id_4eb2f66cb33974180061887" style="display: inline;">
<span class="caption"><span class="Apple-style-span" style="font-family: Times, 'Times New Roman', serif;"><span class="caption" style="text-align: left;">Em 25 de Outubro é comemorado o aniversário da Revolução Russa de 1917. Na foto,<span class="text_exposed_show" style="display: inline;"> o 1º aniversário da Revolução (Praça Vermelha, Outubro de 1918). Lenin discursando e Trotsky à esquerda nas escadas do púlpito. No nosso calendário, dia 07 de Novembro de 2011 fará 94 anos desde que os trabalhadores tomaram o poder na Rússia.</span></span></span></span></div>
<span class="caption"><span class="Apple-style-span" style="font-family: Times, 'Times New Roman', serif;"><span class="caption" style="text-align: left;">
</span><br />
<div class="mts uiAttachmentDesc translationEligibleUserAttachmentMessage" style="margin-top: 5px; text-align: left; word-wrap: break-word;">
<div>
<div class="fsm fwn fcg">
Por: <span class="uiAttachmentDetails" data-ft="{"type":12}" style="color: #333333;"><a data-hovercard="/ajax/hovercard/user.php?id=100000821727589" href="http://www.facebook.com/livrariamarxista" style="color: #3b5998; cursor: pointer; text-decoration: none;">Livraria Marxista</a></span></div>
</div>
</div>
</span></span></div>
<span class="caption"><span class="Apple-style-span" style="font-family: Times, 'Times New Roman', serif;">
</span></span><br />
<div class="mts uiAttachmentDesc translationEligibleUserAttachmentMessage" style="margin-top: 5px; word-wrap: break-word;">
<div>
<div class="fsm fwn fcg" style="text-align: justify;">
</div>
</div>
</div>
</div>
</div>
</div>
<form action="http://www.facebook.com/ajax/ufi/modify.php" class="live_293311760693416_131325686911214 commentable_item autoexpand_mode" data-live="{"seq":4416112}" method="post" rel="async" style="background-color: white; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-align: left;">
<div class="UIImageBlock clearfix uiStreamFooter" style="color: #999999; line-height: 12px; zoom: 1;">
<i class="UIImageBlock_Image UIImageBlock_ICON_Image img sp_a0bwqr sx_947ee4" style="background-image: url(http://static.ak.fbcdn.net/rsrc.php/v1/y5/r/bEoXjrGM1zE.png); background-position: -171px -108px; background-repeat: no-repeat no-repeat; display: block; float: left; height: 15px; margin-right: 5px; text-align: justify; width: 16px;"></i><br />
<div class="UIImageBlock_Content UIImageBlock_ICON_Content" style="display: table-cell; padding-top: 1px; text-align: justify; vertical-align: top; width: 10000px;">
<span class="Apple-style-span" style="font-family: Times, 'Times New Roman', serif;"><span class="UIActionLinks UIActionLinks_bottom" data-ft="{"type":"20"}"><button class="like_link stat_elem as_link" data-ft="{"type":22}" name="like" style="background-attachment: initial; background-clip: initial; background-color: initial; background-image: none; background-origin: initial; border-bottom-style: none; border-color: initial; border-left-style: none; border-right-style: none; border-top-style: none; border-width: initial; color: #6d84b4; cursor: pointer; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; overflow-x: visible; overflow-y: visible; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-align: left; width: auto;" title="Gostar deste item" type="submit"><span class="default_message" style="display: inline;">Gosto</span></button> · <label class="uiLinkButton comment_link" style="color: #6b84b4; cursor: pointer; vertical-align: text-top;" title="Fazer um comentário"><input data-ft="{"type":24}" style="background-attachment: initial; background-clip: initial; background-color: initial; background-image: none; background-origin: initial; border-bottom-style: none; border-color: initial; border-left-style: none; border-right-style: none; border-top-style: none; border-width: initial; color: #6b84b4; cursor: pointer; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: text-top;" type="button" value="Comentar" /></label> · <button class="unsub_link stat_elem as_link" name="unsubscribe" style="background-attachment: initial; background-clip: initial; background-color: initial; background-image: none; background-origin: initial; border-bottom-style: none; border-color: initial; border-left-style: none; border-right-style: none; border-top-style: none; border-width: initial; color: #6d84b4; cursor: pointer; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; overflow-x: visible; overflow-y: visible; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-align: left; width: auto;" title="Estás neste momento a receber notificações para este item porque ele é teu." type="submit"><span class="default_message" style="display: inline;">Não seguir publicação</span></button> · <a class="share_action_link" data-ft="{"type":25}" href="http://www.facebook.com/ajax/sharer/?s=99&appid=2309869772&p%5B0%5D=1394553665&p%5B1%5D=293311760693416" rel="dialog" style="color: #6d84b4; cursor: pointer; text-decoration: none;" title="Envia a amigos ou publica no teu perfil.">Partilhar</a> · </span><span class="uiStreamSource" data-ft="{"type":26}"><a href="http://www.facebook.com/vicnog.na.rede/posts/293311760693416" style="color: #999999; cursor: pointer; text-decoration: none;"><abbr data-date="Tue, 25 Oct 2011 16:14:27 -0700" style="border-bottom-color: initial; border-bottom-style: none; border-bottom-width: initial;" title="Terça-feira, 25 de Outubro de 2011 às 23:14">25/10 às 23:14</abbr></a></span></span></div>
</div>
<ul class="uiList uiUfi focus_target fbUfi" data-ft="{"type":30}" style="list-style-type: none; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 2px; width: 398px;">
<li class="ufiNub uiListItem uiListVerticalItemBorder" style="border-bottom-width: 0px; border-left-width: 0px; border-right-width: 0px; border-top-width: 0px; color: #333333; display: block; line-height: 12px; margin-bottom: -2px; margin-top: 0px;"><i style="background-image: url(http://static.ak.fbcdn.net/rsrc.php/v1/y7/r/UvyvLtJTQzO.png); background-position: 0px 0px; background-repeat: no-repeat no-repeat; display: block; height: 5px; margin-left: 17px; text-align: justify; width: 9px;"></i></li>
<li class="ufiItem uiUfiLike uiListItem uiListVerticalItemBorder" data-ft="{"type":31}" style="background-color: #edeff4; border-bottom-color: rgb(210, 217, 231); border-bottom-style: solid; border-bottom-width: 1px; border-left-width: 0px; border-right-width: 0px; border-top-width: 1px; color: #333333; display: block; line-height: 12px; margin-top: 1px; padding-bottom: 4px; padding-left: 5px; padding-right: 5px; padding-top: 5px;"><div class="UIImageBlock clearfix" style="zoom: 1;">
<a aria-hidden="true" class="UIImageBlock_Image UIImageBlock_ICON_Image" href="http://www.blogger.com/blogger.g?blogID=2736353218304570703" style="color: #3b5998; cursor: pointer; float: left; margin-right: 5px; text-decoration: none;" tabindex="-1"><label class="uiUfiLikeIcon" style="background-image: url(http://static.ak.fbcdn.net/rsrc.php/v1/yU/r/DpIr-7bdqXs.png); background-position: 0px -44px; background-repeat: no-repeat no-repeat; color: #666666; cursor: pointer; display: block; font-weight: bold; height: 13px; text-align: justify; vertical-align: middle; width: 15px;" title="Gostar deste item"></label></a><br />
<div class="UIImageBlock_Content UIImageBlock_ICON_Content" style="display: table-cell; padding-top: 1px; text-align: justify; vertical-align: top; width: 10000px;">
<span class="Apple-style-span" style="font-family: Times, 'Times New Roman', serif;"><a data-hovercard="/ajax/hovercard/user.php?id=100000821727589" href="http://www.facebook.com/livrariamarxista" style="color: #3b5998; cursor: pointer; text-decoration: none;">Livraria Marxista</a>, <a data-hovercard="/ajax/hovercard/user.php?id=100001790574027" href="http://www.facebook.com/profile.php?id=100001790574027" style="color: #3b5998; cursor: pointer; text-decoration: none;">Celino Silva</a>, <a data-hovercard="/ajax/hovercard/user.php?id=100002234358349" href="http://www.facebook.com/profile.php?id=100002234358349" style="color: #3b5998; cursor: pointer; text-decoration: none;">Violante Gancho Maio</a> e <a ajaxify="/ajax/browser/dialog/likes/?id=293311760693416" href="http://www.facebook.com/browse/likes/?id=293311760693416" rel="dialog" style="color: #3b5998; cursor: pointer; text-decoration: none;" title="Ver pessoas que gostam deste item">3 outras pessoas</a>gostam disto.</span></div>
</div>
</li>
<li class="uiUfiViewReposts ufiItem uiListItem uiListVerticalItemBorder" style="background-color: #edeff4; border-bottom-color: rgb(210, 217, 231); border-bottom-style: solid; border-bottom-width: 1px; border-left-width: 0px; border-right-width: 0px; border-top-width: 1px; color: #333333; display: block; line-height: 12px; margin-top: 1px; padding-bottom: 4px; padding-left: 5px; padding-right: 5px; padding-top: 5px;"><i class="img sp_7s79ti sx_e9154c" style="background-position: -102px -147px; color: #3b5998; cursor: pointer; display: inline-block; height: 16px; left: 0px; padding-left: 21px; position: absolute; text-align: justify; text-decoration: none; top: -1px; vertical-align: middle; width: 16px;"></i><div style="color: #3b5998; cursor: pointer; padding-left: 21px; position: relative; text-align: justify; text-decoration: none;">
<a ajaxify="/ajax/shares/view/?target_fbid=293311760693416" class="uiIconText" href="http://www.facebook.com/vicnog.na.rede/posts/293311760693416#" rel="async" style="color: #3b5998; cursor: pointer; padding-left: 21px; position: relative; text-decoration: none;"><span class="Apple-style-span" style="font-family: Times, 'Times New Roman', serif;">1 partilha</span></a></div>
</li>
<li class="uiUfiComments uiListItem uiListVerticalItemBorder" data-ft="{"type":32}" style="border-bottom-width: 0px; border-left-width: 0px; border-right-width: 0px; border-top-width: 1px; display: block;"><ul class="commentList" style="list-style-type: none; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;">
<li class="uiUfiComment comment_4416112 ufiItem ufiItem" style="background-color: #edeff4; border-bottom-color: rgb(210, 217, 231); border-bottom-style: solid; border-bottom-width: 1px; margin-top: 1px; padding-bottom: 4px; padding-left: 5px; padding-right: 5px; padding-top: 5px;"><div class="UIImageBlock clearfix uiUfiActorBlock" style="zoom: 1;">
<a class="actorPic UIImageBlock_Image UIImageBlock_SMALL_Image" data-ft="{"type":34}" data-hovercard="/ajax/hovercard/user.php?id=100000821727589" href="http://www.facebook.com/livrariamarxista" style="color: #3b5998; cursor: pointer; float: left; line-height: 12px; margin-right: 8px; text-decoration: none;" tabindex="-1"><img alt="" class="uiProfilePhoto uiProfilePhotoMedium img" src="http://profile.ak.fbcdn.net/hprofile-ak-snc4/23094_100000821727589_2045_q.jpg" style="border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; display: block; height: 32px; text-align: justify; width: 32px;" /></a><br />
<div class="UIImageBlock_Ext" style="float: right;">
<div class="uiSelector inlineBlock commentHideSelector stat_elem uiSelectorRight" data-autosubmit="1" data-name="hide_option[4416112]" id="u73ir2_7" style="display: inline-block; max-width: 200px; vertical-align: top; zoom: 1;">
<div class="wrap" style="position: relative;">
<div style="-webkit-background-clip: padding-box; border-bottom-color: transparent; border-bottom-style: solid; border-bottom-width: 1px; border-left-color: transparent; border-left-style: solid; border-left-width: 1px; border-right-color: transparent; border-right-style: solid; border-right-width: 1px; border-top-color: transparent; border-top-style: solid; border-top-width: 1px; cursor: pointer; display: inline-block; height: 15px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; opacity: 1; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-align: justify; vertical-align: top; width: 15px; zoom: 1;">
<a ajaxify="/ajax/ufi/hide_selector.php?comment_id=4416112&commenter_id=100000821727589&profile_id=1394553665&post_fbid=297418760282716&can_remove=1&can_report=1&report_link=%2Fajax%2Freport.php%3Fcontent_type%3D74%26cid%3D297418760282716%26rid%3D100000821727589%26cid2%3D0%26profile%3D1394553665%26h%3DAfhPLNWPiq7FhkkV&feedback_params=%7B%22actor%22%3A%221394553665%22%2C%22target_fbid%22%3A%22293311760693416%22%2C%22target_profile_id%22%3A%221394553665%22%2C%22type_id%22%3A%2217%22%2C%22source%22%3A%222%22%2C%22assoc_obj_id%22%3A%22%22%2C%22source_app_id%22%3A%222305272732%22%2C%22extra_story_params%22%3A%5B%5D%2C%22content_timestamp%22%3A%221319584467%22%2C%22check_hash%22%3A%2265009cccea1d5a35%22%7D" aria-haspopup="1" class="uiSelectorButton uiCloseButton" href="http://www.facebook.com/vicnog.na.rede/posts/293311760693416#" rel="toggle" role="button" style="-webkit-background-clip: padding-box; border-bottom-color: transparent; border-bottom-style: solid; border-bottom-width: 1px; border-left-color: transparent; border-left-style: solid; border-left-width: 1px; border-right-color: transparent; border-right-style: solid; border-right-width: 1px; border-top-color: transparent; border-top-style: solid; border-top-width: 1px; color: #3b5998; cursor: pointer; display: inline-block; height: 15px; line-height: 12px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; opacity: 1; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: top; width: 15px; zoom: 1;" title=""><span class="Apple-style-span" style="font-family: Times, 'Times New Roman', serif;"><br /></span></a></div>
</div>
</div>
</div>
<div class="commentContent UIImageBlock_Content UIImageBlock_SMALL_Content" data-ft="{"type":33}" style="display: table-cell; padding-top: 1px; vertical-align: top; width: 10000px;">
<div style="color: #333333; line-height: 12px; text-align: justify;">
<span class="Apple-style-span" style="font-family: Times, 'Times New Roman', serif;"><a class="actorName" data-ft="{"type":35}" data-hovercard="/ajax/hovercard/user.php?id=100000821727589" href="http://www.facebook.com/livrariamarxista" style="color: #3b5998; cursor: pointer; font-weight: bold; text-decoration: none;">Livraria Marxista</a> <span class="commentBody" data-jsid="text"></span></span><br />
<div class="text_exposed_root text_exposed" id="id_4eb2f66cb3e312069494709" style="display: inline;">
<span class="Apple-style-span" style="font-family: Times, 'Times New Roman', serif;"><span class="commentBody" data-jsid="text">Nesta semana em que se comemora o aniversário da Revolução Russa, indicamos uma pequena bibliografia que está disponível em nosso site e em nossa sede em São Paulo:</span></span></div>
<span class="Apple-style-span" style="font-family: Times, 'Times New Roman', serif;"><span class="commentBody" data-jsid="text">
</span></span></div>
<span class="commentBody" data-jsid="text"><span class="Apple-style-span" style="font-family: Times, 'Times New Roman', serif;"></span></span><br />
<div style="text-align: justify;">
<span class="commentBody" data-jsid="text"><span class="Apple-style-span" style="font-family: Times, 'Times New Roman', serif;"><span class="Apple-style-span" style="color: #333333; line-height: 12px;"><br /></span></span></span></div>
<span class="commentBody" data-jsid="text"><span class="Apple-style-span" style="font-family: Times, 'Times New Roman', serif;">
<div class="text_exposed_root text_exposed" id="id_4eb2f66cb3e312069494709" style="display: inline;">
<div style="color: #333333; line-height: 12px; text-align: justify;">
- HISTÓRIA DA REVOLUÇÃO RUSSA (TOMO I E TOMO II)</div>
<div style="color: #3b5998; cursor: pointer; line-height: 12px; text-align: justify; text-decoration: none;">
<a href="http://www.livrariamarxista.com.br/livros/historia/historia-da-revolucao-russa-tomo-i-e-tomo-ii" rel="nofollow nofollow" style="color: #3b5998; cursor: pointer; text-decoration: none;" target="_blank">http://www.livrariamarxis<span class="text_exposed_show" style="display: inline;">ta.com.br/livros/historia/<wbr></wbr><span class="word_break" style="display: inline-block;"></span>historia-da-revolucao-russ<wbr></wbr><span class="word_break" style="display: inline-block;"></span>a-tomo-i-e-tomo-ii</span></a></div>
<span class="text_exposed_show" style="display: inline;"></span><br />
<div style="text-align: justify;">
<span class="text_exposed_show" style="display: inline;"><span class="Apple-style-span" style="color: #333333; line-height: 12px;"><br /></span></span></div>
<span class="text_exposed_show" style="display: inline;">
<span class="Apple-style-span" style="color: #333333; line-height: 12px;"><div style="text-align: justify;">
- A REVOLUÇÃO DE OUTUBRO</div>
</span><div style="color: #3b5998; cursor: pointer; line-height: 12px; text-align: justify; text-decoration: none;">
<a href="http://www.livrariamarxista.com.br/livros/classicos_do_marxismo/a-revolucao-de-outubro" rel="nofollow nofollow" style="color: #3b5998; cursor: pointer; text-decoration: none;" target="_blank">http://www.livrariamarxist<wbr></wbr><span class="word_break" style="display: inline-block;"></span>a.com.br/livros/classicos_<wbr></wbr><span class="word_break" style="display: inline-block;"></span>do_marxismo/a-revolucao-de<wbr></wbr><span class="word_break" style="display: inline-block;"></span>-outubro</a></div>
<div style="text-align: justify;">
<br /></div>
<span class="Apple-style-span" style="color: #333333; line-height: 12px;"><div style="text-align: justify;">
- LIÇÕES DE OUTUBRO</div>
</span><div style="color: #3b5998; cursor: pointer; line-height: 12px; text-align: justify; text-decoration: none;">
<a href="http://www.livrariamarxista.com.br/livros/classicos_do_marxismo/licoes-de-outubro" rel="nofollow nofollow" style="color: #3b5998; cursor: pointer; text-decoration: none;" target="_blank">http://www.livrariamarxist<wbr></wbr><span class="word_break" style="display: inline-block;"></span>a.com.br/livros/classicos_<wbr></wbr><span class="word_break" style="display: inline-block;"></span>do_marxismo/licoes-de-outu<wbr></wbr><span class="word_break" style="display: inline-block;"></span>bro</a></div>
<div style="text-align: justify;">
<br /></div>
<span class="Apple-style-span" style="color: #333333; line-height: 12px;"><div style="text-align: justify;">
- A REVOLUÇÃO TRAÍDA</div>
</span><div style="color: #3b5998; cursor: pointer; line-height: 12px; text-align: justify; text-decoration: none;">
<a href="http://www.livrariamarxista.com.br/livros/classicos_do_marxismo/a-revolucao-traida-o-que-e-e-para-onde-vai-a-urss" rel="nofollow nofollow" style="color: #3b5998; cursor: pointer; text-decoration: none;" target="_blank">http://www.livrariamarxist<wbr></wbr><span class="word_break" style="display: inline-block;"></span>a.com.br/livros/classicos_<wbr></wbr><span class="word_break" style="display: inline-block;"></span>do_marxismo/a-revolucao-tr<wbr></wbr><span class="word_break" style="display: inline-block;"></span>aida-o-que-e-e-para-onde-v<wbr></wbr><span class="word_break" style="display: inline-block;"></span>ai-a-urss</a></div>
<div style="text-align: justify;">
<br /></div>
<span class="Apple-style-span" style="color: #333333; line-height: 12px;"><div style="text-align: justify;">
- A REVOLUÇÃO DESFIGURADA</div>
</span><div style="color: #3b5998; cursor: pointer; line-height: 12px; text-align: justify; text-decoration: none;">
<a href="http://www.livrariamarxista.com.br/livros/revolucoes/a-revolucao-desfigurada" rel="nofollow nofollow" style="color: #3b5998; cursor: pointer; text-decoration: none;" target="_blank">http://www.livrariamarxist<wbr></wbr><span class="word_break" style="display: inline-block;"></span>a.com.br/livros/revolucoes<wbr></wbr><span class="word_break" style="display: inline-block;"></span>/a-revolucao-desfigurada</a></div>
</span></div>
</span></span><br />
<div class="commentActions fsm fwn fcg" style="color: grey; line-height: 12px; padding-top: 2px; text-align: justify;">
<span class="Apple-style-span" style="font-family: Times, 'Times New Roman', serif;"><abbr class="timestamp livetimestamp" data-date="Thu, 03 Nov 2011 11:46:21 -0700" style="border-bottom-color: initial; border-bottom-style: none; border-bottom-width: initial;" title="quinta-feira, 3 de Novembro de 2011 às 18:46">há cerca de uma hora</abbr> · </span><span class="comment_like_4416112 fsm fwn fcg" data-ft="{"type":37}"><span class="Apple-style-span" style="font-family: Times, 'Times New Roman', serif; font-size: small;"><button class="stat_elem as_link cmnt_like_link" name="unlike_comment_id[4416112]" style="background-attachment: initial; background-clip: initial; background-color: initial; background-image: none; background-origin: initial; border-bottom-style: none; border-color: initial; border-left-style: none; border-right-style: none; border-top-style: none; border-width: initial; color: #3b5998; cursor: pointer; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; overflow-x: visible; overflow-y: visible; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-align: left; width: auto;" title="Não gosto deste comentário" type="submit" value="4416112"><span class="default_message" style="display: inline;">Não gosto</span></button> · </span><a ajaxify="/ajax/browser/dialog/likes/?id=297418760282716" class="uiTooltip comment_like_button" href="http://www.facebook.com/browse/likes/?id=297418760282716" rel="dialog" style="color: #3b5998; cursor: pointer; margin-bottom: -5px; margin-left: -5px; margin-right: -5px; margin-top: -5px; padding-bottom: 5px; padding-left: 5px; padding-right: 5px; padding-top: 0px; position: relative; text-decoration: none;"><span class="Apple-style-span" style="font-family: Times, 'Times New Roman', serif;"><span class="Apple-style-span" style="background-position: -18px -339px; border-color: initial; border-style: initial;"><img alt="" class="cmt_like_icon" src="http://static.ak.fbcdn.net/rsrc.php/v1/yw/r/drP8vlvSl_8.gif" style="background-image: url(http://static.ak.fbcdn.net/rsrc.php/v1/y6/r/9zCgoIj5WKd.png); background-position: -18px -339px; background-repeat: no-repeat no-repeat; border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; height: 9px; width: 10px;" /></span> </span><span class="Apple-style-span" style="font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 11px;">1</span></a></span></div>
</div>
</div>
</li>
</ul>
</li>
</ul>
</form>Victor Nogueirahttp://www.blogger.com/profile/13759238536489604722noreply@blogger.com0tag:blogger.com,1999:blog-2736353218304570703.post-90080723852238838542010-11-18T00:20:00.000+00:002010-11-18T00:20:24.421+00:00Galeria O Grito !<div class="post-header"> </div><div class="post-body entry-content"> <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjarMTQo4wbRk4GLq-GbJWHJbXQ2CZyHAOw7JwTENPdUWejxwWPKUS3M6fqQ8gz8KVCorClc3GdEPwivtirjeYLIXE_lmWF9oZ84wPp-DPeg1oYhyphenhyphenOE0ElebR1D9XfpH-7s58zZTDE8OgM/s1600/capitalismo+1.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjarMTQo4wbRk4GLq-GbJWHJbXQ2CZyHAOw7JwTENPdUWejxwWPKUS3M6fqQ8gz8KVCorClc3GdEPwivtirjeYLIXE_lmWF9oZ84wPp-DPeg1oYhyphenhyphenOE0ElebR1D9XfpH-7s58zZTDE8OgM/s320/capitalismo+1.jpg" width="293" /></a></div><br />
<div style="text-align: justify;"><b>Victor Nogueira </b>Já pensaram que em nome da crise deles é a isto que querem reduzir a esmagadora maioria da população mundial, europeus incluídos, que eles consideram sub-humanos, descartáveis, carne para canhão ? Eles que governam o Mundo e se devoram uns aos outros e a nós?</div>há 12 minutos <br />
<br />
*<br />
<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhccznzaWPdxJdQY2uU8EAHhDjRiIth-JcX11kb08v7uDn5SC2b1znQQZ6IOwp3-7qjVLYrAqKWdomlnHFVJQrlhBHjpPly7wEOasEPGHDZ2y8xOQiIx8end0wSG386rv_wDbh9HcKKRzE/s1600/fome+1.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="264" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhccznzaWPdxJdQY2uU8EAHhDjRiIth-JcX11kb08v7uDn5SC2b1znQQZ6IOwp3-7qjVLYrAqKWdomlnHFVJQrlhBHjpPly7wEOasEPGHDZ2y8xOQiIx8end0wSG386rv_wDbh9HcKKRzE/s320/fome+1.jpg" width="320" /></a></div><br />
*<br />
*<br />
<div style="text-align: justify;"><b>Victor Nogueira </b>Em vésperas de Manifestações contra a NATO e da Greve Geral, arranjam bonecos da Banda Desenhada. Podia dar-vos para pior !</div>há 27 minutos<br />
.<br />
<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgV1wbkz6MwajDtO9JArcvtn8r0ardAujRaawHeSQT0Jnl0Fgd8MGQA4ucDwK0D0dhz_pGl6mlf30xREuX1n9-n36vXZHTNtma6rJDllTLtOaPlq9_aarkW0F3jcTdVCXBrBXu-BJv0Jcc/s1600/capitalismo-selvagem3.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="277" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgV1wbkz6MwajDtO9JArcvtn8r0ardAujRaawHeSQT0Jnl0Fgd8MGQA4ucDwK0D0dhz_pGl6mlf30xREuX1n9-n36vXZHTNtma6rJDllTLtOaPlq9_aarkW0F3jcTdVCXBrBXu-BJv0Jcc/s400/capitalismo-selvagem3.jpg" width="400" /></a></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh2l3PIMOSzZfJH4mM6mJ2rwNb708o_jWdLH438DEMDa2YpuienO_DoTRIE80V4QBv0_DNLDHWzlu_McZAMJD1pT3Z46I_xe_KiWUYe9Klkq8o7CBvPz7P3Tod5_CkBGqTKlZaD51cJTn0/s1600/quino+opress%25C3%25A3o.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh2l3PIMOSzZfJH4mM6mJ2rwNb708o_jWdLH438DEMDa2YpuienO_DoTRIE80V4QBv0_DNLDHWzlu_McZAMJD1pT3Z46I_xe_KiWUYe9Klkq8o7CBvPz7P3Tod5_CkBGqTKlZaD51cJTn0/s400/quino+opress%25C3%25A3o.jpg" width="345" /></a></div><br />
<div style="text-align: center;">Quino</div>.<br />
<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgiCDBdlF7lhBqCDyyGRJqlZU1jsgwe7MjIxZAoA1PG2wNMct63uWjizA3xsLpdeG8dELWmfbdPT_s0VEVcK2CnsI6Bo_EpYf8A9qIZIVYf2ayWrRzuJkwx-eS7ECXxItjZZ0knQ62LMAE/s1600/capitalismo.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="354" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgiCDBdlF7lhBqCDyyGRJqlZU1jsgwe7MjIxZAoA1PG2wNMct63uWjizA3xsLpdeG8dELWmfbdPT_s0VEVcK2CnsI6Bo_EpYf8A9qIZIVYf2ayWrRzuJkwx-eS7ECXxItjZZ0knQ62LMAE/s400/capitalismo.jpg" width="400" /></a></div><br />
<br />
<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEijLMgdR5-fqJ_GmA5eX5n34pFNFy9WTkIlmxvHdAuYt8bFxbKWKs8Iwo0SiUZ9_eYUa69IhGtYJF5Rgnrfh_JCDaa35cvwxpvNl9wJ5DbNNncMbgK-wCrWTHP2igekBXgpW-DJEs3CKGQ/s1600/capitalismo+e+sal%25C3%25A1rio+de+mis%25C3%25A9ria.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEijLMgdR5-fqJ_GmA5eX5n34pFNFy9WTkIlmxvHdAuYt8bFxbKWKs8Iwo0SiUZ9_eYUa69IhGtYJF5Rgnrfh_JCDaa35cvwxpvNl9wJ5DbNNncMbgK-wCrWTHP2igekBXgpW-DJEs3CKGQ/s400/capitalismo+e+sal%25C3%25A1rio+de+mis%25C3%25A9ria.jpg" width="364" /> </a></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh0sv5wPLD1CYczuydQvSl_wchqmMxhWf7F3fY-KB-icQh37Nq0gloUsDoACXx7P2wM6aQTvH1NZJ7zSKGRIn3kQ1i_eE-2oDzIiNHPK4jx6hl7xwjm652femQaQeQPwxEkUh_XZY0uB5k/s1600/capitalista.png" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="364" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh0sv5wPLD1CYczuydQvSl_wchqmMxhWf7F3fY-KB-icQh37Nq0gloUsDoACXx7P2wM6aQTvH1NZJ7zSKGRIn3kQ1i_eE-2oDzIiNHPK4jx6hl7xwjm652femQaQeQPwxEkUh_XZY0uB5k/s400/capitalista.png" width="400" /></a></div>.<br />
<br />
<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi5gdkMfS63lUDur9I0wemSaJmvTRMR64aj146gjoYEH_9MTw6zX9Mv7WT1UBPNB26lHUWzTBbAeZkhcTt9yrtvXzLzD3J7eC-NOxb8LBcWyJLL-PMTYftQx6CHIhAerxaHxD-qsavWreI/s1600/Sistema_capitalista.1.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi5gdkMfS63lUDur9I0wemSaJmvTRMR64aj146gjoYEH_9MTw6zX9Mv7WT1UBPNB26lHUWzTBbAeZkhcTt9yrtvXzLzD3J7eC-NOxb8LBcWyJLL-PMTYftQx6CHIhAerxaHxD-qsavWreI/s400/Sistema_capitalista.1.jpg" width="338" /></a></div><br />
<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjyi0tRuJhjrXxhOb1zXtrO8bFPQ6rL9gSZSpuYDCPbFbeYEEEEqLslLnFYtm9TBgpS6nJy7-uOYIJUIlllq0PsFr7u38Q1AO-igBuP1PDL7tvmBz24IjE8DZZMh37OngzpvcWClAk5KWQ/s1600/sindicatosbrasil.JPG" style="margin-left: 1em; margin-right: 1em;"><br />
</a></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiZCv9g4MMD7xGHdf92aoeO9_a0Kx2pou4p4binU439B6OrT75cz_pv2gXh_RB_E8wNxMEjUbN4VqT1UzUcAGlCToYKo7okZhB-dACCDtYl8yFWoAuN2XKw6ccmCBWoaJTTQQx1i9x7mTo/s1600/Di_Cavalcanti_repressao_ANL_peq.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiZCv9g4MMD7xGHdf92aoeO9_a0Kx2pou4p4binU439B6OrT75cz_pv2gXh_RB_E8wNxMEjUbN4VqT1UzUcAGlCToYKo7okZhB-dACCDtYl8yFWoAuN2XKw6ccmCBWoaJTTQQx1i9x7mTo/s400/Di_Cavalcanti_repressao_ANL_peq.jpg" width="274" /> </a></div><div class="separator" style="clear: both; text-align: center;">Di Cavalcanti </div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjyi0tRuJhjrXxhOb1zXtrO8bFPQ6rL9gSZSpuYDCPbFbeYEEEEqLslLnFYtm9TBgpS6nJy7-uOYIJUIlllq0PsFr7u38Q1AO-igBuP1PDL7tvmBz24IjE8DZZMh37OngzpvcWClAk5KWQ/s1600/sindicatosbrasil.JPG" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="323" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjyi0tRuJhjrXxhOb1zXtrO8bFPQ6rL9gSZSpuYDCPbFbeYEEEEqLslLnFYtm9TBgpS6nJy7-uOYIJUIlllq0PsFr7u38Q1AO-igBuP1PDL7tvmBz24IjE8DZZMh37OngzpvcWClAk5KWQ/s400/sindicatosbrasil.JPG" width="400" /></a></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhoyqsj_26I8hfE2ge7YtTtcRDIBUTaeSlC-P4obeY2vQmHogOfLSqds6wWWmFCl7fc1jTjN4extcCFVAWoVgJWz0QW1adE3VFB-52mFkCgRUykDS0qfA-VC-E7h_IQFeC7qZG1OUuAj-0/s1600/25+de+Abril+Z%25C3%25A9+de+Oliveira+-+855_Broncas.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="255" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhoyqsj_26I8hfE2ge7YtTtcRDIBUTaeSlC-P4obeY2vQmHogOfLSqds6wWWmFCl7fc1jTjN4extcCFVAWoVgJWz0QW1adE3VFB-52mFkCgRUykDS0qfA-VC-E7h_IQFeC7qZG1OUuAj-0/s400/25+de+Abril+Z%25C3%25A9+de+Oliveira+-+855_Broncas.jpg" width="400" /></a></div><div style="text-align: center;"> Zé de Oliveira</div><div style="text-align: center;">.</div><div style="text-align: center;"><br />
</div></div>Victor Nogueirahttp://www.blogger.com/profile/13759238536489604722noreply@blogger.com0tag:blogger.com,1999:blog-2736353218304570703.post-84170321930811664872010-11-18T00:19:00.001+00:002011-02-16T22:01:38.279+00:00Mundo Cão e a Caverna de Ali Bábá !!!<div class="post-header"></div><div class="post-body entry-content"><div style="text-align: justify;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh-ohmME-2eN9gvbwgh6WDNyocw07nT75oWPx931cus1ZG2wkA-CB3Zja8fyX_16OH9Pkas6YZmZNLhrhp847LHnxn7lSMvCMyIZ2OvUjCw-4SbeOBM5C_DQ9z8gBlnAy1zLqUNOuyIp9c/s1600/piratas.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="211" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh-ohmME-2eN9gvbwgh6WDNyocw07nT75oWPx931cus1ZG2wkA-CB3Zja8fyX_16OH9Pkas6YZmZNLhrhp847LHnxn7lSMvCMyIZ2OvUjCw-4SbeOBM5C_DQ9z8gBlnAy1zLqUNOuyIp9c/s400/piratas.jpg" width="400" /></a></div><b><br />
</b></div><div style="text-align: justify;"><b>Victor Nogueira</b> Quem lucra e quanto lucra a comunicação social com a publicidade ?</div><div style="text-align: justify;">.<br />
<h3 class="post-title entry-title" style="text-align: right;"><a href="http://kantoximpi.blogspot.com/2010/11/comnicacao-social-e-publicidade-grupos.html">Comunicação social e publicidade - Grupos ganham mais dez milhões</a></h3></div><div style="text-align: justify;">.</div><div style="text-align: justify;"><b>Victor Nogueira</b> PS/PSD e CDS carregam nos impostos sobre quem trabalha, fomentam o desemprego, congelam aumentos salariais e de reforma, fomentam a precariedade,cortam nos apoios sociais e as pessoas em vez de direitos voltam à caridadezinha da mão estendida para a esmola ?<br />
.<br />
Há dias comentei que o Banco Alimentar dizia que havia menos contribuições dos consumidores. Mas trata-se dum grande negócio para as cadeias de distribuição: as pessoas compram, ajudam a aumentar os lucros e .... o Governo ainda ajuda as grandes redes de distribuição que agora estão abertas aos sábados, domingos e feriados. Deste modo controlam ainda mais e em seu benefício o que é produzido a montante e lucram com a falências das pequenas e médias empresas, já que sem vestir e comer as pessoas não podem passar. Engordam ainda mais com a crise. Não têm pudor nem a ASAE repara que elas recongelam produtos, que são aqueles que apresentam cristais de gelo. Ou estarei errado ? Se não estiver errado, então vendem produtos que não deveriam re-congelar mas pergunta-se: que fazem aos produtos em fim de prazo de validade ou perecíveis: oferecem-nos a quem precisa ou vai tudo para o lixo ?</div><div style="text-align: justify;">.<br />
<h3 class="post-title entry-title" style="text-align: right;"><a href="http://kantoximpi.blogspot.com/2010/11/mais-de-cem-mil-pessoas-sao-auxiliadas.html">Mais de cem mil pessoas são auxiliadas por instituições religiosas, 35 mil das quais pedem para comer.</a></h3><h3 class="post-title entry-title" style="text-align: right;"><a href="http://kantoximpi.blogspot.com/2010/11/todos-os-dias-vao-para-o-lixo-35-mil.html">Todos os dias vão para o lixo 35 mil refeições</a> </h3><h3 class="post-title entry-title" style="text-align: right;"><a href="http://kantoximpi.blogspot.com/2010/11/o-que-eles-lucram-sem-pagar-inmpostos.html">O que eles lucram sem pagar impostos ou o fim do que nunca existiu: o capitalismo popular.</a></h3></div><div style="text-align: justify;"><h3 class="post-title entry-title" style="text-align: right;"><a href="http://kantoximpi.blogspot.com/2010/11/ricos-ganham-milhoes-livres-de-impostos.html">Ricos ganham milhões livres de impostos</a></h3><h3 class="post-title entry-title" style="text-align: right;"><a href="http://kantoximpi.blogspot.com/2010/11/barrero-600-empregos-abaixo-de-800.html">Barreiro: 600 empregos abaixo de 800 €</a> </h3><h3 class="post-title entry-title" style="text-align: right;"><a href="http://kantoximpi.blogspot.com/2010/11/bancos-portugueses-estao-fortes-porque.html">"Bancos portugueses estão fortes porque não pagam impostos”</a></h3><h3 class="post-title entry-title" style="text-align: right;"> </h3></div><div style="text-align: justify;"><b>Victor Nogueira</b> Em tempo de crise, 55 ex-deputados do PS, PSD, MPT e PPM pedem subsídio de re-integração na vida activa. Lapidares as justificações de Ana Manso (PS) e de Nuno da Câmara Pereira (PPM). Esta gente de partidos que cortam nos subsídios e apoios sociais e lançam centenas de milhares de pessoas no desemprego e na sopa dos ...pobres, não têm pingo de vergonha ?</div>.<br />
<h3 class="post-title entry-title" style="text-align: right;"><a href="http://kantoximpi.blogspot.com/2010/11/parlamento-55-deputados-pedem-subsidio.html">Parlamento 55 deputados pedem subsídio</a></h3><br />
.<br />
<b>Victor Nogueira</b><br />
<div style="text-align: justify;">Precisamos das pessoas reais, olhar no olhar, mão no ombro, abraço ou beijo,ouvir e sentir o outro, refeição compartilhada, enquanto estamos vivos. O resto, o resto é nada ! Que me interessa que me homenageiem ou lembrem depois de morto, se dessas manifestações nada saberei ? O "Senhor do Olá" ou "do Adeus" era simpático, mas de quantos sem abrigo desviamos o olhar ou quantos convidamos para nossa casa e para a nossa mesa? O "Senhor do Olá" vivia num palacete, tinha dinheiro e solidão e alguns amigos reais. Para quantos o palacete é uma caixa de cartão e o travesseiro uma pedra e a comida uma necessidade vital e a solidão uma realidade gritante ?</div><abbr class="timestamp" title="Quarta-feira, 17 de Novembro de 2010 às 0:17">há 22 horas</abbr> <br />
.<br />
.<br />
<b>Victor Nogueira</b><br />
<div style="text-align: justify;"> Limitei-me a chamar a atenção para a necessidade de solidariedade e afectos imprescindíveis enquanto estamos vivos, com gestos e acções concretas, reais, que se sintam e entendam. Quanto ao resto, seremos apenas memória real enquanto viverem aqueles que connosco (con)viveram, tenham ou não sido companheiros/as de jornada. Depois, serão apenas sons, jogos de luzes ou carreirinhas de letras que nos emocionam ou não, mas despersonalizados. Abraço do Victor Nogueira, o tal que nasceu, vive e um dia morrerá ! </div>há 7 horas <br />
.<br />
. </div>Victor Nogueirahttp://www.blogger.com/profile/13759238536489604722noreply@blogger.com0tag:blogger.com,1999:blog-2736353218304570703.post-90503167601952077332010-11-07T17:45:00.000+00:002010-11-07T17:45:04.916+00:00A Revolução de Outubro<table border="0" cellpadding="0" cellspacing="0" style="width: 386px;"><tbody>
<tr><td colspan="3"><table border="0" cellpadding="0" cellspacing="0" style="width: 386px;"><tbody>
<tr><td align="right" width="235"><img height="43" hspace="10" src="http://www.vermelho.org.br/hoje/logo2.gif" width="208" /></td> <td width="151"><b><span style="font-size: medium;">Aconteceu em<br />
7 de novembro </span></b></td> </tr>
</tbody></table></td> </tr>
<tr> <td rowspan="6" width="33"> </td> <td width="320"><img height="1" src="http://www.vermelho.org.br/hoje/fio.gif" vspace="3" width="320" /></td> <td rowspan="6" width="33"> </td> </tr>
<tr> <td bgcolor="#d6d6d6"><table border="0" cellpadding="0" cellspacing="0" style="width: 320px;"><tbody>
<tr> <td width="10"> </td> <td colspan="2" width="300"><span style="color: #ea1515; font-size: small;"><b>1917 - Dia da Revolução de Outubro</b></span></td> <td width="10"> </td> </tr>
<tr> <td width="10"> </td> <td height="295" valign="top" width="206"><span style="font-size: small;"><img height="292" src="http://www.vermelho.org.br/hoje/1107g.jpg" width="204" /></span></td> <td valign="top" width="94"><div style="margin-bottom: 10px;"><span style="font-size: small;"><span style="margin-bottom: 10px;"><span>(25/10 pelo antigo calendário russo) Insurreição operária e camponesa na Rússia, sob a direção dos bolcheviques de Lênin. Começa a 1ª experiência de construção do socialismo no mundo. </span><span> </span></span></span></div><div style="margin-bottom: 10px;"><span style="font-size: small;"><i>Outubro, <br />
escultura<br />
de A. Baladin</i></span></div></td> <td width="10"> </td> </tr>
</tbody></table></td> </tr>
<tr> <td> </td> </tr>
<tr> <td><table border="0" cellpadding="0" cellspacing="0" style="width: 320px;"><tbody>
<tr> <td style="text-align: justify;" valign="top"><span style="font-size: small;"><img height="11" src="http://www.vermelho.org.br/hoje/seta.gif" width="6" /></span></td> <td colspan="2" style="text-align: justify;" valign="top"><span style="color: #ea1515; font-size: small;"><b>1825:</b></span><span style="font-size: small;"><br />
<span>Surge O <i>Diário de Pernambuco</i>, PE. </span></span></td> </tr>
<tr> <td height="10" style="text-align: justify;" valign="top"> </td> <td colspan="2" height="10" style="text-align: justify;" valign="top"> </td> </tr>
<tr> <td style="text-align: justify;" valign="top"><img height="11" src="http://www.vermelho.org.br/hoje/seta.gif" width="6" /></td> <td colspan="2" style="text-align: justify;" valign="top"><span style="color: #ea1515; font-size: small;"><b>1831:</b> </span><span style="font-size: small;"><br />
<span>Lei que proíbe o tráfico de escravos, totalmente desrespeitada. </span></span></td> </tr>
<tr> <td height="10" style="text-align: justify;" valign="top"> </td> <td colspan="2" height="10" style="text-align: justify;" valign="top"><span style="font-size: small;"> </span></td> </tr>
<tr> <td style="text-align: justify;" valign="top"><img height="11" src="http://www.vermelho.org.br/hoje/seta.gif" width="6" /></td> <td colspan="2" style="text-align: justify;" valign="top"><span style="color: #ea1515; font-size: small;"><b>1837:</b></span><span style="font-size: small;"><br />
<span>Proclamada a República Bahiense, em Salvador. Início da Sabinada. </span></span> </td> </tr>
<tr> <td height="10" style="text-align: justify;" valign="top"> </td> <td colspan="2" height="10" style="text-align: justify;" valign="top"> </td> </tr>
<tr> <td style="text-align: justify;" valign="top"><img height="11" src="http://www.vermelho.org.br/hoje/seta.gif" width="6" /></td> <td colspan="2" style="text-align: justify;" valign="top"><span style="font-size: small;"><b><span style="color: #ea1515;">1848:<br />
</span></b><span>Começa a fase armada da Revolução Praieira em PE. </span></span></td> </tr>
<tr> <td height="10" style="text-align: justify;" valign="top"> </td> <td colspan="2" height="10" style="text-align: justify;" valign="top"><span style="font-size: small;"> </span></td> </tr>
<tr> <td style="text-align: justify;" valign="top"><img height="11" src="http://www.vermelho.org.br/hoje/seta.gif" width="6" /></td> <td colspan="2" style="text-align: justify;" valign="top"><span style="color: #ea1515; font-size: small;"><b>1912:</b></span><span style="font-size: small;"><span style="font-family: Times;"><br />
</span><span>4º (?) Congresso Operário Brasileiro, 187 delegados, no Rio. Com apoio oficial, é tido como <i>amarelo</i> (pelego). </span></span></td> </tr>
<tr> <td height="10" style="text-align: justify;" valign="top"> </td> <td colspan="2" height="10" style="text-align: justify;" valign="top"><span style="font-size: small;"> </span></td> </tr>
<tr> <td style="text-align: justify;" valign="top"><img height="11" src="http://www.vermelho.org.br/hoje/seta.gif" width="6" /></td> <td colspan="2" style="text-align: justify;" valign="top"><span style="color: #ea1515; font-size: small;"><b>1918:</b></span><span style="font-size: small;"><span style="font-family: Times;"><br />
</span><span>Insurreição de operários e soldados alemães em Munique. </span></span></td> </tr>
<tr> <td height="10" style="text-align: justify;" valign="top"> </td> <td colspan="2" height="10" style="text-align: justify;" valign="top"><span style="font-size: small;"> </span></td> </tr>
<tr> <td style="text-align: justify;" valign="top"><img height="11" src="http://www.vermelho.org.br/hoje/seta.gif" width="6" /></td> <td colspan="2" style="text-align: justify;" valign="top"><span style="color: #ea1515; font-size: small;"><b>1921:</b></span><span style="font-size: small;"><span style="font-family: Times;"><br />
</span><span>Fundado o Grupo Comunista do Rio de Janeiro. </span></span></td> </tr>
<tr> <td height="10" style="text-align: justify;" valign="top"> </td> <td colspan="2" height="10" style="text-align: justify;" valign="top"><span style="font-size: small;"> </span></td> </tr>
<tr> <td style="text-align: justify;" valign="top"><img height="11" src="http://www.vermelho.org.br/hoje/seta.gif" width="6" /></td> <td colspan="2" style="text-align: justify;" valign="top"><span style="color: #ea1515; font-size: small;"><b>1929:</b></span><span style="font-size: small;"><span style="font-family: Times;"><br />
</span><span>Reprimido a tiros no Rio o comício do 12º aniversário da Revolução de 1917. </span></span></td> </tr>
<tr> <td height="10" valign="top"> </td> <td colspan="2" height="10" valign="top"><span style="font-size: small;"> </span></td> </tr>
<tr> <td rowspan="2" valign="top" width="14"><img height="11" src="http://www.vermelho.org.br/hoje/seta.gif" width="6" /></td> <td style="text-align: justify;" valign="top" width="144"><span style="color: #ea1515; font-size: small;"><b>1932:</b></span><span style="font-size: small;"><span style="font-family: Times;"><br />
</span><span>Após amplo movimento de opinião pública, a Suprema Corte dos EUA inocenta os 9 de Scottsboro, jovens negros acusados de estuprar 2 mulheres brancas em 30. </span></span></td> <td align="right" rowspan="2" valign="top" width="162"><img height="114" src="http://www.vermelho.org.br/hoje/1107p.jpg" width="162" /></td> </tr>
<tr align="justify"> <td valign="bottom"><span style="font-size: small;"><em>Os "rapazes<br />
de Scottsboro" </em></span></td> </tr>
<tr> <td height="10" style="text-align: justify;" valign="top"><span style="font-size: small;"> </span></td> <td colspan="2" height="10" style="text-align: justify;" valign="top"><span style="font-size: small;"> </span></td> </tr>
<tr> <td style="text-align: justify;" valign="top"><span style="font-size: small;"><img height="11" src="http://www.vermelho.org.br/hoje/seta.gif" width="6" /></span></td> <td colspan="2" style="text-align: justify;" valign="top"><span style="color: #ea1515; font-size: small;"><b>1989:</b></span><span style="font-size: small;"><span style="font-family: Times;"><br />
</span><span>Greve nacional dos ferroviários. </span></span></td> </tr>
<tr> <td height="10" style="text-align: justify;" valign="top"><span style="font-size: small;"> </span></td> <td colspan="2" height="10" style="text-align: justify;" valign="top"><span style="font-size: small;"> </span></td> </tr>
<tr> <td style="text-align: justify;" valign="top"><span style="font-size: small;"><img height="11" src="http://www.vermelho.org.br/hoje/seta.gif" width="6" /></span></td> <td colspan="2" style="text-align: justify;" valign="top"><span style="color: #ea1515; font-size: small;"><b>1992:</b></span><span style="font-size: small;"><span style="font-family: Times;"><br />
</span><span>Nos 75 anos da Revolução de 17, 50 mil saem às ruas em Moscou pela renúncia de Ieltsin e a volta do socialismo.</span></span></td></tr>
</tbody></table></td></tr>
</tbody></table><br />
<br />
<br />
<br />
no<b> Scriptorium.Index</b><br />
<ul><li> <a dir="ltr" href="http://kantoscriptoriumindex.blogspot.com/search/label/Revolu%C3%A7%C3%A3o%20de%20Outubro">Revolução de Outubro</a> <span dir="ltr">(3)</span> </li>
</ul> no <b>D'Ali e D'Aqui</b><br />
<ul><li> <a dir="ltr" href="http://daliedaqui.blogspot.com/search/label/Revolu%C3%A7%C3%A3o%20de%20Outubro">Revolução de Outubro</a> <span dir="ltr">(26)</span> </li>
</ul><br />
no <b>Ao Sabor do Olhar</b><br />
<ul><li> <a dir="ltr" href="http://osabordolhar.blogspot.com/search/label/Revolu%C3%A7%C3%A3o%20de%20Outubro">Revolução de Outubro</a> <span dir="ltr">(2)</span> </li>
</ul><br />
no <b>Mu(n(do Phonagrapho</b><br />
<ul><li> <a dir="ltr" href="http://mundophonographo.blogspot.com/search/label/Revolu%C3%A7%C3%A3o%20de%20Outubro">Revolução de Outubro</a> <span dir="ltr">(1)</span> </li>
</ul><br />
no<b> Kant_O Photomatico</b><br />
<ul><li> <a dir="ltr" href="http://kantophotomatico.blogspot.com/search/label/Revolu%C3%A7%C3%A3o%20de%20Outubro">Revolução de Outubro</a> <span dir="ltr">(1)</span> </li>
</ul><br />
no<b> Kant_O_XimPi</b><br />
<ul><li> <a dir="ltr" href="http://kantoximpi.blogspot.com/search/label/Revolu%C3%A7%C3%A3o%20de%20Outubro">Revolução de Outubro</a> <span dir="ltr">(11)</span> </li>
</ul><br />
no<b> Carpe Diem - Atrás do Tempo Tempo Vem ?</b><br />
<br />
<ul><li> <a dir="ltr" href="http://contosdiaadia.blogspot.com/search/label/Revolu%C3%A7%C3%A3o%20de%20Outubro">Revolução de Outubro</a> <span dir="ltr">(1)</span> </li>
</ul><span dir="ltr"></span><br />
no <b>Galeria & Photomaton</b><br />
<ul><li> <a dir="ltr" href="http://galeriaphotomaton.blogspot.com/search/label/Revolu%C3%A7%C3%A3o%20de%20Outubro">Revolução de Outubro</a> <span dir="ltr">(23)</span></li>
</ul>.<br />
.<br />
.Victor Nogueirahttp://www.blogger.com/profile/13759238536489604722noreply@blogger.com0tag:blogger.com,1999:blog-2736353218304570703.post-63756503145306407242010-08-20T20:52:00.000+01:002010-08-20T20:52:03.784+01:00Relógio Mundial<h3 class="post-title entry-title"> <a href="http://contosdiaadia.blogspot.com/2010/08/relogio-mundial.html"><br />
</a> </h3><div class="post-header"> </div><div class="post-body entry-content"> <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjld9TdNVzV6RPrYbVuYt2JSj1wTbheeWMjBOdv45rYHyKL9zqadfgbrkCjTg8j4ZBCJbK0mcL6lMxuKrK8ozaeSQpTrIjkOR08I795WUvjb3qb14eMVFnaBmWeQDGlK0Lx5kapCNi1Kvo/s1600/rel%C3%B3gio+Mundial.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="219" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjld9TdNVzV6RPrYbVuYt2JSj1wTbheeWMjBOdv45rYHyKL9zqadfgbrkCjTg8j4ZBCJbK0mcL6lMxuKrK8ozaeSQpTrIjkOR08I795WUvjb3qb14eMVFnaBmWeQDGlK0Lx5kapCNi1Kvo/s320/rel%C3%B3gio+Mundial.jpg" width="320" /></a></div><br />
.<br />
<div style="text-align: justify;">Relógio Mundial... IMPRESSIONANTE e não dá para se perceber como que isto pode ser feito É só clicar no link abaixo e conhecer esse surpreendente relógio da vida terrestre dando interessantes e assustadoras estas contagens!!!</div>.<br />
<div>FASCINANTE!!!</div><div>..</div><div>M.M.</div><div><table border="0" cellpadding="0" cellspacing="0" class="moz-email-headers-table"><tbody>
<tr></tr>
<tr><th align="RIGHT" nowrap="nowrap" valign="BASELINE">Data: </th><td>Fri, 20 Aug 2010 12:28:41 +0100 (Hora de Verão de GMT)</td></tr>
</tbody></table>. </div><div class="MsoNormal" style="text-align: right;"><b><a href="http://www.poodwaddle.com/clocks2pw.htm">http://www.poodwaddle.com/clocks2pw.htm</a></b></div><div class="MsoNormal">.</div><div class="MsoNormal">.</div></div>Victor Nogueirahttp://www.blogger.com/profile/13759238536489604722noreply@blogger.com0tag:blogger.com,1999:blog-2736353218304570703.post-68108534922557982162010-08-06T06:44:00.005+01:002010-08-09T03:09:29.309+01:00Hiroshima e Nagasaqui - Mais Brilhante que mil sóis - Crimes Contra a Humanidade<div style="color: red;"><br />
</div><div class="post-body entry-content"><div style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgRB0WAYadUH8sMCLUGqElzLIuPSfmH_wnJ3Hz8Ej-wWsulriJ-ZbdW6J9O68WfLggl4pDD88q6OmSS-afM0MZg43w3kP7IMmAQcFmjq8o-85_07Ne2uELuQmewQIPagovdyG0BYdnM8AA/s1600-h/figura18os.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img alt="" border="0" id="BLOGGER_PHOTO_ID_5233024157169644690" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgRB0WAYadUH8sMCLUGqElzLIuPSfmH_wnJ3Hz8Ej-wWsulriJ-ZbdW6J9O68WfLggl4pDD88q6OmSS-afM0MZg43w3kP7IMmAQcFmjq8o-85_07Ne2uELuQmewQIPagovdyG0BYdnM8AA/s400/figura18os.jpg" style="cursor: pointer; display: block; margin: 0px auto 10px; text-align: center;" /></a></div></div><div style="text-align: justify;"><br />
</div><div style="color: red; text-align: justify;"><br />
</div><div style="color: red; text-align: justify;"><br />
</div><div style="color: red; text-align: justify;"><span style="font-size: large;"><b>No Kant_O_XimPi</b></span></div><div style="text-align: justify;">.<br />
<h2 class="date-header">Segunda-feira, Agosto 09, 2010</h2><a href="http://www.blogger.com/post-edit.g?blogID=2736353218304570703&postID=6810853492255798216" name="8242991989629329817"></a> <br />
<h3 class="post-title entry-title"><a href="http://kantoximpi.blogspot.com/2010/08/65-anos-depois-de-hiroshima-cimeira-da.html">65 anos depois de Hiroshima: a Cimeira da Nato em Lisboa, novos perigos para a paz</a> </h3><span style="font-size: large;"><b> Segunda-feira, Agosto 09, 2010</b></span><br />
<a href="http://www.blogger.com/post-edit.g?blogID=2736353218304570703&postID=6810853492255798216" name="7703377304882289328"></a> <br />
<h3 class="post-title entry-title"><a href="http://kantoximpi.blogspot.com/2010/08/fidel-volta-alertar-para-o-perigo-de.html">Fidel volta a alertar para o perigo de guerra nuclear</a> </h3></div><h2 class="date-header" style="text-align: justify;">Sexta-feira, Agosto 06, 2010</h2><div style="text-align: justify;"><b><span style="font-size: small;"> <a href="http://kantoximpi.blogspot.com/2010/08/socorro-gomes-65-anos-nos-separam-de.html">Socorro Gomes: "65 anos nos separam de uma marcante tragédia"</a></span></b></div><h3 class="post-title entry-title" style="text-align: justify;"><a href="http://kantoximpi.blogspot.com/2010/08/hiroshima-e-nagasaki-relembram-65-anos.html">Hiroshima e Nagasaki relembram 65 anos de ataque dos EUA</a></h3><h2 class="date-header" style="text-align: justify;">Quinta-feira, Agosto 05, 2010</h2><div style="text-align: justify;"><a href="http://www.blogger.com/post-edit.g?blogID=2736353218304570703&postID=6810853492255798216" name="2396546818328418778"></a> </div><h3 class="post-title entry-title" style="text-align: justify;"><a href="http://kantoximpi.blogspot.com/2010/08/fidel-da-ultimato-obama-para-que-evite.html">Fidel dá ultimato a Obama para que evite guerra nuclear</a> </h3><h3 class="post-title entry-title" style="text-align: justify;"><span style="font-size: large;"> Segunda-feira, Agosto 02, 2010</span></h3><div style="text-align: justify;"><a href="http://www.blogger.com/post-edit.g?blogID=2736353218304570703&postID=6810853492255798216" name="6915507242499155308"></a> </div><h3 class="post-title entry-title" style="text-align: justify;"><a href="http://kantoximpi.blogspot.com/2010/08/fidel-castro-alerta-sobre-conflito-o.html">Fidel Castro alerta sobre conflito: "O mundo tem uma esperança"</a></h3><h2 class="date-header" style="text-align: justify;">Segunda-feira, Julho 19, 2010</h2><div style="text-align: justify;"><a href="http://www.blogger.com/post-edit.g?blogID=2736353218304570703&postID=6810853492255798216" name="8813882451688312939"></a> </div><h3 class="post-title entry-title" style="text-align: justify;"><a href="http://kantoximpi.blogspot.com/2010/07/fidel-diz-ser-improvavel-obama-deter.html">Fidel diz ser improvável Obama deter conflito com Irã</a> </h3><h3 class="post-title entry-title" style="text-align: justify;"><span style="font-size: large;"> Segunda-feira, Janeiro 18, 2010</span></h3><div style="text-align: justify;"><a href="http://www.blogger.com/post-edit.g?blogID=2736353218304570703&postID=6810853492255798216" name="950182091462465348"></a> </div><h3 class="post-title entry-title" style="text-align: justify;"><a href="http://kantoximpi.blogspot.com/2010/01/vermelho-6-de-dezembro-de-2009-14h47.html">Lula: sobre paz, bomba atômica e imperialismo</a></h3><h2 class="date-header" style="text-align: justify;">Sábado, Janeiro 16, 2010</h2><div style="text-align: justify;"><a href="http://www.blogger.com/post-edit.g?blogID=2736353218304570703&postID=6810853492255798216" name="7812308100875150634"></a> </div><h3 class="post-title entry-title" style="text-align: justify;"><a href="http://kantoximpi.blogspot.com/2010/01/counterpunch-ameaca-iraniana-onde.html">Counterpunch: 'Ameaça iraniana'? Onde?</a> </h3><h3 class="post-title entry-title" style="text-align: justify;"><span style="font-size: large;">Segunda-feira, Agosto 10, 2009</span></h3><div style="text-align: justify;"><a href="http://www.blogger.com/post-edit.g?blogID=2736353218304570703&postID=6810853492255798216" name="8051330266879076142"></a> </div><h3 class="post-title entry-title" style="text-align: justify;"><a href="http://kantoximpi.blogspot.com/2009/08/hirochima-lembra-aniversario-de-bomba.html">Hiroshima lembra aniversário de bomba atômica</a></h3><h2 class="date-header" style="text-align: justify;">Segunda-feira, Junho 15, 2009</h2><div style="text-align: justify;"><a href="http://www.blogger.com/post-edit.g?blogID=2736353218304570703&postID=6810853492255798216" name="5712256145187186816"></a> </div><h3 class="post-title entry-title" style="text-align: justify;"><a href="http://kantoximpi.blogspot.com/2009/06/coreia-e-questao-nuclear.html">A Coreia e a questão nuclear</a></h3><h2 class="date-header" style="text-align: justify;">Segunda-feira, Junho 15, 2009</h2><div style="text-align: justify;"><a href="http://www.blogger.com/post-edit.g?blogID=2736353218304570703&postID=6810853492255798216" name="6234155357354524684"></a> </div><h3 class="post-title entry-title" style="text-align: justify;"><a href="http://kantoximpi.blogspot.com/2009/06/irao-ou-nao-irao.html">Irão ou não Irão?</a> </h3><h3 class="post-title entry-title" style="text-align: justify;"><span style="font-size: large;"> Segunda-feira, Agosto 11, 2008</span></h3><div style="text-align: justify;"><a href="http://www.blogger.com/post-edit.g?blogID=2736353218304570703&postID=6810853492255798216" name="7398847745747186018"></a> </div><h3 class="post-title entry-title" style="text-align: justify;"><a href="http://kantoximpi.blogspot.com/2008/08/hiroshima-e-nagasaqui-63-anos-dum-crime.html">Hiroshima e Nagasaqui - 63 anos dum Crime sem Castigo</a> </h3><h3 class="post-title entry-title" style="text-align: justify;"> <span style="font-size: large;">Sexta-feira, Agosto 08, 2008</span></h3><div style="text-align: justify;"><a href="http://www.blogger.com/post-edit.g?blogID=2736353218304570703&postID=6810853492255798216" name="1578115798915638272"></a> </div><h3 class="post-title entry-title" style="text-align: justify;"><a href="http://kantoximpi.blogspot.com/2008/08/agosto-mais-brilhante-que-mil-sis-1.html">Agosto - Mais Brilhante que Mil Sóis</a></h3><h2 class="date-header" style="text-align: justify;">Segunda-feira, Novembro 12, 2007</h2><div style="text-align: justify;"><a href="http://www.blogger.com/post-edit.g?blogID=2736353218304570703&postID=6810853492255798216" name="7048457658155392992"></a> </div><h3 class="post-title entry-title" style="text-align: justify;"><a href="http://kantoximpi.blogspot.com/2007/11/eua-lanamento-sobre-hiroshima-morreu-o.html">EUA: Lançamento sobre Hiroshima - Morreu o piloto da bomba atómica</a> </h3><h2 class="date-header" style="text-align: justify;">Segunda-feira, Novembro 12, 2007</h2><div style="text-align: justify;"><a href="http://www.blogger.com/post-edit.g?blogID=2736353218304570703&postID=6810853492255798216" name="7569969299986664311"></a> </div><h3 class="post-title entry-title" style="text-align: justify;"><a href="http://kantoximpi.blogspot.com/2007/11/os-planos-criminosos-do-senhor-bush-cia.html">Os Planos Criminosos do Senhor Bush & Cia</a></h3><h2 class="date-header" style="text-align: justify;">Sexta-feira, Novembro 02, 2007</h2><div style="text-align: justify;"><a href="http://www.blogger.com/post-edit.g?blogID=2736353218304570703&postID=6810853492255798216" name="6594785243462710865"></a> </div><h3 class="post-title entry-title" style="text-align: justify;"><a href="http://kantoximpi.blogspot.com/2007/11/ainda-senhor-bush.html">Ainda, senhor Bush?</a></h3><h2 class="date-header" style="text-align: justify;">Segunda-feira, Outubro 29, 2007</h2><div style="text-align: justify;"><a href="http://www.blogger.com/post-edit.g?blogID=2736353218304570703&postID=6810853492255798216" name="5541285673424308743"></a> </div><h3 class="post-title entry-title" style="text-align: justify;"><a href="http://kantoximpi.blogspot.com/2007/10/e-agora-sr-bush.html">E agora, sr. Bush?</a> </h3><h3 class="post-title entry-title" style="text-align: justify;"><span style="font-size: large;"> Segunda-feira, Outubro 22, 2007</span></h3><div style="text-align: justify;"><a href="http://www.blogger.com/post-edit.g?blogID=2736353218304570703&postID=6810853492255798216" name="9150417066180002067"></a> </div><h3 class="post-title entry-title" style="text-align: justify;"><a href="http://kantoximpi.blogspot.com/2007/10/bush-adverte-para-terceira-guerra.html">Bush adverte para terceira guerra mundial - Caso o Irão tenha a arma nuclear</a> <span style="font-size: large;">Terça-feira, Setembro 25, 2007</span></h3><h3 class="post-title entry-title" style="text-align: justify;"><a href="http://kantoximpi.blogspot.com/2007/09/tambores-de-guerra.html">Tambores de guerra</a></h3><div style="text-align: justify;"><a href="http://www.blogger.com/post-edit.g?blogID=2736353218304570703&postID=6810853492255798216" name="3959536683223165655"></a> </div><h3 class="post-title entry-title" style="text-align: justify;"></h3><h2 class="date-header" style="text-align: justify;">Terça-feira, Setembro 19, 2006</h2><div style="text-align: justify;"><a href="http://www.blogger.com/post-edit.g?blogID=2736353218304570703&postID=6810853492255798216" name="115868026174931137"></a> </div><h3 class="post-title entry-title" style="text-align: justify;"><a href="http://kantoximpi.blogspot.com/2006/09/efemrides-entre-agosto-e-setembro-1.html">EFEMÉRIDES ENTRE AGOSTO E SETEMBRO</a> </h3><div style="text-align: justify;"><span style="font-size: large;"><b>Terça-feira, Setembro 11, 2007</b></span></div><div style="text-align: justify;"><a href="http://www.blogger.com/post-edit.g?blogID=2736353218304570703&postID=6810853492255798216" name="6171934822111571585"></a> </div><h3 class="post-title entry-title" style="text-align: justify;"><a href="http://kantoximpi.blogspot.com/2007/09/11-de-setembro-provocadores-perigosos.html">11 de Setembro de 2001 - Provocadores perigosos</a> </h3><div style="text-align: justify;"><span style="font-size: large;"><b>Terça-feira, Setembro 04, 2007</b></span></div><div style="text-align: justify;"><a href="http://www.blogger.com/post-edit.g?blogID=2736353218304570703&postID=6810853492255798216" name="3928551452060447439"></a> </div><h3 class="post-title entry-title" style="text-align: justify;"><a href="http://kantoximpi.blogspot.com/2007/09/eua-plano-de-ataque-do-pentgono-arrasar.html">EUA: Plano de ataque do Pentágono - Arrasar Irão em 3 dias</a></h3><h2 class="date-header" style="text-align: justify;">Domingo, Setembro 02, 2007</h2><div style="text-align: justify;"><a href="http://www.blogger.com/post-edit.g?blogID=2736353218304570703&postID=6810853492255798216" name="8625498796697896002"></a> </div><h3 class="post-title entry-title" style="text-align: justify;"><a href="http://kantoximpi.blogspot.com/2007/09/temendo-holocausto-no-mdio-oriente-bush.html">Temendo holocausto no Médio Oriente - Bush alerta para nuclear iraniano</a> </h3><div style="text-align: justify;"><span style="font-size: large;"><b>Quinta-feira, Agosto 09, 2007</b></span></div><div style="text-align: justify;"><a href="http://www.blogger.com/post-edit.g?blogID=2736353218304570703&postID=6810853492255798216" name="5361647077898358436"></a> </div><h3 class="post-title entry-title" style="text-align: justify;"><a href="http://kantoximpi.blogspot.com/2007/08/crimes-contra-humanidade-3-hiroshima-e.html">Crimes contra a Humanidade (3) - Hiroshima e Nagasaki</a> </h3><div style="text-align: justify;"><span style="color: #990000;"> </span></div><h3 class="post-title entry-title" style="text-align: justify;"><a href="http://kantoximpi.blogspot.com/2007/08/crimes-contra-humanidade-hiroshima-e.html">Crimes Contra a Humanidade (2) - Hiroshima e Nagasaki</a> </h3><div style="text-align: justify;"><a href="http://chuviscos.blogspot.com/2007/08/para-que-histria-no-esquea.html">PARA QUE A HISTÓRIA NÃO ESQUEÇA</a></div><h2 class="date-header" style="text-align: justify;">Quarta-feira, Agosto 08, 2007</h2><div style="text-align: justify;"><a href="http://www.blogger.com/post-edit.g?blogID=2736353218304570703&postID=6810853492255798216" name="5237392706554643384"></a> </div><h3 class="post-title entry-title" style="text-align: justify;"><a href="http://kantoximpi.blogspot.com/2007/08/crimes-contra-humanidade-1-hiroshima-e.html"><span style="color: #990000;">Crimes contra a Humanidade (1) - Hiroshima e Nagasaki - A morte em dias de céu azul e triste: um testemunho pessoal</span></a></h3><div style="text-align: justify;"><a href="http://kantoximpi.blogspot.com/2007/09/tambores-de-guerra.html"><span style="color: #990000;"> </span></a> </div><h3 class="post-title entry-title" style="color: red; text-align: justify;"><span style="font-size: large;"> No D'Ali e D'Aqui</span></h3><h3 class="post-title entry-title" style="text-align: justify;">.</h3><div class="gs-title" style="text-align: justify;"><a class="gs-title" href="http://daliedaqui.blogspot.com/2009/08/rosa-de-hiroshima.html" target="_blank">D'ali e D'aqui: Rosa de <b>Hiroshima</b> - Vinícius de Morais</a></div><div class="gs-publishedDate" style="text-align: justify;">08 Ago 2009</div><div class="gs-relativePublishedDate" style="text-align: justify;"><br />
<div class="gs-title"><a class="gs-title" href="http://daliedaqui.blogspot.com/2009/06/manoel-de-andrade-poemas-artigos_06.html" target="_blank">D'ali e D'aqui: Manoel de Andrade - Poemas, artigos, entrevistas e <b>...</b></a></div><div class="gs-publishedDate">06 Jun 2009</div><div class="gs-publishedDate"></div><div class="gs-relativePublishedDate"><div class="gs-title"><a class="gs-title" href="http://daliedaqui.blogspot.com/2007/11/sophia-cantata-de-paz.html" target="_blank">Sophia - Cantata de paz</a></div><div class="gs-publishedDate">27 Nov 2007</div><div class="gs-relativePublishedDate"></div><div class="gs-relativePublishedDate" style="color: red;"><span style="font-size: large;"><b>No Galeria & Photomaton</b></span></div><div class="gs-relativePublishedDate" style="color: red;"><span style="font-size: large;"><b>.</b></span></div><div class="gs-relativePublishedDate"><h2 class="date-header">quarta-feira, 4 de Agosto de 2010</h2><a href="http://www.blogger.com/post-edit.g?blogID=2736353218304570703&postID=6810853492255798216" name="8114836491140342408"></a> <br />
<h3 class="post-title entry-title"><a href="http://galeriaphotomaton.blogspot.com/2010/08/socorro-gomes-o-que-os-eua-fizeram-em.html">Socorro Gomes: "O que os EUA fizeram em Hiroxima não tem perdão"</a> </h3></div></div></div><div style="text-align: justify;"><b><span style="font-size: large;">sábado, 8 de Agosto de 2009</span></b> <a href="http://www.blogger.com/post-edit.g?blogID=2736353218304570703&postID=6810853492255798216" name="1769963196422077712"></a> </div><h3 class="post-title entry-title" style="text-align: justify;"><a href="http://galeriaphotomaton.blogspot.com/2009/08/hiroshima-e-nagasaki-pensemos-nas.html">Hiroshima e Nagasaki: pensemos nas feridas...</a> </h3><h3 class="post-title entry-title" style="text-align: justify;"><a href="http://galeriaphotomaton.blogspot.com/2009/08/hiroshima-mon-amour-part2.html">Hiroshima mon Amour part2 二十四時間の情事</a></h3><h3 class="post-title entry-title" style="text-align: justify;"><a href="http://galeriaphotomaton.blogspot.com/2009/08/hiroshima-mon-amour-part1.html">Hiroshima mon Amour part1 二十四時間の情事</a></h3><h3 class="post-title entry-title" style="text-align: justify;">.</h3><h3 class="post-title entry-title" style="color: red; text-align: justify;"><span style="font-size: large;">No Kant_O Photomatico</span></h3><h2 class="date-header" style="text-align: justify;">domingo, 13 de Dezembro de 2009</h2><div style="text-align: justify;"><a href="http://www.blogger.com/post-edit.g?blogID=2736353218304570703&postID=6810853492255798216" name="2722035689956491641"></a> </div><h3 class="post-title entry-title" style="text-align: justify;"><a href="http://kantophotomatico.blogspot.com/2009/12/images-that-changed-world.html">Images That Changed The World ?</a> </h3><div class="post-footer-line post-footer-line-3" style="text-align: justify;"><span class="post-location"> </span> </div><div style="text-align: justify;"><script type="text/javascript">
if (window['tickAboveFold']) {window['tickAboveFold'](document.getElementById("latency-2722035689956491641")); }
</script> </div><div class="date-outer"><h2 class="date-header" style="text-align: justify;">sexta-feira, 8 de Agosto de 2008</h2><div class="date-posts"><div class="post-outer"><div class="post hentry uncustomized-post-template"><div style="text-align: justify;"><a href="http://www.blogger.com/post-edit.g?blogID=2736353218304570703&postID=6810853492255798216" name="8926150594517751752"></a> </div><a href="http://kantophotomatico.blogspot.com/2008/08/agosto-mais-brilhante-que-mil-sis.html">Agosto - Mais Brilhante que Mil-Sóis</a><br />
<h3 class="post-title entry-title"></h3><div class="post-header"></div></div></div></div></div>Victor Nogueirahttp://www.blogger.com/profile/13759238536489604722noreply@blogger.com0tag:blogger.com,1999:blog-2736353218304570703.post-78522744037182778442010-06-16T22:26:00.000+01:002010-06-16T22:26:25.139+01:00O Kant_O_XimPi fez 4 anos em 14 de Junho<div class="post-header"> </div><div class="post-body entry-content"> <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhXjnjyk9vff8YhczzbH56hKrcYdfD4KgzdWr944owl4bO7nYtRCrmYbHK7tIKLc2sN1wS_JHzpOYRkvZkbrkpFL4PZ7q4vD8BTiB7UjYwMLeS0W7dNeBftkWVdlSW8qGDC331LNVlIuck/s1600/bandeira.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhXjnjyk9vff8YhczzbH56hKrcYdfD4KgzdWr944owl4bO7nYtRCrmYbHK7tIKLc2sN1wS_JHzpOYRkvZkbrkpFL4PZ7q4vD8BTiB7UjYwMLeS0W7dNeBftkWVdlSW8qGDC331LNVlIuck/s320/bandeira.jpg" /></a></div><h3 class="post-title entry-title"> </h3><h3 class="post-title entry-title"> </h3><h3 class="post-title entry-title"><a href="http://kantoximpi.blogspot.com/2006/06/dois-momentos-dois-retratos-1.html">DOIS MOMENTOS, DOIS RETRATOS</a> </h3><div class="post-body entry-content"><div align="justify"><a href="http://photos1.blogger.com/blogger/4885/3172/1600/Alvaro_Cunhal.jpg"><img alt="" border="0" src="http://photos1.blogger.com/blogger/4885/3172/320/Alvaro_Cunhal.jpg" style="float: left; margin: 0px 10px 10px 0px;" /></a> <b><span style="color: black;">DOIS MOMENTOS, DOIS RETRATOS</span></b><br />
<br />
<span style="font-size: 180%;"></span><b><span style="font-size: 130%;"><span style="font-size: 180%;">1</span> </span></b>. - <b><span style="color: #666666;">Uma "manife" em Évora, num verão quente, nos idos de 1974</span></b> </div><div align="justify"><br />
Ontem, no comício do PC, ali no Rossio de S.Brás, o Álvaro Cunhal falou na independência dos povos das colónias. (...) Ainda antes do Álvaro Cunhal falar o palco foi abaixo por duas vezes. Uma multidão imensa concentrava se em redor do palco, junto ao Monte Alentejano, agitando se inúmeras bandeiras vermelhas do PC. Em uníssono, a multidão repetia as palavras de ordem, de punho erguido.<br />
.</div><div align="justify">Detecto, junto a mim, um grupo que vai comentando ao sabor das intervenções. Quando se falam nas torturas sofridas pelo Cunhal e outro comunista, uma mulher ao meu lado diz me: "Coitadinho! Bandidos!" E a multidão grita: "Morte à PIDE!". Dois delegados dos Sindicatos Agrícolas (Évora e Beja) enumeram as quebras dos contratos colectivos de trabalho e o nome dos latifundiários. A multidão grita: "Morte aos cães!" "A terra a quem a trabalha!".<br />
.</div><div align="justify">Ao meu lado, algumas mulheres dizem: "É assim mesmo!" e "Essa sou eu!", quando se fala em ranchos despedidos. O Álvaro Cunhal cita as lutas revolucionárias dos trabalhadores alentejanos e a "palha" que os latifundiários teriam mandado dar aos trabalhadores que imploravam comida. E a revolta; que enquanto houvesse ovelhas, galinhas e porcos não comiam palha os trabalhadores!<br />
.</div><div align="justify">O Partido faz a sua campanha e no palco estão pessoas que já conheço de há muito. Por detrás delas, enormes, em fundo vermelho, as efígies de Marx, Engels e Lenine. A brancura de Évora é agora quebrada por cartazes do PC. Marx, Engels e Lenine enchem as ruas, conjuntamente com cartazes com a foice e o martelo. (1974.07.28)</div>.<br />
<span style="font-size: 180%;">2</span>. - <b><span style="color: #666666;">Passa Camarada</span></b><br />
.<br />
<div style="text-align: justify;">Na Voz do Operário ao chegar à porta para o pátio olhei por cima do ombro e vi o Álvaro e o seu guarda-costas e disse-lhe naturalmente: «Passa, camarada» ao que ele retorquiu " Passa tu, camarada, que chegaste primeiro» E assim ficámos lado a lado no pátio, numa lenta fila para o almoço, enquanto as pessoas vinham cumprimentá-lo ou apresentá-lo aos filhos de colo ou não.<br />
.<br />
Foi uma hora divertida e tenho pena de não ter fixado por escrito as conversas, as impressões já desvanecidas e, sobretudo, os diálogos bem humorados com Dias Lourenço sobre as peripécias em torno das fugas de Peniche.<br />
.<br />
.<br />
<h3 class="post-title entry-title" style="text-align: right;"><a href="http://kantoximpi.blogspot.com/2007/06/porqu-kantoximpi-hoje-o-1-aniversrio-do.html">Porquê Kant_O_XimPi</a></h3></div><div style="text-align: justify;"><h2>Primeira publicação ou post noutros Kant_O's</h2><ul><li><a href="http://kantoximpi.hi5.com/">2008.03.15 - Kant_O_XimPi - hi5 (Diário)</a></li>
<li><a href="http://kantophotomatico.blogspot.com/2008/02/crianas.html">2008.02.22 - Kant_O_Photomático</a></li>
<li><a href="http://contosdiaadia.blogspot.com/2008/01/uma-experincia.html">2008.01.12 - Carpem Diem - Atrás do Tempo Tempo Vem?</a></li>
<li><a href="http://kantoscriptoriumindex.blogspot.com/2007/11/poesia-no-kanto-ximpi-1.html">2007.11,27 - Scriptorum.index</a></li>
<li><a href="http://daliedaqui.blogspot.com/2007/08/o-povo.html">2007.08.22 - D'ali e d'aqui</a></li>
<li><a href="http://osabordolhar.blogspot.com/2007/08/seja-bem-vindo-quem-vier-por-bem.html">2007.08.14 - Ao Sabor do Olhar</a></li>
<li><a href="http://mundophonographo.blogspot.com/2007/08/infelicidade.html">2007.08.07 - Mu(n)do Phonographo</a></li>
<li><a href="http://galeriaphotomaton.blogspot.com/2007/07/fotografia-na-net-victor-nogueira.html">2007.07.20 - Galeria & Photomaton</a></li>
<li><a href="http://aoescorrerdapena.blogspot.com/2007/07/da-carta-1.html">2007.07.10 - Ao (es)correr da pena e do olhar</a></li>
</ul>.<br />
.</div></div><div class="post-footer-line post-footer-line-1"><span class="post-author vcard"> Publicada por <span class="fn">Victor Nogueira</span> </span> <span class="post-timestamp"> em <a class="timestamp-link" href="http://kantoximpi.blogspot.com/2006/06/dois-momentos-dois-retratos-1.html" rel="bookmark" title="permanent link"><abbr class="published" title="2006-06-14T16:53:00+01:00">Quarta-feira, Junho 14, 2006</abbr></a> </span><span class="post-icons"><span class="item-action"></span><span class="item-control blog-admin pid-952990023"><a href="http://www.blogger.com/post-edit.g?blogID=29709256&postID=115030062017463663" title="Editar mensagem"> </a> </span> </span> <br />
</div><div class="post-footer-line
post-footer-line-2"><span class="post-labels"> </span> </div></div><div class="post-footer-line post-footer-line-1"> <span class="post-author vcard"> Publicada por <span class="fn">Victor Nogueira</span> </span> <span class="post-timestamp"> em <a class="timestamp-link" href="http://kantoximpi.blogspot.com/2010/06/o-kantoximpi-fez-4-anos-em-14-de-junho.html" rel="bookmark" title="permanent link"><abbr class="published" title="2010-06-16T22:02:00+01:00">Quarta-feira, Junho 16, 2010</abbr></a> </span></div><div class="post-footer-line post-footer-line-1"><span class="post-timestamp">.</span></div><div class="post-footer-line post-footer-line-1"><span class="post-timestamp">.</span></div>Victor Nogueirahttp://www.blogger.com/profile/13759238536489604722noreply@blogger.com0tag:blogger.com,1999:blog-2736353218304570703.post-42308961701575410872010-06-12T03:13:00.001+01:002010-06-16T21:53:44.378+01:00Kant_Os D'Ali e D'Aqui<div id="header-wrapper"><div class="header section" id="header"><div class="widget Header" id="Header1"><div id="header-inner" style="background-image: url("https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjyb6u8JB2G8LkGBzATqspwX767RTXTzmRu9SmxfzkDU784NSaCfIKicM-MDzwNrmoioZfsP0hjPuvvEkDGSJKAaTwZMfYRJPxmPAJtMelDNDKqYy7vn-5PaVJbLw2n8Y6EPEnnrHh7Mj6H/s1600-r/mapa-mundo.jpg"); background-position: left center; background-repeat: no-repeat; min-height: 437px; width: 650px;"><div class="titlewrapper" style="background: none repeat scroll 0% 0% transparent;"><h1 class="title" style="background: none repeat scroll 0% 0% transparent; border-width: 0px;">D'ali e D'aqui </h1></div><div class="descriptionwrapper"><div class="description">Textos e Obras Daqui e Dali, mais ou menos conhecidos ------ Nada do que é humano me é estranho (Terêncio)</div></div></div></div></div></div><br />
<h2>Kant_Os D'Ali e D'Aqui</h2><ul><li><a href="http://www.educoas.org/Portal/external.aspx?culture=3&urlid=1179&tipo=2">(SciELO) The Scientific Electronic Library Online (Brasil)</a></li>
<li><a href="http://1poeme1image.over-blog.com/">1 Poéme 1 Image</a></li>
<li><a href="http://portugues.agonia.net/index.php">Agonia Português - Biblioteca Virtual</a></li>
<li><a href="http://www.revista.agulha.nom.br/">Agulha - Revista de Cultura</a></li>
<li><a href="http://www.allmusicals.com/">All Musicals and Lyrics</a></li>
<li><a href="http://www.allthelyrics.com/">All The Lyrics</a></li>
<li><a href="http://almadobeco.blogspot.com/">Alma do Beco (1) - Literatura</a></li>
<li><a href="http://www.almadobeco2.blogspot.com/">Alma do Beco (2) - Literatura</a></li>
<li><a href="http://www.antiwarsongs.org/">Anti War Songs / Canzoni Contra la Guerra</a></li>
<li><a href="http://www.inventati.org/mp38/show_dir.php">archivio di canzoni di lotta e movimento in formati liberati e liberanti</a></li>
<li><a href="http://www.marxists.org/portugues/index.htm/">Arquivo Marxista na Internet PT</a></li>
<li><a href="http://artsandgraphics.blogspot.com/">arts,graphics and poems (Yolanda)</a></li>
<li><a href="http://cantoalentejano.com/">Associação do Cante Alentejano (MODA)</a></li>
<li><a href="http://pintopc.home.cern.ch/pintopc/www/Africa/Africa.html">Autores Africanos</a></li>
<li><a href="http://www.bedeteca.com/">Bedeteca de Lisboa</a></li>
<li><a href="http://www.bibliaspa.com.br/">Biblioteca América do Sul Países Árabes</a></li>
<li><a href="http://e-livros.clube-de-leituras.pt/">Biblioteca de Livros Digitais</a></li>
<li><a href="http://cvc.instituto-camoes.pt/conhecer/biblioteca-digital-camoes.html">Biblioteca Digital Camões</a></li>
<li><a href="http://www.bdalentejo.net/">Biblioteca Digital do Alentejo - PT</a></li>
<li><a href="http://www.europeana.eu/portal/">Biblioteca Digital Europeana</a></li>
<li><a href="http://www.wdl.org/pt">Biblioteca Digital Mundial</a></li>
<li><a href="http://www.ciudadseva.com/">Biblioteca Digital, Foros e Talleres Ciudad Seva</a></li>
<li><a href="http://bibliotecajoanina.uc.pt/">Biblioteca Joanina - Universidade de Coimbra</a></li>
<li><a href="http://www.vermelho.org.br/img/obras/bibliomarx.asp">Biblioteca Marxista</a></li>
<li><a href="http://webserver.cm-lisboa.pt/cultura/DBD/brepublica/menu/home.htm">Biblioteca Museu da República e da Resistência</a></li>
<li><a href="http://purl.pt/index/geral/PT/about.html">Biblioteca Nacional de Portugal</a></li>
<li><a href="http://www.bn.pt/">Biblioteca Nacional PT</a></li>
<li><a href="http://www.scribd.com/">Biblioteca on Line Scribd</a></li>
<li><a href="http://www.biblio.com.br/">Biblioteca Virtual de Literatura BR</a></li>
<li><a href="http://rcbp.dglb.pt/pt/S%C3%ADtiosUteis/BibliotecasDigitais/Paginas/default.aspx">Bibliotecas Digitais (Rol)</a></li>
<li><a href="http://www.educoas.org/Portal/links.aspx?culture=pt&navid=230&area=1&categoria=0&pais=0&idiomas=3&frase=&num=1">Bibliotecas Digitais - Brasil</a></li>
<li><a href="http://www.educoas.org/portal/pt/ineam/bib_digital.aspx?culture=pt&navid=230">Bibliotecas Digitais da América</a></li>
<li><a href="http://www.poemas-del-alma.com/blog/category/biografias">Biografias de Escritores en Poemas del Alma</a></li>
<li><a href="http://oblogdoanao.blogs.sapo.pt/">Blog do Anão - Letras e Vídeos de Músicas Portuguesas</a></li>
<li><a href="http://caderno.josesaramago.org/">Caderno de Saramago</a></li>
<li><a href="http://www.cancioneros.com/">Cancioneros</a></li>
<li><a href="http://www.cantaportugal.com/">Canta Portugal - Letras de Musicas Portuguesas e Brasileiras</a></li>
<li><a href="http://pg.azores.gov.pt/drac/cca/edicoes/default.aspx">Centro de Conhecimento dos Açores</a></li>
<li><a href="http://www.recmusic.org/midi/">Classical Midi with Words</a></li>
<li><a href="http://paroledipace.altervista.org/link.html">Contra a Guerra</a></li>
<li><a href="http://www.cowboylyrics.com/index.html">Cowboy Lyrics</a></li>
<li><a href="http://www.arlindo-correia.com/">Cultura - Página de Arlindo Correia #</a></li>
<li><a href="http://noceuenaterra.blogspot.com/">De Amor e da Terra #</a></li>
<li><a href="http://www.digestivocultural.com/">Digestivo Cultural BR</a></li>
<li><a href="http://fadosdofado.blogspot.com/">Fados do Fado</a></li>
<li><a href="http://fadosrecordandoopassado.blogspot.com/">Fados: Recordando o Passado, Lembrando o Presente</a></li>
<li><a href="http://www.greatsong.net/">Great Song Lyrics</a></li>
<li><a href="http://www.gritala.net/">Gritala - vídeo e lyrics</a></li>
<li><a href="http://www.hitslyrics.com/">Hits Lyrics</a></li>
<li><a href="http://hasempreumlivro.blogspot.com/">Há Sempre um Livro ... à Nossa Espera</a></li>
<li><a href="http://www.ildeposito.org/">IL Deposito - Canti di Protesta Politica e Sociale</a></li>
<li><a href="http://www.instituto-camoes.pt/">Instituto Camões</a></li>
<li><a href="http://cvc.instituto-camoes.pt/hlp/index1.html">Instituto Camões - História da Língua Portuguesa em Linha</a></li>
<li><a href="http://www.iantt.pt/">Instituto dos Arquivos Nacionais Torre do Tombo</a></li>
<li><a href="http://www.iplb.pt/">Instituto Português do Livro e das Bibliotecas</a></li>
<li><a href="http://lyricsplayground.com/">International Lyrics Playground</a></li>
<li><a href="http://www.kinglaoghaire.com/site/home/">Irish Ballads and Tunes - King Laoghaire Band</a></li>
<li><a href="http://www.caleida.pt/saramago/">José Saramago</a></li>
<li><a href="http://kotodianguako.blogspot.com/">Kitanda (Angola)</a></li>
<li><a href="http://utenti.lycos.it/laltraitalia/">La Musica de l'Altra Italia</a></li>
<li><a href="http://lambiek.net/home.ht">Lambiert (Banda Desenhada)</a></li>
<li><a href="http://www.lerbd.blogspot.com/">Ler BD</a></li>
<li><a href="http://alfarrabio.di.uminho.pt/vercial/letras/index.html">Letras & Letras</a></li>
<li><a href="http://www.letras.com.br/">Letras de Músicas e Biografias</a></li>
<li><a href="http://www.letras.com.br/">Letras.com.br</a></li>
<li><a href="http://letras.terra.com.br/">Letras.mus.br</a></li>
<li><a href="http://www.slavika.com/catalog/index.php">Librairie Slavika (Eslava)</a></li>
<li><a href="http://www.pelagus.org/it/libri/">Libri on Line - classici della letteratura italiana</a></li>
<li><a href="http://www.poemas-del-alma.com/blog/directorio-de-libros">Libros in Poemas del Alma</a></li>
<li><a href="http://www.loc.gov/index.html">Librray of Congress - USA</a></li>
<li><a href="http://www.recmusic.org/lieder/">Lied and Art Song Texts Page (The)</a></li>
<li><a href="http://www.detnovel.com/">Literatura Policial in DetNovel</a></li>
<li><a href="http://www.mysterynet.com/">Literatura Policial in Mistery.Net</a></li>
<li><a href="http://www.loglar.com/">LogLar Lyrics</a></li>
<li><a href="http://www.luso-poemas.net/">Luso Poemas</a></li>
<li><a href="http://lusopoemas.blogtok.com/">Luso-Poemas</a></li>
<li><a href="http://luso-poemas.blogspot.com/">Luso-Poemas Blog</a></li>
<li><a href="http://www.multiculturas.com/delfim/lusomania/">Lusomania - Multiculturas</a></li>
<li><a href="http://www.lyricstime.com/">Lyrics.Time</a></li>
<li><a href="http://www.marxists.org/subject/art/music/index.htm">Marxism and Music Archive</a></li>
<li><a href="http://www.marxists.org/">Marxist Internet Archive</a></li>
<li><a href="http://www.marxists.org/subject/index.htm">Marxist Internet Subject Archive</a></li>
<li><a href="http://memoria-africa.ua.pt/introduction/tabid/83/language/pt-PT/Default.aspx">Memória de África</a></li>
<li><a href="http://amata.anaroque.com/">Modus Vivendi</a></li>
<li><a href="http://www.mp3lyrics.org/">mp3.Lyrics.org</a></li>
<li><a href="http://www.youtube.com/watch?v=jqxENMKaeCU%20http://www.portalangop.co.ao/motix/pt_pt/noticias/lazer-e-cultura/Pecas-regiao-sudoeste-patentes-Museu-Antropologia,6fe8a919-f9b3-4629-b8eb-929b8b03d505.html%20http://www.passeiweb.com/na_ponta_lingua/livros/">Na Ponta da Língua - Literatura</a></li>
<li><a href="http://newsongsforpeace.org/">New Songs For Peace (UNESCO)</a></li>
<li><a href="http://openlibrary.org/">Open Library</a></li>
<li><a href="http://palavradofingidor.blogspot.com/">Palavra do Fingidor</a></li>
<li><a href="http://palavradofingidor.blogspot.com/">Palavra do Fingidor</a></li>
<li><a href="http://palavrastodaspalavras.wordpress.com/">Palavras, Todas Palavras</a></li>
<li><a href="http://www.hist-socialismo.net/">Para a História do Socialismo</a></li>
<li><a href="http://paroledipace.altervista.org/home.html">Parole di Pace</a></li>
<li><a href="http://vrac.paroles.net/">Paroles de Chansons</a></li>
<li><a href="http://www.kirjasto.sci.fi/">Pegasos - Literatura</a></li>
<li><a href="http://www.pensador.info/">Pensador.info</a></li>
<li><a href="http://pepetela.blogs.sapo.pt/">Pepetela Blog</a></li>
<li><a href="http://www.pepetela.com.pt/">Pepetela Site</a></li>
<li><a href="http://www.poemas-del-alma.com/">Poemas del Alma</a></li>
<li><a href="http://poesiaangolana.blogspot.com/">Poesia Angolana</a></li>
<li><a href="http://poemasdebandeira.blogspot.com/">Poesia de Manuel Bandeira (#)</a></li>
<li><a href="http://poesiangolana.blogspot.com/">Poesia de Namibiano Ferreira</a></li>
<li><a href="http://amata.anaroque.com/">Poesia em «Modus Vivendi»</a></li>
<li><a href="http://www.geocities.com/jupagg/">Poesia y más</a></li>
<li><a href="http://www.poetojporlapaco.com/">Poetoj por la paco, kontraŭ milito</a></li>
<li><a href="http://poetsagainstthewar.org/">Poets Against the War</a></li>
<li><a href="http://opac.porbase.org/">PORBASE – base nacional de dados bibliográficos</a></li>
<li><a href="http://www.portaldaliteratura.com/index.php">Portal da Literatura</a></li>
<li><a href="http://www.poetescontrelaguerre.com/">Poétes Contre la Guerre</a></li>
<li><a href="http://pracadapoesia.blogspot.com/">Praça da Poesia (A)</a></li>
<li><a href="http://www.gutenberg.org/wiki/Main_Page">Projecto Gutenberg</a></li>
<li><a href="http://alfarrabio.di.uminho.pt/vercial/">Projecto Vercial</a></li>
<li><a href="http://www.vermelho.org.br/base.asp?texto=0&codigo=14&ex=esp">Prosa e Poesia in «Vernelho»</a></li>
<li><a href="http://rascunho.rpc.com.br/">Rascunho - O Jornal de Literatura no Brasil</a></li>
<li><a href="http://www.jayrus.art.br/index.html">Revista Electrónica Orfeuspam (1)</a></li>
<li><a href="http://www.orfeuspam.com.br/">Revista Electrónica Orfeuspam (2)</a></li>
<li><a href="http://shidua.blogspot.com/">Shidua - Poesia Erótica</a></li>
<li><a href="http://www.sing365.com/index.html">Sing365 Lyrics</a></li>
<li><a href="http://trevteasdelsongs.vox.com/">Songs of Trev Trasdel's Blog</a></li>
<li><a href="http://www.jstor.org/">Trusted Archives for Scholarship</a></li>
<li><a href="http://www.usinadeletras.com.br/">Usina de Letras</a></li>
<li><a href="http://vagalume.uol.com.br/">Vaga Lume BR</a></li>
<li><a href="http://www.wikisource.org/">WikiSource (biblioteca on line)</a></li>
<li><a href="http://http//www.theplays.org/">William Shakespeare - The Elecronic Free Foudation</a> </li>
</ul>.<br />
.Victor Nogueirahttp://www.blogger.com/profile/13759238536489604722noreply@blogger.com0tag:blogger.com,1999:blog-2736353218304570703.post-89475867897469264452010-05-23T00:01:00.005+01:002010-06-12T03:15:03.328+01:00Kant_O_Photomatico<div id="header-wrapper" style="background-color: white;"><div class="header section" id="header"><div class="widget Header" id="Header1"><div id="header-inner" style="background-image: url("https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh9_qm9lcn7pFiExWfsKK5vs2EzDgQk02VoD5DoVGs8q_fT6hGqT0DExOBI5e0KxE0d64cC5rNXGTqcRQ7mMyMIM8q7N0eNGXYmQDveEHxwf7r971aA6FtIeFxOJHn2pRru7DzYpMSG7vM/s1600-r/o-fotografo.jpg"); background-position: left center; background-repeat: no-repeat; min-height: 295px; width: 450px;"><div class="titlewrapper" style="-moz-background-clip: border; -moz-background-origin: padding; -moz-background-size: auto auto; background-attachment: scroll; background-image: none; background-position: 0% 0%; background-repeat: repeat; color: white;"><h1 class="title" style="-moz-background-clip: border; -moz-background-origin: padding; -moz-background-size: auto auto; background-attachment: scroll; background-image: none; background-position: 0% 0%; background-repeat: repeat; border-width: 0px;"><a href="http://kantophotomatico.blogspot.com/">Kant_O_Photomático</a> </h1></div><div class="descriptionwrapper"><div class="description"><br />
</div><div class="description" style="background-color: white;"><br />
</div><div class="description" style="background-color: white; text-align: center;">Castro Barroso Gato Nogueira - Blog Photographico - lembrança da moça do Alentejo</div></div></div></div></div></div><br />
<br />
<div class="widget-content"><a href="http://latamagica.blogspot.com/"><img src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjsnKwlqPnmbSri0FjbJwA89fi7iUEKw_jZObzJxbXIWenv_9B4PdYqijuMv0HzeluT-KKsKmu5VyTwR3Bj_jm1NqHbu5zowa4VdojvuZs__Wdn_X_S-NQ4PTDYgF3qNZXUFKr-UPNEo3ka/s200/LENE.jpg" /></a> </div><span class="widget-item-control"> <span class="item-control blog-admin"> <a class="quickedit" href="http://www.blogger.com/rearrange?blogID=8860185995236524102&widgetType=HTML&widgetId=HTML6&action=editWidget" onclick="return
_WidgetManager._PopupConfig(document.getElementById("HTML6"));" target="configHTML6" title="Editar"> <img alt="" height="18" src="http://img1.blogblog.com/img/icon18_wrench_allbkg.png" width="18" /> </a> </span> </span> <br />
<h2>Salas de Revelação</h2><ul><li><a href="http://kantophotomatico.blogspot.com/search/label/Victor%20Nogueira%20Fotografia">* Victor Nogueira - Fotografia</a></li>
<li><a href="http://www.1000imagens.com/">1000 Imagens</a></li>
<li><a href="http://www.1000imagens.com/links.asp">1000 Imagens - Fotógrafos</a></li>
<li><a href="http://aluzclara.blogspot.com/">A Luz Clara</a></li>
<li><a href="http://www.allposters.com/">All Posters</a></li>
<li><a href="http://apphotographia.blogspot.com/">APPh. - Associação Portuguesa de Photographia</a></li>
<li><a href="http://artephotographica.blogspot.com/">Arte PHOTOgrafica</a></li>
<li><a href="http://artephotographica.blogspot.com/">Arte Photographica - Sérgio Gomes</a></li>
<li><a href="http://www.apaf.com.pt/">Associação Portuguesa de Arte Fotográfica</a></li>
<li><a href="http://azulejossetubal.blogspot.com/">Azulejos em Setúbal</a></li>
<li><a href="http://www.bertteunissen.com/">Bert Trunissen - Domestic Landscapes</a></li>
<li><a href="http://biclaranja.oldblogs.sapo.pt/">Bic Laranja (artigos e fotos antigas)</a></li>
<li><a href="http://www.cpf.pt/">Centro Português de Fotografia</a></li>
<li><a href="http://clickportugal.blogspot.com/">Click Portugal</a></li>
<li><a href="http://www.clubfotograficomedellin.org/">Clube Fotografico Medellin</a></li>
<li><a href="http://clickportugal.blogspot.com/">Contra-Capa Fotoblog</a></li>
<li><a href="http://www.cotianet.com.br/photo/">Cotia.net - Fotografia</a></li>
<li><a href="http://desenhoscomluz-apaf.blogspot.com/">Desenhos com Luz (APAF)</a></li>
<li><a href="http://www.fotoclubef508.com/">Fotoclube f/508</a></li>
<li><a href="http://aeiou.expresso.pt/fotogalerias?p=index&mid1=ex.menus/24&m2=49&op=view">Fotogalerias do Expresso PT</a></li>
<li><a href="http://www.fotoinfo.net/">Fotografia & Informazione - AIGI</a></li>
<li><a href="http://www.djweb.com.br/historia/">Fotografia e História Junto a Povos Indígenas</a></li>
<li><a href="http://alfarrabio.di.uminho.pt/vercial/fotos/links.htm">Fotografia na Net - hiperligações</a></li>
<li><a href="http://www.negativodigital.es/">Fotografia: Negativo Digital</a></li>
<li><a href="http://fotografiasargentina.blogspot.com/">Fotografias da Argentina</a></li>
<li><a href="http://www.fotojornalismo.blogger.com.br/">Fotojornalismo - Danilo Verpa</a></li>
<li><a href="http://sweet.ua.pt/%7Ea28481/fotojornalismo/site/index.html">Fotojornalismo - ISCIA</a></li>
<li><a href="http://spcensi.no.sapo.pt/fotojornalismo.html">Fotojornalismo - Sílvia Padrão</a></li>
<li><a href="http://premiofotojornalismo.visao.pt/">Fotojornalismo Português - Concurso Visão-BES</a></li>
<li><a href="http://artseal.citysearch.com/page/15klg/Figurative__Portraiture__amp__Special_Exhibits/Dorothea_Lange.html">Fotógrafos - Dorothea Lange</a></li>
<li><a href="http://www.multimedialibrary.com/FramesML/IM12/IM12.asp">Fotógrafos - Lewis Hine</a></li>
<li><a href="http://www.flickr.com/groups/portugalindo/">Fotógrafos de Portugal - Flickr</a></li>
<li><a href="http://www.mavicanet.com/lite/por/34925.html">Fotógrafos Portugueses - Mavicanet</a></li>
<li><a href="http://www.freefoto.com/index.jsp">Free Foto</a></li>
<li><a href="http://www.freephotogallery.info/">Free Photo Gallery</a></li>
<li><a href="http://fotografoamericoribeiro.tumblr.com/">Galeria de Fotógrafos - Américo Ribeiro - Fotógrafo de Setúbal</a></li>
<li><a href="http://recordaropassado.blogspot.com/">Galeria de Fotógrafos - António Almeida . Recordando o passado em ...</a></li>
<li><a href="http://www.pbase.com/diasdosreis/">Galeria de Fotógrafos - Dias dos Reis (PBase.com)</a></li>
<li><a href="http://community.webshots.com/user/marilena1950">Galeria de Fotógrafos - Helena Morais (1)</a></li>
<li><a href="http://community.webshots.com/user/milenaww">Galeria de Fotógrafos - Helena Morais (2)</a></li>
<li><a href="http://www.tonio_altmayer.globolog.com.br/">Galeria de Fotógrafos - José Pedro Altamayer</a></li>
<li><a href="http://fotografiadejoaopalmela.blogs.sapo.pt/">Galeria de Fotógrafos - João Palmela (Setúbal)</a></li>
<li><a href="http://olhares.aeiou.pt/utilizadores/detalhes.php?id=12087">Galeria de Fotógrafos - Luís Brites</a></li>
<li><a href="http://flickr.com/photos/vitor107/sets/">Galeria de Fotógrafos - Victor Oliveira</a></li>
<li><a href="http://www.ocaiw.com/galleria_fotografi/index.php?lang=pt">Galeria dos Mestres da Fotografia</a></li>
<li><a href="http://www.goodart.org/">GoodArt Gallery</a></li>
<li><a href="http://omeulirioroxo.blogspot.com/">Graffiti - Meu Lírio Roxo</a></li>
<li><a href="http://autocolantesstencilsegraffitissetubal.blogspot.com/">Graffiti, autocolantes e stencil em Setúbal</a></li>
<li><a href="http://graffitisetubal.blogs.sapo.pt/">Grafitti em Setúbal</a></li>
<li><a href="http://www.cotianet.com.br/photo/great/indice.htm">Grandes Fotógrafos</a></li>
<li><a href="http://www.flickr.com/photos/gutooo/collections/72157600728253377/">Gutooo em Portugal</a></li>
<li><a href="http://www.guybourdin.net/contents.html">Guy Bourdin (Site)</a></li>
<li><a href="http://www.historicphotoarchive.com/">Historic Photo Archive</a></li>
<li><a href="http://revistaantigaportuguesa.blogspot.com/">Ilustração Portuguesa</a></li>
<li><a href="http://www.prof2000.pt/users/secjeste/arkidigi/">Imagem Digital</a></li>
<li><a href="http://imagesvisions.blogspot.com/">Images & Visions - Fernando Rabelo</a></li>
<li><a href="http://www.jorgecorreiasantos.interdinamica.pt/">Jorge Ribeiro Santos (Fotografia e artigos)</a></li>
<li><a href="http://www.blogger.com/profile/13153831129865925448">Lata Mágica - um projecto</a></li>
<li><a href="http://lens.blogs.nytimes.com/">Lens - Fotojornalismo e Vídeo</a></li>
<li><a href="http://lisbonwindows.blogspot.com/">Lisbon Windows</a></li>
<li><a href="http://www.magnumphotos.com/">Magnum Photos</a></li>
<li><a href="http://www.marcriboud.com/">Marc Riboud - Fotojornalista</a></li>
<li><a href="http://www.masters-of-photography.com/index.html">Masters of photography</a></li>
<li><a href="http://mundo-da-fotografia.blogspot.com/">Mundo da Fotografia (O)</a></li>
<li><a href="http://site.pirelli.14bits.com.br/">Museu de Arte d S. Paulo - Colecção Pirelli - Fotografia</a></li>
<li><a href="http://www.geocities.com/naturfolio/index_.htm">Naturfolio</a></li>
<li><a href="http://objectiva3.blogspot.com/">Objectiva 3</a></li>
<li><a href="http://ideotario.blogspot.com/">Oficina das Ideias (Artigos e Fotografia)</a></li>
<li><a href="http://olhares.aeiou.pt/">Olhares</a></li>
<li><a href="http://blog.olhares.com/">Olhares - Blog</a></li>
<li><a href="http://blog.olhares.com/">Olhares - Blog</a></li>
<li><a href="http://olhares.aeiou.pt/Fotojornalismo/">Olhares - Fotojornalismo</a></li>
<li><a href="http://olhareslisboa.blogspot.com/">Olhares Sobre Lisboa</a></li>
<li><a href="http://www.pbase.com/">PBase.com</a></li>
<li><a href="http://www.photo.fr/">Photo</a></li>
<li><a href="http://www.molon.de/galleries/Portugal/">Photo Galleries</a></li>
<li><a href="http://www.photo.net/gallery/photocritique/filter">Photo.net</a></li>
<li><a href="http://m718.photobucket.com/">Photobucket</a></li>
<li><a href="http://photos.uol.com.br/">Portal Photos</a></li>
<li><a href="http://postaisportugal.canalblog.com/">Portugal em Postais antigos</a></li>
<li><a href="http://portugal.montranet.com/">Portugal Séc. XXI - Fotos</a></li>
<li><a href="http://www.ppa.com/splash.cfm">Profissional Photographers of America</a></li>
<li><a href="http://alfarrabio.di.uminho.pt/vercial/fotos/index.html">Projecto Vercial - Fotos de Portugal</a></li>
<li><a href="http://www.slideshare.net/">Slide Share Presentations</a></li>
<li><a href="http://www.travel-images.com/">Travel-Images</a></li>
<li><a href="http://www.mre.gov.br/cdbrasil/itamaraty/web/port/artecult/foto/apresent/index.htm">Um Olhar pela História da Fotografia no Brasil</a></li>
<li><a href="http://pt.wikipedia.org/wiki/Fotografia">Wikipedia - Fotografia</a></li>
<li><a href="http://pt.wikipedia.org/wiki/Categoria:Fot%C3%B3grafos_de_Portugal">Wikipedia - Fotógrafos de Portugal</a></li>
<li><a href="http://pt.wikipedia.org/wiki/Lista_de_fot%C3%B3grafos">Wikipedia - Fotógrafos pelo Mundo</a></li>
<li><a href="http://en.wikipedia.org/wiki/History_of_photography">Wikipedia - History of Photography</a></li>
<li><a href="http://en.wikipedia.org/wiki/List_of_photographers">Wikipedia - Photographers</a></li>
<li><a href="http://en.wikipedia.org/wiki/Photography">Wikipedia - Photography</a></li>
<li><a href="http://en.wikipedia.org/wiki/Category:Photography">Wikipedia - Photography index</a></li>
<li><a href="http://en.wikipedia.org/wiki/Portal:Photography">Wikipedia - Photography Portal</a></li>
<li><a href="http://en.wikipedia.org/wiki/Photojournalism">Wikipedia - Photojournalism</a></li>
<li><a href="http://pt.wikipedia.org/wiki/Portal:Fotografia">Wikipedia - Portal da Fotografia - História, processos e fotógrafos</a></li>
<li><a href="http://www.worldpressphoto.com/">World Press Photo</a></li>
<li><a href="http://www.worldpressphoto.org/index.php?option=com_content&task=view&id=24&Itemid=52&bandwidth=high">World Press Photo - Ligações Úteis</a></li>
<li><a href="http://www.zhfoto.com/">Zach Hyman Photography</a></li>
</ul>.<br />
.Victor Nogueirahttp://www.blogger.com/profile/13759238536489604722noreply@blogger.com0tag:blogger.com,1999:blog-2736353218304570703.post-47496443038525709842010-05-15T05:01:00.001+01:002010-05-15T05:03:42.958+01:00Cartazes Republicanos da Guerra Civil Espanhola (1936-1939)<div class="separator" style="clear: both; text-align: center;"></div><br />
<div class="separator" style="clear: both; text-align: center;"></div><br />
<div class="post-header"></div><div class="post-body entry-content"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEggMqeyySQOp7ulwA6xXIdQ7KMpynNOg-TDQbKEVhFpI5lp2a6vfkrsHZ7byqSW6Y7aJKHUhVj_sKd0RKd8xjEAFXtoLs4S0qL-QW-DPHMPU4SY2IPHozxe_MCjWbpqT22Siqi6TC0FMOg/s1600/cartaz+guerra+civil+espanhola_derrotar+o+fascismo.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEggMqeyySQOp7ulwA6xXIdQ7KMpynNOg-TDQbKEVhFpI5lp2a6vfkrsHZ7byqSW6Y7aJKHUhVj_sKd0RKd8xjEAFXtoLs4S0qL-QW-DPHMPU4SY2IPHozxe_MCjWbpqT22Siqi6TC0FMOg/s400/cartaz+guerra+civil+espanhola_derrotar+o+fascismo.jpg" width="300" /></a><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi59g7xQdD7xRefrKhAQVKE9XCoHEa8fUfchDbfWIpgYoZmMvvR8xODN0Nu-3NyxgdVGymm0uOObT6usQz6RI2nLpLsLmGGQAeaWy-vgGVButhKV1pMqK017sS9bgom6eaI8COoTmvuzkY/s1600/CartazGuerraCivil.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi59g7xQdD7xRefrKhAQVKE9XCoHEa8fUfchDbfWIpgYoZmMvvR8xODN0Nu-3NyxgdVGymm0uOObT6usQz6RI2nLpLsLmGGQAeaWy-vgGVButhKV1pMqK017sS9bgom6eaI8COoTmvuzkY/s320/CartazGuerraCivil.jpg" /></a><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjtmun3ylMTHhOCGSI2IP3xrZaGjwT5ttx9h1TNsx38Wsfa_wpSZlCFbcqB01oXt3zB4pQaguzOXOi96ED8xE4Stc7A5W13ezY3Ma0ToMRAnlzxkQRDOQcGRujQEDUPHX9o5JkJCsC73o4/s1600/cartaz+FPI_033.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjtmun3ylMTHhOCGSI2IP3xrZaGjwT5ttx9h1TNsx38Wsfa_wpSZlCFbcqB01oXt3zB4pQaguzOXOi96ED8xE4Stc7A5W13ezY3Ma0ToMRAnlzxkQRDOQcGRujQEDUPHX9o5JkJCsC73o4/s320/cartaz+FPI_033.jpg" /></a></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjWzbpNefQCoDZUcFzSBi1K-64A4vRs8J7biUOC4hTQ2hQJ-pJQ8UtoEH3PocFut9DTe_dcYT6-xe3b5jhOLvzy7_Ld6HyiSjNbfeUxVcJotiYREYnWn0njSto9G4duZDoDizQTLO4G8TA/s1600/carta+guerra+civil+espanhola.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjWzbpNefQCoDZUcFzSBi1K-64A4vRs8J7biUOC4hTQ2hQJ-pJQ8UtoEH3PocFut9DTe_dcYT6-xe3b5jhOLvzy7_Ld6HyiSjNbfeUxVcJotiYREYnWn0njSto9G4duZDoDizQTLO4G8TA/s320/carta+guerra+civil+espanhola.jpg" /></a><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi2dJUbtad3Wfyj1fs4ol015IQwlnKkkg-3r7xAUJFADZJnSF3YNaPM0hGWxi1kHpaiVCdmVrTzUMONqSPFdHw-OpHaEFcGffg2_xgH7TtaR-7S1wthFq1qqqhMwTdRXdudXEv5CrWo3CQ/s1600/cartaz+guerra+civil+espanhola.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi2dJUbtad3Wfyj1fs4ol015IQwlnKkkg-3r7xAUJFADZJnSF3YNaPM0hGWxi1kHpaiVCdmVrTzUMONqSPFdHw-OpHaEFcGffg2_xgH7TtaR-7S1wthFq1qqqhMwTdRXdudXEv5CrWo3CQ/s320/cartaz+guerra+civil+espanhola.jpg" /></a></div><div style="text-align: center;"><img alt="http://www.cosmostock.ru/uploads/posts/2008-11/1227707382_1.jpg" src="http://www.cosmostock.ru/uploads/posts/2008-11/1227707382_1.jpg" /></div>.<br />
.<br />
<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgyuKwi7ofS3vDEJe7lWHZd9P3N-s-BHO6leLAuaPSwX1uUChqIc_sOFszyB12wAoEaSS2Bmozvj5E9AGCG8IeEgOzx4mNDEq56B8_smvxRql3yriCSCiEUW3L08-sevWGmHwQWk6oHODY/s1600/Cartel-140.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgyuKwi7ofS3vDEJe7lWHZd9P3N-s-BHO6leLAuaPSwX1uUChqIc_sOFszyB12wAoEaSS2Bmozvj5E9AGCG8IeEgOzx4mNDEq56B8_smvxRql3yriCSCiEUW3L08-sevWGmHwQWk6oHODY/s320/Cartel-140.jpg" /></a></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgJgpysO03uIMGQzIWO6CDSqQDBvfwd2IaG8sbgi6ZkTw31quUw5IO8QAVLk-HFM3bos3C9tPz8GCM3rQIUjS-b9Y_MfhJzKFCB-h-L27JJ5PGLbirNlBKDgYgluR0Wz9ABs7FE_-169PU/s1600/Cartel-064.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgJgpysO03uIMGQzIWO6CDSqQDBvfwd2IaG8sbgi6ZkTw31quUw5IO8QAVLk-HFM3bos3C9tPz8GCM3rQIUjS-b9Y_MfhJzKFCB-h-L27JJ5PGLbirNlBKDgYgluR0Wz9ABs7FE_-169PU/s320/Cartel-064.jpg" /></a></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgjOVoa8M6cG5nsJA0KjE1M2x8oM4dB5ph3_XjqXHYQE8VqmDXzQ3ZmXqluqrWqoeEgaJMsqUjd9D9j10EZOUySYt97wWho24VlFXBcg0HCfZ62pKsOnxId84FH3eak6drrWqApb2PpGUs/s1600/cartaz+AIP_026.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgjOVoa8M6cG5nsJA0KjE1M2x8oM4dB5ph3_XjqXHYQE8VqmDXzQ3ZmXqluqrWqoeEgaJMsqUjd9D9j10EZOUySYt97wWho24VlFXBcg0HCfZ62pKsOnxId84FH3eak6drrWqApb2PpGUs/s320/cartaz+AIP_026.jpg" /></a><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiL20u6KHLOxOHV3sZkveMfR53LEISkC88rb12YiKOeTziNorqvE_R5vSmCvUMVek5Cm1di2swnkkC13iw5nxY88jehl99R8a9biBdxql-ueowwCpGAGN-9gwL8wrExycPXzCFsKA1bBI4/s1600/cartaz+FPI_030.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiL20u6KHLOxOHV3sZkveMfR53LEISkC88rb12YiKOeTziNorqvE_R5vSmCvUMVek5Cm1di2swnkkC13iw5nxY88jehl99R8a9biBdxql-ueowwCpGAGN-9gwL8wrExycPXzCFsKA1bBI4/s320/cartaz+FPI_030.jpg" /></a><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgftmIeLvhD7JXd5aa-kE4aP6uXldVdri1fYa4VbBmi5jCCCuWJvfEbl0AXM7qph-OiIOBBYebcnJDNm0Qnyh77H08oj93BAFaYwag1aRwBIQY_cdq0zJCBObIGk_i7bQjFgmm13pcmKV0/s1600/cartaz+FPI_033.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgftmIeLvhD7JXd5aa-kE4aP6uXldVdri1fYa4VbBmi5jCCCuWJvfEbl0AXM7qph-OiIOBBYebcnJDNm0Qnyh77H08oj93BAFaYwag1aRwBIQY_cdq0zJCBObIGk_i7bQjFgmm13pcmKV0/s320/cartaz+FPI_033.jpg" /></a><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh2dRUeAcJxi4aYmCsb1icIbq-bkpEOGtBhHD_VgE1nWVBVmsVl89SzOsD-ccHt20JV8txqKHIovFIa8pXn_ykvngxPeNvPUup-g37lThHi7FUqRpRKb7YjIAHDiNzLeaO_dmAhT-kk6Fw/s1600/cartaz+FPI_137.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh2dRUeAcJxi4aYmCsb1icIbq-bkpEOGtBhHD_VgE1nWVBVmsVl89SzOsD-ccHt20JV8txqKHIovFIa8pXn_ykvngxPeNvPUup-g37lThHi7FUqRpRKb7YjIAHDiNzLeaO_dmAhT-kk6Fw/s320/cartaz+FPI_137.jpg" /></a><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhaRX2tZ9tgbQbFQths5T-BPYe0E_QsW53uosEnXykEwqgpTdUbWt-G0eiXWXH0aXFT3TLlA5IiB9DdzZjU3AmAKnCog5M1zJrQ7hSB7CJcGVZtIWJX5fm41F1WnJaRTDmISULq2jKfSp0/s1600/cartaz+FPI_146.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhaRX2tZ9tgbQbFQths5T-BPYe0E_QsW53uosEnXykEwqgpTdUbWt-G0eiXWXH0aXFT3TLlA5IiB9DdzZjU3AmAKnCog5M1zJrQ7hSB7CJcGVZtIWJX5fm41F1WnJaRTDmISULq2jKfSp0/s320/cartaz+FPI_146.jpg" /></a><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjWzbpNefQCoDZUcFzSBi1K-64A4vRs8J7biUOC4hTQ2hQJ-pJQ8UtoEH3PocFut9DTe_dcYT6-xe3b5jhOLvzy7_Ld6HyiSjNbfeUxVcJotiYREYnWn0njSto9G4duZDoDizQTLO4G8TA/s1600/carta+guerra+civil+espanhola.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjWzbpNefQCoDZUcFzSBi1K-64A4vRs8J7biUOC4hTQ2hQJ-pJQ8UtoEH3PocFut9DTe_dcYT6-xe3b5jhOLvzy7_Ld6HyiSjNbfeUxVcJotiYREYnWn0njSto9G4duZDoDizQTLO4G8TA/s320/carta+guerra+civil+espanhola.jpg" /></a><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgdEjDq2MzqLObecdxjbugaYjkrTDr0G9n-_y29LZg4jp1XCxmqLCe4Tv27OAcARgG7Z6WbGeMaKajNhtxShGlEmIds-C2Xwl0MiAWO8-jjNXB0Zj3T90-U0PmkXecaCG-xJv_rO2wBpJY/s1600/Cartel-055.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgdEjDq2MzqLObecdxjbugaYjkrTDr0G9n-_y29LZg4jp1XCxmqLCe4Tv27OAcARgG7Z6WbGeMaKajNhtxShGlEmIds-C2Xwl0MiAWO8-jjNXB0Zj3T90-U0PmkXecaCG-xJv_rO2wBpJY/s320/Cartel-055.jpg" /></a><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj3NsCw1n0MJ_XkUrrQ255mD708zjCXTNJsKMrFo_EWfEf7bEjfRfNYVmi7e4khaLTNZXWQn7WmltiGnQN8OE_T7dzevUQeQ7oJF4iIeeCvZDvdb0pMN5od0vn_-tEmyvPGplOsGJJD3bk/s1600/Cartel-048.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj3NsCw1n0MJ_XkUrrQ255mD708zjCXTNJsKMrFo_EWfEf7bEjfRfNYVmi7e4khaLTNZXWQn7WmltiGnQN8OE_T7dzevUQeQ7oJF4iIeeCvZDvdb0pMN5od0vn_-tEmyvPGplOsGJJD3bk/s320/Cartel-048.jpg" /></a><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh1jwb5eQNLrZM1ZCVivR9MMl-RkscF2hzcFnICKVK8qxE_XiJRgyMKu16Np1Ymiu_hC3XmEVOr2zcEnBfVG-UWul_JJVXBMhLrA2VxG33odUNoFbc2Mfww9LFzcpGuDpWCMzl3Xy2n7Zc/s1600/Cartel-058.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh1jwb5eQNLrZM1ZCVivR9MMl-RkscF2hzcFnICKVK8qxE_XiJRgyMKu16Np1Ymiu_hC3XmEVOr2zcEnBfVG-UWul_JJVXBMhLrA2VxG33odUNoFbc2Mfww9LFzcpGuDpWCMzl3Xy2n7Zc/s320/Cartel-058.jpg" /></a></div></div><br />
<div style="text-align: center;"><span style="font-family: Arial; font-size: x-small;"><span style="font-family: Times New Roman;"><span style="font-size: small;"><span style="font-family: Arial; font-size: x-small;"><span style="color: #c00000; font-family: Times New Roman; font-size: medium;"><b>Os posters da propaganda proibida da Guerra Civil de Espanha</b></span></span></span></span></span></div><div style="text-align: center;"><span style="font-family: Arial; font-size: x-small;"><span style="font-family: Times New Roman;"><span style="font-size: small;"><span style="font-family: Arial; font-size: x-small;"><a href="http://1-anabela.spaces.live.com/"><img alt="" border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjPeGeCLncjJFPHtB7QOPK7v3Yx-6q2x45Y3zOZMPQ8fBAEDMAFLEJVELKuibm63IJidUSYO76Fj4MQZciKT-3GjuJz7GhxRhNIE3tzZ7wG_asOtlLgEoT1Yi2si6AqreJHR9PLA0WS9AkXqN2-/s400/foprspcv.jpg" style="display: block; height: 400px; margin: 0px auto 10px; text-align: center; width: 288px;" /></a></span></span></span></span></div><span style="font-family: Arial; font-size: x-small;"><span style="font-family: Times New Roman;"><span style="font-size: small;"><span style="font-family: Arial; font-size: x-small;"></span></span></span></span><span style="font-family: Arial; font-size: x-small;"><span style="font-family: Times New Roman;"><span style="font-size: small;"><span style="font-family: Arial; font-size: x-small;"> </span></span></span></span><br />
<div style="text-align: center;"><span style="font-family: Arial; font-size: x-small;"><span style="font-family: Times New Roman;"><span style="font-size: small;"><span style="font-family: Arial; font-size: x-small;"><span style="font-family: Times New Roman; font-size: small;">Entre os muitos aspectos da guerra que continua a exercer um particular fascínio nos noosos dias,</span></span></span></span></span></div><div style="text-align: center;"><span style="font-family: Arial; font-size: x-small;"><span style="font-family: Times New Roman;"><span style="font-size: small;"><span style="font-family: Arial; font-size: x-small;"><span style="font-family: Times New Roman; font-size: small;">estão os posters espantosos <b><a href="http://www.cartridgesave.co.uk/news/the-foreboding-propaganda-posters-o-the-spanish-civil-war/"><span style="color: #cc0000;"><u>propaganda posters</u></span></a></b> produzidos pelas várias facções envolvidas no combate.</span></span></span></span></span></div><div style="text-align: center;"><span style="font-family: Arial; font-size: x-small;"><span style="font-family: Times New Roman;"><span style="font-size: small;"><span style="font-family: Arial; font-size: x-small;"><span style="font-family: Times New Roman; font-size: small;">.</span></span></span></span></span></div><div style="text-align: center;"><span style="font-family: Arial; font-size: x-small;"><span style="font-family: Times New Roman;"><span style="font-size: small;"><span style="font-family: Arial; font-size: x-small;"><span style="font-family: Times New Roman; font-size: small;">.</span></span></span></span></span></div><div style="text-align: center;"><span style="font-family: Arial; font-size: x-small;"><span style="font-family: Times New Roman;"><span style="font-size: small;"><span style="font-family: Arial; font-size: x-small;"><span style="font-family: Times New Roman; font-size: small;">http://1-anabela.spaces.live.com/?_c11_BlogPart_pagedir=Next&_c11_BlogPart_handle=cns!24F464CC72034BB0!3125&_c11_BlogPart_BlogPart=blogview&_c=BlogPart</span></span></span></span></span></div><div style="text-align: center;"><span style="font-family: Arial; font-size: x-small;"><span style="font-family: Times New Roman;"><span style="font-size: small;"><span style="font-family: Arial; font-size: x-small;"><span style="font-family: Times New Roman; font-size: small;">.</span></span></span></span></span></div><div style="text-align: center;"><span style="font-family: Arial; font-size: x-small;"><span style="font-family: Times New Roman;"><span style="font-size: small;"><span style="font-family: Arial; font-size: x-small;"><span style="font-family: Times New Roman; font-size: small;">..</span></span></span></span></span></div><div style="text-align: justify;"><h2><a href="http://www.cartridgesave.co.uk/news/the-foreboding-propaganda-posters-o-the-spanish-civil-war/" title="The Foreboding Propaganda Posters of the Spanish Civil War">The Foreboding Propaganda Posters of the Spanish Civil War</a></h2><div class="postinfo">October 1, 2009 in <a href="http://www.cartridgesave.co.uk/news/category/art/" rel="category
tag" title="View all
posts in Art">Art</a> </div><div id="greet_block"><noscript>&amp;amp;amp;amp;amp;lt;div class="greet_block"&amp;amp;amp;amp;amp;gt;&amp;amp;amp;amp;amp;lt;div class="greet_text"&amp;amp;amp;amp;amp;gt;&amp;amp;amp;amp;amp;lt;div class="greet_image"&amp;amp;amp;amp;amp;gt;&amp;amp;amp;amp;amp;lt;a href="feed://www.cartridgesave.co.uk/news/feed/" rel="nofollow"&amp;amp;amp;amp;amp;gt;&amp;amp;amp;amp;amp;lt;img src="http://www.cartridgesave.co.uk/wpbackend/wp-content/plugins/wp-greet-box/images/rss_icon.png" alt="WP Greet Box icon"/&amp;amp;amp;amp;amp;gt;&amp;amp;amp;amp;amp;lt;/a&amp;amp;amp;amp;amp;gt;&amp;amp;amp;amp;amp;lt;/div&amp;amp;amp;amp;amp;gt;Hello there! If you are new here, you might want to &amp;amp;amp;amp;amp;lt;a href="feed://www.cartridgesave.co.uk/news/feed/" rel="nofollow"&amp;amp;amp;amp;amp;gt;&amp;amp;amp;amp;amp;lt;strong&amp;amp;amp;amp;amp;gt;subscribe to the RSS feed&amp;amp;amp;amp;amp;lt;/strong&amp;amp;amp;amp;amp;gt;&amp;amp;amp;amp;amp;lt;/a&amp;amp;amp;amp;amp;gt; for updates on this topic.&amp;amp;amp;amp;amp;lt;div style="clear:both"&amp;amp;amp;amp;amp;gt;&amp;amp;amp;amp;amp;lt;/div&amp;amp;amp;amp;amp;gt;&amp;amp;amp;amp;amp;lt;/div&amp;amp;amp;amp;amp;gt;&amp;amp;amp;amp;amp;lt;/div&amp;amp;amp;amp;amp;gt;</noscript></div><div style="text-align: center;"><img alt="" class="alignnone" height="334" src="http://imgur.com/ZPHL9.jpg" title="Spanish Civil War
Propaganda Posters" width="400" /></div>The Spanish Civil War was an extremely complex conflict that ravaged the country from 1936 to 1939. The war started when the Spanish Army staged a military coup to overthrow the Second Spanish Republic. The attempt would prove successful, with the eventual installation of a dictatorship led by General Francisco Franco in 1939. Before his victory, Franco’s forces met the resistance of republicans, socialists, communists and anarchists in a bitter battle for Spain.<br />
Among the many aspects of the war that continue to exert a particular fascination today is the wealth of astonishing propaganda posters produced by the various factions involved in the fighting. There was a high rate of illiteracy in the country, particularly among women, peasants and the working classes, so poster designers employed rousing imagery and succinct slogans to deliver their message.<br />
<h3>Espana [c. 1936]</h3><div style="text-align: center;"><img alt="" class="alignnone" height="400" src="http://imgur.com/J024I.jpg" title="Espana" width="289" /></div><i>Image: <a href="http://www.alba-valb.org/resources/lessons/the-spanish-civil-war-poster/the-spanish-civil-war-poster" onclick="javascript:pageTracker._trackPageview('/outgoing/www.alba-valb.org/resources/lessons/the-spanish-civil-war-poster/the-spanish-civil-war-poster');">ALBA</a></i><br />
This poster aims to symbolise the strength and dominance of the Spanish state, embodied by the noble, towering lion. The message insists that citizens join the country’s unified protection. Ominously, the lion holds a ‘fasces’, a bundle of rods tied around an axe, the ancient Roman symbol of authority and strength through unity. In the 20th Century, Italian and Spanish fascists adopted the symbol to represent their ideology.<br />
<h3>Juventudes Socialistas Unificadas [c. 1936]</h3><div style="text-align: center;"><img alt="" class="alignnone" height="400" src="http://imgur.com/n32kN.jpg" title="juventudes
Socialistas Unificadas" width="263" /></div><i>Image: <a href="http://commons.wikimedia.org/wiki/File:S19.jpeg" onclick="javascript:pageTracker._trackPageview('/outgoing/commons.wikimedia.org/wiki/File:S19.jpeg');">Wikimedia</a></i><br />
This poster employs a soviet-style aesthetic to attract Spaniards to the communist cause. Juventudes Socialistas Unificadas (JSU), Unified Socialist Youth, was formed in 1936 through the union of the Socialist Party and Communist Party youth groups. After the military collapse of the Republican Government, JSU’s leader, Santiago Carrillo, fled the country and spent 38 years in exile, mainly in France and the USSR.<br />
<h3>Workers! [c. 1936]</h3><div style="text-align: center;"><img alt="" class="alignnone" height="400" src="http://imgur.com/x5TnA.jpg" title="Workers" width="283" /></div><i>Image: <a href="http://www.alba-valb.org/resources/lessons/the-spanish-civil-war-poster/the-spanish-civil-war-poster" onclick="javascript:pageTracker._trackPageview('/outgoing/www.alba-valb.org/resources/lessons/the-spanish-civil-war-poster/the-spanish-civil-war-poster');">ALBA</a></i><br />
The Confederación Nacional del Trabajo (CNT), The National Confederation of Labour, is a confederation of anarcho-syndicalists, still operating today. The Federación Anarquista Ibérica (FAI), Iberian Anarchist Federation, is an organization of anarchist militants active within the CNT. These anarchists were at the forefront of the battle against Franco’s forces during the Spanish Civil War, and produced a huge number of posters rallying the public to their movement. This poster urges ‘Workers! Joining the Iron Column strengthens the revolution.’ The Iron Column was a battalion of anarchists. <br />
<h3>Ferroviara [1936]</h3><div style="text-align: center;"><img alt="" class="alignnone" height="316" src="http://imgur.com/GZ0nf.jpg" title="Ferroviara" width="400" /></div><i>Image: <a href="http://commons.wikimedia.org/wiki/File:Ferroviaria.jpg" onclick="javascript:pageTracker._trackPageview('/outgoing/commons.wikimedia.org/wiki/File:Ferroviaria.jpg');">Wikimedia</a></i><br />
This poster, also endorsed by CNT and The International Workers Association (AIT), promotes worker-run railways and shows a speeding train crushing the fascist forces.<br />
<h3>Estoeselfascismo [c. 1936]</h3><div style="text-align: center;"><img alt="" class="alignnone" height="400" src="http://imgur.com/74L3Z.jpg" title="Estoeselfascismo" width="291" /></div><i>Image: <a href="http://commons.wikimedia.org/wiki/File:Estoeselfascismo.jpg" onclick="javascript:pageTracker._trackPageview('/outgoing/commons.wikimedia.org/wiki/File:Estoeselfascismo.jpg');">Wikimedia</a></i><br />
This anti-fascist poster depicts the ghostly image of a masked soldier wreathed in the vapours of a gas attack, hinting at the perils of chemical weapons.<br />
<h3>La Revolucion y la Guerra son Inseparables [1936]</h3><div style="text-align: center;"><img alt="" class="alignnone" height="400" src="http://imgur.com/ZivRk.jpg" title="La Revolucion y
la Guerra son Inseparables" width="267" /></div><i>Image: <a href="http://commons.wikimedia.org/wiki/File:Inseparables.jpg" onclick="javascript:pageTracker._trackPageview('/outgoing/commons.wikimedia.org/wiki/File:Inseparables.jpg');">Wikimedia</a></i><br />
This poster states the opinion that revolution and war are inseparable, with the chimney and cannon reflecting industry and struggle. The design bares the stamp of both CNT and FIJL, Federación Ibérica de Juventudes Libertarias, The Iberian Federation of Anarchist Youth, an organization created in 1932 in Madrid. Towards the end of the war Stalin issued the order from Russia that the Spanish anarchists should be liquidated. The communists accordingly murdered many members of FIJL.<br />
<h3>No Pasaran! [Date unknown]</h3><div style="text-align: center;"><img alt="" class="alignnone" height="400" src="http://imgur.com/Qn6n2.jpg" title="No
Pasaran" width="286" /></div><i>Image: <a href="http://www.alba-valb.org/resources/lessons/the-spanish-civil-war-poster/the-spanish-civil-war-poster" onclick="javascript:pageTracker._trackPageview('/outgoing/www.alba-valb.org/resources/lessons/the-spanish-civil-war-poster/the-spanish-civil-war-poster');">ALBA</a></i><br />
‘¡No pasarán!’ – ‘They shall not pass!’ Men and women fight and fall on the front line against the fascists.<br />
Republican leader Dolores Ibárruri Gómez used the slogan in a speech during the Siege of Madrid in 1936. When Franco’s forces conquered the city his reply was ‘Hemos pasado’ – ‘We have passed.’<br />
<h3>Aplastar Al Fascismo! [1936]</h3><div style="text-align: center;"><img alt="" class="alignnone" height="400" src="http://imgur.com/bzRWV.jpg" title="Aplastar" width="286" /></div><i>Image: <a href="http://commons.wikimedia.org/wiki/File:Aplastar.jpg" onclick="javascript:pageTracker._trackPageview('/outgoing/commons.wikimedia.org/wiki/File:Aplastar.jpg');">Wikimedia</a></i><br />
This poster from 1936 declares the objective of smashing fascism. The Spanish Civil War saw the development of new tank warfare tactics and air bombing campaigns, strategies that would be put to widespread and deadly use in the Second World War.<br />
<h3>La Garra del Invasor Italiano Pretende Esclavaizarnos [Date unknown]</h3><div style="text-align: center;"><img alt="" class="alignnone" height="400" src="http://imgur.com/YC4hY.jpg" title="La Garra del
Invasor Italiano Pretende Esclavaizarnos" width="288" /></div><a href="thttp://commons.wikimedia.org/wiki/File:S25.jpeg" onclick="javascript:pageTracker._trackPageview('/outgoing/commons.wikimedia.org/wiki/File:S25.jpeg');">Wikimedia</a><br />
A key aspect of the Spanish Civil War was the international dimension, with Fascist Italy and Nazi Germany supporting Franco’s army, while the Soviet Union, Mexico and the International Brigades backed the Republicans. This poster warns that the claws of Italian invaders intend to enslave Spain. At the time Italy was ruled by Mussolini, one of the founders of European fascism.<br />
<h3>The Internationals – United with the Spaniards [1937]</h3><div style="text-align: center;"><img alt="" class="alignnone" height="400" src="http://imgur.com/jA5AH.jpg" title="The
Internationals" width="271" /></div><i>Image: <a href="http://www.orwell.ru/a_life/Spanish_War/english/e_slog" onclick="javascript:pageTracker._trackPageview('/outgoing/www.orwell.ru/a_life/Spanish_War/english/e_slog');">Orwell.ru</a></i><br />
This poster shows soldiers bearing the flag and three-pointed star of the International Brigades. Notable volunteers included the photographer Robert Capa and writers Ernest Hemingway, George Orwell and Laurie Lee.<br />
<h3>Sindicato Unico Ramo Transporte [Date unknown]</h3><div style="text-align: center;"><img alt="" class="alignnone" height="400" src="http://imgur.com/8bqq0.jpg" title="Sindicato Unico
Ramo Transporte" width="282" /></div><i>Image: <a href="http://commons.wikimedia.org/wiki/File:Transporte.jpg" onclick="javascript:pageTracker._trackPageview('/outgoing/commons.wikimedia.org/wiki/File:Transporte.jpg');">Wikimedia</a></i><br />
This poster depicts worker-run public transport. The trains, metro, buses and taxis are stylishly decorated in black and red, the traditional colours of the anarcho-syndicalists.<br />
<h3>Sindicato Unico de la Industria Fabril. Textil. Vestir y Anexos de Barcelona [c. 1936]</h3><div style="text-align: center;"><img alt="" class="alignnone" height="400" src="http://imgur.com/2k2Oq.jpg" title="Sindicato
Unico
de la Industria Fabril. Textil. Vestir y Anexos de Barcelona" width="272" /></div><i>Image: <a href="http://commons.wikimedia.org/wiki/File:Textil.jpg" onclick="javascript:pageTracker._trackPageview('/outgoing/commons.wikimedia.org/wiki/File:Textil.jpg');">Wikimedia</a></i><br />
This poster comes from the mattress makers of Barcelona, and demonstrates how all aspects of industry were deemed essential in the battle against fascism.<br />
<h3>Campesino: Este es tu puesto [c. 1936]</h3><div style="text-align: center;"><img alt="" class="alignnone" height="400" src="http://imgur.com/h0EQV.jpg" title="Campesino" width="277" /></div><i>Image: <a href="http://commons.wikimedia.org/wiki/File:S17.jpeg" onclick="javascript:pageTracker._trackPageview('/outgoing/commons.wikimedia.org/wiki/File:S17.jpeg');">Wikimedia</a></i><br />
‘Peasant: This is your place’ declares this poster, reminding rural workers of their importance in feeding the revolution.<br />
<h3>Libertat! [c. 1936]</h3><div style="text-align: center;"><img alt="" class="alignnone" height="400" src="http://imgur.com/XuUQt.jpg" title="Libertat" width="286" /></div><i>Image: <a class="broken_link" href="http://upload.wikimedia.org/wikipedia/commons/1/18/Libertat.jpg" onclick="javascript:pageTracker._trackPageview('/outgoing/upload.wikimedia.org/wikipedia/commons/1/18/Libertat.jpg');">Wikimedia</a></i><br />
‘Freedom!’ cries this poster, with the muscular worker waving a sickle in front of the black and red of the FAI flag.<br />
<h3>iGuidado al Hablar! [c. 1936]</h3><div style="text-align: center;"><img alt="" class="alignnone" height="400" src="http://imgur.com/Ji4An.jpg" title="Guidado" width="270" /></div><i>Image: <a href="http://commons.wikimedia.org/wiki/File:Bestia.jpg" onclick="javascript:pageTracker._trackPageview('/outgoing/commons.wikimedia.org/wiki/File:Bestia.jpg');">Wikimedia</a></i><br />
‘The beast prowls: Careful while talking!’ warns this poster. Similar posters were to be made in Britain during World War Two with messages such as ‘Careless talk cost lives’. The designer of this poster clearly saw monarchism as the enemy, with the ‘beast’ sporting a dainty crown.<br />
<h3>Buenaventura Durruti [c. 1936]</h3><div style="text-align: center;"><img alt="" class="alignnone" height="400" src="http://imgur.com/ZgmmP.jpg" title="Buenaventura
Durruti" width="273" /></div><i>Image: <a href="http://commons.wikimedia.org/wiki/File:Durruti_poster2.png" onclick="javascript:pageTracker._trackPageview('/outgoing/commons.wikimedia.org/wiki/File:Durruti_poster2.png');">Wikimedia</a></i><br />
This poster portrays Buenaventura Durruti Dumange (1896 – 1936) who played a central role in Spanish anarchism before and during the civil war, helping to co-ordinate armed resistance against Franco’s forces and leading the Durruti Column. He died during the Battle of Madrid in 1936. The anarchists claimed an enemy sniper shot Durruti, while others report that he was the victim of a ‘friendly fire’ incident, killed when his comrade’s gun was accidentally discharged.<br />
<h3>Francisco Ascaso [c. 1936]</h3><div style="text-align: center;"><img alt="" class="alignnone" height="400" src="http://imgur.com/e4VQV.jpg" title="Francisco Ascaso" width="280" /></div><i>Image: <a href="http://commons.wikimedia.org/wiki/File:Francisco_Ascaso.png" onclick="javascript:pageTracker._trackPageview('/outgoing/commons.wikimedia.org/wiki/File:Francisco_Ascaso.png');">Wikimedia</a></i><br />
The central character celebrated in this poster is Francisco Ascaso (1901 – 1936), a Spanish anarcho-syndicalist who took part in violent insurrectionist activities during the 1920s and 30s, both within Spain and internationally. He was killed during the civil war, on the first day of fighting in Barcelona.<br />
<h3>It’s Cold on the Front [Date unknown]</h3><div style="text-align: center;"><img alt="" class="alignnone" height="400" src="http://imgur.com/qOvGE.jpg" title="Its cold on the
front" width="284" /></div><i>Image: <a href="http://commons.wikimedia.org/wiki/File:Frio.jpg" onclick="javascript:pageTracker._trackPageview('/outgoing/commons.wikimedia.org/wiki/File:Frio.jpg');">Wikimedia</a></i><br />
‘It’s cold on the front’ states this poster, and asks Spaniards to ‘remember those who defend your freedom.’<br />
<h3>Homage to the International Brigades [Date unknown]</h3><div style="text-align: center;"><img alt="" class="alignnone" height="400" src="http://imgur.com/e86ZN.jpg" title="Homage to the
International Brigades" width="284" /></div><i>Image: <a href="http://www.orwell.ru/a_life/Spanish_War/english/e_slog" onclick="javascript:pageTracker._trackPageview('/outgoing/www.orwell.ru/a_life/Spanish_War/english/e_slog');">Orwell.ru</a></i><br />
Homage to the International Brigades, military units composed of volunteers who travelled to Spain to join the Republican army. Anarchists, communists and socialists from around the world, mainly Europe, fought alongside Spaniards in the struggle against fascism.<br />
<h3>Catalans! [1938]</h3><div style="text-align: center;"><img alt="" class="alignnone" height="400" src="http://imgur.com/ux6FI.jpg" title="Catalans" width="267" /></div><i>Image: <a href="http://commons.wikimedia.org/wiki/File:S24.jpeg" onclick="javascript:pageTracker._trackPageview('/outgoing/commons.wikimedia.org/wiki/File:S24.jpeg');">Wikimedia</a></i><br />
The 11th of September is National Day of Catalonia, marking the 1714 Siege of Barcelona. This poster from 1938 urges Catalans to continue to fight for their freedom, with the female figure in the centre embodying the concept of liberty.</div><div style="text-align: justify;">.<br />
In 1939 Franco’s Nationalist forces emerged victorious and the Spanish Civil War came to an end. The creative elements that had produced many of the most memorable propaganda posters were brutally repressed, but the experiences of the war, and the powerful imagery that remained, would continue to have a profound effect throughout history</div><div style="text-align: justify;"><span style="font-family: Arial; font-size: x-small;"><span style="font-family: Times New Roman;"><span style="font-size: small;"><span style="font-family: Arial; font-size: x-small;"><span style="font-family: Times New Roman; font-size: small;">.</span></span></span></span></span></div><div style="text-align: justify;"><span style="font-family: Arial; font-size: x-small;"><span style="font-family: Times New Roman;"><span style="font-size: small;"><span style="font-family: Arial; font-size: x-small;"><span style="font-family: Times New Roman; font-size: small;">.</span></span></span></span></span><br />
<span style="font-size: small;"><span style="font-family: Times New Roman;"> http://www.cartridgesave.co.uk/news/the-foreboding-propaganda-posters-o-the-spanish-civil-war/</span></span></div>Victor Nogueirahttp://www.blogger.com/profile/13759238536489604722noreply@blogger.com0tag:blogger.com,1999:blog-2736353218304570703.post-48744696585215688542010-05-13T01:26:00.002+01:002010-05-13T01:28:22.873+01:00Sabores no Ao Sabor do Olhar<div id="header-wrapper"><div style="text-align: center;"></div><div style="text-align: center;"></div><div style="text-align: center;"> .</div><div style="text-align: center;">. </div><div class="header section" id="header"><div class="widget Header" id="Header1"><div style="text-align: center;"></div><div id="header-inner"><div style="text-align: center;"></div><div class="titlewrapper" style="text-align: center;"><h3 class="post-title entry-title"><a href="http://osabordolhar.blogspot.com/2007/08/seja-bem-vindo-quem-vier-por-bem.html">Seja bem-vindo quem vier por bem</a></h3><h3 class="post-title entry-title">. </h3><div class="post-header"></div><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgebGvTn7UsQEs8JVC9nM-LLyLecQzqRmA7c0CjB6yoDKAcyhXrTSnaa1H16URuDwHXzZ2mFc2n7__EBFutcwtSj-rtsQsIRS446fwSkHvJVVF1IPsa3_YlJP9xbnMQE-2zqO4D5P8ZKsM/s1600-h/750px-Earth-moon-thumb.jpg"><img alt="" border="0" id="BLOGGER_PHOTO_ID_5098594740001948274" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgebGvTn7UsQEs8JVC9nM-LLyLecQzqRmA7c0CjB6yoDKAcyhXrTSnaa1H16URuDwHXzZ2mFc2n7__EBFutcwtSj-rtsQsIRS446fwSkHvJVVF1IPsa3_YlJP9xbnMQE-2zqO4D5P8ZKsM/s400/750px-Earth-moon-thumb.jpg" style="display: block; margin: 0px auto 10px; text-align: center;" /></a><br />
<h1 class="title"> </h1><h1 class="title">Ao Sabor do Olhar </h1></div><div></div><div class="descriptionwrapper"><div style="text-align: center;"></div><div class="description" style="text-align: center;">Este blog destina-se aos meus amigos e conhecidos assim como aos visitantes que nele queiram colaborar..... «Olá, Diga Bom Dia com Alegria, Boa Tarde, sem Alarde, Boa Noite, sem Açoite ! E Viva a Vida, com Alegria e Fantasia» (Victor Nogueira) ..... «Nada do que é humano me é estranho» (Terêncio)....«Aprender, Aprender Sempre !» (Lenine)</div></div></div></div></div></div><h2>Informação Útil</h2><ul><li><a href="http://www.gastronomias.com/">* Gastronomia de Portugal e não só (Roteiro e Receitas)</a></li>
<li><a href="http://www.cylex.pt/">* Guia das Empresas de Portugal</a></li>
<li><a href="http://www.google.pt/gmm/index.html">* Mapas de Portugal - Google Mobile</a></li>
<li><a href="http://www.portugal-info.net/maps/">* Mapas de Portugal - Info-net</a></li>
<li><a href="http://www.geocities.com/fcandido2001/portgen/portmaps.html">* Mapas de Portugal e Colónias - colecções actual ou histórica</a></li>
<li><a href="http://www.meteo.pt/pt/">* Metereologia e Sismicidade em Portugal</a></li>
<li><a href="http://www.obrasemcasa.pt/pt/">* Obras em Casa ( Portal )</a></li>
<li><a href="http://www.portaldasfinancas.gov.pt/pt/home.action">* Portal das Finanças - PT</a></li>
<li><a href="http://www.portaldocidadao.pt/PORTAL/pt">* Portal do Cidadão PT</a></li>
<li><a href="http://www.consumidor.pt/">* Portal do Consumidor PT</a></li>
<li><a href="http://www.portaldocidadao.pt/PORTAL/pt">* Portal e Loja do Cidadão - PT</a></li>
<li><a href="http://www.portal-financeiro.com/">* Portal Financeiro PT</a></li>
<li><a href="http://www.portugal-info.net/index.htm">* Portugal - Informação útil</a></li>
<li><a href="http://www.portaldasaude.pt/Portal/">* Saúde - (Portal da) PT</a></li>
<li><a href="http://www.blogger.com/http//farmacias.sapo.pt/lista.php?id=1512">* Saúde - Farmácias de Serviço (SAPO)</a></li>
<li><a href="http://sweet.ua.pt/%7Ehelder/sos/">* Saúde - Primeiros Socorros - SOS</a></li>
<li><a href="http://www.mcafee.com/uk/">* Segurança no PC e na Web - McAfee</a></li>
<li><a href="http://ppsmania.net/">** Diaporamas@PPS</a></li>
<li><a href="http://www.imagehousing.com/">** Image Housing - Free</a></li>
<li><a href="http://imageshack.us/">** Image Shack - Media Hosting Company</a></li>
<li><a href="http://es.tinypic.com/">** Imagens e Vídeo -TinyPics</a></li>
<li><a href="http://www.meusrecados.com/">** Meus Recados.Com</a></li>
<li><a href="http://m378.photobucket.com/">** Photo Bucket</a></li>
<li><a href="http://www.scraplandia.com/Inicio.php">** ScrapLandia</a></li>
<li><a href="http://www.webshots.com/">** Webshots.com</a></li>
</ul><br />
.Victor Nogueirahttp://www.blogger.com/profile/13759238536489604722noreply@blogger.com0tag:blogger.com,1999:blog-2736353218304570703.post-25868368539607185432010-05-13T01:10:00.001+01:002010-05-13T01:31:50.655+01:00Kant_Os no Kant_O_XimPi.<br />
.<br />
<div class="widget LinkList" id="LinkList3"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjuJCI6qp4O1gNjFdYaUb7CVHgbrQY2NVJuQT2ee3UJCJb3XZxzHmOWNf8DHlGHddgW3_MeT1MtfpRS0OEslRBfvNIZ58BjCmj3-9ViF3qvn3NDOeUn8lJ58VQVNy23aO3zSdjhPfNFJLE/s1600/la-comuna-de-paris.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjuJCI6qp4O1gNjFdYaUb7CVHgbrQY2NVJuQT2ee3UJCJb3XZxzHmOWNf8DHlGHddgW3_MeT1MtfpRS0OEslRBfvNIZ58BjCmj3-9ViF3qvn3NDOeUn8lJ58VQVNy23aO3zSdjhPfNFJLE/s320/la-comuna-de-paris.jpg" /></a></div><h2 style="text-align: center;"> .</h2><h2 style="text-align: center;"> Kant_O_XimPi </h2><div id="header-wrapper"><div></div><div class="header section" id="header"><div class="widget Header" id="Header1"><div style="text-align: center;"></div><div id="header-inner"><div style="text-align: center;"></div><div class="titlewrapper" style="text-align: center;"></div><div></div><div class="descriptionwrapper"><div style="text-align: center;"></div><div class="description" style="text-align: center;">Aprender, aprender sempre - Lenine (Vladimir Ilitch Ulianov) ---- Olá ! Diga Bom Dia com Alegria, Boa Tarde sem alarde, Boa Noite, sem açoite. E Viva a Vida, com Alegria e Fantasia ! (Victor Nogueira) - Nada do que é humano me é estranho (Terêncio)</div></div></div></div></div></div><h2> </h2><h2>Kant_O das Utilidades</h2><div class="widget-content"><ul><li><a href="http://www.anmp.pt/">Associação Nacional de Municípios Portugueses</a></li>
<li><a href="http://img132.imageshack.us/">Banco de Imagens Sack</a></li>
<li><a href="http://www.cnpd.pt/">Comissão Nacional de Protecção de Dados</a></li>
<li><a href="http://cidm.madbug.com/">Comissão para a Igualdade e para os Direitos das Mulheres</a></li>
<li><a href="http://www.dgci.min-financas.pt/">Contribuições e Impostos (Direcção Geral)</a></li>
<li><a href="http://www.deco.proteste.pt/">DECO - Defesa do Consumidor</a></li>
<li><a href="http://ppsmania.net/">Diaporamas@PPS</a></li>
<li><a href="http://www.dhnet.org.br/inedex.htm">Direitos Humanos na NET</a></li>
<li><a href="http://extremetracking.com/">Extreme Tracking</a></li>
<li><a href="http://www.anf.pt/site/index.php?page=data/farmacias/farmserv.php">Farmácias de Serviço</a></li>
<li><a href="http://www.mailxmail.com/">Formação on line - mailxmail</a></li>
<li><a href="http://www.fsf.org/">Free Software Foundation</a></li>
<li><a href="http://www.gddc.pt/">Gabinete de Documentação e Direito Comparado</a></li>
<li><a href="http://www.receitasemenus.net/">Gastronomia - Receitas e Menus (Portal)</a></li>
<li><a href="http://www.gastronomias.com/">Gastronomia - Roteiro de Portugal</a></li>
<li><a href="http://www.geografismos.blogger.com.br/">Geografismos (1)</a></li>
<li><a href="http://www.geografismos.blogspot.com/">Geografismos (2)</a></li>
<li><a href="http://www.cylex.pt/">Guia adas Empresas de Portugal</a></li>
<li><a href="http://imageshack.us/">Image Shack - Media Hosting Company</a></li>
<li><a href="http://www.consumidor.pt/">Instituto do Consumidor</a></li>
<li><a href="http://www.ine.pt/">Instituto Nacional de Estatística</a></li>
<li><a href="http://www.meteo.pt/pt/previsao/inicial.jsp">Metereologia (IPM)</a></li>
<li><a href="http://www.meusrecados.com/">Meus Recados.Com</a></li>
<li><a href="http://www.moo.pt/">Moooooooooito mais</a></li>
<li><a href="http://www.obrasemcasa.pt/pt/">Obras em Casa (Portal)</a></li>
<li><a href="http://m378.photobucket.com/">Photobucket</a></li>
<li><a href="http://www.consumidor.pt/">Portal do Consumidor PT</a></li>
<li><a href="http://www.portal-financeiro.com/">Portal Financeiro PT</a></li>
<li><a href="http://www.provedor-jus.pt/index.php">Provedor de Justiça</a></li>
<li><a href="http://medicosdeportugal.saude.sapo.pt/">Saúde - Médicos de Portugal</a></li>
<li><a href="http://www.lookfordiagnosis.com/portuguese/">Saúde - Procure o Diagnóstico</a></li>
<li><a href="http://www.psiquiatriageral.com.br/">Saúde - Psiquiatria Geral</a></li>
<li><a href="http://www.ensp.unl.pt/lgraca/">Saúde e Trabalho</a></li>
<li><a href="http://www.mcafee.com/uk/">Segurança no PC e na Web - McAfee</a></li>
<li><a href="http://www.sobresites.com/blog/">Sobre Sites e Blogs</a></li>
<li><a href="http://softwarelivre.org/">Software Livre - Brasil</a></li>
<li><a href="http://www.softwarepublico.gov.br/">Software Livre - Portal Brasileiro GOV</a></li>
<li><a href="http://www.softwarelivre.citiap.gov.pt/">Software Livre na Administração Pública PT</a></li>
<li><a href="http://www.apav.pt/">SOS - Associação Portuguesa de Apoio à Vítima</a></li>
<li><a href="http://www.blogger.com/http//www.violencia.online.pt/scripts/cv.dll?sec=site&pass=co">SOS - Violência - Telefones de Contacto</a></li>
<li><a href="http://www.portugal-linha.pt/infuteis.html">Telefones de Contacto</a></li>
<li><a href="http://www.portugal-linha.pt/infuteis.html">Telefones e Outras Informações Úteis (1)</a></li>
<li><a href="http://infolara.com/nacional/telefones.shtml">Telefones e Outras Informações Úteis (2)</a></li>
<li><a href="http://es.tinypic.com/">TinyPocs (Imagens e Vídeo)</a></li>
<li><a href="http://www.webshots.com/">Webshots.com</a></li>
</ul><span class="widget-item-control"> <span class="item-control blog-admin"> </span></span></div><div class="widget-content"><span class="widget-item-control"><span class="item-control blog-admin"> </span> </span> </div></div><div class="widget LinkList" id="LinkList2"><h2>Kant_Os da Cultura, História, Informação, Natureza e Política</h2><div class="widget-content"><ul><li><a href="http://imigrantes.no.sapo.pt/">(I)migrantes</a></li>
<li><a href="http://www.1000imagens.com/">1000 Imagens</a></li>
<li><a href="http://www.1000imagens.com/links.asp">1000 Imagens - Fotógrafos</a></li>
<li><a href="http://www.pcp.pt/actpol/temas/25abril/30anos/">25 de Abril - 30 Anos</a></li>
<li><a href="http://www.7arte.net/">7ª Arte - Cinema em Portugal</a></li>
<li><a href="http://archidose.blogspot.com/">A Daily Dose of Architecture #</a></li>
<li><a href="http://www.ensinandodesiao.org.br/Abradjin/">Abradjin - Os Judeus do Brasil e a Inquisição Portuguesa</a></li>
<li><a href="http://abrilemmaio.no.sapo.pt/">Abril em Maio</a></li>
<li><a href="http://www.acampamentocigano.net/pagina_inicial.htm">Acampamento Cigano</a></li>
<li><a href="http://portugues.agonia.net/index.php">Agonia Português (Biblioteca Virtual)</a></li>
<li><a href="http://www.revista.agulha.nom.br/">Agulha - Revista de Cultura</a></li>
<li><a href="http://www.abn.com.br/index.php">Agência Brasileira de Notícias</a></li>
<li><a href="http://pt.wikipedia.org/wiki/Al_Andalus">Al-Andalus</a></li>
<li><a href="http://www.alfurqan.pt/">Alfurqan - Estudos Islâmicos em Portugal</a></li>
<li><a href="http://english.aljazeera.net/">Aljazeera.ING</a></li>
<li><a href="http://www.about.com/">All about music -</a></li>
<li><a href="http://www.allposters.com/">All Posters (#)</a></li>
<li><a href="http://almadobeco.blogspot.com/">Alma do Beco (1) - Literatura</a></li>
<li><a href="http://www.almadobeco2.blogspot.com/">Alma do Beco (2) - Literatura</a></li>
<li><a href="http://arepublicano.blogspot.com/">Almanaque Republicano</a></li>
<li><a href="http://pt.altermedia.info/">Altermedia.info PT</a></li>
<li><a href="http://www.acime.gov.pt/">Alto Comissariado para a Imigração e Minorias Étnicas</a></li>
<li><a href="http://alainet.org/">America Latina en Movimiento</a></li>
<li><a href="http://www.americanlegends.com/index.htm">American Legends</a></li>
<li><a href="http://www.fundacao-ami.org/ami/">Amnesty International</a></li>
<li><a href="http://www.amnistia-internacional.pt/">Amnistia Internacional</a></li>
<li><a href="http://www.angoladigital.net/artecultura/index.php">Angola Digital - Arte e Cultura</a></li>
<li><a href="http://www.portalangop.co.ao/motix/pt_pt/portal/capa/index.html">Angola Press</a></li>
<li><a href="http://anotacoescinefilo.com/">Anotações de um Cinéfilo</a></li>
<li><a href="http://www.inventati.org/mp38/show_dir.php">archivio di canzoni di lotta e movimento in formati liberati e liberanti</a></li>
<li><a href="http://www.arqnet.pt/">Arqnet - O Portal da História</a></li>
<li><a href="http://sergivs.blogs.sapo.pt/">Arqueologia - SERGIVS - Notícias</a></li>
<li><a href="http://www.skyscrapercity.com/forumdisplay.php?f=1182">Arquitectura e Urbanismo em Portugal</a></li>
<li><a href="http://www.marxists.org/portugues/index.htm/">Arquivo Marxista na Internet PT</a></li>
<li><a href="http://www.artinfo.com/">Art.Info</a></li>
<li><a href="http://www.moleiro.com/">Arte em Perfeição - M. Moleiro Editores</a></li>
<li><a href="http://www.artehistoria.jcyl.es/index.html">Arte História #</a></li>
<li><a href="http://www.sobresites.com/artesplasticas/index.htm">Artes Plásticas</a></li>
<li><a href="http://artigo6.blogspot.com/">Artigo 6º</a></li>
<li><a href="http://www.artcyclopedia.com/">Artyclopedia</a></li>
<li><a href="http://joaogil.planetaclix.pt/k.htm">As raízes do 25 de Abril</a></li>
<li><a href="http://www.25abril.org/">Associação 25 de Abril</a></li>
<li><a href="http://cantoalentejano.com/">Associação do Cante Alentejasno (MODA)</a></li>
<li><a href="http://www.aph.pt/">Associação Portuguesa de História</a></li>
<li><a href="http://www.webbusca.com.br/atlas/">Atlas Geográfico, Bandeiras e Hinos Nacionais</a></li>
<li><a href="http://www.avph.com.br/">Atlas Virtual da Pré-História</a></li>
<li><a href="http://www.ciadaescola.com.br/zoom/materia.asp?materia=254&pagina=1#materia">Auschiwtz, 60 anos depois</a></li>
<li><a href="http://pintopc.home.cern.ch/pintopc/www/Africa/Africa.html">Autores Africanos</a></li>
<li><a href="http://www.avaaz.org/en/">Avaaz.org - The World in Action</a></li>
<li><a href="http://www.bedeteca.com/">Bedeteca de Lisboa</a></li>
<li><a href="http://www.chabad.org.br/biblioteca/">Beit Chabad - Referência Judaica na Internet</a></li>
<li><a href="http://www.bibliaspa.com.br/">Biblioteca América do Sul Países Árabes</a></li>
<li><a href="http://www.dominiopublico.gov.br/pesquisa/PesquisaObraForm.jsp">Biblioteca Digital Domínio Público Software Livre</a></li>
<li><a href="http://www.ciudadseva.com/">Biblioteca Digital, Foros e Talleres Ciudad Seva</a></li>
<li><a href="http://bibliotecajoanina.uc.pt/">Biblioteca Joanina - Universidade de Coimbra</a></li>
<li><a href="http://www.vermelho.org.br/img/obras/bibliomarx.asp">Biblioteca Marxista</a></li>
<li><a href="http://webserver.cm-lisboa.pt/cultura/DBD/brepublica/menu/home.htm">Biblioteca Museu da República e da Resistência</a></li>
<li><a href="http://www.bn.pt/">Biblioteca Nacional PT</a></li>
<li><a href="http://www.scribd.com/">Biblioteca on Line Scribd</a></li>
<li><a href="http://www.biblio.com.br/">Biblioteca Virtual de Literatura BR</a></li>
<li><a href="http://www.poemas-del-alma.com/blog/category/biografias">Biografias de Escritores en Poemas del Alma</a></li>
<li><a href="http://www.biografiasyvidas.com/">Biografias y Vidas</a></li>
<li><a href="http://jdei.wordpress.com/">Blog da Emigração - PCP</a></li>
<li><a href="http://zeoliveira.blogs.sapo.pt/">Buraco da Fechadura - Cartoon (1)</a></li>
<li><a href="http://chavedoburaco.blogspot.com/">Buraco da Fechadura - Cartoon (2)</a></li>
<li><a href="http://www.cecac.org.br/">Centro Cultural António Carlos Carvalho</a></li>
<li><a href="http://www.citi.pt/cultura/">Centro de Investigação para Tecnologias Interactivas (Cultura)</a></li>
<li><a href="http://www.midiaindependente.org/">Centro de Média Independente BR</a></li>
<li><a href="http://portugal.indymedia.org/">Centro de Média Independente PT</a></li>
<li><a href="http://www.uc.pt/cd25a/wikka.php?wakka=HomePage/">Centro Documentação 25 Abril</a></li>
<li><a href="http://www.cpf.pt/">Centro Português de Fotografia</a></li>
<li><a href="http://pauloquerido.pt/">Certamente - Paulo Querido - Selecção de Notícias Jornalísticas</a></li>
<li><a href="http://www.chomsky.info/">Chomsky.Info</a></li>
<li><a href="http://ciencia.hsw.uol.com.br/">Ciência - Como tudo funciona</a></li>
<li><a href="http://www.clubfotograficomedellin.org/">Clube Fotografico Medellin</a></li>
<li><a href="http://coisasdeoutrostempos.blogspot.com/">Coisas de Outros Tempos</a></li>
<li><a href="http://www.lescommunistes.net/%7Ebolchevisme/">Communisme et Bolchévisme</a></li>
<li><a href="http://www.azul.net/confronto/">Confronto</a></li>
<li><a href="http://www.consciencia.net/">Consciência.net</a></li>
<li><a href="http://www.cppc.pt/">Conselho Português para a Paz e Cooperação</a></li>
<li><a href="http://www.tamandare.g12.br/Aulafrica/">Construcção do Espaço Africano</a></li>
<li><a href="http://paroledipace.altervista.org/link.html">Contra a Guerra</a></li>
<li><a href="http://pt.internationalism.org/">Corrente Comunista Internacional</a></li>
<li><a href="http://www.counterpunch.org/">Counterpunch (News)</a></li>
<li><a href="http://cromossomay.com/">Cromossoma Y (Tudo para Homem)</a></li>
<li><a href="http://www.unicamp.br/cemarx/criticamarxista//bibliotecavirtual.html/">Crítica Marxista</a></li>
<li><a href="http://www.arlindo-correia.com/">Cultura - Página de Arlindo Correia #</a></li>
<li><a href="http://www.embaixadadeangola.org/cultura/index.htm">Cultura Angolana</a></li>
<li><a href="http://www.andes.org/">Cultura dos Andes</a></li>
<li><a href="http://www.brasilcult.pro.br/">Cultura e Conhecimento</a></li>
<li><a href="http://users.rcn.com/napier.interport/">Culture Jamming - Napier Homepage (The)</a></li>
<li><a href="https://www.adbusters.org/">Culture Jamming - Revista Adbusters</a></li>
<li><a href="http://tortura.wordpress.com/">Câmara de Tortura</a></li>
<li><a href="http://www.danielestulin.com/">Daniel Estulin</a></li>
<li><a href="http://www.danielestulin.com/?op=enlaces&idioma=es">Daniel Estulin - Ligações</a></li>
<li><a href="http://desciclo.pedia.ws/wiki/P%C3%A1gina_principal">Desciclopedia PT</a></li>
<li><a href="http://www.visitlisboa.com/Conteudos/Menu-Principal/Home.aspx?lang=pt-PT">Descubra Lisboa (Turismo)</a></li>
<li><a href="http://www.deviantart.com/">DeviantART (#)</a></li>
<li><a href="http://www.thefreedictionary.com/">Dicionário de Inglês</a></li>
<li><a href="http://aulete.uol.com.br/site.php?mdl=aulete_digital">Dicionário iAulete on line</a></li>
<li><a href="http://www.priberam.pt/dicionarios.aspx/">Dicionários de Português on Line</a></li>
<li><a href="http://www.digestivocultural.com/">Digestivo Cultural BR</a></li>
<li><a href="http://www.poemas-del-alma.com/blog/directorio-de-libros">Directorio de Libros in Poemas del Alma</a></li>
<li><a href="http://cinediario.blogspot.com/">Diário dum Cinéfalo</a></li>
<li><a href="http://ecultura.sapo.pt/Destaques.aspx">e-Cultura.pt</a></li>
<li><a href="http://www.editonweb.com/Noticias/Noticias.aspx">Edit on Web.com</a></li>
<li><a href="http://www.enciclopedia.com.pt/news.php">Enciclopédia on line</a></li>
<li><a href="http://www1.universia.net/CatalogaXXI/rss/secciones_xml.asp?IDSEC=11654&IDP=ES&IDI=2">Enciclopédias Grátis on Line</a></li>
<li><a href="http://revelarlx.cm-lisboa.pt/">Espaço e Tempo - Revelar Lisboa</a></li>
<li><a href="http://estudossobrecomunismo.weblog.com.pt/">Estudos Sobre o Comunismo (1)</a></li>
<li><a href="http://estudossobrecomunismo2.wordpress.com/">Estudos Sobre o Comunismo (2)</a></li>
<li><a href="http://www.eurozine.com/">Eurozine</a></li>
<li><a href="http://fadosdofado.blogspot.com/">Fados do Fado</a></li>
<li><a href="http://fadosrecordandoopassado.blogspot.com/">Fados: Recordando o Passado, Lembrando o Presente</a></li>
<li><a href="http://arquivofilme.blogspot.com/">Filmografias</a></li>
<li><a href="http://www.youtube.com/user/FILOSOFIIAXXI">FILOSOFIIAXXI (YOU TUBE) #</a></li>
<li><a href="http://www.comunismo.com.br/">Forum Comunismo</a></li>
<li><a href="http://www.freephotogallery.info/">Free Photo Gallery</a></li>
<li><a href="http://www.fsf.org/">Free Software Foudation</a></li>
<li><a href="http://www.freshnudes.net/">Fresh Nudes</a></li>
<li><a href="http://www.fabricasocupadas.org.br/">Fábricas Ocupadas BR</a></li>
<li><a href="http://pt.wikipedia.org/wiki/Al-Gharb_al-%C3%82ndalus/">Gharb al-Ândalus</a></li>
<li><a href="http://www.goodart.org/">GoodArt Gallery</a></li>
<li><a href="http://www.greenpeace.org.br/">GreenPeace BR</a></li>
<li><a href="http://www.greenpeace.org/international/">GreenPeace International</a></li>
<li><a href="http://www.guerracolonial.org/">Guerra Colonial Portuguesa</a></li>
<li><a href="http://www.geocities.com/CollegePark/Den/9002/Invasao_Muculmana.htm/">Herança Muçulmana na Península Ibérica</a></li>
<li><a href="http://www.herenciacristiana.com/">Herencia Cristiana</a></li>
<li><a href="http://usuarios.advance.com.ar/pfernando/">Historia de la Iglesia - Documentos</a></li>
<li><a href="http://steinhardts.wordpress.com/">História das Palavras</a></li>
<li><a href="http://historiaeciencia.weblog.com.pt/">História e Ciência</a></li>
<li><a href="http://www.aph.pt/uf/">História e Universos Femininos</a></li>
<li><a href="http://educaterra.terra.com.br/voltaire/">História Mundial</a></li>
<li><a href="http://www.historianet.com.br/home/">História Net</a></li>
<li><a href="http://www.ildeposito.org/">IL Deposito - Canti di Protesta Politica e Sociale</a></li>
<li><a href="http://www.imagehousing.com/">Image Housing - Free</a></li>
<li><a href="http://www.prof2000.pt/users/secjeste/arkidigi/">Imagem Digital</a></li>
<li><a href="http://www.imediata.com/">Imediata.com</a></li>
<li><a href="http://www.imediata.com/lancededados/">Imediata.com - Lance de Dados</a></li>
<li><a href="http://www.infoescola.com/">InfoEscola - Navegando e Aprendendo</a></li>
<li><a href="http://www.instituto-camoes.pt/">Instituto Camões</a></li>
<li><a href="http://cvc.instituto-camoes.pt/hlp/index1.html">Instituto Camões - História da Língua Portuguesa em Linha</a></li>
<li><a href="http://portal.icn.pt/ICNPortal/vPT/">Instituto da Conservação da Natureza</a></li>
<li><a href="http://www.icarabe.org/">Instituto da Cultura Árabe</a></li>
<li><a href="http://www.iantt.pt/">Instituto dos Arquivos Nacionais Torre do Tombo</a></li>
<li><a href="http://www.ipmuseus.pt/">Instituto Português de Museus</a></li>
<li><a href="http://www.iplb.pt/">Instituto Português do Livro e das Bibliotecas</a></li>
<li><a href="http://www.ippar.pt/">Instituto Português do Património Arquitectónico</a></li>
<li><a href="http://www.ihffilm.com/">International Historical Films</a></li>
<li><a href="http://www.iisg.nl/index.php">International Institute of Social History</a></li>
<li><a href="http://williambowlespt.blogs.sapo.pt/">Investigando o Novo Imperialismo (1)</a></li>
<li><a href="http://investigandoonovoimperialismo.blogs.sapo.pt/">Investigando o Novo Imperialismo (2)</a></li>
<li><a href="http://www.kinglaoghaire.com/site/home/">Irish Ballads and Tunes - King Laoghaire Band</a></li>
<li><a href="http://islamnet.blogs.sapo.pt/">Islam Net</a></li>
<li><a href="http://www.fondazioneitaliani.it/">Italini - Giornali on line</a></li>
<li><a href="http://www.jangadabrasil.com.br/index.asp">Jangada do Brasil (Etnografia)</a></li>
<li><a href="http://www.jornaiserevistas.com/">Jornais e Revistas - Resumo Diário da Imprensa PT</a></li>
<li><a href="http://jpn.icicom.up.pt/djo/">Jornais on-line Portugueses - Directório</a></li>
<li><a href="http://www.accaosocialista.net/">Jornal Acção Socialista (PS)</a></li>
<li><a href="http://www.agenciafinanceira.iol.pt/">Jornal Agência Financeira</a></li>
<li><a href="http://www.avante.pt/">Jornal Avante (PCP)</a></li>
<li><a href="http://www.correiodamanha.pt/">Jornal Correio da Manhã</a></li>
<li><a href="http://jornaldeangola.sapo.ao/">Jornal de Angola</a></li>
<li><a href="http://jn.sapo.pt/paginainicial/">Jornal de Notícias</a></li>
<li><a href="http://dn.sapo.pt/Inicio/">Jornal Diário de Notícias</a></li>
<li><a href="http://www.jornaiserevistas.com/diarioeconomico.htm">Jornal Diário Económico</a></li>
<li><a href="http://www.dw-world.de/dw/0,,607,00.html">Jornal DW-World.DE - Deutsche Welle</a></li>
<li><a href="http://emigracao.pcp.pt/index.php?option=com_docman&task=cat_view&gid=16&Itemid=26">Jornal Em Movimento - PCP Emigração</a></li>
<li><a href="http://www.esquerda.net/index.php?option=com_content&task=blogsection&id=9&Itemid=43">Jornal Esquerda NET (BE)</a></li>
<li><a href="http://aeiou.expresso.pt/">Jornal Expresso PT</a></li>
<li><a href="http://diplo.uol.com.br/">Jornal Le Monde Diplomatique BR</a></li>
<li><a href="http://www.monde-diplomatique.fr/">Jornal Le Monde Diplomatique FR</a></li>
<li><a href="http://pt.mondediplo.com/">Jornal Le Monde Diplomatique PT</a></li>
<li><a href="http://www.monthlyreview.org/">Jornal Monthly Review</a></li>
<li><a href="http://pww.org/article/">Jornal People's Weekly World</a></li>
<li><a href="http://www.psd.pt/default.asp?s=11611&n=SM0508">Jornal Povo Livre (PPD/PSD)</a></li>
<li><a href="http://www.publico.pt/">Jornal Público</a></li>
<li><a href="http://www.republica.pt/#cimo">Jornal República on line</a></li>
<li><a href="http://www.semanarioeconomico.com/">Jornal Semanário Económico</a></li>
<li><a href="http://jornal.vozoperario.pt/">Jornal Voz do Operário</a></li>
<li><a href="http://sol.sapo.pt/blogs/yusuf/">KASASH - Palestina</a></li>
<li><a href="http://civilizacionsocialista.blogspot.com/">La Conquista de la Civilización Socialista</a></li>
<li><a href="http://lambiek.net/home.ht">Lambiek (Banda Desenhada)</a></li>
<li><a href="http://www.davinci.net76.net/index.html">Leonardo Da Vinci - O Legado dum Génio</a></li>
<li><a href="http://www.lerbd.blogspot.com/">Ler BD</a></li>
<li><a href="http://www.letras.com.br/">Letras de Músicas e Biografias</a></li>
<li><a href="http://www.libertyagain.org/">Liberty Again (USA)</a></li>
<li><a href="http://www.pelagus.org/it/libri/">Libri om Line - classici della letteratura italiana</a></li>
<li><a href="http://www.detnovel.com/">Literatura Policial in DetNovel</a></li>
<li><a href="http://www.mysterynet.com/">Literatura Policial in Mistery.Net</a></li>
<li><a href="http://www.multiculturas.com/delfim/lusomania/">Lusomania - Multiculturas</a></li>
<li><a href="http://lusotopia.no.sapo.pt/">Lusotopia</a></li>
<li><a href="http://lutasempauta.blogspot.com/">Lutas sem Pauta</a></li>
<li><a href="http://agcolos.drealentejo.pt/index_ficheiros/">Luís Cila - Cancioneiro</a></li>
<li><a href="http://www.magnumphotos.com/">Magnum Photos</a></li>
<li><a href="http://www.marxists.org/subject/art/music/index.htm">Marxism and Music Archive</a></li>
<li><a href="http://www.marxists.org/">Marxist Internet Archive</a></li>
<li><a href="http://www.marxists.org/subject/index.htm">Marxist Internet Subject Archive</a></li>
<li><a href="http://www.militantehp.hpg.ig.com.br/textos.htm/">Militante - O Portal Revolucionário Brasileiro</a></li>
<li><a href="http://noinforisk.blogspot.com/">MOBILITY - Working and Living Conditions in World</a></li>
<li><a href="http://www.mdmulheres.com/index.html/">Movimento Democrático de Mulheres</a></li>
<li><a href="http://www.mst.org.br/mst/">Movimento dos Trabalhadores Rurais Sem Terra</a></li>
<li><a href="http://mp3suite.com/">mp3 (free downloads)</a></li>
<li><a href="http://www.multiculturas.com/webgrafia.htm">Multiculturas</a></li>
<li><a href="http://www.museu-emigrantes.webside.pt/museu.htm">Museu dos Emigrantes</a></li>
<li><a href="http://www.oliveirasalazar.org/">Museu on line Oliveira Salazar</a></li>
<li><a href="http://www.imultimedia.pt/museuvirtpress/">Museu Virtual da Imprensa - Porto</a></li>
<li><a href="http://www.discoverislamicart.org/">Museum with no Frontiers (Islão)</a></li>
<li><a href="http://icom.museum/vlmp/">Museums pages - Virtual Library</a></li>
<li><a href="http://www.museusportugal.org/">Museus de Portugal</a></li>
<li><a href="http://pt.wikipedia.org/wiki/Lista_de_museus_de_portugal">Museus de Portugal (wikipedia)</a></li>
<li><a href="http://www.biblarte.gulbenkian.pt/content.asp?cod=recursos_museus&menu=recursos&parent=recursos&lang=pt">Museus do Mundo</a></li>
<li><a href="http://www.anmp.pt/munp/mun/mus102w1.php">Museus Municipais</a></li>
<li><a href="http://www.musicianguide.com/">Musician Biographies - Musician personals, awards, and works</a></li>
<li><a href="http://musicopera.blogspot.com/">Musicopera</a></li>
<li><a href="http://www.ictisp.com/%7Eqj389195/lovecraft/Museu/Entradaalmuseu.htm">Musée des Ténèbres</a></li>
<li><a href="http://esfahistoriadores.blogspot.com/2008/05/pesquisa-como-evolui-o-direiro-de-voto.html%20http://www.musicanet.org/robokopp/index.php">Música Net (audio)</a></li>
<li><a href="http://www.skyscrapercity.com/archive/index.php/t-682484.html">Músicas de Angola - Arquivo</a></li>
<li><a href="http://www.youtube.com/watch?v=jqxENMKaeCU%20http://www.portalangop.co.ao/motix/pt_pt/noticias/lazer-e-cultura/Pecas-regiao-sudoeste-patentes-Museu-Antropologia,6fe8a919-f9b3-4629-b8eb-929b8b03d505.html%20http://www.passeiweb.com/na_ponta_lingua/livros/">Na Ponta da Língua - Literatura</a></li>
<li><a href="http://index.museum/land.php">names in .Museum</a></li>
<li><a href="http://www.nationalgeographic.com/">National Geographic BR</a></li>
<li><a href="http://www.nationalgeographic.pt/">National Geographic PT</a></li>
<li><a href="http://selections.rockefeller.edu/cms/index.php">Natural Selections</a></li>
<li><a href="http://nescritas.nletras.com/">nESCRITAS</a></li>
<li><a href="http://www.netmovies.com.br/">Net Movies BR</a></li>
<li><a href="http://newsongsforpeace.org/">New Songs For Peace (UNESCO)</a></li>
<li><a href="http://nocturne-in-the-moonlight.blogspot.com/">Nocturne in Moonlight #</a></li>
<li><a href="http://naoapaguemamemoria.blogspot.com/">Não Apaguem a Memória(1)</a></li>
<li><a href="http://naoapaguemamemoria2.blogspot.com/">Não Apaguem a Memória(2)</a></li>
<li><a href="http://memoriaviva.digi.com.br/ocruzeiro/">O Cruzeiro - Memória Viva</a></li>
<li><a href="http://www.odiario.info/">O Diário.Info</a></li>
<li><a href="http://www.salves.com.br/gypmenu.htm">O Povo Cigano: História, Cultura, Arte</a></li>
<li><a href="http://oseculoprodigioso.blogspot.com/">O Século Prodigioso (Arte no século XX)</a></li>
<li><a href="http://www.vurdon.it/brazl.htm">O Vurdón - Povo Cigano</a></li>
<li><a href="http://www.cibersociedad.net/">Observatorio para la Cibersocied</a></li>
<li><a href="http://observatorio.ultimosegundo.ig.com.br/">Obsevatório da Imprensa</a></li>
<li><a href="http://www.ciganosbrasil.com/">Odisseia dos Ciganos</a></li>
<li><a href="http://olhares.aeiou.pt/">Olhares (Fotografia)</a></li>
<li><a href="http://www.ovguide.com/">On Line Video Guide</a></li>
<li><a href="http://onu2008.wordpress.com/">ONU - Solidariedade ou Caos Mundial ?</a></li>
<li><a href="http://openlibrary.org/">Open Library</a></li>
<li><a href="http://www.hist-socialismo.net/">Para a História do Socialismo</a></li>
<li><a href="http://vrac.paroles.net/">Paroles de Chansons</a></li>
<li><a href="http://paroledipace.altervista.org/home.html">Paroli di Pace</a></li>
<li><a href="http://www.cpusa.org/">Partido Comunista dos EUA (CPUSA)</a></li>
<li><a href="http://www.passeiweb.com/home">Passei Web (Arte, Literatura e Biografias)</a></li>
<li><a href="http://patrimonios.blog.com/">Patrimónios</a></li>
<li><a href="http://www.pcp.pt/">PCP</a></li>
<li><a href="http://www.dorl.pcp.pt/">PCP - DOR Lisboa</a></li>
<li><a href="http://www.peace.fm/">Peace, Not War</a></li>
<li><a href="http://pinturaportuguesa.blogs.sapo.pt/">Pintura Portuguesa</a></li>
<li><a href="http://pix.com.ua/">Pix (imagens)</a></li>
<li><a href="http://www.poemas-del-alma.com/">Poemas del Alma</a></li>
<li><a href="http://poemasdebandeira.blogspot.com/">Poesia de Manuel Bandeira (#)</a></li>
<li><a href="http://amata.anaroque.com/">Poesia em «Modus Vivendi»</a></li>
<li><a href="http://www.geocities.com/jupagg/">Poesia y más</a></li>
<li><a href="http://poetsagainstthewar.org/">Poets Against the War</a></li>
<li><a href="http://politicalaffairs.net/">Political Affairs - Marxist Thought On Line</a></li>
<li><a href="http://www.ppcj.pt/links.htm">Ponto de Encontro S.J. - Portal Cultural</a></li>
<li><a href="http://opac.porbase.org/">PORBASE – base nacional de dados bibliográficos</a></li>
<li><a href="http://www.portaldaliteratura.com/index.php">Portal da Literatura</a></li>
<li><a href="http://www.skyscrapercity.com/forumdisplay.php?f=1181">Portugal em Imagens</a></li>
<li><a href="http://www.portugal-linha.pt/">Portugal em Linha - Comunidade Lusófona</a></li>
<li><a href="http://postaisportugal.canalblog.com/">Portugal em Postais antigos</a></li>
<li><a href="http://www.poetescontrelaguerre.com/">Poétes Contre la Guerre</a></li>
<li><a href="http://www.skyscrapercity.com/showthread.php?t=781794">Praças de Portugal</a></li>
<li><a href="http://www.ppa.com/splash.cfm">Profissional Photographers of America</a></li>
<li><a href="http://www.projectcensored.org/">Project Censored</a></li>
<li><a href="http://www.geira.pt/">Projecto (Cultural) Geira</a></li>
<li><a href="http://alfarrabio.di.uminho.pt/vercial/">Projecto Vercial</a></li>
<li><a href="http://www.vermelho.org.br/base.asp?texto=0&codigo=14&ex=esp">Prosa e Poesia in «Vermelho»</a></li>
<li><a href="http://www.pstu.org.br/">PSTU - Partido Socialista dos Trabalhadores Unificado BR</a></li>
<li><a href="http://www.rainfall.com/">Rainfall - Vintage Posters, Maps and Prints</a></li>
<li><a href="http://rascunho.rpc.com.br/">Rascunho - O Jornal de Literatura no Brasil</a></li>
<li><a href="http://rsdoho.blogspot.com/">RD - B Side - Cinema</a></li>
<li><a href="http://www.rebelion.org/">Rebélion</a></li>
<li><a href="http://www.redmarx.net/">Rede Marx Latino-Americana</a></li>
<li><a href="http://www.moinhosdeportugal.org/web/">Rede Portuguesa de Moinhos</a></li>
<li><a href="http://www.rpmuseus-pt.org/Pt/html/index2.html">Rede Portuguesa de Museus</a></li>
<li><a href="http://www.redvoluciones.org/index.php?option=com_content&task=view&id=17&Itemid=52/">Redvoluciones</a></li>
<li><a href="http://resistir.info/">Resistir</a></li>
<li><a href="http://www.ushmm.org/conscience/history/">Responding Today to theats of genocide</a></li>
<li><a href="http://www.jayrus.art.br/index.html">Revista Electrónica Orfeuspam (1)</a></li>
<li><a href="http://www.orfeuspam.com.br/">Revista Electrónica Orfeuspam (2)</a></li>
<li><a href="http://www.revistatemalivre.com/">Revista Tema Livre</a></li>
<li><a href="http://www.rt-serradaestrela.pt/rotas/tcultural01.htm">Rota das Antigas Judiarias em Portugal</a></li>
<li><a href="http://www.sabercultural.com/index.html">Saber Cultural</a></li>
<li><a href="http://www.blogger.com/www.searanova.publ.pt/">Seara Nova - Revista on line</a></li>
<li><a href="http://sergeicartoons.blogs.sapo.pt/arquivo/2006_05.html">Sergei Cartoons (1))</a></li>
<li><a href="http://www.sergeicartoons.com/">Sergei Cartoons (2))</a></li>
<li><a href="http://www.servindi.org/">Servicios en Comunicación Intercultural Servind</a></li>
<li><a href="http://www.setubalnarede.pt/">Setúbal na Rede - Portal Distrital</a></li>
<li><a href="http://www.slideshare.net/">Slide Share Presentations</a></li>
<li><a href="http://www.socialismo-o-barbarie.org/">Socialismo o Barbárie</a></li>
<li><a href="http://www.sosracismo.pt/">SOS Racismo</a></li>
<li><a href="http://sosracismo.blogspot.com/">SOS Racismo - Blog</a></li>
<li><a href="http://www.tebeosfera.com/index.htm">Tebeosfera (Comic e Cartoon)</a></li>
<li><a href="http://verbeat.org/blogs/michelsimoes/">Toca do Cinéfalo</a></li>
<li><a href="http://www.tni.org/">Transnational Institute</a></li>
<li><a href="http://www.trueworldhistory.info/">True World History</a></li>
<li><a href="http://www.jstor.org/">Trusted Archives for Scholarship</a></li>
<li><a href="http://uncyclopedia.org/wiki/Main_Page">Uncyclopedia</a></li>
<li><a href="http://www.historia.uff.br/index.php">Universidade Fluminense - Área de História</a></li>
<li><a href="http://www.loc.gov/index.html">USA Library of Library of Congress</a></li>
<li><a href="http://www.usinadeletras.com.br/">Usina de Letras</a></li>
<li><a href="http://www.internext.com.br/valois/pena/">Valois Home Page - Penas</a></li>
<li><a href="http://www.euprofiler.eu/">Veja a sua tendência política</a></li>
<li><a href="http://www.vermelho.org.br/base.asp">Vermelho - Portal da Esquerda Bem Informada</a></li>
<li><a href="http://vivabril.no.sapo.pt/">Viva Abril</a></li>
<li><a href="http://www.ifc.com/">Voices of Independent Culture - IFC</a></li>
<li><a href="http://www.voltairenet.org/fr">VoltaireNet FR</a></li>
<li><a href="http://www.voltairenet.org/pt">VoltaireNet PT</a></li>
<li><a href="http://wapedia.mobi/">Wapedia</a></li>
<li><a href="http://wiki.answers.com/">Wiki.Answers.com</a></li>
<li><a href="http://www.wikibooks.org/">WikiBooks (biblioteca on line)</a></li>
<li><a href="http://commons.wikimedia.org/wiki/Main_Page">WikiMedia</a></li>
<li><a href="http://www.wikipedia.org/">Wikipedia</a></li>
<li><a href="http://en.wikiquote.org/wiki/Main_Page">WikiQuote (citações)</a></li>
<li><a href="http://www.wikisource.org/">WikiSource (biblioteca on line)</a></li>
<li><a href="http://species.wikimedia.org/wiki/Main_Page">WikiSpecies (Vida)</a></li>
<li><a href="http://www.theplays.org/">William Shakespeare - The Electronic Free Foundation</a></li>
<li><a href="http://www.wnd.com/">World Net Daily</a></li>
<li><a href="http://www.worldpress.org/">World Press</a></li>
<li><a href="http://www.worldpressphoto.com/">World Press Photo</a></li>
<li><a href="http://www.zing69.com/tag/iemanj%C3%A1.aspx">Zing69 Música, Vídeos ...</a></li>
<li> </li>
</ul><span class="widget-item-control"> <span class="item-control blog-admin"> </span> </span> </div></div><div class="widget LinkList" id="LinkList6"><h2>Kant_O das Fundações</h2><div class="widget-content"><ul><li><a href="http://www.cpf.org.pt/PT/index.htm"># Centro Português de Fundações</a></li>
<li><a href="http://gavetacomsaber.blogspot.com/2008/04/fundaes-portuguesas-importantes-em.html"># Fundações Científicas Portuguesas (algumas)</a></li>
<li><a href="http://pt.wikipedia.org/wiki/Categoria:Funda%C3%A7%C3%B5es_de_Portugal"># Fundações de Portugal (Wikipedia)</a></li>
<li><a href="http://www.tecnet.pt/19784.html"># Fundações Portuguesas (algumas)</a></li>
<li><a href="http://ulisses.cm-lisboa.pt/data/004/index.php?x=fundacoes.xml"># Fundações Portuguesas e Estrangeiras (algumas)</a></li>
<li><a href="http://www.geira.pt/CMAbelSalazar/">Abel Salazar</a></li>
<li><a href="http://www.fundacao-ami.org/">AMI - Assistência Médica Internacional</a></li>
<li><a href="http://www.fundacao-antonio-aleixo.pt/">António Aleixo</a></li>
<li><a href="http://www.sousamendes.com/zfondation.htm">Aristides de Sousa Mendes</a></li>
<li><a href="http://www.fasvs.pt/">Arpad Szenes - Vieira da Silva</a></li>
<li><a href="http://www.fcbraganca.pt/index.htm">Casa de Bragança</a></li>
<li><a href="http://www.ccb.pt/ccb/">Centro Cultural de Belém</a></li>
<li><a href="http://www.facm.pt/indexp.html">Cupertino de Miranda</a></li>
<li><a href="http://www.fundacaoeugeniodealmeida.pt/">Eugénio de Almeida (Évora)</a></li>
<li><a href="http://www.fundacaoeugenioandrade.pt/">Eugénio de Andrade</a></li>
<li><a href="http://www.feq.pt/">Eça de Queiroz</a></li>
<li><a href="http://www.fsf.org/">Free Software Foundation</a></li>
<li><a href="http://www.humbertodelgado.pt/WebFHD/index.jsp/">Humberto Delgado</a></li>
<li><a href="http://www.funjdiaz.net/index.cfm">Joaquin Diaz</a></li>
<li><a href="http://www.aja.pt/">José Afonso (Associação)</a></li>
<li><a href="http://fundjosesaramago.blogspot.com/">José Saramago</a></li>
<li><a href="http://memoria-africa.ua.pt/">Memória de África</a></li>
<li><a href="http://www.fmsoares.pt/">Mário Soares</a></li>
<li><a href="http://www.foriente.pt/">Oriente</a></li>
<li><a href="http://www.fportugalafrica.pt/">Portugal - África</a></li>
<li><a href="http://www.recmusic.org/Welcome.html">REC Music Foundation</a></li>
<li><a href="http://salazar.do.sapo.pt/">Salazar</a></li>
<li><a href="http://www.serralves.pt/">Serralves</a></li>
</ul> <span class="widget-item-control"><span class="item-control blog-admin"><a class="quickedit" href="http://www.blogger.com/rearrange?blogID=29709256&widgetType=LinkList&widgetId=LinkList6&action=editWidget" onclick="return
_WidgetManager._PopupConfig(document.getElementById("LinkList6"));" target="configLinkList6" title="Editar"> </a> </span> </span> </div></div><div class="widget LinkList" id="LinkList1"><h2>Outros Kant_Os</h2><div class="widget-content"><div class="separator" style="clear: both; text-align: center;"></div><ul><li><a href="http://abibliotecadejacinto.blogspot.com/">A Biblioteca de Jacinto (#)</a></li>
<li><a href="http://colunavertebral.blogspot.com/">A Coluna Vertebral (#)</a></li>
<li><a href="http://beethoven.tipos.com.br/">A Maçã em Processso</a></li>
<li><a href="http://www.anaturezadomal.blogspot.com/">A Natureza do Mal</a></li>
<li><a href="http://origemdasespecies.blogspot.com/">A Origem das Espécies</a></li>
<li><a href="http://pracadapoesia.blogspot.com/">A Praça da Poesia</a></li>
<li><a href="http://sophiamar.blogspot.com/">A Ver o Mar (Sophiamar) (#)</a></li>
<li><a href="http://a_verdade_da_mentira.weblog.com.pt/">A Verdade da Mentira</a></li>
<li><a href="http://abracadabra.weblog.com.pt/">Abacadabra</a></li>
<li><a href="http://abafosedesabafos.blogspot.com/">Abafos & Deasabafos (#)</a></li>
<li><a href="http://abafosedesabafos.blogspot.com/">Abafos & Desabafos</a></li>
<li><a href="http://lpereira.wordpress.com/">Abafos e Desabafos</a></li>
<li><a href="http://www.abrupto.blogspot.com/">Abrupto</a></li>
<li><a href="http://alentejanando.weblog.com.pt/">Alentejanando</a></li>
<li><a href="http://almocrevedaspetas.blogspot.com/">Almocreve das Petas</a></li>
<li><a href="http://amnesia.blogspot.com.pt/">Amnesia</a></li>
<li><a href="http://www.tamandare.g12.br/Aulafrica">Amo Ergo Sum</a></li>
<li><a href="http://fotografoamericoribeiro.tumblr.com/">Américo Ribeiro - Fotógrafo de Setúbal</a></li>
<li><a href="http://www.angola-saiago.net/">Angola</a></li>
<li><a href="http://introestudohistangola.blogspot.com/">Angola - Introdução ao Estudo da História de</a></li>
<li><a href="http://anteropaiva.blog.simplesnet.pt/">Angola - Saudades</a></li>
<li><a href="http://anomalias.weblog.com.pt/">Anomalias</a></li>
<li><a href="http://antidireitaportuguesa.blogspot.com/">Antidireita Portuguesa</a></li>
<li><a href="http://arestasdevento.blogs.sapo.pt/">Arestas de vento</a></li>
<li><a href="http://artsandgraphics.blogspot.com/">arts,graphics and poems (Yolanda) #</a></li>
<li><a href="http://asvinhasdaira.wordpress.com/">As Vinhas da Ira (#)</a></li>
<li><a href="http://azulejossetubal.blogspot.com/">Azulejos em Setúbal</a></li>
<li><a href="http://blogdaruanove.blogs.sapo.pt/">Blog da Rua Nove</a></li>
<li><a href="http://babyvelvet.blogspot.com/">Blue Velvet (#)</a></li>
<li><a href="http://evoracafeportugal.blogspot.com/">Café Portugal - Évora #</a></li>
<li><a href="http://espaco-esperanca.blogspot.com/">Caminhos para a Paz (#)</a></li>
<li><a href="http://canhotices.blogspot.com/">Canhotices</a></li>
<li><a href="http://caricaturas.blogspot.com/">Caricaturas de Nelson Santos ##)</a></li>
<li><a href="http://casademaio.blogspot.com/">Casa de Maio (#)</a></li>
<li><a href="http://bicatrina.blogspot.com/">Catrina, Moça de Abriln (#)</a></li>
<li><a href="http://cegosmudosesurdos.blogspot.com/">Cegos Surdos e Mudos</a></li>
<li><a href="http://revolucionaria.wordpress.com/">Cheira-me a Revolução</a></li>
<li><a href="http://citizenmary.blogspot.com/">Citizen Mary (#)</a></li>
<li><a href="http://comecardenovopt.blogspot.com/">Começar de Novo (#)</a></li>
<li><a href="http://coresepalavras.blogspot.com/">Cores e Palavras (#) - Namibiano</a></li>
<li><a href="http://cravodeabril.blogspot.com/">Cravo de Abril</a></li>
<li><a href="http://www.peniche.oestedigital.pt/">Câmara Municipal de Peniche (Museu)</a></li>
<li><a href="http://daspalavrasquenosunem.blogspot.com/">Das Palavras que Nos Unem</a></li>
<li><a href="http://noceuenaterra.blogspot.com/">De Amor e de Terra</a></li>
<li><a href="http://josecarlospereira.blogspot.com/">Diário de Felgueiras (#)</a></li>
<li><a href="http://dona-redonda.blogspot.com/">Dona Redonda (#)</a></li>
<li><a href="http://escritoaquente.blogspot.com/">Escrito a Quente (Filoxera) (#)</a></li>
<li><a href="http://estrelanomar.blogs.sapo.pt/">Estrela no Mar #</a></li>
<li><a href="http://filhadoadmin.blogspot.com/">Filha do Administrador (#)</a></li>
<li><a href="http://www.filhosdeumdeusmenor.blogspot.com/">Filhos de um Deus Menor (#)</a></li>
<li><a href="http://hojeeamanh.blogspot.com/">Hoje e Amanhã (#)</a></li>
<li><a href="http://www.imagehousing.com/">Image Housing - Gifts (#)</a></li>
<li><a href="http://jangada-de-pedra.blogspot.com/">Jangada de Pedra (#)</a></li>
<li><a href="http://jorgegatocandeias.deviantart.com/">Jorge Gato Candeias (#)</a></li>
<li><a href="http://kotodianguako.blogspot.com/">Kitanda (Angola) (##)</a></li>
<li><a href="http://doabsurdoaosuicidio.blogspot.com/">L'absurdité de la vie</a></li>
<li><a href="http://letrasnohorizonte.blogspot.com/">Letras no Horizonte (#)</a></li>
<li><a href="http://www.luso-poemas.net/">Luso Poemas</a></li>
<li><a href="http://lusopoemas.blogtok.com/">Luso-Poemas</a></li>
<li><a href="http://luso-poemas.blogspot.com/">Luso-Poemas Blog</a></li>
<li><a href="http://www.lustatotenterrara.com/">Lustato Tenterrara (#)</a></li>
<li><a href="http://mararavel.blogspot.com/">Mar Arável</a></li>
<li><a href="http://marconegro.blogspot.com/">Marco Negro (#)</a></li>
<li><a href="http://osolaosquadradinhos.blogspot.com/">Memórias do Cáscere /#)</a></li>
<li><a href="http://momentosedocumentos.blog-city.com/">Momentos & Documentos (1)</a></li>
<li><a href="http://momentosydocumentos.wordpress.com/">Momentos & Documentos (2)</a></li>
<li><a href="http://momentosbreves.over-blog.com/">Momentos Breves</a></li>
<li><a href="http://mulher50a60.blogs.sapo.pt/">Mulher dos 50 aos 60 anos (1)</a></li>
<li><a href="http://mulher50a60.weblog.pt/">Mulher dos 50 aos 60 anos (2)</a></li>
<li><a href="http://eu-de-novo.blogsppot.com/">Mulher dos 50 aos 60 anos - Eu de Novo</a></li>
<li><a href="http://xane-roccha.zip.net/">Mundo ... Quadrado</a></li>
<li><a href="http://www.naperiferiadoimperio.blogspot.com/">Na Periferia do Império (#)</a></li>
<li><a href="http://nimbypolis.blogspot.com/">NimbY Polis</a></li>
<li><a href="http://nocturnocomgatos.weblog.com.pt/">Nocturno com Gatos</a></li>
<li><a href="http://nossouniverso.blogspot.com/">Nosso Universo (Tiago) (#)</a></li>
<li><a href="http://nadyart.blogspot.com/">Nádya, Música e Outras Artes #</a></li>
<li><a href="http://lalage.wordpress.com/">O Cantinho da Zé (Lalage) (#)</a></li>
<li><a href="http://ocastendo.blogs.sapo.pt/">O Castendo</a></li>
<li><a href="http://ocheirodailha.blogspot.com/">O Cheiro da Ilha</a></li>
<li><a href="http://ofogareiro.blogspot.com/">O Fogareiro - Um Taxista em Lisboa</a></li>
<li><a href="http://ofuncionariocansado.blogspot.com/">O Funcionário Cansado (#)</a></li>
<li><a href="http://viriatos.blogspot.com/">O Sexo dos Anjos</a></li>
<li><a href="http://somdatinta.blogs.sapo.pt/">O Som da Tinta (1)</a></li>
<li><a href="http://som-da-tinta.blogspot.com/">O Som da Tinta (2)</a></li>
<li><a href="http://objectiva3.blogspot.com/">Objectiva3 - (Fotografia)</a></li>
<li><a href="http://kavorka.wordpress.com/">Obscured by Clouds</a></li>
<li><a href="http://blog.uncovering.com/">Obvious (#)</a></li>
<li><a href="http://oestebravio.blogspot.com/">Oeste Bravio</a></li>
<li><a href="http://olhares.aeiou.pt/">Olhares - Fotografia (#)</a></li>
<li><a href="http://olhareslisboa.blogspot.com/">Olhares Sobre Lisboa - Fotografia</a></li>
<li><a href="http://outrouniverso.blogspot.com/">Outro Universo</a></li>
<li><a href="http://padremariodalixa.planetaclix.pt/">Padre Mário de Oliveira</a></li>
<li><a href="http://paixoeseencantos..blogs.sapo.pt/">Paixões e Encantos (#)</a></li>
<li><a href="http://www.palavrarte.com/">Palavrarte</a></li>
<li><a href="http://palavrastodaspalavras.wordpress.com/">Palavras, Todas Palavras</a></li>
<li><a href="http://papeisdealexandris.blogspot.com/">Papeis de Alexandria</a></li>
<li><a href="http://namibianoferreira.blogspot.com/">Para Nunca Mais a Guerra (#) Namibiano</a></li>
<li><a href="http://www.pbase.com/">PBase - Fotografia (#)</a></li>
<li><a href="http://peloscaminhosdeportugal.bloigspot.com/">Pelos Caminhos de Portugal</a></li>
<li><a href="http://www.percepcoesdomeuolhar.net/">Percepções do meu olhar</a></li>
<li><a href="http://www.molon.de/galleries/portugal">Photo Gallleries (#)</a></li>
<li><a href="http://pi-lau.blogspot.com/">Photomaton</a></li>
<li><a href="http://pin-gente.blogspot.com/">Pin Gente (#)</a></li>
<li><a href="http://poesiaangolana.blogspot.com/">Poesia Angolana</a></li>
<li><a href="http://poesiangolana.blogspot.com/">Poesia de Namibiano Ferreira</a></li>
<li><a href="http://vieiracalado-poesia.blogspot.com/">Poesia de Vieira Calado (#)</a></li>
<li><a href="http://poesianopopular.blogs.sapo.pt/">Poesia-no-Popular</a></li>
<li><a href="http://populo.weblog.com.pt/">Populo (1)</a></li>
<li><a href="http://opopulo.blogspot.com/">Populo (2)</a></li>
<li><a href="http://porterrasdoreiwamba.blogspot.com/">Por Terras do Rei Wamba</a></li>
<li><a href="http://www.portrasdasletras.com.br/pdtl2/">Por Trás das Letras</a></li>
<li><a href="http://portaldagafaria.blogspot.com/">Portal da Gafaria</a></li>
<li><a href="http://www.orizamartins.com/sinfonia-de-outono.html">Portal de Emoções (Sinfonia de Outono)</a></li>
<li><a href="http://portocroft.cultare.com/">Porto Croft Culturarte</a></li>
<li><a href="http://postaisportugal.canalblog./albuns/region%20lisboa/index.html">Portugal em Postais Antigos</a></li>
<li><a href="http://www.portugalnoticias.com/">Portugal Notícias</a></li>
<li><a href="http://www.portugalclub.org/">PortugalClub</a></li>
<li><a href="http://www.querubimperegrino.blogspot.com/">Querubim Peregrino</a></li>
<li><a href="http://hthttp//quitexe-historia.blogs.sapo.pt/">Quitexe (Angola) (#)</a></li>
<li><a href="http://recordacoescasamarela.blogspot.com/">Recordações da Casa Amarela (Angola) #</a></li>
<li><a href="http://reflexoesexteriores.blogspot.com/">Reflexões Exteriores (Tiago) (#)</a></li>
<li><a href="http://republicapopulardacultura.wordpress.com/">República Popular da Cultura</a></li>
<li><a href="http://rioazuk.blogspot.com/">Rio Azul</a></li>
<li><a href="http://ventaniasrosadas.blogspot.com/">Rosa dos Ventos (#)</a></li>
<li><a href="http://ruadajudiaria.com/">Rua da Judiaria</a></li>
<li><a href="http://diasquevoam.blogspot.com/">Rua dos Dias que Voam (#)</a></li>
<li><a href="http://santo-amador.blogspot.com/">Santo Amador Blog (#)</a></li>
<li><a href="http://www.sanzalangola.com/primeira.pup">SanzalAngola</a></li>
<li><a href="http://xangrilah.blogspot.com/">Se Não Houvesse Fronteiras</a></li>
<li><a href="http://sempenisneminveja.blogs.sapo.pt/">Sem Pénis Nem Inveja (#)</a></li>
<li><a href="http://osabordolhar.blogspot.com/2008/04/ao-sabor-do-olhar-45-blogs-sobre-setbal.html">Setúbal - Blogs em Ao Sabor do Olhar</a></li>
<li><a href="http://shidua.blogspot.com/">Shidua - Poesia Erótica</a></li>
<li><a href="http://sociocracia.blogspot.com/">Sociocracia</a></li>
<li><a href="http://subterraneodaliberdade.blogs.sapo.pt/">Subterrâneos da Liberdade (##)</a></li>
<li><a href="http://saobanza.blogspot.com/">São (#)</a></li>
<li><a href="http://talvezpeninsula.blogspot.com/">Talvez uma Península</a></li>
<li><a href="http://tempodascerejas.blogspot.com/">Tempo das Cerejas (#)</a></li>
<li><a href="http://torreaosul.blogspot.com/">Torreão Sul</a></li>
<li><a href="http://www.travel-images.com/">Travel Images (#)</a></li>
<li><a href="http://travessadoferreira.blogspot.com/">Travessa do Ferreira (#)</a></li>
<li><a href="http://miriamfajardo.blogspot.com/">Tribo da Leitura</a></li>
<li><a href="http://www.truca.pt/index%20material/indice.html">Truca</a></li>
<li><a href="http://tytka.blogspot.com/">Tytka</a></li>
<li><a href="http://tocolante.blogspot.com/">Tó Colante</a></li>
<li><a href="http://olharsetubal.blogspot.com/">Um Olhar Sobre Setúbal</a></li>
<li><a href="http://combate.blogspot.com/">Vale a Pena Lutar (#)</a></li>
<li><a href="http://verdeagua2.blogspot.com/">Verde Água</a></li>
<li><a href="http://www.versosdecombate.blogspot.com/">Versos de Combate</a></li>
<li><a href="http://lusoiberica.blogspot.com/">XANGRILAH (#)</a></li>
<li><a href="http://mwanapwo.blogspot.com/">Às vezes (desorganizo-me em Palavras (Angola) #</a></li>
<li><a href="http://olharindiscreto.blogs.sapo.pt/">ölhår_Îñðîscrëtö...Å ¢µ®¡ö§¡dädë - Pëñ§ämëñtö§ (#)</a></li>
<li><a href="http://paginapoema.blogspot.com/">Ø G®¡†ö ðö Þöë†ä</a></li>
</ul> <span class="widget-item-control"><span class="item-control blog-admin"><a class="quickedit" href="http://www.blogger.com/rearrange?blogID=29709256&widgetType=LinkList&widgetId=LinkList1&action=editWidget" onclick="return
_WidgetManager._PopupConfig(document.getElementById("LinkList1"));" target="configLinkList1" title="Editar">.</a></span></span></div><div class="widget-content" style="text-align: right;"><span class="widget-item-control"><span class="item-control blog-admin"><b>.(#) Blogs e Sites de Amigos ou com interesse</b></span></span><br />
<span class="widget-item-control"><span class="item-control blog-admin"> </span></span><br />
<span class="widget-item-control"> </span> </div></div><h2>.</h2>Victor Nogueirahttp://www.blogger.com/profile/13759238536489604722noreply@blogger.com0tag:blogger.com,1999:blog-2736353218304570703.post-6107418252744130132010-05-08T04:24:00.000+01:002010-05-08T04:24:02.883+01:00Canções da Guerrra Civil Norte Americana<div class="post-header"> </div><div class="post-body entry-content"> <h1 class="firstHeading" id="firstHeading" style="text-align: justify;"><span style="font-size: large;">Category:Songs of the American Civil War</span></h1><h3 id="siteSub" style="text-align: justify;">From Wikipedia, the free encyclopedia</h3><div style="text-align: justify;">This category is for songs and music associated with the <a href="http://en.wikipedia.org/wiki/American_Civil_War" title="American
Civil War">American Civil War</a>.</div><div style="text-align: justify;">. </div><div style="text-align: justify;"><i>See the main articles <a href="http://en.wikipedia.org/wiki/Music_of_the_American_Civil_War" title="Music of the American Civil War">Music of the American Civil War</a> and <a href="http://en.wikipedia.org/wiki/Music_history_of_the_United_States_during_the_Civil_War_era" title="Music history of the United States during the Civil War era">Music history of the United States during the Civil War era</a></i></div><div id="mw-pages" style="text-align: justify;"><h2><a href="http://www.blogger.com/post-edit.g?blogID=8171151320224269412&postID=154596787256447322" id="Pages_in_category" name="Pages_in_category"></a></h2></div><div class="catlinks" id="catlinks"><div id="mw-normal-catlinks"><span dir="ltr">.</span><br />
<h1 class="firstHeading" id="firstHeading">Music of the American Civil War</h1><h3 id="siteSub" style="text-align: justify;">From Wikipedia, the free encyclopedia</h3><div class="thumb tright" style="text-align: justify;"><div class="thumbinner" style="width: 252px;"><a class="image" href="http://en.wikipedia.org/wiki/File:HowAreYouJohnMorgan1864.png"><img alt="Stylized drawing of a man on a mule, dressed in
suit coat with feathers in his hat; the sheet music is entitled
"How Are You John Brown, Comic song, Sequel to Here's Your
Mlololololoule."" class="thumbimage" height="325" src="http://upload.wikimedia.org/wikipedia/commons/thumb/d/d7/HowAreYouJohnMorgan1864.png/250px-HowAreYouJohnMorgan1864.png" width="250" /></a> <br />
<div class="thumbcaption"><div class="magnify"><a class="internal" href="http://en.wikipedia.org/wiki/File:HowAreYouJohnMorgan1864.png" title="Enlarge"><img alt="" height="11" src="http://bits.wikimedia.org/skins-1.5/common/images/magnify-clip.png" width="15" /></a></div>Typical cover of sheet music, with songs depicting the individuals of the era, such as <a href="http://en.wikipedia.org/wiki/John_Hunt_Morgan" title="John Hunt
Morgan">John Hunt Morgan</a></div></div></div><div style="text-align: justify;"> .</div><div style="text-align: justify;">During the American Civil War, music played a prominent role on both sides of the conflict: <a href="http://en.wikipedia.org/wiki/Union_%28American_Civil_War%29" title="Union (American Civil War)">Union</a> and <a href="http://en.wikipedia.org/wiki/Confederate_States_of_America" title="Confederate States of America">Confederate</a>. On the <a href="http://en.wikipedia.org/wiki/American_Civil_War" title="American
Civil War">American Civil War</a> battlefield, different instruments including <a class="mw-redirect" href="http://en.wikipedia.org/wiki/Bugle_%28instrument%29" title="Bugle
(instrument)">bugles</a>, <a href="http://en.wikipedia.org/wiki/Drum" title="Drum">drums</a>, and <a href="http://en.wikipedia.org/wiki/Fife_%28musical_instrument%29" title="Fife (musical instrument)">fifes</a> were played to issue marching orders or sometimes simply to boost the morale of one's fellow soldiers. Singing was also employed as a recreational activity, but as a release from the inevitable tensions that come with fighting in a war, particularly a war in which the issue of freedom of a race is to be decided In camp, music was a diversion away from the bloodshed, helping the soldiers deal with homesickness and boredom. Soldiers of both sides often engaged in recreation with musical instruments, and when the opposing armies were near each other, sometimes the bands from both sides of the conflict played against each other on the night before a battle.</div><div style="text-align: justify;">. </div><div style="text-align: justify;">Each side had its particular favorite tunes, while some music was enjoyed by Northerners and Southerners alike, as exemplified by <a class="mw-redirect" href="http://en.wikipedia.org/wiki/United_States_President" title="United States President">United States President</a> <a href="http://en.wikipedia.org/wiki/Abraham_Lincoln" title="Abraham
Lincoln">Abraham Lincoln</a>'s love of <i><a href="http://en.wikipedia.org/wiki/Dixie_%28song%29" title="Dixie
(song)">Dixie</a></i>, the unofficial anthem of the Confederacy. To this day, many of the songs are sung when a patriotic piece is required. The war's music also inspired music artists such as <a href="http://en.wikipedia.org/wiki/Lynyrd_Skynyrd" title="Lynyrd
Skynyrd">Lynyrd Skynyrd</a> and <a href="http://en.wikipedia.org/wiki/Elvis_Presley" title="Elvis Presley">Elvis Presley</a>.</div><table class="toc" id="toc" style="margin-left: 0px; margin-right: 0px; text-align: left;"><tbody>
<tr> <td><div id="toctitle"><h2>Contents</h2> <span class="toctoggle"><br />
</span></div><ul><li class="toclevel-1 tocsection-1"><a href="http://en.wikipedia.org/wiki/Music_of_the_American_Civil_War#Regulations"><span class="tocnumber">1</span> <span class="toctext">Regulations</span></a></li>
<li class="toclevel-1 tocsection-2"><a href="http://en.wikipedia.org/wiki/Music_of_the_American_Civil_War#On_the_battlefield"><span class="tocnumber">2</span> <span class="toctext">On the battlefield</span></a></li>
<li class="toclevel-1 tocsection-3"><a href="http://en.wikipedia.org/wiki/Music_of_the_American_Civil_War#In_camp"><span class="tocnumber">3</span> <span class="toctext">In camp</span></a></li>
<li class="toclevel-1 tocsection-4"><a href="http://en.wikipedia.org/wiki/Music_of_the_American_Civil_War#Homefront"><span class="tocnumber">4</span> <span class="toctext">Homefront</span></a></li>
<li class="toclevel-1 tocsection-5"><a href="http://en.wikipedia.org/wiki/Music_of_the_American_Civil_War#Different_versions"><span class="tocnumber">5</span> <span class="toctext">Different versions</span></a></li>
<li class="toclevel-1 tocsection-6"><a href="http://en.wikipedia.org/wiki/Music_of_the_American_Civil_War#Legacy"><span class="tocnumber">6</span> <span class="toctext">Legacy</span></a> <br />
<ul><li class="toclevel-2 tocsection-7"><a href="http://en.wikipedia.org/wiki/Music_of_the_American_Civil_War#Music_in_the_Union_Army"><span class="tocnumber">6.1</span> <span class="toctext">Music in the Union Army</span></a></li>
<li class="toclevel-2 tocsection-8"><a href="http://en.wikipedia.org/wiki/Music_of_the_American_Civil_War#Music_in_the_Confederate_Army"><span class="tocnumber">6.2</span> <span class="toctext">Music in the Confederate Army</span></a></li>
</ul></li>
<li class="toclevel-1 tocsection-9"><a href="http://en.wikipedia.org/wiki/Music_of_the_American_Civil_War#Songs_published_per_year"><span class="tocnumber">7</span> <span class="toctext">Songs published per year</span></a> <br />
<ul><li class="toclevel-2 tocsection-10"><a href="http://en.wikipedia.org/wiki/Music_of_the_American_Civil_War#1861"><span class="tocnumber">7.1</span> <span class="toctext">1861</span></a></li>
<li class="toclevel-2 tocsection-11"><a href="http://en.wikipedia.org/wiki/Music_of_the_American_Civil_War#1862"><span class="tocnumber">7.2</span> <span class="toctext">1862</span></a></li>
<li class="toclevel-2 tocsection-12"><a href="http://en.wikipedia.org/wiki/Music_of_the_American_Civil_War#1863"><span class="tocnumber">7.3</span> <span class="toctext">1863</span></a></li>
<li class="toclevel-2 tocsection-13"><a href="http://en.wikipedia.org/wiki/Music_of_the_American_Civil_War#1864"><span class="tocnumber">7.4</span> <span class="toctext">1864</span></a></li>
<li class="toclevel-2 tocsection-14"><a href="http://en.wikipedia.org/wiki/Music_of_the_American_Civil_War#1865"><span class="tocnumber">7.5</span> <span class="toctext">1865</span></a></li>
</ul></li>
<li class="toclevel-1 tocsection-15"><a href="http://en.wikipedia.org/wiki/Music_of_the_American_Civil_War#Media"><span class="tocnumber">8</span> <span class="toctext">Media</span></a></li>
<li class="toclevel-1 tocsection-16"><a href="http://en.wikipedia.org/wiki/Music_of_the_American_Civil_War#See_also"><span class="tocnumber">9</span> <span class="toctext">See also</span></a></li>
<li class="toclevel-1 tocsection-17"><a href="http://en.wikipedia.org/wiki/Music_of_the_American_Civil_War#Notes"><span class="tocnumber">10</span> <span class="toctext">Notes</span></a></li>
<li class="toclevel-1 tocsection-18"><a href="http://en.wikipedia.org/wiki/Music_of_the_American_Civil_War#References"><span class="tocnumber">11</span> <span class="toctext">References</span></a></li>
</ul></td> </tr>
</tbody></table><div style="text-align: justify;"><script type="text/javascript">
//<![CDATA[
if (window.showTocToggle) { var tocShowText = "show"; var tocHideText = "hide"; showTocToggle(); }
//]]>
</script> </div><h2 style="text-align: justify;"><span class="editsection"></span><span class="mw-headline" id="Regulations">Regulations</span></h2><div class="thumb tright" style="text-align: justify;"><div class="thumbinner" style="width: 222px;"><a class="image" href="http://en.wikipedia.org/wiki/File:Johnlclem_1863.jpg"><img alt="Boy wearing Union uniform, hat and boots, looks
into the camera." class="thumbimage" height="340" src="http://upload.wikimedia.org/wikipedia/en/thumb/6/67/Johnlclem_1863.jpg/220px-Johnlclem_1863.jpg" width="220" /></a> <br />
<div class="thumbcaption"><div class="magnify"><a class="internal" href="http://en.wikipedia.org/wiki/File:Johnlclem_1863.jpg" title="Enlarge"><img alt="" height="11" src="http://bits.wikimedia.org/skins-1.5/common/images/magnify-clip.png" width="15" /></a></div><a href="http://en.wikipedia.org/wiki/John_Clem" title="John Clem">John Clem</a>, a twelve-year-old Union drummer boy</div></div></div><div style="text-align: justify;"><br />
</div><div style="text-align: justify;">In May 1861 the <a class="mw-redirect" href="http://en.wikipedia.org/wiki/United_States_War_Department" title="United States War Department">United States War Department</a> officially approved that every regiment of infantry and artillery could have a <a href="http://en.wikipedia.org/wiki/Brass_band" title="Brass
band">brass band</a> with 24 members, while a cavalry regiment could have one of sixteen members. The <a href="http://en.wikipedia.org/wiki/Confederate_States_Army" title="Confederate States Army">Confederate army</a> would also have brass bands. This was followed by a <a class="mw-redirect" href="http://en.wikipedia.org/wiki/Union_army" title="Union army">Union army</a> regulation of July 1861 requiring every infantry, artillery, or cavalry company to have two musicians and for there to be a twenty-four man band for every regiment.<sup class="reference" id="cite_ref-0"><a href="http://en.wikipedia.org/wiki/Music_of_the_American_Civil_War#cite_note-0">[1]</a></sup> The July 1861 requirement was ignored as the war dragged on, as riflemen were more needed than musicians. In July 1862 the brass bands of the Union were disassembled by the adjutant general, although the soldiers that comprised them were sometimes reenlisted and assigned to musician roles. A survey in October 1861 found that 75% of Union regiments had a band.<sup class="reference" id="cite_ref-1"><a href="http://en.wikipedia.org/wiki/Music_of_the_American_Civil_War#cite_note-1">[2]</a></sup> By December 1861 the Union army had 28,000 musicians in 618 bands; a ratio of one soldier out of 41 who served the army was a musician, and the Confederate army was believed to have a similar ratio.<sup class="reference" id="cite_ref-2"><a href="http://en.wikipedia.org/wiki/Music_of_the_American_Civil_War#cite_note-2">[3]</a></sup></div><div style="text-align: justify;"><sup class="reference" id="cite_ref-2">. </sup></div><div style="text-align: justify;">Musicians were often given special privileges. Union general <a class="mw-redirect" href="http://en.wikipedia.org/wiki/Phillip_Sheridan" title="Phillip
Sheridan">Phillip Sheridan</a> gave his cavalry bands the best horses and special uniforms, believing "Music has done its share, and more than its share, in winning this war".<sup class="reference" id="cite_ref-3"><a href="http://en.wikipedia.org/wiki/Music_of_the_American_Civil_War#cite_note-3">[4]</a></sup></div><div class="thumb tleft" style="text-align: justify;"><div class="thumbinner" style="width: 222px;"><a class="image" href="http://en.wikipedia.org/wiki/File:War_of_Northern_Aggression_bugle.JPG"><img alt="Bugle on leather strap hangs outside a small
tent." class="thumbimage" height="165" src="http://upload.wikimedia.org/wikipedia/en/thumb/0/07/War_of_Northern_Aggression_bugle.JPG/220px-War_of_Northern_Aggression_bugle.JPG" width="220" /></a> <br />
<div class="thumbcaption"><div class="magnify"><a class="internal" href="http://en.wikipedia.org/wiki/File:War_of_Northern_Aggression_bugle.JPG" title="Enlarge"><img alt="" height="11" src="http://bits.wikimedia.org/skins-1.5/common/images/magnify-clip.png" width="15" /></a></div>Bugle typical of that played during the war.</div></div></div><div style="text-align: justify;">Musicians on the battlefield were drummers and buglers, with an occasional <a href="http://en.wikipedia.org/wiki/Fife_%28musical_instrument%29" title="Fife (musical instrument)">fifer</a>. Buglers had to learn forty-nine separate calls just for infantry, with more needed for cavalry. These ranged from battle commands to calls for meal time.<sup class="reference" id="cite_ref-4"><a href="http://en.wikipedia.org/wiki/Music_of_the_American_Civil_War#cite_note-4">[5]</a></sup> Some of these required musicians were drummer boys not even in their teens, which allowed an adult man to instead be a foot soldier. The most notable of these underaged musicians was <a href="http://en.wikipedia.org/wiki/John_Clem" title="John Clem">John Clem</a>, also known as "Johnny Shiloh". Union drummers wore white straps to support their drums. The drum and band majors wore <a href="http://en.wikipedia.org/wiki/Baldric" title="Baldric">baldrics</a> to indicate their status; after the war, this style would be emulated in civilian bands. Drummers would march to the right of a marching column. Similar to buglers, drummers had to learn 39 different beats: fourteen for general use, and 24 for marching cadence. However, buglers were given greater importance than drummers.<sup class="reference" id="cite_ref-5"><a href="http://en.wikipedia.org/wiki/Music_of_the_American_Civil_War#cite_note-5">[6]</a></sup></div><h2 style="text-align: justify;"><span class="editsection"></span><span class="mw-headline" id="On_the_battlefield">On the battlefield</span></h2><div class="thumb tright" style="text-align: justify;"><div class="thumbinner" style="width: 212px;"><a class="image" href="http://en.wikipedia.org/wiki/File:26th_North_Carolina_Infantry_Band.jpg"><img alt="Soldiers stand in a row holding various brass
instruments." class="thumbimage" height="180" src="http://upload.wikimedia.org/wikipedia/en/d/d1/26th_North_Carolina_Infantry_Band.jpg" width="210" /></a> <br />
<div class="thumbcaption"><div class="magnify"><a class="internal" href="http://en.wikipedia.org/wiki/File:26th_North_Carolina_Infantry_Band.jpg" title="Enlarge"><img alt="" height="11" src="http://bits.wikimedia.org/skins-1.5/common/images/magnify-clip.png" width="15" /></a></div>Band of the 26th North Carolina Regiment, C.S.A.</div></div></div><div style="text-align: justify;">.</div><div style="text-align: justify;">Whole songs were sometimes played during battles. The survivors of the disastrous <a href="http://en.wikipedia.org/wiki/Pickett%27s_Charge" title="Pickett's Charge">Pickett's Charge</a> returned under the tune <i><a class="mw-redirect" href="http://en.wikipedia.org/wiki/Nearer_My_God_to_Thee" title="Nearer
My God to Thee">Nearer My God to Thee</a></i>.<sup class="reference" id="cite_ref-6"><a href="http://en.wikipedia.org/wiki/Music_of_the_American_Civil_War#cite_note-6">[7]</a></sup> At the <a href="http://en.wikipedia.org/wiki/Battle_of_Five_Forks" title="Battle of Five Forks">Battle of Five Forks</a>, Union musicians under orders from Sheridan played <i><a class="new" href="http://en.wikipedia.org/w/index.php?title=Nelly_Bly&action=edit&redlink=1" title="Nelly Bly (page does not exist)">Nelly Bly</a></i> while being shot at on the front lines.<sup class="reference" id="cite_ref-7"><a href="http://en.wikipedia.org/wiki/Music_of_the_American_Civil_War#cite_note-7">[8]</a></sup> <a href="http://en.wikipedia.org/wiki/Samuel_P._Heintzelman" title="Samuel P. Heintzelman">Samuel P. Heintzelman</a>, the commander of the <a class="mw-redirect" href="http://en.wikipedia.org/wiki/III_Corps_%28ACW%29" title="III Corps
(ACW)">III Corps</a>, saw many of his musicians standing at the back lines at the <a href="http://en.wikipedia.org/wiki/Battle_of_Williamsburg" title="Battle
of Williamsburg">Battle of Williamsburg</a>, and ordered them to play anything.<sup class="reference" id="cite_ref-8"><a href="http://en.wikipedia.org/wiki/Music_of_the_American_Civil_War#cite_note-8">[9]</a></sup> Their music rallied the Union forces, forcing the Confederate to withdraw. It was said that music was the equivalent of "a thousand men" on one's side. <a href="http://en.wikipedia.org/wiki/Robert_E._Lee" title="Robert E. Lee">Robert E. Lee</a> himself said, "I don't think we could have an army without music."<sup class="reference" id="cite_ref-9"><a href="http://en.wikipedia.org/wiki/Music_of_the_American_Civil_War#cite_note-9">[10]</a></sup></div><div style="text-align: justify;"><sup class="reference" id="cite_ref-9">. </sup></div><div style="text-align: justify;">Often, musicians were ordered to leave the battlefront and assist the surgeons. One notable time was the 20th Maine's musicians at <a href="http://en.wikipedia.org/wiki/Little_Round_Top" title="Little Round
Top">Little Round Top</a>. As the rest of the regiment were driving back wave after wave of Confederates, the musicians of the regiment were not just performing <a href="http://en.wikipedia.org/wiki/Amputation" title="Amputation">amputations</a>, but doing it in a very quick manner.<sup class="reference" id="cite_ref-10"><a href="http://en.wikipedia.org/wiki/Music_of_the_American_Civil_War#cite_note-10">[11]</a></sup><sup class="reference" id="cite_ref-11"><a href="http://en.wikipedia.org/wiki/Music_of_the_American_Civil_War#cite_note-11">[12]</a></sup></div><h2 style="text-align: justify;"><span class="editsection"></span><span class="mw-headline" id="In_camp">In camp</span></h2><div class="thumb tright" style="text-align: justify;"><div class="thumbinner" style="width: 222px;"><a class="image" href="http://en.wikipedia.org/wiki/File:Stones_River_Dec30.png"><img alt=" Colored lines show the front lines where the
Rosencrans meet the Bragg." class="thumbimage" height="189" src="http://upload.wikimedia.org/wikipedia/en/thumb/d/d3/Stones_River_Dec30.png/220px-Stones_River_Dec30.png" width="220" /></a> <br />
<div class="thumbcaption"><div class="magnify"><a class="internal" href="http://en.wikipedia.org/wiki/File:Stones_River_Dec30.png" title="Enlarge"><img alt="" height="11" src="http://bits.wikimedia.org/skins-1.5/common/images/magnify-clip.png" width="15" /></a></div>Locations of the different sides the night of the band duel before the <a href="http://en.wikipedia.org/wiki/Battle_of_Stones_River" title="Battle
of Stones River">Battle of Stones River</a>.</div></div></div><div style="text-align: justify;">.</div><div style="text-align: justify;">Many soldiers brought musical instruments from home to pass the time at camp. <a href="http://en.wikipedia.org/wiki/Banjo" title="Banjo">Banjos</a>, <a href="http://en.wikipedia.org/wiki/Fiddle" title="Fiddle">fiddles</a>, and <a href="http://en.wikipedia.org/wiki/Guitar" title="Guitar">guitars</a> were particularly popular. Aside from drums, the instruments Confederates played were either acquired before the war, or imported, due to the lack of brass and the industry to make such instruments.<sup class="reference" id="cite_ref-12"><a href="http://en.wikipedia.org/wiki/Music_of_the_American_Civil_War#cite_note-12">[13]</a></sup><sup class="reference" id="cite_ref-13"><a href="http://en.wikipedia.org/wiki/Music_of_the_American_Civil_War#cite_note-13">[14]</a></sup></div><div style="text-align: justify;"><sup class="reference" id="cite_ref-13">. </sup></div><div style="text-align: justify;">Musical duels between the two sides were common, as they heard each other as the music traveled across the countryside. The night before the <a href="http://en.wikipedia.org/wiki/Battle_of_Stones_River" title="Battle
of Stones River">Battle of Stones River</a>, bands from both sides dueled with separate songs, until both sides started playing <i><a href="http://en.wikipedia.org/wiki/Home%21_Sweet_Home%21" title="Home!
Sweet Home!">Home! Sweet Home!</a></i>, at which time soldiers on both sides started singing together as one.<sup class="reference" id="cite_ref-14"><a href="http://en.wikipedia.org/wiki/Music_of_the_American_Civil_War#cite_note-14">[15]</a></sup> A similar situation occurred in <a href="http://en.wikipedia.org/wiki/Fredericksburg,_Virginia" title="Fredericksburg, Virginia">Fredericksburg, Virginia</a> in the winter of 1862–3. On a cold afternoon a Union band started playing Northern patriotic tunes; a Southern band responded by playing Southern patriotic tunes. This back and forth continued into the night, until at the end both sides played <i>Home! Sweet Home!</i> simultaneously, to the cheers of both sides' forces.<sup class="reference" id="cite_ref-15"><a href="http://en.wikipedia.org/wiki/Music_of_the_American_Civil_War#cite_note-15">[16]</a></sup> In a third instance, in the spring of 1863, the opposing armies were on the opposite sides of the <a href="http://en.wikipedia.org/wiki/Rappahannock_River" title="Rappahannock River">Rappahannock River</a> in Virginia, when the different sides played their patriotic tunes, and at <a href="http://en.wikipedia.org/wiki/Taps" title="Taps">taps</a> one side played <i>Home! Sweet Home!</i>, and the other joined in, creating "cheers" from both sides that echoed throughout the hilly countryside.<sup class="reference" id="cite_ref-16"><a href="http://en.wikipedia.org/wiki/Music_of_the_American_Civil_War#cite_note-16">[17]</a></sup></div><div style="text-align: justify;"><sup class="reference" id="cite_ref-16">. </sup></div><div style="text-align: justify;">Both sides sang <i><a href="http://en.wikipedia.org/wiki/Maryland,_My_Maryland" title="Maryland, My Maryland">Maryland, My Maryland</a></i>, although the lyrics were slightly different. Another popular song for both was <i><a href="http://en.wikipedia.org/wiki/Lorena_%28song%29" title="Lorena
(song)">Lorena</a></i>. <i><a href="http://en.wikipedia.org/wiki/When_Johnny_Comes_Marching_Home" title="When Johnny Comes Marching Home">When Johnny Comes Marching Home</a></i> was written in 1863 by <a href="http://en.wikipedia.org/wiki/Patrick_Gilmore" title="Patrick
Gilmore">Patrick Gilmore</a>, an immigrant from <a href="http://en.wikipedia.org/wiki/Ireland" title="Ireland">Ireland</a>, and was also enjoyed by both sides.<sup class="reference" id="cite_ref-17"><a href="http://en.wikipedia.org/wiki/Music_of_the_American_Civil_War#cite_note-17">[18]</a></sup><sup class="reference" id="cite_ref-18"><a href="http://en.wikipedia.org/wiki/Music_of_the_American_Civil_War#cite_note-18">[19]</a></sup></div><h2 style="text-align: justify;"><span class="editsection"></span> <span class="mw-headline" id="Homefront">Homefront</span></h2><div class="thumb tright" style="text-align: justify;"><div class="thumbinner" style="width: 88px;"><a class="image" href="http://en.wikipedia.org/wiki/File:George_F_Root_small_bw.jpg"><img alt="Head shot of balding gentleman with neatly
trimmed white hair, moustache and beard, wearing glasses." class="thumbimage" height="139" src="http://upload.wikimedia.org/wikipedia/commons/b/ba/George_F_Root_small_bw.jpg" width="86" /></a> <br />
<div class="thumbcaption"><div class="magnify"><a class="internal" href="http://en.wikipedia.org/wiki/File:George_F_Root_small_bw.jpg" title="Enlarge"><img alt="" height="11" src="http://bits.wikimedia.org/skins-1.5/common/images/magnify-clip.png" width="15" /></a></div>George F. Root</div></div></div><div style="text-align: justify;">.</div><div style="text-align: justify;">The first song written for the war, <i><a href="http://en.wikipedia.org/wiki/The_First_Gun_is_Fired" title="The
First Gun is Fired">The First Gun is Fired</a></i>, was first published and distributed three days after the <a href="http://en.wikipedia.org/wiki/Battle_of_Fort_Sumter" title="Battle
of Fort Sumter">Battle of Fort Sumter</a>. <a href="http://en.wikipedia.org/wiki/George_Frederick_Root" title="George
Frederick Root">George F. Root</a>, who wrote it, is said to have produced the most songs of anyone about the war, over thirty in total.<sup class="reference" id="cite_ref-19"><a href="http://en.wikipedia.org/wiki/Music_of_the_American_Civil_War#cite_note-19">[20]</a></sup> Lincoln once wrote a letter to Root, saying, "You have done more than a hundred generals and a thousand orators".<sup class="reference" id="cite_ref-20"><a href="http://en.wikipedia.org/wiki/Music_of_the_American_Civil_War#cite_note-20">[21]</a></sup></div><div class="thumb tleft" style="text-align: justify;"><div class="thumbinner" style="width: 202px;"><a class="image" href="http://en.wikipedia.org/wiki/File:Godsavethesouth.jpeg"><img alt="Soldier down on one knee, holding the
Confederate flag in one hand and a sword in the other." class="thumbimage" height="254" src="http://upload.wikimedia.org/wikipedia/commons/thumb/e/ea/Godsavethesouth.jpeg/200px-Godsavethesouth.jpeg" width="200" /></a> <br />
<div class="thumbcaption"><div class="magnify"><a class="internal" href="http://en.wikipedia.org/wiki/File:Godsavethesouth.jpeg" title="Enlarge"><img alt="" height="11" src="http://bits.wikimedia.org/skins-1.5/common/images/magnify-clip.png" width="15" /></a></div><i><a href="http://en.wikipedia.org/wiki/God_Save_the_South" title="God
Save the South">God Save the South</a></i> booklet, with a rare music cover illustration, published in <a href="http://en.wikipedia.org/wiki/Richmond,_Virginia" title="Richmond,
Virginia">Richmond, Virginia</a>.</div></div></div><div style="text-align: justify;">.</div><div style="text-align: justify;">The southern states had long lagged behind northern states in producing common literature. With the advent of war, Southern publishers were in demand. These publishers, based largely in five cities (<a href="http://en.wikipedia.org/wiki/Charleston,_South_Carolina" title="Charleston, South Carolina">Charleston, South Carolina</a>, <a href="http://en.wikipedia.org/wiki/Macon,_Georgia" title="Macon,
Georgia">Macon, Georgia</a>, <a href="http://en.wikipedia.org/wiki/Mobile,_Alabama" title="Mobile,
Alabama">Mobile, Alabama</a>, <a href="http://en.wikipedia.org/wiki/Nashville,_Tennessee" title="Nashville, Tennessee">Nashville, Tennessee</a>, and <a class="mw-redirect" href="http://en.wikipedia.org/wiki/New_Orleans,_Louisiana" title="New
Orleans, Louisiana">New Orleans, Louisiana</a>), produced five times the amount of printed music than they did for literature.<sup class="reference" id="cite_ref-21"><a href="http://en.wikipedia.org/wiki/Music_of_the_American_Civil_War#cite_note-21">[22]</a></sup></div><div style="text-align: justify;"><sup class="reference" id="cite_ref-21">. </sup></div><div style="text-align: justify;">In the Confederate States of America, <i><a href="http://en.wikipedia.org/wiki/God_Save_the_South" title="God Save
the South">God Save the South</a></i> was the official national anthem. However, <i><a href="http://en.wikipedia.org/wiki/Dixie_%28song%29" title="Dixie (song)">Dixie</a></i> was the most popular.<sup class="reference" id="cite_ref-22"><a href="http://en.wikipedia.org/wiki/Music_of_the_American_Civil_War#cite_note-22">[23]</a></sup> United States President <a href="http://en.wikipedia.org/wiki/Abraham_Lincoln" title="Abraham
Lincoln">Abraham Lincoln</a> said he loved <i>Dixie</i> and wanted to hear it played, saying "as we had captured the rebel army, we had also captured the rebel tune".<sup class="reference" id="cite_ref-23"><a href="http://en.wikipedia.org/wiki/Music_of_the_American_Civil_War#cite_note-23">[24]</a></sup> At an April 9th, 1865 rally, the band director was surprised when Lincoln requested that the band play <i>Dixie</i>. Lincoln said, "That tune is now Federal property...good to show the rebels that, with us in power, they will be free to hear it again".<sup class="reference" id="cite_ref-24"><a href="http://en.wikipedia.org/wiki/Music_of_the_American_Civil_War#cite_note-24">[25]</a></sup> The other prominent tune was <i><a href="http://en.wikipedia.org/wiki/The_Bonnie_Blue_Flag" title="The
Bonnie Blue Flag">The Bonnie Blue Flag</a></i>, and like <i>Dixie</i> was written in 1861, unlike Union popular tunes which were written throughout the war.<sup class="reference" id="cite_ref-25"><a href="http://en.wikipedia.org/wiki/Music_of_the_American_Civil_War#cite_note-25">[26]</a></sup></div><div style="text-align: justify;"><sup class="reference" id="cite_ref-25">. </sup></div><div style="text-align: justify;">The United States did not have a national anthem at this time (<i><a class="mw-redirect" href="http://en.wikipedia.org/wiki/Star_Spangled_Banner" title="Star
Spangled Banner">Star Spangled Banner</a></i> would not be recognized as such until the twentieth century). Union soldiers frequently sang the <i><a href="http://en.wikipedia.org/wiki/Battle_Cry_of_Freedom" title="Battle
Cry of Freedom">Battle Cry of Freedom</a></i>, and the <i><a class="mw-redirect" href="http://en.wikipedia.org/wiki/Battle_Hymn_of_the_Republic" title="Battle Hymn of the Republic">Battle Hymn of the Republic</a></i> was considered the north's most popular song.<sup class="reference" id="cite_ref-26"><a href="http://en.wikipedia.org/wiki/Music_of_the_American_Civil_War#cite_note-26">[27]</a></sup></div><h2 style="text-align: justify;"><span class="editsection"></span><span class="mw-headline" id="Different_versions">Different versions</span></h2><div style="text-align: justify;">Although certain songs were identified with one particular side of the war, sometimes the other would adapt the song for their use. A Southern revision of the <i>Star Spangled Banner</i> was used, entitled "The Southern Cross". In an example of the different lyrics, where the <i>Banner</i> had "O say does that Star Spangled Banner yet wave", the <i>Cross</i> had "'Tis the Cross of the South, which shall ever remain".<sup class="reference" id="cite_ref-27"><a href="http://en.wikipedia.org/wiki/Music_of_the_American_Civil_War#cite_note-27">[28]</a></sup> Another Confederate version of the <i>Star Spangled Banner</i>, called <i>The Flag of Secession</i>, replaced the same verse with "and the flag of secession in triumph doth wave".<sup class="reference" id="cite_ref-28"><a href="http://en.wikipedia.org/wiki/Music_of_the_American_Civil_War#cite_note-28">[29]</a></sup> Even a song from the <a href="http://en.wikipedia.org/wiki/American_Revolutionary_War" title="American Revolutionary War">American Revolutionary War</a> was adapted, as the tune <i><a href="http://en.wikipedia.org/wiki/Yankee_Doodle" title="Yankee Doodle">Yankee Doodle</a></i> was changed to "<i>Dixie Doodle</i>", and started with "Dixie whipped old Yankee Doodle early in the morning".<sup class="reference" id="cite_ref-29"><a href="http://en.wikipedia.org/wiki/Music_of_the_American_Civil_War#cite_note-29">[30]</a></sup> The Union's <i>Battle Cry of Freedom</i> was also altered, with the original lines of "The Union forever! Hurrah, boys, hurrah! Down with the traitor, up with the star" being changed to "Our Dixie forever! She's never at a loss! Down with the <a href="http://en.wikipedia.org/wiki/Bald_Eagle#The_national_bird_of_the_United_States" title="Bald Eagle">eagle</a> and up with the <a href="http://en.wikipedia.org/wiki/Flags_of_the_Confederate_States_of_America#The_Battle_Flag" title="Flags of the Confederate States of America">cross</a>!"<sup class="reference" id="cite_ref-30"><a href="http://en.wikipedia.org/wiki/Music_of_the_American_Civil_War#cite_note-30">[31]</a></sup></div><div style="text-align: justify;"><sup class="reference" id="cite_ref-30">. </sup></div><div style="text-align: justify;">The Union also adapted Southern Songs. In a Union variation of <i>Dixie</i>, instead of the line "I wish I was in the land of <a href="http://en.wikipedia.org/wiki/Cotton" title="Cotton">cotton</a>, old times there are not forgotten, Look away, look away, look away, Dixie Land", it was changed to "Away down South in the land of traitors, <a href="http://en.wikipedia.org/wiki/Rattlesnake" title="Rattlesnake">Rattlesnakes</a> and <a href="http://en.wikipedia.org/wiki/Alligator" title="Alligator">alligators</a>, Right away, come away, right away, come away".<sup class="reference" id="cite_ref-31"><a href="http://en.wikipedia.org/wiki/Music_of_the_American_Civil_War#cite_note-31">[32]</a></sup></div><h2 style="text-align: justify;"><span class="editsection"></span><span class="mw-headline" id="Legacy">Legacy</span></h2><div class="thumb tright" style="text-align: justify;"><div class="thumbinner" style="width: 152px;"><a class="image" href="http://en.wikipedia.org/wiki/File:Elvis_Presley_1970.jpg"><img alt="Posed photo of Elvis, shoulders and chest,
wearing a shirt with a large, white collar and a coat with big lapels,
medallions around his neck." class="thumbimage" height="231" src="http://upload.wikimedia.org/wikipedia/commons/thumb/8/82/Elvis_Presley_1970.jpg/150px-Elvis_Presley_1970.jpg" width="150" /></a> <br />
<div class="thumbcaption"><div class="magnify"><a class="internal" href="http://en.wikipedia.org/wiki/File:Elvis_Presley_1970.jpg" title="Enlarge"><img alt="" height="11" src="http://bits.wikimedia.org/skins-1.5/common/images/magnify-clip.png" width="15" /></a></div><a href="http://en.wikipedia.org/wiki/Elvis_Presley" title="Elvis
Presley">Elvis Presley</a></div></div></div><div style="text-align: justify;">.</div><div style="text-align: justify;">The music derived from this war was of greater quantity and variety than from any other war involving America.<sup class="reference" id="cite_ref-32"><a href="http://en.wikipedia.org/wiki/Music_of_the_American_Civil_War#cite_note-32">[33]</a></sup> Songs came from a variety of sources. <i>Battle Hymn of the Republic</i> borrowed its tune from a song sung at <a class="mw-redirect" href="http://en.wikipedia.org/wiki/Methodist" title="Methodist">Methodist</a> revivals. <i>Dixie</i> was a minstrel song that Daniel Emmett adapted from two Ohio black singers named Snowden.<sup class="reference" id="cite_ref-33"><a href="http://en.wikipedia.org/wiki/Music_of_the_American_Civil_War#cite_note-33">[34]</a></sup> American soldiers would continue to sing <i>Battle Hymn of the Republic</i> in the <a class="mw-redirect" href="http://en.wikipedia.org/wiki/Spanish-American_War" title="Spanish-American War">Spanish-American War</a>, <a href="http://en.wikipedia.org/wiki/World_War_I" title="World War I">World War I</a>, and <a href="http://en.wikipedia.org/wiki/World_War_II" title="World War II">World War II</a>.<sup class="reference" id="cite_ref-34"><a href="http://en.wikipedia.org/wiki/Music_of_the_American_Civil_War#cite_note-34">[35]</a></sup></div><div style="text-align: justify;"><sup class="reference" id="cite_ref-34">. </sup></div><div style="text-align: justify;">The <a href="http://en.wikipedia.org/wiki/Southern_rock" title="Southern
rock">Southern rock</a> style of music has often used the <a class="mw-redirect" href="http://en.wikipedia.org/wiki/Confederate_Battle_Flag" title="Confederate Battle Flag">Confederate Battle Flag</a> as a symbol of the musical style. <i><a class="mw-redirect" href="http://en.wikipedia.org/wiki/Sweet_Home_Alabama_%28song%29" title="Sweet Home Alabama (song)">Sweet Home Alabama</a></i> by <a href="http://en.wikipedia.org/wiki/Lynyrd_Skynyrd" title="Lynyrd
Skynyrd">Lynyrd Skynyrd</a> was described as a "vivid example of a lingering Confederate mythology in Southern culture".<sup class="reference" id="cite_ref-35"><a href="http://en.wikipedia.org/wiki/Music_of_the_American_Civil_War#cite_note-35">[36]</a></sup></div><div style="text-align: justify;"><sup class="reference" id="cite_ref-35">. </sup></div><div style="text-align: justify;">A ballad from the war, <i><a href="http://en.wikipedia.org/wiki/Aura_Lee" title="Aura Lee">Aura Lee</a></i>, would become the basis of the song <a href="http://en.wikipedia.org/wiki/Love_Me_Tender_%28song%29" title="Love Me Tender (song)"><i>Love Me Tender</i></a> by <a href="http://en.wikipedia.org/wiki/Elvis_Presley" title="Elvis Presley">Elvis Presley</a>. Presley also sang <i><a href="http://en.wikipedia.org/wiki/An_American_Trilogy" title="An
American Trilogy">An American Trilogy</a></i>, which was described as "smoothing" out <i><a href="http://en.wikipedia.org/wiki/All_My_Trials" title="All My Trials">All My Trials</a></i>, the <i>Battle Hymn of the Republic</i>, and <i>Dixie</i> of its divisions, although <i>Dixie</i> still dominated the piece.<sup class="reference" id="cite_ref-36"><a href="http://en.wikipedia.org/wiki/Music_of_the_American_Civil_War#cite_note-36">[37]</a></sup></div><h3 style="text-align: justify;"><span class="editsection"></span> <span class="mw-headline" id="Music_in_the_Union_Army">Music in the Union Army</span></h3><div style="text-align: justify;">Music was a vital entity of the Union Armies. The procurement of musical instruments and music instructors for Army bands was one of the first acts of a White commanding officer of a Negro regiment. Colonel Robert Gould Shaw of the 54th regiment was given a special fund of $500 to purchase musical instruments, uniforms and the instructor. The passion and love of music was brought to the Army from the black soldiers who served. Harvard graduate and abolitionist, Colonel <a href="http://en.wikipedia.org/wiki/Thomas_Higginson" title="Thomas
Higginson">Thomas Higginson</a>, wrote a book, Army Life in a Black Regiment, that contained information about the black soldiers’ influence on music in the army. One excerpt stated: “The everlasting “shout” is always within hearing, with its mixture of piety and polka, and its castanet-like clapping of the hands. Then there are quieter prayermeetings, with pious invocations and slow psalms, “deaconed out” from memory by the leader, two lines at a time, in a sort of wailing chant…” Higginson was amazed that the shout should take place, “not rarely and occasionally, but night after night.” Glee clubs were sometimes formed by black soldiers to give concerts for the community that were not only exceptional, but generated proceeds for the company fund.</div><div style="text-align: justify;">. </div><div style="text-align: justify;">In the Union Army, and under informal circumstances, marching soldiers were occasionally permitted use a “route step.” Marching “route step” is to be allowed to converse or sing with fellow soldiers, not in a uniform step, simply maintaining a forward abreast and not slowing the march.</div><div style="text-align: justify;"><br />
</div><h3 style="text-align: justify;"><span class="editsection"></span><span class="mw-headline" id="Music_in_the_Confederate_Army">Music in the Confederate Army</span></h3><div style="text-align: justify;">Not much is recorded or known about Negro music in the Confederate Army. Slaves were sometimes used as fifers and drummers. Official records due suggest that some negros may have been given the rank of musician or bugler. Non regularly negro men were guaranteed some payment in an Act enabled by the Congress of the Confederate States of America.</div><h2 style="text-align: justify;"><span class="editsection"></span><span class="mw-headline" id="Songs_published_per_year">Songs published per year</span></h2><div style="text-align: justify;">w. = Words by<br />
m. = Music by</div><h3 style="text-align: justify;"><span class="editsection">1</span><span class="mw-headline" id="1861">861</span></h3><ul style="text-align: justify;"><li><i><a href="http://en.wikipedia.org/wiki/The_First_Gun_is_Fired" title="The
First Gun is Fired">The First Gun is Fired</a></i>, w.m. George F. Root</li>
<li><i><a href="http://en.wikipedia.org/wiki/The_Bonnie_Blue_Flag" title="The Bonnie Blue Flag">The Bonnie Blue Flag</a></i>, w. Mrs Annie Chamber-Ketchum m. Harry MacCarthy</li>
<li><i><a href="http://en.wikipedia.org/wiki/I%27m_Going_Home_to_Dixie" title="I'm Going Home to Dixie">I'm Going Home to Dixie</a></i>, w. Dan Emmett a. C. S. Grafully</li>
<li><i><a href="http://en.wikipedia.org/wiki/John_Brown%27s_Body" title="John Brown's Body">John Brown's Body</a></i>, w. anonymous m. William Steffe (came to be the unofficial theme song of black soldiers.)</li>
<li><i><a href="http://en.wikipedia.org/wiki/Maryland,_My_Maryland" title="Maryland, My Maryland">Maryland, My Maryland</a></i>, w. James Ryder Randall m. Walter de Mapers (Music "Mini est Propositum" 12th century)</li>
<li><i>The Vacant Chair</i>, w. Henry S. Washburne m. George Frederick Root</li>
</ul><h3 style="text-align: justify;"><span class="editsection"> </span><span class="mw-headline" id="1862">1862</span></h3><ul style="text-align: justify;"><li><i><a href="http://en.wikipedia.org/wiki/Here%27s_Your_Mule" title="Here's
Your Mule">Here's Your Mule</a></i>, - C. D. Benson</li>
<li><i><a href="http://en.wikipedia.org/wiki/Battle_Cry_of_Freedom" title="Battle Cry of Freedom">Battle Cry of Freedom</a></i>, - George F. Root</li>
</ul><h3 style="text-align: justify;"><span class="editsection"> </span><span class="mw-headline" id="1863">1863</span></h3><div class="thumb tright" style="text-align: justify;"><div class="thumbinner" style="width: 222px;"><a class="image" href="http://en.wikipedia.org/wiki/File:Tramp,_Tramp,_Tramp_-_Project_Gutenberg_eText_21566.png"><img alt="Ornate decoration on a cover subtitled
"The Prisoners of Hope" by Geo. F. Root." class="thumbimage" height="296" src="http://upload.wikimedia.org/wikipedia/commons/thumb/3/35/Tramp%2C_Tramp%2C_Tramp_-_Project_Gutenberg_eText_21566.png/220px-Tramp%2C_Tramp%2C_Tramp_-_Project_Gutenberg_eText_21566.png" width="220" /></a> <br />
<div class="thumbcaption"><div class="magnify"><a class="internal" href="http://en.wikipedia.org/wiki/File:Tramp,_Tramp,_Tramp_-_Project_Gutenberg_eText_21566.png" title="Enlarge"><img alt="" height="11" src="http://bits.wikimedia.org/skins-1.5/common/images/magnify-clip.png" width="15" /></a></div>Cover of the 1864 publication of the sheet music of <i>Tramp! Tramp! Tramp!</i></div></div></div><ul style="text-align: justify;"><li><i>All Quiet On The Potomac Tonight</i>, w.m. <a href="http://en.wikipedia.org/wiki/John_Hill_Hewitt" title="John Hill
Hewitt">John Hill Hewitt</a></li>
<li><i><a class="mw-redirect" href="http://en.wikipedia.org/wiki/Just_before_the_Battle,_Mother" title="Just before the Battle, Mother">Just Before the Battle, Mother</a></i>, by George F. Root</li>
<li><i>Mother Would Comfort Me</i>, w.m. Charles C. Sawyer</li>
<li><i><a href="http://en.wikipedia.org/wiki/Tenting_on_the_Old_Camp_Ground" title="Tenting on the Old Camp Ground">Tenting on the Old Camp Ground</a></i>, w.m. <a href="http://en.wikipedia.org/wiki/Walter_Kittredge" title="Walter Kittredge">Walter Kittredge</a></li>
<li><i>Weeping Sad And Lonely</i>, w. Charles Carroll Sawyer m. Henry Tucker</li>
<li><i><a href="http://en.wikipedia.org/wiki/When_Johnny_Comes_Marching_Home" title="When Johnny Comes Marching Home">When Johnny Comes Marching Home Again</a></i>, by <a href="http://en.wikipedia.org/wiki/Louis_Lambert" title="Louis Lambert">Louis Lambert</a> & Patrick Gilmore</li>
<li><i>You Are Going to the Wars, Willie Boy!</i>, w.m. John Hill Hewitt</li>
<li><i>The Young Volunteer</i>, w.m. John Hill Hewitt</li>
</ul><h3 style="text-align: justify;"><span class="editsection"></span> <span class="mw-headline" id="1864">1864</span></h3><ul style="text-align: justify;"><li><i><a href="http://en.wikipedia.org/wiki/Tramp%21_Tramp%21_Tramp%21" title="Tramp! Tramp! Tramp!">Tramp! Tramp! Tramp!</a> (The Boys Are Marching)</i>, w.m. George F. Root</li>
</ul><h3 style="text-align: justify;"><span class="editsection"></span><span class="mw-headline" id="1865">1865</span></h3><ul style="text-align: justify;"><li><i>Jeff in Pettycoats</i>, w.m. Henry Tucker</li>
<li><i><a href="http://en.wikipedia.org/wiki/Marching_Through_Georgia" title="Marching Through Georgia">Marching Through Georgia</a></i>, w.m. <a href="http://en.wikipedia.org/wiki/Henry_Clay_Work" title="Henry Clay
Work">Henry Clay Work</a></li>
</ul><h2 style="text-align: justify;"><span class="editsection"></span><span class="mw-headline" id="Media">Media</span></h2><div class="medialist listenlist" style="text-align: justify;"><ul><li style="display: inline; list-style: none outside none;"> <br />
<table style="background-color: transparent; margin-left: 0px; margin-right: 0px; text-align: left;"><tbody>
<tr> <td><a href="http://en.wikipedia.org/wiki/File:The_Battle_Cry_Of_Freedom.ogg" title="File:The Battle Cry Of Freedom.ogg">The Battle Cry Of Freedom</a></td> </tr>
<tr> <td><div id="ogg_player_1" style="width: 220px;"><div><button onclick="if (typeof(wgOggPlayer) != 'undefined')
wgOggPlayer.init(false, {"id": "ogg_player_1",
"videoUrl":
"http://upload.wikimedia.org/wikipedia/commons/e/e7/The_Battle_Cry_Of_Freedom.ogg",
"width": 220, "height": 35, "length":
"152", "linkUrl":
"/wiki/File:The_Battle_Cry_Of_Freedom.ogg",
"isVideo": false});" style="text-align: center; width: 220px;" title="Play sound"><img alt="Play
sound" height="22" src="http://en.wikipedia.org/w/extensions/OggHandler/play.png" width="22" /></button></div></div></td> </tr>
<tr> <td colspan="2" style="font-size: 8pt; line-height: 1.25em; padding: 4pt 4pt 4pt 0pt; text-align: left;">The <a class="mw-redirect" href="http://en.wikipedia.org/wiki/Battle_Cry_Of_Freedom" title="Battle
Cry Of Freedom">Battle Cry Of Freedom</a> by <a href="http://en.wikipedia.org/wiki/George_Frederick_Root" title="George
Frederick Root">George Frederick Root</a></td> </tr>
</tbody></table><table style="background-color: transparent; margin-left: 0px; margin-right: 0px; text-align: left;"><tbody>
<tr> <td><a href="http://en.wikipedia.org/wiki/File:Dixie_%281916%29.ogg" title="File:Dixie (1916).ogg">Dixie</a></td> </tr>
<tr> <td><div id="ogg_player_2" style="width: 220px;"><div><button onclick="if (typeof(wgOggPlayer) != 'undefined')
wgOggPlayer.init(false, {"id": "ogg_player_2",
"videoUrl":
"http://upload.wikimedia.org/wikipedia/commons/9/94/Dixie_%281916%29.ogg",
"width": 220, "height": 35, "length":
"235", "linkUrl":
"/wiki/File:Dixie_(1916).ogg", "isVideo": false});" style="text-align: center; width: 220px;" title="Play sound"><img alt="Play
sound" height="22" src="http://en.wikipedia.org/w/extensions/OggHandler/play.png" width="22" /></button></div></div></td> </tr>
<tr> <td colspan="2" style="font-size: 8pt; line-height: 1.25em; padding: 4pt 4pt 4pt 0pt; text-align: left;"><a href="http://en.wikipedia.org/wiki/Dixie_%28song%29" title="Dixie
(song)">Dixie</a>, traditional <a href="http://en.wikipedia.org/wiki/Blackface" title="Blackface">Blackface</a> song</td> </tr>
</tbody></table><table style="background-color: transparent; margin-left: 0px; margin-right: 0px; text-align: left;"><tbody>
<tr> <td><a href="http://en.wikipedia.org/wiki/File:Marching_in.ogg" title="File:Marching in.ogg">When Johnny Comes Marching Home</a></td> </tr>
<tr> <td><div id="ogg_player_3" style="width: 220px;"><div><button onclick="if (typeof(wgOggPlayer) != 'undefined')
wgOggPlayer.init(false, {"id": "ogg_player_3",
"videoUrl":
"http://upload.wikimedia.org/wikipedia/commons/0/05/Marching_in.ogg",
"width": 220, "height": 35, "length":
"89", "linkUrl":
"/wiki/File:Marching_in.ogg", "isVideo": false});" style="text-align: center; width: 220px;" title="Play sound"><img alt="Play
sound" height="22" src="http://en.wikipedia.org/w/extensions/OggHandler/play.png" width="22" /></button></div></div></td> </tr>
<tr> <td colspan="2" style="font-size: 8pt; line-height: 1.25em; padding: 4pt 4pt 4pt 0pt; text-align: left;"><a href="http://en.wikipedia.org/wiki/When_Johnny_Comes_Marching_Home" title="When Johnny Comes Marching Home">When Johnny Comes Marching Home</a> by Patrick Gilmore</td> </tr>
</tbody></table></li>
<li><small><i>Problems listening to the files? See <a href="http://en.wikipedia.org/wiki/Wikipedia:Media_help" title="Wikipedia:Media help">media help</a>.</i></small></li>
</ul></div><h2 style="text-align: justify;"><span class="editsection"></span><span class="mw-headline" id="See_also">See also</span></h2><ul style="text-align: justify;"><li><a href="http://en.wikipedia.org/wiki/Music_history_of_the_United_States_during_the_Civil_War_era" title="Music history of the United States during the Civil War era">Music history of the United States during the Civil War era</a> - a view of music of the time period outside of the military</li>
<li><a class="external text" href="http://www.americanmusicpreservation.com/LincolnandLiberty.htm" rel="nofollow">Abraham Lincoln and Civil War songs</a></li>
<li><a class="external text" href="http://library.duke.edu/digitalcollections/songsheets/" rel="nofollow">American Song Sheets - Duke University Libraries Digital Collections</a> - Includes images and text of over 1,500 Civil War song sheets</li>
</ul><ul style="text-align: justify;"><li><a href="http://en.wikipedia.org/wiki/Category:Songs_of_the_American_Civil_War" title="Category:Songs of the American Civil War">Category:Songs of the American Civil War</a></li>
</ul><h2 style="text-align: justify;"><span class="editsection"></span><span class="mw-headline" id="Notes">Notes</span></h2><div class="references-small references-column-count
references-column-count-2" style="-moz-column-count: 2; text-align: justify;"><ol class="references"><li id="cite_note-0"><b><a href="http://en.wikipedia.org/wiki/Music_of_the_American_Civil_War#cite_ref-0">^</a></b> Lanning p.243</li>
<li id="cite_note-1"><b><a href="http://en.wikipedia.org/wiki/Music_of_the_American_Civil_War#cite_ref-1">^</a></b> Lanning p.243</li>
<li id="cite_note-2"><b><a href="http://en.wikipedia.org/wiki/Music_of_the_American_Civil_War#cite_ref-2">^</a></b> Lanning p.243, Vaughan pp.194,195</li>
<li id="cite_note-3"><b><a href="http://en.wikipedia.org/wiki/Music_of_the_American_Civil_War#cite_ref-3">^</a></b> Lanning pp.244</li>
<li id="cite_note-4"><b><a href="http://en.wikipedia.org/wiki/Music_of_the_American_Civil_War#cite_ref-4">^</a></b> Amedeo p.127, Miller p.92</li>
<li id="cite_note-5"><b><a href="http://en.wikipedia.org/wiki/Music_of_the_American_Civil_War#cite_ref-5">^</a></b> Lanning p.243, Miller p.96</li>
<li id="cite_note-6"><b><a href="http://en.wikipedia.org/wiki/Music_of_the_American_Civil_War#cite_ref-6">^</a></b> Lanning p.244</li>
<li id="cite_note-7"><b><a href="http://en.wikipedia.org/wiki/Music_of_the_American_Civil_War#cite_ref-7">^</a></b> Lanning p.244</li>
<li id="cite_note-8"><b><a href="http://en.wikipedia.org/wiki/Music_of_the_American_Civil_War#cite_ref-8">^</a></b> Lanning p.244</li>
<li id="cite_note-9"><b><a href="http://en.wikipedia.org/wiki/Music_of_the_American_Civil_War#cite_ref-9">^</a></b> Lanning pp.243,244</li>
<li id="cite_note-10"><b><a href="http://en.wikipedia.org/wiki/Music_of_the_American_Civil_War#cite_ref-10">^</a></b> <a class="external text" href="http://www.nps.gov/archive/gett/gettkidz/music.htm" rel="nofollow">Music of the Civil War</a> National Park Service.gov</li>
<li id="cite_note-11"><b><a href="http://en.wikipedia.org/wiki/Music_of_the_American_Civil_War#cite_ref-11">^</a></b> Turner p.151, Vaughan p.195</li>
<li id="cite_note-12"><b><a href="http://en.wikipedia.org/wiki/Music_of_the_American_Civil_War#cite_ref-12">^</a></b> Heidler p.1173, Miller p.190</li>
<li id="cite_note-13"><b><a href="http://en.wikipedia.org/wiki/Music_of_the_American_Civil_War#cite_ref-13">^</a></b> <a class="external text" href="http://www.nps.gov/archive/gett/gettkidz/music.htm" rel="nofollow">Music of the Civil War</a> National Park Service.gov</li>
<li id="cite_note-14"><b><a href="http://en.wikipedia.org/wiki/Music_of_the_American_Civil_War#cite_ref-14">^</a></b> Amedeo p.257, Vaughan p.194</li>
<li id="cite_note-15"><b><a href="http://en.wikipedia.org/wiki/Music_of_the_American_Civil_War#cite_ref-15">^</a></b> <a class="external text" href="http://www.nps.gov/archive/gett/gettkidz/music.htm" rel="nofollow">Music of the Civil War</a> National Park Service.gov</li>
<li id="cite_note-16"><b><a href="http://en.wikipedia.org/wiki/Music_of_the_American_Civil_War#cite_ref-16">^</a></b> Branham p.131</li>
<li id="cite_note-17"><b><a href="http://en.wikipedia.org/wiki/Music_of_the_American_Civil_War#cite_ref-17">^</a></b> Amedeo p.77, 127</li>
<li id="cite_note-18"><b><a href="http://en.wikipedia.org/wiki/Music_of_the_American_Civil_War#cite_ref-18">^</a></b> Lanning p.245</li>
<li id="cite_note-19"><b><a href="http://en.wikipedia.org/wiki/Music_of_the_American_Civil_War#cite_ref-19">^</a></b> Kelley p.30, Silber p.7</li>
<li id="cite_note-20"><b><a href="http://en.wikipedia.org/wiki/Music_of_the_American_Civil_War#cite_ref-20">^</a></b> Branham p.132</li>
<li id="cite_note-21"><b><a href="http://en.wikipedia.org/wiki/Music_of_the_American_Civil_War#cite_ref-21">^</a></b> Harwell pp.3,4</li>
<li id="cite_note-22"><b><a href="http://en.wikipedia.org/wiki/Music_of_the_American_Civil_War#cite_ref-22">^</a></b> Lanning p.245</li>
<li id="cite_note-23"><b><a href="http://en.wikipedia.org/wiki/Music_of_the_American_Civil_War#cite_ref-23">^</a></b> Branham p.130</li>
<li id="cite_note-24"><b><a href="http://en.wikipedia.org/wiki/Music_of_the_American_Civil_War#cite_ref-24">^</a></b> Donald p.580</li>
<li id="cite_note-25"><b><a href="http://en.wikipedia.org/wiki/Music_of_the_American_Civil_War#cite_ref-25">^</a></b> Silber p.8</li>
<li id="cite_note-26"><b><a href="http://en.wikipedia.org/wiki/Music_of_the_American_Civil_War#cite_ref-26">^</a></b> Lanning pp.245</li>
<li id="cite_note-27"><b><a href="http://en.wikipedia.org/wiki/Music_of_the_American_Civil_War#cite_ref-27">^</a></b> Harwell pp.64,65</li>
<li id="cite_note-28"><b><a href="http://en.wikipedia.org/wiki/Music_of_the_American_Civil_War#cite_ref-28">^</a></b> Branham p.130</li>
<li id="cite_note-29"><b><a href="http://en.wikipedia.org/wiki/Music_of_the_American_Civil_War#cite_ref-29">^</a></b> Harwell pp.67</li>
<li id="cite_note-30"><b><a href="http://en.wikipedia.org/wiki/Music_of_the_American_Civil_War#cite_ref-30">^</a></b> Silber p.10</li>
<li id="cite_note-31"><b><a href="http://en.wikipedia.org/wiki/Music_of_the_American_Civil_War#cite_ref-31">^</a></b> Van Deburg p.109</li>
<li id="cite_note-32"><b><a href="http://en.wikipedia.org/wiki/Music_of_the_American_Civil_War#cite_ref-32">^</a></b> Silber p.4</li>
<li id="cite_note-33"><b><a href="http://en.wikipedia.org/wiki/Music_of_the_American_Civil_War#cite_ref-33">^</a></b> Heidler pp.191,607</li>
<li id="cite_note-34"><b><a href="http://en.wikipedia.org/wiki/Music_of_the_American_Civil_War#cite_ref-34">^</a></b> Ravitch p.257</li>
<li id="cite_note-35"><b><a href="http://en.wikipedia.org/wiki/Music_of_the_American_Civil_War#cite_ref-35">^</a></b> Kaufman pp.x,81</li>
<li id="cite_note-36"><b><a href="http://en.wikipedia.org/wiki/Music_of_the_American_Civil_War#cite_ref-36">^</a></b> Amedeo p.111, Kaufman p.83</li>
</ol></div><h2 style="text-align: justify;"><span class="editsection"></span><span class="mw-headline" id="References">References</span></h2><ul style="text-align: justify;"><li><span class="citation book">Amedeo, Michael (2007). <i>Civil War: Untold stories of the Blue and the Gray</i>. West Side Publications. <a href="http://en.wikipedia.org/wiki/International_Standard_Book_Number" title="International Standard Book Number">ISBN</a> <a href="http://en.wikipedia.org/wiki/Special:BookSources/1412714184" title="Special:BookSources/1412714184">1412714184</a>.</span><span class="Z3988" title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Civil+War%3A+Untold+stories+of+the+Blue+and+the+Gray&rft.aulast=Amedeo%2C+Michael&rft.au=Amedeo%2C+Michael&rft.date=2007&rft.pub=West+Side+Publications&rft.isbn=1412714184&rfr_id=info:sid/en.wikipedia.org:Music_of_the_American_Civil_War"><span style="display: none;"> </span></span></li>
<li><span class="citation book">Branham, Robert J. (2002). <i>Sweet Freedom's Song: "My Country 'tis of Thee" and Democracy in America</i>. Oxford University Press US. <a href="http://en.wikipedia.org/wiki/International_Standard_Book_Number" title="International Standard Book Number">ISBN</a> <a href="http://en.wikipedia.org/wiki/Special:BookSources/0195137418" title="Special:BookSources/0195137418">0195137418</a>.</span><span class="Z3988" title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Sweet+Freedom%27s+Song%3A+%22My+Country+%27tis+of+Thee%22+and+Democracy+in+America&rft.aulast=Branham%2C+Robert+J.&rft.au=Branham%2C+Robert+J.&rft.date=2002&rft.pub=Oxford+University+Press+US&rft.isbn=0195137418&rfr_id=info:sid/en.wikipedia.org:Music_of_the_American_Civil_War"><span style="display: none;"> </span></span></li>
<li><span class="citation book">Donald, David Herbert (1995). <i>Lincoln</i>. Simon and Schuster. <a href="http://en.wikipedia.org/wiki/International_Standard_Book_Number" title="International Standard Book Number">ISBN</a> <a href="http://en.wikipedia.org/wiki/Special:BookSources/068482535X" title="Special:BookSources/068482535X">068482535X</a>.</span><span class="Z3988" title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Lincoln&rft.aulast=Donald%2C+David+Herbert&rft.au=Donald%2C+David+Herbert&rft.date=1995&rft.pub=Simon+and+Schuster&rft.isbn=068482535X&rfr_id=info:sid/en.wikipedia.org:Music_of_the_American_Civil_War"><span style="display: none;"> </span></span></li>
<li><span class="citation book">Harwell, Richard B. (1950). <i>Confederate Music</i>. <a href="http://en.wikipedia.org/wiki/Chapel_Hill,_North_Carolina" title="Chapel Hill, North Carolina">Chapel Hill, North Carolina</a>: <a href="http://en.wikipedia.org/wiki/University_of_North_Carolina" title="University of North Carolina">University of North Carolina</a> Press.</span><span class="Z3988" title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Confederate+Music&rft.aulast=Harwell%2C+Richard+B.&rft.au=Harwell%2C+Richard+B.&rft.date=1950&rft.place=%5B%5BChapel+Hill%2C+North+Carolina%5D%5D&rft.pub=%5B%5BUniversity+of+North+Carolina%5D%5D+Press&rfr_id=info:sid/en.wikipedia.org:Music_of_the_American_Civil_War"><span style="display: none;"> </span></span></li>
<li><span class="citation book">Heidler, David (2002). <i>Encyclopedia of the American Civil War</i>. W. W. Norton & Company. <a href="http://en.wikipedia.org/wiki/International_Standard_Book_Number" title="International Standard Book Number">ISBN</a> <a href="http://en.wikipedia.org/wiki/Special:BookSources/039304758X" title="Special:BookSources/039304758X">039304758X</a>.</span><span class="Z3988" title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Encyclopedia+of+the+American+Civil+War&rft.aulast=Heidler%2C+David&rft.au=Heidler%2C+David&rft.date=2002&rft.pub=W.+W.+Norton+%26+Company&rft.isbn=039304758X&rfr_id=info:sid/en.wikipedia.org:Music_of_the_American_Civil_War"><span style="display: none;"> </span></span></li>
<li><span class="citation book">Kaufman, Will (2006). <i>The Civil War in American Culture</i>. Edinburgh University Press. <a href="http://en.wikipedia.org/wiki/International_Standard_Book_Number" title="International Standard Book Number">ISBN</a> <a href="http://en.wikipedia.org/wiki/Special:BookSources/0748619356" title="Special:BookSources/0748619356">0748619356</a>.</span><span class="Z3988" title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=The+Civil+War+in+American+Culture&rft.aulast=Kaufman%2C+Will&rft.au=Kaufman%2C+Will&rft.date=2006&rft.pub=Edinburgh+University+Press&rft.isbn=0748619356&rfr_id=info:sid/en.wikipedia.org:Music_of_the_American_Civil_War"><span style="display: none;"> </span></span></li>
<li><span class="citation book">Kelley, Bruce (2004). <i>"An Overview of Music of the Civil War Era" Bugle Resounding</i>. University of Missouri Press. <a href="http://en.wikipedia.org/wiki/International_Standard_Book_Number" title="International Standard Book Number">ISBN</a> <a href="http://en.wikipedia.org/wiki/Special:BookSources/0813123755" title="Special:BookSources/0813123755">0813123755</a>.</span><span class="Z3988" title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=%22An+Overview+of+Music+of+the+Civil+War+Era%22+Bugle+Resounding&rft.aulast=Kelley%2C+Bruce&rft.au=Kelley%2C+Bruce&rft.date=2004&rft.pub=University+of+Missouri+Press&rft.isbn=0813123755&rfr_id=info:sid/en.wikipedia.org:Music_of_the_American_Civil_War"><span style="display: none;"> </span></span></li>
<li><span class="citation book">Lanning, Michael (2007). <i>The Civil War 100</i>. Sourcebooks, Inc.. <a href="http://en.wikipedia.org/wiki/International_Standard_Book_Number" title="International Standard Book Number">ISBN</a> <a href="http://en.wikipedia.org/wiki/Special:BookSources/140221040x" title="Special:BookSources/140221040x">140221040x</a>.</span><span class="Z3988" title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=The+Civil+War+100&rft.aulast=Lanning%2C+Michael&rft.au=Lanning%2C+Michael&rft.date=2007&rft.pub=Sourcebooks%2C+Inc.&rft.isbn=140221040x&rfr_id=info:sid/en.wikipedia.org:Music_of_the_American_Civil_War"><span style="display: none;"> </span></span></li>
<li><span class="citation book">Miller, David (2001). <i>Uniforms, Weapons, and Equipment of the Civil War</i>. <a href="http://en.wikipedia.org/wiki/London" title="London">London</a>: Salamander Books Ltd.. <a href="http://en.wikipedia.org/wiki/International_Standard_Book_Number" title="International Standard Book Number">ISBN</a> <a href="http://en.wikipedia.org/wiki/Special:BookSources/1840652578" title="Special:BookSources/1840652578">1840652578</a>.</span><span class="Z3988" title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Uniforms%2C+Weapons%2C+and+Equipment+of+the+Civil+War&rft.aulast=Miller%2C+David&rft.au=Miller%2C+David&rft.date=2001&rft.place=%5B%5BLondon%5D%5D&rft.pub=Salamander+Books+Ltd.&rft.isbn=1840652578&rfr_id=info:sid/en.wikipedia.org:Music_of_the_American_Civil_War"><span style="display: none;"> </span></span></li>
<li><span class="citation book">Ravitch, Diane (2000). <i>The American Reader: Words that Moved a Nation</i>. HarperCollins. <a href="http://en.wikipedia.org/wiki/International_Standard_Book_Number" title="International Standard Book Number">ISBN</a> <a href="http://en.wikipedia.org/wiki/Special:BookSources/0062737333" title="Special:BookSources/0062737333">0062737333</a>.</span><span class="Z3988" title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=The+American+Reader%3A+Words+that+Moved+a+Nation&rft.aulast=Ravitch%2C+Diane&rft.au=Ravitch%2C+Diane&rft.date=2000&rft.pub=HarperCollins&rft.isbn=0062737333&rfr_id=info:sid/en.wikipedia.org:Music_of_the_American_Civil_War"><span style="display: none;"> </span></span></li>
<li><span class="citation book">Silber, Irwin (1995). <i>Songs of the Civil War</i>. Courier Dover Publications. <a href="http://en.wikipedia.org/wiki/International_Standard_Book_Number" title="International Standard Book Number">ISBN</a> <a href="http://en.wikipedia.org/wiki/Special:BookSources/0486284387" title="Special:BookSources/0486284387">0486284387</a>.</span><span class="Z3988" title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Songs+of+the+Civil+War&rft.aulast=Silber%2C+Irwin&rft.au=Silber%2C+Irwin&rft.date=1995&rft.pub=Courier+Dover+Publications&rft.isbn=0486284387&rfr_id=info:sid/en.wikipedia.org:Music_of_the_American_Civil_War"><span style="display: none;"> </span></span></li>
<li><span class="citation book">Turner, Thomas Reed (2007). <i>101 Things You Didn't Know about the Civil War</i>. Adams Media. <a href="http://en.wikipedia.org/wiki/International_Standard_Book_Number" title="International Standard Book Number">ISBN</a> <a href="http://en.wikipedia.org/wiki/Special:BookSources/1598693204" title="Special:BookSources/1598693204">1598693204</a>.</span><span class="Z3988" title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=101+Things+You+Didn%27t+Know+about+the+Civil+War&rft.aulast=Turner%2C+Thomas+Reed&rft.au=Turner%2C+Thomas+Reed&rft.date=2007&rft.pub=Adams+Media&rft.isbn=1598693204&rfr_id=info:sid/en.wikipedia.org:Music_of_the_American_Civil_War"><span style="display: none;"> </span></span></li>
<li><span class="citation book">Van Deburg, William L. (1984). <i>Slavery & Race in American Popular Culture: In American Popular Culture</i>. <a href="http://en.wikipedia.org/wiki/University_of_Wisconsin_Press" title="University of Wisconsin Press">University of Wisconsin Press</a>. <a href="http://en.wikipedia.org/wiki/International_Standard_Book_Number" title="International Standard Book Number">ISBN</a> <a href="http://en.wikipedia.org/wiki/Special:BookSources/0299096343" title="Special:BookSources/0299096343">0299096343</a>.</span><span class="Z3988" title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Slavery+%26+Race+in+American+Popular+Culture%3A+In+American+Popular+Culture&rft.aulast=Van+Deburg%2C+William+L.&rft.au=Van+Deburg%2C+William+L.&rft.date=1984&rft.pub=%5B%5BUniversity+of+Wisconsin+Press%5D%5D&rft.isbn=0299096343&rfr_id=info:sid/en.wikipedia.org:Music_of_the_American_Civil_War"><span style="display: none;"> </span></span></li>
<li><span class="citation book">Vaughan, Donald (2000). <i>The Everything Civil War Book</i>. <a href="http://en.wikipedia.org/wiki/Holbrook,_Massachusetts" title="Holbrook, Massachusetts">Holbrook, Massachusetts</a>: Adams Media Corporation. <a href="http://en.wikipedia.org/wiki/International_Standard_Book_Number" title="International Standard Book Number">ISBN</a> <a href="http://en.wikipedia.org/wiki/Special:BookSources/1580623662" title="Special:BookSources/1580623662">1580623662</a>.</span><span class="Z3988" title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=The+Everything+Civil+War+Book&rft.aulast=Vaughan%2C+Donald&rft.au=Vaughan%2C+Donald&rft.date=2000&rft.place=%5B%5BHolbrook%2C+Massachusetts%5D%5D&rft.pub=Adams+Media+Corporation&rft.isbn=1580623662&rfr_id=info:sid/en.wikipedia.org:Music_of_the_American_Civil_War"><span style="display: none;"> </span></span></li>
</ul><div style="text-align: justify;"><pre>*{{cite book </pre></div><div style="text-align: justify;">| last = Southern | first = Eileen | authorlink = Eileen Southern | coauthors = | title = The Music of Black Americans | publisher = W.W. Nortan & Company, Inc | date = 1997 | location = New York, New York | pages = 206-212 | isbn = 0-393-97141-4</div><table cellspacing="0" class="navbox" style="margin-left: 0px; margin-right: 0px; text-align: left;"><tbody>
<tr> <td style="padding: 2px;"><table cellspacing="0" class="nowraplinks collapsible
expanded" id="collapsibleTable0" style="background: none repeat scroll 0% 0% transparent; color: inherit; width: 100%;"><tbody>
<tr> <th class="navbox-title" colspan="2" style="background: none repeat scroll 0% 0% rgb(153, 204, 255);"><span class="collapseButton">[<a href="javascript:collapseTable(0);" id="collapseButton0">hide</a>]</span> <br />
<div style="float: left; text-align: left; width: 6em;"><div class="noprint plainlinks navbar" style="background: none repeat scroll 0% 0% rgb(153, 204, 255); border: medium none; font-size: xx-small; font-weight: normal; padding: 0pt;"><a href="http://en.wikipedia.org/wiki/Template:American_Civil_War" title="Template:American Civil War"><span style="background: none repeat scroll 0% 0% rgb(153, 204, 255); border: medium none;" title="View this
template">v</span></a> <span style="font-size: 80%;">•</span> <a href="http://en.wikipedia.org/wiki/Template_talk:American_Civil_War" title="Template talk:American Civil War"><span style="background: none repeat scroll 0% 0% rgb(153, 204, 255); border: medium none;" title="Discuss this
template">d</span></a> <span style="font-size: 80%;">•</span> <a class="external text" href="http://en.wikipedia.org/w/index.php?title=Template:American_Civil_War&action=edit" rel="nofollow"><span style="background: none repeat scroll 0% 0% rgb(153, 204, 255); border: medium none;" title="Edit this template">e</span></a></div></div><span class="" style="font-size: 110%;"><a href="http://en.wikipedia.org/wiki/American_Civil_War" title="American
Civil War">American Civil War</a></span></th> </tr>
<tr style="height: 2px;"> <td><br />
</td> </tr>
<tr> <td class="navbox-list
navbox-odd" colspan="2" style="padding: 0px; width: 100%;"><table cellspacing="0" class="nowraplinks collapsible collapsed
navbox-subgroup" id="collapsibleTable1" style="width: 100%;"><tbody>
<tr> <th class="navbox-title" colspan="2" style="background: none repeat scroll 0% 0% rgb(192, 192, 192);"><span class="collapseButton">[<a href="javascript:collapseTable(1);" id="collapseButton1">show</a>]</span> <br />
<span class="" style="font-size: 100%;">Origins</span></th> </tr>
<tr style="display: none; height: 2px;"> <td></td> </tr>
<tr style="display: none;"> <td class="navbox-list
navbox-odd" colspan="2" style="padding: 0px; width: 100%;"><table cellspacing="0" class="nowraplinks navbox-subgroup" style="width: 100%;"><tbody>
<tr> <td class="navbox-group" style="background: none repeat scroll 0% 0% rgb(192, 192, 192); padding-left: 0em; padding-right: 0em; width: 9em;"><div style="padding: 0em 0.75em;"><a href="http://en.wikipedia.org/wiki/Origins_of_the_American_Civil_War" title="Origins of the American Civil War">Origins</a></div></td> <td class="navbox-list navbox-odd" style="border-left-style: solid; border-left-width: 2px; line-height: 1.4em; padding: 0.25em 0pt; text-align: left; width: auto;"><div style="padding: 0em 0.25em;"><span style="white-space: nowrap;"><a href="http://en.wikipedia.org/wiki/Timeline_of_events_leading_to_the_American_Civil_War" title="Timeline of events leading to the American Civil War">Timeline leading to the War</a> <b>·</b></span> <span style="white-space: nowrap;"><a href="http://en.wikipedia.org/wiki/History_of_the_United_States_%281789%E2%80%931849%29" title="History of the United States (1789–1849)">Antebellum era</a> <b>·</b></span> <span style="white-space: nowrap;"><a href="http://en.wikipedia.org/wiki/Bleeding_Kansas" title="Bleeding
Kansas">Bleeding Kansas</a> <b>·</b></span> <span style="white-space: nowrap;"><i><a href="http://en.wikipedia.org/wiki/Dred_Scott_v._Sandford" title="Dred
Scott v. Sandford">Dred Scott v. Sandford</a></i> <b>·</b></span> <span style="white-space: nowrap;"><a href="http://en.wikipedia.org/wiki/Border_states_%28American_Civil_War%29" title="Border states (American Civil War)">Border states</a> <b>·</b></span> <span style="white-space: nowrap;"><a href="http://en.wikipedia.org/wiki/Secession_in_the_United_States" title="Secession in the United States">Secession</a> <b>·</b></span> <span style="white-space: nowrap;"><a href="http://en.wikipedia.org/wiki/States%27_rights" title="States'
rights">States' rights</a></span></div></td> </tr>
<tr style="height: 2px;"> <td></td> </tr>
<tr> <td class="navbox-group" style="background: none repeat scroll 0% 0% rgb(192, 192, 192); padding-left: 0em; padding-right: 0em; width: 9em;"><div style="padding: 0em 0.75em;"><a href="http://en.wikipedia.org/wiki/Slavery_in_the_United_States" title="Slavery in the United States">Slavery</a></div></td> <td class="navbox-list navbox-even" style="border-left-style: solid; border-left-width: 2px; line-height: 1.4em; padding: 0.25em 0pt; text-align: left; width: auto;"><div style="padding: 0em 0.25em;"><span style="white-space: nowrap;"><a href="http://en.wikipedia.org/wiki/Military_history_of_African_Americans_in_the_American_Civil_War" title="Military history of African Americans in the American Civil War">African-Americans</a> <b>·</b></span> <span style="white-space: nowrap;"><a href="http://en.wikipedia.org/wiki/Emancipation_Proclamation" title="Emancipation Proclamation">Emancipation Proclamation</a> <b>·</b></span> <span style="white-space: nowrap;"><a href="http://en.wikipedia.org/wiki/Fugitive_slave_laws" title="Fugitive
slave laws">Fugitive slave laws</a> <b>·</b></span> <span style="white-space: nowrap;"><a href="http://en.wikipedia.org/wiki/The_Slave_Power" title="The Slave
Power">Slave power</a> <b>·</b></span> <span style="white-space: nowrap;"><i><a href="http://en.wikipedia.org/wiki/Uncle_Tom%27s_Cabin" title="Uncle Tom's Cabin">Uncle Tom's Cabin</a></i></span></div></td> </tr>
<tr style="height: 2px;"> <td></td> </tr>
<tr> <td class="navbox-group" style="background: none repeat scroll 0% 0% rgb(192, 192, 192); padding-left: 0em; padding-right: 0em; width: 9em;"><div style="padding: 0em 0.75em;"><a href="http://en.wikipedia.org/wiki/Abolitionism#United_States" title="Abolitionism">Abolitionism</a></div></td> <td class="navbox-list
navbox-odd" style="border-left-style: solid; border-left-width: 2px; line-height: 1.4em; padding: 0.25em 0pt; text-align: left; width: auto;"><div style="padding: 0em 0.25em;"><span style="white-space: nowrap;"><a href="http://en.wikipedia.org/wiki/John_Brown_%28abolitionist%29" title="John Brown (abolitionist)">John Brown</a> <b>·</b></span> <span style="white-space: nowrap;"><a href="http://en.wikipedia.org/wiki/Frederick_Douglass" title="Frederick
Douglass">Frederick Douglass</a> <b>·</b></span> <span style="white-space: nowrap;"><a href="http://en.wikipedia.org/wiki/William_Lloyd_Garrison" title="William Lloyd Garrison">William Lloyd Garrison</a> <b>·</b></span> <span style="white-space: nowrap;"><a href="http://en.wikipedia.org/wiki/Lysander_Spooner" title="Lysander
Spooner">Lysander Spooner</a> <b>·</b></span> <span style="white-space: nowrap;"><a href="http://en.wikipedia.org/wiki/Harriet_Tubman" title="Harriet Tubman">Harriet Tubman</a> <b>·</b></span> <span style="white-space: nowrap;"><a href="http://en.wikipedia.org/wiki/Underground_Railroad" title="Underground Railroad">Underground Railroad</a></span></div></td> </tr>
</tbody></table></td> </tr>
</tbody></table></td> </tr>
<tr style="height: 2px;"> <td><br />
</td> </tr>
<tr> <td class="navbox-list
navbox-even" colspan="2" style="padding: 0px; width: 100%;"><table cellspacing="0" class="nowraplinks collapsible uncollapsed
navbox-subgroup" id="collapsibleTable2" style="width: 100%;"><tbody>
<tr> <th class="navbox-title" colspan="2" style="background: none repeat scroll 0% 0% rgb(192, 192, 192);"><span class="collapseButton">[<a href="javascript:collapseTable(2);" id="collapseButton2">hide</a>]</span> <br />
<span class="" style="font-size: 100%;">Combatants<span style="font-weight: bold;"> ·</span> Theaters<span style="font-weight: bold;"> ·</span> Campaigns<span style="font-weight: bold;"> ·</span> Battles<span style="font-weight: bold;"> ·</span> States</span></th> </tr>
<tr style="height: 2px;"> <td><br />
</td> </tr>
<tr> <td class="navbox-list
navbox-odd" colspan="2" style="padding: 0px; width: 100%;"><table cellspacing="0" class="nowraplinks navbox-subgroup" style="width: 100%;"><tbody>
<tr> <td class="navbox-group" style="background: none repeat scroll 0% 0% rgb(192, 192, 192); line-height: 1.1em; padding: 0.35em 0pt; width: 9em;"><div style="padding: 0em 0.75em;">Combatants</div></td> <td class="navbox-list navbox-odd" style="background: none repeat scroll 0% 0% transparent; border-left-style: solid; border-left-width: 2px; padding: 0.25em 0pt; text-align: left; width: auto;"><table cellspacing="0" class="nowraplinks navbox-subgroup" style="width: 100%;"><tbody>
<tr> <td class="navbox-group" style="background: none repeat scroll 0% 0% transparent; line-height: 1.2em; padding-left: 0em; padding-right: 0em;"><div style="padding: 0em 0.75em;"><a href="http://en.wikipedia.org/wiki/Union_%28American_Civil_War%29" title="Union (American Civil War)">Union (USA)</a></div></td> <td class="navbox-list navbox-odd" style="border-left-style: solid; border-left-width: 2px; line-height: 1.2em; padding: 0px; text-align: justify; width: 100%;"><div style="padding: 0em 0.25em;"><a href="http://en.wikipedia.org/wiki/Union_Army" title="Union Army">Union Army</a><span style="font-weight: bold;"> ·</span> <a href="http://en.wikipedia.org/wiki/Union_Navy" title="Union Navy">Union Navy</a><span style="font-weight: bold;"> ·</span> <a href="http://en.wikipedia.org/wiki/United_States_Revenue_Cutter_Service" title="United States Revenue Cutter Service">Revenue Cutter Service</a></div></td> </tr>
<tr style="height: 2px;"> <td><br />
</td> </tr>
<tr> <td class="navbox-group" style="background: none repeat scroll 0% 0% rgb(247, 247, 247); line-height: 1.2em; padding-left: 0em; padding-right: 0em;"><div style="padding: 0em 0.75em;"><a href="http://en.wikipedia.org/wiki/Confederate_States_of_America" title="Confederate States of America">Confederacy (CSA)</a></div></td> <td class="navbox-list navbox-even" style="border-left-style: solid; border-left-width: 2px; line-height: 1.2em; padding: 0px; text-align: justify; width: 100%;"><div style="padding: 0em 0.25em;"><a href="http://en.wikipedia.org/wiki/Confederate_States_Army" title="Confederate States Army">Confederate States Army</a><span style="font-weight: bold;"> ·</span> <a href="http://en.wikipedia.org/wiki/Confederate_States_Navy" title="Confederate States Navy">Confederate States Navy</a><span style="font-weight: bold;"> ·</span> <a href="http://en.wikipedia.org/wiki/Confederate_States_Marine_Corps" title="Confederate States Marine Corps">Confederate States Marine Corps</a></div></td> </tr>
</tbody></table></td> </tr>
<tr style="height: 2px;"> <td><br />
</td> </tr>
<tr> <td class="navbox-group" style="background: none repeat scroll 0% 0% rgb(192, 192, 192); line-height: 1.1em; padding: 0.35em 0pt; width: 9em;"><div style="padding: 0em 0.75em;">Theaters</div></td> <td class="navbox-list
navbox-even" style="background: none repeat scroll 0% 0% transparent; border-left-style: solid; border-left-width: 2px; line-height: 1.4em; padding: 0.25em 0pt; text-align: justify; width: auto;"><div style="padding: 0em 0.25em;"><span style="white-space: nowrap;"><a href="http://en.wikipedia.org/wiki/Eastern_Theater_of_the_American_Civil_War" title="Eastern Theater of the American Civil War">Eastern</a> <b>·</b></span> <span style="white-space: nowrap;"><a href="http://en.wikipedia.org/wiki/Western_Theater_of_the_American_Civil_War" title="Western Theater of the American Civil War">Western</a> <b>·</b></span> <span style="white-space: nowrap;"><a href="http://en.wikipedia.org/wiki/Lower_Seaboard_Theater_of_the_American_Civil_War" title="Lower Seaboard Theater of the American Civil War">Lower Seaboard</a> <b>·</b></span> <span style="white-space: nowrap;"><a href="http://en.wikipedia.org/wiki/Trans-Mississippi_Theater_of_the_American_Civil_War" title="Trans-Mississippi Theater of the American Civil War">Trans-Mississippi</a> <b>·</b></span> <span style="white-space: nowrap;"><a href="http://en.wikipedia.org/wiki/Pacific_Coast_Theater_of_the_American_Civil_War" title="Pacific Coast Theater of the American Civil War">Pacific Coast</a> <b>·</b></span> <span style="white-space: nowrap;"><a href="http://en.wikipedia.org/wiki/Union_blockade" title="Union
blockade">Union naval blockade</a></span></div></td> </tr>
<tr style="height: 2px;"> <td><br />
</td> </tr>
<tr> <td class="navbox-group" style="background: none repeat scroll 0% 0% rgb(192, 192, 192); line-height: 1.1em; padding: 0.35em 0pt; width: 9em;"><div style="padding: 0em 0.75em;"><a href="http://en.wikipedia.org/wiki/Campaigns_of_the_American_Civil_War" title="Campaigns of the American Civil War">Campaigns</a></div></td> <td class="navbox-list
navbox-odd" style="background: none repeat scroll 0% 0% rgb(247, 247, 247); border-left-style: solid; border-left-width: 2px; line-height: 1.4em; padding: 0.25em 0pt; text-align: justify; width: auto;"><div style="padding: 0em 0.25em;"><span style="white-space: nowrap;"><a href="http://en.wikipedia.org/wiki/Anaconda_Plan" title="Anaconda Plan">Anaconda Plan</a> <b>·</b></span> <span style="white-space: nowrap;"><a href="http://en.wikipedia.org/wiki/New_Mexico_Campaign" title="New
Mexico Campaign">New Mexico</a> <b>·</b></span> <span style="white-space: nowrap;"><a href="http://en.wikipedia.org/wiki/Jackson%27s_Valley_Campaign" title="Jackson's Valley Campaign">Jackson's Valley</a> <b>·</b></span> <span style="white-space: nowrap;"><a href="http://en.wikipedia.org/wiki/Peninsula_Campaign" title="Peninsula
Campaign">Peninsula</a> <b>·</b></span> <span style="white-space: nowrap;"><a href="http://en.wikipedia.org/wiki/Northern_Virginia_Campaign" title="Northern Virginia Campaign">Northern Virginia</a> <b>·</b></span> <span style="white-space: nowrap;"><a href="http://en.wikipedia.org/wiki/Maryland_Campaign" title="Maryland
Campaign">Maryland</a> <b>·</b></span> <span style="white-space: nowrap;"><a href="http://en.wikipedia.org/wiki/Battle_of_Stones_River" title="Battle of Stones River">Stones River</a> <b>·</b></span> <span style="white-space: nowrap;"><a href="http://en.wikipedia.org/wiki/Vicksburg_Campaign" title="Vicksburg
Campaign">Vicksburg</a> <b>·</b></span> <span style="white-space: nowrap;"><a href="http://en.wikipedia.org/wiki/Tullahoma_Campaign" title="Tullahoma Campaign">Tullahoma</a> <b>·</b></span> <span style="white-space: nowrap;"><a href="http://en.wikipedia.org/wiki/Gettysburg_Campaign" title="Gettysburg Campaign">Gettysburg</a> <b>·</b></span> <span style="white-space: nowrap;"><a href="http://en.wikipedia.org/wiki/Morgan%27s_Raid" title="Morgan's
Raid">Morgan's Raid</a> <b>·</b></span> <span style="white-space: nowrap;"><a href="http://en.wikipedia.org/wiki/Bristoe_Campaign" title="Bristoe Campaign">Bristoe</a> <b>·</b></span> <span style="white-space: nowrap;"><a href="http://en.wikipedia.org/wiki/Knoxville_Campaign" title="Knoxville
Campaign">Knoxville</a> <b>·</b></span> <span style="white-space: nowrap;"><a href="http://en.wikipedia.org/wiki/Red_River_Campaign" title="Red River Campaign">Red River</a> <b>·</b></span> <span style="white-space: nowrap;"><a href="http://en.wikipedia.org/wiki/Overland_Campaign" title="Overland
Campaign">Overland</a> <b>·</b></span> <span style="white-space: nowrap;"><a href="http://en.wikipedia.org/wiki/Atlanta_Campaign" title="Atlanta Campaign">Atlanta</a> <b>·</b></span> <span style="white-space: nowrap;"><a href="http://en.wikipedia.org/wiki/Valley_Campaigns_of_1864" title="Valley Campaigns of 1864">Valley 1864</a> <b>·</b></span> <span style="white-space: nowrap;"><a href="http://en.wikipedia.org/wiki/Bermuda_Hundred_Campaign" title="Bermuda Hundred Campaign">Bermuda Hundred</a> <b>·</b></span> <span style="white-space: nowrap;"><a href="http://en.wikipedia.org/wiki/Siege_of_Petersburg" title="Siege of
Petersburg">Richmond-Petersburg</a> <b>·</b></span> <span style="white-space: nowrap;"><a href="http://en.wikipedia.org/wiki/Franklin-Nashville_Campaign" title="Franklin-Nashville Campaign">Franklin-Nashville</a> <b>·</b></span> <span style="white-space: nowrap;"><a href="http://en.wikipedia.org/wiki/Price%27s_Raid" title="Price's Raid">Price's Raid</a> <b>·</b></span> <span style="white-space: nowrap;"><a href="http://en.wikipedia.org/wiki/Sherman%27s_March_to_the_Sea" title="Sherman's March to the Sea">Sherman's March</a> <b>·</b></span> <span style="white-space: nowrap;"><a href="http://en.wikipedia.org/wiki/Carolinas_Campaign" title="Carolinas
Campaign">Carolinas</a> <b>·</b></span> <span style="white-space: nowrap;"><a href="http://en.wikipedia.org/wiki/Appomattox_Campaign" title="Appomattox Campaign">Appomattox</a></span></div></td> </tr>
<tr style="height: 2px;"> <td><br />
</td> </tr>
<tr> <td class="navbox-group" style="background: none repeat scroll 0% 0% rgb(192, 192, 192); line-height: 1.1em; padding: 0.35em 0pt; text-align: justify; width: 9em;"><div style="padding: 0em 0.75em;">Major <a href="http://en.wikipedia.org/wiki/List_of_American_Civil_War_battles" title="List of American Civil War battles">battles</a></div></td> <td class="navbox-list
navbox-even" style="background: none repeat scroll 0% 0% transparent; border-left-style: solid; border-left-width: 2px; line-height: 1.4em; padding: 0.25em 0pt; text-align: justify; width: auto;"><div style="padding: 0em 0.25em;"><span style="white-space: nowrap;"><a href="http://en.wikipedia.org/wiki/Battle_of_Fort_Sumter" title="Battle
of Fort Sumter">Fort Sumter</a> <b>·</b></span> <span style="white-space: nowrap;"><a href="http://en.wikipedia.org/wiki/First_Battle_of_Bull_Run" title="First Battle of Bull Run">1st Bull Run</a> <b>·</b></span> <span style="white-space: nowrap;"><a href="http://en.wikipedia.org/wiki/Battle_of_Wilson%27s_Creek" title="Battle of Wilson's Creek">Wilson's Creek</a> <b>·</b></span> <span style="white-space: nowrap;"><a href="http://en.wikipedia.org/wiki/Battle_of_Fort_Donelson" title="Battle of Fort Donelson">Fort Donelson</a> <b>·</b></span> <span style="white-space: nowrap;"><a href="http://en.wikipedia.org/wiki/Battle_of_Pea_Ridge" title="Battle of
Pea Ridge">Pea Ridge</a> <b>·</b></span> <span style="white-space: nowrap;"><a href="http://en.wikipedia.org/wiki/Battle_of_Hampton_Roads" title="Battle of Hampton Roads">Hampton Roads</a> <b>·</b></span> <span style="white-space: nowrap;"><a href="http://en.wikipedia.org/wiki/Battle_of_Shiloh" title="Battle of
Shiloh">Shiloh</a> <b>·</b></span> <span style="white-space: nowrap;"><a class="mw-redirect" href="http://en.wikipedia.org/wiki/Battle_of_New_Orleans_%28American_Civil_War%29" title="Battle of New Orleans (American Civil War)">New Orleans</a> <b>·</b></span> <span style="white-space: nowrap;"><a href="http://en.wikipedia.org/wiki/Siege_of_Corinth" title="Siege of
Corinth">Corinth</a> <b>·</b></span> <span style="white-space: nowrap;"><a href="http://en.wikipedia.org/wiki/Battle_of_Seven_Pines" title="Battle
of Seven Pines">Seven Pines</a> <b>·</b></span> <span style="white-space: nowrap;"><a href="http://en.wikipedia.org/wiki/Seven_Days_Battles" title="Seven Days
Battles">Seven Days</a> <b>·</b></span> <span style="white-space: nowrap;"><a href="http://en.wikipedia.org/wiki/Second_Battle_of_Bull_Run" title="Second Battle of Bull Run">2nd Bull Run</a> <b>·</b></span> <span style="white-space: nowrap;"><a href="http://en.wikipedia.org/wiki/Battle_of_Antietam" title="Battle of
Antietam">Antietam</a> <b>·</b></span> <span style="white-space: nowrap;"><a href="http://en.wikipedia.org/wiki/Battle_of_Perryville" title="Battle of Perryville">Perryville</a> <b>·</b></span> <span style="white-space: nowrap;"><a href="http://en.wikipedia.org/wiki/Battle_of_Fredericksburg" title="Battle of Fredericksburg">Fredericksburg</a> <b>·</b></span> <span style="white-space: nowrap;"><a href="http://en.wikipedia.org/wiki/Battle_of_Stones_River" title="Battle
of Stones River">Stones River</a> <b>·</b></span> <span style="white-space: nowrap;"><a href="http://en.wikipedia.org/wiki/Battle_of_Chancellorsville" title="Battle of Chancellorsville">Chancellorsville</a> <b>·</b></span> <span style="white-space: nowrap;"><a href="http://en.wikipedia.org/wiki/Battle_of_Gettysburg" title="Battle
of Gettysburg">Gettysburg</a> <b>·</b></span> <span style="white-space: nowrap;"><a href="http://en.wikipedia.org/wiki/Siege_of_Vicksburg" title="Siege of Vicksburg">Vicksburg</a> <b>·</b></span> <span style="white-space: nowrap;"><a href="http://en.wikipedia.org/wiki/Battle_of_Chickamauga" title="Battle
of Chickamauga">Chickamauga</a> <b>·</b></span> <span style="white-space: nowrap;"><a href="http://en.wikipedia.org/wiki/Chattanooga_Campaign" title="Chattanooga Campaign">Chattanooga</a> <b>·</b></span> <span style="white-space: nowrap;"><a href="http://en.wikipedia.org/wiki/Battle_of_the_Wilderness" title="Battle of the Wilderness">Wilderness</a> <b>·</b></span> <span style="white-space: nowrap;"><a href="http://en.wikipedia.org/wiki/Battle_of_Spotsylvania_Court_House" title="Battle of Spotsylvania Court House">Spotsylvania</a> <b>·</b></span> <span style="white-space: nowrap;"><a href="http://en.wikipedia.org/wiki/Battle_of_Cold_Harbor" title="Battle
of Cold Harbor">Cold Harbor</a> <b>·</b></span> <span style="white-space: nowrap;"><a href="http://en.wikipedia.org/wiki/Battle_of_Atlanta" title="Battle of
Atlanta">Atlanta</a> <b>·</b></span> <span style="white-space: nowrap;"><a href="http://en.wikipedia.org/wiki/Battle_of_Mobile_Bay" title="Battle
of Mobile Bay">Mobile Bay</a> <b>·</b></span> <span style="white-space: nowrap;"><a href="http://en.wikipedia.org/wiki/Battle_of_Franklin_%281864%29" title="Battle of Franklin (1864)">Franklin</a> <b>·</b></span> <span style="white-space: nowrap;"><a href="http://en.wikipedia.org/wiki/Battle_of_Nashville" title="Battle of
Nashville">Nashville</a> <b>·</b></span> <span style="white-space: nowrap;"><a href="http://en.wikipedia.org/wiki/Battle_of_Five_Forks" title="Battle of Five Forks">Five Forks</a></span></div></td> </tr>
<tr align="justify" style="height: 2px;"> <td><br />
</td> </tr>
<tr> <td class="navbox-group" style="background: none repeat scroll 0% 0% rgb(192, 192, 192); line-height: 1.1em; padding: 0.35em 0pt; text-align: justify; width: 9em;"><div style="padding: 0em 0.75em;">Involvement<br />
by state or territory</div></td> <td class="navbox-list
navbox-odd" style="background: none repeat scroll 0% 0% rgb(247, 247, 247); border-left-style: solid; border-left-width: 2px; line-height: 1.4em; padding: 0.25em 0pt; text-align: justify; width: auto;"><div style="padding: 0em 0.25em;"><span style="white-space: nowrap;"><a href="http://en.wikipedia.org/wiki/Alabama_in_the_American_Civil_War" title="Alabama in the American Civil War">AL</a> <b>·</b></span> <span style="white-space: nowrap;"><a href="http://en.wikipedia.org/wiki/Arkansas_in_the_American_Civil_War" title="Arkansas in the American Civil War">AR</a> <b>·</b></span> <span style="white-space: nowrap;"><a href="http://en.wikipedia.org/wiki/Arizona_Territory_%28Confederate_States_of_America%29" title="Arizona Territory (Confederate States of America)">AZ</a> <b>·</b></span> <span style="white-space: nowrap;"><a href="http://en.wikipedia.org/wiki/California_in_the_American_Civil_War" title="California in the American Civil War">CA</a> <b>·</b></span> <span style="white-space: nowrap;"><a href="http://en.wikipedia.org/wiki/Colorado_in_the_American_Civil_War" title="Colorado in the American Civil War">CO</a> <b>·</b></span> <span style="white-space: nowrap;"><a href="http://en.wikipedia.org/wiki/Connecticut_in_the_American_Civil_War" title="Connecticut in the American Civil War">CT</a> <b>·</b></span> <span style="white-space: nowrap;"><a href="http://en.wikipedia.org/wiki/Washington,_D.C._in_the_American_Civil_War" title="Washington, D.C. in the American Civil War">DC</a> <b>·</b></span> <span style="white-space: nowrap;"><a href="http://en.wikipedia.org/wiki/History_of_Delaware" title="History
of Delaware">DE</a> <b>·</b></span> <span style="white-space: nowrap;"><a href="http://en.wikipedia.org/wiki/Florida_in_the_American_Civil_War" title="Florida in the American Civil War">FL</a> <b>·</b></span> <span style="white-space: nowrap;"><a href="http://en.wikipedia.org/wiki/Georgia_in_the_American_Civil_War" title="Georgia in the American Civil War">GA</a> <b>·</b></span> <span style="white-space: nowrap;"><a href="http://en.wikipedia.org/wiki/Idaho_in_the_American_Civil_War" title="Idaho in the American Civil War">ID</a> <b>·</b></span> <span style="white-space: nowrap;"><a href="http://en.wikipedia.org/wiki/Illinois_in_the_American_Civil_War" title="Illinois in the American Civil War">IL</a> <b>·</b></span> <span style="white-space: nowrap;"><a href="http://en.wikipedia.org/wiki/Indiana_in_the_American_Civil_War" title="Indiana in the American Civil War">IN</a> <b>·</b></span> <span style="white-space: nowrap;"><a href="http://en.wikipedia.org/wiki/Iowa_in_the_American_Civil_War" title="Iowa in the American Civil War">IA</a> <b>·</b></span> <span style="white-space: nowrap;"><a href="http://en.wikipedia.org/wiki/Kansas_in_the_American_Civil_War" title="Kansas in the American Civil War">KS</a> <b>·</b></span> <span style="white-space: nowrap;"><a href="http://en.wikipedia.org/wiki/Kentucky_in_the_American_Civil_War" title="Kentucky in the American Civil War">KY</a> <b>·</b></span> <span style="white-space: nowrap;"><a href="http://en.wikipedia.org/wiki/Louisiana_in_the_American_Civil_War" title="Louisiana in the American Civil War">LA</a> <b>·</b></span> <span style="white-space: nowrap;"><a href="http://en.wikipedia.org/wiki/Maine_in_the_American_Civil_War" title="Maine in the American Civil War">ME</a> <b>·</b></span> <span style="white-space: nowrap;"><a href="http://en.wikipedia.org/wiki/Maryland_in_the_American_Civil_War" title="Maryland in the American Civil War">MD</a> <b>·</b></span> <span style="white-space: nowrap;"><a href="http://en.wikipedia.org/wiki/Massachusetts_in_the_American_Civil_War" title="Massachusetts in the American Civil War">MA</a> <b>·</b></span> <span style="white-space: nowrap;"><a href="http://en.wikipedia.org/wiki/Michigan_in_the_American_Civil_War" title="Michigan in the American Civil War">MI</a> <b>·</b></span> <span style="white-space: nowrap;"><a href="http://en.wikipedia.org/wiki/History_of_Minnesota" title="History
of Minnesota">MN</a> <b>·</b></span> <span style="white-space: nowrap;"><a href="http://en.wikipedia.org/wiki/Mississippi_in_the_American_Civil_War" title="Mississippi in the American Civil War">MS</a> <b>·</b></span> <span style="white-space: nowrap;"><a href="http://en.wikipedia.org/wiki/Missouri_in_the_American_Civil_War" title="Missouri in the American Civil War">MO</a> <b>·</b></span> <span style="white-space: nowrap;"><a href="http://en.wikipedia.org/wiki/Montana_in_the_American_Civil_War" title="Montana in the American Civil War">MT</a> <b>·</b></span> <span style="white-space: nowrap;"><a href="http://en.wikipedia.org/wiki/Nevada_in_the_American_Civil_War" title="Nevada in the American Civil War">NV</a> <b>·</b></span> <span style="white-space: nowrap;"><a href="http://en.wikipedia.org/wiki/Nebraska_in_the_American_Civil_War" title="Nebraska in the American Civil War">NE</a> <b>·</b></span> <span style="white-space: nowrap;"><a href="http://en.wikipedia.org/wiki/History_of_New_Hampshire" title="History of New Hampshire">NH</a> <b>·</b></span> <span style="white-space: nowrap;"><a href="http://en.wikipedia.org/wiki/New_Jersey_in_the_American_Civil_War" title="New Jersey in the American Civil War">NJ</a> <b>·</b></span> <span style="white-space: nowrap;"><a href="http://en.wikipedia.org/wiki/New_Mexico_Territory_in_the_American_Civil_War" title="New Mexico Territory in the American Civil War">NM</a> <b>·</b></span> <span style="white-space: nowrap;"><a href="http://en.wikipedia.org/wiki/New_York_in_the_American_Civil_War" title="New York in the American Civil War">NY</a> <b>·</b></span> <span style="white-space: nowrap;"><a href="http://en.wikipedia.org/wiki/North_Carolina_in_the_American_Civil_War" title="North Carolina in the American Civil War">NC</a> <b>·</b></span> <span style="white-space: nowrap;"><a href="http://en.wikipedia.org/wiki/Ohio_in_the_American_Civil_War" title="Ohio in the American Civil War">OH</a> <b>·</b></span> <span style="white-space: nowrap;"><a href="http://en.wikipedia.org/wiki/Indian_Territory_in_the_American_Civil_War" title="Indian Territory in the American Civil War">OK</a> <b>·</b></span> <span style="white-space: nowrap;"><a href="http://en.wikipedia.org/wiki/History_of_Oregon" title="History of
Oregon">OR</a> <b>·</b></span> <span style="white-space: nowrap;"><a href="http://en.wikipedia.org/wiki/Pennsylvania_in_the_American_Civil_War" title="Pennsylvania in the American Civil War">PA</a> <b>·</b></span> <span style="white-space: nowrap;"><a href="http://en.wikipedia.org/wiki/Rhode_Island_in_the_American_Civil_War" title="Rhode Island in the American Civil War">RI</a> <b>·</b></span> <span style="white-space: nowrap;"><a href="http://en.wikipedia.org/wiki/South_Carolina_in_the_American_Civil_War" title="South Carolina in the American Civil War">SC</a> <b>·</b></span> <span style="white-space: nowrap;"><a href="http://en.wikipedia.org/wiki/Tennessee_in_the_American_Civil_War" title="Tennessee in the American Civil War">TN</a> <b>·</b></span> <span style="white-space: nowrap;"><a href="http://en.wikipedia.org/wiki/Texas_in_the_American_Civil_War" title="Texas in the American Civil War">TX</a> <b>·</b></span> <span style="white-space: nowrap;"><a href="http://en.wikipedia.org/wiki/Utah_in_the_American_Civil_War" title="Utah in the American Civil War">UT</a> <b>·</b></span> <span style="white-space: nowrap;"><a href="http://en.wikipedia.org/wiki/Vermont_in_the_American_Civil_War" title="Vermont in the American Civil War">VT</a> <b>·</b></span> <span style="white-space: nowrap;"><a href="http://en.wikipedia.org/wiki/Virginia_in_the_American_Civil_War" title="Virginia in the American Civil War">VA</a> <b>·</b></span> <span style="white-space: nowrap;"><a href="http://en.wikipedia.org/wiki/West_Virginia_in_the_American_Civil_War" title="West Virginia in the American Civil War">WV</a> <b>·</b></span> <span style="white-space: nowrap;"><a href="http://en.wikipedia.org/wiki/Wisconsin_in_the_American_Civil_War" title="Wisconsin in the American Civil War">WI</a></span></div></td> </tr>
</tbody></table></td> </tr>
</tbody></table></td> </tr>
<tr style="height: 2px;"> <td><br />
</td> </tr>
<tr> <td class="navbox-list
navbox-odd" colspan="2" style="padding: 0px; width: 100%;"><table cellspacing="0" class="nowraplinks collapsible collapsed
navbox-subgroup" id="collapsibleTable3" style="width: 100%;"><tbody>
<tr> <th class="navbox-title" colspan="2" style="background: none repeat scroll 0% 0% rgb(192, 192, 192);"><span class="collapseButton">[<a href="javascript:collapseTable(3);" id="collapseButton3">show</a>]</span> <br />
<span class="" style="font-size: 100%;">Leaders</span></th> </tr>
<tr style="display: none; height: 2px;"> <td></td> </tr>
<tr style="display: none;"> <td class="navbox-list
navbox-odd" colspan="2" style="padding: 0px; width: 100%;"><table cellspacing="0" class="nowraplinks navbox-subgroup" style="width: 100%;"><tbody>
<tr> <td class="navbox-group" style="background: none repeat scroll 0% 0% rgb(192, 192, 192); padding-left: 0em; padding-right: 0em; width: 9em;"><div style="padding: 0em 0.75em;">Confederate</div></td> <td class="navbox-list navbox-odd" style="border-left-style: solid; border-left-width: 2px; padding: 0px; text-align: left; width: auto;"><table cellspacing="0" class="nowraplinks navbox-subgroup" style="width: 100%;"><tbody>
<tr> <td class="navbox-group" style="background: none repeat scroll 0% 0% rgb(220, 220, 220); font-weight: normal; padding-left: 0em; padding-right: 0em; width: 7em;"><div style="padding: 0em 0.75em;">Military</div></td> <td class="navbox-list navbox-odd" style="border-left-style: solid; border-left-width: 2px; line-height: 1.4em; padding: 0.15em 0pt; text-align: left; width: auto;"><div style="padding: 0em 0.25em;"><span style="white-space: nowrap;"><a href="http://en.wikipedia.org/wiki/Richard_H._Anderson" title="Richard
H. Anderson">R.H. Anderson</a> <b>·</b></span> <span style="white-space: nowrap;"><a class="mw-redirect" href="http://en.wikipedia.org/wiki/P._G._T._Beauregard" title="P. G. T.
Beauregard">Beauregard</a> <b>·</b></span> <span style="white-space: nowrap;"><a href="http://en.wikipedia.org/wiki/Braxton_Bragg" title="Braxton Bragg">Bragg</a> <b>·</b></span> <span style="white-space: nowrap;"><a href="http://en.wikipedia.org/wiki/Samuel_Cooper_%28general%29" title="Samuel Cooper (general)">Cooper</a> <b>·</b></span> <span style="white-space: nowrap;"><a href="http://en.wikipedia.org/wiki/Jubal_Anderson_Early" title="Jubal
Anderson Early">Early</a> <b>·</b></span> <span style="white-space: nowrap;"><a href="http://en.wikipedia.org/wiki/Richard_S._Ewell" title="Richard S. Ewell">Ewell</a> <b>·</b></span> <span style="white-space: nowrap;"><a href="http://en.wikipedia.org/wiki/Nathan_Bedford_Forrest" title="Nathan
Bedford Forrest">Forrest</a> <b>·</b></span> <span style="white-space: nowrap;"><a href="http://en.wikipedia.org/wiki/Josiah_Gorgas" title="Josiah Gorgas">Gorgas</a> <b>·</b></span> <span style="white-space: nowrap;"><a href="http://en.wikipedia.org/wiki/A._P._Hill" title="A. P. Hill">Hill</a> <b>·</b></span> <span style="white-space: nowrap;"><a href="http://en.wikipedia.org/wiki/John_Bell_Hood" title="John Bell
Hood">Hood</a> <b>·</b></span> <span style="white-space: nowrap;"><a href="http://en.wikipedia.org/wiki/Stonewall_Jackson" title="Stonewall
Jackson">Jackson</a> <b>·</b></span> <span style="white-space: nowrap;"><a href="http://en.wikipedia.org/wiki/Albert_Sidney_Johnston" title="Albert Sidney Johnston">A.S. Johnston</a> <b>·</b></span> <span style="white-space: nowrap;"><a href="http://en.wikipedia.org/wiki/Joseph_E._Johnston" title="Joseph E.
Johnston">J.E. Johnston</a> <b>·</b></span> <span style="white-space: nowrap;"><a href="http://en.wikipedia.org/wiki/Robert_E._Lee" title="Robert E. Lee">Lee</a> <b>·</b></span> <span style="white-space: nowrap;"><a href="http://en.wikipedia.org/wiki/James_Longstreet" title="James Longstreet">Longstreet</a> <b>·</b></span> <span style="white-space: nowrap;"><a href="http://en.wikipedia.org/wiki/John_Hunt_Morgan" title="John Hunt
Morgan">Morgan</a> <b>·</b></span> <span style="white-space: nowrap;"><a href="http://en.wikipedia.org/wiki/John_S._Mosby" title="John S. Mosby">Mosby</a> <b>·</b></span> <span style="white-space: nowrap;"><a href="http://en.wikipedia.org/wiki/Sterling_Price" title="Sterling
Price">Price</a> <b>·</b></span> <span style="white-space: nowrap;"><a href="http://en.wikipedia.org/wiki/William_Quantrill" title="William
Quantrill">Quantrill</a> <b>·</b></span> <span style="white-space: nowrap;"><a href="http://en.wikipedia.org/wiki/Raphael_Semmes" title="Raphael Semmes">Semmes</a> <b>·</b></span> <span style="white-space: nowrap;"><a href="http://en.wikipedia.org/wiki/Edmund_Kirby_Smith" title="Edmund
Kirby Smith">E.K. Smith</a> <b>·</b></span> <span style="white-space: nowrap;"><a href="http://en.wikipedia.org/wiki/J.E.B._Stuart" title="J.E.B. Stuart">Stuart</a> <b>·</b></span> <span style="white-space: nowrap;"><a href="http://en.wikipedia.org/wiki/Richard_Taylor_%28general%29" title="Richard Taylor (general)">Taylor</a> <b>·</b></span> <span style="white-space: nowrap;"><a href="http://en.wikipedia.org/wiki/Joseph_Wheeler" title="Joseph
Wheeler">Wheeler</a></span></div></td> </tr>
<tr style="height: 2px;"> <td></td> </tr>
<tr> <td class="navbox-group" style="background: none repeat scroll 0% 0% rgb(220, 220, 220); font-weight: normal; padding-left: 0em; padding-right: 0em; width: 7em;"><div style="padding: 0em 0.75em;">Civilian</div></td> <td class="navbox-list navbox-even" style="border-left-style: solid; border-left-width: 2px; line-height: 1.4em; padding: 0.15em 0pt; text-align: left; width: auto;"><div style="padding: 0em 0.25em;"><span style="white-space: nowrap;"><a href="http://en.wikipedia.org/wiki/Judah_P._Benjamin" title="Judah P.
Benjamin">Benjamin</a> <b>·</b></span> <span style="white-space: nowrap;"><a href="http://en.wikipedia.org/wiki/Jefferson_Davis" title="Jefferson Davis">Davis</a> <b>·</b></span> <span style="white-space: nowrap;"><a href="http://en.wikipedia.org/wiki/Stephen_Mallory" title="Stephen
Mallory">Mallory</a> <b>·</b></span> <span style="white-space: nowrap;"><a href="http://en.wikipedia.org/wiki/James_Seddon" title="James Seddon">Seddon</a> <b>·</b></span> <span style="white-space: nowrap;"><a class="mw-redirect" href="http://en.wikipedia.org/wiki/Alexander_Stephens" title="Alexander
Stephens">Stephens</a></span></div></td> </tr>
</tbody></table></td> </tr>
<tr style="height: 2px;"> <td></td> </tr>
<tr> <td class="navbox-group" style="background: none repeat scroll 0% 0% rgb(192, 192, 192); padding-left: 0em; padding-right: 0em; width: 9em;"><div style="padding: 0em 0.75em;">Union</div></td> <td class="navbox-list navbox-even" style="border-left-style: solid; border-left-width: 2px; padding: 0px; text-align: left; width: auto;"><table cellspacing="0" class="nowraplinks navbox-subgroup" style="width: 100%;"><tbody>
<tr> <td class="navbox-group" style="background: none repeat scroll 0% 0% rgb(220, 220, 220); font-weight: normal; padding-left: 0em; padding-right: 0em; width: 7em;"><div style="padding: 0em 0.75em;">Military</div></td> <td class="navbox-list navbox-odd" style="border-left-style: solid; border-left-width: 2px; line-height: 1.4em; padding: 0.15em 0pt; text-align: left; width: auto;"><div style="padding: 0em 0.25em;"><span style="white-space: nowrap;"><a href="http://en.wikipedia.org/wiki/Robert_Anderson_%28Civil_War%29" title="Robert Anderson (Civil War)">Anderson</a> <b>·</b></span> <span style="white-space: nowrap;"><a href="http://en.wikipedia.org/wiki/Don_Carlos_Buell" title="Don Carlos
Buell">Buell</a> <b>·</b></span> <span style="white-space: nowrap;"><a href="http://en.wikipedia.org/wiki/Benjamin_Franklin_Butler_%28politician%29" title="Benjamin Franklin Butler (politician)">Butler</a> <b>·</b></span> <span style="white-space: nowrap;"><a href="http://en.wikipedia.org/wiki/Ambrose_Burnside" title="Ambrose
Burnside">Burnside</a> <b>·</b></span> <span style="white-space: nowrap;"><a href="http://en.wikipedia.org/wiki/Samuel_Francis_Du_Pont" title="Samuel Francis Du Pont">Du Pont</a> <b>·</b></span> <span style="white-space: nowrap;"><a href="http://en.wikipedia.org/wiki/David_Farragut" title="David
Farragut">Farragut</a> <b>·</b></span> <span style="white-space: nowrap;"><a href="http://en.wikipedia.org/wiki/Andrew_Hull_Foote" title="Andrew Hull Foote">Foote</a> <b>·</b></span> <span style="white-space: nowrap;"><a href="http://en.wikipedia.org/wiki/Ulysses_S._Grant" title="Ulysses S.
Grant">Grant</a> <b>·</b></span> <span style="white-space: nowrap;"><a href="http://en.wikipedia.org/wiki/Henry_Wager_Halleck" title="Henry
Wager Halleck">Halleck</a> <b>·</b></span> <span style="white-space: nowrap;"><a href="http://en.wikipedia.org/wiki/Joseph_Hooker" title="Joseph Hooker">Hooker</a> <b>·</b></span> <span style="white-space: nowrap;"><a href="http://en.wikipedia.org/wiki/Henry_Jackson_Hunt" title="Henry
Jackson Hunt">Hunt</a> <b>·</b></span> <span style="white-space: nowrap;"><a href="http://en.wikipedia.org/wiki/George_B._McClellan" title="George B. McClellan">McClellan</a> <b>·</b></span> <span style="white-space: nowrap;"><a href="http://en.wikipedia.org/wiki/Irvin_McDowell" title="Irvin
McDowell">McDowell</a> <b>·</b></span> <span style="white-space: nowrap;"><a href="http://en.wikipedia.org/wiki/George_Meade" title="George Meade">Meade</a> <b>·</b></span> <span style="white-space: nowrap;"><a href="http://en.wikipedia.org/wiki/Montgomery_C._Meigs" title="Montgomery C. Meigs">Meigs</a> <b>·</b></span> <span style="white-space: nowrap;"><a href="http://en.wikipedia.org/wiki/John_Pope_%28military_officer%29" title="John Pope (military officer)">Pope</a> <b>·</b></span> <span style="white-space: nowrap;"><a href="http://en.wikipedia.org/wiki/David_Dixon_Porter" title="David
Dixon Porter">D.D. Porter</a> <b>·</b></span> <span style="white-space: nowrap;"><a href="http://en.wikipedia.org/wiki/William_Rosecrans" title="William Rosecrans">Rosecrans</a> <b>·</b></span> <span style="white-space: nowrap;"><a href="http://en.wikipedia.org/wiki/Winfield_Scott" title="Winfield
Scott">Scott</a> <b>·</b></span> <span style="white-space: nowrap;"><a href="http://en.wikipedia.org/wiki/Philip_Sheridan" title="Philip
Sheridan">Sheridan</a> <b>·</b></span> <span style="white-space: nowrap;"><a href="http://en.wikipedia.org/wiki/William_Tecumseh_Sherman" title="William Tecumseh Sherman">Sherman</a> <b>·</b></span> <span style="white-space: nowrap;"><a href="http://en.wikipedia.org/wiki/George_Henry_Thomas" title="George
Henry Thomas">Thomas</a></span></div></td> </tr>
<tr style="height: 2px;"> <td></td> </tr>
<tr> <td class="navbox-group" style="background: none repeat scroll 0% 0% rgb(220, 220, 220); font-weight: normal; padding-left: 0em; padding-right: 0em; width: 7em;"><div style="padding: 0em 0.75em;">Civilian</div></td> <td class="navbox-list navbox-even" style="border-left-style: solid; border-left-width: 2px; line-height: 1.4em; padding: 0.15em 0pt; text-align: left; width: auto;"><div style="padding: 0em 0.25em;"><span style="white-space: nowrap;"><a href="http://en.wikipedia.org/wiki/Charles_Francis_Adams,_Sr." title="Charles Francis Adams, Sr.">Adams</a> <b>·</b></span> <span style="white-space: nowrap;"><a href="http://en.wikipedia.org/wiki/Salmon_P._Chase" title="Salmon P.
Chase">Chase</a> <b>·</b></span> <span style="white-space: nowrap;"><a href="http://en.wikipedia.org/wiki/John_Ericsson" title="John Ericsson">Ericsson</a> <b>·</b></span> <span style="white-space: nowrap;"><a href="http://en.wikipedia.org/wiki/Abraham_Lincoln" title="Abraham
Lincoln">Lincoln</a> <b>·</b></span> <span style="white-space: nowrap;"><a href="http://en.wikipedia.org/wiki/Allan_Pinkerton" title="Allan
Pinkerton">Pinkerton</a> <b>·</b></span> <span style="white-space: nowrap;"><a href="http://en.wikipedia.org/wiki/William_H._Seward" title="William H. Seward">Seward</a> <b>·</b></span> <span style="white-space: nowrap;"><a href="http://en.wikipedia.org/wiki/Edwin_M._Stanton" title="Edwin M.
Stanton">Stanton</a> <b>·</b></span> <span style="white-space: nowrap;"><a href="http://en.wikipedia.org/wiki/Thaddeus_Stevens" title="Thaddeus
Stevens">Stevens</a> <b>·</b></span> <span style="white-space: nowrap;"><a href="http://en.wikipedia.org/wiki/Benjamin_Wade" title="Benjamin Wade">Wade</a> <b>·</b></span> <span style="white-space: nowrap;"><a href="http://en.wikipedia.org/wiki/Gideon_Welles" title="Gideon Welles">Welles</a></span></div></td> </tr>
</tbody></table></td> </tr>
</tbody></table></td> </tr>
</tbody></table></td> </tr>
<tr style="height: 2px;"> <td><br />
</td> </tr>
<tr> <td class="navbox-list
navbox-even" colspan="2" style="padding: 0px; width: 100%;"><table cellspacing="0" class="nowraplinks collapsible collapsed
navbox-subgroup" id="collapsibleTable4" style="width: 100%;"><tbody>
<tr> <th class="navbox-title" colspan="2" style="background: none repeat scroll 0% 0% rgb(192, 192, 192);"><span class="collapseButton">[<a href="javascript:collapseTable(4);" id="collapseButton4">show</a>]</span> <br />
<span class="" style="font-size: 100%;">Aftermath</span></th> </tr>
<tr style="display: none; height: 2px;"> <td></td> </tr>
<tr style="display: none;"> <td class="navbox-list navbox-odd" colspan="2" style="line-height: 1.4em; padding: 0.25em 0pt; width: 100%;"><div style="padding: 0em 0.25em;"><span style="white-space: nowrap;"><a href="http://en.wikipedia.org/wiki/Thirteenth_Amendment_to_the_United_States_Constitution" title="Thirteenth Amendment to the United States Constitution">13th Amendment</a> <b>·</b></span> <span style="white-space: nowrap;"><a href="http://en.wikipedia.org/wiki/Fourteenth_Amendment_to_the_United_States_Constitution" title="Fourteenth Amendment to the United States Constitution">14th Amendment</a> <b>·</b></span> <span style="white-space: nowrap;"><a href="http://en.wikipedia.org/wiki/Fifteenth_Amendment_to_the_United_States_Constitution" title="Fifteenth Amendment to the United States Constitution">15th Amendment</a> <b>·</b></span> <span style="white-space: nowrap;"><a href="http://en.wikipedia.org/wiki/Alabama_Claims" title="Alabama
Claims">Alabama Claims</a> <b>·</b></span> <span style="white-space: nowrap;"><a href="http://en.wikipedia.org/wiki/Carpetbagger" title="Carpetbagger">Carpetbaggers</a> <b>·</b></span> <span style="white-space: nowrap;"><a href="http://en.wikipedia.org/wiki/Category:Confederate_States_of_America_memorials_and_cemeteries" title="Category:Confederate States of America memorials and cemeteries">Confederate memorials and cemeteries</a> <b>·</b></span> <span style="white-space: nowrap;"><a href="http://en.wikipedia.org/wiki/Freedman%27s_Savings_Bank" title="Freedman's Savings Bank">Freedman's Bank</a> <b>·</b></span> <span style="white-space: nowrap;"><a href="http://en.wikipedia.org/wiki/Bureau_of_Refugees,_Freedmen_and_Abandoned_Lands" title="Bureau of Refugees, Freedmen and Abandoned Lands">Freedmen's Bureau</a> <b>·</b></span> <span style="white-space: nowrap;"><a href="http://en.wikipedia.org/wiki/Grand_Army_of_the_Republic" title="Grand Army of the Republic">Grand Army of the Republic</a> <b>·</b></span> <span style="white-space: nowrap;"><a href="http://en.wikipedia.org/wiki/Jim_Crow_laws" title="Jim Crow laws">Jim Crow laws</a> <b>·</b></span> <span style="white-space: nowrap;"><a href="http://en.wikipedia.org/wiki/Ku_Klux_Klan" title="Ku Klux Klan">Ku Klux Klan</a> <b>·</b></span> <span style="white-space: nowrap;"><a href="http://en.wikipedia.org/wiki/United_States_National_Cemetery" title="United States National Cemetery">National cemeteries</a> <b>·</b></span> <span style="white-space: nowrap;"><a href="http://en.wikipedia.org/wiki/Old_soldiers%27_home" title="Old
soldiers' home">Old soldiers' homes</a> <b>·</b></span> <span style="white-space: nowrap;"><a href="http://en.wikipedia.org/wiki/Reconstruction_era_of_the_United_States" title="Reconstruction era of the United States">Reconstruction</a> <b>·</b></span> <span style="white-space: nowrap;"><a href="http://en.wikipedia.org/wiki/Redeemers" title="Redeemers">Redeemers</a> <b>·</b></span> <span style="white-space: nowrap;"><a href="http://en.wikipedia.org/wiki/Southern_Claims_Commission" title="Southern Claims Commission">Southern Claims Commission</a> <b>·</b></span> <span style="white-space: nowrap;"><a href="http://en.wikipedia.org/wiki/United_Confederate_Veterans" title="United Confederate Veterans">United Confederate Veterans</a> <b>·</b></span> <span style="white-space: nowrap;"><a href="http://en.wikipedia.org/wiki/Category:United_States_military_memorials_and_cemeteries" title="Category:United States military memorials and cemeteries">U.S. memorials and cemeteries</a></span></div></td> </tr>
</tbody></table></td> </tr>
<tr style="height: 2px;"> <td><br />
</td> </tr>
<tr> <td class="navbox-list
navbox-odd" colspan="2" style="padding: 0px; width: 100%;"><table cellspacing="0" class="nowraplinks collapsible collapsed
navbox-subgroup" id="collapsibleTable5" style="width: 100%;"><tbody>
<tr> <th class="navbox-title" colspan="2" style="background: none repeat scroll 0% 0% rgb(192, 192, 192);"><span class="collapseButton">[<a href="javascript:collapseTable(5);" id="collapseButton5">show</a>]</span> <br />
<span class="" style="font-size: 100%;">Related topics <b>·</b></span> <span style="white-space: nowrap;">Categories</span></th> </tr>
<tr style="display: none; height: 2px;"> <td></td> </tr>
<tr style="display: none;"> <td class="navbox-list
navbox-odd" colspan="2" style="padding: 0px; width: 100%;"><table cellspacing="0" class="nowraplinks navbox-subgroup" style="width: 100%;"><tbody>
<tr> <td class="navbox-group" style="background: none repeat scroll 0% 0% rgb(192, 192, 192); padding-left: 0em; padding-right: 0em; width: 9em;"><div style="padding: 0em 0.75em;">Related topics</div></td> <td class="navbox-list navbox-odd" style="border-left-style: solid; border-left-width: 2px; padding: 0px; text-align: left; width: auto;"><table cellspacing="0" class="nowraplinks navbox-subgroup" style="width: 100%;"><tbody>
<tr> <td class="navbox-group" style="background: none repeat scroll 0% 0% rgb(220, 220, 220); font-weight: normal; padding-left: 0em; padding-right: 0em; width: 7em;"><div style="padding: 0em 0.75em;">Military</div></td> <td class="navbox-list navbox-odd" style="border-left-style: solid; border-left-width: 2px; line-height: 1.4em; padding: 0.15em 0pt; text-align: left; width: auto;"><div style="padding: 0em 0.25em;"><span style="white-space: nowrap;"><a href="http://en.wikipedia.org/wiki/Union_Army_Balloon_Corps" title="Union Army Balloon Corps">Balloons</a> <b>·</b></span> <span style="white-space: nowrap;"><a href="http://en.wikipedia.org/wiki/Bushwhacker" title="Bushwhacker">Bushwhacker</a> <b>·</b></span> <span style="white-space: nowrap;"><a href="http://en.wikipedia.org/wiki/Cavalry_in_the_American_Civil_War" title="Cavalry in the American Civil War">Cavalry</a> <b>·</b></span> <span style="white-space: nowrap;"><a href="http://en.wikipedia.org/wiki/Field_artillery_in_the_American_Civil_War" title="Field artillery in the American Civil War">Field artillery</a> <b>·</b></span> <span style="white-space: nowrap;"><a href="http://en.wikipedia.org/wiki/Military_leadership_in_the_American_Civil_War" title="Military leadership in the American Civil War">Military leadership</a> <b>·</b></span> <span style="white-space: nowrap;"><a href="http://en.wikipedia.org/wiki/Naval_battles_of_the_American_Civil_War" title="Naval battles of the American Civil War">Naval battles</a> <b>·</b></span> <span style="white-space: nowrap;"><a href="http://en.wikipedia.org/wiki/Official_Records_of_the_American_Civil_War" title="Official Records of the American Civil War">Official Records</a> <b>·</b></span> <span style="white-space: nowrap;"><a href="http://en.wikipedia.org/wiki/Signal_Corps_in_the_American_Civil_War" title="Signal Corps in the American Civil War">Signal Corps</a></span></div></td> </tr>
<tr style="height: 2px;"> <td></td> </tr>
<tr> <td class="navbox-group" style="background: none repeat scroll 0% 0% rgb(220, 220, 220); font-weight: normal; padding-left: 0em; padding-right: 0em; width: 7em;"><div style="padding: 0em 0.75em;">Political</div></td> <td class="navbox-list navbox-even" style="border-left-style: solid; border-left-width: 2px; line-height: 1.4em; padding: 0.15em 0pt; text-align: left; width: auto;"><div style="padding: 0em 0.25em;"><span style="white-space: nowrap;"><a href="http://en.wikipedia.org/wiki/United_States_Congress_Joint_Committee_on_the_Conduct_of_the_War" title="United States Congress Joint Committee on the Conduct of the
War">Committee on the Conduct of the War</a> <b>·</b></span> <span style="white-space: nowrap;"><a href="http://en.wikipedia.org/wiki/Copperheads_%28politics%29" title="Copperheads (politics)">Copperheads</a> <b>·</b></span> <span style="white-space: nowrap;"><a href="http://en.wikipedia.org/wiki/Political_general" title="Political
general">Political General</a> <b>·</b></span> <span style="white-space: nowrap;"><a href="http://en.wikipedia.org/wiki/Radical_Republicans" title="Radical Republicans">Radical Republicans</a> <b>·</b></span> <span style="white-space: nowrap;"><a href="http://en.wikipedia.org/wiki/Trent_Affair" title="Trent Affair"><i>Trent</i> Affair</a> <b>·</b></span> <span style="white-space: nowrap;"><a href="http://en.wikipedia.org/wiki/War_Democrats" title="War Democrats">War Democrats</a> <b>·</b></span> <span style="white-space: nowrap;"><a href="http://en.wikipedia.org/wiki/Confederate_war_finance" title="Confederate war finance">Confederate war finance</a></span></div></td> </tr>
<tr style="height: 2px;"> <td></td> </tr>
<tr> <td class="navbox-group" style="background: none repeat scroll 0% 0% rgb(220, 220, 220); font-weight: normal; padding-left: 0em; padding-right: 0em; width: 7em;"><div style="padding: 0em 0.75em;">Other topics</div></td> <td class="navbox-list navbox-odd" style="border-left-style: solid; border-left-width: 2px; line-height: 1.4em; padding: 0.15em 0pt; text-align: left; width: auto;"><div style="padding: 0em 0.25em;"><span style="white-space: nowrap;"><a href="http://en.wikipedia.org/wiki/List_of_American_Civil_War_topics" title="List of American Civil War topics">List of Civil War topics</a> <b>·</b></span> <span style="white-space: nowrap;"><a href="http://en.wikipedia.org/wiki/New_York_Draft_Riots" title="New York
Draft Riots">Draft Riots</a> <b>·</b></span> <span style="white-space: nowrap;"><b class="selflink">Music</b> <b>·</b></span> <span style="white-space: nowrap;"><a href="http://en.wikipedia.org/wiki/Naming_the_American_Civil_War" title="Naming the American Civil War">Naming the War</a> <b>·</b></span> <span style="white-space: nowrap;"><a href="http://en.wikipedia.org/wiki/United_States_National_Cemetery" title="United States National Cemetery">National cemeteries</a> <b>·</b></span> <span style="white-space: nowrap;"><a class="mw-redirect" href="http://en.wikipedia.org/wiki/Native_Americans_in_the_Civil_War" title="Native Americans in the Civil War">Native Americans</a> <b>·</b></span> <span style="white-space: nowrap;"><a href="http://en.wikipedia.org/wiki/Photography_and_photographers_of_the_American_Civil_War" title="Photography and photographers of the American Civil War">Photography</a> <b>·</b></span> <span style="white-space: nowrap;"><a href="http://en.wikipedia.org/wiki/Confederate_railroads_in_the_American_Civil_War" title="Confederate railroads in the American Civil War">Rail transport</a> <b>·</b></span> <span style="white-space: nowrap;"><a href="http://en.wikipedia.org/wiki/Supreme_Court_cases_of_the_American_Civil_War" title="Supreme Court cases of the American Civil War">Supreme Court cases</a> <b>·</b></span> <span style="white-space: nowrap;"><a href="http://en.wikipedia.org/wiki/Turning_point_of_the_American_Civil_War" title="Turning point of the American Civil War">Turning points</a> <b>·</b></span> <span style="white-space: nowrap;"><a href="http://en.wikipedia.org/wiki/United_States_Sanitary_Commission" title="United States Sanitary Commission">U.S. Sanitary Commission</a></span></div></td> </tr>
</tbody></table></td> </tr>
<tr style="height: 2px;"> <td></td> </tr>
<tr> <td class="navbox-group" style="background: none repeat scroll 0% 0% rgb(192, 192, 192); padding-left: 0em; padding-right: 0em; width: 9em;"><div style="padding: 0em 0.75em;">Categories</div></td> <td class="navbox-list navbox-even" style="border-left-style: solid; border-left-width: 2px; line-height: 1.4em; padding: 0.25em 0pt; text-align: left; width: auto;"><div style="padding: 0em 0.25em;"><span style="white-space: nowrap;"><a href="http://en.wikipedia.org/wiki/Category:American_Civil_War" title="Category:American Civil War">American Civil War</a> <b>·</b></span> <span style="white-space: nowrap;"><a href="http://en.wikipedia.org/wiki/Category:People_of_the_American_Civil_War" title="Category:People of the American Civil War">People</a> <b>·</b></span> <span style="white-space: nowrap;"><a href="http://en.wikipedia.org/wiki/Category:Battles_of_the_American_Civil_War" title="Category:Battles of the American Civil War">Battles</a> <b>·</b></span> <span style="white-space: nowrap;"><a href="http://en.wikipedia.org/wiki/Category:Union_Army_generals" title="Category:Union Army generals">Union Army generals</a> <b>·</b></span> <span style="white-space: nowrap;"><a href="http://en.wikipedia.org/wiki/Category:Union_armies" title="Category:Union armies">Union armies</a> <b>·</b></span> <span style="white-space: nowrap;"><a href="http://en.wikipedia.org/wiki/Category:Union_Army_corps" title="Category:Union Army corps">Union Army corps</a> <b>·</b></span> <span style="white-space: nowrap;"><a href="http://en.wikipedia.org/wiki/Category:Confederate_States_of_America" title="Category:Confederate States of America">Confederate States of America (CSA)</a> <b>·</b></span> <span style="white-space: nowrap;"><a href="http://en.wikipedia.org/wiki/Category:Confederate_States_Army_generals" title="Category:Confederate States Army generals">Confederate Army generals</a> <b>·</b></span> <span style="white-space: nowrap;"><a href="http://en.wikipedia.org/wiki/Category:Armies_of_the_Confederate_States_of_America" title="Category:Armies of the Confederate States of America">Confederate armies</a> <b>·</b></span> <span style="white-space: nowrap;"><a href="http://en.wikipedia.org/wiki/Category:American_Civil_War_spies" title="Category:American Civil War spies">Spies</a> <b>·</b></span> <span style="white-space: nowrap;"><a href="http://en.wikipedia.org/wiki/Category:National_Battlefields_and_Military_Parks_of_the_United_States" title="Category:National Battlefields and Military Parks of the United
States">National Battlefields</a> <b>·</b></span> <span style="white-space: nowrap;"><a href="http://en.wikipedia.org/wiki/Category:American_Civil_War_veterans_and_descendants_organizations" title="Category:American Civil War veterans and descendants
organizations">Veterans' organizations</a> <b>·</b></span> <span style="white-space: nowrap;"><a href="http://en.wikipedia.org/wiki/Medicine_in_the_American_Civil_War" title="Medicine in the American Civil War">Medicine</a> <b>·</b></span> <span style="white-space: nowrap;"><a href="http://en.wikipedia.org/wiki/Category:American_Civil_War_museums" title="Category:American Civil War museums">Museums</a> <b>·</b></span> <span style="white-space: nowrap;"><a href="http://en.wikipedia.org/wiki/Category:American_Civil_War_forts" title="Category:American Civil War forts">Forts</a> <b>·</b></span> <span style="white-space: nowrap;"><a href="http://en.wikipedia.org/wiki/Category:Old_soldiers%27_homes" title="Category:Old soldiers' homes">Old soldiers' homes</a> <b>·</b></span> <span style="white-space: nowrap;"><a href="http://en.wikipedia.org/wiki/Category:American_Civil_War_prison_camps" title="Category:American Civil War prison camps">Prisons</a> <b>·</b></span> <span style="white-space: nowrap;"><a href="http://en.wikipedia.org/wiki/Category:United_States_military_memorials_and_cemeteries" title="Category:United States military memorials and cemeteries">U.S. memorials and cemeteries</a> <b>·</b></span> <span style="white-space: nowrap;"><a href="http://en.wikipedia.org/wiki/Category:Confederate_States_of_America_memorials_and_cemeteries" title="Category:Confederate States of America memorials and cemeteries">Confederate memorials and cemeteries</a></span></div></td> </tr>
</tbody></table></td> </tr>
</tbody></table></td> </tr>
<tr style="height: 2px;"> <td><br />
</td> </tr>
<tr> <td class="navbox-list
navbox-even" colspan="2" style="padding: 0px; width: 100%;"><table cellspacing="0" class="nowraplinks collapsible collapsed
navbox-subgroup" id="collapsibleTable6" style="width: 100%;"><tbody>
<tr> <th class="navbox-title" colspan="2" style="background: none repeat scroll 0% 0% rgb(192, 192, 192);"><span class="collapseButton">[<a href="javascript:collapseTable(6);" id="collapseButton6">show</a>]</span> <br />
<span class="" style="font-size: 100%;">American Civil War at sister projects</span></th> </tr>
<tr style="display: none; height: 2px;"> <td></td> </tr>
<tr style="display: none;"> <td class="navbox-list
navbox-odd" colspan="2" style="padding: 0px; width: 100%;"><table cellspacing="0" class="nowraplinks navbox-subgroup" style="width: 100%;"><tbody>
<tr> <td class="navbox-list
navbox-odd" colspan="2" style="background: none repeat scroll 0% 0% transparent; color: inherit; padding: 0px; width: 100%;"><div style="padding: 0px;"><table cellspacing="0" class="navbox-columns-table" style="margin-left: auto; margin-right: auto; text-align: left; width: auto;"><tbody>
<tr style="vertical-align: top;"> <td style="width: 5em;"> </td> <td style="padding: 0px; width: 32%;"><div><div style="line-height: 2.4em; padding: 0.4em 0pt; white-space: nowrap;"><a class="image" href="http://en.wikipedia.org/wiki/File:Wiktionary-logo-en.svg"><img alt="Wiktionary-logo-en.svg" height="22" src="http://upload.wikimedia.org/wikipedia/commons/thumb/f/f8/Wiktionary-logo-en.svg/20px-Wiktionary-logo-en.svg.png" width="20" /></a> <a class="extiw" href="http://en.wiktionary.org/wiki/Special:Search/American_Civil_War" title="wiktionary:Special:Search/American Civil War">American Civil War</a> at <a class="extiw" href="http://en.wiktionary.org/wiki/Main_Page" title="wiktionary:Main Page">Wiktionary</a><br />
<a class="image" href="http://en.wikipedia.org/wiki/File:Wikisource-logo.svg"><img alt="Wikisource-logo.svg" height="21" src="http://upload.wikimedia.org/wikipedia/commons/thumb/4/4c/Wikisource-logo.svg/20px-Wikisource-logo.svg.png" width="20" /></a> <a class="extiw" href="http://en.wikisource.org/wiki/Special:Search/American_Civil_War" title="wikisource:Special:Search/American Civil War">Source texts</a> at <a class="extiw" href="http://en.wikisource.org/wiki/Main_Page" title="wikisource:Main Page">Wikisource</a></div></div></td> <td style="border-left: 2px solid rgb(253, 253, 253); padding: 0px; width: 32%;"><div><div style="line-height: 2.4em; padding: 0.4em 0pt; white-space: nowrap;"><a class="image" href="http://en.wikipedia.org/wiki/File:Wikibooks-logo.svg"><img alt="Wikibooks-logo.svg" height="20" src="http://upload.wikimedia.org/wikipedia/commons/thumb/f/fa/Wikibooks-logo.svg/20px-Wikibooks-logo.svg.png" width="20" /></a> <a class="extiw" href="http://en.wikibooks.org/wiki/Special:Search/American_Civil_War" title="wikibooks:Special:Search/American Civil War">Textbooks</a> at <a class="extiw" href="http://en.wikibooks.org/wiki/Main_Page" title="wikibooks:Main Page">Wikibooks</a><br />
<a class="image" href="http://en.wikipedia.org/wiki/File:Commons-logo.svg"><img alt="Commons-logo.svg" height="27" src="http://upload.wikimedia.org/wikipedia/en/thumb/4/4a/Commons-logo.svg/20px-Commons-logo.svg.png" width="20" /></a> <a class="extiw" href="http://commons.wikimedia.org/wiki/Special:Search/American_Civil_War" title="commons:Special:Search/American Civil War">Images and media</a> at the <a class="extiw" href="http://commons.wikimedia.org/wiki/Main_Page" title="commons:Main
Page">Commons</a></div></div></td> <td style="border-left: 2px solid rgb(253, 253, 253); padding: 0px; width: 27%;"><div><div style="line-height: 2.4em; padding: 0.4em 0pt; white-space: nowrap;"><a class="image" href="http://en.wikipedia.org/wiki/File:Wikiquote-logo.svg"><img alt="Wikiquote-logo.svg" height="24" src="http://upload.wikimedia.org/wikipedia/commons/thumb/f/fa/Wikiquote-logo.svg/20px-Wikiquote-logo.svg.png" width="20" /></a> <a class="extiw" href="http://en.wikiquote.org/wiki/Special:Search/American_Civil_War" title="wikiquote:Special:Search/American Civil War">Quotations</a> at <a class="extiw" href="http://en.wikiquote.org/wiki/Main_Page" title="wikiquote:Main Page">Wikiquote</a><br />
<a class="image" href="http://en.wikipedia.org/wiki/File:Wikinews-logo.svg"><img alt="Wikinews-logo.svg" height="11" src="http://upload.wikimedia.org/wikipedia/commons/thumb/2/24/Wikinews-logo.svg/20px-Wikinews-logo.svg.png" width="20" /></a> <a class="extiw" href="http://en.wikinews.org/wiki/Special:Search/American_Civil_War" title="wikinews:Special:Search/American Civil War">News stories</a> at <a class="extiw" href="http://en.wikinews.org/wiki/Main_Page" title="wikinews:Main Page">Wikinews</a></div></div></td> </tr>
</tbody></table></div></td> </tr>
</tbody></table></td> </tr>
</tbody></table></td> </tr>
<tr style="height: 2px;"> <td><br />
</td> </tr>
<tr> <td class="navbox-abovebelow" colspan="2" style="background: none repeat scroll 0% 0% rgb(153, 204, 255);"><b><a href="http://en.wikipedia.org/wiki/Portal:American_Civil_War" title="Portal:American Civil War">American Civil War portal</a></b></td> </tr>
</tbody></table></td> </tr>
</tbody></table><div class="printfooter" style="text-align: justify;">Retrieved from "<a href="http://en.wikipedia.org/wiki/Music_of_the_American_Civil_War">http://en.wikipedia.org/wiki/Music_of_the_American_Civil_War</a>"</div><div class="printfooter" style="text-align: justify;">. </div><div class="catlinks" id="catlinks"><div id="mw-normal-catlinks" style="text-align: justify;"><a href="http://en.wikipedia.org/wiki/Special:Categories" title="Special:Categories">Categories</a>: <span dir="ltr"><a href="http://en.wikipedia.org/wiki/Category:Social_history_of_the_American_Civil_War" title="Category:Social history of the American Civil War">Social history of the American Civil War</a></span> | <span dir="ltr"><a href="http://en.wikipedia.org/wiki/Category:Songs_of_the_American_Civil_War" title="Category:Songs of the American Civil War">Songs of the American Civil War</a></span></div><div id="mw-normal-catlinks"><span dir="ltr">.</span></div><div id="mw-normal-catlinks"><span dir="ltr">.</span></div><div id="mw-normal-catlinks"><span dir="ltr">.</span><br />
<h1 class="firstHeading" id="firstHeading" style="text-align: justify;"><span style="font-size: large;">Music history of the United States during the Civil War era</span></h1><h3 id="siteSub" style="text-align: justify;">From Wikipedia, the free encyclopedia</h3><table class="metadata plainlinks ambox ambox-move" style="margin-left: 0px; margin-right: 0px; text-align: left;"><tbody>
<tr> <td class="mbox-image"><div style="width: 52px;"><a class="image" href="http://en.wikipedia.org/wiki/File:Merge-arrow.svg"><img alt="Merge-arrow.svg" height="20" src="http://upload.wikimedia.org/wikipedia/commons/thumb/a/aa/Merge-arrow.svg/50px-Merge-arrow.svg.png" width="50" /></a></div></td> <td class="mbox-text" style="text-align: justify;">It has been suggested that this article or section be <a href="http://en.wikipedia.org/wiki/Wikipedia:Merging" title="Wikipedia:Merging">merged</a> into <i><a href="http://en.wikipedia.org/wiki/Music_of_the_American_Civil_War" title="Music of the American Civil War">Music of the American Civil War</a></i>. (<a href="http://en.wikipedia.org/wiki/Talk:Music_of_the_American_Civil_War" title="Talk:Music of the American Civil War">Discuss</a>)</td> </tr>
</tbody></table><table cellpadding="3" class="toccolours vcard" style="float: right; margin: 0pt 0px 1em; text-align: left; width: 20em;"><tbody>
<tr> <th colspan="2" style="background: none repeat scroll 0% 0% rgb(223, 223, 239); text-align: center;"><a href="http://en.wikipedia.org/wiki/History_of_the_United_States" title="History of the United States">History of the United States</a></th> </tr>
<tr> <td colspan="2" style="text-align: center;"><small><a href="http://en.wikipedia.org/wiki/Military_history_of_the_United_States" title="Military history of the United States">Military</a> - <a href="http://en.wikipedia.org/wiki/Postage_stamps_and_postal_history_of_the_United_States" title="Postage stamps and postal history of the United States">Postal</a> - <a class="mw-redirect" href="http://en.wikipedia.org/wiki/United_States_diplomatic_history" title="United States diplomatic history">Diplomatic</a> - <a class="mw-redirect" href="http://en.wikipedia.org/wiki/History_of_United_States_overseas_expansion" title="History of United States overseas expansion">Expansionist</a> - <a class="mw-redirect" href="http://en.wikipedia.org/wiki/Religious_history_of_the_United_States" title="Religious history of the United States">Religious</a> - <a class="mw-redirect" href="http://en.wikipedia.org/wiki/United_States_technological_and_industrial_history" title="United States technological and industrial history">Industrial</a> - <a href="http://en.wikipedia.org/wiki/History_of_women_in_the_United_States" title="History of women in the United States">Feminist</a> - <a href="http://en.wikipedia.org/wiki/Music_history_of_the_United_States" title="Music history of the United States">Music</a></small></td> </tr>
<tr> <th colspan="2" style="background: none repeat scroll 0% 0% rgb(223, 223, 239); text-align: center;"><a href="http://en.wikipedia.org/wiki/Music_of_the_United_States" title="Music of the United States">Music of the United States</a></th> </tr>
<tr> <td colspan="2" style="font-size: 90%; text-align: center;"><a href="http://en.wikipedia.org/wiki/Music_history_of_the_United_States_during_the_colonial_era" title="Music history of the United States during the colonial era">Colonial era</a> - <a href="http://en.wikipedia.org/wiki/Music_history_of_the_United_States_to_the_Civil_War" title="Music history of the United States to the Civil War">to the Civil War</a> - <b class="selflink">During the Civil War</b> - <a href="http://en.wikipedia.org/wiki/Music_history_of_the_United_States_in_the_late_19th_century" title="Music history of the United States in the late 19th century">Late 19th century</a> - <a class="mw-redirect" href="http://en.wikipedia.org/wiki/Music_history_of_the_United_States_in_the_early_20th_century" title="Music history of the United States in the early 20th century">Early 20th century</a> - <a href="http://en.wikipedia.org/wiki/Music_history_of_the_United_States_%281940s_and_50s%29" title="Music history of the United States (1940s and 50s)">40s and 50s</a> - <a href="http://en.wikipedia.org/wiki/Music_history_of_the_United_States_%281960s_and_70s%29" title="Music history of the United States (1960s and 70s)">60s and 70s</a> - <a href="http://en.wikipedia.org/wiki/Music_history_of_the_United_States_%281980s_to_the_present%29" title="Music history of the United States (1980s to the present)">80s to the present</a></td> </tr>
<tr> <th colspan="2" style="background: none repeat scroll 0% 0% rgb(223, 223, 239); text-align: center;">Ethnic music</th> </tr>
<tr> <td colspan="2" style="font-size: 90%; text-align: center;"><a href="http://en.wikipedia.org/wiki/Native_American_music" title="Native
American music">Native American</a>: <a href="http://en.wikipedia.org/wiki/Arapaho_music" title="Arapaho music">Arapaho music</a>, <a href="http://en.wikipedia.org/wiki/Blackfoot_music" title="Blackfoot music">Blackfoot music</a>, <a href="http://en.wikipedia.org/wiki/Inuit_music" title="Inuit music">Inuit music</a>, <a href="http://en.wikipedia.org/wiki/Iroquois_music" title="Iroquois music">Iroquois music</a>, <a href="http://en.wikipedia.org/wiki/Kiowa_music" title="Kiowa music">Kiowa music</a>, <a href="http://en.wikipedia.org/wiki/Navajo_music" title="Navajo music">Navajo music</a>, <a href="http://en.wikipedia.org/wiki/Pueblo_music" title="Pueblo music">Pueblo music</a>, <a href="http://en.wikipedia.org/wiki/Seminole_music" title="Seminole music">Seminole music</a>, <a href="http://en.wikipedia.org/wiki/Sioux_music" title="Sioux music">Sioux music</a>, and <a href="http://en.wikipedia.org/wiki/Yuman_music" title="Yuman music">Yuman music</a> - <a href="http://en.wikipedia.org/wiki/Anglo-American_music" title="Anglo-American music">English</a>: <small><a href="http://en.wikipedia.org/wiki/Old-time_music" title="Old-time
music">old-time</a> and <a href="http://en.wikipedia.org/wiki/Western_music_%28North_America%29" title="Western music (North America)">Western music</a></small> - <a class="mw-redirect" href="http://en.wikipedia.org/wiki/African_American_music" title="African American music">African American</a> - <a href="http://en.wikipedia.org/wiki/Celtic_music_in_the_United_States" title="Celtic music in the United States">Irish and Scottish</a> - <a class="mw-redirect" href="http://en.wikipedia.org/wiki/Latin_music_in_the_United_States" title="Latin music in the United States">Latin</a>: <small><a href="http://en.wikipedia.org/wiki/Tejano_music" title="Tejano music">Tejano</a> and <a href="http://en.wikipedia.org/wiki/Music_of_Puerto_Rico" title="Music of Puerto Rico">Puerto Rican</a></small> - <a href="http://en.wikipedia.org/wiki/Music_of_Louisiana" title="Music of
Louisiana">Cajun and Creole</a> - <a href="http://en.wikipedia.org/wiki/Music_of_Hawaii" title="Music of
Hawaii">Hawaii</a> - <a href="http://en.wikipedia.org/wiki/Music_of_immigrant_communities_in_the_United_States" title="Music of immigrant communities in the United States">Other immigrants</a></td> </tr>
<tr class="adr"> <td class="fn org country-name" colspan="2" style="text-align: center;"><a href="http://en.wikipedia.org/wiki/United_States" title="United States">United States</a></td> </tr>
</tbody></table><div style="text-align: justify;">The <b>music history of the United States during the <a href="http://en.wikipedia.org/wiki/American_Civil_War" title="American
Civil War">Civil War</a></b> was an important period in the development of American music. During the Civil War, when soldiers from across the country commingled, the multifarious strands of American music began to crossfertilize each other, a process that was aided by the burgeoning <a class="mw-redirect" href="http://en.wikipedia.org/wiki/Railroad" title="Railroad">railroad</a> industry and other technological developments that made travel and communication easier. Army units included individuals from across the country, and they rapidly traded tunes, <b>instruments and techniques.</b> The songs that arose from this fusion were "the first American folk music with discernible features that can be considered unique to America" <sup class="reference
plainlinks nourlexpansion" id="ref_CivilWarballads2"><a class="external
autonumber" href="http://en.wikipedia.org/wiki/Music_history_of_the_United_States_during_the_Civil_War_era#endnote_CivilWarballads2" rel="nofollow">[1]</a></sup>. The war was an impetus for the creation of many songs that became and remained wildly popular; the songs were aroused by "all the varied passions (that the Civil War inspired)" and "echoed and re-echoed" every aspect of the war. John Tasker Howard has claimed that the songs from this era "could be arranged in proper sequence to form an actual history of the conflicts; its events, its principal characters, and the ideals and principles of the opposing sides" <sup class="reference plainlinks
nourlexpansion" id="ref_Howard"><a class="external autonumber" href="http://en.wikipedia.org/wiki/Music_history_of_the_United_States_during_the_Civil_War_era#endnote_Howard" rel="nofollow">[2]</a></sup>.</div><div style="text-align: justify;">. </div><div style="text-align: justify;">In addition to, and in conjunction with, popular songs with patriotic fervor, the Civil War era also produced a great body of <a href="http://en.wikipedia.org/wiki/Brass_band" title="Brass band">brass band</a> pieces, from both the North and the South <sup class="reference
plainlinks nourlexpansion" id="ref_brassband"><a class="external
autonumber" href="http://en.wikipedia.org/wiki/Music_history_of_the_United_States_during_the_Civil_War_era#endnote_brassband" rel="nofollow">[3]</a></sup>, as well as other military musical traditions like the <a class="mw-redirect" href="http://en.wikipedia.org/wiki/Bugle_%28instrument%29" title="Bugle
(instrument)">bugle</a> call "<a href="http://en.wikipedia.org/wiki/Taps" title="Taps">Taps</a>".</div><table class="toc" id="toc" style="margin-left: 0px; margin-right: 0px; text-align: left;"><tbody>
<tr> <td><div id="toctitle"><span class="toctoggle"><br />
</span></div><ul><li class="toclevel-1 tocsection-1"><a href="http://en.wikipedia.org/wiki/Music_history_of_the_United_States_during_the_Civil_War_era#Media"><span class="tocnumber">1</span> <span class="toctext">Media</span></a></li>
<li class="toclevel-1 tocsection-2"><a href="http://en.wikipedia.org/wiki/Music_history_of_the_United_States_during_the_Civil_War_era#See_also"><span class="tocnumber">2</span> <span class="toctext">See also</span></a></li>
<li class="toclevel-1 tocsection-3"><a href="http://en.wikipedia.org/wiki/Music_history_of_the_United_States_during_the_Civil_War_era#References"><span class="tocnumber">3</span> <span class="toctext">References</span></a></li>
<li class="toclevel-1 tocsection-4"><a href="http://en.wikipedia.org/wiki/Music_history_of_the_United_States_during_the_Civil_War_era#Notes"><span class="tocnumber">4</span> <span class="toctext">Notes</span></a></li>
</ul></td> </tr>
</tbody></table><div style="text-align: justify;"><script type="text/javascript">
//<![CDATA[
if (window.showTocToggle) { var tocShowText = "show"; var tocHideText = "hide"; showTocToggle(); }
//]]>
</script> </div><h2 style="text-align: justify;"><span class="editsection"></span><span class="mw-headline" id="Media">Media</span></h2><table class="metadata plainlinks
mbox-small" style="background-color: #f9f9f9; border: 1px solid rgb(170, 170, 170); margin-left: 0px; margin-right: 0px; text-align: left;"><tbody>
<tr> <td class="mbox-image"><div class="center"><div class="floatnone"><img alt="" height="50" src="http://upload.wikimedia.org/wikipedia/commons/thumb/c/cb/Gnome-mime-audio-openclipart.svg/50px-Gnome-mime-audio-openclipart.svg.png" width="50" /></div></div></td> <td class="mbox-text" style="line-height: 1.1em;"><div class="haudio"><div class="fn" style="padding: 2px 0pt;"><a href="http://en.wikipedia.org/wiki/File:Dixie_%281916%29.ogg" title="File:Dixie (1916).ogg">Dixie</a></div><div><div id="ogg_player_1" style="width: 220px;"><div><button onclick="if (typeof(wgOggPlayer) !=
'undefined')
wgOggPlayer.init(false, {"id": "ogg_player_1",
"videoUrl":
"http://upload.wikimedia.org/wikipedia/commons/9/94/Dixie_%281916%29.ogg",
"width": 220, "height": 35, "length":
"235", "linkUrl":
"/wiki/File:Dixie_(1916).ogg", "isVideo": false});" style="text-align: center; width: 220px;" title="Play sound"><img alt="Play
sound" height="22" src="http://en.wikipedia.org/w/extensions/OggHandler/play.png" width="22" /></button></div></div></div><div class="description" style="padding: 0pt;"><a href="http://en.wikipedia.org/wiki/Dixie_%28song%29" title="Dixie
(song)">Dixie</a>, traditional <a href="http://en.wikipedia.org/wiki/Blackface" title="Blackface">Blackface</a> song</div></div><hr /><div class="haudio"><div class="fn" style="padding: 2px 0pt;"><a href="http://en.wikipedia.org/wiki/File:The_Battle_Cry_Of_Freedom.ogg" title="File:The Battle Cry Of Freedom.ogg">The Battle Cry Of Freedom</a></div><div><div id="ogg_player_2" style="width: 220px;"><div><button onclick="if
(typeof(wgOggPlayer) != 'undefined')
wgOggPlayer.init(false, {"id": "ogg_player_2",
"videoUrl":
"http://upload.wikimedia.org/wikipedia/commons/e/e7/The_Battle_Cry_Of_Freedom.ogg",
"width": 220, "height": 35, "length":
"152", "linkUrl":
"/wiki/File:The_Battle_Cry_Of_Freedom.ogg",
"isVideo": false});" style="text-align: center; width: 220px;" title="Play sound"><img alt="Play
sound" height="22" src="http://en.wikipedia.org/w/extensions/OggHandler/play.png" width="22" /></button></div></div></div><div class="description" style="padding: 0pt;">The <a class="mw-redirect" href="http://en.wikipedia.org/wiki/Battle_Cry_Of_Freedom" title="Battle
Cry Of Freedom">Battle Cry Of Freedom</a> by <a href="http://en.wikipedia.org/wiki/George_Frederick_Root" title="George
Frederick Root">George Frederick Root</a></div></div><hr /></td> </tr>
<tr> <td class="mbox-text" colspan="2" style="line-height: 1.1em;"><span style="font-size: smaller;"><i>Problems listening to these files? See <a href="http://en.wikipedia.org/wiki/Wikipedia:Media_help" title="Wikipedia:Media help">media help</a>.</i></span></td> </tr>
</tbody></table><h2 style="text-align: justify;"><span class="editsection"> </span><span class="mw-headline" id="See_also">See also</span></h2><ul style="text-align: justify;"><li><a href="http://en.wikipedia.org/wiki/Music_of_the_American_Civil_War" title="Music of the American Civil War">Music of the American Civil War</a> - a view of the music on the battlefield</li>
</ul><table class="metadata
plainlinks mbox-small" style="background-color: #f9f9f9; border: 1px solid rgb(170, 170, 170); margin-left: 0px; margin-right: 0px; text-align: left;"><tbody>
<tr> <td class="mbox-image"><a href="http://commons.wikimedia.org/wiki/Special:Search/Music_history_of_the_United_States_during_the_Civil_War_era" title="Search Wikimedia Commons"><img alt="Search Wikimedia Commons" height="40" src="http://upload.wikimedia.org/wikipedia/en/thumb/4/4a/Commons-logo.svg/30px-Commons-logo.svg.png" width="30" /></a></td> <td class="mbox-text">Wikimedia Commons has media related to: <i><b><a class="extiw" href="http://commons.wikimedia.org/wiki/Category:Music_of_the_American_Civil_War" title="commons:Category:Music of the American Civil War">Music of the American Civil War</a></b></i></td> </tr>
</tbody></table><h2 style="text-align: justify;"><span class="editsection"> </span><span class="mw-headline" id="References">References</span></h2><ul style="text-align: justify;"><li><span class="citation book">Abel, E. Lawrence (2000). <i>Singing the New Nation: How Music Shaped the Confederacy, 1861 - 1865</i> (First Edition ed.). Mechanicsburg, Pennsylvania: Stackpole Books. <a href="http://en.wikipedia.org/wiki/International_Standard_Book_Number" title="International Standard Book Number">ISBN</a> <a href="http://en.wikipedia.org/wiki/Special:BookSources/0-8117-0228-6" title="Special:BookSources/0-8117-0228-6">0-8117-0228-6</a>.</span><span class="Z3988" title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Singing+the+New+Nation%3A+How+Music+Shaped+the+Confederacy%2C+1861+-+1865&rft.aulast=Abel%2C+E.+Lawrence&rft.au=Abel%2C+E.+Lawrence&rft.date=2000&rft.edition=First+Edition&rft.place=Mechanicsburg%2C+Pennsylvania&rft.pub=Stackpole+Books&rft.isbn=0-8117-0228-6&rfr_id=info:sid/en.wikipedia.org:Music_history_of_the_United_States_during_the_Civil_War_era"><span style="display: none;"> </span></span></li>
<li><span class="citation book">Clarke, Donald (1995). <i>The Rise and Fall of Popular Music</i>. St. Martin's Press. <a href="http://en.wikipedia.org/wiki/International_Standard_Book_Number" title="International Standard Book Number">ISBN</a> <a href="http://en.wikipedia.org/wiki/Special:BookSources/0-312-11573-3" title="Special:BookSources/0-312-11573-3">0-312-11573-3</a>.</span><span class="Z3988" title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=The+Rise+and+Fall+of+Popular+Music&rft.aulast=Clarke%2C+Donald&rft.au=Clarke%2C+Donald&rft.date=1995&rft.pub=St.+Martin%27s+Press&rft.isbn=0-312-11573-3&rfr_id=info:sid/en.wikipedia.org:Music_history_of_the_United_States_during_the_Civil_War_era"><span style="display: none;"> </span></span></li>
<li><span class="citation book">Ewen, David (1957). <i>Panorama of American Popular Music</i>. Prentice Hall.</span><span class="Z3988" title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Panorama+of+American+Popular+Music&rft.aulast=Ewen%2C+David&rft.au=Ewen%2C+David&rft.date=1957&rft.pub=Prentice+Hall&rfr_id=info:sid/en.wikipedia.org:Music_history_of_the_United_States_during_the_Civil_War_era"><span style="display: none;"> </span></span></li>
<li><span class="citation web"><a class="external
text" href="http://memory.loc.gov/ammem/cwmhtml/cwmhome.html" rel="nofollow">"Band Music From the Civil War Era"</a>. <i>Library of Congress</i><span class="printonly">. <a class="external
free" href="http://memory.loc.gov/ammem/cwmhtml/cwmhome.html" rel="nofollow">http://memory.loc.gov/ammem/cwmhtml/cwmhome.html</a></span><span class="reference-accessdate">. Retrieved June 13, 2005</span>.</span><span class="Z3988" title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=bookitem&rft.btitle=Band+Music+From+the+Civil+War+Era&rft.atitle=Library+of+Congress&rft_id=http%3A%2F%2Fmemory.loc.gov%2Fammem%2Fcwmhtml%2Fcwmhome.html&rfr_id=info:sid/en.wikipedia.org:Music_history_of_the_United_States_during_the_Civil_War_era"><span style="display: none;"> </span></span></li>
<li><span class="citation book">Struble, John Warthen (1995). <i>The History of American Classical Music</i>. Facts on File, Inc. <a class="internal mw-magiclink-isbn" href="http://en.wikipedia.org/wiki/Special:BookSources/081602927X">ISBN 081602927X</a>.</span><span class="Z3988" title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=The+History+of+American+Classical+Music&rft.aulast=Struble%2C+John+Warthen&rft.au=Struble%2C+John+Warthen&rft.date=1995&rft.pub=Facts+on+File%2C+Inc&rfr_id=info:sid/en.wikipedia.org:Music_history_of_the_United_States_during_the_Civil_War_era"><span style="display: none;"> </span></span></li>
</ul><h2 style="text-align: justify;"><span class="editsection"></span><span class="mw-headline" id="Notes">Notes</span></h2><ol style="text-align: justify;"><li><span class="citation wikicite" id="endnote_CivilWarballads2"><b><a href="http://en.wikipedia.org/wiki/Music_history_of_the_United_States_during_the_Civil_War_era#ref_CivilWarballads2">^</a></b></span> Struble, pg. xvii</li>
<li><span class="citation wikicite" id="endnote_Howard"><b><a href="http://en.wikipedia.org/wiki/Music_history_of_the_United_States_during_the_Civil_War_era#ref_Howard">^</a></b></span> Howard, John Tasker, cited in Ewen, pg. 19 (no specific source given)</li>
<li><span class="citation wikicite" id="endnote_brassband"><b><a href="http://en.wikipedia.org/wiki/Music_history_of_the_United_States_during_the_Civil_War_era#ref_brassband">^</a></b></span> <a class="external text" href="http://memory.loc.gov/ammem/cwmhtml/cwmhome.html" rel="nofollow">Library of Congress</a>: Band Music from the Civil War Era</li>
<li><span class="citation wikicite" id="endnote_Dixie"><b><a href="http://en.wikipedia.org/wiki/Music_history_of_the_United_States_during_the_Civil_War_era#ref_Dixie">^</a></b></span> Ewen, pg. 21</li>
<li><span class="citation wikicite" id="endnote_Rootwork"><b><a href="http://en.wikipedia.org/wiki/Music_history_of_the_United_States_during_the_Civil_War_era#ref_Rootwork">^</a></b></span> Ewen, pg. 25</li>
<li><span class="citation wikicite" id="endnote_minstrelshows"><b><a href="http://en.wikipedia.org/wiki/Music_history_of_the_United_States_during_the_Civil_War_era#ref_minstrelshows">^</a></b></span> Clarke, pg. 21</li>
<li><span class="citation wikicite" id="endnote_EmmettVirginia"><b><a href="http://en.wikipedia.org/wiki/Music_history_of_the_United_States_during_the_Civil_War_era#ref_EmmettVirginia">^</a></b></span> Clarke, pg. 23</li>
</ol><div class="printfooter" style="text-align: justify;">Retrieved from</div><div class="printfooter" style="text-align: justify;">"<a href="http://en.wikipedia.org/wiki/Music_history_of_the_United_States_during_the_Civil_War_era">http://en.wikipedia.org/wiki/Music_history_of_the_United_States_during_the_Civil_War_era</a>"</div><div class="printfooter" style="text-align: justify;">. </div><div id="mw-normal-catlinks" style="text-align: justify;"><a href="http://en.wikipedia.org/wiki/Special:Categories" title="Special:Categories">Categories</a>: <span dir="ltr"><a href="http://en.wikipedia.org/wiki/Category:American_music_history" title="Category:American music history">American music history</a></span> | <span dir="ltr"><a href="http://en.wikipedia.org/wiki/Category:19th_century_in_music" title="Category:19th century in music">19th century in music</a></span> | <span dir="ltr"><a href="http://en.wikipedia.org/wiki/Category:Cultural_history_of_the_American_Civil_War" title="Category:Cultural history of the American Civil War">Cultural history of the American Civil War</a></span></div><div id="mw-normal-catlinks" style="text-align: justify;"><span dir="ltr">.</span></div><div id="mw-normal-catlinks"><span dir="ltr">.</span></div></div></div><br />
<h1 class="firstHeading" id="firstHeading">Category:Music of the American Civil War</h1><h3 id="siteSub">From Wikimedia Commons, the free media repository</h3><div id="jump-to-nav">Jump to:<a href="http://commons.wikimedia.org/wiki/Category:Music_of_the_American_Civil_War#head">navigation</a>, <a href="http://commons.wikimedia.org/wiki/Category:Music_of_the_American_Civil_War#p-search">search</a> </div><div id="mw-category-media"><h2>Media in category "Music of the American Civil War"</h2>The following 38 files are in this category, out of 38 total. <br />
<table cellpadding="0" cellspacing="0" class="gallery"><tbody>
<tr> </tr>
<tr> </tr>
<tr> </tr>
<tr> </tr>
<tr> </tr>
</tbody><tbody>
<tr><td><div class="gallerybox" style="width: 155px;"><div class="thumb" style="padding: 13px 0pt; width: 150px;"><div style="margin-left: auto; margin-right: auto; width: 120px;"><a class="image" href="http://commons.wikimedia.org/wiki/File:AllQuietPotomacConfederate1863.png"><img alt="AllQuietPotomacConfederate1863.png" height="120" src="http://upload.wikimedia.org/wikipedia/commons/thumb/d/d3/AllQuietPotomacConfederate1863.png/95px-AllQuietPotomacConfederate1863.png" width="95" /></a></div></div><div class="gallerytext"><a href="http://commons.wikimedia.org/wiki/File:AllQuietPotomacConfederate1863.png" title="File:AllQuietPotomacConfederate1863.png">AllQuietPotomacConfe...</a><br />
514,514 bytes</div></div></td><td><div class="gallerybox" style="width: 155px;"><div class="thumb" style="padding: 13px 0pt; width: 150px;"><div style="margin-left: auto; margin-right: auto; width: 120px;"><a class="image" href="http://commons.wikimedia.org/wiki/File:AmericanStandard_songCover_A.Baglioli_Composer.jpg"><img alt="AmericanStandard songCover A.Baglioli
Composer.jpg" height="120" src="http://upload.wikimedia.org/wikipedia/commons/thumb/2/29/AmericanStandard_songCover_A.Baglioli_Composer.jpg/93px-AmericanStandard_songCover_A.Baglioli_Composer.jpg" width="93" /></a></div></div><div class="gallerytext"><a href="http://commons.wikimedia.org/wiki/File:AmericanStandard_songCover_A.Baglioli_Composer.jpg" title="File:AmericanStandard songCover A.Baglioli Composer.jpg">AmericanStandard son...</a><br />
98,089 bytes</div></div></td><td><div class="gallerybox" style="width: 155px;"><div class="thumb" style="padding: 58px 0pt; width: 150px;"><div style="margin-left: auto; margin-right: auto; width: 120px;"><a class="image" href="http://commons.wikimedia.org/wiki/File:Aura_Lea_excerpt.png"><img alt="Aura Lea excerpt.png" height="29" src="http://upload.wikimedia.org/wikipedia/commons/thumb/2/29/Aura_Lea_excerpt.png/120px-Aura_Lea_excerpt.png" width="120" /></a></div></div><div class="gallerytext"><a href="http://commons.wikimedia.org/wiki/File:Aura_Lea_excerpt.png" title="File:Aura Lea excerpt.png">Aura Lea excerpt.png</a><br />
18,045 bytes</div></div></td><td><div class="gallerybox" style="width: 155px;"><div class="thumb" style="padding: 13px 0pt; width: 150px;"><div style="margin-left: auto; margin-right: auto; width: 120px;"><a class="image" href="http://commons.wikimedia.org/wiki/File:AuraLea1861.png"><img alt="AuraLea1861.png" height="119" src="http://upload.wikimedia.org/wikipedia/commons/thumb/7/73/AuraLea1861.png/91px-AuraLea1861.png" width="91" /></a></div></div><div class="gallerytext"><a href="http://commons.wikimedia.org/wiki/File:AuraLea1861.png" title="File:AuraLea1861.png">AuraLea1861.png</a><br />
302,019 bytes</div></div></td><td><div class="gallerybox" style="width: 155px;"><div class="thumb" style="padding: 13px 0pt; width: 150px;"><div style="margin-left: auto; margin-right: auto; width: 120px;"><a class="image" href="http://commons.wikimedia.org/wiki/File:AuraLea1864.png"><img alt="AuraLea1864.png" height="120" src="http://upload.wikimedia.org/wikipedia/commons/thumb/3/3a/AuraLea1864.png/94px-AuraLea1864.png" width="94" /></a></div></div><div class="gallerytext"><a href="http://commons.wikimedia.org/wiki/File:AuraLea1864.png" title="File:AuraLea1864.png">AuraLea1864.png</a><br />
598,059 bytes</div></div></td></tr>
<tr><td><div class="gallerybox" style="width: 155px;"><div class="thumb" style="padding: 31px 0pt; width: 150px;"><div style="margin-left: auto; margin-right: auto; width: 120px;"><a class="image" href="http://commons.wikimedia.org/wiki/File:Band_of_the_10th_Veteran_Reserve_Corps._Washington,_D.C._April,_1865.jpg"><img alt="Band of the 10th Veteran Reserve Corps.
Washington, D.C. April, 1865.jpg" height="84" src="http://upload.wikimedia.org/wikipedia/commons/thumb/8/88/Band_of_the_10th_Veteran_Reserve_Corps._Washington%2C_D.C._April%2C_1865.jpg/120px-Band_of_the_10th_Veteran_Reserve_Corps._Washington%2C_D.C._April%2C_1865.jpg" width="120" /></a></div></div><div class="gallerytext"><a href="http://commons.wikimedia.org/wiki/File:Band_of_the_10th_Veteran_Reserve_Corps._Washington,_D.C._April,_1865.jpg" title="File:Band of the 10th Veteran Reserve Corps. Washington, D.C.
April, 1865.jpg">Band of the 10th Vet...</a><br />
238,246 bytes</div></div></td><td><div class="gallerybox" style="width: 155px;"><div class="thumb" style="padding: 13px 0pt; width: 150px;"><div style="margin-left: auto; margin-right: auto; width: 120px;"><a class="image" href="http://commons.wikimedia.org/wiki/File:Battle_Cry_of_Freedom_-_Project_Gutenberg_eText_21566.png"><img alt="Battle Cry of Freedom - Project Gutenberg eText
21566.png" height="120" src="http://upload.wikimedia.org/wikipedia/commons/thumb/0/0e/Battle_Cry_of_Freedom_-_Project_Gutenberg_eText_21566.png/95px-Battle_Cry_of_Freedom_-_Project_Gutenberg_eText_21566.png" width="95" /></a></div></div><div class="gallerytext"><a href="http://commons.wikimedia.org/wiki/File:Battle_Cry_of_Freedom_-_Project_Gutenberg_eText_21566.png" title="File:Battle Cry of Freedom - Project Gutenberg eText 21566.png">Battle Cry of Freedo...</a><br />
13,883 bytes</div></div></td><td><div class="gallerybox" style="width: 155px;"><div class="thumb" style="padding: 58px 0pt; width: 150px;"><div style="margin-left: auto; margin-right: auto; width: 120px;"><a class="image" href="http://commons.wikimedia.org/wiki/File:Battle_Cry_of_Freedom_excerpt.png"><img alt="Battle Cry of Freedom excerpt.png" height="29" src="http://upload.wikimedia.org/wikipedia/commons/thumb/4/49/Battle_Cry_of_Freedom_excerpt.png/120px-Battle_Cry_of_Freedom_excerpt.png" width="120" /></a></div></div><div class="gallerytext"><a href="http://commons.wikimedia.org/wiki/File:Battle_Cry_of_Freedom_excerpt.png" title="File:Battle Cry of Freedom excerpt.png">Battle Cry of Freedo...</a><br />
16,616 bytes</div></div></td><td><div class="gallerybox" style="width: 155px;"><div class="thumb" style="padding: 13px 0pt; width: 150px;"><div style="margin-left: auto; margin-right: auto; width: 120px;"><a class="image" href="http://commons.wikimedia.org/wiki/File:Battle_Hymn_of_the_Republic.jpg"><img alt="Battle Hymn of the Republic.jpg" height="120" src="http://upload.wikimedia.org/wikipedia/commons/thumb/1/17/Battle_Hymn_of_the_Republic.jpg/77px-Battle_Hymn_of_the_Republic.jpg" width="77" /></a></div></div><div class="gallerytext"><a href="http://commons.wikimedia.org/wiki/File:Battle_Hymn_of_the_Republic.jpg" title="File:Battle Hymn of the Republic.jpg">Battle Hymn of the R...</a><br />
147,300 bytes</div></div></td><td><div class="gallerybox" style="width: 155px;"><div class="thumb" style="padding: 13px 0pt; width: 150px;"><div style="margin-left: auto; margin-right: auto; width: 120px;"><a class="image" href="http://commons.wikimedia.org/wiki/File:Bummers-com-and-meet-us-john-brown-song-undated-librofcongress-as200480.gif"><img alt="Bummers-com-and-meet-us-john-brown-song-undated-librofcongress-as200480.gif" height="120" src="http://upload.wikimedia.org/wikipedia/commons/thumb/0/07/Bummers-com-and-meet-us-john-brown-song-undated-librofcongress-as200480.gif/84px-Bummers-com-and-meet-us-john-brown-song-undated-librofcongress-as200480.gif" width="84" /></a></div></div><div class="gallerytext"><a href="http://commons.wikimedia.org/wiki/File:Bummers-com-and-meet-us-john-brown-song-undated-librofcongress-as200480.gif" title="File:Bummers-com-and-meet-us-john-brown-song-undated-librofcongress-as200480.gif">Bummers-com-and-meet...</a><br />
100,361 bytes</div></div></td></tr>
<tr><td><div class="gallerybox" style="width: 155px;"><div class="thumb" style="padding: 13px 0pt; width: 150px;"><div style="margin-left: auto; margin-right: auto; width: 120px;"><a class="image" href="http://commons.wikimedia.org/wiki/File:DixieDoodleWerlein1862.jpeg"><img alt="DixieDoodleWerlein1862.jpeg" height="120" src="http://upload.wikimedia.org/wikipedia/commons/thumb/e/e6/DixieDoodleWerlein1862.jpeg/94px-DixieDoodleWerlein1862.jpeg" width="94" /></a></div></div><div class="gallerytext"><a href="http://commons.wikimedia.org/wiki/File:DixieDoodleWerlein1862.jpeg" title="File:DixieDoodleWerlein1862.jpeg">DixieDoodleWerlein18...</a><br />
1,113,300 bytes</div></div></td><td><div class="gallerybox" style="width: 155px;"><div class="thumb" style="padding: 13px 0pt; width: 150px;"><div style="margin-left: auto; margin-right: auto; width: 120px;"><a class="image" href="http://commons.wikimedia.org/wiki/File:DixieWarSongWerlein1861.jpeg"><img alt="DixieWarSongWerlein1861.jpeg" height="120" src="http://upload.wikimedia.org/wikipedia/commons/thumb/5/5b/DixieWarSongWerlein1861.jpeg/95px-DixieWarSongWerlein1861.jpeg" width="95" /></a></div></div><div class="gallerytext"><a href="http://commons.wikimedia.org/wiki/File:DixieWarSongWerlein1861.jpeg" title="File:DixieWarSongWerlein1861.jpeg">DixieWarSongWerlein1...</a><br />
890,850 bytes</div></div></td><td><div class="gallerybox" style="width: 155px;"><div class="thumb" style="padding: 13px 0pt; width: 150px;"><div style="margin-left: auto; margin-right: auto; width: 120px;"><div id="ogg_player_1" style="width: 120px;"><div><a class="image" href="http://commons.wikimedia.org/wiki/File:Follow_The_Drinking_Gourd.ogg" title="Follow The Drinking Gourd.ogg"><img alt="Follow The Drinking
Gourd.ogg" height="125" src="http://bits.wikimedia.org/skins-1.5/common/images/icons/fileicon-ogg.png" width="125" /></a></div><div><button onclick="if
(typeof(wgOggPlayer) != 'undefined')
wgOggPlayer.init(false, {"id": "ogg_player_1",
"videoUrl":
"http://upload.wikimedia.org/wikipedia/commons/e/ee/Follow_The_Drinking_Gourd.ogg",
"width": 120, "height": 35, "length":
"173", "linkUrl":
"/wiki/File:Follow_The_Drinking_Gourd.ogg",
"isVideo": false});" style="text-align: center; width: 120px;" title="Play sound"><img alt="Play sound" height="22" src="http://commons.wikimedia.org/w/extensions/OggHandler/play.png" width="22" /></button></div></div></div></div><div class="gallerytext"><a href="http://commons.wikimedia.org/wiki/File:Follow_The_Drinking_Gourd.ogg" title="File:Follow The Drinking Gourd.ogg">Follow The Drinking ...</a><br />
2,403,196 bytes</div></div></td><td><div class="gallerybox" style="width: 155px;"><div class="thumb" style="padding: 13px 0pt; width: 150px;"><div style="margin-left: auto; margin-right: auto; width: 120px;"><a class="image" href="http://commons.wikimedia.org/wiki/File:Godsavethesouth.jpeg"><img alt="Godsavethesouth.jpeg" height="120" src="http://upload.wikimedia.org/wikipedia/commons/thumb/e/ea/Godsavethesouth.jpeg/95px-Godsavethesouth.jpeg" width="95" /></a></div></div><div class="gallerytext"><a href="http://commons.wikimedia.org/wiki/File:Godsavethesouth.jpeg" title="File:Godsavethesouth.jpeg">Godsavethesouth.jpeg</a><br />
47,452 bytes</div></div></td><td><div class="gallerybox" style="width: 155px;"><div class="thumb" style="padding: 13px 0pt; width: 150px;"><div style="margin-left: auto; margin-right: auto; width: 120px;"><a class="image" href="http://commons.wikimedia.org/wiki/File:GooberPeas1866.png"><img alt="GooberPeas1866.png" height="120" src="http://upload.wikimedia.org/wikipedia/commons/thumb/b/b3/GooberPeas1866.png/88px-GooberPeas1866.png" width="88" /></a></div></div><div class="gallerytext"><a href="http://commons.wikimedia.org/wiki/File:GooberPeas1866.png" title="File:GooberPeas1866.png">GooberPeas1866.png</a><br />
297,837 bytes</div></div></td></tr>
<tr><td><div class="gallerybox" style="width: 155px;"><div class="thumb" style="padding: 13px 0pt; width: 150px;"><div style="margin-left: auto; margin-right: auto; width: 120px;"><a class="image" href="http://commons.wikimedia.org/wiki/File:HardTimesComeAgainNoMore1854.png"><img alt="HardTimesComeAgainNoMore1854.png" height="120" src="http://upload.wikimedia.org/wikipedia/commons/thumb/9/9c/HardTimesComeAgainNoMore1854.png/88px-HardTimesComeAgainNoMore1854.png" width="88" /></a></div></div><div class="gallerytext"><a href="http://commons.wikimedia.org/wiki/File:HardTimesComeAgainNoMore1854.png" title="File:HardTimesComeAgainNoMore1854.png">HardTimesComeAgainNo...</a><br />
328,656 bytes</div></div></td><td><div class="gallerybox" style="width: 155px;"><div class="thumb" style="padding: 13px 0pt; width: 150px;"><div style="margin-left: auto; margin-right: auto; width: 120px;"><a class="image" href="http://commons.wikimedia.org/wiki/File:HeresYourMule1862.png"><img alt="HeresYourMule1862.png" height="119" src="http://upload.wikimedia.org/wikipedia/commons/thumb/2/2e/HeresYourMule1862.png/89px-HeresYourMule1862.png" width="89" /></a></div></div><div class="gallerytext"><a href="http://commons.wikimedia.org/wiki/File:HeresYourMule1862.png" title="File:HeresYourMule1862.png">HeresYourMule1862.png</a><br />
617,313 bytes</div></div></td><td><div class="gallerybox" style="width: 155px;"><div class="thumb" style="padding: 13px 0pt; width: 150px;"><div style="margin-left: auto; margin-right: auto; width: 120px;"><a class="image" href="http://commons.wikimedia.org/wiki/File:HoldOnAbraham1862.png"><img alt="HoldOnAbraham1862.png" height="119" src="http://upload.wikimedia.org/wikipedia/commons/thumb/3/3c/HoldOnAbraham1862.png/89px-HoldOnAbraham1862.png" width="89" /></a></div></div><div class="gallerytext"><a href="http://commons.wikimedia.org/wiki/File:HoldOnAbraham1862.png" title="File:HoldOnAbraham1862.png">HoldOnAbraham1862.png</a><br />
450,606 bytes</div></div></td><td><div class="gallerybox" style="width: 155px;"><div class="thumb" style="padding: 13px 0pt; width: 150px;"><div style="margin-left: auto; margin-right: auto; width: 120px;"><a class="image" href="http://commons.wikimedia.org/wiki/File:HowAreYouJohnMorgan1864.png"><img alt="HowAreYouJohnMorgan1864.png" height="120" src="http://upload.wikimedia.org/wikipedia/commons/thumb/d/d7/HowAreYouJohnMorgan1864.png/92px-HowAreYouJohnMorgan1864.png" width="92" /></a></div></div><div class="gallerytext"><a href="http://commons.wikimedia.org/wiki/File:HowAreYouJohnMorgan1864.png" title="File:HowAreYouJohnMorgan1864.png">HowAreYouJohnMorgan1...</a><br />
323,943 bytes</div></div></td><td><div class="gallerybox" style="width: 155px;"><div class="thumb" style="padding: 13px 0pt; width: 150px;"><div style="margin-left: auto; margin-right: auto; width: 120px;"><a class="image" href="http://commons.wikimedia.org/wiki/File:John_Brown%27s_Song_-_Project_Gutenberg_eText_21566.jpg"><img alt="John Brown's Song - Project Gutenberg eText
21566.jpg" height="120" src="http://upload.wikimedia.org/wikipedia/commons/thumb/a/a0/John_Brown%27s_Song_-_Project_Gutenberg_eText_21566.jpg/89px-John_Brown%27s_Song_-_Project_Gutenberg_eText_21566.jpg" width="89" /></a></div></div><div class="gallerytext"><a href="http://commons.wikimedia.org/wiki/File:John_Brown%27s_Song_-_Project_Gutenberg_eText_21566.jpg" title="File:John Brown's Song - Project Gutenberg eText 21566.jpg">John Brown's Song - ...</a><br />
30,576 bytes</div></div></td></tr>
<tr><td><div class="gallerybox" style="width: 155px;"><div class="thumb" style="padding: 13px 0pt; width: 150px;"><div style="margin-left: auto; margin-right: auto; width: 120px;"><a class="image" href="http://commons.wikimedia.org/wiki/File:John-brown-song-cs-hall-1861-librofcongress.gif"><img alt="John-brown-song-cs-hall-1861-librofcongress.gif" height="120" src="http://upload.wikimedia.org/wikipedia/commons/thumb/d/d5/John-brown-song-cs-hall-1861-librofcongress.gif/78px-John-brown-song-cs-hall-1861-librofcongress.gif" width="78" /></a></div></div><div class="gallerytext"><a href="http://commons.wikimedia.org/wiki/File:John-brown-song-cs-hall-1861-librofcongress.gif" title="File:John-brown-song-cs-hall-1861-librofcongress.gif">John-brown-song-cs-h...</a><br />
83,039 bytes</div></div></td><td><div class="gallerybox" style="width: 155px;"><div class="thumb" style="padding: 28px 0pt; width: 150px;"><div style="margin-left: auto; margin-right: auto; width: 120px;"><a class="image" href="http://commons.wikimedia.org/wiki/File:JohnnyMarchingHomeBroadside1863.png"><img alt="JohnnyMarchingHomeBroadside1863.png" height="90" src="http://upload.wikimedia.org/wikipedia/commons/thumb/b/b4/JohnnyMarchingHomeBroadside1863.png/120px-JohnnyMarchingHomeBroadside1863.png" width="120" /></a></div></div><div class="gallerytext"><a href="http://commons.wikimedia.org/wiki/File:JohnnyMarchingHomeBroadside1863.png" title="File:JohnnyMarchingHomeBroadside1863.png">JohnnyMarchingHomeBr...</a><br />
322,157 bytes</div></div></td><td><div class="gallerybox" style="width: 155px;"><div class="thumb" style="padding: 13px 0pt; width: 150px;"><div style="margin-left: auto; margin-right: auto; width: 120px;"><a class="image" href="http://commons.wikimedia.org/wiki/File:Just_Before_the_Battle,_Mother_-_Project_Gutenberg_eText_21566.png"><img alt="Just Before the Battle, Mother - Project
Gutenberg eText 21566.png" height="120" src="http://upload.wikimedia.org/wikipedia/commons/thumb/0/0f/Just_Before_the_Battle%2C_Mother_-_Project_Gutenberg_eText_21566.png/89px-Just_Before_the_Battle%2C_Mother_-_Project_Gutenberg_eText_21566.png" width="89" /></a></div></div><div class="gallerytext"><a href="http://commons.wikimedia.org/wiki/File:Just_Before_the_Battle,_Mother_-_Project_Gutenberg_eText_21566.png" title="File:Just Before the Battle, Mother - Project Gutenberg eText
21566.png">Just Before the Batt...</a><br />
54,300 bytes</div></div></td><td><div class="gallerybox" style="width: 155px;"><div class="thumb" style="padding: 13px 0pt; width: 150px;"><div style="margin-left: auto; margin-right: auto; width: 120px;"><a class="image" href="http://commons.wikimedia.org/wiki/File:JustBeforeTheBattleMother.jpg"><img alt="JustBeforeTheBattleMother.jpg" height="120" src="http://upload.wikimedia.org/wikipedia/commons/thumb/c/c5/JustBeforeTheBattleMother.jpg/86px-JustBeforeTheBattleMother.jpg" width="86" /></a></div></div><div class="gallerytext"><a href="http://commons.wikimedia.org/wiki/File:JustBeforeTheBattleMother.jpg" title="File:JustBeforeTheBattleMother.jpg">JustBeforeTheBattleM...</a><br />
36,169 bytes</div></div></td><td><div class="gallerybox" style="width: 155px;"><div class="thumb" style="padding: 13px 0pt; width: 150px;"><div style="margin-left: auto; margin-right: auto; width: 120px;"><a class="image" href="http://commons.wikimedia.org/wiki/File:Marching_Through_Georgia_-_Project_Gutenberg_eText_21566.png"><img alt="Marching Through Georgia - Project Gutenberg
eText 21566.png" height="120" src="http://upload.wikimedia.org/wikipedia/commons/thumb/8/84/Marching_Through_Georgia_-_Project_Gutenberg_eText_21566.png/92px-Marching_Through_Georgia_-_Project_Gutenberg_eText_21566.png" width="92" /></a></div></div><div class="gallerytext"><a href="http://commons.wikimedia.org/wiki/File:Marching_Through_Georgia_-_Project_Gutenberg_eText_21566.png" title="File:Marching Through Georgia - Project Gutenberg eText
21566.png">Marching Through Geo...</a><br />
26,095 bytes</div></div></td></tr>
<tr><td><div class="gallerybox" style="width: 155px;"><div class="thumb" style="padding: 13px 0pt; width: 150px;"><div style="margin-left: auto; margin-right: auto; width: 120px;"><a class="image" href="http://commons.wikimedia.org/wiki/File:SheetMusicWeAreComingFatherAbraam1862.jpg"><img alt="SheetMusicWeAreComingFatherAbraam1862.jpg" height="120" src="http://upload.wikimedia.org/wikipedia/commons/thumb/2/23/SheetMusicWeAreComingFatherAbraam1862.jpg/92px-SheetMusicWeAreComingFatherAbraam1862.jpg" width="92" /></a></div></div><div class="gallerytext"><a href="http://commons.wikimedia.org/wiki/File:SheetMusicWeAreComingFatherAbraam1862.jpg" title="File:SheetMusicWeAreComingFatherAbraam1862.jpg">SheetMusicWeAreComin...</a><br />
81,551 bytes</div></div></td><td><div class="gallerybox" style="width: 155px;"><div class="thumb" style="padding: 13px 0pt; width: 150px;"><div style="margin-left: auto; margin-right: auto; width: 120px;"><a class="image" href="http://commons.wikimedia.org/wiki/File:Sherman%27s_March_to_the_Sea_-_Project_Gutenberg_eText_21566.jpg"><img alt="Sherman's March to the Sea - Project Gutenberg
eText 21566.jpg" height="120" src="http://upload.wikimedia.org/wikipedia/commons/thumb/0/0a/Sherman%27s_March_to_the_Sea_-_Project_Gutenberg_eText_21566.jpg/89px-Sherman%27s_March_to_the_Sea_-_Project_Gutenberg_eText_21566.jpg" width="89" /></a></div></div><div class="gallerytext"><a href="http://commons.wikimedia.org/wiki/File:Sherman%27s_March_to_the_Sea_-_Project_Gutenberg_eText_21566.jpg" title="File:Sherman's March to the Sea - Project Gutenberg eText
21566.jpg">Sherman's March to t...</a><br />
42,725 bytes</div></div></td><td><div class="gallerybox" style="width: 155px;"><div class="thumb" style="padding: 13px 0pt; width: 150px;"><div style="margin-left: auto; margin-right: auto; width: 120px;"><a class="image" href="http://commons.wikimedia.org/wiki/File:Song_of_the_First_of_Arkansas.jpg"><img alt="Song of the First of Arkansas.jpg" height="119" src="http://upload.wikimedia.org/wikipedia/commons/thumb/3/3a/Song_of_the_First_of_Arkansas.jpg/64px-Song_of_the_First_of_Arkansas.jpg" width="64" /></a></div></div><div class="gallerytext"><a href="http://commons.wikimedia.org/wiki/File:Song_of_the_First_of_Arkansas.jpg" title="File:Song of the First of Arkansas.jpg">Song of the First of...</a><br />
285,787 bytes</div></div></td><td><div class="gallerybox" style="width: 155px;"><div class="thumb" style="padding: 13px 0pt; width: 150px;"><div style="margin-left: auto; margin-right: auto; width: 120px;"><a class="image" href="http://commons.wikimedia.org/wiki/File:StarsAndBarsPolkaCoverBlackmar.jpeg"><img alt="StarsAndBarsPolkaCoverBlackmar.jpeg" height="120" src="http://upload.wikimedia.org/wikipedia/commons/thumb/d/db/StarsAndBarsPolkaCoverBlackmar.jpeg/93px-StarsAndBarsPolkaCoverBlackmar.jpeg" width="93" /></a></div></div><div class="gallerytext"><a href="http://commons.wikimedia.org/wiki/File:StarsAndBarsPolkaCoverBlackmar.jpeg" title="File:StarsAndBarsPolkaCoverBlackmar.jpeg">StarsAndBarsPolkaCov...</a><br />
880,030 bytes</div></div></td><td><div class="gallerybox" style="width: 155px;"><div class="thumb" style="padding: 13px 0pt; width: 150px;"><div style="margin-left: auto; margin-right: auto; width: 120px;"><a class="image" href="http://commons.wikimedia.org/wiki/File:StonewallJacksonsWay1862.png"><img alt="StonewallJacksonsWay1862.png" height="120" src="http://upload.wikimedia.org/wikipedia/commons/thumb/9/90/StonewallJacksonsWay1862.png/94px-StonewallJacksonsWay1862.png" width="94" /></a></div></div><div class="gallerytext"><a href="http://commons.wikimedia.org/wiki/File:StonewallJacksonsWay1862.png" title="File:StonewallJacksonsWay1862.png">StonewallJacksonsWay...</a><br />
402,174 bytes</div></div></td></tr>
<tr><td><div class="gallerybox" style="width: 155px;"><div class="thumb" style="padding: 13px 0pt; width: 150px;"><div style="margin-left: auto; margin-right: auto; width: 120px;"><a class="image" href="http://commons.wikimedia.org/wiki/File:Tenting_on_the_Old_Camp_Ground_-_Project_Gutenberg_eText_21566.png"><img alt="Tenting on the Old Camp Ground - Project
Gutenberg eText 21566.png" height="120" src="http://upload.wikimedia.org/wikipedia/commons/thumb/c/cc/Tenting_on_the_Old_Camp_Ground_-_Project_Gutenberg_eText_21566.png/97px-Tenting_on_the_Old_Camp_Ground_-_Project_Gutenberg_eText_21566.png" width="97" /></a></div></div><div class="gallerytext"><a href="http://commons.wikimedia.org/wiki/File:Tenting_on_the_Old_Camp_Ground_-_Project_Gutenberg_eText_21566.png" title="File:Tenting on the Old Camp Ground - Project Gutenberg eText
21566.png">Tenting on the Old C...</a><br />
79,018 bytes</div></div></td><td><div class="gallerybox" style="width: 155px;"><div class="thumb" style="padding: 13px 0pt; width: 150px;"><div style="margin-left: auto; margin-right: auto; width: 120px;"><div id="ogg_player_2" style="width: 120px;"><div><a class="image" href="http://commons.wikimedia.org/wiki/File:The_Battle_Cry_Of_Freedom.ogg" title="The Battle Cry Of Freedom.ogg"><img alt="The Battle Cry Of
Freedom.ogg" height="125" src="http://bits.wikimedia.org/skins-1.5/common/images/icons/fileicon-ogg.png" width="125" /></a></div><div><button onclick="if
(typeof(wgOggPlayer) != 'undefined')
wgOggPlayer.init(false, {"id": "ogg_player_2",
"videoUrl":
"http://upload.wikimedia.org/wikipedia/commons/e/e7/The_Battle_Cry_Of_Freedom.ogg",
"width": 120, "height": 35, "length":
"152", "linkUrl":
"/wiki/File:The_Battle_Cry_Of_Freedom.ogg",
"isVideo": false});" style="text-align: center; width: 120px;" title="Play sound"><img alt="Play sound" height="22" src="http://commons.wikimedia.org/w/extensions/OggHandler/play.png" width="22" /></button></div></div></div></div><div class="gallerytext"><a href="http://commons.wikimedia.org/wiki/File:The_Battle_Cry_Of_Freedom.ogg" title="File:The Battle Cry Of Freedom.ogg">The Battle Cry Of Fr...</a><br />
1,909,490 bytes</div></div></td><td><div class="gallerybox" style="width: 155px;"><div class="thumb" style="padding: 13px 0pt; width: 150px;"><div style="margin-left: auto; margin-right: auto; width: 120px;"><a class="image" href="http://commons.wikimedia.org/wiki/File:The_Battle_Hymn_of_the_Republic_-_Project_Gutenberg_eText_21566.png"><img alt="The Battle Hymn of the Republic - Project
Gutenberg eText 21566.png" height="120" src="http://upload.wikimedia.org/wikipedia/commons/thumb/3/3a/The_Battle_Hymn_of_the_Republic_-_Project_Gutenberg_eText_21566.png/93px-The_Battle_Hymn_of_the_Republic_-_Project_Gutenberg_eText_21566.png" width="93" /></a></div></div><div class="gallerytext"><a href="http://commons.wikimedia.org/wiki/File:The_Battle_Hymn_of_the_Republic_-_Project_Gutenberg_eText_21566.png" title="File:The Battle Hymn of the Republic - Project Gutenberg eText
21566.png">The Battle Hymn of t...</a><br />
27,621 bytes</div></div></td><td><div class="gallerybox" style="width: 155px;"><div class="thumb" style="padding: 13px 0pt; width: 150px;"><div style="margin-left: auto; margin-right: auto; width: 120px;"><a class="image" href="http://commons.wikimedia.org/wiki/File:The_Bonnie_Blue_Flag_-_Project_Gutenberg_eText_21566.jpg"><img alt="The Bonnie Blue Flag - Project Gutenberg eText
21566.jpg" height="119" src="http://upload.wikimedia.org/wikipedia/commons/thumb/9/99/The_Bonnie_Blue_Flag_-_Project_Gutenberg_eText_21566.jpg/88px-The_Bonnie_Blue_Flag_-_Project_Gutenberg_eText_21566.jpg" width="88" /></a></div></div><div class="gallerytext"><a href="http://commons.wikimedia.org/wiki/File:The_Bonnie_Blue_Flag_-_Project_Gutenberg_eText_21566.jpg" title="File:The Bonnie Blue Flag - Project Gutenberg eText 21566.jpg">The Bonnie Blue Flag...</a><br />
47,008 bytes</div></div></td><td><div class="gallerybox" style="width: 155px;"><div class="thumb" style="padding: 13px 0pt; width: 150px;"><div style="margin-left: auto; margin-right: auto; width: 120px;"><a class="image" href="http://commons.wikimedia.org/wiki/File:Tramp,_Tramp,_Tramp_-_Project_Gutenberg_eText_21566.png"><img alt="Tramp, Tramp, Tramp - Project Gutenberg eText
21566.png" height="120" src="http://upload.wikimedia.org/wikipedia/commons/thumb/3/35/Tramp%2C_Tramp%2C_Tramp_-_Project_Gutenberg_eText_21566.png/89px-Tramp%2C_Tramp%2C_Tramp_-_Project_Gutenberg_eText_21566.png" width="89" /></a></div></div><div class="gallerytext"><a href="http://commons.wikimedia.org/wiki/File:Tramp,_Tramp,_Tramp_-_Project_Gutenberg_eText_21566.png" title="File:Tramp, Tramp, Tramp - Project Gutenberg eText 21566.png">Tramp, Tramp, Tramp ...</a><br />
63,988 bytes</div></div></td></tr>
<tr><td><div class="gallerybox" style="width: 155px;"><div class="thumb" style="padding: 13px 0pt; width: 150px;"><div style="margin-left: auto; margin-right: auto; width: 120px;"><a class="image" href="http://commons.wikimedia.org/wiki/File:TrampTrampTramp1864.png"><img alt="TrampTrampTramp1864.png" height="120" src="http://upload.wikimedia.org/wikipedia/commons/thumb/b/bb/TrampTrampTramp1864.png/89px-TrampTrampTramp1864.png" width="89" /></a></div></div><div class="gallerytext"><a href="http://commons.wikimedia.org/wiki/File:TrampTrampTramp1864.png" title="File:TrampTrampTramp1864.png">TrampTrampTramp1864.png</a><br />
410,373 bytes</div></div></td><td><div class="gallerybox" style="width: 155px;"><div class="thumb" style="padding: 13px 0pt; width: 150px;"><div style="margin-left: auto; margin-right: auto; width: 120px;"><a class="image" href="http://commons.wikimedia.org/wiki/File:Werlein%27s_Dixie.jpg"><img alt="Werlein's Dixie.jpg" height="119" src="http://upload.wikimedia.org/wikipedia/commons/thumb/3/32/Werlein%27s_Dixie.jpg/97px-Werlein%27s_Dixie.jpg" width="97" /></a></div></div><div class="gallerytext"><a href="http://commons.wikimedia.org/wiki/File:Werlein%27s_Dixie.jpg" title="File:Werlein's Dixie.jpg">Werlein's Dixie.jpg</a><br />
60,621 bytes</div></div></td><td><div class="gallerybox" style="width: 155px;"><div class="thumb" style="padding: 13px 0pt; width: 150px;"><div style="margin-left: auto; margin-right: auto; width: 120px;"><a class="image" href="http://commons.wikimedia.org/wiki/File:When_Johnny_Comes_Marching_Home_-_Project_Gutenberg_eText_21566.png"><img alt="When Johnny Comes Marching Home - Project
Gutenberg eText 21566.png" height="120" src="http://upload.wikimedia.org/wikipedia/commons/thumb/f/f8/When_Johnny_Comes_Marching_Home_-_Project_Gutenberg_eText_21566.png/93px-When_Johnny_Comes_Marching_Home_-_Project_Gutenberg_eText_21566.png" width="93" /></a></div></div><div class="gallerytext"><a href="http://commons.wikimedia.org/wiki/File:When_Johnny_Comes_Marching_Home_-_Project_Gutenberg_eText_21566.png" title="File:When Johnny Comes Marching Home - Project Gutenberg eText
21566.png">When Johnny Comes Ma...</a><br />
25,020 bytes</div></div></td></tr>
</tbody></table></div><div class="printfooter">Retrieved from "<a href="http://commons.wikimedia.org/wiki/Category:Music_of_the_American_Civil_War">http://commons.wikimedia.org/wiki/Category:Music_of_the_American_Civil_War</a>"</div><div class="catlinks" id="catlinks"><div id="mw-normal-catlinks"><a href="http://commons.wikimedia.org/wiki/Special:Categories" title="Special:Categories">Categories</a>: <span dir="ltr"><a href="http://commons.wikimedia.org/wiki/Category:American_Civil_War" title="Category:American Civil War">American Civil War</a></span> | <span dir="ltr"><a href="http://commons.wikimedia.org/wiki/Category:Music_of_the_United_States" title="Category:Music of the United States">Music of the United States</a></span></div><div id="mw-normal-catlinks"><span dir="ltr">.</span></div><div id="mw-normal-catlinks"><span dir="ltr">.</span><br />
<h2><span style="font-size: large;">Pages in category "Songs of the American Civil War"</span></h2>The following 50 pages are in this category, out of 50 total. This list may not reflect recent changes (<a href="http://en.wikipedia.org/wiki/Wikipedia:FAQ/Categories#Why_might_a_category_list_not_be_up_to_date.3F" title="Wikipedia:FAQ/Categories">learn more</a>). <br />
<table style="margin-left: 0px; margin-right: 0px; text-align: left;"><tbody>
<tr valign="top"><td><ul><li><a href="http://en.wikipedia.org/wiki/Music_of_the_American_Civil_War" title="Music of the American Civil War">Music of the American Civil War</a></li>
</ul><h3>A</h3><ul><li><a href="http://en.wikipedia.org/wiki/All_Quiet_Along_the_Potomac_Tonight" title="All Quiet Along the Potomac Tonight">All Quiet Along the Potomac Tonight</a></li>
<li><a href="http://en.wikipedia.org/wiki/Aura_Lee" title="Aura Lee">Aura Lee</a></li>
</ul><h3>B</h3><ul><li><a href="http://en.wikipedia.org/wiki/Battle_Cry_of_Freedom" title="Battle
Cry of Freedom">Battle Cry of Freedom</a></li>
<li><a href="http://en.wikipedia.org/wiki/The_Battle_Hymn_of_the_Republic" title="The Battle Hymn of the Republic">The Battle Hymn of the Republic</a></li>
<li><a href="http://en.wikipedia.org/wiki/The_Bonnie_Blue_Flag" title="The Bonnie Blue Flag">The Bonnie Blue Flag</a></li>
</ul><h3>C</h3><ul><li><a href="http://en.wikipedia.org/wiki/Columbia,_the_Gem_of_the_Ocean" title="Columbia, the Gem of the Ocean">Columbia, the Gem of the Ocean</a></li>
</ul><h3>D</h3><ul><li><a href="http://en.wikipedia.org/wiki/Dixie_%28song%29" title="Dixie
(song)">Dixie (song)</a></li>
<li><a href="http://en.wikipedia.org/wiki/Dixie_Doodle" title="Dixie
Doodle">Dixie Doodle</a></li>
</ul><h3>F</h3><ul><li><a href="http://en.wikipedia.org/wiki/The_First_Gun_is_Fired" title="The
First Gun is Fired">The First Gun is Fired</a></li>
<li><a href="http://en.wikipedia.org/wiki/The_Flag_of_Secession" title="The Flag of Secession">The Flag of Secession</a></li>
<li><a href="http://en.wikipedia.org/wiki/For_The_Dear_Old_Flag,_I_Die" title="For The Dear Old Flag, I Die">For The Dear Old Flag, I Die</a></li>
</ul><h3>G</h3><ul><li><a href="http://en.wikipedia.org/wiki/God_Save_the_South" title="God Save
the South">God Save the South</a></li>
<li><a href="http://en.wikipedia.org/wiki/Goober_Peas" title="Goober
Peas">Goober Peas</a></li>
</ul><h3>H</h3><ul><li><a href="http://en.wikipedia.org/wiki/Hard_Tack_Come_Again_No_More" title="Hard Tack Come Again No More">Hard Tack Come Again No More</a></li>
<li><a href="http://en.wikipedia.org/wiki/Hard_Times_Come_Again_No_More" title="Hard Times Come Again No More">Hard Times Come Again No More</a></li>
<li><a href="http://en.wikipedia.org/wiki/Here%27s_Your_Mule" title="Here's Your Mule">Here's Your Mule</a></li>
</ul></td> <td><h3>H cont.</h3><ul><li><a href="http://en.wikipedia.org/wiki/Hold_On_Abraham%21" title="Hold On
Abraham!">Hold On Abraham!</a></li>
<li><a href="http://en.wikipedia.org/wiki/Home%21_Sweet_Home%21" title="Home! Sweet Home!">Home! Sweet Home!</a></li>
<li><span class="redirect-in-category"><a href="http://en.wikipedia.org/wiki/How_Are_You%3F_John_Morgan" title="How Are You? John Morgan">How Are You? John Morgan</a></span></li>
</ul><h3>I</h3><ul><li><a href="http://en.wikipedia.org/wiki/I%27m_Going_Home_to_Dixie" title="I'm
Going Home to Dixie">I'm Going Home to Dixie</a></li>
<li><a href="http://en.wikipedia.org/wiki/The_Invalid_Corps" title="The
Invalid Corps">The Invalid Corps</a></li>
</ul><h3>J</h3><ul><li><a href="http://en.wikipedia.org/wiki/John_Brown%27s_Body" title="John
Brown's Body">John Brown's Body</a></li>
<li><a href="http://en.wikipedia.org/wiki/Join_the_Cavalry" title="Join
the Cavalry">Join the Cavalry</a></li>
<li><a href="http://en.wikipedia.org/wiki/Just_Before_the_Battle,_Mother" title="Just Before the Battle, Mother">Just Before the Battle, Mother</a></li>
</ul><h3>K</h3><ul><li><a href="http://en.wikipedia.org/wiki/Kathleen_Mavourneen" title="Kathleen
Mavourneen">Kathleen Mavourneen</a></li>
<li><a href="http://en.wikipedia.org/wiki/Kingdom_Coming" title="Kingdom
Coming">Kingdom Coming</a></li>
</ul><h3>L</h3><ul><li><a href="http://en.wikipedia.org/wiki/The_Lakes_of_Pontchartrain" title="The Lakes of Pontchartrain">The Lakes of Pontchartrain</a></li>
<li><a href="http://en.wikipedia.org/wiki/The_List_of_Generals" title="The List of Generals">The List of Generals</a></li>
<li><a href="http://en.wikipedia.org/wiki/Lorena_%28song%29" title="Lorena (song)">Lorena (song)</a></li>
</ul><h3>M</h3><ul><li><a href="http://en.wikipedia.org/wiki/Marching_Song_of_the_First_Arkansas" title="Marching Song of the First Arkansas">Marching Song of the First Arkansas</a></li>
<li><a href="http://en.wikipedia.org/wiki/Marching_Through_Georgia" title="Marching Through Georgia">Marching Through Georgia</a></li>
<li><a href="http://en.wikipedia.org/wiki/Maryland,_My_Maryland" title="Maryland, My Maryland">Maryland, My Maryland</a></li>
<li><a href="http://en.wikipedia.org/wiki/The_Minstrel_Boy" title="The
Minstrel Boy">The Minstrel Boy</a></li>
</ul></td> <td><h3>O</h3><ul><li><a href="http://en.wikipedia.org/wiki/Oh_Shenandoah" title="Oh
Shenandoah">Oh Shenandoah</a></li>
<li><a href="http://en.wikipedia.org/wiki/Our_First_President%27s_Quickstep" title="Our First President's Quickstep">Our First President's Quickstep</a></li>
</ul><h3>P</h3><ul><li><a href="http://en.wikipedia.org/wiki/The_Palmetto_State_Song" title="The
Palmetto State Song">The Palmetto State Song</a></li>
<li><a href="http://en.wikipedia.org/wiki/Pat_Murphy_of_Meagher%27s_Brigade" title="Pat Murphy of Meagher's Brigade">Pat Murphy of Meagher's Brigade</a></li>
</ul><h3>R</h3><ul><li><a href="http://en.wikipedia.org/wiki/Richmond_is_a_Hard_Road" title="Richmond is a Hard Road">Richmond is a Hard Road</a></li>
<li><span class="redirect-in-category"><a href="http://en.wikipedia.org/wiki/Root_Hog_Or_Die" title="Root Hog Or
Die">Root Hog Or Die</a></span></li>
</ul><h3>S</h3><ul><li><a href="http://en.wikipedia.org/wiki/Scott_Tattoo" title="Scott
Tattoo">Scott Tattoo</a></li>
<li><a href="http://en.wikipedia.org/wiki/Stonewall_Jackson%27s_Way" title="Stonewall Jackson's Way">Stonewall Jackson's Way</a></li>
</ul><h3>T</h3><ul><li><a href="http://en.wikipedia.org/wiki/Taps" title="Taps">Taps</a></li>
<li><a href="http://en.wikipedia.org/wiki/Tenting_on_the_Old_Camp_Ground" title="Tenting on the Old Camp Ground">Tenting on the Old Camp Ground</a></li>
<li><a href="http://en.wikipedia.org/wiki/Tramp%21_Tramp%21_Tramp%21" title="Tramp! Tramp! Tramp!">Tramp! Tramp! Tramp!</a></li>
<li><span class="redirect-in-category"><a href="http://en.wikipedia.org/wiki/Turchin%27s_Got_Your_Mule" title="Turchin's Got Your Mule">Turchin's Got Your Mule</a></span></li>
<li><a href="http://en.wikipedia.org/wiki/Turkey_in_the_Straw" title="Turkey in the Straw">Turkey in the Straw</a></li>
<li><a href="http://en.wikipedia.org/wiki/Two_Little_Boys" title="Two
Little Boys">Two Little Boys</a></li>
</ul><h3>W</h3><ul><li><a href="http://en.wikipedia.org/wiki/When_Johnny_Comes_Marching_Home" title="When Johnny Comes Marching Home">When Johnny Comes Marching Home</a></li>
</ul><h3>Y</h3><ul><li><a href="http://en.wikipedia.org/wiki/The_Yellow_Rose_of_Texas" title="The
Yellow Rose of Texas">The Yellow Rose of Texas</a></li>
</ul></td> <td><br />
</td></tr>
</tbody></table><div class="printfooter" style="text-align: justify;">Retrieved from "<a href="http://en.wikipedia.org/wiki/Category:Songs_of_the_American_Civil_War">http://en.wikipedia.org/wiki/Category:Songs_of_the_American_Civil_War</a>"</div><div class="printfooter" style="text-align: justify;">. </div><div class="catlinks" id="catlinks"><div id="mw-normal-catlinks" style="text-align: justify;"><a href="http://en.wikipedia.org/wiki/Special:Categories" title="Special:Categories">Categories</a>: <span dir="ltr"><a href="http://en.wikipedia.org/wiki/Category:Cultural_history_of_the_American_Civil_War" title="Category:Cultural history of the American Civil War">Cultural history of the American Civil War</a></span> | <span dir="ltr"><a href="http://en.wikipedia.org/wiki/Category:American_music_history" title="Category:American music history">American music history</a></span> | <span dir="ltr"><a href="http://en.wikipedia.org/wiki/Category:Songs_about_the_United_States" title="Category:Songs about the United States">Songs about the United States</a></span> | <span dir="ltr"><a href="http://en.wikipedia.org/wiki/Category:Songs_by_war" title="Category:Songs by war">Songs by war</a></span> | <span dir="ltr"><a href="http://en.wikipedia.org/wiki/Category:19th_century_in_music" title="Category:19th century in music">19th century in music</a></span> | <span dir="ltr"><a href="http://en.wikipedia.org/wiki/Category:American_folk_songs" title="Category:American folk songs">American folk songs</a></span></div><div id="mw-normal-catlinks"><span dir="ltr">.</span></div></div></div></div></div></div></div>.Victor Nogueirahttp://www.blogger.com/profile/13759238536489604722noreply@blogger.com0tag:blogger.com,1999:blog-2736353218304570703.post-71316126371085772772010-04-26T00:43:00.000+01:002010-04-26T00:43:30.322+01:00Letras de Músicas de Zeca Afonso<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEix8jssRhU3uvDj8l-UPTr19Dsbz9DIqAcLH5VV2Aun51EvQV8aEvwwRLQ_36jaLrKTatc8oqGZqvUVgTjx7yPBWmltv_b4JAJxuQWGsD9RN6bSyYNLLfTT9wftwz6taiKNbXz4KvyZgGo/s1600/jose+afonso.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEix8jssRhU3uvDj8l-UPTr19Dsbz9DIqAcLH5VV2Aun51EvQV8aEvwwRLQ_36jaLrKTatc8oqGZqvUVgTjx7yPBWmltv_b4JAJxuQWGsD9RN6bSyYNLLfTT9wftwz6taiKNbXz4KvyZgGo/s320/jose+afonso.jpg" /></a></div><h4 class="h_mus">Letras de Músicas de Zeca Afonso</h4><h4 class="h_mus"> </h4><h4 class="h_mus"> </h4><h4 class="h_mus"> <br />
<br />
<div class="MsoNormal" style="line-height: normal; margin-bottom: 0.0001pt;"><a href="http://www.blogger.com/post-create.do" name="OLE_LINK12"></a><a href="http://www.blogger.com/post-create.do" name="OLE_LINK11"><span style="font-family: Symbol; font-size: 12pt;">·</span></a><span style="font-family: "Times New Roman","serif"; font-size: 12pt;"> </span><a href="http://osindiosdameia-praia.zecaafonso.letrasdemusicas.com.br/" title="Letra da música Os Índios Da Meia-Praia - Zeca
Afonso"><b><span style="color: blue; font-family: "Times New Roman","serif"; font-size: 12pt;">Zeca Afonso - Os Índios Da Meia-Praia</span></b></a><span style="font-family: "Times New Roman","serif"; font-size: 12pt;"> </span><span style="font-family: "Times New Roman","serif"; font-size: 10pt;">Aldeia da Meia-Praia. Ali mesmo ao pé de Lagos. Vou ...</span><a href="http://www.letrasdemusicas.com.br/admexcluir/musicas/zecaafonso/948550.html"><b><span style="color: blue; font-family: "Times New Roman","serif"; font-size: 12pt;"> </span></b></a><span style="font-family: "Times New Roman","serif"; font-size: 12pt;"> </span><a href="javascript:rn_lt(948550,%20'http://zecaafonso.letrasdemusicas.com.br/maisletras/ajax/%5bid%5d/%5btit%5d.html');"><b><span style="color: blue; font-family: "Times New Roman","serif"; font-size: 12pt;"> </span></b></a><span style="font-family: "Times New Roman","serif"; font-size: 12pt;"> <o:p></o:p></span></div><div class="MsoNormal" style="line-height: normal; margin-bottom: 0.0001pt;"><span style="font-family: Symbol; font-size: 12pt;">·</span><span style="font-family: "Times New Roman","serif"; font-size: 12pt;"> </span><a href="http://osvampiros.zecaafonso.letrasdemusicas.com.br/" title="Letra da música Os Vampiros - Zeca Afonso"><b><span style="color: blue; font-family: "Times New Roman","serif"; font-size: 12pt;">Zeca Afonso - Os Vampiros</span></b></a><span style="font-family: "Times New Roman","serif"; font-size: 12pt;"> </span><span style="font-family: "Times New Roman","serif"; font-size: 10pt;">No céu cin zento Sob o astro mudo . . G Am . . Baten ...</span><a href="http://www.letrasdemusicas.com.br/admexcluir/musicas/zecaafonso/63794.html"><b><span style="color: blue; font-family: "Times New Roman","serif"; font-size: 12pt;"> </span></b></a><span style="font-family: "Times New Roman","serif"; font-size: 12pt;"> </span><a href="javascript:rn_lt(63794,%20'http://zecaafonso.letrasdemusicas.com.br/maisletras/ajax/%5bid%5d/%5btit%5d.html');"><b><span style="color: blue; font-family: "Times New Roman","serif"; font-size: 12pt;"> </span></b></a><span style="font-family: "Times New Roman","serif"; font-size: 12pt;"> <o:p></o:p></span></div><div class="MsoNormal" style="line-height: normal; margin-bottom: 0.0001pt;"><span style="font-family: Symbol; font-size: 12pt;">·</span><span style="font-family: "Times New Roman","serif"; font-size: 12pt;"> </span><a href="http://papuca.zecaafonso.letrasdemusicas.com.br/" title="Letra da música Papuça - Zeca Afonso"><b><span style="color: blue; font-family: "Times New Roman","serif"; font-size: 12pt;">Zeca Afonso - Papuça</span></b></a><span style="font-family: "Times New Roman","serif"; font-size: 12pt;"> </span><span style="font-family: "Times New Roman","serif"; font-size: 10pt;">Olha enfia a carapuça. mas nao compres o velho fato ...</span><a href="http://www.letrasdemusicas.com.br/admexcluir/musicas/zecaafonso/948551.html"><b><span style="color: blue; font-family: "Times New Roman","serif"; font-size: 12pt;"> </span></b></a><span style="font-family: "Times New Roman","serif"; font-size: 12pt;"> </span><a href="javascript:rn_lt(948551,%20'http://zecaafonso.letrasdemusicas.com.br/maisletras/ajax/%5bid%5d/%5btit%5d.html');"><b><span style="color: blue; font-family: "Times New Roman","serif"; font-size: 12pt;"> </span></b></a><span style="font-family: "Times New Roman","serif"; font-size: 12pt;"> <o:p></o:p></span></div><div class="MsoNormal" style="line-height: normal; margin-bottom: 0.0001pt;"><span style="font-family: Symbol; font-size: 12pt;">·</span><span style="font-family: "Times New Roman","serif"; font-size: 12pt;"> </span><a href="http://pazpoetaepombas.zecaafonso.letrasdemusicas.com.br/" title="Letra da música Paz, Poeta E Pombas - Zeca Afonso"><b><span style="color: blue; font-family: "Times New Roman","serif"; font-size: 12pt;">Zeca Afonso - Paz, Poeta E Pombas</span></b></a><span style="font-family: "Times New Roman","serif"; font-size: 12pt;"> </span><span style="font-family: "Times New Roman","serif"; font-size: 10pt;">A Paz viajou em busca da silêncio. Sitiou Berlim. Ab ...</span><a href="http://www.letrasdemusicas.com.br/admexcluir/musicas/zecaafonso/948363.html"><b><span style="color: blue; font-family: "Times New Roman","serif"; font-size: 12pt;"> </span></b></a><span style="font-family: "Times New Roman","serif"; font-size: 12pt;"> </span><a href="javascript:rn_lt(948363,%20'http://zecaafonso.letrasdemusicas.com.br/maisletras/ajax/%5bid%5d/%5btit%5d.html');"><b><span style="color: blue; font-family: "Times New Roman","serif"; font-size: 12pt;"> </span></b></a><span style="font-family: "Times New Roman","serif"; font-size: 12pt;"> <o:p></o:p></span></div><div class="MsoNormal" style="line-height: normal; margin-bottom: 0.0001pt;"><span style="font-family: Symbol; font-size: 12pt;">·</span><span style="font-family: "Times New Roman","serif"; font-size: 12pt;"> </span><a href="http://portrasdaquelajanela.zecaafonso.letrasdemusicas.com.br/" title="Letra da música Por Trás Daquela Janela - Zeca
Afonso"><b><span style="color: blue; font-family: "Times New Roman","serif"; font-size: 12pt;">Zeca Afonso - Por Trás Daquela Janela</span></b></a><span style="font-family: "Times New Roman","serif"; font-size: 12pt;"> </span><span style="font-family: "Times New Roman","serif"; font-size: 10pt;">Por trás daquela janela. Por trás daquela janela. Fa ...</span><a href="http://www.letrasdemusicas.com.br/admexcluir/musicas/zecaafonso/948552.html"><b><span style="color: blue; font-family: "Times New Roman","serif"; font-size: 12pt;"> </span></b></a><span style="font-family: "Times New Roman","serif"; font-size: 12pt;"> </span><a href="javascript:rn_lt(948552,%20'http://zecaafonso.letrasdemusicas.com.br/maisletras/ajax/%5bid%5d/%5btit%5d.html');"><b><span style="color: blue; font-family: "Times New Roman","serif"; font-size: 12pt;"> </span></b></a><span style="font-family: "Times New Roman","serif"; font-size: 12pt;"> <o:p></o:p></span></div><div class="MsoNormal" style="line-height: normal; margin-bottom: 0.0001pt;"><span style="font-family: Symbol; font-size: 12pt;">·</span><span style="font-family: "Times New Roman","serif"; font-size: 12pt;"> </span><a href="http://queamornaomeengana.zecaafonso.letrasdemusicas.com.br/" title="Letra da música Que Amor Não Me Engana - Zeca
Afonso"><b><span style="color: blue; font-family: "Times New Roman","serif"; font-size: 12pt;">Zeca Afonso - Que Amor Não Me Engana</span></b></a><span style="font-family: "Times New Roman","serif"; font-size: 12pt;"> </span><span style="font-family: "Times New Roman","serif"; font-size: 10pt;">Que amor nao me engana. Com a sua brandura. Se da an ...</span><a href="http://www.letrasdemusicas.com.br/admexcluir/musicas/zecaafonso/948553.html"><b><span style="color: blue; font-family: "Times New Roman","serif"; font-size: 12pt;"> </span></b></a><span style="font-family: "Times New Roman","serif"; font-size: 12pt;"> </span><a href="javascript:rn_lt(948553,%20'http://zecaafonso.letrasdemusicas.com.br/maisletras/ajax/%5bid%5d/%5btit%5d.html');"><b><span style="color: blue; font-family: "Times New Roman","serif"; font-size: 12pt;"> </span></b></a><span style="font-family: "Times New Roman","serif"; font-size: 12pt;"> <o:p></o:p></span></div><div class="MsoNormal" style="line-height: normal; margin-bottom: 0.0001pt;"><span style="font-family: Symbol; font-size: 12pt;">·</span><span style="font-family: "Times New Roman","serif"; font-size: 12pt;"> </span><a href="http://riolargodeprofundis.zecaafonso.letrasdemusicas.com.br/" title="Letra da música Rio Largo De Profundis - Zeca
Afonso"><b><span style="color: blue; font-family: "Times New Roman","serif"; font-size: 12pt;">Zeca Afonso - Rio Largo De Profundis</span></b></a><span style="font-family: "Times New Roman","serif"; font-size: 12pt;"> </span><span style="font-family: "Times New Roman","serif"; font-size: 10pt;">Rio largo de profundis. Uma neta pra nascer. Amor av ...</span><a href="http://www.letrasdemusicas.com.br/admexcluir/musicas/zecaafonso/948554.html"><b><span style="color: blue; font-family: "Times New Roman","serif"; font-size: 12pt;"> </span></b></a><span style="font-family: "Times New Roman","serif"; font-size: 12pt;"> </span><a href="javascript:rn_lt(948554,%20'http://zecaafonso.letrasdemusicas.com.br/maisletras/ajax/%5bid%5d/%5btit%5d.html');"><b><span style="color: blue; font-family: "Times New Roman","serif"; font-size: 12pt;"> </span></b></a><span style="font-family: "Times New Roman","serif"; font-size: 12pt;"> <o:p></o:p></span></div><div class="MsoNormal" style="line-height: normal; margin-bottom: 0.0001pt;"><span style="font-family: Symbol; font-size: 12pt;">·</span><span style="font-family: "Times New Roman","serif"; font-size: 12pt;"> </span><a href="http://rondadospaisanos.zecaafonso.letrasdemusicas.com.br/" title="Letra da música Ronda Dos Paisanos - Zeca Afonso"><b><span style="color: blue; font-family: "Times New Roman","serif"; font-size: 12pt;">Zeca Afonso - Ronda Dos Paisanos</span></b></a><span style="font-family: "Times New Roman","serif"; font-size: 12pt;"> </span><span style="font-family: "Times New Roman","serif"; font-size: 10pt;">Ao cair da madrugada. No quartel da guarda. Senhor g ...</span><a href="http://www.letrasdemusicas.com.br/admexcluir/musicas/zecaafonso/948555.html"><b><span style="color: blue; font-family: "Times New Roman","serif"; font-size: 12pt;"> </span></b></a><span style="font-family: "Times New Roman","serif"; font-size: 12pt;"> </span><a href="javascript:rn_lt(948555,%20'http://zecaafonso.letrasdemusicas.com.br/maisletras/ajax/%5bid%5d/%5btit%5d.html');"><b><span style="color: blue; font-family: "Times New Roman","serif"; font-size: 12pt;"> </span></b></a><span style="font-family: "Times New Roman","serif"; font-size: 12pt;"> <o:p></o:p></span></div><div class="MsoNormal" style="line-height: normal; margin-bottom: 0.0001pt;"><span style="font-family: Symbol; font-size: 12pt;">·</span><span style="font-family: "Times New Roman","serif"; font-size: 12pt;"> </span><a href="http://senhorarcanjo.zecaafonso.letrasdemusicas.com.br/" title="Letra da música Senhor Arcanjo - Zeca Afonso"><b><span style="color: blue; font-family: "Times New Roman","serif"; font-size: 12pt;">Zeca Afonso - Senhor Arcanjo</span></b></a><span style="font-family: "Times New Roman","serif"; font-size: 12pt;"> </span><span style="font-family: "Times New Roman","serif"; font-size: 10pt;">Senhor arcanjo. Vamos jantar. Caem os anjos. Num algu ...</span><a href="http://www.letrasdemusicas.com.br/admexcluir/musicas/zecaafonso/948556.html"><b><span style="color: blue; font-family: "Times New Roman","serif"; font-size: 12pt;"> </span></b></a><span style="font-family: "Times New Roman","serif"; font-size: 12pt;"> </span><a href="javascript:rn_lt(948556,%20'http://zecaafonso.letrasdemusicas.com.br/maisletras/ajax/%5bid%5d/%5btit%5d.html');"><b><span style="color: blue; font-family: "Times New Roman","serif"; font-size: 12pt;"> </span></b></a><span style="font-family: "Times New Roman","serif"; font-size: 12pt;"> <o:p></o:p></span></div><div class="MsoNormal" style="line-height: normal; margin-bottom: 0.0001pt;"><span style="font-family: Symbol; font-size: 12pt;">·</span><span style="font-family: "Times New Roman","serif"; font-size: 12pt;"> </span><a href="http://tectodomendigo.zecaafonso.letrasdemusicas.com.br/" title="Letra da música Tecto Do Mendigo - Zeca Afonso"><b><span style="color: blue; font-family: "Times New Roman","serif"; font-size: 12pt;">Zeca Afonso - Tecto Do Mendigo</span></b></a><span style="font-family: "Times New Roman","serif"; font-size: 12pt;"> </span><span style="font-family: "Times New Roman","serif"; font-size: 10pt;">Num lugar ermo. Só no meu abrigo. Aí terei meu tecto ...</span><a href="http://www.letrasdemusicas.com.br/admexcluir/musicas/zecaafonso/948557.html"><b><span style="color: blue; font-family: "Times New Roman","serif"; font-size: 12pt;"> </span></b></a><span style="font-family: "Times New Roman","serif"; font-size: 12pt;"> </span><a href="javascript:rn_lt(948557,%20'http://zecaafonso.letrasdemusicas.com.br/maisletras/ajax/%5bid%5d/%5btit%5d.html');"><b><span style="color: blue; font-family: "Times New Roman","serif"; font-size: 12pt;"> </span></b></a><span style="font-family: "Times New Roman","serif"; font-size: 12pt;"> <o:p></o:p></span></div><div class="MsoNormal" style="line-height: normal; margin-bottom: 0.0001pt;"><span style="font-family: Symbol; font-size: 12pt;">·</span><span style="font-family: "Times New Roman","serif"; font-size: 12pt;"> </span><a href="http://tenhoumprimoconvexo.zecaafonso.letrasdemusicas.com.br/" title="Letra da música Tenho Um Primo Convexo - Zeca
Afonso"><b><span style="color: blue; font-family: "Times New Roman","serif"; font-size: 12pt;">Zeca Afonso - Tenho Um Primo Convexo</span></b></a><span style="font-family: "Times New Roman","serif"; font-size: 12pt;"> </span><span style="font-family: "Times New Roman","serif"; font-size: 10pt;">Tenho um primo convexo. Fadado para amnistias. Em to ...</span><a href="http://www.letrasdemusicas.com.br/admexcluir/musicas/zecaafonso/948558.html"><b><span style="color: blue; font-family: "Times New Roman","serif"; font-size: 12pt;"> </span></b></a><span style="font-family: "Times New Roman","serif"; font-size: 12pt;"> </span><a href="javascript:rn_lt(948558,%20'http://zecaafonso.letrasdemusicas.com.br/maisletras/ajax/%5bid%5d/%5btit%5d.html');"><b><span style="color: blue; font-family: "Times New Roman","serif"; font-size: 12pt;"> </span></b></a><span style="font-family: "Times New Roman","serif"; font-size: 12pt;"> <o:p></o:p></span></div><div class="MsoNormal" style="line-height: normal; margin-bottom: 0.0001pt;"><span style="font-family: Symbol; font-size: 12pt;">·</span><span style="font-family: "Times New Roman","serif"; font-size: 12pt;"> </span><a href="http://teresatorga.zecaafonso.letrasdemusicas.com.br/" title="Letra da música Teresa Torga - Zeca Afonso"><b><span style="color: blue; font-family: "Times New Roman","serif"; font-size: 12pt;">Zeca Afonso - Teresa Torga</span></b></a><span style="font-family: "Times New Roman","serif"; font-size: 12pt;"> </span><span style="font-family: "Times New Roman","serif"; font-size: 10pt;">No centro a da Avenida. No cruzamento da rua. As qua ...</span><a href="http://www.letrasdemusicas.com.br/admexcluir/musicas/zecaafonso/948559.html"><b><span style="color: blue; font-family: "Times New Roman","serif"; font-size: 12pt;"> </span></b></a><span style="font-family: "Times New Roman","serif"; font-size: 12pt;"> </span><a href="javascript:rn_lt(948559,%20'http://zecaafonso.letrasdemusicas.com.br/maisletras/ajax/%5bid%5d/%5btit%5d.html');"><b><span style="color: blue; font-family: "Times New Roman","serif"; font-size: 12pt;"> </span></b></a><span style="font-family: "Times New Roman","serif"; font-size: 12pt;"> <o:p></o:p></span></div><div class="MsoNormal" style="line-height: normal; margin-bottom: 0.0001pt;"><span style="font-family: Symbol; font-size: 12pt;">·</span><span style="font-family: "Times New Roman","serif"; font-size: 12pt;"> </span><a href="http://tialves.zecaafonso.letrasdemusicas.com.br/" title="Letra da música Ti Alves - Zeca Afonso"><b><span style="color: blue; font-family: "Times New Roman","serif"; font-size: 12pt;">Zeca Afonso - Ti Alves</span></b></a><span style="font-family: "Times New Roman","serif"; font-size: 12pt;"> </span><span style="font-family: "Times New Roman","serif"; font-size: 10pt;">O Ti Alves. Sao poucas ou muntas. Sao poucas me meni ...</span><a href="http://www.letrasdemusicas.com.br/admexcluir/musicas/zecaafonso/948560.html"><b><span style="color: blue; font-family: "Times New Roman","serif"; font-size: 12pt;"> </span></b></a><span style="font-family: "Times New Roman","serif"; font-size: 12pt;"> </span><a href="javascript:rn_lt(948560,%20'http://zecaafonso.letrasdemusicas.com.br/maisletras/ajax/%5bid%5d/%5btit%5d.html');"><b><span style="color: blue; font-family: "Times New Roman","serif"; font-size: 12pt;"> </span></b></a><span style="font-family: "Times New Roman","serif"; font-size: 12pt;"> <o:p></o:p></span></div><div class="MsoNormal" style="line-height: normal; margin-bottom: 0.0001pt;"><span style="font-family: Symbol; font-size: 12pt;">·</span><span style="font-family: "Times New Roman","serif"; font-size: 12pt;"> </span><a href="http://trazoutroamigotambem.zecaafonso.letrasdemusicas.com.br/" title="Letra da música Traz Outro Amigo Também - Zeca
Afonso"><b><span style="color: blue; font-family: "Times New Roman","serif"; font-size: 12pt;">Zeca Afonso - Traz Outro Amigo Também</span></b></a><span style="font-family: "Times New Roman","serif"; font-size: 12pt;"> </span><span style="font-family: "Times New Roman","serif"; font-size: 10pt;">Amigo . Maior que o pensamento . Por essa estrada a ...</span><a href="http://www.letrasdemusicas.com.br/admexcluir/musicas/zecaafonso/747916.html"><b><span style="color: blue; font-family: "Times New Roman","serif"; font-size: 12pt;"> </span></b></a><span style="font-family: "Times New Roman","serif"; font-size: 12pt;"> </span><a href="javascript:rn_lt(747916,%20'http://zecaafonso.letrasdemusicas.com.br/maisletras/ajax/%5bid%5d/%5btit%5d.html');"><b><span style="color: blue; font-family: "Times New Roman","serif"; font-size: 12pt;"> </span></b></a><span style="font-family: "Times New Roman","serif"; font-size: 12pt;"> <o:p></o:p></span></div><div class="MsoNormal" style="line-height: normal; margin-bottom: 0.0001pt;"><span style="font-family: Symbol; font-size: 12pt;">·</span><span style="font-family: "Times New Roman","serif"; font-size: 12pt;"> </span><a href="http://utopia.zecaafonso.letrasdemusicas.com.br/" title="Letra da música Utopia - Zeca Afonso"><b><span style="color: blue; font-family: "Times New Roman","serif"; font-size: 12pt;">Zeca Afonso - Utopia</span></b></a><span style="font-family: "Times New Roman","serif"; font-size: 12pt;"> </span><span style="font-family: "Times New Roman","serif"; font-size: 10pt;">Cidade. Sem muros nem ameias. Gente igual por dentro ...</span><a href="http://www.letrasdemusicas.com.br/admexcluir/musicas/zecaafonso/948561.html"><b><span style="color: blue; font-family: "Times New Roman","serif"; font-size: 12pt;"> </span></b></a><span style="font-family: "Times New Roman","serif"; font-size: 12pt;"> </span><a href="javascript:rn_lt(948561,%20'http://zecaafonso.letrasdemusicas.com.br/maisletras/ajax/%5bid%5d/%5btit%5d.html');"><b><span style="color: blue; font-family: "Times New Roman","serif"; font-size: 12pt;"> </span></b></a><span style="font-family: "Times New Roman","serif"; font-size: 12pt;"> <o:p></o:p></span></div><div class="MsoNormal" style="line-height: normal; margin-bottom: 0.0001pt;"><span style="font-family: Symbol; font-size: 12pt;">·</span><span style="font-family: "Times New Roman","serif"; font-size: 12pt;"> </span><a href="http://vejambem.zecaafonso.letrasdemusicas.com.br/" title="Letra da música Vejam Bem - Zeca Afonso"><b><span style="color: blue; font-family: "Times New Roman","serif"; font-size: 12pt;">Zeca Afonso - Vejam Bem</span></b></a><span style="font-family: "Times New Roman","serif"; font-size: 12pt;"> </span><span style="font-family: "Times New Roman","serif"; font-size: 10pt;">Vejam bem . que não há só gaivotas em terra . quando ...</span><a href="http://www.letrasdemusicas.com.br/admexcluir/musicas/zecaafonso/747917.html"><b><span style="color: blue; font-family: "Times New Roman","serif"; font-size: 12pt;"> </span></b></a><span style="font-family: "Times New Roman","serif"; font-size: 12pt;"> </span><a href="javascript:rn_lt(747917,%20'http://zecaafonso.letrasdemusicas.com.br/maisletras/ajax/%5bid%5d/%5btit%5d.html');"><b><span style="color: blue; font-family: "Times New Roman","serif"; font-size: 12pt;"> </span></b></a><span style="font-family: "Times New Roman","serif"; font-size: 12pt;"> <o:p></o:p></span></div><div class="MsoNormal" style="line-height: normal; margin-bottom: 0.0001pt;"><span style="font-family: Symbol; font-size: 12pt;">·</span><span style="font-family: "Times New Roman","serif"; font-size: 12pt;"> </span><a href="http://venhammaiscinco.zecaafonso.letrasdemusicas.com.br/" title="Letra da música Venham Mais Cinco - Zeca Afonso"><b><span style="color: blue; font-family: "Times New Roman","serif"; font-size: 12pt;">Zeca Afonso - Venham Mais Cinco</span></b></a><span style="font-family: "Times New Roman","serif"; font-size: 12pt;"> </span><span style="font-family: "Times New Roman","serif"; font-size: 10pt;">Venham mais cinco, duma assentada que eu pago já . ...</span><a href="http://www.letrasdemusicas.com.br/admexcluir/musicas/zecaafonso/747918.html"><b><span style="color: blue; font-family: "Times New Roman","serif"; font-size: 12pt;"> </span></b></a><span style="font-family: "Times New Roman","serif"; font-size: 12pt;"> </span><a href="javascript:rn_lt(747918,%20'http://zecaafonso.letrasdemusicas.com.br/maisletras/ajax/%5bid%5d/%5btit%5d.html');"><b><span style="color: blue; font-family: "Times New Roman","serif"; font-size: 12pt;"> </span></b></a><span style="font-family: "Times New Roman","serif"; font-size: 12pt;"> <o:p></o:p></span></div><div class="MsoNormal"><span style="font-family: Symbol; font-size: 12pt; line-height: 115%;">·</span><span style="font-family: "Times New Roman","serif"; font-size: 12pt; line-height: 115%;"> </span><a href="http://vivaopoderpopular.zecaafonso.letrasdemusicas.com.br/" title="Letra da música Viva O Poder Popular - Zeca
Afonso"><b><span style="color: blue; font-family: "Times New Roman","serif"; font-size: 12pt; line-height: 115%;">Zeca Afonso - Viva O Poder Popular</span></b></a><span style="font-family: "Times New Roman","serif"; font-size: 12pt; line-height: 115%;"> </span><span style="font-family: "Times New Roman","serif"; font-size: 10pt; line-height: 115%;">Nao há velório nem morto. Nem círios para queimar. Q ...</span></div> <span style="font-family: Symbol; font-size: 12pt;"></span><span style="font-family: "Times New Roman","serif"; font-size: 12pt;"> <a href="http://osindiosdameia-praia.zecaafonso.letrasdemusicas.com.br/" title="Letra da música Os Índios Da Meia-Praia - Zeca
Afonso"><b><span style="color: blue;">Zeca Afonso - Os Índios Da Meia-Praia</span></b></a> </span><span style="font-family: "Times New Roman","serif"; font-size: 10pt;">Aldeia da Meia-Praia. Ali mesmo ao pé de Lagos. Vou ...</span><span style="font-family: "Times New Roman","serif"; font-size: 12pt;"><a href="http://www.letrasdemusicas.com.br/admexcluir/musicas/zecaafonso/948550.html"><b><span style="color: blue;"> </span></b></a> <a href="javascript:rn_lt(948550,%20'http://zecaafonso.letrasdemusicas.com.br/maisletras/ajax/%5bid%5d/%5btit%5d.html');"><b><span style="color: blue;"></span></b></a></span><span style="font-family: Symbol; font-size: 12pt;">·</span><span style="font-family: "Times New Roman","serif"; font-size: 12pt;"> <a href="http://osvampiros.zecaafonso.letrasdemusicas.com.br/" title="Letra da música Os Vampiros - Zeca Afonso"><b><span style="color: blue;">Zeca Afonso - Os Vampiros</span></b></a> </span><span style="font-family: "Times New Roman","serif"; font-size: 10pt;">No céu cin zento Sob o astro mudo . . G Am . . Baten ...</span><span style="font-family: "Times New Roman","serif"; font-size: 12pt;"><a href="http://www.letrasdemusicas.com.br/admexcluir/musicas/zecaafonso/63794.html"><b><span style="color: blue;"> </span></b></a> <a href="javascript:rn_lt(63794,%20'http://zecaafonso.letrasdemusicas.com.br/maisletras/ajax/%5bid%5d/%5btit%5d.html');"><b><span style="color: blue;"> </span></b></a> <o:p></o:p></span></h4><h4 class="h_mus"> <br />
<br />
<div class="MsoNormal" style="line-height: normal; margin-bottom: 0.0001pt;"><span style="font-family: Symbol; font-size: 12pt;">·</span><span style="font-family: "Times New Roman","serif"; font-size: 12pt;"> <a href="http://papuca.zecaafonso.letrasdemusicas.com.br/" title="Letra da música Papuça - Zeca Afonso"><b><span style="color: blue;">Zeca Afonso - Papuça</span></b></a> </span><span style="font-family: "Times New Roman","serif"; font-size: 10pt;">Olha enfia a carapuça. mas nao compres o velho fato ...</span><span style="font-family: "Times New Roman","serif"; font-size: 12pt;"><a href="http://www.letrasdemusicas.com.br/admexcluir/musicas/zecaafonso/948551.html"><b><span style="color: blue;"> </span></b></a> <a href="javascript:rn_lt(948551,%20'http://zecaafonso.letrasdemusicas.com.br/maisletras/ajax/%5bid%5d/%5btit%5d.html');"><b><span style="color: blue;"> </span></b></a> <o:p></o:p></span></div><div class="MsoNormal" style="line-height: normal; margin-bottom: 0.0001pt;"><span style="font-family: Symbol; font-size: 12pt;">·</span><span style="font-family: "Times New Roman","serif"; font-size: 12pt;"> <a href="http://pazpoetaepombas.zecaafonso.letrasdemusicas.com.br/" title="Letra da música Paz, Poeta E Pombas - Zeca Afonso"><b><span style="color: blue;">Zeca Afonso - Paz, Poeta E Pombas</span></b></a> </span><span style="font-family: "Times New Roman","serif"; font-size: 10pt;">A Paz viajou em busca da silêncio. Sitiou Berlim. Ab ...</span><span style="font-family: "Times New Roman","serif"; font-size: 12pt;"><a href="http://www.letrasdemusicas.com.br/admexcluir/musicas/zecaafonso/948363.html"><b><span style="color: blue;"> </span></b></a> <a href="javascript:rn_lt(948363,%20'http://zecaafonso.letrasdemusicas.com.br/maisletras/ajax/%5bid%5d/%5btit%5d.html');"><b><span style="color: blue;"> </span></b></a> <o:p></o:p></span></div><div class="MsoNormal" style="line-height: normal; margin-bottom: 0.0001pt;"><span style="font-family: Symbol; font-size: 12pt;">·</span><span style="font-family: "Times New Roman","serif"; font-size: 12pt;"> <a href="http://portrasdaquelajanela.zecaafonso.letrasdemusicas.com.br/" title="Letra da música Por Trás Daquela Janela - Zeca
Afonso"><b><span style="color: blue;">Zeca Afonso - Por Trás Daquela Janela</span></b></a> </span><span style="font-family: "Times New Roman","serif"; font-size: 10pt;">Por trás daquela janela. Por trás daquela janela. Fa ...</span><span style="font-family: "Times New Roman","serif"; font-size: 12pt;"><a href="http://www.letrasdemusicas.com.br/admexcluir/musicas/zecaafonso/948552.html"><b><span style="color: blue;"> </span></b></a> <a href="javascript:rn_lt(948552,%20'http://zecaafonso.letrasdemusicas.com.br/maisletras/ajax/%5bid%5d/%5btit%5d.html');"><b><span style="color: blue;"> </span></b></a> <o:p></o:p></span></div><div class="MsoNormal" style="line-height: normal; margin-bottom: 0.0001pt;"><span style="font-family: Symbol; font-size: 12pt;">·</span><span style="font-family: "Times New Roman","serif"; font-size: 12pt;"> <a href="http://queamornaomeengana.zecaafonso.letrasdemusicas.com.br/" title="Letra da música Que Amor Não Me Engana - Zeca
Afonso"><b><span style="color: blue;">Zeca Afonso - Que Amor Não Me Engana</span></b></a> </span><span style="font-family: "Times New Roman","serif"; font-size: 10pt;">Que amor nao me engana. Com a sua brandura. Se da an ...</span><span style="font-family: "Times New Roman","serif"; font-size: 12pt;"><a href="http://www.letrasdemusicas.com.br/admexcluir/musicas/zecaafonso/948553.html"><b><span style="color: blue;"> </span></b></a> <a href="javascript:rn_lt(948553,%20'http://zecaafonso.letrasdemusicas.com.br/maisletras/ajax/%5bid%5d/%5btit%5d.html');"><b><span style="color: blue;"> </span></b></a> <o:p></o:p></span></div><div class="MsoNormal" style="line-height: normal; margin-bottom: 0.0001pt;"><span style="font-family: Symbol; font-size: 12pt;">·</span><span style="font-family: "Times New Roman","serif"; font-size: 12pt;"> <a href="http://riolargodeprofundis.zecaafonso.letrasdemusicas.com.br/" title="Letra da música Rio Largo De Profundis - Zeca
Afonso"><b><span style="color: blue;">Zeca Afonso - Rio Largo De Profundis</span></b></a> </span><span style="font-family: "Times New Roman","serif"; font-size: 10pt;">Rio largo de profundis. Uma neta pra nascer. Amor av ...</span><span style="font-family: "Times New Roman","serif"; font-size: 12pt;"><a href="http://www.letrasdemusicas.com.br/admexcluir/musicas/zecaafonso/948554.html"><b><span style="color: blue;"> </span></b></a> <a href="javascript:rn_lt(948554,%20'http://zecaafonso.letrasdemusicas.com.br/maisletras/ajax/%5bid%5d/%5btit%5d.html');"><b><span style="color: blue;"> </span></b></a> <o:p></o:p></span></div><div class="MsoNormal" style="line-height: normal; margin-bottom: 0.0001pt;"><span style="font-family: Symbol; font-size: 12pt;">·</span><span style="font-family: "Times New Roman","serif"; font-size: 12pt;"> <a href="http://rondadospaisanos.zecaafonso.letrasdemusicas.com.br/" title="Letra da música Ronda Dos Paisanos - Zeca Afonso"><b><span style="color: blue;">Zeca Afonso - Ronda Dos Paisanos</span></b></a> </span><span style="font-family: "Times New Roman","serif"; font-size: 10pt;">Ao cair da madrugada. No quartel da guarda. Senhor g ...</span><span style="font-family: "Times New Roman","serif"; font-size: 12pt;"><a href="http://www.letrasdemusicas.com.br/admexcluir/musicas/zecaafonso/948555.html"><b><span style="color: blue;"> </span></b></a> <a href="javascript:rn_lt(948555,%20'http://zecaafonso.letrasdemusicas.com.br/maisletras/ajax/%5bid%5d/%5btit%5d.html');"><b><span style="color: blue;"> </span></b></a> <o:p></o:p></span></div><div class="MsoNormal" style="line-height: normal; margin-bottom: 0.0001pt;"><span style="font-family: Symbol; font-size: 12pt;">·</span><span style="font-family: "Times New Roman","serif"; font-size: 12pt;"> <a href="http://senhorarcanjo.zecaafonso.letrasdemusicas.com.br/" title="Letra da música Senhor Arcanjo - Zeca Afonso"><b><span style="color: blue;">Zeca Afonso - Senhor Arcanjo</span></b></a> </span><span style="font-family: "Times New Roman","serif"; font-size: 10pt;">Senhor arcanjo. Vamos jantar. Caem os anjos. Num algu ...</span><span style="font-family: "Times New Roman","serif"; font-size: 12pt;"><a href="http://www.letrasdemusicas.com.br/admexcluir/musicas/zecaafonso/948556.html"><b><span style="color: blue;"> </span></b></a> <a href="javascript:rn_lt(948556,%20'http://zecaafonso.letrasdemusicas.com.br/maisletras/ajax/%5bid%5d/%5btit%5d.html');"><b><span style="color: blue;"> </span></b></a> <o:p></o:p></span></div><div class="MsoNormal" style="line-height: normal; margin-bottom: 0.0001pt;"><span style="font-family: Symbol; font-size: 12pt;">·</span><span style="font-family: "Times New Roman","serif"; font-size: 12pt;"> <a href="http://tectodomendigo.zecaafonso.letrasdemusicas.com.br/" title="Letra da música Tecto Do Mendigo - Zeca Afonso"><b><span style="color: blue;">Zeca Afonso - Tecto Do Mendigo</span></b></a> </span><span style="font-family: "Times New Roman","serif"; font-size: 10pt;">Num lugar ermo. Só no meu abrigo. Aí terei meu tecto ...</span><span style="font-family: "Times New Roman","serif"; font-size: 12pt;"><a href="http://www.letrasdemusicas.com.br/admexcluir/musicas/zecaafonso/948557.html"><b><span style="color: blue;"> </span></b></a> <a href="javascript:rn_lt(948557,%20'http://zecaafonso.letrasdemusicas.com.br/maisletras/ajax/%5bid%5d/%5btit%5d.html');"><b><span style="color: blue;"> </span></b></a> <o:p></o:p></span></div><div class="MsoNormal" style="line-height: normal; margin-bottom: 0.0001pt;"><span style="font-family: Symbol; font-size: 12pt;">·</span><span style="font-family: "Times New Roman","serif"; font-size: 12pt;"> <a href="http://tenhoumprimoconvexo.zecaafonso.letrasdemusicas.com.br/" title="Letra da música Tenho Um Primo Convexo - Zeca
Afonso"><b><span style="color: blue;">Zeca Afonso - Tenho Um Primo Convexo</span></b></a> </span><span style="font-family: "Times New Roman","serif"; font-size: 10pt;">Tenho um primo convexo. Fadado para amnistias. Em to ...</span><span style="font-family: "Times New Roman","serif"; font-size: 12pt;"><a href="http://www.letrasdemusicas.com.br/admexcluir/musicas/zecaafonso/948558.html"><b><span style="color: blue;"> </span></b></a> <a href="javascript:rn_lt(948558,%20'http://zecaafonso.letrasdemusicas.com.br/maisletras/ajax/%5bid%5d/%5btit%5d.html');"><b><span style="color: blue;"> </span></b></a> <o:p></o:p></span></div><div class="MsoNormal" style="line-height: normal; margin-bottom: 0.0001pt;"><span style="font-family: Symbol; font-size: 12pt;">·</span><span style="font-family: "Times New Roman","serif"; font-size: 12pt;"> <a href="http://teresatorga.zecaafonso.letrasdemusicas.com.br/" title="Letra da música Teresa Torga - Zeca Afonso"><b><span style="color: blue;">Zeca Afonso - Teresa Torga</span></b></a> </span><span style="font-family: "Times New Roman","serif"; font-size: 10pt;">No centro a da Avenida. No cruzamento da rua. As qua ...</span><span style="font-family: "Times New Roman","serif"; font-size: 12pt;"><a href="http://www.letrasdemusicas.com.br/admexcluir/musicas/zecaafonso/948559.html"><b><span style="color: blue;"> </span></b></a> <a href="javascript:rn_lt(948559,%20'http://zecaafonso.letrasdemusicas.com.br/maisletras/ajax/%5bid%5d/%5btit%5d.html');"><b><span style="color: blue;"> </span></b></a> <o:p></o:p></span></div><div class="MsoNormal" style="line-height: normal; margin-bottom: 0.0001pt;"><span style="font-family: Symbol; font-size: 12pt;">·</span><span style="font-family: "Times New Roman","serif"; font-size: 12pt;"> <a href="http://tialves.zecaafonso.letrasdemusicas.com.br/" title="Letra da música Ti Alves - Zeca Afonso"><b><span style="color: blue;">Zeca Afonso - Ti Alves</span></b></a> </span><span style="font-family: "Times New Roman","serif"; font-size: 10pt;">O Ti Alves. Sao poucas ou muntas. Sao poucas me meni ...</span><span style="font-family: "Times New Roman","serif"; font-size: 12pt;"><a href="http://www.letrasdemusicas.com.br/admexcluir/musicas/zecaafonso/948560.html"><b><span style="color: blue;"> </span></b></a> <a href="javascript:rn_lt(948560,%20'http://zecaafonso.letrasdemusicas.com.br/maisletras/ajax/%5bid%5d/%5btit%5d.html');"><b><span style="color: blue;"> </span></b></a> <o:p></o:p></span></div><div class="MsoNormal" style="line-height: normal; margin-bottom: 0.0001pt;"><span style="font-family: Symbol; font-size: 12pt;">·</span><span style="font-family: "Times New Roman","serif"; font-size: 12pt;"> <a href="http://trazoutroamigotambem.zecaafonso.letrasdemusicas.com.br/" title="Letra da música Traz Outro Amigo Também - Zeca
Afonso"><b><span style="color: blue;">Zeca Afonso - Traz Outro Amigo Também</span></b></a> </span><span style="font-family: "Times New Roman","serif"; font-size: 10pt;">Amigo . Maior que o pensamento . Por essa estrada a ...</span><span style="font-family: "Times New Roman","serif"; font-size: 12pt;"><a href="http://www.letrasdemusicas.com.br/admexcluir/musicas/zecaafonso/747916.html"><b><span style="color: blue;"> </span></b></a> <a href="javascript:rn_lt(747916,%20'http://zecaafonso.letrasdemusicas.com.br/maisletras/ajax/%5bid%5d/%5btit%5d.html');"><b><span style="color: blue;"> </span></b></a> <o:p></o:p></span></div><div class="MsoNormal" style="line-height: normal; margin-bottom: 0.0001pt;"><span style="font-family: Symbol; font-size: 12pt;">·</span><span style="font-family: "Times New Roman","serif"; font-size: 12pt;"> <a href="http://utopia.zecaafonso.letrasdemusicas.com.br/" title="Letra da música Utopia - Zeca Afonso"><b><span style="color: blue;">Zeca Afonso - Utopia</span></b></a> </span><span style="font-family: "Times New Roman","serif"; font-size: 10pt;">Cidade. Sem muros nem ameias. Gente igual por dentro ...</span><span style="font-family: "Times New Roman","serif"; font-size: 12pt;"><a href="http://www.letrasdemusicas.com.br/admexcluir/musicas/zecaafonso/948561.html"><b><span style="color: blue;"> </span></b></a> <a href="javascript:rn_lt(948561,%20'http://zecaafonso.letrasdemusicas.com.br/maisletras/ajax/%5bid%5d/%5btit%5d.html');"><b><span style="color: blue;"> </span></b></a> <o:p></o:p></span></div><div class="MsoNormal" style="line-height: normal; margin-bottom: 0.0001pt;"><span style="font-family: Symbol; font-size: 12pt;">·</span><span style="font-family: "Times New Roman","serif"; font-size: 12pt;"> <a href="http://vejambem.zecaafonso.letrasdemusicas.com.br/" title="Letra da música Vejam Bem - Zeca Afonso"><b><span style="color: blue;">Zeca Afonso - Vejam Bem</span></b></a> </span><span style="font-family: "Times New Roman","serif"; font-size: 10pt;">Vejam bem . que não há só gaivotas em terra . quando ...</span><span style="font-family: "Times New Roman","serif"; font-size: 12pt;"><a href="http://www.letrasdemusicas.com.br/admexcluir/musicas/zecaafonso/747917.html"><b><span style="color: blue;"> </span></b></a> <a href="javascript:rn_lt(747917,%20'http://zecaafonso.letrasdemusicas.com.br/maisletras/ajax/%5bid%5d/%5btit%5d.html');"><b><span style="color: blue;"> </span></b></a> <o:p></o:p></span></div><div class="MsoNormal" style="line-height: normal; margin-bottom: 0.0001pt;"><span style="font-family: Symbol; font-size: 12pt;">·</span><span style="font-family: "Times New Roman","serif"; font-size: 12pt;"> <a href="http://venhammaiscinco.zecaafonso.letrasdemusicas.com.br/" title="Letra da música Venham Mais Cinco - Zeca Afonso"><b><span style="color: blue;">Zeca Afonso - Venham Mais Cinco</span></b></a> </span><span style="font-family: "Times New Roman","serif"; font-size: 10pt;">Venham mais cinco, duma assentada que eu pago já . ...</span><span style="font-family: "Times New Roman","serif"; font-size: 12pt;"><a href="http://www.letrasdemusicas.com.br/admexcluir/musicas/zecaafonso/747918.html"><b><span style="color: blue;"> </span></b></a> <a href="javascript:rn_lt(747918,%20'http://zecaafonso.letrasdemusicas.com.br/maisletras/ajax/%5bid%5d/%5btit%5d.html');"><b><span style="color: blue;"> </span></b></a> <o:p></o:p></span></div><div class="MsoNormal"><span style="font-family: Symbol; font-size: 12pt; line-height: 115%;">·</span><span style="font-family: "Times New Roman","serif"; font-size: 12pt; line-height: 115%;"> <a href="http://vivaopoderpopular.zecaafonso.letrasdemusicas.com.br/" title="Letra da música Viva O Poder Popular - Zeca
Afonso"><b><span style="color: blue;">Zeca Afonso - Viva O Poder Popular</span></b></a> </span><span style="font-family: "Times New Roman","serif"; font-size: 10pt; line-height: 115%;">Nao há velório nem morto. Nem círios para queimar. Q ...</span></div></h4><br />
.<br />
<h3 class="r" style="text-align: right;"><a class="l" href="http://pt.wikipedia.org/wiki/Jos%C3%A9_Afonso" onmousedown="return
rwt(this,'','','res','1','AFQjCNGfLL5v6rGY8Yp0aJQKQj3SZuIYCw','&sig2=L92-0pBHEA1_KQPQuVR6iA','0CAsQFjAA')"><i>José Afonso</i> - Wikipédia, a enciclopédia livre</a></h3><div style="text-align: right;"><span style="display: inline-block;"><button class="ws" title=""></button></span>José Manuel Cerqueira Afonso dos Santos (Aveiro, 2 de Agosto de 1929 — Setúbal, 23 de Fevereiro de 1987), mais conhecido por <i>José Afonso</i> ou Zeca Afonso, <b>...</b></div><div style="text-align: right;"><b>.</b></div><div style="text-align: right;"><b>.</b></div><h3 class="r" style="text-align: right;"><a class="l" href="http://www.aja.pt/" onmousedown="return
rwt(this,'','','res','2','AFQjCNHJ2HqHkzh6KSZu3StfWvsjyAAALA','&sig2=pLJuY3OFJutaUTpOpDKCkQ','0CBUQFjAB')">Associação <i>José Afonso</i></a></h3><div style="text-align: right;"><span style="display: inline-block;"><button class="ws" title=""></button></span><i>José Afonso</i> na 1ª pessoa, Textos sobre <i>José Afonso</i>, O que está por trás dos versos, As versões feitas até hoje. ESCOLAS, EXPOSIÇÕES, TRIBUTOS, LOJA <b>...</b></div><div style="text-align: right;"><b>.</b></div><b>.</b><br />
<b></b>Victor Nogueirahttp://www.blogger.com/profile/13759238536489604722noreply@blogger.com0tag:blogger.com,1999:blog-2736353218304570703.post-43263470367780888592010-04-01T01:18:00.000+01:002010-04-01T01:18:21.408+01:00Atrium - Base de dados de compositores portugueses<div class="post-header"> </div><div class="post-body entry-content"> <div style="display: block; margin-left: auto; margin-right: auto; text-align: center;"><a href="http://sites.google.com/site/patrimoniomusical/videos-em-destaque-featured-videos"><img border="0" height="262" src="http://sites.google.com/site/patrimoniomusical/_/rsrc/1260350807059/Home/Sem%20t%C3%ADtulo.bmp" width="400" /></a></div><br />
<div class="sites-embed-content sites-sidebar-nav "><ul jotid="navList"><li class="nav-first"><br />
<div class="current-bg" dir="ltr" jotid="wuid:gx:5c83ef00f61b44fa" style="padding-left: 5px;">atrium </div></li>
<li class=""><br />
<div dir="ltr" style="padding-left: 5px;"><a href="http://sites.google.com/site/patrimoniomusical/videos-em-destaque-featured-videos" jotid="wuid:gx:2bc69967b801845e">em destaque | featured videos</a> </div></li>
<li class=""><br />
<div dir="ltr" style="padding-left: 5px;"><a href="http://sites.google.com/site/patrimoniomusical/contactos---contacts" jotid="wuid:gx:34b4766ed53ee61c">sobre nós | about us</a> </div></li>
<li class=""><br />
<div dir="ltr" style="padding-left: 5px;"><a href="http://sites.google.com/site/patrimoniomusical/livro-de-visitas---guestbook" jotid="wuid:gx:65abdc47bc15a348">livro de visitas | guestbook</a> </div></li>
<li class=""><br />
<div dir="ltr" style="padding-left: 5px;"><a href="http://sites.google.com/site/patrimoniomusical/ligacoes-links" jotid="wuid:gx:1fca0e1aac4698d4">ligações | links</a> </div></li>
</ul></div><div class="sites-embed" id="COMP_30664699683788" xmlns="http://www.w3.org/1999/xhtml"><h4 class="sites-embed-title">ÉPOCAS | PERIODS</h4><div class="sites-embed-content sites-sidebar-nav "><ul jotid="navList"><li class="nav-first"><br />
<div dir="ltr" style="padding-left: 5px;"><a href="http://sites.google.com/site/patrimoniomusical/secxxi" jotid="wuid:gx:68d464b6bf3b73">secXXI</a> </div></li>
<li class=""><br />
<div dir="ltr" style="padding-left: 5px;"><a href="http://sites.google.com/site/patrimoniomusical/secxx-xxi" jotid="wuid:gx:65854e93b7a9a1b3">secXX-XXI</a> </div></li>
<li class=""><br />
<div dir="ltr" style="padding-left: 5px;"><a href="http://sites.google.com/site/patrimoniomusical/secxx" jotid="wuid:gx:2fd185d7fca92891">secXX</a> </div></li>
<li class=""><br />
<div dir="ltr" style="padding-left: 5px;"><a href="http://sites.google.com/site/patrimoniomusical/secxix-xx" jotid="wuid:gx:4cd493f9203d8ba7">secXIX-XX</a> </div></li>
<li class=""><br />
<div dir="ltr" style="padding-left: 5px;"><a href="http://sites.google.com/site/patrimoniomusical/secxix" jotid="wuid:gx:57475e7243713f5">secXIX</a> </div></li>
<li class=""><br />
<div dir="ltr" style="padding-left: 5px;"><a href="http://sites.google.com/site/patrimoniomusical/secxviii-xix" jotid="wuid:gx:53238f5bc2036ac9">secXVIII-XIX</a> </div></li>
<li class=""><br />
<div dir="ltr" style="padding-left: 5px;"><a href="http://sites.google.com/site/patrimoniomusical/secxviii" jotid="wuid:gx:4b5c5e6b6cb834b5">secXVIII</a> </div></li>
<li class=""><br />
<div dir="ltr" style="padding-left: 5px;"><a href="http://sites.google.com/site/patrimoniomusical/secxvii" jotid="wuid:gx:299899eab26805c4">secXVII</a> </div></li>
<li class=""><br />
<div dir="ltr" style="padding-left: 5px;"><a href="http://sites.google.com/site/patrimoniomusical/secxvi-xvii" jotid="wuid:gx:6e6788c77fda5e56">secXVI-XVII</a> </div></li>
<li class=""><br />
<div dir="ltr" style="padding-left: 5px;"><a href="http://sites.google.com/site/patrimoniomusical/secxvi" jotid="wuid:gx:9c8a769c1ecc8d8">secXVI</a> </div></li>
<li class=""><br />
<div dir="ltr" style="padding-left: 5px;"><a href="http://sites.google.com/site/patrimoniomusical/secxv-xvi" jotid="wuid:gx:2cae6cad03dea215">secXV-XVI</a> </div></li>
<li class=""><br />
<div dir="ltr" style="padding-left: 5px;"><a href="http://sites.google.com/site/patrimoniomusical/sexxiii-xiv" jotid="wuid:gx:4ae4e63cb755a872">secXIII-XIV</a> </div></li>
</ul></div></div><div class="sites-embed" id="COMP_7015934151386523" xmlns="http://www.w3.org/1999/xhtml"><h4 class="sites-embed-title">TOP PAGES</h4><div class="sites-embed-content" style="padding: 5px;"><div dir="ltr">1. <a href="http://sites.google.com/site/patrimoniomusical/lopes-graca-fernando" target="_blank">Fernando Lopes-Graça</a><br />
<div>2. <a href="http://sites.google.com/site/patrimoniomusical/teixeira-miguel">Miguel Teixeira</a></div><div>3. <a href="http://sites.google.com/site/patrimoniomusical/branco-luis-de-freitas" target="_blank">Luís de Freitas Branco</a></div><div>4. <a href="http://sites.google.com/site/patrimoniomusical/derrica-tiago" target="_blank">Tiago Derriça</a></div><div><div>5. <a href="http://sites.google.com/site/patrimoniomusical/carrapatoso--eurico" target="_blank">Eurico Carrapatoso</a></div><div>6. <a href="http://sites.google.com/site/patrimoniomusical/seixas--carlos">Carlos Seixas</a></div><div>7. <a href="http://sites.google.com/site/patrimoniomusical/keil--alfredo" target="_blank">Alfredo Keil</a></div><div>8. <a href="http://sites.google.com/site/patrimoniomusical/almeida-antonio-victorino-d">António Victorino d'Almeida</a></div><div><div>9. <a href="http://sites.google.com/site/patrimoniomusical/bomtempo-joao-domingos" target="_blank">João Domingos Bomtempo</a></div><div>10. <a href="http://sites.google.com/site/patrimoniomusical/portugal--marcos">Marcos Portugal</a></div><div><br />
</div><div><div><span style="font-size: xx-small;">(12.ii.2010)</span></div></div></div></div></div></div></div><div class="sites-embed" id="COMP_2bd" xmlns="http://www.w3.org/1999/xhtml"><h4 class="sites-embed-title">COMPOSITORES | COMPOSERS</h4><div class="sites-embed-content sites-sidebar-nav "><ul jotid="navList"><li class="nav-first"><br />
<div dir="ltr" style="padding-left: 5px;"><a href="http://sites.google.com/site/patrimoniomusical/afonso-pedro" jotid="wuid:gx:5be88c2447e36b58">Afonso, Pedro</a> </div></li>
<li class=""><br />
<div dir="ltr" style="padding-left: 5px;"><a href="http://sites.google.com/site/patrimoniomusical/aguiar-alexandre" jotid="wuid:gx:764a982ba555b08d">Aguiar, Alexandre de</a> </div></li>
<li class=""><br />
<div dir="ltr" style="padding-left: 5px;"><a href="http://sites.google.com/site/patrimoniomusical/alcantara-p-machado-de" jotid="wuid:gx:a71710f2a5e0d">Alcântara, P. Machado de</a> </div></li>
<li class=""><br />
<div dir="ltr" style="padding-left: 5px;"><a href="http://sites.google.com/site/patrimoniomusical/almeida-anne-victorino-d" jotid="wuid:gx:3b09077361b5136">Almeida, Anne Victorino d'</a> </div></li>
<li class=""><br />
<div dir="ltr" style="padding-left: 5px;"><a href="http://sites.google.com/site/patrimoniomusical/almeida-antonio-victorino-d" jotid="wuid:gx:cb8d54df821e1c">Almeida, António Victorino d'</a> </div></li>
<li class=""><br />
<div dir="ltr" style="padding-left: 5px;"><a href="http://sites.google.com/site/patrimoniomusical/almeida-francisco-antonio-de" jotid="wuid:gx:7f7d36ff84dac372">Almeida, Francisco António de</a> </div></li>
<li class=""><br />
<div dir="ltr" style="padding-left: 5px;"><a href="http://sites.google.com/site/patrimoniomusical/almeida-pe-inacio-de" jotid="wuid:gx:190c7352082fef4">Almeida, Pe. Inácio de</a> </div></li>
<li class=""><br />
<div dir="ltr" style="padding-left: 5px;"><a href="http://sites.google.com/site/patrimoniomusical/almeida-j-ernesto-de" jotid="wuid:gx:5fbec1180671e5a7">Almeida, J. Ernesto de</a> </div></li>
<li class=""><br />
<div dir="ltr" style="padding-left: 5px;"><a href="http://sites.google.com/site/patrimoniomusical/almeida-monteiro-de" jotid="wuid:gx:111a33021a145c65">Almeida, Monteiro de</a> </div></li>
<li class=""><br />
<div dir="ltr" style="padding-left: 5px;"><a href="http://sites.google.com/site/patrimoniomusical/almeida-patricia" jotid="wuid:gx:6ec1a8513fb63976">Almeida, Patrícia</a> </div></li>
<li class=""><br />
<div dir="ltr" style="padding-left: 5px;"><a href="http://sites.google.com/site/patrimoniomusical/alvarado-diogo-de" jotid="wuid:gx:762167556b46b9c3">Alvarado, Diogo de</a> </div></li>
<li class=""><br />
<div dir="ltr" style="padding-left: 5px;"><a href="http://sites.google.com/site/patrimoniomusical/alvim--diogo" jotid="wuid:gx:2b82c7705a8ed704">Alvim, Diogo</a> </div></li>
<li class=""><br />
<div dir="ltr" style="padding-left: 5px;"><a href="http://sites.google.com/site/patrimoniomusical/amaral-jose-do" jotid="wuid:gx:443c587955f44e3b">Amaral, José do</a> </div></li>
<li class=""><br />
<div dir="ltr" style="padding-left: 5px;"><a href="http://sites.google.com/site/patrimoniomusical/amaral--pedro" jotid="wuid:gx:4f25aab04cb03649">Amaral, Pedro</a> </div></li>
<li class=""><br />
<div dir="ltr" style="padding-left: 5px;"><a href="http://sites.google.com/site/patrimoniomusical/amorim-antonio" jotid="wuid:gx:738a87e97a5a92b">Amorim, António</a> </div></li>
<li class=""><br />
<div dir="ltr" style="padding-left: 5px;"><a href="http://sites.google.com/site/patrimoniomusical/amorim-eugenio" jotid="wuid:gx:16bb83854b10acaa">Amorim, Eugénio</a> </div></li>
<li class=""><br />
<div dir="ltr" style="padding-left: 5px;"><a href="http://sites.google.com/site/patrimoniomusical/andrade-carlos-de" jotid="wuid:gx:78b85acb64d1d4ae">Andrade, Carlos de</a> </div></li>
<li class=""><br />
<div dir="ltr" style="padding-left: 5px;"><a href="http://sites.google.com/site/patrimoniomusical/antunes-joao" jotid="wuid:gx:76c2a6967baa9e71">Antunes, João</a> </div></li>
<li class=""><br />
<div dir="ltr" style="padding-left: 5px;"><a href="http://sites.google.com/site/patrimoniomusical/arneiro-visconde-do" jotid="wuid:gx:4ef49b831c4e6de3">Arneiro, Visconde do</a> </div></li>
<li class=""><br />
<div dir="ltr" style="padding-left: 5px;"><a href="http://sites.google.com/site/patrimoniomusical/arroyo" jotid="wuid:gx:dae9853d3b18a30">Arroyo, João</a> </div></li>
<li class=""><br />
<div dir="ltr" style="padding-left: 5px;"><a href="http://sites.google.com/site/patrimoniomusical/arroio-jose" jotid="wuid:gx:332ac0ab7a19e900">Arroyo, José</a> </div></li>
<li class=""><br />
<div dir="ltr" style="padding-left: 5px;"><a href="http://sites.google.com/site/patrimoniomusical/avila-antero" jotid="wuid:gx:720df1cfc4e9d646">Ávila, Antero</a> </div></li>
<li class=""><br />
<div dir="ltr" style="padding-left: 5px;"><a href="http://sites.google.com/site/patrimoniomusical/avilez-m-leitao-de" jotid="wuid:gx:4a19eb5db41acf87">Avilez, M. Leitão de</a> </div></li>
<li class=""><br />
<div dir="ltr" style="padding-left: 5px;"><a href="http://sites.google.com/site/patrimoniomusical/avondano-antonio-pedro" jotid="wuid:gx:3f365002cfb93d04">Avondano, António Pedro</a> </div></li>
<li class=""><br />
<div dir="ltr" style="padding-left: 5px;"><a href="http://sites.google.com/site/patrimoniomusical/ayres-d-abreu-e-l" jotid="wuid:gx:78c33ef1b4a92c46">Ayres d'Abreu, Edward Luiz</a> </div></li>
<li class=""><br />
<div dir="ltr" style="padding-left: 5px;"><a href="http://sites.google.com/site/patrimoniomusical/azevedo--carlos" jotid="wuid:gx:5f31d999004a6115">Azevedo, Carlos</a> </div></li>
<li class=""><br />
<div dir="ltr" style="padding-left: 5px;"><a href="http://sites.google.com/site/patrimoniomusical/azevedo-joao" jotid="wuid:gx:61d5c09f980ac7f2">Azevedo, João</a> </div></li>
<li class=""><br />
<div dir="ltr" style="padding-left: 5px;"><a href="http://sites.google.com/site/patrimoniomusical/azevedo-sergio" jotid="wuid:gx:41f2ba65dab95a8c">Azevedo, Sérgio</a> </div></li>
<li class=""><br />
<div dir="ltr" style="padding-left: 5px;"><a href="http://sites.google.com/site/patrimoniomusical/azevedo--vasco" jotid="wuid:gx:69a810882deb7a">Azevedo, Vasco</a> </div></li>
<li class=""><br />
<div dir="ltr" style="padding-left: 5px;"><a href="http://sites.google.com/site/patrimoniomusical/azguime--miguel" jotid="wuid:gx:64fe14355598de50">Azguime, Miguel</a> </div></li>
<li class=""><br />
<div dir="ltr" style="padding-left: 5px;"><a href="http://sites.google.com/site/patrimoniomusical/azguime-paula" jotid="wuid:gx:34170057d3cefe87">Azguime, Paula</a> </div></li>
<li class=""><br />
<div dir="ltr" style="padding-left: 5px;"><a href="http://sites.google.com/site/patrimoniomusical/baldi-joao-jose" jotid="wuid:gx:5badab06699a1395">Baldi, João José</a> </div></li>
<li class=""><br />
<div dir="ltr" style="padding-left: 5px;"><a href="http://sites.google.com/site/patrimoniomusical/baptista--francisco-xavier" jotid="wuid:gx:55912553d69a7a3f">Baptista, Francisco Xavier</a> </div></li>
<li class=""><br />
<div dir="ltr" style="padding-left: 5px;"><a href="http://sites.google.com/site/patrimoniomusical/barbosa-domingos" jotid="wuid:gx:233dcfc104e5e8e">Barbosa, Domingos</a> </div></li>
<li class=""><br />
<div dir="ltr" style="padding-left: 5px;"><a href="http://sites.google.com/site/patrimoniomusical/barbosa-jose" jotid="wuid:gx:6a547ea2a3790bf4">Barbosa, José</a> </div></li>
<li class=""><br />
<div dir="ltr" style="padding-left: 5px;"><a href="http://sites.google.com/site/patrimoniomusical/barros-joao-de" jotid="wuid:gx:2928efa81a0478fc">Barros, João de</a> </div></li>
<li class=""><br />
<div dir="ltr" style="padding-left: 5px;"><a href="http://sites.google.com/site/patrimoniomusical/barroso-marco" jotid="wuid:gx:4bf8f11e54292e62">Barroso, Marco</a> </div></li>
<li class=""><br />
<div dir="ltr" style="padding-left: 5px;"><a href="http://sites.google.com/site/patrimoniomusical/bastos-m-patricio" jotid="wuid:gx:7c9cfd42309c8dcf">Bastos, M. Patrício de</a> </div></li>
<li class=""><br />
<div dir="ltr" style="padding-left: 5px;"><a href="http://sites.google.com/site/patrimoniomusical/bastos-paulo" jotid="wuid:gx:3de88698f9dcfa24">Bastos, Paulo</a> </div></li>
<li class=""><br />
<div dir="ltr" style="padding-left: 5px;"><a href="http://sites.google.com/site/patrimoniomusical/bechegas--carlos" jotid="wuid:gx:4ce2c3583d09054d">Bechegas, Carlos</a> </div></li>
<li class=""><br />
<div dir="ltr" style="padding-left: 5px;"><a href="http://sites.google.com/site/patrimoniomusical/belo-tavares" jotid="wuid:gx:1e09ec9a39793d71">Belo, Tavares</a> </div></li>
<li class=""><br />
<div dir="ltr" style="padding-left: 5px;"><a href="http://sites.google.com/site/patrimoniomusical/blanco-pedro" jotid="wuid:gx:1b84365961345e31">Blanco, Pedro</a> </div></li>
<li class=""><br />
<div dir="ltr" style="padding-left: 5px;"><a href="http://sites.google.com/site/patrimoniomusical/bochmann--christopher" jotid="wuid:gx:b50429470562ce0">Bochmann, Christopher</a> </div></li>
<li class=""><br />
<div dir="ltr" style="padding-left: 5px;"><a href="http://sites.google.com/site/patrimoniomusical/bomtempo-joao-domingos" jotid="wuid:gx:4d701bd976047db7">Bomtempo, João Domingos</a> </div></li>
<li class=""><br />
<div dir="ltr" style="padding-left: 5px;"><a href="http://sites.google.com/site/patrimoniomusical/borba-tomaz" jotid="wuid:gx:266107e18d35a0e6">Borba, Tomaz</a> </div></li>
<li class=""><br />
<div dir="ltr" style="padding-left: 5px;"><a href="http://sites.google.com/site/patrimoniomusical/borges-alfredo" jotid="wuid:gx:23f5654a1b72d6d5">Borges, Alfredo</a> </div></li>
<li class=""><br />
<div dir="ltr" style="padding-left: 5px;"><a href="http://sites.google.com/site/patrimoniomusical/borges-joao" jotid="wuid:gx:1ac5bef447f6f836">Borges, João</a> </div></li>
<li class=""><br />
<div dir="ltr" style="padding-left: 5px;"><a href="http://sites.google.com/site/patrimoniomusical/borges-sofia" jotid="wuid:gx:67c6a92398289fab">Borges, Sofia</a> </div></li>
<li class=""><br />
<div dir="ltr" style="padding-left: 5px;"><a href="http://sites.google.com/site/patrimoniomusical/branco-luis-de-freitas" jotid="wuid:gx:461c9e62f64fd78e">Branco, Luís de Freitas</a> </div></li>
<li class=""><br />
<div dir="ltr" style="padding-left: 5px;"><a href="http://sites.google.com/site/patrimoniomusical/brandao" jotid="wuid:gx:4e2ac03e50ae3f75">Brandão, Gustavo</a> </div></li>
<li class=""><br />
<div dir="ltr" style="padding-left: 5px;"><a href="http://sites.google.com/site/patrimoniomusical/brandao-paulo" jotid="wuid:gx:5f8fc06d848b7ca5">Brandão, Paulo</a> </div></li>
<li class=""><br />
<div dir="ltr" style="padding-left: 5px;"><a href="http://sites.google.com/site/patrimoniomusical/brito-estevao-de" jotid="wuid:gx:6b3a0b19885036ef">Brito, Estêvão de</a> </div></li>
<li class=""><br />
<div dir="ltr" style="padding-left: 5px;"><a href="http://sites.google.com/site/patrimoniomusical/caires--carlos" jotid="wuid:gx:6e2d5ba4c88c4988">Caires, Carlos</a> </div></li>
<li class=""><br />
<div dir="ltr" style="padding-left: 5px;"><a href="http://sites.google.com/site/patrimoniomusical/camacho-joao" jotid="wuid:gx:49dd9cec946d2a24">Camacho, João</a> </div></li>
<li class=""><br />
<div dir="ltr" style="padding-left: 5px;"><a href="http://sites.google.com/site/patrimoniomusical/camacho--pedro" jotid="wuid:gx:2dffc34e00ceed97">Camacho, Pedro</a> </div></li>
<li class=""><br />
<div dir="ltr" style="padding-left: 5px;"><a href="http://sites.google.com/site/patrimoniomusical/camargo-jr--eli" jotid="wuid:gx:1ed04384e5aed37">Camargo, Eli</a> </div></li>
<li class=""><br />
<div dir="ltr" style="padding-left: 5px;"><a href="http://sites.google.com/site/patrimoniomusical/campos-antonio" jotid="wuid:gx:405992d409e220b4">Campos, António</a> </div></li>
<li class=""><br />
<div dir="ltr" style="padding-left: 5px;"><a href="http://sites.google.com/site/patrimoniomusical/campos-guedes-de" jotid="wuid:gx:40ceedaa5453d304">Campos, Guedes de</a> </div></li>
<li class=""><br />
<div dir="ltr" style="padding-left: 5px;"><a href="http://sites.google.com/site/patrimoniomusical/canedo-delgado" jotid="wuid:gx:4b6e24d65b42a55f">Canedo, Delgado</a> </div></li>
<li class=""><br />
<div dir="ltr" style="padding-left: 5px;"><a href="http://sites.google.com/site/patrimoniomusical/capdeville-constanca" jotid="wuid:gx:b6fb99e043fc269">Capdeville, Constança</a> </div></li>
<li class=""><br />
<div dir="ltr" style="padding-left: 5px;"><a href="http://sites.google.com/site/patrimoniomusical/cardoso-ciriaco-de" jotid="wuid:gx:5855b96c5f8b700b">Cardoso, Ciríaco de</a> </div></li>
<li class=""><br />
<div dir="ltr" style="padding-left: 5px;"><a href="http://sites.google.com/site/patrimoniomusical/cardoso-luis" jotid="wuid:gx:2235d1f5e078fbdd">Cardoso, Luís</a> </div></li>
<li class=""><br />
<div dir="ltr" style="padding-left: 5px;"><a href="http://sites.google.com/site/patrimoniomusical/cardoso--manuel" jotid="wuid:gx:5ca31895c71504e0">Cardoso, Manuel</a> </div></li>
<li class=""><br />
<div dir="ltr" style="padding-left: 5px;"><a href="http://sites.google.com/site/patrimoniomusical/carneiro--pedro" jotid="wuid:gx:460736fb855503ed">Carneiro, Pedro</a> </div></li>
<li class=""><br />
<div dir="ltr" style="padding-left: 5px;"><a href="http://sites.google.com/site/patrimoniomusical/carneyro-claudio" jotid="wuid:gx:4076fbdb54d8e9b0">Carneyro, Cláudio</a> </div></li>
<li class=""><br />
<div dir="ltr" style="padding-left: 5px;"><a href="http://sites.google.com/site/patrimoniomusical/carolino-sergio" jotid="wuid:gx:6e4aea6ccf433ac5">Carolino, Sérgio</a> </div></li>
<li class=""><br />
<div dir="ltr" style="padding-left: 5px;"><a href="http://sites.google.com/site/patrimoniomusical/carrapatoso--eurico" jotid="wuid:gx:412be76c33222e9">Carrapatoso, Eurico</a> </div></li>
<li class=""><br />
<div dir="ltr" style="padding-left: 5px;"><a href="http://sites.google.com/site/patrimoniomusical/carreira-antonio" jotid="wuid:gx:4fb3a087aa47f8f3">Carreira, António</a> </div></li>
<li class=""><br />
<div dir="ltr" style="padding-left: 5px;"><a href="http://sites.google.com/site/patrimoniomusical/carvalho--diogo" jotid="wuid:gx:70dc011ed113a0d">Carvalho, Diogo</a> </div></li>
<li class=""><br />
<div dir="ltr" style="padding-left: 5px;"><a href="http://sites.google.com/site/patrimoniomusical/carvalho-filipe-de" jotid="wuid:gx:7654e6ff7530f40c">Carvalho, Filipe de</a> </div></li>
<li class=""><br />
<div dir="ltr" style="padding-left: 5px;"><a href="http://sites.google.com/site/patrimoniomusical/carvalho-joao-de-sousa" jotid="wuid:gx:c2b2e15047932c8">Carvalho, João de Sousa</a> </div></li>
<li class=""><br />
<div dir="ltr" style="padding-left: 5px;"><a href="http://sites.google.com/site/patrimoniomusical/carvalho-j-j-fernandes-de" jotid="wuid:gx:31cb73b11854db7b">Carvalho, J. J. Fernandes de</a> </div></li>
<li class=""><br />
<div dir="ltr" style="padding-left: 5px;"><a href="http://sites.google.com/site/patrimoniomusical/carvalho--sara" jotid="wuid:gx:56e98bf6080a8aa3">Carvalho, Sara</a> </div></li>
<li class=""><br />
<div dir="ltr" style="padding-left: 5px;"><a href="http://sites.google.com/site/patrimoniomusical/carvalho-vaz-de" jotid="wuid:gx:5655f6a92a142236">Carvalho, Vaz de</a> </div></li>
<li class=""><br />
<div dir="ltr" style="padding-left: 5px;"><a href="http://sites.google.com/site/patrimoniomusical/c" jotid="wuid:gx:879d065e86841f0">Casimiro Jr, Joaquim</a> </div></li>
<li class=""><br />
<div dir="ltr" style="padding-left: 5px;"><a href="http://sites.google.com/site/patrimoniomusical/cassuto-alvaro" jotid="wuid:gx:5340a6c3e427dea4">Cassuto, Álvaro</a> </div></li>
<li class=""><br />
<div dir="ltr" style="padding-left: 5px;"><a href="http://sites.google.com/site/patrimoniomusical/castro-miguel" jotid="wuid:gx:393740f97489fa74">Castro, Miguel</a> </div></li>
<li class=""><br />
<div dir="ltr" style="padding-left: 5px;"><a href="http://sites.google.com/site/patrimoniomusical/claro--sara" jotid="wuid:gx:170471c622530c4d">Claro, Sara</a> </div></li>
<li class=""><br />
<div dir="ltr" style="padding-left: 5px;"><a href="http://sites.google.com/site/patrimoniomusical/coelho-j-r-alves" jotid="wuid:gx:2e3e905d76a16e9f">Coelho, J. R. Alves</a> </div></li>
<li class=""><br />
<div dir="ltr" style="padding-left: 5px;"><a href="http://sites.google.com/site/patrimoniomusical/coelho--manuel-rodrigues" jotid="wuid:gx:3f5af118b2e9dec7">Coelho, Manuel Rodrigues</a> </div></li>
<li class=""><br />
<div dir="ltr" style="padding-left: 5px;"><a href="http://sites.google.com/site/patrimoniomusical/coelho--ruy" jotid="wuid:gx:400bfa3e612bc89e">Coelho, Ruy</a> </div></li>
<li class=""><br />
<div dir="ltr" style="padding-left: 5px;"><a href="http://sites.google.com/site/patrimoniomusical/colaco-alexandre-rey" jotid="wuid:gx:3032024cedfe1bc3">Colaço, Alexandre Rey</a> </div></li>
<li class=""><br />
<div dir="ltr" style="padding-left: 5px;"><a href="http://sites.google.com/site/patrimoniomusical/correia-hugo" jotid="wuid:gx:5fefd381546dcb12">Correia, Hugo</a> </div></li>
<li class=""><br />
<div dir="ltr" style="padding-left: 5px;"><a href="http://sites.google.com/site/patrimoniomusical/correia-manuel" jotid="wuid:gx:2727deb5c9c72c18">Correia, Manuel</a> </div></li>
<li class=""><br />
<div dir="ltr" style="padding-left: 5px;"><a href="http://sites.google.com/site/patrimoniomusical/corte-real-nuno" jotid="wuid:gx:2f464838fe13f735">Côrte-Real, Nuno</a> </div></li>
<li class=""><br />
<div dir="ltr" style="padding-left: 5px;"><a href="http://sites.google.com/site/patrimoniomusical/costa-antonio-da" jotid="wuid:gx:31a6e00975144432">Costa, António da</a> </div></li>
<li class=""><br />
<div dir="ltr" style="padding-left: 5px;"><a href="http://sites.google.com/site/patrimoniomusical/costa-antonio-pereira-da" jotid="wuid:gx:4d7d69ff7f5c2aa8">Costa, António Pereira da</a> </div></li>
<li class=""><br />
<div dir="ltr" style="padding-left: 5px;"><a href="http://sites.google.com/site/patrimoniomusical/costa-francisco-e-da" jotid="wuid:gx:5a2f0953eae75b15">Costa, Francisco E. da</a> </div></li>
<li class=""><br />
<div dir="ltr" style="padding-left: 5px;"><a href="http://sites.google.com/site/patrimoniomusical/costa-liz" jotid="wuid:gx:48b8908192672d12">Costa, Luiz</a> </div></li>
<li class=""><br />
<div dir="ltr" style="padding-left: 5px;"><a href="http://sites.google.com/site/patrimoniomusical/costa--soares-da" jotid="wuid:gx:24a1568c2c6bc43e">Costa, Soares da</a> </div></li>
<li class=""><br />
<div dir="ltr" style="padding-left: 5px;"><a href="http://sites.google.com/site/patrimoniomusical/couto-natercia" jotid="wuid:gx:5342c64e0d556839">Couto, Natércia</a> </div></li>
<li class=""><br />
<div dir="ltr" style="padding-left: 5px;"><a href="http://sites.google.com/site/patrimoniomusical/crisostomo-sergio" jotid="wuid:gx:5e2e293b1bbbbe8">Crisóstomo, Sérgio</a> </div></li>
<li class=""><br />
<div dir="ltr" style="padding-left: 5px;"><a href="http://sites.google.com/site/patrimoniomusical/cristo-pedro-de" jotid="wuid:gx:3d92dfd228d408eb">Cristo, Pedro de</a> </div></li>
<li class=""><br />
<div dir="ltr" style="padding-left: 5px;"><a href="http://sites.google.com/site/patrimoniomusical/cruz-agostinho-da" jotid="wuid:gx:32685e081414de1">Cruz, Agostinho da</a> </div></li>
<li class=""><br />
<div dir="ltr" style="padding-left: 5px;"><a href="http://sites.google.com/site/patrimoniomusical/cruz-ivo" jotid="wuid:gx:7c76244a6d386d8">Cruz, Ivo</a> </div></li>
<li class=""><br />
<div dir="ltr" style="padding-left: 5px;"><a href="http://sites.google.com/site/patrimoniomusical/cutileiro--tiago" jotid="wuid:gx:73cdbbd6ee72011e">Cutileiro, Tiago</a> </div></li>
<li class=""><br />
<div dir="ltr" style="padding-left: 5px;"><a href="http://sites.google.com/site/patrimoniomusical/dom-dinis--rei" jotid="wuid:gx:516cad03ada47183">D. Dinis, Rei</a> </div></li>
<li class=""><br />
<div dir="ltr" style="padding-left: 5px;"><a href="http://sites.google.com/site/patrimoniomusical/d-joao-iv-rei" jotid="wuid:gx:2961643404720667">D. João IV, Rei</a> </div></li>
<li class=""><br />
<div dir="ltr" style="padding-left: 5px;"><a href="http://sites.google.com/site/patrimoniomusical/d--pedro-iv--rei" jotid="wuid:gx:2799bb063708ddcc">D. Pedro IV, Rei</a> </div></li>
<li class=""><br />
<div dir="ltr" style="padding-left: 5px;"><a href="http://sites.google.com/site/patrimoniomusical/daddi-joao-guilherme" jotid="wuid:gx:187f9b378b166caf">Daddi, João Guilherme</a> </div></li>
<li class=""><br />
<div dir="ltr" style="padding-left: 5px;"><a href="http://sites.google.com/site/patrimoniomusical/delgado--alexandre" jotid="wuid:gx:3a05906eae734894">Delgado, Alexandre</a> </div></li>
<li class=""><br />
<div dir="ltr" style="padding-left: 5px;"><a href="http://sites.google.com/site/patrimoniomusical/delgado-cosme" jotid="wuid:gx:2e24f21625865967">Delgado, Cosme</a> </div></li>
<li class=""><br />
<div dir="ltr" style="padding-left: 5px;"><a href="http://sites.google.com/site/patrimoniomusical/delgado-manuel" jotid="wuid:gx:411aa2f1e596e818">Delgado, Manuel</a> </div></li>
<li class=""><br />
<div dir="ltr" style="padding-left: 5px;"><a href="http://sites.google.com/site/patrimoniomusical/derrica-tiago" jotid="wuid:gx:638eaf0f9eb440a7">Derriça, Tiago</a> </div></li>
<li class=""><br />
<div dir="ltr" style="padding-left: 5px;"><a href="http://sites.google.com/site/patrimoniomusical/dias-amilcar-vasques" jotid="wuid:gx:16397a7524adafd8">Dias, Amílcar Vasques</a> </div></li>
<li class=""><br />
<div dir="ltr" style="padding-left: 5px;"><a href="http://sites.google.com/site/patrimoniomusical/dias-antonio-de-sousa" jotid="wuid:gx:4bf9f2d9b5c8c7a6">Dias, António de Sousa</a> </div></li>
<li class=""><br />
<div dir="ltr" style="padding-left: 5px;"><a href="http://sites.google.com/site/patrimoniomusical/douwens-jose" jotid="wuid:gx:267932ec4aa2ddc3">Douwens, José</a> </div></li>
<li class=""><br />
<div dir="ltr" style="padding-left: 5px;"><a href="http://sites.google.com/site/patrimoniomusical/duarte-inacio-da-costa" jotid="wuid:gx:115a59f19d20a953">Duarte, Inácio da Costa</a> </div></li>
<li class=""><br />
<div dir="ltr" style="padding-left: 5px;"><a href="http://sites.google.com/site/patrimoniomusical/durao-manuel" jotid="wuid:gx:3492168c049342e2">Durão, Manuel</a> </div></li>
<li class=""><br />
<div dir="ltr" style="padding-left: 5px;"><a href="http://sites.google.com/site/patrimoniomusical/elias-fr-manuel-s" jotid="wuid:gx:2aa6971d778e127f">Elias, Fr. Manuel S.</a> </div></li>
<li class=""><br />
<div dir="ltr" style="padding-left: 5px;"><a href="http://sites.google.com/site/patrimoniomusical/escobar--pedro-de" jotid="wuid:gx:36cee8e11f16a26f">Escobar, Pedro de</a> </div></li>
<li class=""><br />
<div dir="ltr" style="padding-left: 5px;"><a href="http://sites.google.com/site/patrimoniomusical/esteves-joao-rodrigues" jotid="wuid:gx:3780ff4af330f64c">Esteves, João Rodrigues</a> </div></li>
<li class=""><br />
<div dir="ltr" style="padding-left: 5px;"><a href="http://sites.google.com/site/patrimoniomusical/estrela-nuno" jotid="wuid:gx:68dce440f716478a">Estrela, Nuno</a> </div></li>
<li class=""><br />
<div dir="ltr" style="padding-left: 5px;"><a href="http://sites.google.com/site/patrimoniomusical/faria--manuel" jotid="wuid:gx:6266266ea96784da">Faria, Manuel</a> </div></li>
<li class=""><br />
<div dir="ltr" style="padding-left: 5px;"><a href="http://sites.google.com/site/patrimoniomusical/fernandes-aires" jotid="wuid:gx:3029c6224923913d">Fernandes, Aires</a> </div></li>
<li class=""><br />
<div dir="ltr" style="padding-left: 5px;"><a href="http://sites.google.com/site/patrimoniomusical/fernandes-armando-jose" jotid="wuid:gx:40de63bd8d10af0c">Fernandes, Armando José</a> </div></li>
<li class=""><br />
<div dir="ltr" style="padding-left: 5px;"><a href="http://sites.google.com/site/patrimoniomusical/fernandes--carlos" jotid="wuid:gx:70133123e195353e">Fernandes, Carlos</a> </div></li>
<li class=""><br />
<div dir="ltr" style="padding-left: 5px;"><a href="http://sites.google.com/site/patrimoniomusical/fernandes-gaspar" jotid="wuid:gx:659f7cceba46ee60">Fernandes, Gaspar</a> </div></li>
<li class=""><br />
<div dir="ltr" style="padding-left: 5px;"><a href="http://sites.google.com/site/patrimoniomusical/ferreira-antonio" jotid="wuid:gx:7d587e80fb5a9ad9">Ferreira, António</a> </div></li>
<li class=""><br />
<div dir="ltr" style="padding-left: 5px;"><a href="http://sites.google.com/site/patrimoniomusical/ferreira-pe-antonio-gomes" jotid="wuid:gx:18655a77ed557116">Ferreira, Pe. Gomes</a> </div></li>
<li class=""><br />
<div dir="ltr" style="padding-left: 5px;"><a href="http://sites.google.com/site/patrimoniomusical/ferreira-jose-luis" jotid="wuid:gx:2cfa75126375da2c">Ferreira, José Luís</a> </div></li>
<li class=""><br />
<div dir="ltr" style="padding-left: 5px;"><a href="http://sites.google.com/site/patrimoniomusical/ferreira--manuel" jotid="wuid:gx:32895a5f50eddd4e">Ferreira, Manuel</a> </div></li>
<li class=""><br />
<div dir="ltr" style="padding-left: 5px;"><a href="http://sites.google.com/site/patrimoniomusical/ferreira-paulo" jotid="wuid:gx:2317deadbbc6f7be">Ferreira, Paulo</a> </div></li>
<li class=""><br />
<div dir="ltr" style="padding-left: 5px;"><a href="http://sites.google.com/site/patrimoniomusical/filho--jaime-silva" jotid="wuid:gx:51ad7ac551355dce">Filho, Jaime Silva</a> </div></li>
<li class=""><br />
<div dir="ltr" style="padding-left: 5px;"><a href="http://sites.google.com/site/patrimoniomusical/filipe--elsa" jotid="wuid:gx:3435b54b1402053f">Filipe, Elsa</a> </div></li>
<li class=""><br />
<div dir="ltr" style="padding-left: 5px;"><a href="http://sites.google.com/site/patrimoniomusical/filipe-laurent" jotid="wuid:gx:7fab1c0bbd114cbb">Filipe, Laurent</a> </div></li>
<li class=""><br />
<div dir="ltr" style="padding-left: 5px;"><a href="http://sites.google.com/site/patrimoniomusical/firmino-jose" jotid="wuid:gx:5736fbef7749d7eb">Firmino, José</a> </div></li>
<li class=""><br />
<div dir="ltr" style="padding-left: 5px;"><a href="http://sites.google.com/site/patrimoniomusical/fonseca-manuel-da" jotid="wuid:gx:5fa138309d79f797">Fonseca, Manuel da</a> </div></li>
<li class=""><br />
<div dir="ltr" style="padding-left: 5px;"><a href="http://sites.google.com/site/patrimoniomusical/fonte-fatima" jotid="wuid:gx:17e35e6487166d95">Fonte, Fátima</a> </div></li>
<li class=""><br />
<div dir="ltr" style="padding-left: 5px;"><a href="http://sites.google.com/site/patrimoniomusical/fragoso-antonio" jotid="wuid:gx:1ec4051171f41d91">Fragoso, António</a> </div></li>
<li class=""><br />
<div dir="ltr" style="padding-left: 5px;"><a href="http://sites.google.com/site/patrimoniomusical/frazao-emanuel" jotid="wuid:gx:159e99937240de02">Frazão, Emanuel</a> </div></li>
<li class=""><br />
<div dir="ltr" style="padding-left: 5px;"><a href="http://sites.google.com/site/patrimoniomusical/freitas-elvira-de" jotid="wuid:gx:482ead9e2c716202">Freitas, Elvira de</a> </div></li>
<li class=""><br />
<div dir="ltr" style="padding-left: 5px;"><a href="http://sites.google.com/site/patrimoniomusical/freitas--frederico-de" jotid="wuid:gx:51add606c5e5b4b3">Freitas, Frederico de</a> </div></li>
<li class=""><br />
<div dir="ltr" style="padding-left: 5px;"><a href="http://sites.google.com/site/patrimoniomusical/frondoni-angelo" jotid="wuid:gx:7395b10034d6cd02">Frondoni, Ângelo</a> </div></li>
<li class=""><br />
<div dir="ltr" style="padding-left: 5px;"><a href="http://sites.google.com/site/patrimoniomusical/galvao-joaquim" jotid="wuid:gx:738ab61ea26d5473">Galvão, Joaquim</a> </div></li>
<li class=""><br />
<div dir="ltr" style="padding-left: 5px;"><a href="http://sites.google.com/site/patrimoniomusical/gabirro--bruno" jotid="wuid:gx:285b15dc7ea5f949">Gabirro, Bruno</a> </div></li>
<li class=""><br />
<div dir="ltr" style="padding-left: 5px;"><a href="http://sites.google.com/site/patrimoniomusical/garcia-carlos-1" jotid="wuid:gx:5eba0dc85bae6088">Garcia, Carlos</a> </div></li>
<li class=""><br />
<div dir="ltr" style="padding-left: 5px;"><a href="http://sites.google.com/site/patrimoniomusical/garcia-mauricio-nunes" jotid="wuid:gx:5edd82b14477dfe1">Garcia, Maurício Gomes</a> </div></li>
<li class=""><br />
<div dir="ltr" style="padding-left: 5px;"><a href="http://sites.google.com/site/patrimoniomusical/gato-francisco" jotid="wuid:gx:44ed5df39ae3892a">Gato, Francisco</a> </div></li>
<li class=""><br />
<div dir="ltr" style="padding-left: 5px;"><a href="http://sites.google.com/site/patrimoniomusical/soutelo--rudesindo" jotid="wuid:gx:167dc7d176654db3">Gato, Gonçalo</a> </div></li>
<li class=""><br />
<div dir="ltr" style="padding-left: 5px;"><a href="http://sites.google.com/site/patrimoniomusical/gazul-francisco-de-freitas" jotid="wuid:gx:7bb96908445622e7">Gazul, Francisco de Freitas</a> </div></li>
<li class=""><br />
<div dir="ltr" style="padding-left: 5px;"><a href="http://sites.google.com/site/patrimoniomusical/gentil-teresa" jotid="wuid:gx:5b967fcdc61913d8">Gentil, Teresa</a> </div></li>
<li class=""><br />
<div dir="ltr" style="padding-left: 5px;"><a href="http://sites.google.com/site/patrimoniomusical/gil-luis" jotid="wuid:gx:1eddd6c1367aed3a">Gil, Luís</a> </div></li>
<li class=""><br />
<div dir="ltr" style="padding-left: 5px;"><a href="http://sites.google.com/site/patrimoniomusical/godinho-joao" jotid="wuid:gx:7b9792be58a9865c">Godinho, João</a> </div></li>
<li class=""><br />
<div dir="ltr" style="padding-left: 5px;"><a href="http://sites.google.com/site/patrimoniomusical/gois-damiao-de" jotid="wuid:gx:1e79d0c4f4550460">Góis, Damião de</a> </div></li>
<li class=""><br />
<div dir="ltr" style="padding-left: 5px;"><a href="http://sites.google.com/site/patrimoniomusical/gomes-andre-da-silva" jotid="wuid:gx:545028803770f3c8">Gomes, André da Silva</a> </div></li>
<li class=""><br />
<div dir="ltr" style="padding-left: 5px;"><a href="http://sites.google.com/site/patrimoniomusical/gomes-joaquim-l-" jotid="wuid:gx:3f0192ec68e684ec">Gomes, Joaquim</a> </div></li>
<li class=""><br />
<div dir="ltr" style="padding-left: 5px;"><a href="http://sites.google.com/site/patrimoniomusical/gomes--pedro-faria" jotid="wuid:gx:4071604948e36dbe">Gomes, Pedro Faria</a> </div></li>
<li class=""><br />
<div dir="ltr" style="padding-left: 5px;"><a href="http://sites.google.com/site/patrimoniomusical/goncalves-helder" jotid="wuid:gx:e5998ef7993f0e2">Gonçalves, Helder</a> </div></li>
<li class=""><br />
<div dir="ltr" style="padding-left: 5px;"><a href="http://sites.google.com/site/patrimoniomusical/guedes--carlos" jotid="wuid:gx:3be913636bf36b45">Guedes, Carlos</a> </div></li>
<li class=""><br />
<div dir="ltr" style="padding-left: 5px;"><a href="http://sites.google.com/site/patrimoniomusical/guerreiro-lino" jotid="wuid:gx:76d240d3bcfcf03">Guerreiro, Lino</a> </div></li>
<li class=""><br />
<div dir="ltr" style="padding-left: 5px;"><a href="http://sites.google.com/site/patrimoniomusical/guilhade-j-garcia-de" jotid="wuid:gx:3a1e807016eb91fe">Guilhade, J. Garcia de</a> </div></li>
<li class=""><br />
<div dir="ltr" style="padding-left: 5px;"><a href="http://sites.google.com/site/patrimoniomusical/guimaraes-jose" jotid="wuid:gx:1023aca96ae90e7c">Guimarães, José</a> </div></li>
<li class=""><br />
<div dir="ltr" style="padding-left: 5px;"><a href="http://sites.google.com/site/patrimoniomusical/guimaraes-manuel-benjamim" jotid="wuid:gx:711abe2d9c8c6f14">Guimarães, Manuel Benjamim</a> </div></li>
<li class=""><br />
<div dir="ltr" style="padding-left: 5px;"><a href="http://sites.google.com/site/patrimoniomusical/henriques--nuno" jotid="wuid:gx:48319a39053d9c31">Henriques, Nuno</a> </div></li>
<li class=""><br />
<div dir="ltr" style="padding-left: 5px;"><a href="http://sites.google.com/site/patrimoniomusical/henriques-tomas" jotid="wuid:gx:44bc6d9a092d1a54">Henriques, Tomás</a> </div></li>
<li class=""><br />
<div dir="ltr" style="padding-left: 5px;"><a href="http://sites.google.com/site/patrimoniomusical/jacinto-nuno" jotid="wuid:gx:538ceb23b57c396b">Jacinto, Nuno</a> </div></li>
<li class=""><br />
<div dir="ltr" style="padding-left: 5px;"><a href="http://sites.google.com/site/patrimoniomusical/jacobetty-isabel" jotid="wuid:gx:6559dceb55605910">Jacobetty, Isabel</a> </div></li>
<li class=""><br />
<div dir="ltr" style="padding-left: 5px;"><a href="http://sites.google.com/site/patrimoniomusical/keil--alfredo" jotid="wuid:gx:21d16ae7cb83c4c">Keil, Alfredo</a> </div></li>
<li class=""><br />
<div dir="ltr" style="padding-left: 5px;"><a href="http://sites.google.com/site/patrimoniomusical/lacerda--francisco-de" jotid="wuid:gx:3bd17fdf25e0c5b3">Lacerda, Francisco de</a> </div></li>
<li class=""><br />
<div dir="ltr" style="padding-left: 5px;"><a href="http://sites.google.com/site/patrimoniomusical/laginha-mario" jotid="wuid:gx:51c11a3541d6b4c8">Laginha, Mário</a> </div></li>
<li class=""><br />
<div dir="ltr" style="padding-left: 5px;"><a href="http://sites.google.com/site/patrimoniomusical/lapa--fernando" jotid="wuid:gx:20c79b281355f702">Lapa, Fernando</a> </div></li>
<li class=""><br />
<div dir="ltr" style="padding-left: 5px;"><a href="http://sites.google.com/site/patrimoniomusical/lavos-rui" jotid="wuid:gx:37e22b8ce004928d">Lavos, Rui</a> </div></li>
<li class=""><br />
<div dir="ltr" style="padding-left: 5px;"><a href="http://sites.google.com/site/patrimoniomusical/leitao-luis" jotid="wuid:gx:398ac2629cfd8a24">Leitão, Luís</a> </div></li>
<li class=""><br />
<div dir="ltr" style="padding-left: 5px;"><a href="http://sites.google.com/site/patrimoniomusical/leite-antonio-da-silva" jotid="wuid:gx:7656edf183e79cf5">Leite, António da Silva</a> </div></li>
<li class=""><br />
<div dir="ltr" style="padding-left: 5px;"><a href="http://sites.google.com/site/patrimoniomusical/leite-francisco" jotid="wuid:gx:5fea7b90dd6948dd">Leite, Francisco</a> </div></li>
<li class=""><br />
<div dir="ltr" style="padding-left: 5px;"><a href="http://sites.google.com/site/patrimoniomusical/lesbio-antonio-marques" jotid="wuid:gx:5ae2c8c5814e462b">Lésbio, António Marques</a> </div></li>
<li class=""><br />
<div dir="ltr" style="padding-left: 5px;"><a href="http://sites.google.com/site/patrimoniomusical/lima-" jotid="wuid:gx:20db0c7b189d994a">Lima, Pe. António</a> </div></li>
<li class=""><br />
<div dir="ltr" style="padding-left: 5px;"><a href="http://sites.google.com/site/patrimoniomusical/lima-candido" jotid="wuid:gx:3b5a4b55d213c72e">Lima, Cândido</a> </div></li>
<li class=""><br />
<div dir="ltr" style="padding-left: 5px;"><a href="http://sites.google.com/site/patrimoniomusical/lima--eurico-thomaz" jotid="wuid:gx:717e937af19a1b1e">Lima, Eurico Thomaz de</a> </div></li>
<li class=""><br />
<div dir="ltr" style="padding-left: 5px;"><a href="http://sites.google.com/site/patrimoniomusical/lima-j-francisco-de" jotid="wuid:gx:358e8895927be0b">Lima, J. Francisco de</a> </div></li>
<li class=""><br />
<div dir="ltr" style="padding-left: 5px;"><a href="http://sites.google.com/site/patrimoniomusical/lobo--duarte" jotid="wuid:gx:2f0ec45ea7e8d2d0">Lobo, Duarte</a> </div></li>
<li class=""><br />
<div dir="ltr" style="padding-left: 5px;"><a href="http://sites.google.com/site/patrimoniomusical/lobo--fernando" jotid="wuid:gx:4ec5965a3e4fa906">Lobo, Fernando</a> </div></li>
<li class=""><br />
<div dir="ltr" style="padding-left: 5px;"><a href="http://sites.google.com/site/patrimoniomusical/lopes-graca-fernando" jotid="wuid:gx:5f4aba75b1a2d9d4">Lopes-Graça, Fernando</a> </div></li>
<li class=""><br />
<div dir="ltr" style="padding-left: 5px;"><a href="http://sites.google.com/site/patrimoniomusical/lopes-angela" jotid="wuid:gx:809f133616045d6">Lopes, Ângela</a> </div></li>
<li class=""><br />
<div dir="ltr" style="padding-left: 5px;"><a href="http://sites.google.com/site/patrimoniomusical/lopes-francisco-f" jotid="wuid:gx:211e07cb75f635c">Lopes, Francisco F.</a> </div></li>
<li class=""><br />
<div dir="ltr" style="padding-left: 5px;"><a href="http://sites.google.com/site/patrimoniomusical/lopes-joaquim-jose" jotid="wuid:gx:1f3e13b2e7e088e0">Lopes, Joaquim José</a> </div></li>
<li class=""><br />
<div dir="ltr" style="padding-left: 5px;"><a href="http://sites.google.com/site/patrimoniomusical/lopes-jose" jotid="wuid:gx:64eb5fae051cfdae">Lopes, José</a> </div></li>
<li class=""><br />
<div dir="ltr" style="padding-left: 5px;"><a href="http://sites.google.com/site/patrimoniomusical/lopes-luis-manoel" jotid="wuid:gx:72c904c202e8f7d2">Lopes, Luís Manoel</a> </div></li>
<li class=""><br />
<div dir="ltr" style="padding-left: 5px;"><a href="http://sites.google.com/site/patrimoniomusical/lopes-xisto" jotid="wuid:gx:4dccfe49b807fa29">Lopes, Xisto</a> </div></li>
<li class=""><br />
<div dir="ltr" style="padding-left: 5px;"><a href="http://sites.google.com/site/patrimoniomusical/loreto--francisco" jotid="wuid:gx:385880fe411f8b68">Loreto, Francisco</a> </div></li>
<li class=""><br />
<div dir="ltr" style="padding-left: 5px;"><a href="http://sites.google.com/site/patrimoniomusical/lourenco-goncalo" jotid="wuid:gx:1795b4f5cfd417c5">Lourenço, Gonçalo</a> </div></li>
<li class=""><br />
<div dir="ltr" style="padding-left: 5px;"><a href="http://sites.google.com/site/patrimoniomusical/lourenco-paulo" jotid="wuid:gx:407737224c098808">Lourenço, Paulo</a> </div></li>
<li class=""><br />
<div dir="ltr" style="padding-left: 5px;"><a href="http://sites.google.com/site/patrimoniomusical/louro-carla" jotid="wuid:gx:61f6b2baa261cb2c">Louro, Carla</a> </div></li>
<li class=""><br />
<div dir="ltr" style="padding-left: 5px;"><a href="http://sites.google.com/site/patrimoniomusical/ludovice-jose" jotid="wuid:gx:80e7b20f4bb4d96">Ludovice, José</a> </div></li>
<li class=""><br />
<div dir="ltr" style="padding-left: 5px;"><a href="http://sites.google.com/site/patrimoniomusical/lupi-m" jotid="wuid:gx:30c9320efa3f1f4d">Lupi, Isabel</a> </div></li>
<li class=""><br />
<div dir="ltr" style="padding-left: 5px;"><a href="http://sites.google.com/site/patrimoniomusical/lusitano-vicente" jotid="wuid:gx:f596ed73e5ee5ce">Lusitano, Vicente</a> </div></li>
<li class=""><br />
<div dir="ltr" style="padding-left: 5px;"><a href="http://sites.google.com/site/patrimoniomusical/macedo-teresa" jotid="wuid:gx:5e8897a20db05ded">Macedo, Teresa</a> </div></li>
<li class=""><br />
<div dir="ltr" style="padding-left: 5px;"><a href="http://sites.google.com/site/patrimoniomusical/machado-augusto" jotid="wuid:gx:2f00f5fe3f71bd8c">Machado, Augusto</a> </div></li>
<li class=""><br />
<div dir="ltr" style="padding-left: 5px;"><a href="http://sites.google.com/site/patrimoniomusical/machado--manuel" jotid="wuid:gx:1f8bfae3d91c4f26">Machado, Manuel</a> </div></li>
<li class=""><br />
<div dir="ltr" style="padding-left: 5px;"><a href="http://sites.google.com/site/patrimoniomusical/madre-de-deus" jotid="wuid:gx:6f70f7792cfb994">Madre de Deus, Filipe da</a> </div></li>
<li class=""><br />
<div dir="ltr" style="padding-left: 5px;"><a href="http://sites.google.com/site/patrimoniomusical/madureira-joao" jotid="wuid:gx:23160217cc81f27f">Madureira, João</a> </div></li>
<li class=""><br />
<div dir="ltr" style="padding-left: 5px;"><a href="http://sites.google.com/site/patrimoniomusical/magalhaes-filipe-de" jotid="wuid:gx:2340d2617509cffa">Magalhães, Filipe de</a> </div></li>
<li class=""><br />
<div dir="ltr" style="padding-left: 5px;"><a href="http://sites.google.com/site/patrimoniomusical/marcelino--emanuel" jotid="wuid:gx:2549781527bd0637">Marcelino, Emanuel</a> </div></li>
<li class=""><br />
<div dir="ltr" style="padding-left: 5px;"><a href="http://sites.google.com/site/patrimoniomusical/marecos--carlos" jotid="wuid:gx:496f61563fcaff40">Marecos, Carlos</a> </div></li>
<li class=""><br />
<div dir="ltr" style="padding-left: 5px;"><a href="http://sites.google.com/site/patrimoniomusical/ka-mi" jotid="wuid:gx:547b606597185b6b">Marques, Carlos (ka'mi)</a> </div></li>
<li class=""><br />
<div dir="ltr" style="padding-left: 5px;"><a href="http://sites.google.com/site/patrimoniomusical/marques--tiago" jotid="wuid:gx:4661d5f9cebc788a">Marques, Tiago</a> </div></li>
<li class=""><br />
<div dir="ltr" style="padding-left: 5px;"><a href="http://sites.google.com/site/patrimoniomusical/martins--lourdes" jotid="wuid:gx:a60738541c0ba7">Martins, Lourdes</a> </div></li>
<li class=""><br />
<div dir="ltr" style="padding-left: 5px;"><a href="http://sites.google.com/site/patrimoniomusical/martins-vasco" jotid="wuid:gx:24940ba86ec31267">Martins, Vasco</a> </div></li>
<li class=""><br />
<div dir="ltr" style="padding-left: 5px;"><a href="http://sites.google.com/site/patrimoniomusical/maur" jotid="wuid:gx:2351040d5d69243">Maurício, José</a> </div></li>
<li class=""><br />
<div dir="ltr" style="padding-left: 5px;"><a href="http://sites.google.com/site/patrimoniomusical/mcnair-nicholas" jotid="wuid:gx:35bb9d1d2fc0c1b8">McNair, Nicholas</a> </div></li>
<li class=""><br />
<div dir="ltr" style="padding-left: 5px;"><a href="http://sites.google.com/site/patrimoniomusical/medeiros-rogerio" jotid="wuid:gx:176e37d95592c0d5">Medeiros, Rogério</a> </div></li>
<li class=""><br />
<div dir="ltr" style="padding-left: 5px;"><a href="http://sites.google.com/site/patrimoniomusical/melgas-diogo" jotid="wuid:gx:194d465f47221841">Melgás, Diogo</a> </div></li>
<li class=""><br />
<div dir="ltr" style="padding-left: 5px;"><a href="http://sites.google.com/site/patrimoniomusical/melo-virgilio" jotid="wuid:gx:291fc2b3f2397f10">Melo, Virgílio</a> </div></li>
<li class=""><br />
<div dir="ltr" style="padding-left: 5px;"><a href="http://sites.google.com/site/patrimoniomusical/mendes-jaime" jotid="wuid:gx:697cfff70ce2d1e3">Mendes, Jaime</a> </div></li>
<li class=""><br />
<div dir="ltr" style="padding-left: 5px;"><a href="http://sites.google.com/site/patrimoniomusical/mendes-manuel" jotid="wuid:gx:6831d6d404247519">Mendes, Manuel</a> </div></li>
<li class=""><br />
<div dir="ltr" style="padding-left: 5px;"><a href="http://sites.google.com/site/patrimoniomusical/mendonca-silvia" jotid="wuid:gx:88e32cdd18867a">Mendonça, Sílvia</a> </div></li>
<li class=""><br />
<div dir="ltr" style="padding-left: 5px;"><a href="http://sites.google.com/site/patrimoniomusical/mendonca-vasco" jotid="wuid:gx:6a84a822d17b5413">Mendonça, Vasco</a> </div></li>
<li class=""><br />
<div dir="ltr" style="padding-left: 5px;"><a href="http://sites.google.com/site/patrimoniomusical/miguel-david" jotid="wuid:gx:2b12999e08d8067">Miguel, David</a> </div></li>
<li class=""><br />
<div dir="ltr" style="padding-left: 5px;"><a href="http://sites.google.com/site/patrimoniomusical/miranda-andre" jotid="wuid:gx:1cb733d67d9a867f">Miranda, André</a> </div></li>
<li class=""><br />
<div dir="ltr" style="padding-left: 5px;"><a href="http://sites.google.com/site/patrimoniomusical/moniz--jorge" jotid="wuid:gx:ea7671ff3ac310a">Moniz, Jorge</a> </div></li>
<li class=""><br />
<div dir="ltr" style="padding-left: 5px;"><a href="http://sites.google.com/site/patrimoniomusical/monteiro--francisco" jotid="wuid:gx:46c6667ab7431196">Monteiro, Francisco</a> </div></li>
<li class=""><br />
<div dir="ltr" style="padding-left: 5px;"><a href="http://sites.google.com/site/patrimoniomusical/moody-ivan" jotid="wuid:gx:7989c4315e323269">Moody, Ivan</a> </div></li>
<li class=""><br />
<div dir="ltr" style="padding-left: 5px;"><a href="http://sites.google.com/site/patrimoniomusical/mota--almeida" jotid="wuid:gx:7e934e77d7844f4d">Mota, Almeida</a> </div></li>
<li class=""><br />
<div dir="ltr" style="padding-left: 5px;"><a href="http://sites.google.com/site/patrimoniomusical/motta--vianna-da" jotid="wuid:gx:6c8a15310476878d">Motta, Vianna da</a> </div></li>
<li class=""><br />
<div dir="ltr" style="padding-left: 5px;"><a href="http://sites.google.com/site/patrimoniomusical/morago-e-lopes" jotid="wuid:gx:6b5a22e9641e6bdf">Morago, E. Lopes</a> </div></li>
<li class=""><br />
<div dir="ltr" style="padding-left: 5px;"><a href="http://sites.google.com/site/patrimoniomusical/morais-cesar" jotid="wuid:gx:7ebcf2286e7a0eff">Morais, César</a> </div></li>
<li class=""><br />
<div dir="ltr" style="padding-left: 5px;"><a href="http://sites.google.com/site/patrimoniomusical/morais-sousa" jotid="wuid:gx:7e9b0c553db41c8c">Morais, Sousa</a> </div></li>
<li class=""><br />
<div dir="ltr" style="padding-left: 5px;"><a href="http://sites.google.com/site/patrimoniomusical/moreira-antonio-leal" jotid="wuid:gx:7ab9223e73ba8534">Moreira, António Leal</a> </div></li>
<li class=""><br />
<div dir="ltr" style="padding-left: 5px;"><a href="http://sites.google.com/site/patrimoniomusical/moreira-daniel" jotid="wuid:gx:41f40c26de3272c6">Moreira, Daniel</a> </div></li>
<li class=""><br />
<div dir="ltr" style="padding-left: 5px;"><a href="http://sites.google.com/site/patrimoniomusical/moura-miguel-graca" jotid="wuid:gx:336fe13b19f4544b">Moura, Miguel Graça</a> </div></li>
<li class=""><br />
<div dir="ltr" style="padding-left: 5px;"><a href="http://sites.google.com/site/patrimoniomusical/nascimento--francisco" jotid="wuid:gx:4e89bfe72312b30a">Nascimento, Francisco</a> </div></li>
<li class=""><br />
<div dir="ltr" style="padding-left: 5px;"><a href="http://sites.google.com/site/patrimoniomusical/nascimento-mario" jotid="wuid:gx:4d7a319c74ca4097">Nascimento, Mário</a> </div></li>
<li class=""><br />
<div dir="ltr" style="padding-left: 5px;"><a href="http://sites.google.com/site/patrimoniomusical/noronha-sa-de" jotid="wuid:gx:2c2aed6bdd3edea8">Noronha, Sá de</a> </div></li>
<li class=""><br />
<div dir="ltr" style="padding-left: 5px;"><a href="http://sites.google.com/site/patrimoniomusical/nunes--emmanuel" jotid="wuid:gx:5281287e5ebd448f">Nunes, Emmanuel</a> </div></li>
<li class=""><br />
<div dir="ltr" style="padding-left: 5px;"><a href="http://sites.google.com/site/patrimoniomusical/oliveira-cesar" jotid="wuid:gx:416abf23bdb5905e">Oliveira, César</a> </div></li>
<li class=""><br />
<div dir="ltr" style="padding-left: 5px;"><a href="http://sites.google.com/site/patrimoniomusical/oliveira-francisco-de" jotid="wuid:gx:5821f1a5a49d0c04">Oliveira, Francisco de</a> </div></li>
<li class=""><br />
<div dir="ltr" style="padding-left: 5px;"><a href="http://sites.google.com/site/patrimoniomusical/oliveira-joao-pedro" jotid="wuid:gx:7234f22966eb8420">Oliveira, João Pedro</a> </div></li>
<li class=""><br />
<div dir="ltr" style="padding-left: 5px;"><a href="http://sites.google.com/site/patrimoniomusical/oliveira-correa-de" jotid="wuid:gx:77a05f0c7618dcc5">Oliveira, Corrêa de</a> </div></li>
<li class=""><br />
<div dir="ltr" style="padding-left: 5px;"><a href="http://sites.google.com/site/patrimoniomusical/paes-joao" jotid="wuid:gx:7a08f8edebd90260">Paes, João</a> </div></li>
<li class=""><br />
<div dir="ltr" style="padding-left: 5px;"><a href="http://sites.google.com/site/patrimoniomusical/paiva-antonio-jose-de" jotid="wuid:gx:181fb1b87a9a1e85">Paiva, António José de</a> </div></li>
<li class=""><br />
<div dir="ltr" style="padding-left: 5px;"><a href="http://sites.google.com/site/patrimoniomusical/paiva-" jotid="wuid:gx:413338a5b04c1e9b">Paiva, Domingos José de</a> </div></li>
<li class=""><br />
<div dir="ltr" style="padding-left: 5px;"><a href="http://sites.google.com/site/patrimoniomusical/paiva-fernando-jose-de" jotid="wuid:gx:7cb434fbd65399c8">Paiva, Fernando José de</a> </div></li>
<li class=""><br />
<div dir="ltr" style="padding-left: 5px;"><a href="http://sites.google.com/site/patrimoniomusical/paiva-heliodoro-de" jotid="wuid:gx:767764164bcc6592">Paiva, Heliodoro de</a> </div></li>
<li class=""><br />
<div dir="ltr" style="padding-left: 5px;"><a href="http://sites.google.com/site/patrimoniomusical/paiva-j-n-medina-de" jotid="wuid:gx:2b5dacfe31468883">Paiva, J. N. Medina de</a> </div></li>
<li class=""><br />
<div dir="ltr" style="padding-left: 5px;"><a href="http://sites.google.com/site/patrimoniomusical/paiva-joaquim-jose-de" jotid="wuid:gx:70ef35f6f723997">Paiva, Joaquim José de</a> </div></li>
<li class=""><br />
<div dir="ltr" style="padding-left: 5px;"><a href="http://sites.google.com/site/patrimoniomusical/paiva--1" jotid="wuid:gx:66b09d23d3cdf454">Paiva, Manuel José de</a> </div></li>
<li class=""><br />
<div dir="ltr" style="padding-left: 5px;"><a href="http://sites.google.com/site/patrimoniomusical/palomino-jose" jotid="wuid:gx:1cb05f2a7c94e10e">Palomino, José</a> </div></li>
<li class=""><br />
<div dir="ltr" style="padding-left: 5px;"><a href="http://sites.google.com/site/patrimoniomusical/passos-da-silva" jotid="wuid:gx:5c75e02d17f9fb8a">Passos, da Silva</a> </div></li>
<li class=""><br />
<div dir="ltr" style="padding-left: 5px;"><a href="http://sites.google.com/site/patrimoniomusical/patriarca-eduardo" jotid="wuid:gx:5384d6160bad38ae">Patriarca, Eduardo</a> </div></li>
<li class=""><br />
<div dir="ltr" style="padding-left: 5px;"><a href="http://sites.google.com/site/patrimoniomusical/peixinho--jorge" jotid="wuid:gx:53a4d40057918739">Peixinho, Jorge</a> </div></li>
<li class=""><br />
<div dir="ltr" style="padding-left: 5px;"><a href="http://sites.google.com/site/patrimoniomusical/peixoto-jose" jotid="wuid:gx:611101245fba8c63">Peixoto, José</a> </div></li>
<li class=""><br />
<div dir="ltr" style="padding-left: 5px;"><a href="http://sites.google.com/site/patrimoniomusical/pena-luis" jotid="wuid:gx:1cba72b548cf540a">Pena, Luís</a> </div></li>
<li class=""><br />
<div dir="ltr" style="padding-left: 5px;"><a href="http://sites.google.com/site/patrimoniomusical/penha--rui" jotid="wuid:gx:4d2be4852bbbd80f">Penha, Rui</a> </div></li>
<li class=""><br />
<div dir="ltr" style="padding-left: 5px;"><a href="http://sites.google.com/site/patrimoniomusical/pereira-americo-angelo" jotid="wuid:gx:3131a43460f474a3">Pereira, Américo Ângelo</a> </div></li>
<li class=""><br />
<div dir="ltr" style="padding-left: 5px;"><a href="http://sites.google.com/site/patrimoniomusical/pereira-antonio-claudio" jotid="wuid:gx:feb95115b93d09">Pereira, António Cláudio</a> </div></li>
<li class=""><br />
<div dir="ltr" style="padding-left: 5px;"><a href="http://sites.google.com/site/patrimoniomusical/pereira-pe-marcos" jotid="wuid:gx:1719a0e1e6c45886">Pereira, Pe. Marcos</a> </div></li>
<li class=""><br />
<div dir="ltr" style="padding-left: 5px;"><a href="http://sites.google.com/site/patrimoniomusical/pereira-m" jotid="wuid:gx:6b7ea3bdadf2785b">Pereira, Miguel Ângelo</a> </div></li>
<li class=""><br />
<div dir="ltr" style="padding-left: 5px;"><a href="http://sites.google.com/site/patrimoniomusical/pereira-raul-angelo" jotid="wuid:gx:3474832b9684ccb2">Pereira, Raúl Ângelo</a> </div></li>
<li class=""><br />
<div dir="ltr" style="padding-left: 5px;"><a href="http://sites.google.com/site/patrimoniomusical/pereira-pe-tomas" jotid="wuid:gx:3abeb1fffa76e148">Pereira, Pe. Tomás</a> </div></li>
<li class=""><br />
<div dir="ltr" style="padding-left: 5px;"><a href="http://sites.google.com/site/patrimoniomusical/perez-daviv" jotid="wuid:gx:3083fbd587bae407">Perez, David</a> </div></li>
<li class=""><br />
<div dir="ltr" style="padding-left: 5px;"><a href="http://sites.google.com/site/patrimoniomusical/pinto-augusto" jotid="wuid:gx:6265050fd068480f">Pinto, Augusto</a> </div></li>
<li class=""><br />
<div dir="ltr" style="padding-left: 5px;"><a href="http://sites.google.com/site/patrimoniomusical/pinto-edward" jotid="wuid:gx:5eae502374a4a9cc">Pinto, Edward Gonçalves</a> </div></li>
<li class=""><br />
<div dir="ltr" style="padding-left: 5px;"><a href="http://sites.google.com/site/patrimoniomusical/pinto-francisco-da-rocha" jotid="wuid:gx:1dfb79c6981bf7b6">Pinto, Francisco da Rocha</a> </div></li>
<li class=""><br />
<div dir="ltr" style="padding-left: 5px;"><a href="http://sites.google.com/site/patrimoniomusical/pinto--francisco-dos-santos" jotid="wuid:gx:5ce5b18937ea800b">Pinto, Francisco dos Santos</a> </div></li>
<li class=""><br />
<div dir="ltr" style="padding-left: 5px;"><a href="http://sites.google.com/site/patrimoniomusical/pinto--victor-macedo" jotid="wuid:gx:52d2418a7101337a">Pinto, Victor Macedo</a> </div></li>
<li class=""><br />
<div dir="ltr" style="padding-left: 5px;"><a href="http://sites.google.com/site/patrimoniomusical/pinto-correia-andreia" jotid="wuid:gx:37190e4080f6c945">Pinto-Correia, Andreia</a> </div></li>
<li class=""><br />
<div dir="ltr" style="padding-left: 5px;"><a href="http://sites.google.com/site/patrimoniomusical/pires-alexandre" jotid="wuid:gx:ada939738725431">Pires, Alexandre</a> </div></li>
<li class=""><br />
<div dir="ltr" style="padding-left: 5px;"><a href="http://sites.google.com/site/patrimoniomusical/pires--isabel" jotid="wuid:gx:499f104396a0c7c6">Pires, Isabel</a> </div></li>
<li class=""><br />
<div dir="ltr" style="padding-left: 5px;"><a href="http://sites.google.com/site/patrimoniomusical/pires--filipe" jotid="wuid:gx:29f96e2ec18a8790">Pires, Filipe</a> </div></li>
<li class=""><br />
<div dir="ltr" style="padding-left: 5px;"><a href="http://sites.google.com/site/patrimoniomusical/ponte-angela" jotid="wuid:gx:69870af05e7d2d53">Ponte, Ângela</a> </div></li>
<li class=""><br />
<div dir="ltr" style="padding-left: 5px;"><a href="http://sites.google.com/site/patrimoniomusical/porto-pedro-do" jotid="wuid:gx:7e3624efa54254c1">Porto, Pedro do</a> </div></li>
<li class=""><br />
<div dir="ltr" style="padding-left: 5px;"><a href="http://sites.google.com/site/patrimoniomusical/portugal-a-a-lopes" jotid="wuid:gx:d0335ed1ac6f435">Portugal, A. A. Lopes</a> </div></li>
<li class=""><br />
<div dir="ltr" style="padding-left: 5px;"><a href="http://sites.google.com/site/patrimoniomusical/portugal--marcos" jotid="wuid:gx:6be0df4cd742cd93">Portugal, Marcos</a> </div></li>
<li class=""><br />
<div dir="ltr" style="padding-left: 5px;"><a href="http://sites.google.com/site/patrimoniomusical/portugal-simao-v" jotid="wuid:gx:5a91b4c104998e3d">Portugal, Simão V.</a> </div></li>
<li class=""><br />
<div dir="ltr" style="padding-left: 5px;"><a href="http://sites.google.com/site/patrimoniomusical/prendas--jorge" jotid="wuid:gx:fa24e5e333d4b9b">Prendas, Jorge</a> </div></li>
<li class=""><br />
<div dir="ltr" style="padding-left: 5px;"><a href="http://sites.google.com/site/patrimoniomusical/raon-eduardo" jotid="wuid:gx:41ade90c0d584abf">Raon, Eduardo</a> </div></li>
<li class=""><br />
<div dir="ltr" style="padding-left: 5px;"><a href="http://sites.google.com/site/patrimoniomusical/raposo-filipe" jotid="wuid:gx:4cbb57333c156d02">Raposo, Filipe</a> </div></li>
<li class=""><br />
<div dir="ltr" style="padding-left: 5px;"><a href="http://sites.google.com/site/patrimoniomusical/rafael-joao" jotid="wuid:gx:594263e56783c03">Rafael, João</a> </div></li>
<li class=""><br />
<div dir="ltr" style="padding-left: 5px;"><a href="http://sites.google.com/site/patrimoniomusical/rebelo--pedro" jotid="wuid:gx:119a573f6c6250c8">Rebelo, Pedro</a> </div></li>
<li class=""><br />
<div dir="ltr" style="padding-left: 5px;"><a href="http://sites.google.com/site/patrimoniomusical/rebelo-joao-lourenco" jotid="wuid:gx:73f4f6aa24df6f21">Rebelo, J. Lourenço</a> </div></li>
<li class=""><br />
<div dir="ltr" style="padding-left: 5px;"><a href="http://sites.google.com/site/patrimoniomusical/rebelo-manuel" jotid="wuid:gx:336078c3e2f97381">Rebelo, Manuel</a> </div></li>
<li class=""><br />
<div dir="ltr" style="padding-left: 5px;"><a href="http://sites.google.com/site/patrimoniomusical/reis--jaime" jotid="wuid:gx:159297c786195328">Reis, Jaime</a> </div></li>
<li class=""><br />
<div dir="ltr" style="padding-left: 5px;"><a href="http://sites.google.com/site/patrimoniomusical/rente-" jotid="wuid:gx:11a0b35006a6df5f">Rente, Francisco</a> </div></li>
<li class=""><br />
<div dir="ltr" style="padding-left: 5px;"><a href="http://sites.google.com/site/patrimoniomusical/resende-emilia" jotid="wuid:gx:16ba0999c9fc891">Resende, Emília</a> </div></li>
<li class=""><br />
<div dir="ltr" style="padding-left: 5px;"><a href="http://sites.google.com/site/patrimoniomusical/ribas-eduardo" jotid="wuid:gx:4bf5443631eddf67">Ribas, Eduardo</a> </div></li>
<li class=""><br />
<div dir="ltr" style="padding-left: 5px;"><a href="http://sites.google.com/site/patrimoniomusical/ribas-hipolito" jotid="wuid:gx:ad375a456d9357b">Ribas, Hipólito</a> </div></li>
<li class=""><br />
<div dir="ltr" style="padding-left: 5px;"><a href="http://sites.google.com/site/patrimoniomusical/ribas-jose" jotid="wuid:gx:2ff0c9af16d57797">Ribas, João António</a> </div></li>
<li class=""><br />
<div dir="ltr" style="padding-left: 5px;"><a href="http://sites.google.com/site/patrimoniomusical/ribas-joao-vitor" jotid="wuid:gx:5bcf5da8d58e8321">Ribas, João Vítor</a> </div></li>
<li class=""><br />
<div dir="ltr" style="padding-left: 5px;"><a href="http://sites.google.com/site/patrimoniomusical/ribas-jose-maria" jotid="wuid:gx:4373eac470836e86">Ribas, José Maria</a> </div></li>
<li class=""><br />
<div dir="ltr" style="padding-left: 5px;"><a href="http://sites.google.com/site/patrimoniomusical/ribas-jose-mariano" jotid="wuid:gx:1023ed595b735712">Ribas, José Mariano</a> </div></li>
<li class=""><br />
<div dir="ltr" style="padding-left: 5px;"><a href="http://sites.google.com/site/patrimoniomusical/ribas-judite" jotid="wuid:gx:7df0176b0e20a360">Ribas, Judite</a> </div></li>
<li class=""><br />
<div dir="ltr" style="padding-left: 5px;"><a href="http://sites.google.com/site/patrimoniomusical/ribas-nicolau" jotid="wuid:gx:31d71839620cdc68">Ribas, Nicolau</a> </div></li>
<li class=""><br />
<div dir="ltr" style="padding-left: 5px;"><a href="http://sites.google.com/site/patrimoniomusical/ribeiro--hugo" jotid="wuid:gx:308fa0d7637b9522">Ribeiro, Hugo</a> </div></li>
<li class=""><br />
<div dir="ltr" style="padding-left: 5px;"><a href="http://sites.google.com/site/patrimoniomusical/ribeiro-j-c-pinto" jotid="wuid:gx:127d032fc2049921">Ribeiro, J. C. Pinto</a> </div></li>
<li class=""><br />
<div dir="ltr" style="padding-left: 5px;"><a href="http://sites.google.com/site/patrimoniomusical/ribeiro-sampayo" jotid="wuid:gx:1c622308e2ef3a2d">Ribeiro, Sampayo</a> </div></li>
<li class=""><br />
<div dir="ltr" style="padding-left: 5px;"><a href="http://sites.google.com/site/patrimoniomusical/rigaud-joao-heitor" jotid="wuid:gx:5982ac501682e97">Rigaud, João-Heitor</a> </div></li>
<li class=""><br />
<div dir="ltr" style="padding-left: 5px;"><a href="http://sites.google.com/site/patrimoniomusical/roboredo-vicente" jotid="wuid:gx:3e7ed7ef17b0bc1">Roboredo, Vicente</a> </div></li>
<li class=""><br />
<div dir="ltr" style="padding-left: 5px;"><a href="http://sites.google.com/site/patrimoniomusical/rocha-jose" jotid="wuid:gx:3bbb78362ffdc18">Rocha, José</a> </div></li>
<li class=""><br />
<div dir="ltr" style="padding-left: 5px;"><a href="http://sites.google.com/site/patrimoniomusical/rocha-nuno-da" jotid="wuid:gx:3d7665acafe96794">Rocha, Nuno da</a> </div></li>
<li class=""><br />
<div dir="ltr" style="padding-left: 5px;"><a href="http://sites.google.com/site/patrimoniomusical/rocha--pedro" jotid="wuid:gx:732fffb209c4534">Rocha, Pedro</a> </div></li>
<li class=""><br />
<div dir="ltr" style="padding-left: 5px;"><a href="http://sites.google.com/site/patrimoniomusical/rocha--sofia" jotid="wuid:gx:31306f9fa45e3f78">Rocha, Sofia</a> </div></li>
<li class=""><br />
<div dir="ltr" style="padding-left: 5px;"><a href="http://sites.google.com/site/patrimoniomusical/rodil-antonio" jotid="wuid:gx:698f1940f5a4afb">Rodil, António</a> </div></li>
<li class=""><br />
<div dir="ltr" style="padding-left: 5px;"><a href="http://sites.google.com/site/patrimoniomusical/rodrigues--ernesto-1" jotid="wuid:gx:3e624fea400084ef">Rodrigues, Ernesto</a> </div></li>
<li class=""><br />
<div dir="ltr" style="padding-left: 5px;"><a href="http://sites.google.com/site/patrimoniomusical/rodrigues-eugenio" jotid="wuid:gx:4c928d9cef41792a">Rodrigues, Eugénio</a> </div></li>
<li class=""><br />
<div dir="ltr" style="padding-left: 5px;"><a href="http://sites.google.com/site/patrimoniomusical/rodrigues--paulo" jotid="wuid:gx:2b85b35425d17b4f">Rodrigues, Paulo</a> </div></li>
<li class=""><br />
<div dir="ltr" style="padding-left: 5px;"><a href="http://sites.google.com/site/patrimoniomusical/rodrigues-yuki" jotid="wuid:gx:595aa0f80c06cf6e">Rodrigues, Yuki</a> </div></li>
<li class=""><br />
<div dir="ltr" style="padding-left: 5px;"><a href="http://sites.google.com/site/patrimoniomusical/rosa-antonio-chagas" jotid="wuid:gx:633cec33bebbb99b">Rosa, António Chagas</a> </div></li>
<li class=""><br />
<div dir="ltr" style="padding-left: 5px;"><a href="http://sites.google.com/site/patrimoniomusical/rosa--clotilde" jotid="wuid:gx:7f16c2ae5ae2507d">Rosa, Clotilde</a> </div></li>
<li class=""><br />
<div dir="ltr" style="padding-left: 5px;"><a href="http://sites.google.com/site/patrimoniomusical/rua-vitor" jotid="wuid:gx:48992e360259970d">Rua, Vítor</a> </div></li>
<li class=""><br />
<div dir="ltr" style="padding-left: 5px;"><a href="http://sites.google.com/site/patrimoniomusical/sa-" jotid="wuid:gx:7e7289e90c3dc2c8">Sá, Moreira de</a> </div></li>
<li class=""><br />
<div dir="ltr" style="padding-left: 5px;"><a href="http://sites.google.com/site/patrimoniomusical/sa-dantas-breitenf" jotid="wuid:gx:1ed21fabfe085f86">Sá Dantas, Breitenfeld de</a> </div></li>
<li class=""><br />
<div dir="ltr" style="padding-left: 5px;"><a href="http://sites.google.com/site/patrimoniomusical/sacramento-frei-jacinto-do" jotid="wuid:gx:587c7df2bedec18">Sacramento, Frei Jacinto do</a> </div></li>
<li class=""><br />
<div dir="ltr" style="padding-left: 5px;"><a href="http://sites.google.com/site/patrimoniomusical/salazar-alvaro" jotid="wuid:gx:1ebcfdc76dc4f643">Salazar, Álvaro</a> </div></li>
<li class=""><br />
<div dir="ltr" style="padding-left: 5px;"><a href="http://sites.google.com/site/patrimoniomusical/salgueiro--jorge" jotid="wuid:gx:44e2523eed87624a">Salgueiro, Jorge</a> </div></li>
<li class=""><br />
<div dir="ltr" style="padding-left: 5px;"><a href="http://sites.google.com/site/patrimoniomusical/salvini-gustavo" jotid="wuid:gx:5c70d52ef48999f8">Salvini, Gustavo</a> </div></li>
<li class=""><br />
<div dir="ltr" style="padding-left: 5px;"><a href="http://sites.google.com/site/patrimoniomusical/sanches-afonso" jotid="wuid:gx:4ea673286fafe8f3">Sanches, Afonso</a> </div></li>
<li class=""><br />
<div dir="ltr" style="padding-left: 5px;"><a href="http://sites.google.com/site/patrimoniomusical/santiago-francisco-de" jotid="wuid:gx:5190adcf3404ec2a">Santiago, Francisco de</a> </div></li>
<li class=""><br />
<div dir="ltr" style="padding-left: 5px;"><a href="http://sites.google.com/site/patrimoniomusical/santos-alfredo-napoleao-dos" jotid="wuid:gx:2edda950cfbd9174">Santos, Alfredo Napoleão dos</a> </div></li>
<li class=""><br />
<div dir="ltr" style="padding-left: 5px;"><a href="http://sites.google.com/site/patrimoniomusical/santos-anibal-napoleao-dos" jotid="wuid:gx:20c56babcbf00533">Santos, Aníbal Napoleão dos</a> </div></li>
<li class=""><br />
<div dir="ltr" style="padding-left: 5px;"><a href="http://sites.google.com/site/patrimoniomusical/napoleao-arthur" jotid="wuid:gx:32e4d65d8a11ac52">Santos, Arthur Napoleão dos</a> </div></li>
<li class=""><br />
<div dir="ltr" style="padding-left: 5px;"><a href="http://sites.google.com/site/patrimoniomusical/santos-ferreira-dos" jotid="wuid:gx:22db9aad24c6fa55">Santos, Ferreira dos</a> </div></li>
<li class=""><br />
<div dir="ltr" style="padding-left: 5px;"><a href="http://sites.google.com/site/patrimoniomusical/santos--joaquim-dos" jotid="wuid:gx:2225a7af7aa49565">Santos, J. Gonçalves dos</a> </div></li>
<li class=""><br />
<div dir="ltr" style="padding-left: 5px;"><a href="http://sites.google.com/site/patrimoniomusical/santos--joly-braga" jotid="wuid:gx:70f130c4d9e27080">Santos, Joly Braga</a> </div></li>
<li class=""><br />
<div dir="ltr" style="padding-left: 5px;"><a href="http://sites.google.com/site/patrimoniomusical/santos-jose-joaquim-dos" jotid="wuid:gx:6c17c468bd3ab2b8">Santos, José Joaquim dos</a> </div></li>
<li class=""><br />
<div dir="ltr" style="padding-left: 5px;"><a href="http://sites.google.com/site/patrimoniomusical/santos-luciano-xavier" jotid="wuid:gx:5b8aebfec125d69e">Santos, Luciano Xavier</a> </div></li>
<li class=""><br />
<div dir="ltr" style="padding-left: 5px;"><a href="http://sites.google.com/site/patrimoniomusical/santos-manuel-joaquim-dos" jotid="wuid:gx:574297c304469004">Santos, Manuel Joaquim dos</a> </div></li>
<li class=""><br />
<div dir="ltr" style="padding-left: 5px;"><a href="http://sites.google.com/site/patrimoniomusical/sassetti--bernardo" jotid="wuid:gx:7eba2f2d887c8612">Sassetti, Bernardo</a> </div></li>
<li class=""><br />
<div dir="ltr" style="padding-left: 5px;"><a href="http://sites.google.com/site/patrimoniomusical/schiopetta-domingos" jotid="wuid:gx:698a1c6f2b2fdb0c">Schiopetta, Domingos</a> </div></li>
<li class=""><br />
<div dir="ltr" style="padding-left: 5px;"><a href="http://sites.google.com/site/patrimoniomusical/schvetz-daniel" jotid="wuid:gx:6fedce7c86d742ce">Schvetz, Daniel</a> </div></li>
<li class=""><br />
<div dir="ltr" style="padding-left: 5px;"><a href="http://sites.google.com/site/patrimoniomusical/seara--ana" jotid="wuid:gx:42e93217f283c6a3">Seara, Ana</a> </div></li>
<li class=""><br />
<div dir="ltr" style="padding-left: 5px;"><a href="http://sites.google.com/site/patrimoniomusical/seixas--carlos" jotid="wuid:gx:10d9e329e12c43fd">Seixas, Carlos</a> </div></li>
<li class=""><br />
<div dir="ltr" style="padding-left: 5px;"><a href="http://sites.google.com/site/patrimoniomusical/serodio-rui" jotid="wuid:gx:6ca7a19c2be08a72">Serodio, Rui</a> </div></li>
<li class=""><br />
<div dir="ltr" style="padding-left: 5px;"><a href="http://sites.google.com/site/patrimoniomusical/silva-cordeiro-da" jotid="wuid:gx:1491d8ba1c77cdfe">Silva, Cordeiro da</a> </div></li>
<li class=""><br />
<div dir="ltr" style="padding-left: 5px;"><a href="http://sites.google.com/site/patrimoniomusical/silva-cristovao" jotid="wuid:gx:49cd7642deeb88e5">Silva, Cristóvão</a> </div></li>
<li class=""><br />
<div dir="ltr" style="padding-left: 5px;"><a href="http://sites.google.com/site/patrimoniomusical/silva--esteves-da" jotid="wuid:gx:478fda06b3cf1a63">Silva, Esteves da</a> </div></li>
<li class=""><br />
<div dir="ltr" style="padding-left: 5px;"><a href="http://sites.google.com/site/patrimoniomusical/silva-j-j-rodrigues-da" jotid="wuid:gx:514a0b3420c2ffa7">Silva, J. J. Rodrigues da</a> </div></li>
<li class=""><br />
<div dir="ltr" style="padding-left: 5px;"><a href="http://sites.google.com/site/patrimoniomusical/silva-jose-baptista-da" jotid="wuid:gx:7ed1bbf243115d77">Silva, José Baptista da</a> </div></li>
<li class=""><br />
<div dir="ltr" style="padding-left: 5px;"><a href="http://sites.google.com/site/patrimoniomusical/silva-jose-da-costa-e" jotid="wuid:gx:215230c4118323e">Silva, José da Costa e</a> </div></li>
<li class=""><br />
<div dir="ltr" style="padding-left: 5px;"><a href="http://sites.google.com/site/patrimoniomusical/silva-jose-lopes" jotid="wuid:gx:5350804e34ccaa67">Silva, José Lopes</a> </div></li>
<li class=""><br />
<div dir="ltr" style="padding-left: 5px;"><a href="http://sites.google.com/site/patrimoniomusical/silva-" jotid="wuid:gx:4021ea7df5bd85b9">Silva, Luís Baptista da</a> </div></li>
<li class=""><br />
<div dir="ltr" style="padding-left: 5px;"><a href="http://sites.google.com/site/patrimoniomusical/silva-oscar-da" jotid="wuid:gx:52ee6af1dbb43128">Silva, Óscar da</a> </div></li>
<li class=""><br />
<div dir="ltr" style="padding-left: 5px;"><a href="http://sites.google.com/site/patrimoniomusical/silva-patricio" jotid="wuid:gx:4ed9e8a55da4ff36">Silva, Patrício da</a> </div></li>
<li class=""><br />
<div dir="ltr" style="padding-left: 5px;"><a href="http://sites.google.com/site/patrimoniomusical/silva-policarpo-da" jotid="wuid:gx:6a3cbc729649df3b">Silva, Policarpo da</a> </div></li>
<li class=""><br />
<div dir="ltr" style="padding-left: 5px;"><a href="http://sites.google.com/site/patrimoniomusical/soldado-luis" jotid="wuid:gx:11ea428bc8ac2a41">Soldado, Luís</a> </div></li>
<li class=""><br />
<div dir="ltr" style="padding-left: 5px;"><a href="http://sites.google.com/site/patrimoniomusical/sousa--berta-alves-de" jotid="wuid:gx:17898f27d0cf6410">Sousa, Berta Alves de</a> </div></li>
<li class=""><br />
<div dir="ltr" style="padding-left: 5px;"><a href="http://sites.google.com/site/patrimoniomusical/sousa--filipe-de-1" jotid="wuid:gx:76ea9b16c87fff80">Sousa, Filipe de</a> </div></li>
<li class=""><br />
<div dir="ltr" style="padding-left: 5px;"><a href="http://sites.google.com/site/patrimoniomusical/sousa-jose" jotid="wuid:gx:2976bba75180f514">Sousa, José</a> </div></li>
<li class=""><br />
<div dir="ltr" style="padding-left: 5px;"><a href="http://sites.google.com/site/patrimoniomusical/sousa-pedro" jotid="wuid:gx:4408ebce9a54805">Sousa, Pedro</a> </div></li>
<li class=""><br />
<div dir="ltr" style="padding-left: 5px;"><a href="http://sites.google.com/site/patrimoniomusical/souza-david-de" jotid="wuid:gx:29a4ddf9b76e0005">Souza, David de</a> </div></li>
<li class=""><br />
<div dir="ltr" style="padding-left: 5px;"><a href="http://sites.google.com/site/patrimoniomusical/soveral--isabel" jotid="wuid:gx:291ab0027c2675c5">Soveral, Isabel</a> </div></li>
<li class=""><br />
<div dir="ltr" style="padding-left: 5px;"><a href="http://sites.google.com/site/patrimoniomusical/teixeira-alfredo" jotid="wuid:gx:381203d02a52e787">Teixeira, Alfredo</a> </div></li>
<li class=""><br />
<div dir="ltr" style="padding-left: 5px;"><a href="http://sites.google.com/site/patrimoniomusical/teixeira-antonio" jotid="wuid:gx:76f608f2a652b195">Teixeira, António</a> </div></li>
<li class=""><br />
<div dir="ltr" style="padding-left: 5px;"><a href="http://sites.google.com/site/patrimoniomusical/teixeira-miguel" jotid="wuid:gx:6ea15849429284d3">Teixeira, Miguel</a> </div></li>
<li class=""><br />
<div dir="ltr" style="padding-left: 5px;"><a href="http://sites.google.com/site/patrimoniomusical/teixeira-rui" jotid="wuid:gx:6471441523428790">Teixeira, Rui</a> </div></li>
<li class=""><br />
<div dir="ltr" style="padding-left: 5px;"><a href="http://sites.google.com/site/patrimoniomusical/tinoco-luis" jotid="wuid:gx:1751215d238faec3">Tinoco, Luís</a> </div></li>
<li class=""><br />
<div dir="ltr" style="padding-left: 5px;"><a href="http://sites.google.com/site/patrimoniomusical/torres-hernani" jotid="wuid:gx:37286b79297f3f99">Torres, Hernâni</a> </div></li>
<li class=""><br />
<div dir="ltr" style="padding-left: 5px;"><a href="http://sites.google.com/site/patrimoniomusical/torres--rita" jotid="wuid:gx:3220f2fd8e38b942">Torres, Rita</a> </div></li>
<li class=""><br />
<div dir="ltr" style="padding-left: 5px;"><a href="http://sites.google.com/site/patrimoniomusical/trindade-fernandes-da" jotid="wuid:gx:37b92c01b49d8cf9">Trindade, Fernandes da</a> </div></li>
<li class=""><br />
<div dir="ltr" style="padding-left: 5px;"><a href="http://sites.google.com/site/patrimoniomusical/trosilho-bartolomeu" jotid="wuid:gx:6455289f6ff4f452">Trosilho, Bartolomeu</a> </div></li>
<li class=""><br />
<div dir="ltr" style="padding-left: 5px;"><a href="http://sites.google.com/site/patrimoniomusical/valente--fernando" jotid="wuid:gx:4c0c6b35550465a3">Valente, Fernando</a> </div></li>
<li class=""><br />
<div dir="ltr" style="padding-left: 5px;"><a href="http://sites.google.com/site/patrimoniomusical/valerio-vanessa" jotid="wuid:gx:5da8e0040e586792">Valério, Vanessa</a> </div></li>
<li class=""><br />
<div dir="ltr" style="padding-left: 5px;"><a href="http://sites.google.com/site/patrimoniomusical/varela-fr-domingos" jotid="wuid:gx:73abf4e774627207">Varela, Fr. Domingos</a> </div></li>
<li class=""><br />
<div dir="ltr" style="padding-left: 5px;"><a href="http://sites.google.com/site/patrimoniomusical/varela-" jotid="wuid:gx:45ade1f535487d9">Varela, Jerónimo</a> </div></li>
<li class=""><br />
<div dir="ltr" style="padding-left: 5px;"><a href="http://sites.google.com/site/patrimoniomusical/vargas-antonio-pinho" jotid="wuid:gx:49e17b6da98f2fdb">Vargas, António Pinho</a> </div></li>
<li class=""><br />
<div dir="ltr" style="padding-left: 5px;"><a href="http://sites.google.com/site/patrimoniomusical/vasconcellos--croner-de" jotid="wuid:gx:e89547bc747bf49">Vasconcellos, Croner de</a> </div></li>
<li class=""><br />
<div dir="ltr" style="padding-left: 5px;"><a href="http://sites.google.com/site/patrimoniomusical/veloso-pe-j" jotid="wuid:gx:3942b0f43e6bb372">Veloso, Pe. João</a> </div></li>
<li class=""><br />
<div dir="ltr" style="padding-left: 5px;"><a href="http://sites.google.com/site/patrimoniomusical/vieira-filipe" jotid="wuid:gx:7702199f8e61f0ac">Vieira, Filipe</a> </div></li>
<li class=""><br />
<div dir="ltr" style="padding-left: 5px;"><a href="http://sites.google.com/site/patrimoniomusical/zingaro-carlos" jotid="wuid:gx:95b3e747bc13a35">Zíngaro, Carlos</a> </div></li>
<li class=""><br />
<div dir="ltr" style="padding-left: 5px;"><a href="http://sites.google.com/site/patrimoniomusical/zorro-joao" jotid="wuid:gx:787ab26df91df43d">Zorro, João</a> </div></li>
</ul></div></div><h3 align="left" id="sites-page-title-header" style="display: none;" xmlns="http://www.w3.org/1999/xhtml"><span dir="ltr" id="sites-page-title">atrium</span> </h3><br />
<div style="display: block; margin-left: auto; margin-right: auto; text-align: center;"><a href="http://sites.google.com/site/patrimoniomusical/videos-em-destaque-featured-videos">.</a></div></div>.Victor Nogueirahttp://www.blogger.com/profile/13759238536489604722noreply@blogger.com0tag:blogger.com,1999:blog-2736353218304570703.post-63771194472360871482010-03-07T09:34:00.002+00:002010-03-07T09:34:54.832+00:00Antologia de Poetas<div class="post-body entry-content"> <b>POESIA </b><br />
<img align="right" alt="" height="3" src="http://www.triplov.com/triplov_novo/pics/barra_menu.gif" width="529" /> <br />
<div align="center" class="TITULOS"><a href="http://www.triplov.com/ernesto/33Folhas/index.htm">ERNESTO DE SOUSA</a><br />
<a href="http://www.triplov.com/poesia/grecco/index.htm">PIRISKA GRECCO</a><br />
<a href="http://www.triplov.com/poesia/elena_medel/index.htm">ELENA MEDEL </a> <br />
<a href="http://www.triplov.com/poesia/joao_rasteiro/index.htm">JOÃO RASTEIRO</a> <br />
<a href="http://www.triplov.com/poesia/ruy_ventura/index.htm">RUY VENTURA</a></div><br />
<div align="right"><span class="TITULOS"><a href="http://www.triplov.com/zoo_ilogico/corte_01/FrameSet.htm">JOHAM AYRAS DE SANTIAGO </a><br />
<a href="http://www.triplov.com/zoo_ilogico/corte_01/FrameSet.htm">D. DINIS</a><br />
<a href="http://www.triplov.com/zoo_ilogico/corte_01/FrameSet.htm">PERO DA PONTE</a><br />
<a href="http://www.triplov.com/poesia/helena.html">HELENA FARIA MONTEIRO</a><br />
<a href="http://www.triplov.com/sergio/index.html">SÉRGIO MONTEIRO DE ALMEIDA</a><br />
<a href="http://www.triplov.com/leonel/expo.html">RIMBAUD</a><br />
<a href="http://www.triplov.com/poesia/mafalda/index.html">ANA MAFALDA LEITE</a><a href="http://www.triplov.com/poesia/afonso_x/index.html"><br />
AFONSO X</a></span></div><br />
<div align="left"><span class="TITULOS"><a href="http://www.triplov.com/herberto_helder/index.html">HERBERTO HELDER</a><br />
<a href="http://www.triplov.com/zoo_ilogico/alca_impennis/index.htm">BAUDELAIRE</a><br />
<a href="http://www.triplov.com/poesia/cantinho/index.html">MARIA JOÃO CANTINHO<br />
</a><a href="http://www.triplov.com/sa_carneiro/index.html">MÁRIO DE SÁ-CARNEIRO</a><br />
<a href="http://www.triplov.com/almada_negreiros/index.htm">ALMADA NEGREIRO</a>S<a href="http://www.triplov.com/sophia/index.html"><br />
SOPHIA DE MELLO BREYNER ANDRESE</a>N</span><br />
<span style="color: #616161;"><a class="TITULOS" href="http://www.triplov.com/poesia/abilio_neres/index.html">ABÍLIO TERRA JUNIOR & JOSÉ GERALDO NERES</a></span></div><br />
<div align="right" class="TITULOS"><a href="http://www.triplov.com/poesia/luiz_vaz/index.html">LUIZ VAZ DE CAMÕES</a><br />
<a href="http://www.triplov.com/letras/Pablo-Neruda/index.htm">PABLO NERUDA</a><br />
<a href="http://www.triplov.com/poesia/leo_zelada/index.htm">LEO ZELADA </a><br />
<a href="http://www.triplov.com/poesia/jorge_de_sena/index.htm">JORGE DE SENA </a><br />
<a href="http://www.triplov.com/poesia/manuel_bandeira/index.htm">MANUEL BANDEIRA </a><br />
<a href="http://www.triplov.com/poesia/ramos_rosa/index.htm">ANTÓNIO RAMOS ROSA <br />
</a><a href="http://www.triplov.com/poesia/florbela_espanca/index.html">FLORBELA ESPANCA</a><br />
<a href="http://www.triplov.com/poesia/glauco_mattoso/index.html">GLAUCO MATTOSO</a> <br />
<a href="http://www.triplov.com/poesia/clepsidra/index.htm">CAMILO PESSANHA</a></div><br />
<span class="TITULOS"><a href="http://www.triplov.com/proenca/index.htm">PEDRO PROENÇA</a><a href="http://www.triplov.com/proenca/anti_gorgona/FrameSet.htm"><br />
</a><a href="http://www.triplov.com/lozano/index.htm">MANUEL LOZANO</a><br />
<a href="http://www.triplov.com/oscar_portela/index.html">OSCAR PORTELA<br />
</a><a href="http://www.triplov.com/poesia/milosz/index.html">MILOS</a>Z<br />
<a href="http://www.triplov.com/ferin/scorpio_01.html">MADALENA FÉRIN<br />
</a><a href="http://www.triplov.com/mori/index.htm">REINHARD HUAMÁN MORI</a><br />
<a href="http://www.triplov.com/lr_guedes/index.htm">LUIZ ROBERTO GUEDES<br />
</a><span style="color: red;"><a href="http://www.triplov.com/helena/index.html">HELENA LANGROUVA<br />
</a></span><a href="http://www.triplov.com/rodrigo_petro/index.html">RODRIGO PETRÓNIO<br />
</a><a href="http://www.triplov.com/poesia/marta/poemas_01.html">MARTA FERNÁNDEZ<br />
</a><a href="http://www.triplov.com/poesia/candeias.html">JOÃO CANDEIAS</a><br />
<a href="http://www.triplov.com/poesia/dempster/index.html">NUNO DEMPSTER</a> </span> <br />
<div align="center"><span class="TITULOS"><a href="http://www.triplov.com/zoo_ilogico/dinos/index.html">HOMERO</a><br />
<a href="http://www.triplov.com/poesia/everton/index.htm">EVERTON MACHADO</a><br />
<a href="http://www.triplov.com/poesia/antonio_cardoso_pinto/index.html">ANTÓNIO CARDOSO PINTO</a> <br />
<a href="http://www.triplov.com/poesia/mario_melendez/index.htm">MARIO MELÉNDEZ</a><br />
<a href="http://www.triplov.com/fernando_pessoa/index.htm">FERNANDO PESSOA<br />
</a> <a href="http://www.triplov.com/poesia/daniel/index.htm">CLAUDIO DANIEL</a> <br />
<a href="http://www.triplov.com/hist_fil_ciencia/luso_da_silva/index.html">AUGUSTO LUSO DA SILV</a>A <br />
<a href="http://www.triplov.com/poesia/gito_minore/index.htm">GITO MINORE</a> <br />
<a href="http://www.triplov.com/poesia/carmo_francisco/index.htm">JOSÉ DO CARMO FRANCISC</a>O <br />
<a href="http://www.triplov.com/poesia/madariaga/index.htm">FRANCISCO MADARIAG</a>A <br />
<a href="http://www.triplov.com/poesia/eugenio_de_andrade/index.htm">EUGÉNIO DE ANDRADE</a> <br />
<a href="http://www.triplov.com/poesia/olimpo/index.htm">POETAS GREGO</a>S <br />
<a href="http://www.triplov.com/letras/moyano/index.htm">JOSÉ REPISO MOYAN</a>O <br />
<a href="http://www.triplov.com/contos/orlando_neves/index.htm">ORLANDO NEVES</a> <br />
<a href="http://www.triplov.com/poesia/federico_garcia_lorca/index.htm">FEDERICO GARCÍA LORCA</a> <br />
<a href="http://www.triplov.com/poesia/belmira_besuga/index.htm">BELMIRA BESUGA </a><br />
</span></div><br />
<div align="right"><span class="TITULOS"><a href="http://www.triplov.com/poesia/tilia.html">TÍLIA RAMOS</a><br />
<a href="http://www.triplov.com/poesia/neres/index.html">J. GERALDO NERES</a><br />
<a href="http://www.triplov.com/azenha/index.htm">MARIA AZENHA</a><br />
<a href="http://www.triplov.com/semas/index.html">JOSÉ AUGUSTO MOURÃO</a><br />
<a href="http://www.triplov.com/poesia/carranca.html">CARLOS CARRANCA<br />
</a><a href="http://www.triplov.com/poesia/abreu/index.html">PAULO BRITO E ABREU</a><br />
<a href="http://www.triplov.com/poesia/botto/index.html">FERNANDO BOTTO SEMEDO</a><br />
<a href="http://www.triplov.com/estela_guedes/index.html">MARIA ESTELA GUEDES</a><br />
<a href="http://www.triplov.com/floriano_martins/index.html">FLORIANO MARTINS<br />
</a><a class="style20" href="http://www.triplov.com/poesia/antonio_vera/sons.html">ANTÓNIO VERA</a></span></div><br />
<span class="TITULOS"><a href="http://www.triplov.com/letras/mario_montaut/index.htm">MÁRIO MONTAUT </a><br />
<b><a href="http://www.triplov.com/cyber_art/helio_rola/diabo.htm">JOSÉ ÁNGEL LEYVA</a> <br />
<a href="http://www.triplov.com/poesia/abel_meireles/bruxa.htm">A. MEIRELES GRAÇA</a><br />
<a href="http://www.triplov.com/contos/natercia_freire/index.htm">NATÉRCIA FREIRE </a><br />
<a href="http://www.triplov.com/letras/Rui-Mendes/index.htm">RUI MENDES</a><br />
<a href="http://www.triplov.com/poesia/ruy_cinatti/index.htm">RUY CINATTI </a><br />
<a href="http://www.triplov.com/poesia/daniel_filipe/index.htm">DANIEL FILIPE</a> </b></span> <br />
<div align="center"><span class="style24"><a href="http://www.triplov.com/letras/exodo/index.htm">REVISTA ÊXODO</a> <br />
</span><a href="http://www.triplov.com/poesia/kiriri/index.htm"><span class="TITULOS">KIRIRI POEMABRIL</span></a> <br />
<span class="TITULOS"><a href="http://www.triplov.com/2bienal_poesia/index.htm">II BIENAL DE POESIA-SILVES, 200</a>5 </span> </div><br />
<a href="http://www.triplov.com/chico_buarque/index.htm">CHICO BUARQUE </a><span style="font-size: small;"><a href="http://www.triplov.com/poesia/vinicius/index.htm"><br />
VINÍCIUS DE MORAES<br />
</a><span style="font-size: small;"><a href="http://www.triplov.com/poesia/zeca_afonso/index.htm">JOSÉ AFONSO </a><br />
</span></span><a href="http://www.triplov.com/poesia/cesario_verde/index.html">CESÁRIO VERDE </a><a href="http://www.triplov.com/poesia/cecilia_meireles/index.html"><br />
CECÍLIA MEIRELES</a> <br />
<a href="http://www.triplov.com/poesia/paul_eluard/index.htm">PAUL ELUARD</a><br />
<span style="font-size: small;"><span style="font-size: small;"><a href="http://www.triplov.com/poesia/ruy_belo/index.htm">RUY BELO</a></span><span style="font-size: xx-small;"> </span> <br />
<a href="http://www.triplov.com/poesia/jose_gomes_ferreira/index.htm">JOSÉ GOMES FERREIR</a>A<br />
<a href="http://www.triplov.com/poesia/fernando_aguiar/index.htm">FERNANDO AGUIAR </a><a href="http://www.triplov.com/poesia/gonzalo_de_berceo/index.htm"><br />
GONZALO DE BERCE</a>O<br />
<a href="http://www.triplov.com/poesia/jag/index.htm">JOSÉ ANTÓNIO GONÇALVES</a><br />
</span> <br />
<div align="right"><div class="TITULOS"><a href="http://www.triplov.com/2bienal_poesia/sandro_william/index.htm"><span class="TITULOS">SANDRO WILLIAM JUNQUEIR</span></a><span class="TITULOS">A</span><a href="http://www.triplov.com/poesia/jag/index.htm"><br />
</a><a href="http://www.triplov.com/poesia/maria_gomes/index.htm">MARIA GOME</a>S<a href="http://www.triplov.com/letras/maria_do_sameiro/index.htm"><br />
MARIA DO SAMEIRO BARROS</a>O<br />
<a href="http://www.triplov.com/poesia/luis_serrano/index.htm">LUÍS SERRAN</a>O<br />
<a href="http://www.triplov.com/2bienal_poesia/teresa_tudela/index.htm">TERESA TUDEL</a>A<br />
<a href="http://www.triplov.com/2bienal_poesia/teresa_meireles/index.htm">TERESA MEIRELE</a>S<br />
<a href="http://www.triplov.com/2bienal_poesia/gabriela_martins/index.htm">GABRIELA ROCHA MARTINS</a><br />
<a href="http://www.triplov.com/2bienal_poesia/ivo_barroso/index.htm">IVO MIGUEL BARROS</a>O<br />
<a href="http://www.triplov.com/2bienal_poesia/manuel_simoes/index.htm">MANUEL G. SIMÕE</a>S</div></div><br />
<span class="TITULOS"><a class="TITULOS" href="http://www.triplov.com/poesia/jc_cabanel/index.htm">J.C.CABANEL</a><br />
<a href="http://www.triplov.com/poesia/schiller/index.htm">FRIEDRICH SCHILLE</a>R</span><br />
<span class="TITULOS"><a href="http://www.triplov.com/poesia/alvaro_alves_faria/index.htm">ÁLVARO ALVES DE FARI</a>A </span> <br />
<a href="http://www.triplov.com/poesia/corpo_de_deus/index.html">NO DIA DO CORPO DE DEUS: <br />
SELECÇÃO DE ANTÓNIO CARDOSO PINTO </a> <br />
<div align="right" class="TITULOS"><a href="http://www.triplov.com/poesia/jose_regio/index.htm">JOSÉ RÉGIO<br />
</a><a href="http://www.triplov.com/poesia/gustavo_dourado/index.htm">GUSTAVO DOURAD</a>O<br />
<a href="http://www.triplov.com/poesia/antonio_candido_franco/index.htm">ANTÓNIO CÂNDIDO FRANC</a>O<br />
<a href="http://www.triplov.com/poesia/antonio_nobre/index.htm">ANTÓNIO NOBRE<br />
</a></div><br />
<a href="http://www.triplov.com/poesia/natalia_correia/index.htm">NATÁLIA CORREIA</a><br />
<span class="superTITULO"><a href="http://www.triplov.com/letras/rolando_revagliatti/index.htm">ROLANDO REVAGLIATT</a>I<a href="http://www.triplov.com/poesia/letras/rolando_revagliatti/poemas/index.htm"><br />
</a><a href="http://www.triplov.com/poesia/caetano_veloso/index.htm">CAETANO VELOS</a>O <br />
<a href="http://www.triplov.com/poesia/rutebeuf/index.htm">RUTEBEUF </a> </span> <br />
<br />
<div align="right"><span class="TITULOS">ANTÓNIO CARLOS CORTEZ<a href="http://www.triplov.com/pedro/index.html"><br />
PEDRO DE ANDRADE</a><br />
<a href="http://www.triplov.com/poesia/ramos_lopes.html">CONCEIÇÃO RAMOS LOPES<br />
</a><a href="http://www.triplov.com/casimiro_de_brito/index.html">CASIMIRO DE BRIT</a>O<br />
<a href="http://www.triplov.com/poesia/carlos_barbarito/index.htm">CARLOS BARBARITO</a></span></div><br />
<a href="http://www.triplov.com/poesia/walt_whitman/index.htm">WALT WHITMAN </a><br />
<a href="http://www.triplov.com/mario_cesariny/index.htm">MÁRIO CESARINY </a><br />
<a href="http://www.triplov.com/poesia/roberto_piva/index.htm">ROBERTO PIVA</a> <br />
<a href="http://www.triplov.com/poesia/joao_cabral_melo_neto/index.html">JOÃO CABRAL DE MELO NETO</a> <br />
<a href="http://www.triplov.com/letras/gledson_sousa/index.htm">GLEDSON SOUSA </a> <br />
<a href="http://www.triplov.com/poesia/garcia_de_resende/index.htm">GARCIA DE RESENDE </a> <br />
<div align="center" class="TITULOS"><a href="http://www.triplov.com/poesia/gilgamesh/index.html">EL POEMA DE GILGAMESH </a></div><br />
<a href="http://www.triplov.com/poesia/ines_pedro/index.htm"><span class="Comunicacoes">POESIA VADIA : </span></a><br />
Cristina Vieira, Jorge Casimiro, Jorge Castro, Júlia Lello, Lurdes Mendes da Costa, Marta David, Pedro Laranjeira, Pedro Mota, Policarpo Nóbrega <br />
<a href="http://www.triplov.com/poesia/estado_do_mundo/index.htm">O ESTADO DO MUNDO </a> <br />
<div align="right"><span class="TITULOS"><a href="http://www.triplov.com/poesia/joao_garcao/index.htm">JOÃO GARÇÃO<br />
</a><a href="http://www.triplov.com/poesia/pedro_nobre/index.htm">PEDRO NOBRE</a><br />
<a href="http://www.triplov.com/poesia/carlos_gouveia/index.htm">CARLOS GOUVEIA (GOIA)<br />
</a><a href="http://www.triplov.com/letras/ricardo_daunt/index.htm">RICARDO DAUNT</a><br />
<a href="http://www.triplov.com/poesia/peres_feio/index.htm">CARLOS PERES FEIO </a></span></div><br />
<span class="TITULOS"><a href="http://www.triplov.com/letras/CamilleMartin/index.htm">CAMILLE MARTIN</a><br />
<a href="http://www.triplov.com/poesia/Francisco_Marques/index.htm">MARIA SARMENTO <br />
FRANCISCO MARQUES </a><br />
<a href="http://www.triplov.com/hist_fil_ciencia/joao_nabais/index.htm">JOÃO NABAIS</a> <br />
<a href="http://www.triplov.com/poesia/carlos_de_oliveira/index.htm">CARLOS DE OLIVEIRA</a> <br />
<a href="http://www.triplov.com/letras/risoleta_pedro/index.htm">RISOLETA PINTO PEDRO</a><br />
<a href="http://www.triplov.com/poesia/Henrique_Doria/index.htm">HENRIQUE DÓRIA</a> <br />
OSWALDO ROSES <br />
<a href="http://www.triplov.com/poesia/Sandra_Costa/index.htm">SANDRA COSTA </a></span> <br />
<div align="right" class="TITULOS"><a href="http://www.triplov.com/poesia/Alberto_Pimenta/index.htm">ALBERTO PIMENTA<br />
</a><a href="http://www.triplov.com/poesia/Alcina-Marques-Almeida/index.htm">ALCINA MARQUES DE ALMEID</a>A<br />
<a href="http://www.triplov.com/poesia/Panero/index.htm">LUÍS MARÍA PANERO</a></div><br />
<a href="http://www.triplov.com/poesia/Renato-Suttana/Frutos/index.htm">RENATO SUTTANA</a> <br />
<a href="http://www.triplov.com/poesia/Teixeira-de-Pascoaes/index.htm">TEIXEIRA DE PASCOAES</a> <br />
<a href="http://www.triplov.com/poesia/Jacques-Brell/index.htm">JACQUES BREL</a> <br />
<a href="http://www.triplov.com/poesia/Antonio-Botto/index.htm">ANTÓNIO BOTTO </a> <br />
<div align="center"><a href="http://www.triplov.com/poesia/Corsino-Fortes/index.htm">CORSINO FORTES </a><br />
<a href="http://www.triplov.com/poesia/Huidobro/index.htm"><span class="TITULOS">VICENTE HUIDOBRO </span> </a><br />
<a href="http://www.triplov.com/letras/Julio-Conrado/index.htm"><span class="TITULOS">JÚLIO CONRADO </span></a><br />
<a href="http://www.triplov.com/poesia/C-Ronald/index.htm"><span class="TITULOS">C.RONALD </span></a><br />
<a href="http://www.triplov.com/poesia/Jose-Roberto-Aguilar/index.htm"><span class="TITULOS">JOSÉ ROBERTO AGUILAR </span></a><br />
<span class="TITULOS"><a href="http://www.triplov.com/poesia/Everardo-Noroes/index.htm">EVERARDO NORÕES </a></span><br />
<a href="http://www.triplov.com/poesia/Gabriel-Impaglione/index.htm"><span class="TITULOS">GABRIEL IMPAGLIONE </span></a><br />
<a href="http://www.triplov.com/poesia/Tomas_Antonio_Gonzaga/index.htm"><span class="TITULOS">TOMÁS ANTÓNIO GONZAGA</span></a> <br />
<a href="http://www.triplov.com/poesia/Afonso-Lopes-Vieira/index.htm"><span class="TITULOS">AFONSO LOPES VIEIRA </span></a><br />
<a href="http://www.triplov.com/letras/Soares-Feitosa/index.htm"><span class="TITULOS">SOARES FEITOSA </span></a><br />
<a href="http://www.triplov.com/poesia/Graciela-Maturo/index.htm"><span class="TITULOS">GRACIELA MATURO </span></a><br />
<a href="http://www.triplov.com/poesia/Jaime-Cortesao/index.htm"><span class="TITULOS">JAIME CORTESÃO </span></a><br />
<a href="http://www.triplov.com/poesia/Rodolfo-Alonso/index.htm"><span class="TITULOS">RODOLFO ALONSO</span></a> <br />
<span class="TITULOS"><a href="http://www.triplov.com/poesia/Armando-Vial/index.html">ARMANDO ROA VIAL</a></span><br />
<a href="http://www.triplov.com/poesia/Patricia-Lopes/index.htm"><span class="TITULOS">PATRÍCIA LOPES</span></a> <br />
<a href="http://www.triplov.com/poesia/Edgar-Allan-Poe/index.htm"><span class="TITULOS">EDGAR ALLAN POE </span></a><br />
<span class="TITULOS"><a href="http://www.triplov.com/poesia/Campato-Junior/index.htm">JOÃO ADALBERTO CAMPATO JÚNIOR</a></span></div><br />
<div align="right" class="TITULOS"><a href="http://www.triplov.com/poesia/Jacques-Prevert/index.htm">JACQUES PRÉVERT</a><br />
<a href="http://www.triplov.com/hist_fil_ciencia/joao_nabais/index.htm">JOÃO NABAIS</a></div><br />
<a href="http://www.triplov.com/poesia/Luis-Costa/index.htm">LUÍS COSTA </a><br />
<a href="http://www.triplov.com/poesia/Luisa-Neto-Jorge/index.htm">LUÍSA NETO JORGE</a> <span class="style41">.. <br />
</span><a href="http://www.triplov.com/poesia/Rodolfo-Alonso/index.htm">RODOLFO ALONSO</a><span class="style41">.. </span><br />
<a href="http://www.triplov.com/poesia/Luis-Miranda-Rocha/index.html">LUÍS DE MIRANDA ROCHA</a><br />
<a href="http://www.triplov.com/poesia/Luis-Serguilha/index.htm">LUÍS SERGUILHA</a> <br />
<div align="center" class="TITULOS"><a href="http://www.triplov.com/poesia/Holderlin/index.htm">FRIEDRICH HÖLDERLIN</a><span class="style41">.. </span> <br />
<a href="http://www.triplov.com/A-Almeida-Fernandes/Sonetos/index.htm">A. DE ALMEIDA FERNANDES</a><span class="style41">.. <br />
</span><a href="http://www.triplov.com/poesia/Carlos%20Drummond-de-Andrade/index.htm">CARLOS DRUMMOND DE ANDRADE</a> <br />
<a href="http://www.triplov.com/letras/Umberto-Saba/index.html">UMBERTO SABA</a> <br />
<a href="http://www.triplov.com/poesia/Milton-Lima-Sousa/index.htm">MILTON DE LIMA SOUSA</a><span class="style41">...</span><a href="http://www.triplov.com/poesia/Milton-Lima-Sousa/index.htm"><br />
</a><a href="http://www.triplov.com/poesia/Tomas-Transtromer/index.htm">TOMAS TRANSTRÖMER</a><br />
<a href="http://www.triplov.com/poesia/Ruben-Mejia/index.htm">RUBÉN MEJÍA</a><span class="style41">.. </span><br />
<br />
</div><br />
<a href="http://www.triplov.com/poesia/Gerard-Calandre/index.htm">GERARD CALANDRE </a><br />
<a href="http://www.triplov.com/poesia/Nuno-Judice/index.htm">NUNO JÚDICE</a> <br />
<a href="http://www.triplov.com/poesia/Al-Berto/index.html">AL BERTO </a><br />
<a href="http://www.triplov.com/poesia/Maria-Bispo/index.htm">MARIA BISPO</a><span class="style41">.. </span><a href="http://www.triplov.com/poesia/Aurelio-Porto/index.html"><br />
AURÉLIO PORTO </a><span class="style41">..</span><br />
<a href="http://www.triplov.com/poesia/Susana-Giraudo/index.htm">SUSANA GIRAUDO</a><span class="style41">.. </span><br />
<a href="http://www.triplov.com/poesia/Carlos-Garcia-de-Castro/index.htm">CARLOS GARCIA DE CASTRO</a><span class="style41">.. </span> <br />
<div align="center"><a href="http://www.triplov.com/poesia/Manuel-Vilas/index.html">MANUEL VILAS</a><span class="style41">.. </span><br />
<a href="http://www.triplov.com/poesia/Bruno-Lopes/index.htm">BRUNO PRADO</a><span class="style41">.. </span><br />
<a href="http://www.triplov.com/poesia/Gladys-Mendia/index.htm"><span class="TITULOS">GLADYS MENDÍA</span></a><span class="style41">.. </span><br />
<a href="http://www.triplov.com/poesia/Pedro-Afonso/index.html"><span class="TITULOS">PEDRO AFONSO</span></a><span class="style41"><br />
</span><span class="TITULOS"><a href="http://www.triplov.com/letras/Denise-Ferraz/index.html">DENISE FERRAZ</a><span class="style41"> </span><br />
<a href="http://www.triplov.com/poesia/Jorge-Fragoso/index.htm">JORGE FRAGOSO</a><span class="style41">.</span></span> <br />
<a href="http://www.triplov.com/poesia/Ana-Maria-Costa/index.htm"><span class="TITULOS">ANA MARIA COSTA</span></a><span class="style41">..</span></div><br />
<div align="center"><table border="0" cellpadding="1" cellspacing="1"><tbody>
<tr> <td class="TITULOS"><a href="http://www.triplov.com/poesia/Judith-Teixeira/index.html">JUDITE TEIXEIRA</a><span class="style41">. </span><br />
<a href="http://www.triplov.com/poesia/Antonio-Miranda/index.html">ANTONIO MIRANDA</a> </td> <td class="TITULOS"><div align="right"><a href="http://www.triplov.com/poesia/Jules-Morot/Poemas/index.htm">JULES MOROT</a><span class="style41">.<br />
<span class="TITULOS"><a href="http://www.triplov.com/poesia/Cristiane-Grando/index.html">CRISTIANE GRANDO</a></span> </span></div></td> </tr>
</tbody></table></div><br />
<div align="center" class="TITULOS"><a href="http://www.triplov.com/poesia/Edson-Cruz/index.html">EDSON CRUZ </a><br />
<a href="http://www.triplov.com/poesia/Henri-Michaux/index.html">HENRI MICHAUX</a> <br />
<a href="http://www.triplov.com/poesia/Wilmar-Silva/index.html">WILMAR SILVA </a><br />
<a href="http://www.triplov.com/poesia/Hector-Hernandez-Montecinos/index.html">HECTOR HERNANDEZ MONTECINOS</a><br />
<a href="http://www.triplov.com/surreal/Maria-Meleck-Vivanco/index.html">MARIA MELECK VIVANCO</a><br />
<a href="http://www.triplov.com/poesia/Raimundo-Gadelha/index.html">RAIMUNDO GADELHA</a><br />
<a href="http://www.triplov.com/poesia/Cristovam-Pavia/index.htm">CRISTOVAM PAVIA</a><br />
<a href="http://www.triplov.com/poesia/Lucilio-Santoni/index.htm">LUCILIO SANTONI</a></div><br />
<div align="center" class="TITULOS"><a href="http://www.triplov.com/poesia/Francisco-Lampreia/index.html">FRANCISCO JOSÉ LAMPREIA </a> <br />
<a href="http://www.triplov.com/poesia/Dora_Gago/index.htm">DORA GAGO</a><br />
<a href="http://www.triplov.com/poesia/Maria_Jose_Mures/index.htm">MARÍA JOSÉ MURES</a><br />
<a href="http://www.triplov.com/poesia/Jose_Luis_Almada/index.htm">JOSÉ LUÍS ALMADA</a><br />
<a href="http://www.triplov.com/poesia/Emanuel_Regis_Gomes/index.htm">EMANUEL REGIS GOMES</a><br />
<a href="http://www.triplov.com/poesia/Sara_L_Miranda/index.htm">SARA L. MIRANDA</a></div><br />
. <br />
<div class="TITULOS" style="text-align: center;"><a href="http://www.triplov.com/poesia/Joaquim-Carvalho/index.htm">JOAQUIM CARVALHO</a><br />
<a href="http://www.triplov.com/poesia/Pedro_Sevylla/index.htm">PEDRO SEVYLLA DE JUANA</a><br />
<a href="http://www.triplov.com/poesia/Rey_Andujar/index.htm">REY ANDÚJAR</a><br />
<a href="http://www.triplov.com/poesia/Ivo_Miguel_Barroso/index.htm">IVO MIGUEL BARROSO</a></div><br />
<span class="style41">DISPERSOS </span> <br />
<a href="http://www.triplov.com/poesia/Poesia-de-Haiti/index.htm">De la poesía de Haití: Eduardo Dalter</a> <br />
<a href="http://www.triplov.com/poesia/2006/Rojas.htm"><b>Lydia Dávila: imprescindible en la poesía ecuatoriana - <br />
Aleyda Quevedo Rojas</b></a> <br />
<a href="http://www.triplov.com/poesia/2006/Leo-Lobos.htm"><b>Roberto Matta: “O sol para quem sabe congregar”<br />
Leo Lobos</b></a> <br />
<b class="TITULOS"><a href="http://www.triplov.com/poesia/2006/corno-emplumado.htm">el corno emplumado / the plumed horn </a></b> <br />
<a href="http://www.triplov.com/poesia/Dia-da-Poesia2007/index.htm">Dia da Poesia 2007 </a> <br />
<div class="TITULOS"><a href="http://www.triplov.com/poesia/Divina_Musica/index.htm">Divina Música . Antologia de Poesia sobre Música </a></div><div class="TITULOS">. </div><br />
<div align="left"><b>POESIA CHILENA</b></div><div align="left"><span class="TITULOS"><b><a href="http://www.triplov.com/poesia/Poesia-Chilena/Javier-Bello/index.htm">Javier Bello </a></b></span></div><div align="left" class="TITULOS"><b><a href="http://www.triplov.com/poesia/Poesia-Chilena/Espinosa-Guerra/index.htm">Julio Espinosa Guerra </a></b></div><div align="left" class="TITULOS"><b><a href="http://www.triplov.com/poesia/Poesia-Chilena/Damsi-Figueroa/index.htm">Damsi Figueroa </a></b></div><div align="left"><span class="TITULOS"><b> <a href="http://www.triplov.com/poesia/Poesia-Chilena/Jaime-Huenun/index.htm">Jaime Huenún </a></b></span></div><div align="left" class="TITULOS"><b><a href="http://www.triplov.com/poesia/Poesia-Chilena/Leo-Lobos/index.htm">Leo Lobos</a> </b></div><div align="left" class="TITULOS"><b><a href="http://www.triplov.com/poesia/Poesia-Chilena/Mario-Melendez/index.htm">Mário Meléndez </a></b></div><div align="left" class="TITULOS"><b><a href="http://www.triplov.com/poesia/Poesia-Chilena/Armando-Roa-Vial/index.htm">Armando Roa Vial </a></b></div><div align="left" class="TITULOS"><b><a href="http://www.triplov.com/poesia/Poesia-Chilena/Jesus-Sepulveda/index.htm">Jesús Sepúlveda </a></b></div><br />
<span class="TITULOS"><a href="http://www.triplov.com/poesia/Juan-Soto/index.htm">JUAN JOSÉ SOTO </a></span> <br />
<span class="TITULOS"><a href="http://www.triplov.com/poesia/Gladys-Mendia/Poetas-venezoelanos/index.htm">Antología de 5 poetas venezoelanos </a></span> <br />
<br />
<b>BIENAL DE POESIA DE SILVES</b> <br />
<div class="TITULOS"><a href="http://www.triplov.com/2bienal_poesia/index.htm">II Bienal</a></div><div class="TITULOS"><a href="http://www.triplov.com/3Bienal-Poesia/index.htm">III Bienal</a></div><div class="TITULOS"><a href="http://www.triplov.com/4Bienal_de_Poesia/index.htm">IV Bienal</a></div><br />
<br />
.. <br />
http://www.triplov.com/poesia/index.html.. </div>Victor Nogueirahttp://www.blogger.com/profile/13759238536489604722noreply@blogger.com0tag:blogger.com,1999:blog-2736353218304570703.post-87219324832281328692010-03-04T04:26:00.000+00:002010-03-04T04:26:06.483+00:00Congresso de Literaturas Africanas Língua Portuguesa<div class="post-body entry-content"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjnflp5aAsFA6gNnB0KaBKaio3j27pMIuhSiTuyIcv7d6hQBcTlTr9vHWN2SwCgR6iiEyu-LvOaNUZOy9o7bMeSIgcNBtQcv1VGM_i570lxhpJZKeDzihyphenhyphenNFoIxgwnOq2ViBVGkOxB71JSQ/s1600-h/linguas+africanas+cartaz2.gif" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjnflp5aAsFA6gNnB0KaBKaio3j27pMIuhSiTuyIcv7d6hQBcTlTr9vHWN2SwCgR6iiEyu-LvOaNUZOy9o7bMeSIgcNBtQcv1VGM_i570lxhpJZKeDzihyphenhyphenNFoIxgwnOq2ViBVGkOxB71JSQ/s320/linguas+africanas+cartaz2.gif" /></a></div><div align="center" style="color: blue;"></div><div align="center" style="color: blue;"></div><div align="center" style="color: blue;"></div><div align="center" style="color: blue;"><span style="font-family: Verdana,Arial,Helvetica,sans-serif; font-size: x-small;"><span style="font-size: small;"><b>Congresso de Literaturas Africanas</b></span><b><br />
<span style="font-size: xx-small;">Língua Portuguesa</span></b></span></div><div align="center"><span style="color: #006666; font-family: Verdana,Arial,Helvetica,sans-serif; font-size: x-small;"><b> </b></span></div><div align="center"><h1> Resumos das comunicações</h1></div><div align="CENTER" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">______________________________________________________________</span></div><div align="CENTER" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">Agnaldo Rodrigues da Silva</span></div><div align="CENTER" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">(Universidade do Estado de Mato Grosso)</span></div><div class="sdfootnote-western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><br />
</div><div align="CENTER" lang="pt-BR" style="line-height: 100%; margin-left: 0.17cm; margin-right: 0.34cm;"><b><span style="font-size: x-small;"><i>CRUZAMENTOS ENTRE OS TEATROS ALMADINO E OSWALDIANO</i></span></b></div><div align="CENTER" lang="pt-BR" style="line-height: 100%; margin-left: 0.17cm; margin-right: 0.34cm;"><br />
</div><div align="CENTER" lang="pt-BR" style="line-height: 200%; margin-left: 0.17cm; margin-right: 0.34cm;"><b><span style="font-size: x-small;">RESUMO</span></b></div><div align="JUSTIFY" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">Em meio à estagnação cultural reinante em Portugal e Brasil, no início do século XX, destacam-se, no âmbito do teatro, dois autores contestadores que recusam a tradição já deteriorada e optam pela experimentação de novas formas teatrais. São eles: Almada Negreiros e Oswald de Andrade, cujas peças, <i>Deseja-se Mulher</i> e <i>O Rei da Vela</i>, se revelam exemplares das transformações impostas pelos movimentos vanguardistas do início do século XX, mais precisamente ao primeiro desses movimentos: o Futurismo. Em <i>Deseja-se Mulher,</i> Almada adere a uma nova modalidade cênica. Atribui à peça um tom levemente aristocrático (de crítica sócio-existencial), encaixando personagens, cujas características divergem-se. Em <i>O rei da Vela,</i> Oswald<i> </i>simboliza a crise de 1929, momento em que se cristalizaram diversas rebeliões, que forçaram a ruptura dos diversos campos sociais e estéticos, mediante a concepção de arte engajada politicamente. De diferentes maneiras <i>O Rei da Vela</i> e <i>Deseja-se Mulher</i> expressam diretrizes futuristas, principalmente no que se refere à concepção de espaço cênico (cenografia), a contestação do teatro burguês e a crise sócio existencial. Ambas as peças apresentam uma linguagem simbólica, um estilo alegórico, cujas personagens e situações passam por um processo de carnavalização. Aqui se encontra a vida desviada de sua ordem habitual, “vidas às avessas”, um “mundo invertido”, em que as leis, proibições, restrições, que determinam o sistema e a ordem da vida real e comum deixam de ter importância.</span></div><div align="JUSTIFY" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><br />
</div><div align="CENTER" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">______________________________________________________________</span></div><div class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">Alberto Oliveira Pinto</span></div><div class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">(CEA/FLUL – Universidade de Lisboa)</span></div><div align="JUSTIFY" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><br />
</div><div class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">história oral angolana em A Casa Velha das Margens de Arnaldo Santos</span></div><div align="CENTER" class="sdfootnote-western" lang="pt-BR" style="line-height: 150%; margin-left: 0.17cm; margin-right: 0.34cm;"><b>Resumo</b></div><div align="JUSTIFY" class="sdfootnote-western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;">A leitura de <i>A Casa Velha das Margens</i> de Arnaldo Santos permite-nos entrever uma história de Angola alternativa à que emerge do discurso escrito colonial, ainda presente na memória dos angolanos, e que vai ao encontro da que o registo oral, desaparecido ou silenciado, procurava preservar. Este romance mostra-nos como só o povo angolano pode hoje reabilitar a sua memória histórica silenciada, guardada nas suas tradições, e a partir dela construir uma nação cultural e política que tenha por referência os heróis como Domingos, que se embrenha na mata para lutar pela independência. Esse povo angolano é constituído pelos excluídos, cujo testemunho silencioso, de par com a enunciação no súngui dos provérbios, das adivinhas, dos muimbos e das makas, assim como as mucandas dos ambaquistas e os poemas de Kuxixima kia Muxima, parecem ser a única via para que Angola se liberte da letargia a que o colonialismo e o neocolonialismo a condenaram e os angolanos se conheçam, finalmente, a si próprios.</div><div align="JUSTIFY" class="sdfootnote-western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;">. </div><div align="JUSTIFY" class="sdfootnote-western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;">Abordaremos neste estudo os modos como os processos tradicionais de narração oral da história de Angola interferem no discurso do romance histórico angolano contemporâneo em três perspectivas: a das adivinhas, das makas e dos provérbios, “géneros” narrativos emergentes da conversa ao serão, o súngui, a das mucandas dos ambaquistas e a da narrativa épica.</div><div align="LEFT" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><br />
</div><div align="CENTER" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">______________________________________________________________</span></div><div align="CENTER" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">aldónio gomes</span></div><div align="CENTER" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><br />
</div><div align="center"><h5 class="western" lang="pt-BR" style="line-height: 100%; margin-left: 0.17cm; margin-right: 0.34cm;">A língua portuguesa em África: comunicação, norma e poder</h5></div><div align="CENTER" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><b><br />
</b> </div><div align="CENTER" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><b><span style="font-size: x-small;">resumo</span></b></div><div class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm; text-align: justify;"><span style="font-size: x-small;">A convivialidade. Da língua portuguesa respeitada à funcionalidade das línguas locais. A norma em construção.</span></div><div class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm; text-align: justify;"><span style="font-size: x-small;">. </span></div><div></div><div class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm; text-align: justify;"><span style="font-size: x-small;">O sobressalto. A procura do poder. A exortação ao uso das línguas locais e a sua acção mobilizadora. A língua portuguesa consolidada, por vezes língua local, e via para o poder e a sua aplicação. A preocupação da norma.</span></div><div class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm; text-align: justify;"><span style="font-size: x-small;">. </span></div><div style="text-align: justify;"></div><div class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm; text-align: justify;"><span style="font-size: x-small;">A recepção do poder e a sua aplicação. A língua veículo e factor de união. A norma é a norma: respeita-se. Importa "afinar" o português.</span></div><div class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm; text-align: justify;"><span style="font-size: x-small;">. </span></div><div style="text-align: justify;"></div><div class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm; text-align: justify;"><span style="font-size: x-small;">A dinamização do poder e o comando da economia. Recuperação das línguas locais. A língua portuguesa como norma vacilante: confrontos com marcas bantas, inglesas e africânderes e com novas cargas semânticas.</span></div><div class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm; text-align: justify;"><span style="font-size: x-small;">. </span></div><div style="text-align: justify;"></div><div class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm; text-align: justify;"><span style="font-size: x-small;">Da língua à literatura.</span></div><div align="JUSTIFY" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><br />
</div><div align="CENTER" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">______________________________________________________________</span></div><div align="CENTER" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">Alexandre Huady Torres Guimarães</span></div><div align="CENTER" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">(Universidade Presbiteriana Mackenzie e Colégio Presbiteriano Mackenzie São Paulo – Brasil.)</span></div><div align="LEFT" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><br />
</div><div align="CENTER" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;"><i><b>A bala como índice da opressão:</b></i></span></div><div align="CENTER" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;"><i><b>um paralelo entre Mia Couto e João Cabral de Melo Neto.</b></i></span></div><div align="CENTER" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><br />
</div><div align="CENTER" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><b><span style="font-size: x-small;">resumo</span></b></div><div align="JUSTIFY" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><br />
</div><br />
<br />
<div align="JUSTIFY" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">Entre eles, o moçambicano Mia Couto, que compôs <i>Vinte e Zinco</i>, uma narrativa passada em seu país. entre os dias 29 e 30 de abril de 1974. Nesta grafa-se a presença de uma personagem, portuguesa e branca, chamada Irene, que amava o moçambicano e <i>quase-preto</i> Marcelino. Este era mecânico e um revolucionário lutador da liberdade de seu povo, um defensor do fim do domínio português sobre as terras de sua gente.</span></div><div align="JUSTIFY" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">. </span></div><div align="JUSTIFY" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">No dia 24 de abril, um antes do marco da liberdade, Margarida, irmã de Irene, entra no quarto de sua irmã para as lides da casa e, nele, encontra aberto o caderno de poemas de Irene, o qual contém um poema que possui como tema central o projétil, a bala.</span></div><div align="JUSTIFY" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">. </span></div><div align="JUSTIFY" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">Com a bala surge, nas linhas do poema, composto por Irene, a idéia da opressão vivida pelo povo moçambicano, que muitas vezes tinha seus levantes calados pelas balas das tropas coloniais. Marcelino, <i>Marcelindo</i>, como Irene o chamava, foi morto por uma destas balas que voavam das espingardas.</span></div><div align="JUSTIFY" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">. </span></div><div align="JUSTIFY" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">Quarenta e três anos antes, em 1956, o recifense João Cabral de Melo Neto publicou <i>Morte e vida Severina: auto de natal pernambucano</i>, composto nos anos de 1954 e 1955. </span></div><div align="JUSTIFY" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">. </span></div><div align="JUSTIFY" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">O poema conduz o leitor na via de Severino, <i>que em vossa presença emigra</i>, o qual busca a vida no Recife caminhando, conta a conta, por entre a morte.</span></div><div align="JUSTIFY" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">. </span></div><div align="JUSTIFY" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">Logo na segunda conta de seu rosário, Severino defronta-se com a morte de <i>um defunto de nada</i>, um <i>Severino Lavrador</i>, que foi <i>morto de bala</i>, pois esta <i>mais longe vara</i>.</span></div><div align="JUSTIFY" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">. </span></div><div align="JUSTIFY" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;"><i>Severino Lavrador</i> foi morto por possuir, no ombro da serra, dez quadras de lavoura, onde plantava. Entretanto, seu desejo de <i>mais espalhar-se</i> levou-o a uma tocaia onde encontrou a <i>pássara</i>, a <i>ave-bala</i> que o levou à morte.</span></div><div align="JUSTIFY" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">. </span></div><div align="JUSTIFY" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">Neste ato, fica clara a opressão latifundiária existente no Brasil, país de extensão continental com terras muito mal distribuídas e com a manipulação do poder, muitas vezes, em determinadas regiões, controlado pela espingarda que <i>Mais campo tem para soltar [...] as filhas-bala</i>.</span></div><div align="JUSTIFY" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">. </span></div><div align="JUSTIFY" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">Apesar de épocas distintas, testemunham-se, portanto, contextos sociais muito próximos, em virtude da opressão vivenciada nos dois países: Moçambique, que no correr da narrativa faz-se livre, e Brasil. Como índice desta percepção, a bala.</span></div><div align="JUSTIFY" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><br />
</div><div align="CENTER" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">______________________________________________________________</span></div><div align="CENTER" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">Alfeu Sparemberger,</span></div><div align="CENTER" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">(Universidade Regional do Noroeste do Estado do Rio Grande do Sul)</span></div><div align="CENTER" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><br />
</div><div align="CENTER" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;"><i><b>O caso da Guiné-Bissau: manancial oral e colonial e dificuldades escritas – uma teoria</b></i></span></div><div align="CENTER" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><br />
</div><div align="CENTER" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><b><span style="font-size: x-small;">resumo</span></b></div><div align="JUSTIFY" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><br />
</div><div align="JUSTIFY" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">Esta comunicação pretende analisar como a literatura oral dos diversos grupos culturais da Guiné-Bissau e suas respectivas tradições lingüísticas, como a inclusão da área cultural comum, o crioulo, afirma aspectos de identidade cultural e de memória coletiva. Somada a esta investigação, examina as recolhas de contos de base etno-cultural conduzidas pelos integrantes do <i>Boletim Cultural da Guiné Portuguesa</i> (l964-1973), como reveladoras de uma sobreposição de experiências e de mapeamento territorial. Neste sentido, coexistem durante o período colonial dois campos de saber atravessados por uma mesma questão: de um lado, a presença de sociedades ágrafas, mas com um rico manancial de tradição oral e, de outro, a ocorrência de um registro em versão portuguesa, com implicações acerca da fidelidade da transcrição.</span></div><div align="JUSTIFY" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><br />
</div><div align="CENTER" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">______________________________________________________________</span></div><div align="CENTER" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">Américo Oliveira</span></div><div align="CENTER" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">(Escola Superior de Educação de Leiria)</span></div><div align="JUSTIFY" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><br />
</div><div lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm; text-align: center;"><b><span style="font-size: x-small;"><i>A tradição oral angolana e as recolhas: história breve e teoria</i></span></b></div><div align="CENTER" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><br />
</div><div align="CENTER" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><b><span style="font-size: x-small;">Resumo</span></b></div><div align="CENTER" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><br />
</div><div align="JUSTIFY" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">A tradição oral angolana, nomeadamente a respectiva literatura de tradição oral, sofreu, como todos os sectores, as consequências do conflito armado. Está na hora de efectuar o balanço do que está feito e do que há para fazer, antes que os “mais-velhos”, essas bibliotecas ambulantes, nos abandonem para sempre. Pretende, por isso, este pequeno estudo efectuar o balanço do acervo bibliográfico editado até hoje no campo da literatura angolana de tradição oral e debater algumas teorias tipológicas utilizadas pelos colectores no registo escrito da referida literatura.</span></div><div align="JUSTIFY" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><br />
</div><div align="CENTER" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">______________________________________________________________</span></div><div align="CENTER" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">Ana Luísa V. Marques Teixeira</span></div><div align="LEFT" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><b><br />
</b> </div><div align="CENTER" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><b><span style="font-size: x-small;"><i>Novos rumos na narrativa moçambicana: Paulina Chiziane, Lina Magaia e Lília Momplé, ou a consolidação do cânone</i></span></b></div><div align="CENTER" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><br />
</div><div align="CENTER" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">resumo</span></div><div align="CENTER" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><br />
</div><div align="JUSTIFY" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">Esta comunicação percorrerá as mais recentes etapas no desenvolvimento da narrativa moçambicana, através da leitura dos contributos de três autoras: Paulina Chiziane, Lina Magaia e Lília Momplé. Pretende-se apresentar, de uma forma necessariamente sumária, o percurso literário de cada uma destas autoras, bem como a sua contribuição no sentido da re-escrita da história de Moçambique, através do que escolhemos designar por funcionalidade literária. Deste modo, a nossa viagem pelos textos de Chiziane, Magaia, e Momplé permitir-nos-á, através de uma abordagem interdisciplinar característica dos estudos culturais, não só perceber o caminho seguido pela narrativa, dita ficcional, moçambicana, nos finais dos anos oitenta e princípios dos anos noventa do século XX, como também desvendar o registo de visões particulares da história do Moçambique pré e pós-independência.</span></div><div align="JUSTIFY" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">. </span></div><div align="JUSTIFY" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;"><span style="color: black;">Paulina Chiziane publicou até agora quatro romances: <u>Balada de Amor ao Vento </u>(Maputo, 1991); <u>Ventos do Apocalipse</u> (Lisboa,1999); <u>O Sétimo Juramento</u>(Lisboa, 2000); e <u>Niketche. Uma história de poligamia </u>(Lisboa, 2002). Lina Magaia tem publicados: <u>Dumba Nengue. Histórias trágicas do banditismo – I </u>(Maputo, 1987); <u>Duplo Massacre em Moçambique. Histórias trágicas do banditismo – II</u> (Maputo, 1989); e <u>Delehta. Pulos na Vida </u>(Maputo, 1994). Lília Momplé produziu, já, três volumes: <u>Ninguém matou Suhura </u>(Maputo, 1988); <u>Neighbours </u>(Maputo, 1995); e <u>Os olhos da cobra verde </u>(Maputo, 1997).</span></span></div><div align="JUSTIFY" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;"><span style="color: black;">. </span></span></div><div align="JUSTIFY" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">De que modo contribuíram estes títulos para a afirmação da narrativa moçambicana? De que forma são estas autoras responsáveis pela consolidação de uma voz feminina na produção literária moçambicana? Mais significativo ainda, de que forma podemos considerar cada um destes como um registo documental da idiossincrasia moçambicana em momentos históricos específicos? Estas são algumas questões que visamos colocar, estimulando o início do que pretendemos se torne uma séria e empenhada reflexão crítica sobre o recente rumo tomado pela literatura moçambicana.</span></div><div align="JUSTIFY" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><br />
</div><div align="CENTER" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">______________________________________________________________</span></div><div align="CENTER" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">Ana Margarida Fonseca</span></div><div align="CENTER" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">(Instituto Politécnico da Guarda)</span></div><div align="CENTER" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><br />
</div><div align="CENTER" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><b><span style="font-size: x-small;"><i>Desafios da alteridade – representações do outro na ficção portuguesa e africana pós-colonial</i></span></b></div><div align="CENTER" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><br />
</div><div align="CENTER" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><b><span style="font-size: x-small;">resumo</span></b></div><div align="CENTER" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><br />
</div><div align="JUSTIFY" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;"><span style="color: black;">Se aceitarmos como certo que não existe identidade sem o confronto com a diferença, esta asserção revela particular pertinência em contexto pós-colonial, uma vez que as representações identitárias nele implicadas são construídas na base do contacto entre diferentes povos, culturas, ideologias e práticas. Assim, independentemente das formas assumidas por esse contacto, a dimensão da alteridade – o <i>eu </i>ao espelho do <i>outro, </i>ou o <i>outro </i>que se constrói por confronto com o <i>eu –</i> é fundamental na definição de imagens de identidade quer individuais quer colectivas.</span></span></div><div align="JUSTIFY" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;"><span style="color: black;">. </span></span></div><div align="JUSTIFY" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">Com esta comunicação, será nosso objectivo descrever e analisar as representações do outro na ficção pós-colonial, tomando para tal narrativas de Mia Couto, Pepetela e António Lobo Antunes. Conduziremos Assim, o nosso discurso por entre a alteridade constituinte dos sujeitos, procurando compreender as representações identitárias que se revelam, antes de mais, pela descoberta e reconhecimento da diferença. A esta abordagem está subjacente, por um lado, a adopção de um ponto de vista comparativo, segundo o qual procuraremos relacionar ficções pertencentes a espaços unidos por um passado colonial comum, e por outro lado, a consideração de perspectivas abertas pelas teorias pós-coloniais desenvolvidas nas últimas décadas.</span></div><div align="JUSTIFY" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><br />
</div><div align="CENTER" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><br />
</div><div align="CENTER" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">______________________________________________________________</span></div><div align="CENTER" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">Ana Paula Ferreira.</span></div><div align="CENTER" class="western" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">(University of California at Irvine)</span></div><div align="CENTER" class="western" style="margin-left: 0.17cm; margin-right: 0.34cm;"><br />
</div><div align="CENTER" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><b>“<span style="font-size: x-small;"><i>Fantasmas insepultos: ‘Raça’, racismo, nação”</i></span></b></div><div align="CENTER" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><br />
</div><div align="CENTER" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><b><span style="font-size: x-small;">resumo</span></b></div><div align="JUSTIFY" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;"><br />
Se é certo que falar de raça no contexto das literaturas africanas em língua portuguesa se tem considerado ‘pouco menos que uma heresia’ (Russell Hamilton), certas suposições anti-fundamentalistas do pensamento pós-moderno têm contribuído para obviar a necessidade de reflectir sobre os signos de ‘raça’ e de racismo que marcam porventura ansiosas linhas de fuga nos imaginários da nação dita pós-colonial. A presente comunicação pretende ensaiar, assumidamente a título não especializado, o rastejo dessas linhas de fuga nas vozes individuais, fugitivas ou talvez ‘sonâmbulas’, que pululam panoramas ficcionais de nações-em-processo dificilmente ausentes de ideologias eurocêntricas de nação assentes em estruturas binárias de Eu/Outro, que será outra forma de enunciar ‘racismo’. Contemplar-se-ão aqui em princípio <i>Mayombe</i>, de Pepetela, e um número de contos incluídos em <i>Cada Homem é uma Raça</i>, de Mia Couto.</span></div><div align="JUSTIFY" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><br />
</div><div align="CENTER" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">______________________________________________________________</span></div><div align="CENTER" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">Ângela Bonifácio Vítor</span></div><div class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm; text-align: center;"><span style="font-size: x-small;">(Universidade Lusófona de Humanidades e Tecnologias)</span></div><div align="JUSTIFY" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><br />
</div><div align="CENTER" class="western" lang="es-ES" style="line-height: 200%; margin-left: 0.17cm; margin-right: 0.34cm;"><b><span style="font-size: x-small;">resumo</span></b></div><div align="RIGHT" class="western" lang="es-ES" style="margin-left: 0.17cm; margin-right: 0.34cm;">“<span style="font-size: x-small;">Caminante, no hay camino, se hace el camino al andar.” </span></div><div align="RIGHT" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;"><span lang="pt-PT">(António Machado)</span></span></div><div align="RIGHT" class="western" lang="pt-PT" style="margin-left: 0.17cm; margin-right: 0.34cm;"><br />
</div><div align="JUSTIFY" class="western" lang="pt-PT" style="margin-left: 0.17cm; margin-right: 0.34cm;"><br />
</div><div align="RIGHT" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;">“<span style="font-size: x-small;">Pelo sonho é que vamos… partimos, somos.”</span></div><div align="RIGHT" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">(Sebastião da Gama)</span></div><div align="JUSTIFY" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><br />
</div><div align="JUSTIFY" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">Começamos pela mão dos poetas. Avançamos pelo sonho de uma escola em que educar é libertar. Uma escola na qual a educação é uma relação de abertura, um diálogo entre pessoas que crescem em simultâneo com ritmos diferentes. Uma educação que ganha sentido quando personalizada. Realçamos, porém, que tal circunstância implica a existência do espaço necessário para a relação interpessoal; um espaço que compromete e responsabiliza.</span></div><div align="JUSTIFY" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">. </span></div><div align="JUSTIFY" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">Sendo certo que a multicultura é um bem precioso, em muitas escolas a diversidade cultural dos alunos tende, ainda, a tornar complexo o diálogo na educação. Como contornar essas dificuldades e aproveitar o pluralismo? Terá a escola multicultural possibilidade de se tornar uma escola intercultural? Como proceder à partilha dos vastos elementos de que cada cultura é portadora, uns na sua originalidade, outros no seu sabor universal?</span></div><div align="JUSTIFY" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">. </span></div><div align="JUSTIFY" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">Afinal, reconhecer culturas e receber delas tudo aquilo que torna mais rico o processo educativo constitui o desafio que a descoberta e a aposta na alteridade impõem. Num tempo de mudança, de respeito pelas diferenças, estas são algumas das questões que nos propomos abordar.</span></div><div align="JUSTIFY" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><br />
</div><div align="CENTER" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">______________________________________________________________</span></div><div class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">António Germano Lima</span></div><div class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">(Universidade Portucalense)</span></div><div class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><br />
</div><div class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm; text-align: center;"><b><span style="font-size: x-small;"><i>A Morna: contribuições de Baltazar Lopes à compreensão da sua paternidade</i></span></b></div><div class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><br />
</div><div class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm; text-align: center;"><span style="font-size: x-small;">resumo</span></div><div align="JUSTIFY" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><br />
</div><div align="JUSTIFY" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">Definimos a morna como sendo um subsistema cultural , de representações simbólicas do modo de vida do povo cabo-verdiano, representações essas que se realizam através da música, do canto, da poesia, do gesto e da coreografia.</span></div><div align="JUSTIFY" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">. </span></div><div align="JUSTIFY" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">De entre os que se interessaram pelo estudo da morna, Baltazar Lopes da silva, filólogo, escritor, jurista e professor, realizou, em parceria com o musicólogo José Alves dos Reis, pesquisas sobre a morna antiga, nomeadamente na Boavista, na Brava e em S. Vicente, tendo dado uma contribuição valiosa, tanto no âmbito da definição como no da compreensão desse canto-dança.</span></div><div align="JUSTIFY" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">.</span></div><div align="JUSTIFY" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">.</span></div><div align="JUSTIFY" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">A nossa comunicaçãoincide precisamente sobre essa contribuição, debruçando-nos sobre três eixos fundamentais da emergência da morna:</span></div><div align="JUSTIFY" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">. </span></div><div align="JUSTIFY" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">- origem etimológica do termo “morna”: Baltazar Lopes da Silva procura a origem do termo na língua portuguesa, refutando as teses de José Lopes da Silva que, por seu turno, privilegia as línguas inglesas e francesas;</span></div><div align="JUSTIFY" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">- paternidade da morna: qual das ilhas de Cabo Verde terá sido o berço da morna? Em parceria com José Alves dos Reis, </span></div><div align="JUSTIFY" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">.</span></div><div align="JUSTIFY" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">Baltazar Lopes da Silva defende a tese de uma paternidade boavistense da morna, estabelecendo comparações com mornas da Ilha Brava e da Ilha de S. Vicente;</span></div><div align="JUSTIFY" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">. </span></div><div align="JUSTIFY" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">- o canto-dança morna teve origem popular ou erudita? Uma outra questão discutida por Baltazar Lopes da Silva, concluindo que a morna teve a sua origem no seio do povo, tendo entretanto aristocratizado ao longo dos tempos, nomeadamente na Brava e em S. Vicente.</span></div><div align="JUSTIFY" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">. </span></div><div align="JUSTIFY" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">Os estudos de Baltazar Lopes da Silva sobre as mornas boavistenses e as conclusões a que chegou constituem uma valiosa matéria-prima para o estudo da sociedade boavistense, porquanto é um dos cantos-danças que representam simbolicamente o modo de vida do passado cabo-verdiano.</span></div><div align="JUSTIFY" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><br />
</div><div align="CENTER" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">______________________________________________________________</span></div><div class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">António Pascoal</span></div><div class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">(Universidade de Coimbra)</span></div><div class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><b><br />
</b></div><div style="text-align: center;"><div style="text-align: center;"><span style="font-size: x-small;"><i><b>Craveirinha: existência, literatura e culturas</b></i></span></div></div><div class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><b><span style="font-size: x-small;"><i> </i></span></b></div><div style="text-align: center;"><b><span style="font-size: x-small;"><i> </i>resumo</span></b></div><div align="CENTER" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><br />
</div><div align="JUSTIFY" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">O presente trabalho procura estabelecer uma visão multiculturalista da obra de José Craveirinha, definindo coordenadas que percorrem as grandes unidades temáticas universais, muito para além de características nacionalistas e animistas que possa conter a sua poética. É feita referência os movimentos culturais que vitalizam a obra do poeta, assim como à especificidade do seu discurso que não encontra paralelo na poesia moçambicana e dificilmente se pode conceber num contexto literário português.</span></div><div align="JUSTIFY" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">. </span></div><div align="JUSTIFY" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">Estabelece-se ainda uma bipolaridade entre discurso prometeico e discurso amoroso, pólos essenciais da expressão poética de Craveirinha. São feitas referências à sua vida, sempre por forma a concebê-la como orientadora da sua obra poética, senão como condicionadora. É também dada importância à questão do mito, tomado como suporte unificador de um projecto colectivo. Por outro lado, procura-se desmistificar a imagem do poeta como a de alguém dotado de angélica divindade a quem a musa inspirou graça poética e poder simbólico, ingredientes da alquimia da torre de marfim. Ao contrário, é a impureza que se procura associar a José Craveirinha, no sentido mais libertador do conceito.</span></div><div align="JUSTIFY" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">.<br />
Palavras-Chave: bipolaridade do discurso; amor; dor; memória; Prometeu;<br />
medo; ódio; Édipo; tempo; morte; justiça; vítima; impureza; misticismo;<br />
amor/política/revolta; poeta «en la calle».</span></div><div align="CENTER" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">______________________________________________________________</span></div><div align="CENTER" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">Carlos J. F. Jorge</span></div><div align="CENTER" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">(Universidade de Évora)</span></div><div class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm; text-align: center;"><span style="font-size: small;"><br />
</span> </div><div style="text-align: center;"></div><h2 class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm; text-align: center;"><span style="font-size: small;">Verne e o “outro” africano</span></h2><div align="LEFT" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><br />
</div><div align="CENTER" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><b><span style="font-size: x-small;">resumo</span></b></div><div align="CENTER" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><br />
</div><div align="JUSTIFY" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">Na longa produção de Verne, a “África negra”, ao sul do Sara é muitas vezes o palco da acção. Embora existindo como referente minuciosamente descrito – as partes que são importantes para a construção da diegese, entenda-se – tal continente não era conhecido de Verne a não ser através dos manuais, compêndios, tratados de geografia e ciências naturais e relatos de viajantes que eram acessíveis aos estudiosos da época. É curioso verificar que, desse continente desconhecido para Verne, e mesmo mal conhecido pelos seus contemporâneos que apenas o abordavam parcialmente, surjam imagens de imensa justeza. Tal justeza, no entanto, deve ser entendida em três dimensões pelos menos: uma acurada descrição da dimensão física, uma imensa preocupação pela compreensão - eivada de curiosidade e apelo do exótico - pela dimensão etnográfica (e mesmo antropológica) e um esforço de equacionar esses conhecimentos na dimensão do ideológico. O que emerge desse esforço é <i>um</i> “primeiro olhar colonial pleno”, em que o estatuto das personagens portuguesas aparecem francamente oscilando entre o “nós e o outro”, e os “indígenas” como entes entre o fabuloso e o digno de piedade.</span></div><div align="JUSTIFY" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><br />
</div><div align="CENTER" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">______________________________________________________________</span></div><div align="CENTER" class="western" lang="pt-PT" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">Carmen de Lourdes de Araújo Teixeira</span></div><h6 class="western" lang="pt-PT" style="font-style: normal; line-height: 100%; margin-left: 0.17cm; margin-right: 0.34cm; text-align: center;">(Universidade Federal da Paraíba)</h6><div></div><div class="western" lang="pt-PT" style="margin-left: 0.17cm; margin-right: 0.34cm; text-align: center;"><br />
</div><h6 class="western" lang="pt-PT" style="line-height: 100%; margin-left: 0.17cm; margin-right: 0.34cm; text-align: center;">O contra canto de Ovídio Martins</h6><div align="CENTER" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><br />
</div><div class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm; text-align: center;"><b><span style="font-size: x-small;">resumo</span></b></div><div class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm; text-align: center;"><b><span style="font-size: x-small;">. </span></b></div><div align="JUSTIFY" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;"><span lang="pt-PT">Com este trabalho se pretende enfocar a parte de uma leitura intertextual, o poema <i>Antievasão </i>de Ovídio Martins, comparando-o com a poesia, <i>Vou-me embora pra Pasárgada </i>de Manuel Bandeira</span></span></div><div align="JUSTIFY" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;"><span lang="pt-PT">. </span></span></div><div align="JUSTIFY" class="western" lang="pt-PT" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">Para isso adotar-se-á uma perspectiva sócio-estilística buscando ver através da forma de expressão, as injunções ideológicas que norteiam o texto.</span></div><div align="JUSTIFY" class="western" lang="pt-PT" style="margin-left: 0.17cm; margin-right: 0.34cm;"><br />
</div><div align="CENTER" lang="pt-PT" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">______________________________________________________________</span></div><div align="CENTER" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;"><span style="font-size: x-small;"><span lang="pt-PT">C</span>ARMEN LUCIA TINDÓ RIBEIRO SECCO</span></span></div><div align="CENTER" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">(Universidade Federal do Rio de Janeiro)</span></div><div align="JUSTIFY" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><br />
</div><div class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm; text-align: center;"><br />
</div><div></div><div class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm; text-align: center;"><b><span style="font-size: x-small;"><i>POR ENTRE TINTAS, PALAVRAS E CORES _ panorama da poesia e pintura moçambicanas atuais</i></span></b></div><div align="CENTER" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><br />
</div><div lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm; page-break-after: avoid; text-align: center;"><b><span style="font-size: x-small;">resumo</span></b></div><div align="LEFT" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><br />
</div><div align="JUSTIFY" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">Esta comunicação tem como objetivo principal traçar um painel da poesia e da pintura moçambicanas atuais, mostrando como as letras e as telas ora se tingem do vermelho da guerra, ora do azul do sonho. Pretende evidenciar também que esse onirismo apresenta dupla tarefa: reinventar míticas tradições silenciadas e imprimir nova eroticidade às paisagens de morte ainda existentes em vários pontos do território moçambicano. O cromatismo da linguagem atinge o leitor, fazendo com que se torne cúmplice do compromisso poético, pictórico e político de redesenhar Moçambique, segundo uma cartografia própria, feita não só de consciência social, mas também de sonhos, tintas, sons e imagens guardados na memória e recriados pela imaginação.</span></div><div align="CENTER" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">______________________________________________________________</span></div><div align="CENTER" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">Carmen pagliuca</span></div><div align="CENTER" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">(Istituto Orientale – Nápoles)</span></div><div align="CENTER" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><br />
</div><div align="CENTER" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><b>“<span style="font-size: x-small;"><i>circum-navegação, memória e identidade”</i></span></b></div><div align="CENTER" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><br />
</div><div align="CENTER" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><b><span style="font-size: x-small;">resumo</span></b></div><div align="CENTER" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><br />
</div><div align="JUSTIFY" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">As identidades da diáspora e a diáspora como marginalização e minoria. D Das reconstruções das memórias e identidades individuais para a reconstrução da memória e identidade nacional angolana, identidade inextricavelmente complexa e não passível de ser reduzida a uma.</span></div><div align="JUSTIFY" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><br />
</div><div align="CENTER" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">______________________________________________________________</span></div><div align="CENTER" class="western" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">Claire Williams</span></div><div align="CENTER" class="western" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">(University of Liverpool)</span></div><div align="CENTER" class="western" style="margin-left: 0.17cm; margin-right: 0.34cm;"><br />
</div><div align="CENTER" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><b><span style="font-size: x-small;"><i>Amnésia, anestesia e sinestesia em Vinte e Zinco de Mia Couto</i></span></b></div><div align="CENTER" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><b><br />
</b> </div><div align="CENTER" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><b><span style="font-size: x-small;">resumo</span></b></div><div align="CENTER" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><br />
</div><div align="JUSTIFY" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">A novela de Mia Couto entitulada <i>Vinte e Zinco </i>(Abril de 1999) foi uma das vinte e cinco publicações especiais lançadas pela editora Caminho para comemorar os vinte e cinco anos da Revolução dos Cravos, que aconteceu dezanove meses antes da proclamação da independência de Moçambique. É uma das obras mais brutais e críticas da política considerando que se trata das pulsões contraditórias da nostalgia da felicidade passada e a necessidade de apagar memórias traumáticas.</span></div><div align="JUSTIFY" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">.</span></div><div align="JUSTIFY" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">O crescente pânico dos portugueses colonizadores, agora redundantes, aumenta em paralelo à euforia cada vez mais viva nos corações dos moçambicanos.</span></div><div align="JUSTIFY" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">. </span></div><div align="JUSTIFY" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">A novela é rica em detalhes sensuais que parecem indicar uma volta à realidade que a independência promete e contém elementos sobrenaturais típicos da escrita de Couto.</span></div><div align="JUSTIFY" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">. </span></div><div align="JUSTIFY" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">A presente comunicação analisa os mecanismos que ajudam os personagens a lembrar ou a esquecer, tanto como os vivos apelos aos sentidos(e ao bom senso) que acompanham os dois processos.</span></div><div align="JUSTIFY" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><br />
</div><div align="CENTER" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">______________________________________________________________</span></div><div align="CENTER" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">CLAUDIA FABIANA DE OLIVEIRA CARDOSO</span></div><div align="CENTER" class="western" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">(UFF / Niterói, RJ, BR.)</span></div><div align="CENTER" class="western" style="margin-left: 0.17cm; margin-right: 0.34cm;"><br />
</div><div align="CENTER" class="western" lang="pt-BR" style="line-height: 150%; margin-left: 0.17cm; margin-right: 0.34cm;"><b><span style="font-size: x-small;"><i>A POÉTICA P’RA LÁ DO CERCADO DE PAULA TAVARES</i></span></b></div><div align="CENTER" class="western" lang="pt-BR" style="line-height: 150%; margin-left: 0.17cm; margin-right: 0.34cm;"><b><span style="font-size: x-small;"><i>. </i></span></b></div><div align="CENTER" class="western" lang="pt-BR" style="line-height: 150%; margin-left: 0.17cm; margin-right: 0.34cm;"><b><span style="font-size: x-small;">Resumo</span></b></div><div align="CENTER" class="western" lang="pt-BR" style="line-height: 150%; margin-left: 0.17cm; margin-right: 0.34cm;"><b><span style="font-size: x-small;">. </span></b></div><div align="JUSTIFY" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">Esta comunicação tem por objetivo indagar em que medida se dá o entrecruzamento da tradição e da ruptura na produção poética da angolana Paula Tavares. Para tal, recuperamos a imagem do cercado, recorrente nos poemas da autora, que tende a nos revelar, através do espaço literário, todo o conflito do sujeito diante de um patrimônio marcado pelo passado e as constantes exigências de inovação que surgem em todos os níveis da vida coletiva. Isto porque, assim como a linguagem, a tradição surge na poesia de Paula Tavares não como algo cristalizado e sem vida, mas em permanente mudança, como vir-a-ser, como história. O passado resgatado tem importância na medida em que diz aos interlocutores atuais alguma coisa sobre o presente e, dessa forma, permite uma ação voltada para o futuro. Nessa perspectiva, analisaremos alguns poemas de Paula Tavares destacando, sobretudo, a abertura que sua escrita faz para o futuro, na busca de procedimentos inovadores, na constituição, enfim, de uma poética <i>p’ra lá do cercado </i>das</span></div><div align="CENTER" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><br />
</div><div align="CENTER" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">______________________________________________________________</span></div><div align="CENTER" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">Cláudia Sousa Pereira</span></div><div align="CENTER" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">(Universidade de Évora)</span></div><div align="CENTER" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><br />
</div><div align="CENTER" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><b><span style="font-size: x-small;"><i>Literatura para Crianças e Jovens – edições africanas pós-independência em português (primeiras sistematizações)</i></span></b></div><div align="CENTER" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><br />
</div><div align="CENTER" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><b><span style="font-size: x-small;">resumo</span></b></div><div align="CENTER" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><br />
</div><div align="JUSTIFY" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">O que chega ao público português mais jovem (mas não só) vindo de África, <u>escrito </u>em português, em forma de livro e sem ser recolha da tradição oral, é matéria desconhecida. Assim aprisionada em bibliotecas privadas, propriedade de eruditos, esta literatura morre nos seus “princípios de vida”. Serão mais uma vez questões políticas? Ou será puro desinteresse por quem trabalha em /com/para o campo literário da Literatura para crianças em Portugal? Numa vasta área que é a das Literaturas de Massas, em que as produções literárias para a Infância e Juventude acabam por se inserir, este “desconhecimento” parece-nos imperdoável.</span></div><div align="JUSTIFY" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">. </span></div><div align="JUSTIFY" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">Propomo-nos, neste Congresso, apresentar uma inventariação crítica nossa destas obras, numa tentativa de lançar o interesse, e talvez a discussão, sobre um campo que, quando estudado e divulgado, permitirá aos jovens leitores da Europa portuguesa o encontro com os seus pares de África.</span></div><div align="JUSTIFY" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><br />
</div><div align="CENTER" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">______________________________________________________________</span></div><div align="CENTER" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">Cláudio José de Almeida Mello</span></div><div align="CENTER" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">(UNESP/Brasil)</span></div><div align="JUSTIFY" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><br />
</div><div class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm; text-align: center;"><b><span style="font-size: x-small;"><i>Leminski, Lobo Antunes e Pepetela: auto-reflexão como instrumento de contradominação</i></span></b></div><div class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><br />
</div><div class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm; text-align: center;"><b><span style="font-size: x-small;">Resumo</span></b></div><div class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><br />
</div><div align="JUSTIFY" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">Por meio de uma comparação entre os romances <i>As naus</i>, do português Lobo Antunes, <i>A gloriosa família</i>: o tempo dos flamengos, do angolano Pepetela e <i>Catatau</i>, do brasileiro Paulo Leminski, este trabalho faz um estudo dos procedimentos estéticos utilizados no metadiscurso presentes nessas obras, para mostrar o papel político da autoconsciência na construção dessas narrativas, a um só tempo ficcionais e históricas. O objetivo é colocar em questão os fundamentos do pós-modernismo, particularmente a auto-reflexão <span style="font-family: Symbol,serif;"></span> atitude de desconfiança no relato, questionamento das grandes narrativas <span style="font-family: Symbol,serif;"></span>, a partir de uma crítica marxista. A relevância deste trabalho está na tentativa de formulação de critérios de análise não hegemônicos no âmbito dos estudos literários, mas afinados com a literatura criticada a partir de um ponto de vista múltiplo que considera, sim, a importância da cultura e do local, entretanto sem esquecer as transformações econômico-sociais que engendram as tensões presentes nas a " da África pelo autor de Ilha de Nome Santo.</span></div><div align="JUSTIFY" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><br />
</div><div align="CENTER" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="color: #330066;"><span style="font-size: x-small;">______________________________________________________________</span></span></div><div align="CENTER" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;"><span style="color: #330066;">David Brookshaw</span><br />
(<span style="color: #330066;">Universidade de Bristol, Inglaterra)</span></span></div><div align="CENTER" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;"><br />
<b><span style="color: #330066;">A angolanidade em viagem: a obra de Jorge Arrimar</span></b></span></div><div align="CENTER" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><br />
</div><div align="CENTER" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;"><b><span style="color: #330066;">resumo</span></b><br />
</span></div><div style="text-align: justify;"><span style="font-size: x-small;"> <span style="color: #330066;">Houve sempre escritores angolanos obrigados a focalizarem a sua terra natal</span> <span style="color: #330066;">desde o exílio, sendo o exemplo mais conhecido desta condição o fundador da</span> <span style="color: #330066;">nação e da moderna poesia angolana, Agostinho Neto. Por sua vez, a</span> <span style="color: #330066;">independência de Angola em 1975, seguida quase imediatamente pela guerra</span> <span style="color: #330066;">civil, trouxe outra onda de escritores, cujas obras refletem uma</span> <span style="color: #330066;">'angolanidade' vista do exílio - uma 'angolanidade em viagem'. Por ventura</span> <span style="color: #330066;">um dos escritores mais interessantes dessa geração de exilados é JorgeArrimar. A obra deste autor é cíclico no sentido em que começa com uma>série de poemas, Ovatyilongo (1975), que evocam a sua região natal</span></span></div><div style="text-align: justify;">.<br />
<span style="font-size: x-small;"> <span style="color: #330066;">(Chibia, Sul de Angola), continua em várias colectâneas evocativas de uma</span> <span style="color: #330066;">longa estadia no Oriente via os Açores, Murilaonde e Fonte do Lilau (1990),e Secretos Sinais (1992), para voltar às suas raízes angolanas num primeiro romance, O Planalto dos Pássaros (2002). Esta comunicação visa fazer uma apreciação da obra de Arrimar, prestando uma atenção especial às</span> <span style="color: #330066;">temáticas do desenraizamento e de uma angolanidade regional muito própria</span> <span style="color: #330066;">deste autor, vista através do prisma da memória e da história.</span></span></div><div align="CENTER" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;"> <span style="font-size: x-small;"><br />
</span>______________________________________________________________</span></div><div align="CENTER" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">EDNA MARIA DOS SANTOS</span></div><div align="CENTER" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">(Universidade do Estado do Rio de Janeiro)</span></div><div align="LEFT" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><br />
</div><div align="JUSTIFY" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><br />
</div><div align="CENTER" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;"><i><b>CRÍTICA, ESTÉTICA E PRAZER: pequeno inventário sobre as Literaturas Africanas de Língua Portuguesa no Estado do Rio de Janeiro</b></i></span></div><div align="CENTER" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><br />
</div><div class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm; text-align: center;"><b><span style="font-size: x-small;">RESUMO</span></b></div><div align="CENTER" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><br />
</div><div align="JUSTIFY" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">Memória, esquecimento e <i>praxis</i>: algumas reflexões sobre a importância das Literaturas Africanas de Língua Portuguesa no Estado do Rio de Janeiro. O exercício da seleção, do cânone, da crítica. O trabalho de alguns escritores através do olhar e do prazer de alguns críticos.</span></div><div align="CENTER" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><br />
</div><div align="CENTER" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">______________________________________________________________</span></div><div align="CENTER" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">Elisalva Madruga Dantas</span></div><div align="CENTER" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">(Universidade Federal da Paraíba)</span></div><div align="LEFT" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><br />
</div><div align="CENTER" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><b><span style="font-size: x-small;"><i>RESSONÂNCIAS BRASILEIRAS NA POÉTICA AFRICANA CONTEMPORÂNEA</i></span></b></div><div align="CENTER" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><b><br />
</b> </div><div align="CENTER" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><b><span style="font-size: x-small;">Resumo</span></b></div><div align="CENTER" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><br />
</div><div align="JUSTIFY" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">Afirmado e confirmado pela crítica, o diálogo poético afro-brasileiro já não constitui para os estudiosos das literaturas africanas de língua portuguesa nenhuma novidade.</span></div><div align="JUSTIFY" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">. </span></div><div align="JUSTIFY" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">Iniciado em meados do século XIX, conforme o comprovam as produções do angolano José da Silva Maia Ferreira e do são-tomense, Costa Alegre, esse diálogo se fortalece, no século seguinte, a partir dos anos 40, em decorrência do projeto ideo-estético, voltado para a afirmação de uma identidade nacional, que passa a nortear o fazer literário africano, levando os poetas a se identificarem com as propostas , entre nós defendidas pelo movimento modernista, desencadeado a partir dos anos 20, quando então se estreita a relação dos poetas africanos com os poetas brasileiros. Desse modo, poetas como Manuel Bandeira, Drummond, João Cabral de Mello Neto, Jorge de Lima, ao lado de romancistas como Graciliano Ramos, José Lins do Rego, Jorge Amado, Guimarães Rosa, entre outros, passam a integrar a plêiade de interlocutores desse diálogo poético até hoje entabulado com os poetas e escritores africanos de língua portuguesa. </span></div><div align="JUSTIFY" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">. </span></div><div align="JUSTIFY" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">Ciente dessa realidade, nos propomos verificar , através da leitura crítica de textos poéticos angolanos, como se dá, a partir dos anos 70, a continuidade desse diálogo, no quadro da literatura angolana, buscando, assim, apreender as ressonâncias brasileiras na poética africana contemporânea. Como corpus do trabalho a ser realizado, tomaremos por base a produção poética de David Mestre, Ruy Duarte de Carvalho e João Melo, poetas cujo fazer reflete, sobremodo, uma acurada preocupação estética. </span></div><div align="JUSTIFY" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><br />
</div><div align="CENTER" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">______________________________________________________________</span></div><div align="CENTER" class="western" lang="pt-PT" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">Elizabeth vera cruz</span></div><div align="CENTER" class="western" lang="pt-PT" style="margin-left: 0.17cm; margin-right: 0.34cm;"><br />
</div><div align="CENTER" class="western" lang="pt-PT" style="margin-left: 0.17cm; margin-right: 0.34cm;"><b><span style="font-size: x-small;">«Terra Morta» A simbologia do poder colonial em Castro Soromenho</span></b></div><div align="CENTER" class="western" lang="pt-PT" style="margin-left: 0.17cm; margin-right: 0.34cm;"><br />
</div><div align="CENTER" class="western" lang="pt-PT" style="margin-left: 0.17cm; margin-right: 0.34cm;"> </div><div align="CENTER" class="western" lang="pt-PT" style="margin-left: 0.17cm; margin-right: 0.34cm;"><br />
</div><div align="JUSTIFY" class="western" lang="pt-PT" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">A obra de Castro Soromenho, integrada no neo-realismo, traz à luz o sentir, o viver, a dura realidade que foi a colonização portuguesa, no presente caso, por terras de Angola. Como se traduziu a manifestação deste mesmo poder, como o negro se coisifica, as relações entre brancos, negros e mestiços no interior de Angola, tudo isto convoca os leitores para a leitura obrigatória da sua obra.</span></div><div align="JUSTIFY" class="western" lang="pt-PT" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">. </span></div><div align="JUSTIFY" class="western" lang="pt-PT" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">Considerado um clássico da literatura angolana, o romance “Terra Morta” é igualmente tido como sendo o expoente máximo da obra de Soromenho, inaugurando um novo período na sua produção literária. A partir da pequena povoação de Camaxilo - sede de circunscrição - , o autor retrata não somente o quotidiano dos seus habitantes, como traça o ambiente político-social da época. Isto é, através do quatro pictórico de Camaxilo, terra, gentes, cultura e sociedade são postos a nu. O poder e a situação colonial são, assim, a tessitura que define, engendra e enquadra a teia de relações de que Camaxilo é um microcosmos.</span></div><div align="CENTER" class="western" lang="pt-PT" style="margin-left: 0.17cm; margin-right: 0.34cm;"><br />
</div><div align="CENTER" lang="pt-PT" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">______________________________________________________________</span></div><div align="CENTER" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">Elsa Rodrigues dos Santos<br />
(Presidente da Sociedade da Língua Portuguesa)</span></div><div align="CENTER" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><br />
</div><div align="CENTER" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;"><b>Convivência e conivência do crioulo com o português no discurso narrativo de<br />
VOZ DE PRISÃO de Manuel Ferreira</b><br />
<br />
<b>Resumo</b><br />
<br />
</span></div><div style="text-align: center;"><span style="font-size: x-small;"> Na ficção de Manuel Ferreira, consagrado ao espaço cabo-verdiano, VOZ</span><br />
<span style="font-size: x-small;"> DE PRISÃO que mais evidencia a convivência e a conivência do crioulo com o</span><br />
<span style="font-size: x-small;"> português. Uma espécie de bilinguismo, um compromisso entre os dois espaços</span><br />
<span style="font-size: x-small;"> linguísticos que exprime a dualidade do povo cabo-verdiano.</span></div><div style="text-align: center;">.<br />
<span style="font-size: x-small;"> A língua é não só preocupação para o autor, mas igualmente para as</span><br />
<span style="font-size: x-small;"> personagens que se confrontam entre os dois modos de se expressar: ou em</span><br />
<span style="font-size: x-small;"> língua portuguesa ou em crioulo, principalmente na vida familiar e em</span><br />
<span style="font-size: x-small;"> ambiente festivo.</span></div><div style="text-align: center;">.<br />
<span style="font-size: x-small;"> E é através da personagem Nha Joja, que se assume também como narradora</span><br />
<span style="font-size: x-small;"> de eventos da sua terra e das vivências mais marcantes do universo</span><br />
<span style="font-size: x-small;"> cabo-verdiano, como por exemplo, a repressão sobre os rebelados, que se</span><br />
<span style="font-size: x-small;"> revela a mesma preocupação linguística, isto é, a conciliação do bem falar</span><br />
<span style="font-size: x-small;"> português e a utilização natural do crioulo.</span></div><div style="text-align: center;">.<br />
<span style="font-size: x-small;"> Em VOZ DE PRISÃO, Manuel Ferreira procura resolver o problema do</span><br />
<span style="font-size: x-small;"> discurso literário, a nível linguístico, instituindo simultaneamente a</span><br />
<span style="font-size: x-small;"> função poética do texto.</span></div><div style="text-align: center;">.</div><div style="text-align: center;"><br />
<span style="font-size: x-small;"> Consegue-o através de uma espécie de terceira língua onde recria o meio</span><br />
<span style="font-size: x-small;"> social e cultural de S. Vicente, transposta, em determinadas passagens, para</span><br />
<span style="font-size: x-small;"> Portugal ou para Angola, dentro da comunidade cabo-verdiana.</span></div><div style="text-align: center;">.<br />
<span style="font-size: x-small;"> Desta reacção resulta a originalidade da obra, pois a linguagem é também</span><br />
<span style="font-size: x-small;"> ficção, mostrando a realidade e construindo o universo ficcional em paralelo</span><br />
<span style="font-size: x-small;"> com o mundo real.</span></div><div style="text-align: center;">.</div><div align="CENTER" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;"> Este romance pode, assim, tornar-se paradigma para uma solução<br />
linguística na literatura africana de língua oficial portuguesa, tal como o<br />
é igualmente "LUUANDA" de José Luandino Vieira. Pode servir também como<br />
ponto de partida para uma reflexão sobre a encruzilhada em que se encontra a<br />
maioria dos africanos no confronto do português com as suas línguas<br />
maternas.<br />
<br />
</span></div><div align="CENTER" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;"><br />
<br />
</span></div><div align="CENTER" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">______________________________________________________________</span></div><div align="CENTER" class="western" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">Emily Knudson</span></div><div align="CENTER" class="western" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">(University of Minnesota)</span></div><div align="CENTER" class="western" style="margin-left: 0.17cm; margin-right: 0.34cm;"><br />
</div><div align="CENTER" class="western" lang="pt-PT" style="margin-left: 0.17cm; margin-right: 0.34cm;"><b><span style="font-size: x-small;">Homens Negros, Mulheres Brancas: A Representação Metonímica e a Performance das Relações Coloniais e Neocoloniais em Relações (Inter)Raciais Pessoais</span></b></div><div align="CENTER" class="western" lang="pt-PT" style="margin-left: 0.17cm; margin-right: 0.34cm;"><b><br />
</b> </div><div align="CENTER" class="western" lang="pt-PT" style="margin-left: 0.17cm; margin-right: 0.34cm;"><b><span style="font-size: x-small;">resumo</span></b></div><div align="CENTER" class="western" lang="pt-PT" style="margin-left: 0.17cm; margin-right: 0.34cm;"><br />
</div><div align="JUSTIFY" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;"><span lang="pt-PT">No livro <i>Peau noire, masques blancs</i>, Frantz Fanon discute a assimilação das pessoas negras à cultura europeia, ou, falando doutra maneira, a sua alienação da cultura relativamente à cultura negra. Em outras palavras, Fanon examina a maneira como as pessoas negras assumem (ou põem, como uma pessoa poria, uma máscara) a identidade “branca.” A semelhança do meu título, “Homens Negros, Mulheres Brancas,” com o de Fanon não é acidental. Eu, usando o argumento de Fanon como ponto de partida, mostro nesta comunicação que os homens negros, especificamente os homens negros africanos, assumiram valores “ocidentais” ao forjarem relações sexuais, românticas, ou, como Russell G. Hamilton as têm chamado, “erótico-raciais.” Digo que “assumiram,” usando o tempo do passado, porque a maioria dos meus exemplos vêm de ou se ambientam no período da ocupação colonial europeia de África ou do período neocolonial imediatamente posterior à independência. A minha análise das relações interraciais e a sua representação na literatura podem ser pensadas entre uma análise literária e etnográfica já que eu pretendo elucidar os efeitos e produtos do momento inicial do contacto, isto é, entre pessoas reais de carne e osso, e aliás, os sujeitos de minha pesquisa não são reais, mas ficcionais. A fonte principal dos meus dados é o romance <i>A Geração da Utopia</i> de Pepetela, mas ao longo desta comunicação, também farei referências a outros textos em prosa, poesia e cinemas africanas. Todos os exemplos vêm dos PALOP, e todos supõem uma justaposição de nações, culturas e povos entre Portugal e África.</span></span></div><div align="JUSTIFY" class="western" lang="pt-PT" style="margin-left: 0.17cm; margin-right: 0.34cm;"><br />
</div><div align="JUSTIFY" class="western" lang="pt-PT" style="margin-left: 0.17cm; margin-right: 0.34cm;"><br />
</div><div align="JUSTIFY" class="western" lang="pt-PT" style="margin-left: 0.17cm; margin-right: 0.34cm;"><br />
</div><div align="JUSTIFY" class="western" lang="pt-PT" style="margin-left: 0.17cm; margin-right: 0.34cm;"><br />
</div><div align="JUSTIFY" class="western" lang="pt-PT" style="margin-left: 0.17cm; margin-right: 0.34cm;"><br />
</div><div align="CENTER" lang="pt-PT" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">______________________________________________________________</span></div><div align="CENTER" class="western" lang="pt-PT" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">Fernanda Angius</span></div><div align="CENTER" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;"><span lang="pt-PT">(Escola Secundária de Albufeira)</span></span></div><div align="LEFT" class="western" lang="pt-PT" style="margin-left: 0.17cm; margin-right: 0.34cm;"><b><br />
</b> </div><div align="CENTER" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><b><span style="font-size: x-small;">A NOVA ESTÉTICA LITERÁRIA NOS ESCRITORES AFRICANOS</span></b></div><div align="CENTER" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><b><span style="font-size: x-small;">Escritores Novos e as suas heranças literárias em Moçambique e em Angola</span></b></div><div align="LEFT" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><b><br />
</b> </div><div align="CENTER" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><b><span style="font-size: x-small;">RESUMO</span></b></div><div align="JUSTIFY" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><br />
</div><div align="JUSTIFY" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">Constata-se que alguns escriturários abandonaram as suas pretensões a escritor, e surgem , em seu lugar, algumas promessas de grandes escritores em Angola e Moçambique, produzindo textos que já revelam preocupação com o discurso literário, a sua exigência estética e originalidade criativa.</span></div><div align="JUSTIFY" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;">.</div><div align="JUSTIFY" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">Nesta Comunicação pretendo chamar a atenção para alguns nomes desconhecidos e para a evolução de outros que os estimularam e estão como enxerto na criação produzida, dando origem a textos que guardam os sabores recebidos do enxerto mas nos trazem um sabor novo, a algo já temperado com o gosto da palavra africana dita em português.</span></div><div align="JUSTIFY" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">Fernanda Angius</span></div><div align="JUSTIFY" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">. </span></div><div align="JUSTIFY" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">Apontarei o que considero como referência obrigatória para compreender bem o fenómeno da evolução literária desde Paulina Chiziane, Rogério Manjate, Guita Júnior, Francisco ….. Plalace Negro, poetas moçambicanos; e de Agostinho Neto, Manuel Rui e Paula Tavares até Ondjaki, escritores e poetas angolanos. Todos eles a prometerem a integração de um sangue novo nas literaturas de língua portuguesa em Africa.</span></div><div align="JUSTIFY" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><br />
</div><div align="CENTER" lang="pt-PT" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">______________________________________________________________</span></div><h3 class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-family: Times New Roman,serif;">Fernanda cavacas</span></h3><div align="CENTER" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">(Ministério da Educação)</span></div><div align="LEFT" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><br />
</div><div align="CENTER" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><b><span style="font-size: x-small;"><i>desfiar memórias como quem vai desfolhando flores (sobre <u>Mar Me Quer,</u> de Mia Couto)</i></span></b></div><div align="CENTER" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><b><br />
</b> </div><div align="CENTER" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><b><span style="font-size: x-small;">resumo</span></b></div><div align="CENTER" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><br />
</div><div align="JUSTIFY" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">A trama narrativa de <i>Mar Me Quer, </i>em forma de novela, tece-se em pano africano com crenças e vivências de gentes moçambicanas que vivem no litoral de Moçambique e usam o mar para lhe roubarem o peixe que os alimenta. E é com o mar que se estabelecem relações de vida e de morte, é o mar que determina esse desenrolar de (a)casos fulcrais para as personagens<i>. </i>Desde logo o título da narrativa, <i>Mar Me Quer, </i>faz-nos desconfiar do decalque e do trocadilho em relação ao mal-me-quer da cantilena amorosa. Decalque justificado por ser uma das manias de <b>Luarmina </b>(uma das personagens principais) essa de desfolhar inúmeras flores ao fim de cada tarde na procura de um amor que lhe havia sido negado, enquanto vai pronunciando as palavras mágicas, <b><i>como se descosturasse um pano nenhum. </i></b>Ela e Zeca Perpétuo (a outra personagem principal) são dois pólos antagónicos dramaticamente presentes na construção da vida humana: o mar e a terra; o desejo de amar/ser amado e a impossibilidade de consumar esse amor; o passado e o presente na difícil conjunção de memórias e de sonhos; a dúvida da incompreensão ou do não reconhecimento dos símbolos e a certeza da tradição. Os oito capítulos em que esta estória se constrói outra coisa não são senão memórias que Zeca Perpétuo desfia em troca da ternura de Luarmina, enquanto esta desfolha pétalas de malmequeres na busca do amor perdido.</span></div><div align="JUSTIFY" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><br />
</div><div align="CENTER" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">______________________________________________________________</span></div><h3 class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-family: Times New Roman,serif;">Fernando Fraga de Azevedo</span></h3><div align="CENTER" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">(Instituto de Estudos da Criança / Universidade do Minho)</span></div><div align="LEFT" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><br />
</div><div align="CENTER" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><b><span style="font-size: x-small;"><i>Literatura infantil e promoção da competência literária. Leituras em torno de O gato e o escuro, de Mia Couto.</i></span></b></div><div align="CENTER" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><b><br />
</b> </div><div align="CENTER" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><b><span style="font-size: x-small;">resumo</span></b></div><div align="JUSTIFY" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><br />
</div><div align="JUSTIFY" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">É nosso objectivo explicitar, através desta comunicação, o carácter de novidade semiótica que a obra <i><span style="color: black;">O gato e o escuro, de </span></i>Mia Couto, evidencia, correlacionando essa novidade com o papel de uma escrita literária para a infância na promoção da chamada competência literária. </span></div><div align="JUSTIFY" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">. </span></div><div align="JUSTIFY" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">Será prestada uma atenção primordial à relação de interacção semiótica entre as componentes estilísticas do texto verbal e as componentes estéticas do texto visual, enfatizando a relação de solidariedade semiótica que as une, a qual, no caso de uma escrita cujo destinatário primordial é a criança, nos parece de elevada importância, uma vez que, em larga medida, “compensadora” da reduzida “competência enciclopédica” dos seus destinatários preferenciais. </span></div><div class="sdfootnote-western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><br />
</div><div align="CENTER" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">______________________________________________________________</span></div><div align="CENTER" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">Fernando Arenas</span></div><div align="CENTER" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;"><span lang="pt-PT">(University of Minnesota)</span></span></div><div align="LEFT" class="western" lang="pt-PT" style="margin-left: 0.17cm; margin-right: 0.34cm;"><br />
</div><h4 class="western" lang="pt-PT" style="margin-left: 0.17cm; margin-right: 0.34cm; text-align: center;"><b>Reflexões críticas sobre a pós-colonialidade "afro-lusófona"</b></h4><div></div><div class="western" lang="pt-PT" style="margin-left: 0.17cm; margin-right: 0.34cm; text-align: center;"><b><br />
</b> </div><div style="text-align: center;"></div><div class="western" lang="pt-PT" style="margin-left: 0.17cm; margin-right: 0.34cm; text-align: center;"><b><span style="font-size: x-small;">resumo</span></b></div><div align="CENTER" class="western" lang="pt-PT" style="margin-left: 0.17cm; margin-right: 0.34cm;"><br />
</div><div align="JUSTIFY" lang="pt-PT" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">Esta comunicação oferece uma série de apontamentos críticos que visam chamar a atenção sobre o relacionamento entre pós-colonialidade e a globalização pós-moderna e o seu impacto sobre os países africanos de língua oficial portuguesa. Trata-se portanto de estabelecer um diálogo entre pensamento crítico africanista (e não só) e a literatura, cinema e música popular de diversos países africanos onde o português é falado, a fim de estabelecer os parâmetros de uma "cartografia epistemológica" a partir da qual poderia ser pensada uma pós-colonialidade "afro-lusófona" de conjunto mas também diferenciada nas suas especificidades nacionais e sub-regionais.</span></div><div align="CENTER" class="western" lang="pt-PT" style="margin-left: 0.17cm; margin-right: 0.34cm;"><br />
</div><div align="CENTER" lang="pt-PT" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">______________________________________________________________</span></div><div align="CENTER" class="western" lang="pt-PT" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">Fernando santos neves</span></div><div align="CENTER" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;"><span lang="pt-PT">(Universidade Lusófona)</span></span></div><div align="CENTER" class="western" lang="pt-PT" style="margin-left: 0.17cm; margin-right: 0.34cm;"><b><br />
</b> </div><div align="CENTER" class="western" lang="pt-PT" style="margin-left: 0.17cm; margin-right: 0.34cm;"><b><span style="font-size: x-small;">A “lusofonia” como “questão linguístico-literária” e como questão estratégica de geopolítica e de desenvolvimento</span></b></div><div align="CENTER" class="western" lang="pt-PT" style="margin-left: 0.17cm; margin-right: 0.34cm;"><b><br />
</b> </div><div align="CENTER" class="western" lang="pt-PT" style="margin-left: 0.17cm; margin-right: 0.34cm;"><b><span style="font-size: x-small;">resumo</span></b></div><div align="JUSTIFY" class="western" lang="pt-PT" style="margin-left: 0.17cm; margin-right: 0.34cm;"><br />
</div><div align="JUSTIFY" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;">“<span style="font-size: x-small;"><span lang="pt-PT">Quod erit demonstrandum” e que o autor espera ter, no fim, demonstrado é a tese seguinte: mais que o projecto ou questão cultural e até mais que importante projecto ou questão linguística e literária, a Lusofonia é, também e até sobretudo, um importantíssimo projecto e uma importantíssima questão estratégica de geopolítica e de desenvolvimento humano para todos os Países e Povos de Língua Portuguesa. Acrescentando de imediato que os ditos Países e Povos de Língua Portuguesa, e designada e paradoxalmente Portugal e Brasil, ainda estão para descobrir efectivamente este novo e único caminho da sua realização e da sua afirmação no mundo globalizado do século XXI.</span></span></div><div align="JUSTIFY" class="western" lang="pt-PT" style="margin-left: 0.17cm; margin-right: 0.34cm;"><br />
</div><div align="CENTER" lang="pt-PT" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">______________________________________________________________</span></div><div align="CENTER" class="western" lang="pt-PT" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">Francisco Gomes Fragoso</span></div><div align="CENTER" class="western" lang="pt-PT" style="margin-left: 0.17cm; margin-right: 0.34cm;"><br />
</div><h6 class="western" lang="pt-PT" style="line-height: 100%; margin-left: 0.17cm; margin-right: 0.34cm; text-align: center;"><b>da avidez e do gosto pelo teatro cabo-verdiano</b></h6><div></div><div class="western" lang="pt-PT" style="margin-left: 0.17cm; margin-right: 0.34cm; text-align: center;"><b><br />
</b> </div><div style="text-align: center;"></div><div class="western" lang="pt-PT" style="margin-left: 0.17cm; margin-right: 0.34cm; text-align: center;"><b><span style="font-size: x-small;">resumo</span></b></div><div align="CENTER" class="western" lang="pt-PT" style="margin-left: 0.17cm; margin-right: 0.34cm;"><br />
</div><div align="JUSTIFY" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;"><span lang="pt-PT">O NOSSO TEXTO debruça sobre a avidez e o gosto do Cabo-Verdiano pela arte cénica, relevando a sua CAPACIDADE HISTRIÓNICA INATA, sem deixar , porém de salientar as inúmeras carências herdadas pelo País-Arquipélago neste âmbito, fruto de uma política cultural francamente negativa e confrangedora, implantada durante o período colonial. Chama a atenção pelo poder de impacto do Teatro no seio das comunidades e, bem assim, pela função que desempenha como FORÇA MOTRIZ da civilização. E parafraseando, à guisa de elucidação consentânea, Federico Garcia Lorca - <i>o teatro é simultaneamente um meio de civilizar e um índice de civilização </i>e complementarmente, Almeida Garrett – <i>o teatro é um meio de civilização, mas não prospera onde a não há. </i>Aborda, outrossim, a questão que se pretende com a importância dos AGENTES desta nobre arte, que é efectivamente, o Teatro, com ênfase, para a missão e ofício do actor e do encenador e, por que não, do público, estes três expoentes, sem os quais não há Teatro, na boa acepção da expressão. Dá conta ainda do fecundo labor do grupo cénico “Korda Kaoberdi”, este grande projecto cujo desígnio e objectivo visou a criação e a edificação de um Teatro genuinamente cabo-verdiano que, a despeito de nacional na sua constituição, não deixasse, contudo, de ser ecuménico e universal nos seus projectos e ambições. Desideratum que se conseguiu, aliás, materializar, de forma magistral e eloquente. </span></span></div><div align="JUSTIFY" class="western" lang="pt-PT" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">Enfim, releva a missão do grupo cénico “Korda Kaoberdi” por haver adoptado uma prática cénica, assaz consequente, buscando, fundo, o seu magistério no desígnio e objectivo acima postulados. Eis porque logrou guindar-se a um verdadeiro pedestal de estrelado, de alto nível, acabando por se impor, no plano nacional e internacional. Nesta óptica e perspectiva, impõe-se asseverar estar-se perante o lançamento das linhas de força e respectivo alicerce do verdadeiro advento da autêntica arte cénica no País – Arquipélago.</span></div><div align="CENTER" class="western" lang="pt-PT" style="margin-left: 0.17cm; margin-right: 0.34cm;"><br />
</div><div align="CENTER" lang="pt-PT" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">______________________________________________________________</span></div><div align="CENTER" class="western" lang="fr-FR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">Giovanni Ricciardi</span></div><div align="CENTER" class="western" lang="fr-FR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">(Università degli studi di Napoli)</span></div><div align="CENTER" class="western" lang="fr-FR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><br />
</div><div align="CENTER" class="western" lang="pt-PT" style="margin-left: 0.17cm; margin-right: 0.34cm;"><b><span style="font-size: x-small;"><i>A/ à volta da áfrica: francisco josé tenreiro, neo-realistas e arredores</i></span></b></div><div align="CENTER" class="western" lang="pt-PT" style="margin-left: 0.17cm; margin-right: 0.34cm;"><b><br />
</b> </div><div align="CENTER" class="western" lang="pt-PT" style="margin-left: 0.17cm; margin-right: 0.34cm;"><b><span style="font-size: x-small;">resumo</span></b></div><div align="CENTER" class="western" lang="pt-PT" style="margin-left: 0.17cm; margin-right: 0.34cm;"><br />
</div><div align="JUSTIFY" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;"><span lang="pt-PT">Uma carta de Manuel de Campos Lima a Soeiro Pereira Gomes, pedindo informações e conselhos para ele e Sidónio Muralha e Francisco José Tenreiro irem trabalhar na África, oferece-me a oportunidade de discutir o relacionamento entre intelectuais na Lisboa dos anos ’40 e a “descoberta” da África pelo autor de <i>Ilha de Nome Santo.</i></span></span></div><div align="JUSTIFY" class="western" lang="pt-PT" style="margin-left: 0.17cm; margin-right: 0.34cm;"><br />
</div><div align="CENTER" lang="pt-PT" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;"><i>______________________________________________________________</i></span></div><div align="CENTER" class="western" lang="pt-PT" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">Glória de Brito</span></div><div align="CENTER" class="western" lang="pt-PT" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">(Universidade Aberta)</span></div><div align="CENTER" class="western" lang="pt-PT" style="margin-left: 0.17cm; margin-right: 0.34cm;"><br />
</div><div align="CENTER" class="western" lang="pt-PT" style="margin-left: 0.17cm; margin-right: 0.34cm;"><b><span style="font-size: x-small;"><i>Marcas de reconhecimento e identidade do emigrante</i></span></b></div><div align="CENTER" class="western" lang="pt-PT" style="margin-left: 0.17cm; margin-right: 0.34cm;"><b><span style="font-size: x-small;"><i>na narrativa de Teixeira de Sousa</i></span></b></div><div align="RIGHT" class="western" lang="pt-PT" style="margin-left: 0.17cm; margin-right: 0.34cm;"><b><br />
</b> </div><div align="CENTER" class="western" lang="pt-PT" style="margin-left: 0.17cm; margin-right: 0.34cm;"><b><span style="font-size: x-small;">Resumo</span></b></div><div align="CENTER" class="western" lang="pt-PT" style="margin-left: 0.17cm; margin-right: 0.34cm;"><br />
</div><div align="JUSTIFY" class="western" lang="pt-PT" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">Ao longo de quase dois séculos, desencadearam-se em Cabo Verde vários movimentos migratórios com destinos diferentes. As abordagens literárias da emigração organizam-se em torno da tematização das várias facetas do fenómeno (económica, social, psicológica, política...), propondo diversas figuras retóricas e reinvestimentos lexicais.</span></div><div align="JUSTIFY" class="western" lang="pt-PT" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">. </span></div><div align="JUSTIFY" class="western" lang="pt-PT" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">Na narrativa de Teixeira de Sousa, a representação dos factores extrínsecos que marcaram a mobilidade demográfica (partida e regresso) e a diáspora repousa sobre imagens e símbolos em relação com a reformulação de uma nova sociedade emergente. Para além dos aspectos comuns aos fluxos migratórios, o autor concebe variados tipos e estilos de emigrantes de sucessivas gerações, sublinhando a sua intervenção na mudança da identidade social e individual.</span></div><div align="JUSTIFY" class="western" lang="pt-PT" style="margin-left: 0.17cm; margin-right: 0.34cm;"><br />
</div><div align="CENTER" lang="pt-PT" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">______________________________________________________________</span></div><div align="CENTER" class="western" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">Hilary Owen.</span></div><div align="CENTER" class="western" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">(University of Manchester)</span></div><div class="western" style="margin-left: 0.17cm; margin-right: 0.34cm; text-align: center;"><br />
</div><div></div><div class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm; text-align: center;"><b>“<span style="font-size: x-small;">Exotismos e Erotismos”. A Política da Amizade Feminina em <i>Niketche. Uma História de Poligamia</i> de Paulina Chiziane.</span></b></div><div style="text-align: center;"></div><div class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm; text-align: center;"><b><br />
</b> </div><div style="text-align: center;"></div><div class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm; text-align: center;"><b><span style="font-size: x-small;">resumo</span></b></div><div align="JUSTIFY" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><br />
</div><div align="JUSTIFY" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">Esta palestra vai enfocar a importância da diferença sexual nos processos de transculturação que ligam passado e presente na transição moçambicana. Com referência ao último romance de Paulina Chiziane, <i>Niketche. Uma História de Poligamia</i>, vou analisar a influência da poligamia na definição duma possível “vox populi” no feminino, fazendo referência específica às questões seguintes: o eixo norte/sul na análise comparada de “patriarcados”, a economia do “desejo feminino” como economia material, e a desconstrução do tecido social pela amizade entre mulheres.</span></div><div align="JUSTIFY" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><br />
</div><div align="CENTER" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">______________________________________________________________</span></div><div align="CENTER" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">Igor Cusack</span></div><div align="CENTER" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><br />
</div><h6 class="western" lang="pt-BR" style="line-height: 100%; margin-left: 0.17cm; margin-right: 0.34cm; text-align: center;">literat<b>ura africana e gastronomia: um cozinhado apetitoso?</b></h6><div></div><div class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm; text-align: center;"><b><br />
</b> </div><div style="text-align: center;"></div><div class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm; text-align: center;"><b><span style="font-size: x-small;">resumo</span></b></div><div align="CENTER" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><br />
</div><div align="JUSTIFY" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">Em muitos romances, acções banais tais como idas à casa-de-banho raramente são mencionadas, e a ausência de tais acções passa despercebida ao leitor. Da mesma forma, as personagens de ficção podem aparentar passar pela vida quotidiana sem qualquer necessidade de comer ou beber. A maneira como a comida é retratada depende do género de literatura, por exemplo, se é romântica ou realista. Poderá também depender da atitude pessoal do autor em relação à comida. Na África Lusófona, as elites dirigentes têm proclamado que certa gastronomia pretende determinar se estes pratos – e a comida em geral – estão presentes em alguns romances e poemas da África Lusófona. Num extremo está a obra de José Luandino Vieira, que escrevia com entusiasmo acerca de pratos Angolanos como <i>muamba </i>o <i>calulu; </i>por outro lado, nos romances de Pepetela, as personagens, nas raras ocasiões em que comem, fazem-no em silêncio.</span></div><div align="JUSTIFY" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><br />
</div><div align="JUSTIFY" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><br />
</div><div align="CENTER" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">______________________________________________________________</span></div><div align="CENTER" lang="pt-PT" style="line-height: 100%; margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-family: Times New Roman,serif;"><span style="font-size: x-small;">Inácio Rebelo de Andrade</span></span></div><div align="CENTER" style="line-height: 100%; margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-family: Courier,Courier New,monospace;"><span lang="pt-PT">(<span style="font-size: x-small;"><span style="font-family: Times New Roman,serif;">Universidade Lusófona)</span></span></span></span></div><div align="CENTER" lang="pt-PT" style="line-height: 100%; margin-left: 0.17cm; margin-right: 0.34cm;"><br />
</div><div align="CENTER" lang="pt-PT" style="line-height: 100%; margin-left: 0.17cm; margin-right: 0.34cm;"><b><span style="font-family: Times New Roman,serif;"><span style="font-size: x-small;"><i>memória e história, da evocação à realidade</i></span></span></b></div><div align="CENTER" lang="pt-PT" style="line-height: 100%; margin-left: 0.17cm; margin-right: 0.34cm;"><b><br />
</b> </div><div align="CENTER" lang="pt-PT" style="line-height: 100%; margin-left: 0.17cm; margin-right: 0.34cm;"><b><span style="font-family: Times New Roman,serif;"><span style="font-size: x-small;">Resumo</span></span></b></div><div align="JUSTIFY" lang="pt-PT" style="line-height: 100%; margin-left: 0.17cm; margin-right: 0.34cm;"><br />
</div><div align="JUSTIFY" lang="pt-PT" style="line-height: 100%; margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-family: Times New Roman,serif;"><span style="font-size: x-small;">1. Citando Eça de Queiroz, que refere n' A Relíquia que «sobre a nudez forte da verdade - o manto diáfano da fantasia», o autor da comunicação intui da afirmação que uma obra de ficção (no caso concreto, um romance) pode descrever uma realidade histórica, embora pintada com as cores da imaginação.</span></span></div><div align="JUSTIFY" lang="pt-PT" style="line-height: 100%; margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-family: Times New Roman,serif;"><span style="font-size: x-small;">. </span></span></div><div align="JUSTIFY" lang="pt-PT" style="line-height: 100%; margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-family: Times New Roman,serif;"><span style="font-size: x-small;">2. As obras literárias ditas de «feição memorialista» fazem isso com mais rigor (lembre-se a propósito a novela famosa 0 Adeus às Armas, de Ernest Hemingway, inspirada na experiência pessoal vivida durante a 1ª Grande Guerra). Ainda que nem todas com a mesma fidelidade, essas obras dão sempre um «retrato» de épocas, acontecimentos, personalidades, etc., transformando-se assim num contributo importante para a História.</span></span></div><div align="JUSTIFY" lang="pt-PT" style="line-height: 100%; margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-family: Times New Roman,serif;"><span style="font-size: x-small;">. </span></span></div><div align="JUSTIFY" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">3. 0 autor da comunicação tentou proceder desse modo com alguns livros que foi publicando: Saudades do Huambo (1994, 1999), Quando o Huambo Era Nova Lisboa (1998), Passageiro sem Bilhete (2003).</span></div><div align="CENTER" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><br />
</div><div align="CENTER" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">______________________________________________________________</span></div><div align="CENTER" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">Iris anancio</span></div><div align="LEFT" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><br />
</div><div align="CENTER" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;">“<span style="font-size: x-small;">De performances e de macacadas: uma leitura da produção dramatúrgica do angolano</span></div><div align="CENTER" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">José Mena Abrantes junto ao Elinga-Teatro”</span></div><div align="JUSTIFY" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><br />
</div><div align="CENTER" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">Resumo</span></div><div align="CENTER" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><br />
</div><div align="JUSTIFY" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">A análise dos processos de enunciação em peças de José Mena Abrantes remete a tensos e intensos imbricamentos textuais e discursivos. Adotando-se o signo do macaco utilizado na logomarca do grupo Elinga-Teatro como possível operador teórico, problematizam-se as performances da, com e sobre a linguagem, em relação à maneira como o dramaturgo procede à releitura da história, da cultura e da literatura de Angola.</span></div><div align="JUSTIFY" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><br />
</div><div align="CENTER" lang="pt-PT" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">______________________________________________________________</span></div><div align="CENTER" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">Jessica Falconi</span></div><div align="CENTER" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">(Universidade de Nápoles)</span></div><div align="JUSTIFY" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><br />
</div><h6 class="western" lang="pt-BR" style="line-height: 100%; margin-left: 0.17cm; margin-right: 0.34cm;">Ilha de Moçambique e a poesia moçambicana</h6><div align="LEFT" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><br />
</div><div align="CENTER" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">resumo</span></div><div align="CENTER" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><br />
</div><div align="JUSTIFY" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">O tema de Ilha de Moçambique configura-se como uma constante da poesia moçambicana desde os anos anteriores à independência do país até aos anos noventa, através de poetas como Rui Knopfli, Vergílio de Lemos, Nelson Saúte, Luís Carlos Patraquim e outros..</span></div><div align="JUSTIFY" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><br />
</div><div align="JUSTIFY" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">Ao entrar na escrita, essa antiga capital da colónia torna-se lugar mítico, símbolo da nação e da história e do mosaico de culturas que è Moçambique. Numa perspectiva histórica, literária e cultural em geral, a poesia sobre Ilha de Moçambique é fundamentalmente uma reflexão sobre a questão da identidade e da moçambicanidade. </span></div><div align="JUSTIFY" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><br />
</div><div align="CENTER" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">______________________________________________________________</span></div><div align="CENTER" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">José Camilo Manusse</span></div><div align="CENTER" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">(Universidade Eduardo Mondlane - Maputo)</span></div><div align="CENTER" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><br />
</div><div align="CENTER" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><b><span style="font-size: x-small;"><i>A representação do Herói em Portagem e Jubiabá</i></span></b></div><div align="CENTER" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><b><span style="font-size: x-small;"><i>. </i></span></b></div><div align="CENTER" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><b><span style="font-size: x-small;">resumo</span></b></div><div align="JUSTIFY" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><br />
</div><div align="JUSTIFY" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">A comunicação analisa os procedimentos técnico-narrativos da focalização omnisciente, focalização interna e do discurso avaliativo das acções das personagens para representação e projecção de João Xilim e António Balduíno à categoria de herói, em <i>Portagem, </i>de Orlando Mendes e <i>Jubiabá, </i>de Jorge Amado, respectivamente. O estudo tem como objectivo mostrar a articulação operada entre estas estratégias técnico-narrativas e a representação do herói. Com base numa abordagem comparatista, e com o objectivo de mostrar os aspectos comuns e distintivos, analisou-se o percurso dos protagonistas. O exame que se efectuou aos textos, permitiu perceber que os protagonistas tiveram percursos de vida diferentes, mas passíveis de uma relacionação.</span></div><div align="JUSTIFY" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">. </span></div><div align="JUSTIFY" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">Movidos pela premissa de que o discurso da narrativa literária é produzido pelo narrador, a comunicação centra a reflexão em torno deste elemento estrutural fundamental. Foi ainda na base da premissa de que a adopção de um determinado procedimento discursivo pelo narrador e a história e da interpretação daqui decorrente que analisámos a funcionalidade do narrador.</span></div><div align="JUSTIFY" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">. </span></div><div align="JUSTIFY" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">A comunicação defende que os procedimentos discursivos de <i>focalização omnisciente, focalização interna </i>e do<i> discurso avaliativo </i>das acções das personagens foram adoptados pelo narrador por darem a este a prerrogativa de fazer intrusões, manipulando, deste modo, os eventos diegéticos para um certo fim. Por outro lado, nos dois textos instituiu-se um narrador heterodiegético, o qual relata uma história à qual é estranho, dado que não é co-referente com qualquer das personagens do universo diegético. Ao adoptar este estatuto, o narrador reivindica, de forma subtil, a assunção de uma autoridade inquestionável.</span></div><div align="JUSTIFY" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><br />
</div><div align="CENTER" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;"><b>______________________________________________________________</b></span></div><div align="CENTER" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">José Capela</span></div><div align="CENTER" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">(Centro de Estudos Africanos da Universidade do Porto ) </span></div><div align="JUSTIFY" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><b><br />
</b> </div><div align="CENTER" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><b><span style="font-size: x-small;"><i>O INICIO DO SÉCULO XX E AS CONDIÇÕES HISTÓRICAS PARA O EXERCÍCIO DA ESCRITA EM MOÇAMBIQUE</i></span></b></div><div align="CENTER" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><b>.</b> </div><div align="LEFT" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><b><br />
</b> </div><div align="CENTER" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><b><span style="font-size: x-small;">RESUMO</span></b></div><div align="CENTER" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><b><span style="font-size: x-small;">. </span></b></div><div align="JUSTIFY" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">As condições históricas que permitiram aos naturais de Moçambique a prática habitual da escrita, cultivando algum grau de identidade e referida esta à sua moçambicanidade, a partir dos primeiros anos do século XX, são de natureza política, económica e sócio-cultural.</span></div><div align="JUSTIFY" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;">.</div><div align="JUSTIFY" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">A política liberal, nomeadamente a do Setembrismo e a da "Regeneração", além de ter levado a imprensa para Moçambique em 1854, foi tomando as medidas indispensáveis à extinção do antigo regime na colónia e à organização do estado colonial moderno. A desvinculação das terras e a abolição da escravatura e seu tráfico eram um facto mais ou menos consumado nos primeiros anos do século XX imediatamente após a instalação das companhias majestáticas e de plantação e a abertura dos portos e caminhos de ferro. A expedição das Oras Públicas despertaria a partir de 1877 uma dinâmica de carácter material e cultural sem precedentes na colónia. Um certo incremento da escolarização por iniciativa das missões católicas e protestantes, a agitação social promovida através das associações de classe e nomeadamente pela sua imprensa e a intervenção da maçonaria criaram o ambiente propício e facultaram os meios que possibilitaram a uma elite local a sua manifestação pública através da escrita. </span></div><div align="JUSTIFY" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><br />
</div><div align="CENTER" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">______________________________________________________________</span></div><div align="CENTER" class="western" lang="pt-PT" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">José Carlos Venâncio</span></div><div align="CENTER" class="western" lang="pt-PT" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">(Universidade da Beira Interior)</span></div><div align="LEFT" class="western" lang="pt-PT" style="margin-left: 0.17cm; margin-right: 0.34cm;"><br />
</div><div align="CENTER" class="western" lang="pt-PT" style="margin-left: 0.17cm; margin-right: 0.34cm;"><b><span style="font-size: x-small;">Literatura, Sociedade e Africanidade. Considerações em torno de uma relação complexa</span></b></div><div align="CENTER" class="western" lang="pt-PT" style="margin-left: 0.17cm; margin-right: 0.34cm;"><b><br />
</b> </div><div align="CENTER" class="western" lang="pt-PT" style="margin-left: 0.17cm; margin-right: 0.34cm;"><b><span style="font-size: x-small;">resumo</span></b></div><div align="CENTER" class="western" lang="pt-PT" style="line-height: 150%; margin-left: 0.17cm; margin-right: 0.34cm;"><br />
</div><div align="JUSTIFY" class="western" lang="pt-PT" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">O objectivo da presente comunicação é o de debater algumas questões relacionadas com os possíveis contributos que a sociologia da literatura, enquanto experiência científica de charneira, pode oferecer à evidência e valorização das literaturas africanas nos idiomas da colonização. Após um breve historial sobre a constituição da sociologia da literatura como conhecimento científico autónomo, tomarei em consideração o historial e as marcas mais significativas do que se poderá considerar como africanidade, quer à luz da modernidade, quer da pós-modernidade. A terceira parte da comunicação será dedicada ao confronto das propostas epistemológicas e metodológicas da sociologia da literatura com os percursos das literaturas africanas, dando especial relevo às de língua portuguesa e ao género romance como unidade de investigação.</span></div><div align="JUSTIFY" class="western" lang="pt-PT" style="margin-left: 0.17cm; margin-right: 0.34cm;"><br />
</div><div align="CENTER" lang="pt-PT" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">______________________________________________________________</span></div><div align="CENTER" class="sdfootnote-western" lang="pt-PT" style="margin-left: 0.17cm; margin-right: 0.34cm;">José de Sousa Miguel Lopes</div><div class="sdfootnote-western" lang="pt-PT" style="margin-left: 0.17cm; margin-right: 0.34cm;"><br />
</div><div align="CENTER" class="sdfootnote-western" lang="pt-PT" style="margin-left: 0.17cm; margin-right: 0.34cm;"><b>Cultura acústica e cultura letrada: o sinuoso</b></div><div align="CENTER" class="sdfootnote-western" lang="pt-PT" style="margin-left: 0.17cm; margin-right: 0.34cm;"><b>percurso da literatura em Moçambique</b></div><div align="CENTER" class="sdfootnote-western" lang="pt-PT" style="margin-left: 0.17cm; margin-right: 0.34cm;"><b>.</b> </div><div align="CENTER" class="sdfootnote-western" lang="pt-PT" style="margin-left: 0.17cm; margin-right: 0.34cm;"><b>Resumo</b></div><div class="sdfootnote-western" lang="pt-PT" style="margin-left: 0.17cm; margin-right: 0.34cm;">.</div><div align="JUSTIFY" class="sdfootnote-western" lang="pt-PT" style="margin-left: 0.17cm; margin-right: 0.34cm;">Tomando como ponto de partida o lugar da acústica numa Antropologia dos sentidos, o autor procura traçar as características constitutivas da cultura acústica, que se baseia mais no som , no ouvido, do que na escrita, na vista.</div><div align="JUSTIFY" class="sdfootnote-western" lang="pt-PT" style="margin-left: 0.17cm; margin-right: 0.34cm;">, </div><div align="JUSTIFY" class="sdfootnote-western" lang="pt-PT" style="margin-left: 0.17cm; margin-right: 0.34cm;">Após analisar as relações entre o oral e o escrito, são destacadas as marcas repetitivas e formulares presentes na poesia oral, nos provérbios e nas narrativas moçambicanas. Finalmente são abordadas as influências do universo da oralidade e da escrita em português, no sentido de procurar um Entendimento de como essas duas marcas influenciam hoje a literatura produzida em Moçambique.</div><div align="JUSTIFY" class="sdfootnote-western" lang="pt-PT" style="margin-left: 0.17cm; margin-right: 0.34cm;"><br />
</div><div align="CENTER" lang="pt-PT" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">______________________________________________________________</span></div><div align="CENTER" class="sdfootnote-western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span lang="es-ES">José María Durán Gómez<i> </i></span></div><div align="CENTER" class="sdfootnote-western" lang="es-ES" style="margin-left: 0.17cm; margin-right: 0.34cm;">(Escuela Oficial de Idiomas Villanueva – Don Benito)</div><div class="sdfootnote-western" lang="es-ES" style="margin-left: 0.17cm; margin-right: 0.34cm; text-align: center;">.</div><div></div><div lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm; page-break-after: avoid; text-align: center;"><b>“<span style="font-size: x-small;">Traduzir em castelhano: dificuldades e gratificação”</span></b></div><div style="text-align: center;"></div><div class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm; text-align: center;"><b>.</b> </div><div style="text-align: center;"></div><div class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm; text-align: center;"><b><span style="font-size: x-small;">resumo</span></b></div><div align="LEFT" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><br />
</div><div align="JUSTIFY" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">Entre os vários aspectos que dominam a tradução de obras literárias dos PALOP para o castelhano talvez seja preciso começar por um facto evidente: a quase nula existência de obras traduzidas. Por esta razão, as literaturas africanas em língua portuguesa são praticamente desconhecidas para o leitor culto espanhol (um exemplo: José Craveirinha não conhece versão espanhola de nenhum dos seus livros).</span></div><div align="JUSTIFY" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">. </span></div><div align="JUSTIFY" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">Este aspecto extra-literário condicionará a recepção das obras assim como o exercício de traduzir, como se reflecte em vários prólogos ou apresentações, nomeadamente nos dois primeiros livros vertidos em espanhol de Mia Couto, <i>Cronicando</i> e <i>Terra Sonâmbula</i>. </span></div><div align="JUSTIFY" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">. </span></div><div align="LEFT" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">As dificuldades à hora de mostrar a pluralidade de culturas, a diferente cosmovisão e mesmo os problemas lexicais serão analisados nas obras dos escritores melhor representados em língua castelhana, Mia Couto e Pepetela. </span></div><div class="sdfootnote-western" lang="pt-PT" style="margin-left: 0.17cm; margin-right: 0.34cm;"><br />
</div><div align="CENTER" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">______________________________________________________________</span></div><div align="CENTER" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">josé maria rodrigues filho</span></div><div align="CENTER" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">(Universidade de Mogi das Cruzes)</span></div><div align="CENTER" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;">.</div><div align="CENTER" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><b><span style="font-size: x-small;"><i>O processo de transmutação do conto “Vavó Xíxi e seu neto Zeca Santos”, de Luandino Vieira para o teatro.</i></span></b></div><div align="JUSTIFY" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><b>.</b> </div><div align="CENTER" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><b><span style="font-size: x-small;">Resumo</span></b></div><div align="JUSTIFY" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;">.</div><div align="JUSTIFY" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">O texto narrativo de “Vavó Xíxi e seu neto Zeca Santos” facilita a transmutação para outras formas de linguagem artística porque nele é usado uma estrutura discursiva que oferece modelos de equivalência sígnica para as estratégias e performance áudio-visual-cinéticas. Um trabalho de adaptação já foi empreendido por este professor e publicado na revista da Universidade de Mogi das Cruzes, São Paulo, Brasil, Ano III, n<sup>o.</sup> 3, de dezembro de 1992. A noção de teatralidade constante no conto reflete a questão de que a imagem sempre encontrará sua representação analógica, contínua e icônica da realidade. A linguagem verbal, quando representação simbólica do icônico, pode ter seu correspondente virtual na articulação de duplas situações enunciativas: a do texto-base para o texto recriado, no caso, com vistas à encenação. Sendo assim, serão analisados os conceitos de leitura, interpretação, crítica, adaptação, recriação, noções de intertextualidade, de prosódia, de equivalência, e de circunstâncias de recepção, que constaram do processo de transmutação. </span></div><div class="sdfootnote-western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><br />
</div><div align="CENTER" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">______________________________________________________________</span></div><div align="CENTER" lang="pt-BR" style="line-height: 100%; margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">Jurema José de Oliveira</span></div><div align="CENTER" lang="pt-BR" style="line-height: 100%; margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">(Universidade Federal Fluminense)</span></div><div align="JUSTIFY" lang="pt-BR" style="line-height: 100%; margin-left: 0.17cm; margin-right: 0.34cm;">.</div><div align="CENTER" lang="pt-BR" style="line-height: 100%; margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;"><b><i>A hora dos ruminantes e Maio, mês de Maria</i></b></span></div>.<br />
<div align="CENTER" lang="pt-BR" style="line-height: 100%; margin-left: 0.17cm; margin-right: 0.34cm;"><b><span style="font-size: x-small;">resumo</span></b></div><div align="CENTER" lang="pt-BR" style="line-height: 100%; margin-left: 0.17cm; margin-right: 0.34cm;">.</div><div align="JUSTIFY" lang="pt-BR" style="line-height: 100%; margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">O estilo discursivo que norteia as narrativas de <i>A hora dos ruminantes</i>(1969), de José J. Veiga e<i> Maio, mês de Maria</i> (1997), de Boaventura Cardoso oscila entre a paródia e a alegoria. A paródia procura dar conta dos procedimentos necessários à configuração do trabalho artístico, depreendendo, categoricamente, lugar e voz dos enunciados, assim como a temática e a rede figurativa que ela põe em jogo na história que os romances contam. A alegoria, por sua vez, expõe um pensamento que representa determinada situação, mas pretende, de fato, dizer outra coisa. A obra de arte procura dizer o real, ainda que subjetivamente, como o real procura se dizer através da obra. Logo, cada um diz o outro e se diz no outro alegoricamente falando. Assim, com o intuito de abarcar a totalidade das coisas, ela funciona como o fio condutor na busca da "essência escondida”</span><sup><span style="font-size: x-small;"><a class="sdfootnoteanc" href="http://www1.ci.uc.pt/#sdfootnote1sym" name="sdfootnote1anc"><sup>1</sup></a></span></sup><span style="font-size: x-small;">. Logo, as frases precisam ter uma consistência semelhante àquela presente nos objetos representados, mas isso não significa que a representação possa atingir, exatamente, o objeto desejado.</span></div><div align="JUSTIFY" lang="pt-BR" style="line-height: 100%; margin-left: 0.17cm; margin-right: 0.34cm;"><br />
</div><div align="CENTER" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">______________________________________________________________</span></div><h1 align="CENTER" class="western" lang="pt-BR" style="font-style: normal; line-height: 100%; margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">Kelly Cristina Oliveira de Araújo </span></h1><h1 align="CENTER" class="western" lang="pt-BR" style="line-height: 100%; margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-style: normal;"><span style="font-size: x-small;">(Universidade de São Paulo)</span></span></h1><div align="JUSTIFY" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;">.</div><div align="CENTER" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><b>“<i><span style="font-size: x-small;">Homens de política e homens de cultura: uma só trajetória na luta pela independência de Angola”</span></i></b></div><div align="CENTER" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><b>.</b> </div><div align="CENTER" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;"><b>resum</b>o</span></div><div align="JUSTIFY" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;">.</div><div align="JUSTIFY" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">A partir da década de 1950, surge em Angola uma maior preocupação com a situação colonial a que o país estava submetido, fazendo eclodir movimentos de caráter nacionalista comandados por aqueles que haviam decidido romper o silêncio, em busca da restauração e resgate da dignidade africana.</span></div><div align="JUSTIFY" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">. </span></div><div align="JUSTIFY" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">Estes homens, como Mario Pinto de Andrade, Viriato da Cruz, Agostinho Neto, António Jacinto, entre outros nomes igualmente importantes que poderiam ser aqui citados, eram acima de tudo <i>homens de cultura</i>, assim denominados por terem como objetivo primeiro a valorização e reabilitação da produção cultural negro-africana. </span></div><div align="JUSTIFY" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">. </span></div><div align="JUSTIFY" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">Nosso trabalho tem por objetivo refletir sobre o compromisso dos homens de cultura com a militância e com a política, na medida em que esta vanguarda militante e nacionalista tornou-se produtora e divulgadora de uma cultura que, no plano do discurso, negava a cultura do colonizador e o próprio empreendimento colonial. A partir disto, torna-se imprescindível associar às suas trajetórias o desempenho que tiveram como <i>homens da política</i> - atuantes no plano internacional, teceram redes e caminhos que buscavam conduzir Angola à independência.</span></div><div align="JUSTIFY" class="sdfootnote-western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><br />
</div><div align="CENTER" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">______________________________________________________________</span></div><h1 align="CENTER" class="western" lang="pt-BR" style="font-style: normal; line-height: 100%; margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">Laura Areias</span></h1><div align="LEFT" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><br />
</div><div align="CENTER" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><b><span style="font-size: x-small;"><i>(Pós) Independentes, mas libertas – na ficção de Mia Couto e da senegalesa Aminata Sow Fall</i></span></b></div><div align="CENTER" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><b><span style="font-size: x-small;"><i>.. </i></span></b></div><div align="CENTER" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><b><span style="font-size: x-small;">resumo</span></b></div><div align="CENTER" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;">.</div><div align="JUSTIFY" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">A leitura de certa escrita afro-francófona pós-colonial, de autoras como Ken Bugul ou Aminata Sow Fall, ambas do Senegal, chega a intrigar-nos pelo tipo feminino da mulher libertada do jugo de um regime mas rigidamente presa a um outro – o de uma ideologia ou de um modelo cultural importado do ocidente, tido como superior. Por outro lado, na ficção do moçambicano Mia Couto, as mulheres de condição social semelhante, a classe média ou média alta citadina, independentes desde 1975, a braços com uma guerra que se prolongaria por cerca de 30 anos, lutam por fabricar a sua identidade e adaptar-se a uma nova sociedade, usando de subtil astúcia para ludibriar e vencer.</span></div><div align="JUSTIFY" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">. </span></div><div align="JUSTIFY" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">Numa caricatura a tocar o grotesco, o escritor critica, nas crónicas de 1988-89, com humor desencantado a petulância do novorriquismo, os desajustes sociais que o sonho socialista da Independência não conseguiu desfazer. Neste trabalho tentarei confrontar os dois modelos coloniais e culturais e procurar a razão por que uma cultura, sendo opressora pode ser simultaneamente tentadora; sendo destruidora dos valores ancestrais pode ser irresistível ao ponto de alienar radicalmente as suas vítimas; tentarei revelar os métodos usados pelos colonizadores para que tal fascínio perdurasse após a libertação do regime colonial. E confrontar estes com aspectos idênticos que ditaram outros comportamentos nas heroínas da ficção afro-lusófona, seguindo até ao desencantamento de que nos apercebemos em ambos os autores, senegalesa e moçambicano. Apoiarei teoricamente a minha pesquisa nos críticos africanos e ocidentais da escrita de mulheres e do pós colonialismo.</span></div><div align="JUSTIFY" class="sdfootnote-western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><br />
</div><div align="CENTER" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">______________________________________________________________</span></div><div align="CENTER" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">Leonel Cosme</span></div><div align="CENTER" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><br />
</div><h6 class="western" lang="pt-BR" style="line-height: 100%; margin-left: 0.17cm; margin-right: 0.34cm; text-align: center;"><b>Agostinho Neto, o épico af.ricano</b></h6><div></div><div class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm; text-align: center;"><b>.</b> </div><div style="text-align: center;"></div><div class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm; text-align: center;"><b><span style="font-size: x-small;">resumo</span></b></div><div class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm; text-align: center;"><b><span style="font-size: x-small;">.</span></b></div><div class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm; text-align: center;"><b><span style="font-size: x-small;">.</span></b></div><div align="JUSTIFY" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">O Poeta que se fez Guerrilheiro para provar a Razão primeira da sua poesia e legitimar a <i>mensagem </i>nela proposta de libertação de Angola e da África colonizada, mas também do Negro humilhado de todo o Mundo – só poderia escrever uma epopeia. Não por cópia ou réplica ao modelo clássico, para celebrar as gestas heróicas, os fastos das vitórias, os desafios aos deuses pelo domínio das forças da Natureza – em refiguração dos heróis greco-latinos, como os cantaram Homero e Camões.</span></div><div align="JUSTIFY" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">. </span></div><div align="JUSTIFY" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">O modelo dos poemas épicos de Agostinho Neto, que se tornam num único poema por força de um único enunciado – as “vozes dolorosas de África” – seria também único e irrepetível : o herói é colectivo, chama-se Negro ou Povo Angolano, e os Inimigos e os Deuses são terrenos e reais, não vieram do Hades nem do Olimpo, e chamam-se Escravidão, Racismo, Colonialismo, Ngola Kiluanji, Rainha Ginga.</span></div><div align="JUSTIFY" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">. </span></div><div align="JUSTIFY" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">Assim, Agostinho Neto tomou lugar ao lado dos grandes poetas nacionais do século XX.</span></div><div align="LEFT" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><br />
</div><div align="CENTER" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">______________________________________________________________</span></div><div align="CENTER" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">Liliane Batista Barros</span></div><div align="CENTER" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">(Universidade do Estado de Mato Grosso)</span></div><div class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm; text-align: center;"><b>.</b> </div><div style="text-align: center;"></div><h6 class="western" lang="pt-BR" style="line-height: 100%; margin-left: 0.17cm; margin-right: 0.34cm; text-align: center;"><b>OS CAMNHOS DO SOL</b></h6><div></div><div class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm; text-align: center;"><b><span style="font-size: x-small;">resumo.</span></b></div><div class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm; text-align: center;"><b><span style="font-size: x-small;">.</span></b></div><div align="JUSTIFY" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm; margin-top: 0.42cm;"><span style="font-size: x-small;">As relações entre as literaturas brasileiras e africanas, ensejaram este estudo em um trabalho comparativo entre as obras<i> Sagarana </i>(1946) de João Guimarães Rosa e <i>Luuanda </i>(1961) de José Luandino Vieira, pela tensão no espaço, o sertão em <i>Sagarana</i> e o musseque em <i>Luuanda,</i> que os dois autores criaram. Inovador na arte de contar estórias, o autor de <i>Sagarana,</i> valendo-se da técnica narrativa dos contadores de estórias, introduz um novo fazer literário. Suas narrativas estão repletas de bichos, plantas, rios e personagens com quem nos identificamos. Mas o que nos chama a atenção é a alegria de viver dessa <i>gentinha capioa</i> que apesar dos <i>desconformes</i> da vida acredita na felicidade. A linguagem utilizada e a temática com a valorização da cultura angolana são as principais características na obra de Luandino. Nesse aspecto, temos o diálogo com Guimarães Rosa, pois Luandino foi escolher na fala e cultura popular a fonte para compor seus contos. Como Rosa, suas narrativas são permeadas por bichos e personagens marginalizadas. Nessas estórias, as carências sociais e a busca da liberdade são o cotidiano dos habitantes do musseque com sua luta pela sobrevivência e a procura da felicidade. Na obra de Rosa e na de Luandino, os elementos que compõem o espaço não são um quadro de valores fixos. Há neles a marca da reversibilidade, pois o espaço ajuda a falar da condição humana. Pelos elementos que compõem o espaço, Rosa e Luandino constróem um cosmo que não passa necessariamente pela geografia. Em nossas leituras, observamos que a natureza nas obras de Guimarães Rosa e Luandino se faz bastante presente nos diferente elementos, entre eles, a água, o sol, a vegetação. Os signos escolhidos para construir a natureza trazem consigo a reversibilidade tanto no movimento de construção do espaço quanto na relação do homem com o mundo. Nesse sentido o Sol que, junto com a chuva, simboliza a vida, a reprodução na Terra é o elemento celestial que pode ser benfazejo ou malfazejo, dependendo da proporção que atinge a terra. O sol é símbolo da fecundação, mas também pode queimar e matar. O nascente traz a esperança e o poente simboliza a morte. Marca a passagem do tempo pelo seu caminhar no céu. Por ser o centro do universo, também simboliza a realeza. No cristianismo, está ligado à figura de Deus. Os elementos da natureza são chamados a compor junto com o homem um mundo construído<i> à revelia</i>. Lugar dividido entre as forças contraditórias, os caminhos do sertão e do musseque são na verdade trilhas de um devir. De um mundo construído pela palavra em que o homem busca seu próprio destino. Em Rosa essa busca se dá pelo mágico e, em Luandino, pelo social.</span></div><div align="CENTER" lang="pt-BR" style="line-height: 150%; margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">______________________________________________________________</span></div><div align="CENTER" class="western" lang="pt-BR" style="line-height: 150%; margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">Livia Apa</span></div><div align="CENTER" class="western" lang="pt-BR" style="line-height: 150%; margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">(Istituto Universitario Orientale di Napoli, Itália)</span></div><div align="CENTER" class="western" lang="pt-BR" style="line-height: 150%; margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">. </span></div><div class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm; text-align: center;"><b><span style="font-size: x-small;">Aulas de geografia: cartografias, mapas, et <i>loca</i> da nação. Construção e desconstrução do cânone em Ruy Duarte de Carvalho</span></b></div><div class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm; text-align: center;"><b><span style="font-size: x-small;">. </span></b></div><div></div><div lang="pt-BR" style="line-height: 150%; margin-left: 0.17cm; margin-right: 0.34cm; page-break-after: avoid; text-align: center;"><b><span style="font-size: x-small;">resumo</span></b></div><div lang="pt-BR" style="line-height: 150%; margin-left: 0.17cm; margin-right: 0.34cm; page-break-after: avoid; text-align: center;"><b><span style="font-size: x-small;">. </span></b></div><div align="JUSTIFY" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">A minha intervenção vai apresentar uma leitura da obra de Ruy Duarte de Carvalho na perspectiva da deconstrução da ideia de espaço/lugar etnograficamente descrito pela memória e pela tradição colonial, frisando como toda ela pode ser lida como a procura de uma nova geografia capaz de definir, através do próprio acto de contar, percorrendo e cruzando vários géneros literários, a própria (de)construção narrativa, definindo limites e margens de um espaço literário e histórico que é , em si, enquanto espaço de memória colectiva, objecto capaz<span style="font-family: Times,serif;"> de dizer a nação.</span></span></div><div align="JUSTIFY" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><br />
</div><div align="CENTER" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-family: Times,serif;"><span style="font-size: x-small;">______________________________________________________________</span></span></div><div align="CENTER" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">Lola Geraldes Xavier</span></div><div align="CENTER" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">(Escola Superior de Educação de Coimbra)</span></div><div align="LEFT" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;">.</div><div align="CENTER" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><b><span style="font-size: x-small;"><i>Literaturas de língua portuguesa e (des)construção da identidade nacional.</i></span></b></div><div align="CENTER" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;">.</div><div align="CENTER" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><b><span style="font-size: x-small;">RESUMO</span></b></div><div align="CENTER" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;">.</div><div align="JUSTIFY" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">Imagine-se um encontro entre Pepetela e João Ubaldo Ribeiro. Que teria o angolano a dizer ao brasileiro? Que diálogos se estabeleceriam? O que têm em comum estes autores, para além da língua portuguesa?</span></div><div align="JUSTIFY" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">. </span></div><div align="JUSTIFY" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">Pretende questionar-se algumas das suas obras —<i>A Gloriosa Família</i>, <i>A geração da utopia, Viva o Povo Brasileiro</i> e<i> O feitiço da ilha do pavão</i>, por exemplo —, tentando comparar-se processos linguístico-literários de interrogar a história e a sociedade na busca da (des)construção de uma identidade nacional que tem muito de semelhante nestes espaços geográficos diferentes. O escritor é assim o arauto de uma sociedade a que pertence, mas que recusa, na tentativa de transformação. É, porém, uma recusa simbólica, pois, qual Sísifo aprisionado, nada mais pode do que desejar. Quais são os moldes desse desejo/utopia? Que possibilidades de concretização se percepcionam? </span></div><div align="JUSTIFY" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">. </span></div><div align="JUSTIFY" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">O diálogo comparativista prevê-se enriquecedor e as respostas provocadoras de outros diálogos...</span></div><div align="JUSTIFY" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><br />
</div><div align="CENTER" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">______________________________________________________________</span></div><div align="CENTER" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm; margin-top: 0.42cm;"><span style="font-size: x-small;">Manuel Gonç.alves Simões</span></div><div align="CENTER" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm; margin-top: 0.42cm;"><span style="font-size: x-small;">.</span></div><div align="CENTER" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm; margin-top: 0.42cm;"><b><span style="font-size: x-small;">(Universidade de Veneza)</span></b></div><div align="CENTER" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm; margin-top: 0.42cm;"><b><span style="font-size: x-small;">. </span></b></div><div align="CENTER" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm; margin-top: 0.42cm;"><b><span style="font-size: x-small;"><i>O tema do retirante e outros temas nordestinos na narrativa cabo-verdiana: baltasar lopes, manuel lopes, luís romano e teobaldo virgínio</i></span></b></div><div align="CENTER" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm; margin-top: 0.42cm;"><b><span style="font-size: x-small;"><i>. </i></span></b></div><div align="CENTER" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm; margin-top: 0.42cm;"><b><span style="font-size: x-small;">resumo</span></b></div><div align="CENTER" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm; margin-top: 0.42cm;"><b><span style="font-size: x-small;">. </span></b></div><div align="JUSTIFY" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm; margin-top: 0.42cm;"><span style="font-size: x-small;">A comunicação tem como objectivo a análise dos temas recorrentes na literatura nordestina e sua eventual influência na literatura cabo-verdiana dos anos cinquenta e sessenta. O estudo compreende, como ponto de partida, os pressupostos do “manifesto regionalista” e as linhas programáticas do modernismo brasileiro, de algum modo coincidentes com as preocupações de “Claridade”, sobretudo em relação ao discurso sobre a terra e sobre o homem das ilhas: modo e voz do cabo-verdiano, quer dizer, a questão da identidade do arquipélago crioulo. Através da exegese crítica das obras de Baltasar Lopes e de Manuel Lopes (aqui consideradas menos aprofundadamente porque já objecto de alguns estudos) e pondo particularmente em evidência a obra narrativa de Luís Romano e o Teobaldo Virgínio, a presente investigação questiona o problema da homologia ou intertextualidade entre estas obras e as que vieram a caracterizar, pelos seus traços distintivos, a literatura nordestina. Confrontando as duas literaturas parece poder considerar-se que as semelhanças eventuais se caracterizam mais por uma homologia de princípio do que propriamente por um fenómeno de intertextualidade, considerando esta não como uma soma confusa e misteriosa de influências mas como o trabalho de transformação e assimilação de vários textos, operado por um texto centralizador que detém o comando de sentido (Laurent Jenny). Analisando as eventuais influências e estímulos criativos como fenómeno transcultural e o valor do que se considera como “peregrinações interculturais”, é possível entrever um fenómeno de “polinização” que do Nordeste brasileiro, até por uma identidade histórico-cultural, &ldqufertilizou” os litorais cabo-verdianos.</span></div><div align="CENTER" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm; margin-top: 0.42cm;"><span style="font-size: x-small;">______________________________________________________________</span></div><div align="CENTER" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm; margin-top: 0.42cm;"><span style="font-size: x-small;">Manuel muanza</span></div><div align="CENTER" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm; margin-top: 0.42cm;"><span style="font-size: x-small;">(Universidade Agostinho Neto)</span></div><h6 class="western" lang="pt-BR" style="line-height: 100%; margin-left: 0.17cm; margin-right: 0.34cm; margin-top: 0.42cm; text-align: center;">O poder e o conflito entre tradição e modernidade</h6><div></div><h6 class="western" lang="pt-BR" style="font-style: normal; line-height: 100%; margin-left: 0.17cm; margin-right: 0.34cm; margin-top: 0.42cm; text-align: center;">resumo</h6><div align="JUSTIFY" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">A partir dos elementos que organizam a narrativa de Pepetela, lueji, procurarei explicar como Pepetela antecipou realidades que se manifestam, hoje, em Angola. O poder, por exemplo, tal como o ficcionou no elemento Lukano, tende – para quem o detém – a volatizar-se.</span></div><div align="JUSTIFY" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">. </span></div><div align="JUSTIFY" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">O discurso enunciador do romance de Pepetela constrói, por analogia, perspectivas de análise da sociedade angolana, que procura fundar novas relações entre o poder, a tradição e a modernidade políticas impostas pela realidade e pelas transformações em curso.</span></div><div align="JUSTIFY" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">. </span></div><div align="JUSTIFY" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">Se no romance o epílogo tende a encerrar a obra, não admitindo qualquer continuação, os elementos abrem-na à possibilidade de actualização e continuidade.</span></div><div align="JUSTIFY" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><br />
</div><div align="CENTER" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">______________________________________________________________</span></div><div align="CENTER" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm; margin-top: 0.42cm;"><span style="font-size: x-small;">Manuele Masini</span></div><div align="CENTER" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">(Università di Pisa)</span></div><div align="CENTER" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;">.</div><div lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm; text-align: center;"><b><span style="font-size: x-small;"><i>Madeira e Cabo Verde no diálogo das literaturas lusófonas.</i></span></b></div><div></div><div class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm; text-align: center;"><b>.</b> </div><div style="text-align: center;"></div><div class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm; text-align: center;"><b><span style="font-size: x-small;">resumo</span></b></div><div align="CENTER" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;">.</div><div align="JUSTIFY" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">A literatura de Cabo Verde se coloca dentro do diálogo das literaturas africanas de expressão portuguesa com as suas características próprias, e não deixando de ser uma literatura propriamente nacional, teve com a metrópole relações se calhar mais evidentes ao longo do tempo, constituindo desde muito cedo o natural ponto de contacto entre Portugal e as demais colónias portuguesas, e sobre tudo com o Brasil, e oferecendo, aliás, o mais antigo e maduro exemplo de literatura duma colónia capaz de pensar-se como literatura nacional e de participar ao diálogo literário com uma sua própria identidade. A natureza intrínseca ao “ser ilha”, a dimensão, até ontológica, da insularidade, e a função específica das ilhas atlânticas na história social e económica antes, e logo também cultural, de Portugal fazem com que a situação própria das ilhas de Cabo Verde possa chegar a ter correspondências com o que aconteceu na ilha de Madeira, que teve uma função parecida nos comércios portugueses e na <span style="color: black;">cultura</span> da cana de açúcar, e que logo tentou construir, e ainda tenta, uma sua literatura, que se não pode chegar a considerar-se nacional (e não só por ser Madeira parte do estado português: os exemplos das literaturas nacionais de Espanha, dentro dum único estado, demostram o contrário) com certeza reclama um papel específico também, creio, no sentido de fazer-se ponto de união entre várias experiências lusófonas, e é bem sabido que seja os madeirenses seja os cabo-verdianos tiveram sempre uma relação de amor em relação à literatura brasileira. Através dum breve estudo histórico-cultural das ilhas mencionadas na primeira metade do século XX, e destacando figuras de fundamental importância naquelas experiências (um Edmundo de Bettencourt e um Jorge Barbosa, por exemplo) tentaremos oferecer uma ideia crítica das literaturas madeirense e cabo-verdiana como ilhas-ponte (pontes oceânicas) entre as demais literaturas de expressão portuguesa. </span></div><div align="JUSTIFY" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><br />
</div><div align="CENTER" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">______________________________________________________________</span></div><div align="CENTER" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">Margarida Calafate Ribeiro,</span></div><div align="CENTER" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">(Centro de Estudos Sociais, Universidade de Coimbra)</span></div>.<br />
<div align="CENTER" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><b><span style="font-size: x-small;"><i>Tristes Lusotropicalismos: uma leitura de Natureza Morta, de José-Augusto França e de Terra Morta, de Castro Soromenho</i></span></b></div><div align="LEFT" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><b>.</b> </div><div align="CENTER" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><b><span style="font-size: x-small;">Resumo</span></b></div><div align="CENTER" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;">.</div><div align="JUSTIFY" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">Nesta comunicação abordarei os registos disfóricos do lusotropicalismo numa leitura de Natureza Morta, de José Augusto França e de Terra Morta, de Castro Soromenho tendo em atenção outros registos disfóricos e eufóricos que compõem o pano de fundo da época e do contexto político em que as duas obras surgiram.</span></div><div align="JUSTIFY" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;">.</div><div align="CENTER" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">______________________________________________________________</span></div><div align="CENTER" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">Maria Aparecida Santilli</span></div><div align="CENTER" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">(Universidade de São Paulo)</span></div><div align="CENTER" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><b><br />
</b> </div><div align="CENTER" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><b><span style="font-size: x-small;"><i>Literaturas Africanas (Língua Portuguesa):</i></span></b></div><div align="CENTER" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><b><span style="font-size: x-small;"><i>O Romance Contemporâneo e as Vertentes da História</i></span></b></div><div align="JUSTIFY" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><b><br />
</b> </div><div align="CENTER" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;"><b>Resumo</b></span></div><div align="JUSTIFY" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;">.</div><div align="JUSTIFY" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">A opção por este tema deveu-se a um duplo interesse de operar com o romance, devida à sugestão do texto de Mikhail Bakhtin em que o considera, de um lado, um gênero ainda “ inacabado” e que melhor que todos, expressaria as tendências evolutivas do mundo; de outro, pelo fato de verificar-se, como pondera ele, uma romancização de outros gêneros entre os quais se inclui a História.</span></div><div align="JUSTIFY" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">. </span></div><div align="JUSTIFY" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">Por essa perspectiva de Bakhtin, comportava ver-se uma questão pontual das Literaturas Africanas (Língua Portuguesa), persistente na atualidade: a de problematizar, no espaço da ficção, a História de povos emergentes que haviam de rever-se na ultrapassagem dos tempos de colonização.</span></div><div align="JUSTIFY" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">. </span></div><div align="JUSTIFY" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">É o que se pretende apontar, em amostra constituída por um romance de Angola, de Cabo Verde e de Moçambique.</span></div><div align="LEFT" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><br />
</div><div align="CENTER" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">______________________________________________________________</span></div><div align="CENTER" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">Maria da Graça Gomes de pina</span></div><div align="CENTER" class="western" lang="pt-PT" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">(Università degli Studi di Napoli )</span></div><div align="CENTER" class="western" lang="pt-PT" style="margin-left: 0.17cm; margin-right: 0.34cm;"><b>.</b> </div><div align="CENTER" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><b><span style="font-size: x-small;"><i>Perfis Sociais da Cantiga Finaçom: a mundividência cabo-verdiana em Inácia Gomes</i></span></b></div><div align="CENTER" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><b>.</b> </div><div align="CENTER" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><b><span style="font-size: x-small;">resumo</span></b></div><div align="CENTER" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;">.</div><div align="JUSTIFY" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">Este pequeno estudo pretende contribuir para uma caracterização da <i>finaçom </i>tal como ela nos aparece cantada na ilha de Santiago, e para uma possível explicação da sua estrutura poética. </span></div><div align="JUSTIFY" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">. </span></div><div align="JUSTIFY" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">A ideia foi-me sugerida ‘indirectamente’ pela leitura de uma passagem da obra de Manuel Ferreira, <i>A aventura crioula, </i>onde se cita uma frase de Baltasar Lopes acerca da possível descendência das <i>finaçom </i>às cantigas de desafio e de mal-dizer. Tal ideia já me tinha surgido em mente aquando da leitura das <i>manijas </i>de Eugénio Tavares, mas a sua estrutura não paralelística desviou-me para as <i>finaçom.</i></span></div><div align="JUSTIFY" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;"><i>. </i></span></div><div align="JUSTIFY" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">Assim sendo, o objectivo principal deste pequeno contributo é o de verificar a veracidade desta atribuição, analisando passagens das letras improvisadas das <i>finaçom </i>de nha Nasia Gomi e pondo em relevo o fio que as liga à estrutura dos cantares da Idade Média.</span></div><div align="JUSTIFY" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><br />
</div><div align="CENTER" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">______________________________________________________________</span></div><div align="CENTER" class="western" lang="pt-PT" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">Maria Felisa Rodríguez Prado</span></div><div align="CENTER" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">(Grupo GALABRA – Universidade de Santiago de Compostela)</span></div><div align="CENTER" class="western" lang="pt-PT" style="margin-left: 0.17cm; margin-right: 0.34cm;">.</div><h6 class="western" lang="pt-PT" style="line-height: 100%; margin-left: 0.17cm; margin-right: 0.34cm;">MAPEANDO O MINDELO: CAIS DE PEDRA DE NUNO DE.MIRANDA</h6><h1 align="CENTER" class="western" lang="pt-BR" style="font-style: normal; margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">resumo.</span></h1><div align="LEFT" class="western" lang="pt-PT" style="margin-left: 0.17cm; margin-right: 0.34cm;">.</div><div align="JUSTIFY" class="western" lang="pt-PT" style="line-height: 0.42cm; margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">Tem-se chamado a atenção, relativamente à narrativa de Cabo Verde, para o facto de a cidade do Mindelo ocupar um lugar central, não apenas como referência geográfica mas também como paisagem, como sociedade e como lugar do humano, na ficção cabo-verdiana cujo universo está radicado no espaço urbano.</span></div><div align="JUSTIFY" class="western" lang="pt-PT" style="line-height: 0.42cm; margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">. </span></div><div align="JUSTIFY" class="western" lang="pt-BR" style="line-height: 0.42cm; margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;"><span lang="pt-PT">Nuno de Miranda, produtor na diáspora portuguesa, aborda em <i>Casi de pedra</i>, romance publicado no fim dos anos oitenta, o problema da identidade –que parece central em toda a literatura de emigração– e fá-lo situando a acção no Mindelo, produzindo o retrato de um espaço que funciona como amostra e, como metonímia da parte pelo todo, remete para o conjunto de Cabo Verde. Reflecte, mais uma vez, a realidade social durante a crise –esta, a citadina, motivada pela diminuição de movimento do porto–, denominador comum.</span></span></div><div align="JUSTIFY" class="western" lang="pt-PT" style="line-height: 0.42cm; margin-left: 0.17cm; margin-right: 0.34cm;">.</div><div align="JUSTIFY" class="western" lang="pt-PT" style="line-height: 0.42cm; margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">No retrato dessa paisagem é comum a apresentação do hoje e o reenvio para o passado, com o consequente alargamento da visão que permite estabelecer a verificação de um deterioramento físico, menos devido à acção da passagem do tempo do que à contínua degradação da situação económica do arquipélago.</span></div><div align="JUSTIFY" class="western" lang="pt-PT" style="line-height: 0.42cm; margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">. </span></div><div align="JUSTIFY" class="western" lang="pt-PT" style="line-height: 0.42cm; margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">Almada (1997) telurismo e dramas do povo são as linhas de força que definem a moderna ficção cabo-verdiana</span></div><div align="CENTER" class="western" lang="pt-PT" style="margin-left: 0.17cm; margin-right: 0.34cm;"><br />
</div><div align="CENTER" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">______________________________________________________________</span></div><div align="CENTER" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">Maria fernanda peixoto</span></div><div align="CENTER" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">(Universidade de Coimbra)</span></div><div align="CENTER" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;">.</div><div align="CENTER" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><b><span style="font-size: x-small;"><i>propostas para uma antropologia literária</i></span></b></div><div align="CENTER" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><b>..</b> </div><div align="CENTER" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><b><span style="font-size: x-small;">resumo</span></b></div><div align="CENTER" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><br />
</div><div align="CENTER" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;">.</div><div align="JUSTIFY" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">Reflexão epistemológica sobre as “relações” entre literatura e antropologia no contexto do pós-colonialismo e da crise de representação contemporânea, numa perspectiva transdisciplinar, de modo a constituir uma antropologia literária.</span></div><div align="JUSTIFY" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">. </span></div><div align="JUSTIFY" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">A literatura entendida como uma pesquisa sobre a problemática humana enquanto <i>antropologia implícita </i>, constitutiva da dupla natureza do texto como objecto de análise e sujeito de conhecimento, a partir do carácter fundamentalmente verbal da condição humana.</span></div><div align="JUSTIFY" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">. </span></div><div align="JUSTIFY" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">A ficção narrativa é resultado de actos de selecção (dos sistemas social, histórico, cultural e literário), de combinação (que opera por um processo de cruzamento de fronteiras), e de construção “como se”. A transgressão de fronteiras enquanto qualidade básica do acto de ficção manifesta-se no <i>dentro do texto, </i>compreendido a partir da análise do discurso, no seu carácter dialógico e polifónico, isto é, a socialidade do texto, no âmbito da Sociocrítica.</span></div><div class="sdfootnote-western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><br />
</div><div align="CENTER" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">______________________________________________________________</span></div><div align="CENTER" lang="pt-PT" style="line-height: 100%; margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-family: Times,serif;"><span style="font-size: x-small;">Maria Grazia Orsi</span></span></div><div lang="pt-PT" style="margin-left: 0.17cm; margin-right: 0.34cm; text-align: center;"><span style="font-size: x-small;">(Università di Bari - Itália)</span></div><div></div><div lang="pt-PT" style="margin-left: 0.17cm; margin-right: 0.34cm; text-align: center;">.</div><div style="text-align: center;"></div><div lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm; text-align: center;"><b><span style="font-size: x-small;">RESUMO</span></b></div><div lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;">.</div><div align="JUSTIFY" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">No âmbito duma tese de doutoramento em “Lusitanística” (Universidade de Bari-Pisa-Roma) conduzida pelas Professoras Maria José de Lancastre e Fernanda Toriello, estou a levar materiais para um estudo das variantes da colectânea de contos <i>Luuanda</i> (1ª ed. <span lang="pt-PT">Luanda, ABC, 1964; 1ª ed. Lisboa, Edições 70, 1972) de José Luandino Vieira. .</span></span></div><div align="JUSTIFY" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;"><span lang="pt-PT"> .</span></span></div><div align="JUSTIFY" class="western" lang="pt-PT" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">Fornecer-se-á um exemplo das variantes levantadas a partir da colação entre as duas edições:</span></div><div align="JUSTIFY" class="western" lang="pt-PT" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">. </span></div><div align="JUSTIFY" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;"><span lang="pt-PT">«Tinha mais de dois meses a chuva não caía. Por todos os lados do musseque, os pequenos filhos de novembro estavam vestidos com pele de poeira vermelha espalhada pelos ventos dos jipes das patrulhas zunindo no meio de ruas e becos, de cubatas arrumadas à toa.» </span>(In «Vavó Xíxi e seu neto Zeca Santos», p. 13, <i>Luuanda</i>, Lisboa, Edições 70, 1972).</span></div><div align="JUSTIFY" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">. </span></div><div align="JUSTIFY" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">« Tinha mais de dois meses a chuva não caía e, por todos os lados do musseque, os pequenos filhos do capim de Novembro, verdes e novos, estavam vestidos com uma pele de poeira vermelha espalhada pelos ventos quentes e pelos jipes das patrulhas passando na zona, no meio das ruas e becos que a desarrumação das cubatas desenhava à toa.» (In «Vavó Xíxi e seu neto Zeca Santos», p. 11, <i>Luuanda</i>, Luanda, ABC, 1964). </span></div><div align="JUSTIFY" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><br />
</div><div align="CENTER" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">______________________________________________________________</span></div><div align="CENTER" class="western" lang="pt-PT" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">Maria João Silvestre</span></div><div align="CENTER" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;"><span lang="pt-PT">(Universidade Nova de Lisboa)</span></span></div><div align="CENTER" class="western" lang="pt-PT" style="margin-left: 0.17cm; margin-right: 0.34cm;">.</div><div class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm; text-align: center;"><b><span style="font-size: x-small;"><i>Contributo para o estudo da especificidade do romance africano de Língua Portuguesa</i></span></b></div><div></div><div class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm; text-align: center;"><b>.</b> </div><div style="text-align: center;"></div><div class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm; text-align: center;"><b><span style="font-size: x-small;">resumo</span></b></div><div align="JUSTIFY" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;">.</div><div align="JUSTIFY" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">Este trabalho visa apontar linhas de reflexão sobre o novo romance africano de língua portuguesa.</span></div><div align="JUSTIFY" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">. </span></div><div align="JUSTIFY" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">Optámos pela designação <i>novo</i> para identificar o nosso objecto de estudo, a criação romanesca da África lusófona produzida na década de noventa, com características que a distinguem da produção anterior; justificamos a utilização do termo <i>de língua portuguesa</i>, apesar da polémica instalada em torno do mesmo (vide Ferreira, 1989: 200-215), pelo facto de nos parecer o mais rigoroso: o vocábulo <i>expressão</i>, a alternativa, é demasiado abrangente, enquanto a opção em causa se restringe à identificação da língua que veicula a produção seleccionada.</span></div><div align="JUSTIFY" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">. </span></div><div align="JUSTIFY" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">A pertinência do estudo do romance é evidente: o romanesco é um género em constante transformação e articulação com o público (Moisés, 1997:98), permitindo reflexões sobre os universos de produção e de recepção.</span></div><div align="JUSTIFY" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">. </span></div><div align="JUSTIFY" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">Pela sua extrema maleabilidade (Luckács considera-o um género impuro, Bourneuf -1976: 8- questiona se haverá ainda um género identificável como romance) leva-nos à interrogação da possibilidade de existência de uma criação que obedeça a características comuns, ditadas pelas coincidências do contexto. E o contexto é o dos países africanos de língua portuguesa, tão díspares, mas também tão semelhantes, nos percursos histórico e social e no facto de produzirem uma literatura numa língua exterior que coexiste com outras realidades linguísticas.</span></div><div align="JUSTIFY" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">. </span></div><div align="JUSTIFY" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">O estudo desenvolve-se em duas partes. A primeira parte sintetiza algumas abordagens da especificidade do romance de língua inglesa, de língua francesa e dos primeiros romances lusófonos.</span></div><div align="JUSTIFY" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">. </span></div><div align="JUSTIFY" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">A segunda parte apresenta um estudo de análise do corpus seleccionado, representativo da produção romanesca africana de língua portuguesa, apontando reflexões sobre as peculiaridades da mesma.</span></div><div align="JUSTIFY" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">. </span></div><div align="JUSTIFY" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">À distância de mais de duas décadas das independências destes países, questionamo-nos sobre o rumo da produção romanesca da África de língua portuguesa. </span></div><div align="JUSTIFY" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">. </span></div><div align="JUSTIFY" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">Delimitámos um corpus constituído por alguns dos últimos romances de autores africanos de língua portuguesa, representantes de cada um dos países em causa, à excepção de S. Tomé e Príncipe, do qual não encontrámos nenhum romance recente:</span></div><div align="JUSTIFY" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;">.</div><div align="JUSTIFY" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">Couto, Mia, <i>O Último Voo do Flamingo</i>, 2000;</span></div><div align="JUSTIFY" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;">.</div><div align="JUSTIFY" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">Almeida, Germano, <i>A Família Trago</i>, 1998;</span></div><div align="JUSTIFY" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;">.</div><div align="JUSTIFY" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">Pepetela, <i>Lueji</i>, 1990;</span></div><div align="JUSTIFY" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;">.</div><div align="JUSTIFY" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">Embaló, Filomena, <i>Tiara</i>, 1999.</span></div><div align="JUSTIFY" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;">.</div><div align="JUSTIFY" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">Cada uma das obras seleccionadas foi alvo de um estudo de análise, com os objectivos de: </span></div><div align="JUSTIFY" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">. </span></div><div align="JUSTIFY" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">a)constatar das afinidades entre as produções romanescas dos vários países africanos de língua portuguesa; </span></div><div align="JUSTIFY" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">b)identificar relações com as produções dos países africanos de língua francesa e de língua inglesa.</span></div><div align="JUSTIFY" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">. </span></div><div align="JUSTIFY" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">A análise das obras terá em conta a temática e a extensão das obras, os aspectos peritextuais e gráficos, a articulação dos núcleos narrativos e da trama da obra, a classificação e as funções das personagens e dos narradores, a significação das focalizações, a relação com o narratário e os sinais que lhe são dirigidos, a complexidade temporal, as referências espaciais e a linguagem.</span></div><div align="LEFT" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><br />
</div><div align="LEFT" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><br />
</div><div align="CENTER" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">______________________________________________________________</span></div><div align="CENTER" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">Maria João Simões</span></div><div align="CENTER" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">(Faculdade de Letras da Universidade de Coimbra)</span></div><div align="LEFT" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;">.</div><h1 align="CENTER" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">Coalescências fantásticas em Mia Couto e Mário de Carvalho</span></h1><h1 align="CENTER" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">. </span></h1><div align="CENTER" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><b><span style="font-size: x-small;">resumo</span></b></div><div align="CENTER" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><b><span style="font-size: x-small;">. </span></b></div><div align="CENTER" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><br />
</div><div align="JUSTIFY" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">De acordo com a inovadora abordagem do fantástico empreendida por Alain Chareyre-Méjan em <i>Le Réel et le Fantastique</i> (1998: 14) o elemento assustador do fantástico deve-se à “pura indeterminação” (<i>idem</i>, 17) do existente proposto aos sentidos; mas aí reside também o seu fascínio, pois o “fantástico propõe no fundo a resistência da existência à categorização”, fazendo rever e reaparecer o real através do impossível imaginário (p. 108). Deste modo, o fantástico abre espaços subversivos dentro da fantasia pondo em causa a delimitação de fronteiras genológicas, axiológicas e outras. Este perspectiva permite desvendar determinados sentidos que emanam dos contos marcados pelo fantástico em Mia Couto e Mário de Carvalho, onde a coalescência de real e fantástico engendra uma transmudação mútua de um no outro. Neste sentido, o trabalho que agora se propõe visa analisar diferentes aspectos e estratégias no tratamento do fantástico nestes autores a partir dos contos “O embondeiro que sonhava pássaros” de <i>Cada Homem é uma raça</i> e “A máquina de costura” de <i>Casos do Beco das Sardinheiras</i>.</span></div><div align="LEFT" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><br />
</div><div align="CENTER" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-family: Arial,sans-serif;"><span style="font-size: x-small;">______________________________________________________________</span></span></div><div align="CENTER" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">Maria Luísa Baptista</span></div><div align="CENTER" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><br />
</div><div align="CENTER" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;">“<span style="font-size: x-small;"><i>Aide-memoire” do jovem escritor comprometido</i></span></div><div align="LEFT" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><br />
</div><div align="CENTER" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">Resumo</span></div><div align="LEFT" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><br />
</div><div align="JUSTIFY" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">A comunicação problematiza a possibilidade de produção de uma literatura cabo-verdiana emancipada da matriz metropolitana e analisa especificamente um conto de MANUEL LOPES, ovo germinal da sua novelística, exemplo concreto da ‘preceptística’ em causa.</span></div><div align="JUSTIFY" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><br />
</div><div align="JUSTIFY" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><br />
</div><div align="CENTER" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">______________________________________________________________</span></div><div align="CENTER" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">Maria manuela da silva duarte</span></div><div align="CENTER" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">(Escola Superior de Educação da Guarda)</span></div><div align="CENTER" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><b>.</b> </div><div align="CENTER" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><b><span style="font-size: x-small;"><i><u>O gato e o escuro</u> – Mia Couto no Ensino Básico ou a reinvenção da língua Portuguesa: a brincar com a língua também se aprende</i></span></b></div><div align="CENTER" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;">.</div><div align="CENTER" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><b><span style="font-size: x-small;">resumo</span></b></div><div align="CENTER" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;">.</div><div align="JUSTIFY" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">Numa época em que o ensino-aprendizagem da Língua Portuguesa coloca desafios cada vez mais prementes ao professor de língua materna, importa, acreditamos, reflectir sobre a pertinência de experimentar estratégias e métodos de ensino que conquistem o aluno para a aprendizagem desse instrumento de uso com o qual se familiarizou e não aprendeu a questionar ou problematizar.</span></div><div align="JUSTIFY" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">. </span></div><div align="JUSTIFY" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">Assim, propomo-nos reflectir sobre o papel preponderante da oralidade na produção discursiva dos alunos do ensino básico (2.º e 3.º ciclos), perspectivando-a como auxiliar na remediação de desvios linguísticos (produzidos oralmente e por escrito). Tomaremos como suporte e ponto de partida a obra infanto-juvenil <u>O Gato e o Escuro, </u>de Mia Couto, por considerá-la exemplar na reprodução da oralidade do público-alvo. Procuraremos sublinhar o papel determinante da reinvenção da linguagem como revelador e tradutor de um conhecimento profundo da língua que se recria, admitindo cambiantes que a norma proíbe. Mia Couto como instrumento pedagógico-didáctico para aprender língua portuguesa, nos 2.º e 3.º ciclos do ensino básico, é o mote para o trabalho que nos propomos levar a cabo.</span></div><div align="JUSTIFY" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><br />
</div><div align="CENTER" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">______________________________________________________________</span></div><div align="CENTER" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">Maria Manuela Jales C. de Araújo</span></div><div align="CENTER" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">(Centro de Estudos Sociais – Universidade de Coimbra)</span></div>.<br />
<div align="CENTER" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><b><span style="font-size: x-small;"><i>Francisco José Tenreiro e Noémia de Sousa: um diálogo com as vozes negro-americanas de Harlem</i></span></b></div><div align="CENTER" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><b>.</b> </div><div align="CENTER" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><b><span style="font-size: x-small;">resumo</span></b></div><div align="CENTER" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;">.</div><div align="JUSTIFY" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">O presente texto propõe-se observar um possível percurso esclarecedor das condições de emergência do movimento cultural chamado <b><i>Harlem Renaissance, </i></b>assim como mostrar marcas de transculturalidade identitária desse momento na poesia africana de língua Portuguesa, especificamente em Francisco José Tenreiro e em Noémia de Sousa.</span></div><div align="JUSTIFY" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">. </span></div><div align="JUSTIFY" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">No âmbito deste trabalho cabe apenas fazer a interpretação de um <i>corpus </i>literário constituído por dois poemas a nomear: «Negro de Todo o Mundo», de Francisco José Tenreiro, e «Deixa Passar o Meu Povo», de Noémia de Sousa.</span></div><div align="JUSTIFY" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><br />
</div><div align="CENTER" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">______________________________________________________________</span></div><div align="CENTER" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">Maria Teresa Gil Mendes da Silva</span></div><div align="CENTER" class="western" lang="fr-FR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">(Università degli Studi de Napoli )</span></div><div align="CENTER" class="western" lang="fr-FR" style="margin-left: 0.17cm; margin-right: 0.34cm;">.</div><div align="CENTER" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><b><span style="font-size: x-small;"><i>Utopias do real vs. Distopias do irreal</i></span></b></div><div align="CENTER" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><b>.</b> </div><div align="CENTER" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><b><span style="font-size: x-small;">resumo</span></b></div><div align="CENTER" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;">.</div><div align="JUSTIFY" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">Tentarei analisar a maneira como nas obras de alguns escritores angolanos e moçambicanos se foi construindo uma utopia que se pretendia concretizar, e como a pouco e pouco parece tomarem consciência de que alguns aspectos da realidade se transformaram em verdadeiras distopias. Estas terão a força de apagar o sonho e cancelar a utopia, ou será ainda possível criar uma nova utopia por cuja realização lutar?</span></div><div align="CENTER" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><br />
</div><div align="CENTER" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">______________________________________________________________</span></div><div align="CENTER" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">Maria teresa salgado</span></div><div align="CENTER" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">(Universidade do Rio de Janeiro)</span></div><div align="CENTER" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><b>.</b> </div><div align="CENTER" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><b><span style="font-size: x-small;"><i>Vozes que fazem a diferrença</i></span></b></div><div align="JUSTIFY" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><b>.</b> </div><div align="CENTER" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><b><span style="font-size: x-small;">resumo</span></b></div><div align="CENTER" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;">.</div><div align="JUSTIFY" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">O trabalho pretende abordar aspectos da representação da mulher na ficção angolana contemporânea. Para isso, discutirá a construção das personagens Sara (<i>A geração da utopia</i>), de Pepetela e Maria (<i>A vida verdadeira de Domingos Xavier</i>), de Luandino Vieira. Como figuras relevantes na obra desses autores, elas serão enfocadas a partir de seu papel na construção da identidade angolana.</span></div><div align="JUSTIFY" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><br />
</div><div align="CENTER" lang="pt-PT" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-family: Courier New,monospace;"><span style="font-size: x-small;">______________________________________________________________</span></span></div><div align="CENTER" class="western" lang="pt-PT" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">Moema Parente Augel</span></div><div align="CENTER" class="western" lang="pt-PT" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">(Universität Bielefeld - .Alemanha)</span></div><div align="LEFT" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;">.</div><div align="CENTER" class="western" lang="pt-PT" style="margin-left: 0.17cm; margin-right: 0.34cm;"><b><span style="font-size: x-small;"><i>DISSASSUSSEGU DI GUINÉ. LITERATURA GUINEENSE EM TEMPO DE CALAMIDADE</i></span></b></div><div align="LEFT" class="western" lang="pt-PT" style="margin-left: 0.17cm; margin-right: 0.34cm;"><b>.</b> </div><div align="CENTER" class="western" lang="pt-PT" style="margin-left: 0.17cm; margin-right: 0.34cm;"><b><span style="font-size: x-small;">RESUMO</span></b></div><div align="CENTER" class="western" lang="pt-PT" style="margin-left: 0.17cm; margin-right: 0.34cm;"><b><span style="font-size: x-small;">. </span></b></div><div align="JUSTIFY" lang="pt-PT" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">A presente comunicação pretende fazer conhecer algumas das mais recentes manifestações poéticas da Guiné-Bissau, produzidas durante e logo após o conflito armado de 1998/99, como um eco dos sentimentos despertados por aquela guerra fratricida e suas consequências. Escritores como Tony Tcheka, Felix Sigá, Respício Nuno, Huco Monteiro possuem poemas inéditos de grande valor, clamando por urgente divulgação. Pretendo ressaltar sobretudo a novíssima obra de Odete da Costa Semedo, No fundo do canto“, no prelo, com publicação planejada ainda para este ano. </span></div><div align="JUSTIFY" lang="pt-PT" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">. </span></div><div align="JUSTIFY" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;"><span lang="pt-PT"><span style="color: black;">A percepção pessoal ou coletiva sobre calamidades ou momentos extremos de crise tem sido fruto de pesquisas as mais diversas. A literatura nascida durante ou em consequência de um conflito militar ou político, debaixo das dores e dos sofrimentos causados pela fuga ou pelo exílio, durante a vida na clandestinidade ou no estrangeiro, ou produzida sob o medo da censura e apesar do cerceamento da opinião pública é de um valor<span style="font-size: x-small;"><span style="font-family: Courier New,monospace;"> </span></span>imprescindível como produto estético e também como sinal de advertência para as gerações vindouras. Na Guiné-Bissau não foram poucos os autores que no passado ou na atualidade fizeram desse tema o cerne do seu labor de escritores.</span></span></span></div><div align="JUSTIFY" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;"><span lang="pt-PT"><span style="color: black;">. </span></span></span></div><div align="JUSTIFY" class="western" lang="pt-PT" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">Odete da Costa Semedo, com o longo poema „No fundo do canto“, traz uma contribuição única no campo da poesia guineense, e não só. A autora reflete o clima depressivo que domina seu país, depois do conflito armado e também no momento atual. Expectativas não realizadas despertam sentimentos que deixam traços indeléveis na coletividade, seus efeitos abalam a autoconfiança e a própria identidade e representam um papel importante na relação entre literatura e experiência. A impotência face ao derramar do sangue inocente, a indignação sobre as destruições causadas pelas armas, a revolta sobre os resultados do desmoronamento do projeto nacional são tematizados em um extenso texto, estruturado em poemas curtos divididos em quatro sequências, em que o crioulo se mistura ao português e elementos da cultura multiétnica guineense emprestam uma grande plasticidade ao contexto.</span></div><div align="JUSTIFY" class="western" lang="pt-PT" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">. </span></div><div align="JUSTIFY" class="western" lang="pt-PT" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">O que norteia o horizonte simbólico de Odete Semedo não são fatos precisos da história de seu país; não lhe interessou a literalização dos acontecimentos reais. Trata-se bem mais de pinceladas de uma paisagem de pesadelo, uma busca de um novo território depois do dilúvio. O inconsciente, com seus pavores e delírios, envolve o político e o ético em uma produção poética sem igual, em parte lírica, em parte épica, da mais extrema dramaticidade.</span></div><div align="JUSTIFY" class="western" lang="pt-PT" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">. </span></div><div align="JUSTIFY" class="western" lang="pt-PT" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">Mais do que qualquer outro autor guineense, Odete Semedo trabalhou poeticamente o fenômeno da guerra e suas consequências morais e psicológicas. Entretanto, não se trata aqui de uma escatologia. Muito pelo contrário, seu „desabafo“ evidencia-se como um caminho para a superação das angústias e traumas de uma coletividade, a elaboração dos significados da realidade e um instrumento para a projeção de suas esperanças.</span></div><div align="JUSTIFY" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><br />
</div><div align="CENTER" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">______________________________________________________________</span></div><div align="CENTER" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">Nataniel ngomane</span></div><div align="CENTER" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">(Universidade de São Paulo)</span></div><div align="CENTER" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;">.</div><h6 class="western" lang="pt-BR" style="line-height: 100%; margin-left: 0.17cm; margin-right: 0.34cm; text-align: center;"><b>um olhar atrás, um em frente</b></h6><div></div><div class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm; text-align: center;"><b>.</b> </div><div style="text-align: center;"></div><div class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm; text-align: center;"><b><span style="font-size: x-small;">resumo</span></b></div><div align="CENTER" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;">.</div><div align="JUSTIFY" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">Russel Hamilton (1999) aponta a expressão literária de reivindicação cultural, protesto social e combatividade, característica das últimas décadas da ocupação colonial nos países africanos de língua portuguesa, como estando na base actual escrita desses países. Isso justifica, segundo este autor, o facto de as respectivas literaturas ainda encararem o passado enquanto caminham para o futuro, o que o leva a afirmar que “os antigos colonizados e os seus descendentes, mesmo com o fim do colonialismo oficial, avançam para o futuro de costas”.</span></div><div align="JUSTIFY" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">. </span></div><div align="JUSTIFY" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">De facto, muitos dos textos literários moçambicanos produzidos depois da independência mantêm essa ligação com o passado. Seja com o passado histórico e sociocultural, seja mesmo com o passado literário. Tudo indica, pois, que se desenha na actual literatura moçambicana uma atitude de escrita que é também de rescrita desse passado, num gesto que se configura ainda de protesto contra as “distorções, mistificações e exotismos” cometidos – e que ainda se cometem – sobre a história e a realidade sociocultural africana, em Moçambique.</span></div><div align="JUSTIFY" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">. </span></div><div align="JUSTIFY" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">É partindo desse prisma que a presente comunicação se debruça sobre esse <i>olhar para trás com as atenções no futuro, </i>procurando mostrar, a partir de <i>Vozes Anoitecidas (</i>1986) de Mia Couto e <i>Ualalapi </i>(1987) de Ungulani ba ka Khosa, como essa escrita retoma um projecto estético iniciado em <i>Godido e outros contos </i>(1952) de João Dias e <i>Nós matámos o cão tinhoso </i>(1964) de Luís Bernardo Honwana, revestindo-o de novas roupagens.</span></div><div align="JUSTIFY" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">. </span></div><div align="JUSTIFY" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">É que se, por um lado, esse aspecto confere a Couto e Khosa, e as respectiva obras, o mérito de darem continuidade a um projecto estético iniciado em obras referenciais anteriores, por outros autores moçambicanos – ainda que de forma menos intrépida - , por outro, também lhes conferes o de, de forma arguta, operarem uma mudança significativa na elaboração discursiva da ficção narrativa moçambicana, com enfoque sobre a linguagem, assim contribuindo no fornecimento de subsídios para a instituição de uma tradição literária de escrita em Moçambique.</span></div><div align="JUSTIFY" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><br />
</div><div align="CENTER" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">______________________________________________________________</span></div><div align="CENTER" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">norma lima</span></div><div align="CENTER" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">(Universidade Estácio de Sá)</span></div><div align="CENTER" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;">.</div><div align="CENTER" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><b><span style="font-size: x-small;"><i>cabo verde e a antropofagia do brasil</i></span></b></div><div align="CENTER" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><b>.</b> </div><div align="CENTER" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><b><span style="font-size: x-small;">resumo</span></b></div><div align="CENTER" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><b><span style="font-size: x-small;">. </span></b></div><div align="JUSTIFY" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">O termo "influência" e correlatos foi e é utilizado, por alguns críticos e autores, para caracterizar a relação entre as literaturas brasileira e a cabo-verdiana.</span></div><div align="JUSTIFY" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">. </span></div><div align="JUSTIFY" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">Originado do pensamento de Taine, no último quartel do século XIX, postulava que cada obra de arte deveria ser compreendida a partir da causa que a havia determinado. Superando este conceito, entendemos a relação estabelecida entre os textos cabo-verdianos e modernistas brasileiros como aquela imagem, no sentido de refundá-la em solo crioulo. Segundo esta ótica, o Movimento Modernista Brasileiro se constituiria um modelo, como ressaltou Baltasar Lopes no depoimento colhido por Manuel Ferreira no prefácio de Claridade, em sua colecção para a história das Literaturas Africanas de expressão Portuguesa, 1986.</span></div><div align="JUSTIFY" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">. </span></div><div align="JUSTIFY" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">Modelo, este, de (re)ações desejáveis e propulsoras para a conscientização de uma legítima Literatura Cabo-verdiana,</span></div><div align="JUSTIFY" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><br />
</div><div align="CENTER" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">______________________________________________________________</span></div><div align="CENTER" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">Paulo de Medeiros.</span></div><div align="CENTER" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">(Universiteit Utrecht.)</span></div><div align="JUSTIFY" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;">.</div><div align="CENTER" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><b>“<span style="font-size: x-small;">Quando os mortos falam: repensando o pós-colonialismo e o pós-modernismo como disjunção”</span></b></div><div align="CENTER" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><b>.</b> </div><div align="CENTER" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><b><span style="font-size: x-small;">resumo</span></b></div><div align="JUSTIFY" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;">.</div><div align="JUSTIFY" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;"><span style="color: black;">Esta comunicação pretende analisar alguns modos em como estratégias pós-coloniais e pós-modernistas são utilizadas de maneira a representar disjunções do tecido social em Cabo Verde e Moçambique a partir de uma comparação entre dois textos: <i>O Testamento do Sr. Napumoceno da Silva Araújo</i>, de Germano Almeida e <i>Palestra para Um Morto</i> de Suleiman Cassamo. Ambos os romances enfatizam uma preocupação com o passado que assume a forma de assombramento. Ao darem a voz aos mortos os dois textos evocam não só estratégias formais complexas como assinalam a importância da memória cultural na construção de uma identidade individual e nacional.</span></span></div><div align="JUSTIFY" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;">.</div><div align="CENTER" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">______________________________________________________________</span></div><div align="CENTER" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">Paulo Victorino dos Reis</span></div><div align="CENTER" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;"><span style="color: black;">(Universidade Agostinho Neto)</span></span></div><div align="CENTER" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><b>.</b> </div><div align="CENTER" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><b><span style="font-size: x-small;"><i>Línguas africanas e tradição na modernidade literária</i></span></b></div><div align="CENTER" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><b>.</b> </div><div align="CENTER" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><b><span style="font-size: x-small;">resumo</span></b></div><div align="CENTER" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;">.</div><div align="JUSTIFY" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">Trata-se de um tema bastante sintomático pela natureza das preocupações de ordem linguística, sociolinguística, literária e até mesmo sociológica que este levanta.</span></div><div align="JUSTIFY" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">. </span></div><div align="JUSTIFY" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">Procuraremos, em primeiro lugar, abordar numa perspectiva prioritariamente sociolinguística o momento actual das línguas africanas (nacionais) na sociedade angolana. O conceito de modernidade na literatura deve ser avaliado, não somente em termos de periodização, mas acima de tudo, buscando o enquadramento semântico dos diversos constituintes da sua essência num contexto sociocultural concreto.</span></div><div align="JUSTIFY" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">. </span></div><div align="JUSTIFY" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">A literatura angolana é bastante ousada em absorver os sinais da oralidade e da diversidade linguística que o mosaico nacional oferece, servindo-se essencialmente das suas vertentes de desenvolvimento, a saber: a literatura oral e a literatura escrita.</span></div><div align="JUSTIFY" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">. </span></div><div align="JUSTIFY" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;"><span style="color: black;">Os pressupostos aqui avançados convergem na edificação de uma consciência (identidade) do homem angolano, o que é frequentemente entendido por angolanidade (nas suas mais diversas asserções) – diríamos, quanto a nós, uma ideologia linguística, que, de resto, é o <i>leit-motiv </i>da nossa abordagem.</span></span></div><div align="JUSTIFY" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><br />
</div><div align="CENTER" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">______________________________________________________________</span></div><div align="CENTER" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">Patrícia Simões de Oliveira Rosa.</span></div><div align="CENTER" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">(Universidade Federal do Rio de Janeiro – Faculdade de Letras)</span></div><div align="CENTER" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;">.</div><div align="CENTER" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;"><b>A metamorfose do olhar – o lírico e o satírico em <i>O último vôo do flamingo</i></b></span></div><div align="LEFT" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;">.</div><div align="CENTER" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><b><span style="font-size: x-small;">Resumo</span></b></div><div align="CENTER" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><br />
</div><div align="JUSTIFY" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">A diluição entre as fronteiras de gênero. A identidade cultural questionada – ruptura e resgate. A construção do olhar: linguagem e memória. O reconhecimento do desconhecido. O contraponto com a alteridade colonizadora. O risível e a transgressão ideológica. A criatividade lingüística de Mia Couto e a utopia centrada no imaginário e no sonho.</span></div><div align="CENTER" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><br />
</div><div align="CENTER" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">______________________________________________________________</span></div><div align="CENTER" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">petar petrov</span></div><div align="CENTER" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">(Universidade do Algarve)</span></div><div align="CENTER" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;">.</div><h4 class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm; text-align: center;"><b>O universo romanesco de mia couto</b></h4><div></div><div class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm; text-align: center;"><b>.</b> </div><div style="text-align: center;"></div><div class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm; text-align: center;"><b><span style="font-size: x-small;">resumo</span></b></div><div align="CENTER" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><br />
</div><div align="JUSTIFY" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">Na produção narrativa do autor moçambicano Mia Couto, para além do conto, da “estória” e da crónica, merecem especial referência os seus quatro romances, que se destacam pela originalidade da escrita. Esta tem a ver com inovações nos diferentes planos da semiose literária, nomeadamente nos domínios técnico-compositivos e semântico-pragmáticos, que contribuem para configurar a moçambicanidade da sua expressão estética.</span></div><div align="LEFT" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;">.</div><div align="CENTER" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">______________________________________________________________</span></div><div align="CENTER" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">regina claro</span></div><div align="CENTER" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">(Universidade de São Paulo)</span></div><div align="LEFT" class="western" lang="pt-PT" style="margin-left: 0.17cm; margin-right: 0.34cm;">.</div><h1 align="CENTER" class="western" lang="pt-BR" style="line-height: 100%; margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">Morte, Segredos e a Escrita da História em Angola: Antônio de Assis Júnior</span></h1><div align="CENTER" lang="pt-PT" style="line-height: 0.64cm; margin-left: 0.17cm; margin-right: 0.34cm;"><b><span style="font-family: Times New Roman,serif;"><span style="font-size: x-small;">Resumo</span></span></b></div><div align="CENTER" lang="pt-PT" style="line-height: 0.64cm; margin-left: 0.17cm; margin-right: 0.34cm;"><br />
</div><div align="JUSTIFY" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">O discurso sobre o passado tem como estatuto ser o discurso do morto. O objeto que nele circula não é senão o ausente, enquanto que o seu sentido é o de ser uma linguagem entre o narrador e os seus leitores, ou seja, entre presentes. A coisa comunicada opera a comunicação de um grupo com ele mesmo ao reportar-se a um terceiro ausente que é seu passado. O morto nesse sentido é a figura objetiva de uma troca entre vivos. </span></div><div align="JUSTIFY" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">. </span></div><div align="JUSTIFY" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">Mas falar dos mortos é também negar a morte, é quase desafiá-la. Um trabalho da morte e contra a morte.</span></div><div align="JUSTIFY" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">. </span></div><div align="JUSTIFY" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">Fazer história nos remete à escrita. Escrita, que, por sua vez, aprisiona a oralidade cujos poderes são restringidos a esferas remotas, longínquas.</span></div><div align="JUSTIFY" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">.</span></div><div align="JUSTIFY" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">.</span></div><div align="JUSTIFY" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">No entanto, ela não pertence de modo algum, a um passado perdido e irrecuperável. O não presente, não é um pretérito irreversível, mas é tão somente o distante. Ela está excluída do “lúcido” e “bem ordenado” tempo da escrita, pela sua própria natureza que pertence a uma temporalidade de outra natureza. Mas tudo o que com o selo do Ser vem, à luz tem sempre a possibilidade de retornar à luz da Presença, pelos dons da Memória. </span></div><div align="JUSTIFY" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">. </span></div><div align="JUSTIFY" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">Nesse sentido, resgatar os elementos constitutivos de uma história da África plural e diversificada impõe, a nosso ver, o enfrentamento da relação oralidade e escrita, fundamental para a compreensão do problema das articulações entre formas diversas de preservação da memória e das culturas africanas. </span></div><div align="JUSTIFY" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">. </span></div><div align="JUSTIFY" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">E a escrita da História da África passa, necessariamente, pelo resgate da literatura africana, ela mesma testemunho das tensões e ambiguidades da relação oratura/escritura.</span></div><div align="JUSTIFY" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">. </span></div><div align="JUSTIFY" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">No caso da presente comunicação, o fio de Ariadne será o romance de Antônio de Assis Júnior <i>O Segredo da Morta</i>, No jogo de segredos e mortes, a escrita ficcional, na verdade descobre e recupera, as tradições cognitivas e morais de um passado que reivindica representação. Através do engenho, o narrador desvela o que se encontra velado, e torna secreto o que quer revelado. Na medida em que os enigmas são apresentados, o autor revela outras intenções no interior de sua escrita. A escrita do autor faz histórias fazendo a História. A ficção viabiliza a composição de uma sociedade que se dar a conhecer. O exercício da escrita, incita a abrir alternativas para o ato de escrever a História. E no interior de um movimento paradoxal, o autor tenta equacionar um projeto de unidade.</span></div><div align="JUSTIFY" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><br />
</div><div align="CENTER" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">______________________________________________________________</span></div><div align="CENTER" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">roberto francavilla</span></div><div align="CENTER" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">(Universidade de Siena)</span></div><div align="CENTER" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;">.</div><div align="CENTER" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><b><span style="font-size: x-small;">Quem inventou a Morabeza?</span></b></div><div align="CENTER" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><b><span style="font-size: x-small;">Identidade e originalidade na literatura caboverdiana.</span></b></div><div align="CENTER" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><b><span style="font-size: x-small;">. </span></b></div><div align="CENTER" class="western" lang="pt-BR" style="line-height: 200%; margin-left: 0.17cm; margin-right: 0.34cm;"><b><span style="font-size: x-small;">Resumo</span></b></div><div align="CENTER" class="western" lang="pt-BR" style="line-height: 200%; margin-left: 0.17cm; margin-right: 0.34cm;"><b><span style="font-size: x-small;">. </span></b></div><div align="JUSTIFY" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">A minha intervenção terá como objecto a literatura caboverdiana e em particular a chamada “Geração de ‘80”, cujos poetas, se por um lado nem sempre alcançam um nível formal afim a representates das gerações anteriores, por outro questionam-se acerca da originalidade duma “imagem” caboverdiana construida a partir de ideias que facilitam a aproximação ao contexto crioulo por parte do “leitor modelo”. Exemplo típico é o da <i>morabeza</i>. A <i>praxis</i> textual permite a fixação (e a mitificação), dentro do polissistema literário, de signos nem sempre correspondentes à uma intenção autorial, até criar estereótipos culturais impermeáveis. A minha abordagem,<span style="font-size: small;"> </span>baseada nos princípios da <i>imagologie</i>, tenta investigar o discurso polémico que alguns poetas (muitos dos quais reunidos na antologia <i>Mirabilis – De veias ao sol</i>) desencadearam em relação tanto às gerações de “Claridade” e “Certeza”, quanto aos riscos de apropriação neocolonial da imagem cultural caboverdiana por parte do contexto português.</span></div><div align="CENTER" class="western" lang="it-IT" style="margin-left: 0.17cm; margin-right: 0.34cm;"><br />
</div><div align="CENTER" lang="it-IT" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">______________________________________________________________</span></div><div align="CENTER" class="western" lang="it-IT" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">Roberto Vecchi</span></div><div align="CENTER" class="western" lang="it-IT" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">(Università di Bologna)</span></div><div align="CENTER" class="western" lang="it-IT" style="margin-left: 0.17cm; margin-right: 0.34cm;">.</div><div align="CENTER" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><b><span style="font-size: x-small;">Performatividade e narrações da nação na poesia angolana </span></b></div>.<br />
<div align="CENTER" class="western" lang="it-IT" style="margin-left: 0.17cm; margin-right: 0.34cm;"><b><span style="font-size: x-small;">resumo</span></b></div>.<br />
<div align="JUSTIFY" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">O performativo representa um dos dois tempos constitutivos da produção da nação como narração, proporcionando uma problematização interessante da relação entre povo como imagem e povo como signo de diferença cultural. Desse ponto de vista, a poesia angolana, no processo de formação da sua voz descolonizada, oferece um território privilegiado onde projecto cultural e o projecto político da nação se combinam e se entrecruzam. Tendo com objecto alguns textos poéticos de referência, tentar-se-á mostrar como primordialmente a nação se configura a partir da temporalidade intermediária dos poetas que percorrem e traduzem os limites de sentido, a perda de identidade no processo de significação da identificação cultural, mostrando uma margem interna, ambígua e instável, da narração da comunidade imaginada a que os seus poemas remetem. </span></div><div align="LEFT" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><br />
</div><div align="CENTER" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">______________________________________________________________</span></div><div align="CENTER" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">Robson Lacerda Dutra</span></div><div align="CENTER" class="sdfootnote-western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;">(Universidade Federal do Rio de Janeiro)</div><div align="CENTER" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;">.</div><div lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm; text-align: center;"><b><span style="font-size: x-small;"><i>Entre o mar português de ruínas e as ondas da resistência angolana</i></span></b></div><div></div><div lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm; text-align: center;"><b>.</b> </div><div style="text-align: center;"></div><div lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm; text-align: center;"><b><span style="font-size: x-small;">resumo</span></b></div><div align="RIGHT" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;">.</div><div align="JUSTIFY" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">A viagem ultramarina portuguesa resultou em um mar de ruínas no qual jazem utopias portuguesas e africanas.</span></div><div align="JUSTIFY" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">. </span></div><div align="JUSTIFY" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">Em <i>Autópsia de um mar de ruínas</i>, de João de Melo, a voz enunciadora mescla o testemunho do autor, que lutou nas matas do norte de Angola com a de diversos personagens dos chamados anos de guerra em que se deu a falência do projeto colonialista português.</span></div><div align="JUSTIFY" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">. </span></div><div align="JUSTIFY" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">De igual modo, a obra de Pepetela revela, sobretudo a partir de <i>A geração da utopia</i>, a desilusão e a falência do projeto de independência de Angola. Tal constatação se dá através de uma trama narrativa fragmentada na qual muitas “verdades” emergem e que, a partir da ficção, questiona e revê a história chamada oficial.</span></div><div align="JUSTIFY" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">. </span></div><div align="JUSTIFY" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">Dois mares: um português e outro angolano, ambos povoados por carcaças naufragadas. A obra de Pepetela, no entanto, faz ressurgir a esperança a bordo de uma nau capitaneada pelo imaginário angolano e que navega em um mar lilás de novas possibilidades.</span></div><div align="JUSTIFY" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><br />
</div><div align="CENTER" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">______________________________________________________________</span></div><div align="CENTER" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">Rosângela Sarteschi</span></div><div align="CENTER" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">(Universidade de São Paulo)</span></div><div align="JUSTIFY" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;">.</div><div align="CENTER" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><b><span style="font-size: x-small;"><i>Literaturas Africanas na perspectiva dos Estudos Comparados</i></span></b></div><div align="CENTER" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><b><span style="font-size: x-small;"><i>Mayombe, de Pepetela e Balada na praia dos cães, de Cardoso Pires</i></span></b></div><div align="CENTER" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><b>.</b> </div><div align="CENTER" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><b><span style="font-size: x-small;">Resumo</span></b></div><div align="CENTER" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;">.</div><div align="JUSTIFY" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">Esta comunicação deriva de uma pesquisa maior que tem por objetivo comparar o romance angolano, <b>Mayombe</b>, de Pepetela e o romance português, <b>Balada na praia dos cães</b>, de José Cardoso Pires.</span></div><div align="JUSTIFY" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">. </span></div><div align="JUSTIFY" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">Assim, pretendo aqui apontar algumas questões teóricas referentes ao comparativismo literário, aplicáveis ao caso específico das literaturas dos países em questão, como sejam a questão do conceito de literaturas nacionais e a questão das eventuais trocas/influências entre diferentes séries literárias, com uma reflexão específica fundada na estrutura do romance polifônico.</span></div><div align="LEFT" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><br />
</div><div align="CENTER" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">______________________________________________________________</span></div><div align="CENTER" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">Rubens pereira dos santos</span></div><div align="CENTER" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">(Universidade Estadual Paulista)</span></div><div align="CENTER" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;">.</div><h6 class="western" lang="pt-BR" style="line-height: 100%; margin-left: 0.17cm; margin-right: 0.34cm; text-align: center;"><b>brasil e cabo verde: duas literaturas irmãs</b></h6><div></div><div class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm; text-align: center;"><b>.</b> </div><div style="text-align: center;"></div><div class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm; text-align: center;"><b><span style="font-size: x-small;">resumo</span></b></div>.<br />
<div align="JUSTIFY" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">As literaturas do Brasil e de Cabo Verde sempre tiveram pontos de contato. A empatia de intelectuais cabo-verdianos pelos escritores brasileiros é bastante conhecida. Os poetas da <b>geração Claridade</b> sempre afirmaram que a literatura brasileira modernista servira de motivação para que eles buscassem o caminho da caboverdianidade. Todavia, a admiração de intelectuais ilhéus pelos brasileiros surgiu antes da publicação de <b>Claridade. </b>Pedro Cardoso em seu importante estudo sobre o folclore cabo-verdiano destaca alguns autores brasileiros: Machado de Assis, Alberto de Oliveira, Olavo Bilac e Euclides da Cunha. O nosso estudo pretende resgatar essa ligação num trabalho que envolve poetas e escritores das várias gerações cabo-verdianas. Jorge Barbosa, Manuel Lopes, Onésimo Silveira, Armênio Vieira, Orlanda Amarílis, pelo lado cabo-verdiano; Jorge de Lima, Ribeiro Couto e Manuel Bandeira pelo lado brasileiro. Trata-se de parte de uma pesquisa que estamos realizando sobre as relações literárias Brasil /Cabo Verde. Poder-se-á notar através dos textos apresentados que há uma clara intertextualidade entre os brasileiros e cabo-verdianos. Jorge Barbosa, com seus poemas sobre o mar e a recorrente temática da evasão tem seu trabalho ‘iluminado’ pelos versos do Bandeira da Pasárgada; Manuel Lopes com <i>Os flagelados do vento leste </i>vê em Graciliano Ramos o seu <b>irmão do sul</b> que encontrou uma solução para a literatura regionalista, solução esta que poderia ser indicativa para a solução cabo-verdiana. Compreendendo a delicada situação que vivemos hoje neste mundo globalizado, entendemos que a nossa tarefa reveste-se da maior importância na defesa das artes e das culturas dos países lusófonos. Para que nosso intento se transforme em realidade, torna-se essencial conhecermos as literaturas de língua portuguesa, divulgá-las entre nós, enfim mantermo-nos unidos para que tenhamos força.</span></div><div align="JUSTIFY" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><br />
</div><div align="CENTER" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">______________________________________________________________</span></div><div align="CENTER" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">Rui de azevedo teixeira</span></div><div align="CENTER" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">(Universidade Aberta)</span></div><div align="CENTER" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;">.</div><div align="CENTER" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><b><span style="font-size: x-small;"><i>mayombe, de Pepetela, e Jornada de África, de Manuel Alegre – aproximações e afastamentos</i></span></b></div><div align="CENTER" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><b>.</b> </div><div align="CENTER" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><b><span style="font-size: x-small;">resumo</span></b></div><div align="CENTER" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;">..</div><div align="JUSTIFY" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">Uma comparação contrastiva, através de leituras globais dos dois romances que se centram na Guerra Colonial, no Norte de Angola.</span></div><div align="CENTER" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><br />
</div><div align="CENTER" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">______________________________________________________________</span></div><div align="CENTER" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">rui manuel formoso nobre santos</span></div><div align="CENTER" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">(Escola Superior de Educação da Guarda)</span></div>.<br />
<div align="CENTER" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><b><span style="font-size: x-small;"><i>as relações linguístico-literárias entre portugueses e africanos: da imposição à difícil aceitação</i></span></b></div><div align="CENTER" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><b>.</b> </div><div align="CENTER" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><b><span style="font-size: x-small;">resumo</span></b></div><div align="CENTER" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;">.</div><div align="JUSTIFY" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">A descoberta, iniciada no séc. XV, e colonização da costa africana, pelos portugueses, transportou consigo um dos primordiais bens de qualquer civilização, a sua língua de comunicação. Esta, o português, num curto espaço de tempo, destronou as formas de comunicação indígena existentes, vindo a ocupar um lugar de destaque nessas comunidades: de língua política e veicular, passou a oficial, e, mais tarde, a instrumento de criação literária.</span></div><div align="JUSTIFY" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">. </span></div><div align="JUSTIFY" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">No que a este aspecto diz respeito, a produção literária africana (de expressão portuguesa, entenda-se) foi inicialmente marcada pelo cânone europeu, no entanto, ainda no nosso século, com a progressiva consciencialização cultural da africanidade, os escritores africanos romperam com o molde emulado e caminharam para a maioridade literária, fundamentada no seu mundo e crenças.</span></div><div align="JUSTIFY" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">. </span></div><div align="JUSTIFY" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">Se aos africanos mais não restou do que fazer sua a língua do estrangeiro, do mesmo tipo não parece ser, passados que estão mais de vinte e cinco anos sobre a independência, da tutela portuguesa, dos países africanos (de expressão portuguesa), o nosso sentimento institucional quanto à recepção dos produtos literário-culturais, produzidos, em lusa língua, por autores africanos e luso-africanos.</span></div><div align="JUSTIFY" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">. </span></div><div align="JUSTIFY" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">Será esta dualidade que nos pretende, ainda que de forma sintética, ocupar, tendo sobretudo por base o lugar que a literatura africana de expressão portuguesa ocupa nos textos propostos pelo sistema educativo, mormente para o Ensino secundário.</span></div><div align="JUSTIFY" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">. </span></div><div align="JUSTIFY" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">José Craveirinha, Escritor Moçambicano, Africano, Lusófono e Universalista: Reminiscências Literárias e Pessoais, <i>In Memoriam.</i><br />
</span></div><div align="CENTER" class="western" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">______________________________________________________________</span></div><div align="CENTER" class="western" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">Russell G. Hamilton</span></div><div align="CENTER" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;"><span lang="pt-PT"><span style="color: black;">(Vanderbilt University)</span></span></span></div><div align="CENTER" class="western" lang="pt-PT" style="margin-left: 0.17cm; margin-right: 0.34cm;">.</div><div align="CENTER" class="western" lang="pt-PT" style="margin-left: 0.17cm; margin-right: 0.34cm;"><b><span style="font-size: x-small;"><i>josé craveirinha, o poeta moçambicano, lusófono, africano e universalista: recordações in memoriam</i></span></b></div><div align="CENTER" class="western" lang="pt-PT" style="margin-left: 0.17cm; margin-right: 0.34cm;"><b>.</b> </div><div align="CENTER" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;"><span style="color: black;"><b>Resumo</b><br />
.</span></span></div><div style="text-align: justify;"><span style="font-size: x-small;"><span style="color: black;"> Esta comunicação aborda a natureza multifacetada de José Craveirinha como homem e escritor. A fim de estabelecer um contexto para a tese principal da comunicação, começo por especificar os valores denotativos e conotativos referentes aos adjectivos "moçambicano, africano, lusófono e universalista". O texto principal da comunicação constitui uma análise das quatro classificações e das suas ligações recíprocas. Citando poemas e contos relevantes, procuro mostrar como as várias facetas, tanto no conteúdo como na forma de obras individuais assim como no conjunto da produção literária de Craveirinha, resultaram na sua grandeza como artista e homem. A comunicação aborda tais assuntos como negritude, mestiçagem, pan-africanismo, lusofonia, internacionalismo, multiculturalidade, a "fraternidade" dos idiomas e povos e a estética como força universal.</span></span></div><div align="CENTER" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;"><span style="color: black;"> <br />
</span></span></div><div align="CENTER" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">______________________________________________________________</span></div><div align="CENTER" class="western" lang="pt-PT" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">Salvador Magalhães Mota </span></div><div align="CENTER" class="western" lang="pt-PT" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">(Faculdade de Letras da Universidade do Porto)</span></div><div align="CENTER" class="western" lang="pt-PT" style="margin-left: 0.17cm; margin-right: 0.34cm;">.</div><div align="CENTER" class="western" lang="pt-PT" style="margin-left: 0.17cm; margin-right: 0.34cm;"><b><span style="font-size: x-small;">O imaginário colonial na imprensa diária portuense na transição da monarquia para a república.</span></b></div><div align="LEFT" class="western" lang="pt-PT" style="margin-left: 0.17cm; margin-right: 0.34cm;"><b>.</b> </div><div align="CENTER" class="western" lang="pt-PT" style="margin-left: 0.17cm; margin-right: 0.34cm;"><b><span style="font-size: x-small;">RESUMO</span></b></div><div align="CENTER" class="western" lang="pt-PT" style="margin-left: 0.17cm; margin-right: 0.34cm;">.</div><div align="JUSTIFY" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;"><span lang="pt-PT"><span style="color: black;">Pretendemos com esta comunicação observar o interesse que as questões coloniais despertaram na opinião pública, na elite intelectual e na camada dirigente do País analisando notícias publicadas na imprensa diária do Porto, sobretudo, a mais importante com recurso a um ou outro periódico publicado em Lisboa. Indagaremos até que ponto algumas ideias proclamadas tinham aplicação e aceitação prática no viver quotidiano das populações africanas e europeias. É nossa intenção detectar alguns traços evidenciadores do colonialismo português. Para melhor atingirmos o desiderato a que nos propomos, dividimos o presente trabalho em 3 partes. Na primeira parte faremos um breve enquadramento da época que estamos a tratar, na segunda caracterizaremos um pouco os periódicos que vão ser objecto da nossa atenção prioritária, como sejam: Jornal de Notícias, Comércio do Porto, Primeiro de Janeiro, a Palavra publicados no Porto e o Diário de Notícias e o Século editados em Lisboa. Na terceira, a mais desenvolvida evidenciaremos algumas questões candentes do colonialismo português como os sentidos da construção de um império colonial, o fomento de obras públicas, as missões religiosas e a problemática da emigração bem como o conjunto de contradições e vulnerabilidades que elas mesmas encerram.<span style="font-size: x-small;"><span style="font-family: Courier New,monospace;"> </span></span></span></span></span></div><div align="JUSTIFY" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><br />
</div><div align="CENTER" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">______________________________________________________________</span></div><div align="CENTER" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">sara raquel duarte reiis da silva</span></div><div align="CENTER" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">(Universidade do Minho)</span></div><div align="CENTER" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">.</span></div><div align="CENTER" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;">.</div><div align="CENTER" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><b><span style="font-size: x-small;"><i>estranhões & Bizarrocos, de josé eduardo Agualusa e a aventura da “inventividade”</i></span></b></div><div align="CENTER" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><b>.</b> </div><div align="CENTER" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><b><span style="font-size: x-small;">resumo</span></b></div><div align="CENTER" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;">.</div><div align="JUSTIFY" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">A presente comunicação pretende dar conta de uma leitura de <i>Estranhões & Bizarrocos [Estórias para adormecer anjos] </i>, de José Eduardo Agualusa, obra com grafismo de Henrique Cayatte, tendo como ponto de partida a ideia de aventura ou de privilégio da «inventividade», espécie de processo- matriz na construção temático-discursiva de todos os textos coligidos na colectânea em questão.</span></div><div align="JUSTIFY" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">. </span></div><div align="JUSTIFY" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">Assim, tendo por base a noção de macrotexto, partiremos da interpretação do título e do subtítulo, elementos que, conjugados com outros paratextos da obra, se apresentam plenos de relevância semântica, até uma abordagem das personagens, dos <i>topoi</i>, das situações ou dos universos recriados, destacando-se os traços transgressores do mundo empírico que evidenciam.</span></div><div align="JUSTIFY" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">. </span></div><div align="JUSTIFY" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">Procurar-se-á, ainda, não só analisar aspectos atinentes à arquitectura textual, mas também fixar as estratégias narrativas e ficcionais perseguidas nestes textos de Agualusa, no sentido da apreensão, a este nível, de algumas das marcas paradigmáticas que individualizam a escrita literária para crianças.</span></div><div align="JUSTIFY" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><br />
</div><div align="CENTER" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">______________________________________________________________</span></div><div align="CENTER" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">sandra manuela de sousa campos</span></div><div align="CENTER" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">(Universidade de Birmingham)</span></div><div align="CENTER" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><b>.</b> </div><div align="CENTER" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><b><span style="font-size: x-small;"><i>mulheres na diáspora africana: os contos de orlanda amarílis e dionne brand</i></span></b></div><div align="CENTER" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><b>.</b> </div><div align="CENTER" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><b><span style="font-size: x-small;">resumo</span></b></div><div align="JUSTIFY" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;">.</div><div align="JUSTIFY" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">No âmbito da área temática do comparativismo literário, esta comunicação pretende efectuar uma leitura paralela entre duas autoras da diáspora africana, Orlanda Amarílis, de Cabo Verde, e Dionne Brand, da ilha de Trinidad, Caraíbas. Apesar das suas vivências linguísticas e geográficas serem completamente díspares, estas escritoras têm em comum as suas origens africanas, a sua experiência de vida na diáspora e, portanto, a sua pertença à cultura do ‘Black Atlantic’. </span></div><div align="JUSTIFY" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">. </span></div><div align="JUSTIFY" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">Assim, os seus textos demonstram claramente a sua preocupação em explorar conceitos como espaço, movimento, migração, exílio, terra-mãe, desenraizamento, através, sobretudo, de personagens femininas que procuram compreender as duas identidades enquanto mulheres de origem africana a viver na sua ilha ou longe dela. Mulheres que estão envolvidas num constante processo de negociação de identidades entre o espaço da terra-mãe e o da diáspora, o que nos leva a sugerir que estas autoras preconizam nos seus contos um certo sentido de insegurança e de impermanência. Sentido esse que se torna ainda mais exacerbado quando, de igual modo, se negoceiam identificações de raça, classe e sexualidade.</span></div><div align="LEFT" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><br />
</div><div align="CENTER" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">______________________________________________________________</span></div><div align="CENTER" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">shirley de Souza gomes carreira</span></div><div align="CENTER" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">(Universidade Gran. Rio de Janeiro)</span></div><div align="CENTER" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><b>.</b> </div><div align="CENTER" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><b><span style="font-size: x-small;"><i>Um breve olhar sobre a representação da mulher em A geração da utopia, de pepetela</i></span></b></div><div align="JUSTIFY" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><b>.</b> </div><div align="CENTER" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><b><span style="font-size: x-small;">resumo</span></b></div><div align="CENTER" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;">.</div><div align="JUSTIFY" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">Os estudos de gênero têm privilegiado não só a literatura de autoria feminina como também têm buscado registrar mudanças na representação da mulher em obras de autoria feminina.</span></div><div align="JUSTIFY" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">.</span></div><div align="JUSTIFY" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;"><br />
</span></div><div align="JUSTIFY" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;"><i>A geração da utopia, </i>de Pepetela, registra a participação feminina no movimento de luta pela independência de angola.</span></div><div align="JUSTIFY" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">. </span></div><div align="JUSTIFY" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">Ao fazê-lo traça perfis distintos de mulher, que operam no universo ficcional de modo a concretizar simbolicamente, em seu relacionamento com as personagens masculinas, o ideal revolucionário, a África mítica, a adoção da ótica do dominador e a falência da utopia.</span></div><div align="JUSTIFY" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">. </span></div><div align="JUSTIFY" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">Esta comunicação propõe uma breve análise desses perfis femininos e o modo pelo qual concorrem para instaurar o discurso de perplexidade e desencanto que caracteriza o romance.</span></div><div align="CENTER" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><br />
</div><div align="CENTER" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">______________________________________________________________</span></div><div align="CENTER" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">Silvania núbia chagas</span></div><div align="CENTER" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">(Universidade de São Paulo)</span></div><div align="CENTER" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;">.</div><div align="CENTER" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><b><span style="font-size: x-small;"><i>Brasil e moçambique: guimarães rosa e mia couto, olhares que se bifurcam.</i></span></b></div><div align="CENTER" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><b>.</b> </div><div align="CENTER" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><b><span style="font-size: x-small;">resumo</span></b></div><div align="CENTER" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;">.</div><div align="JUSTIFY" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">Guimarães Rosa e Mia Couto, através de suas obras, em momentos diferentes, se voltam para o passado na tentativa de resgatar a tradição de seus países, que de certa forma estão imbricadas, tendo em vista carregar em seu bojo os costumes europeus desde a colonização. Colonização esta que tem em comum o mesmo colonizador.</span></div><div align="JUSTIFY" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">. </span></div><div align="JUSTIFY" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">O presente trabalho faz um cotejo desse processo – o resgate da tradição – na escritura dos dois autores, na tentativa de verificar quais são as confluências e as e divergências que existe entre as tradições dos dois países – Brasil e Moçambique.</span></div><div align="JUSTIFY" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">.</span></div><div align="CENTER" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">______________________________________________________________</span></div><div align="CENTER" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">silvie spanková</span></div><div align="CENTER" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">(Universidade de Bnno – República Checa)</span></div><div align="CENTER" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;">.</div><div lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm; text-align: center;"><b><span style="font-size: x-small;"><i>Entre Mito e História</i></span></b></div><div></div><div lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm; text-align: center;"><b>.</b> </div><div style="text-align: center;"></div><div lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm; text-align: center;"><b><span style="font-size: x-small;">resumo</span></b></div><div lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm; text-align: center;"><b><span style="font-size: x-small;">. </span></b></div><div align="JUSTIFY" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">Uma das feições salientes dos romances de Pepetela compreende o confronto entre o mundo tradicional, representado pela sociedade ancestral, guardiã dos valores míticos, e o contexto histórico, moldado pelos vectores do determinado espaço geográfico e temporal. Tal confronto constitui o permanente diálogo entre a tradição e história, veiculado por uma linguagem fortemente simbólica que, através de vários tipos de discurso, proporciona vários sentidos, perspectivas e mundividências. Um lado deste diálogo – o discurso correspondente ao acervo da comunidade tradicional, formado pelas lendas, mitos, ritos ou contos orais, comunica, assim, com o discurso constituído pelas referências históricas e alusões ao domínio de ideias políticas. </span></div><div align="JUSTIFY" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">. </span></div><div align="JUSTIFY" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">O nosso objectivo será reflectir um p.ouco sobre a linguagem simbólica de Pepetela, portadora de uma pluralidade de pontos de vista e, em especial, sobre esse diálogo entre a tradição e história que está no cerne da mensagem da narrativa. O <i>corpus</i> do nosso trabalho inclui os exemplos dos romances pertencentes a várias fases da escrita pepeteliana, como, p. ex., <i>Muana Puó, Mayombe, Parábola do Cágado Velho</i> e <i>A Gloriosa</i> <i>Família.</i> </span></div><div class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><br />
</div><div align="CENTER" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">______________________________________________________________</span></div><div class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm; text-align: center;"><span style="font-size: x-small;">suzana rodrigues pavão</span></div><div></div><div class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm; text-align: center;"><span style="font-size: x-small;">(Puc- Minas)</span></div><div class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm; text-align: center;"><span style="font-size: x-small;">. </span></div><div style="text-align: center;"></div>.<br />
<div class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">. </span></div><div align="JUSTIFY" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">A presente comunicação pretende analisar a trajetória de duas nações através de dois personagens construídos nas obras <i>Jornada de África, </i>de Manuel Alegre e <i>A Geração da Utopia, </i>de Pepetela, respectivamente Sebastião e Aníbal. Sebastião, o alferes, é a construção do personagem que representará a transformação ideológica de um país que viveu da imagem de um poder que viria da dominação colonial. Ao reviver o mítico rei, Sebastião, fará o rompimento com a ideologia conservadora que mantém o espírito nacional português a tantos séculos. O novo Portugal surgirá do retorno à Pátria para poder olhar-se no espelho da verdade e assim, existir no mundo presente. </span></div><div align="JUSTIFY" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">. </span></div><div align="JUSTIFY" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">Enquanto Sebastião será o colonizador que não aceita a colonização, Aníbal será o combatente colonizado, que aprende a viver, pensar e lutar junto aos colonizadores. O lugar de exílio será o ponto de ligação entre os dois personagens. Ambos estão fora dos seus lugares para dessa forma poderem criar a utopia de suas nações.</span></div><div align="JUSTIFY" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><br />
</div><div align="CENTER" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">______________________________________________________________</span></div><div class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm; text-align: center;"><span style="font-size: x-small;">susanna ventura</span></div><div></div><div class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm; text-align: center;"><span style="font-size: x-small;">(Universidade de São Paulo)</span></div><div style="text-align: center;"></div><div class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm; text-align: center;">.</div><div style="text-align: center;"></div><div class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm; text-align: center;"><b><span style="font-size: x-small;">"A escrita e seus agentes na obra romanesca de Mia Couto".</span></b></div><div style="text-align: center;"></div><div class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm; text-align: center;"><b>.</b> </div><div style="text-align: center;"></div><div class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm; text-align: center;"><b><span style="font-size: x-small;">Resumo</span></b></div><div align="CENTER" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;">.</div><div align="JUSTIFY" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">A comunicação pretende mapear o papel da escrita e das personagens que dela se utilizam na obra de Mia Couto, com ênfase na parte dela escrita na forma romance. Assim sendo, serão focalizadas as obras: "Terra Sonâmbula", "A Varanda do Frangipani", "O Último Voo do Flamingo" e "Um Rio Chamado Tempo, Uma Casa Chamada Terra", levando-nos a refletir sobre o papel representado pela escrita e seus agentes na obra coutiana.</span></div><div align="LEFT" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><br />
</div><div align="CENTER" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">______________________________________________________________</span></div><div align="CENTER" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">vilma lia martin</span></div><div align="CENTER" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">(Universidade de São Paulo)</span></div><div align="CENTER" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;">.</div><div class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm; text-align: center;"><b><span style="font-size: x-small;">O discurso irônico nos contos de Luandino Vieira e de João Antônio</span></b></div><div></div><div class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm; text-align: center;"><b>.</b> </div><div style="text-align: center;"></div><div class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm; text-align: center;"><b><span style="font-size: x-small;">resumo</span></b></div><div align="CENTER" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;">.</div><div align="JUSTIFY" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">Se é fato que a boa literatura só se realiza plenamente à margem da cultura oficial, o angolano Luandino Vieira e o brasileiro João Antônio parecem cumprir seu papel de grandes contistas.</span></div><div align="JUSTIFY" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">. </span></div><div align="JUSTIFY" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">Ao optar por um gênero que, graças à sua estrutura condensada, encontra na ironia um dos pilares de sua elaboração, ambos os escritores valem-se do discurso irônico para dar voz aos impasses típicos de universos urbanos periféricos, impactados pela imposição da modernidade.</span></div><div align="JUSTIFY" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">. </span></div><div align="JUSTIFY" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">Este trabalho irá apontar, em algumas histórias desses esc.ritores, como a ironia se traduz num princípio formal capaz de articular contradições e questionar perspectivas hegemônicas.</span></div><div align="JUSTIFY" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><br />
</div><div align="CENTER" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;"><b>______________________________________________________________</b></span></div><div lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm; page-break-after: avoid; text-align: center;"><span style="font-size: x-small;">Virgínia Maria Gonçalves</span></div><div align="LEFT" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;">.</div><h1 align="CENTER" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">O quilombismo poético dos <span style="font-style: normal;">Cadernos Negros </span>no Brasil</span></h1><h1 align="CENTER" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">. </span></h1><div lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm; page-break-after: avoid; text-align: center;"><b><span style="font-size: x-small;">resumo</span></b></div><div align="CENTER" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;">.</div><div align="JUSTIFY" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">O quilombo, geralmente identificado com a República de Palmares (1597-1697), deve ter seu significado ampliado, pois tornou-se uma forma de expressar a luta dos afro-descendentes brasileiros contra o racismo e outras formas de violência sofridas por estes, no contraponto com a falaciosa &ldquodemocracia racial” brasileira. O quilombismo literário passou a ser evocado como a forma de expressão artística dos afro-descendentes, especialmente a partir de 1980, quando o Quilombjoje Literatura, em São Paulo, assume a publicação dos <i>Cadernos Negros</i>, iniciados em 1978, chegando, em 2003, ao seu 25<sup>º</sup> número, com a participação de jovens escritores, alguns dos quais se tornaram referência nacional e internacional da chamada “literatura negra”, no Brasil. O que se pretende nesta apresentação é verificar de que forma as mulheres escritoras dos <i>Cadernos Negros</i> se inscrevem no quilombismo poético, passando pela afirmação de um corpo, sistematicamente anulado ou estigmatizado, e pela enunciação de uma voz em que o negro (ou a negra) se expressa como sujeito de sua história. </span></div><div align="JUSTIFY" class="sdfootnote-western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><br />
</div><div align="CENTER" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><span style="font-size: x-small;">______________________________________________________________</span></div><div align="CENTER" class="sdfootnote-western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;">wanilda lima vidal de lacerda</div><div align="CENTER" class="sdfootnote-western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;">(U. F. P. B.)</div><div align="CENTER" class="sdfootnote-western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><b>.</b> </div><div align="CENTER" class="sdfootnote-western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><b><i>Lueji: o nascimento de um império – múltiplos olhares e duas direcções</i></b></div><div align="CENTER" class="western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><b>.</b> </div><div align="CENTER" class="sdfootnote-western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;"><b>Resumo</b></div><div align="CENTER" class="sdfootnote-western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.34cm;">.</div><div class="sdfootnote-western" lang="pt-BR" style="margin-left: 0.17cm; margin-right: 0.45cm; text-align: justify;">Alargando-se para o passado e o presente, os múltiplos olhares dos narradores convidam o leitor à busca das causas históricas do processo político-social de Angola, e a procurar as motivações de natureza cultural e ideológica. Assim é que neste trabalho seguindo as duas direcções que se completam na confecção de qualquer texto literário: os dados da realidade (“realismo”) e os da representação desta realidade (“simbolismo”) unificados em única história, um único mundo paralelo ao real, completando e esclarecendo este último, tenta-se entender a história de Angola.</div><div id="sdfootnote1"></div><div type="FOOTER"><div align="LEFT" lang="pt-BR" style="margin-right: 0.64cm; margin-top: 1.23cm; text-indent: 0.64cm;">.</div><div align="LEFT" lang="pt-BR" style="margin-right: 0.64cm; margin-top: 1.23cm; text-indent: 0.64cm;"><br />
</div><div align="LEFT" lang="pt-BR" style="margin-right: 0.64cm; margin-top: 1.23cm; text-indent: 0.64cm;">http://www1.ci.uc.pt/litafro/files_congresso/resumos.htm</div><div align="LEFT" lang="pt-BR" style="margin-right: 0.64cm; margin-top: 1.23cm; text-indent: 0.64cm;">.</div></div></div>.Victor Nogueirahttp://www.blogger.com/profile/13759238536489604722noreply@blogger.com0tag:blogger.com,1999:blog-2736353218304570703.post-61967599260577624772010-03-01T04:42:00.000+00:002010-03-01T04:42:18.290+00:00Antologia Poética de Expessão Portuguesa<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhH3jMrXZQSkch1cjSZYFdQP-82ygKwpT2DIOvB0-uOdWZcWnKDaQqsdGmaSJoZau9b70f7cul9nEBzji6mKfODfQTIZNsrkJqcPeySi6mmqqiLlI6uJGVe-WBJ880VlTuvY1usTHU1isE/s1600-h/4estacoes.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhH3jMrXZQSkch1cjSZYFdQP-82ygKwpT2DIOvB0-uOdWZcWnKDaQqsdGmaSJoZau9b70f7cul9nEBzji6mKfODfQTIZNsrkJqcPeySi6mmqqiLlI6uJGVe-WBJ880VlTuvY1usTHU1isE/s320/4estacoes.jpg" /></a></div><h1>Índice geral de autores</h1> .<br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Pedro%20Abrunhosa">P.edro Abrunhosa</a><br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Jo%C3%A3o%20Afonso">João Afonso</a><br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Zeca%20Afonso">Zeca Afonso</a><br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Jo%C3%A3o%20Aguarela">João Aguarela</a><br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Alcool%C3%A9mia">Alcoolémia</a><br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Manuel%20Alegre">Manuel Alegre</a><br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Ant%C3%B3nio%20Aleixo">António Aleixo</a><br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Alexandre">Alexandre</a><br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Ant%C3%B3nio%20Vitorino%20de%20Almeida">António Vitorino de Almeida</a><br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Joaquim%20de%20Almeida">Joaquim de Almeida</a><br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#M%C3%A1rio%20Alves">Mário Alves</a><br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Jo%C3%A3o%20Ant%C3%B3nio%20Amaral">João António Amaral</a><br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#A.%20Amargo">A. Amargo</a><br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Eug%C3%A9nio%20de%20Andrade">Eugénio de Andrade</a><br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Arnaldo%20Antunes">Arnaldo Antunes</a><br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Lobo%20Antunes">Lobo Antunes</a><br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Sebasti%C3%A3o%20Antunes">Sebastião Antunes</a><br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#J.B.%20de%20Aquino">J.B. de Aquino</a><br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Matilde%20Rosa%20Ara%C3%BAjo">Matilde Rosa Araújo</a><br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Norberto%20Ara%C3%BAjo">Norberto Araújo</a><br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#%C3%82ngelo%20Ara%C3%BAjo">Ângelo Araújo</a><br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Mamonas%20Assassinas">Mamonas Assassinas</a><br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Martinho%20de%20Assun%C3%A7%C3%A3o">Martinho de Assunção</a><br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#F%C3%BAria%20do%20A%C3%A7%C3%BAcar">Fúria do Açúcar</a><br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#B.Russel">B.Russel</a><br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Cristina%20Bacelar">Cristina Bacelar</a><br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Bandem%C3%B3nio">Bandemónio</a><br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Rui%20Baptista">Rui Baptista</a><br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Ant%C3%B3nio%20Barahona">António Barahona</a><br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Orestes%20Barbosa">Orestes Barbosa</a><br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Z%C3%A9lia%20Barbosa">Zélia Barbosa</a><br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Quim%20Barreiros">Quim Barreiros</a><br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Nelson%20de%20Barros">Nelson de Barros</a><br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Ary%20Barroso">Ary Barroso</a><br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Pedro%20Barroso">Pedro Barroso</a><br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Jo%C3%A3o%20Bastos">João Bastos</a><br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Ronaldo%20Bastos">Ronaldo Bastos</a><br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Belchior">Belchior</a><br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Harold%20Berg">Harold Berg</a><br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#F.%20Miguel%20Bernardes">F. Miguel Bernardes</a><br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Augustina%20Bessa-Lu%C3%ADs">Augustina Bessa-Luís</a><br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Maria%20Beth%C3%A2nia">Maria Bethânia</a><br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Edmundo%20Bettencourt">Edmundo Bettencourt</a><br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Biafra">Biafra</a><br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Quinta%20do%20Bill">Quinta do Bill</a><br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Aldir%20Blanc">Aldir Blanc</a><br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Jo%C3%A3o%20Bosco">João Bosco</a><br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Ant%C3%B3nio%20Botto">António Botto</a><br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Rog%C3%A9rio%20Bracinha">Rogério Bracinha</a><br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#A.%20P.%20Braga">A. P. Braga</a><br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Jos%C3%A9%20M%C3%A1rio%20Branco">José Mário Branco</a><br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Sofia%20de%20Melo%20Breyner">Sofia de Melo Breyner</a><br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Frederico%20de%20Brito">Frederico de Brito</a><br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Toz%C3%A9%20Brito">Tozé Brito</a><br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Chico%20Buarque">Chico Buarque</a><br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#C.Sigman">C.Sigman</a><br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Ant%C3%B3nio%20Cabral">António Cabral</a><br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Adriana%20Calcanhoto">Adriana Calcanhoto</a><br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#S%C3%ADlvio%20Caldas.">Sílvio Caldas.</a><br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Ant%C3%B3nio%20Calv%C3%A1rio">António Calvário</a><br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Jos%C3%A9%20Calv%C3%A1rio">José Calvário</a><br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Rubens%20Campos">Rubens Campos</a><br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Cam%C3%B5es">Camões</a><br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Lu%C3%ADs%20de%20Cam%C3%B5es">Luís de Camões</a><br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Carlos%20Canelhas">Carlos Canelhas</a><br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Erasmo%20Carlos">Erasmo Carlos</a><br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Roberto%20Carlos">Roberto Carlos</a><br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Carlos%20do%20Carmo">Carlos do Carmo</a><br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#M%C3%A1rio%20de%20S%C3%A1%20Carneiro">Mário de Sá Carneiro</a><br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Arlindo%20Duarte%20Carvalho">Arlindo Duarte Carvalho</a><br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Fernando%20de%20Carvalho">Fernando de Carvalho</a><br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#H.B.%20de%20Carvalho">H.B. de Carvalho</a><br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Paulo%20de%20Carvalho">Paulo de Carvalho</a><br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Roberto%20%20Carvalho">Roberto Carvalho</a><br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Tereza%20Silva%20Carvalho">Tereza Silva Carvalho</a><br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Banda%20do%20Casaco">Banda do Casaco</a><br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Miguel%20Castro">Miguel Castro</a><br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Rosalia%20de%20Castro">Rosalia de Castro</a><br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Nelson%20Cavaquinho">Nelson Cavaquinho</a><br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Danilo%20Caymmi">Danilo Caymmi</a><br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Dorival%20Caymmi">Dorival Caymmi</a><br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#G.%20Chianca">G. Chianca</a><br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Jos%C3%A9%20Cid">José Cid</a><br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Alves%20Coelho">Alves Coelho</a><br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Gerson%20Conrad">Gerson Conrad</a><br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#%28vers%C3%A3o%20de%29%20Nat%C3%A1lia%20Correia">(versão de) Natália Correia</a><br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Nat%C3%A1lia%20Correia">Natália Correia</a><br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Beatriz%20Costa">Beatriz Costa</a><br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Gal%20Costa">Gal Costa</a><br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Ricardo%20Costa">Ricardo Costa</a><br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Soledade%20Martinho%20Costa">Soledade Martinho Costa</a><br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Sueli%20Costa">Sueli Costa</a><br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Maria%20Creuza">Maria Creuza</a><br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Viriato%20Cruz">Viriato Cruz</a><br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Fernando%20Cunha">Fernando Cunha</a><br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#A.%20Curto">A. Curto</a><br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Vicente%20da%20C%C3%A2mara">Vicente da Câmara</a><br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Jos%C3%A9%20C%C3%A2ndido">José Cândido</a><br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Lu%C3%ADs%20C%C3%ADlia">Luís Cília</a><br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Pino%20Danielle">Pino Danielle</a><br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Z%C3%A9%20Dantas">Zé Dantas</a><br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Jos%C3%A9%20Manuel%20David">José Manuel David</a><br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Delfins">Delfins</a><br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Carlos%20Dias">Carlos Dias</a><br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Jos%C3%A9%20Alberto%20Diogo">José Alberto Diogo</a><br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Djavan">Djavan</a><br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Jo%C3%A3o%20Donato">João Donato</a><br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#A.%20Duarte">A. Duarte</a><br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Alfredo%20Duarte">Alfredo Duarte</a><br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Ermelinda%20Duarte">Ermelinda Duarte</a><br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Dolores%20Duran">Dolores Duran</a><br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Emanuel">Emanuel</a><br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Enap%C3%A12000">Enapá2000</a><br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Lysias%20Enio">Lysias Enio</a><br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Florbela%20Espanca">Florbela Espanca</a><br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Lua%20Extravagante">Lua Extravagante</a><br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Francisco%20Fanhais">Francisco Fanhais</a><br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Manuel%20Faria">Manuel Faria</a><br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Fausto">Fausto</a><br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Nuno%20Nazareth%20Fernandes">Nuno Nazareth Fernandes</a><br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Tuca%20Fernandes">Tuca Fernandes</a><br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Jos%C3%A9%20Gomes%20Ferreira">José Gomes Ferreira</a><br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Reinaldo%20Ferreira">Reinaldo Ferreira</a><br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Raul%20Ferr%C3%A3o">Raul Ferrão</a><br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Jos%C3%A9%20Gomes%20Filho">José Gomes Filho</a><br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Oduvaldo%20Viana%20Filho">Oduvaldo Viana Filho</a><br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#J.A.%20Flores">J.A. Flores</a><br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Artur%20Fonseca">Artur Fonseca</a><br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Celso%20Fonseca">Celso Fonseca</a><br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Fortunato%20Roma%20da%20Fonseca">Fortunato Roma da Fonseca</a><br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Manuel%20da%20Fonseca">Manuel da Fonseca</a><br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#M%C3%A1rio%20Faria%20Fonseca">Mário Faria Fonseca</a><br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Walter%20Franco">Walter Franco</a><br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Fausto%20Fraz%C3%A3o">Fausto Frazão</a><br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Manuel%20Freire">Manuel Freire</a><br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Manuela%20de%20Freitas">Manuela de Freitas</a><br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#GNR">GNR</a><br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Jos%C3%A9%20Galhardo">José Galhardo</a><br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Lia%20Gama">Lia Gama</a><br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Bando%20dos%20Gambozinos">Bando dos Gambozinos</a><br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Miguel%20Gameiro">Miguel Gameiro</a><br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Jos%C3%A9%20Garcia">José Garcia</a><br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Zez%C3%A9%20Garcia">Zezé Garcia</a><br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Ant%C3%B3nio%20Gede%C3%A3o">António Gedeão</a><br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Augusto%20Gil">Augusto Gil</a><br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Gilberto%20Gil">Gilberto Gil</a><br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Jo%C3%A3o%20Gil">João Gil</a><br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Jo%C3%A3o%20Gilberto">João Gilberto</a><br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Ginguinhas">Ginguinhas</a><br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#S%C3%A9rgio%20Godinho">Sérgio Godinho</a><br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Lu%C3%ADs%20Goes">Luís Goes</a><br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Gabriel%20Gomes">Gabriel Gomes</a><br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Joaquim%20Lu%C3%ADs%20Gomes">Joaquim Luís Gomes</a><br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Luiz%20Gonzaga">Luiz Gonzaga</a><br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Lu%C3%ADz%20Gonzaga">Luíz Gonzaga</a><br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Paulo%20Gonzo">Paulo Gonzo</a><br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#C.%20Gon%C3%A7alves">C. Gonçalves</a><br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Manno%20Go%C3%A9s">Manno Goés</a><br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Rio%20Grande">Rio Grande</a><br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Fernando%20Lopes%20Gra%C3%A7a">Fernando Lopes Graça</a><br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Ant%C3%B3nio%20Ferreira%20Guedes">António Ferreira Guedes</a><br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Pedro%20Guerra">Pedro Guerra</a><br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Ruy%20Guerra">Ruy Guerra</a><br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Carlos%20Guerreiro">Carlos Guerreiro</a><br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#M.O.%20Guerreiro">M.O. Guerreiro</a><br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Maria%20Guinot">Maria Guinot</a><br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Henric%C3%A3o">Henricão</a><br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Curros%20Henriquez">Curros Henriquez</a><br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Augusto%20Hil%C3%A1rio">Augusto Hilário</a><br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Maria%20Teresa%20Hora">Maria Teresa Hora</a><br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Rildo%20Hora">Rildo Hora</a><br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Maria%20Teresa%20Horta">Maria Teresa Horta</a><br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Nelson%20Horta">Nelson Horta</a><br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Madalena%20Igl%C3%A9sias">Madalena Iglésias</a><br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Porquinhos%20da%20Ilda">Porquinhos da Ilda</a><br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Ira%21">Ira!</a><br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Iris">Iris</a><br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Ant%C3%B3nio%20Jacinto">António Jacinto</a><br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Alberto%20Janes">Alberto Janes</a><br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Brigada%20Vitor%20Jara">Brigada Vitor Jara</a><br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Tom%20Jobim">Tom Jobim</a><br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Francisco%20Jos%C3%A9">Francisco José</a><br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Herman%20Jos%C3%A9">Herman José</a><br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Augusto%20Tomaz%20Jr.">Augusto Tomaz Jr.</a><br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Alfredo%20Keil">Alfredo Keil</a><br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Z%C3%A9%20Ketti">Zé Ketti</a><br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Mauro%20Kwitko">Mauro Kwitko</a><br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#N%C3%A9%20Ladeiras">Né Ladeiras</a><br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Rita%20Lee">Rita Lee</a><br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#S%C3%A9tima%20Legi%C3%A3o">Sétima Legião</a><br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#M%C3%A1rio%20Henrique%20Leiria">Mário Henrique Leiria</a><br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Rodrigo%20Le%C3%A3o">Rodrigo Leão</a><br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Arto%20Lindsay">Arto Lindsay</a><br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Ivan%20Lins">Ivan Lins</a><br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Carlos%20Lira">Carlos Lira</a><br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Gaiteiros%20de%20Lisboa">Gaiteiros de Lisboa</a><br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Carla%20Lopes">Carla Lopes</a><br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Henrique%20Louren%C3%A7o">Henrique Lourenço</a><br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Lucinha">Lucinha</a><br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Lun%C3%A1ticos">Lunáticos</a><br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Alma%20Lusa">Alma Lusa</a><br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Carlos%20Lyra">Carlos Lyra</a><br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Edu%20L%C3%B4bo">Edu Lôbo</a><br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#R%C3%A1dio%20Macau">Rádio Macau</a><br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Ant%C3%B3nio%20Macedo">António Macedo</a><br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#T%C3%B3li%20C%C3%A9sar%20Machado">Tóli César Machado</a><br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Madredeus">Madredeus</a><br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Ant%C3%B3nio%20Mafra">António Mafra</a><br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Conjunto%20Ant%C3%B3nio%20Mafra">Conjunto António Mafra</a><br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Pedro%20Ayres%20Magalh%C3%A3es">Pedro Ayres Magalhães</a><br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Vladimir%20Maiakovski">Vladimir Maiakovski</a><br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Pedro%20Malaquias">Pedro Malaquias</a><br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Raul%20Marques">Raul Marques</a><br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Jos%C3%A9%20Fl%C3%A1vio%20Martins">José Flávio Martins</a><br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Paulo%20Martins">Paulo Martins</a><br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Vitor%20Martins">Vitor Martins</a><br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Ney%20Matogrosso">Ney Matogrosso</a><br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Ignez%20Mazoni">Ignez Mazoni</a><br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Pedro%20Homem%20de%20Mello">Pedro Homem de Mello</a><br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Ant%C3%B3nio%20Lu%C3%ADs%20Melo">António Luís Melo</a><br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Jos%C3%A9%20Jo%C3%A3o%20Melo">José João Melo</a><br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Pedro%20Homem%20de%20Melo">Pedro Homem de Melo</a><br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Ant%C3%B3nio%20Menano">António Menano</a><br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Francisco%20Menano">Francisco Menano</a><br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Hor%C3%A1cio%20Menano">Horácio Menano</a><br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Carlos%20Mendes">Carlos Mendes</a><br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Duarte%20Mendes">Duarte Mendes</a><br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Roberto%20Mendes">Roberto Mendes</a><br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Henrique%20Lopes%20de%20Mendon%C3%A7a">Henrique Lopes de Mendonça</a><br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Newton%20Mendon%C3%A7a">Newton Mendonça</a><br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Jo%C3%A3o%20Pedro%20Messeder">João Pedro Messeder</a><br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Fred%20Micaelo">Fred Micaelo</a><br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Minidrunfes">Minidrunfes</a><br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Cebola%20Mol">Cebola Mol</a><br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Secos%20e%20Molhados">Secos e Molhados</a><br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Jo%C3%A3o%20Monge">João Monge</a><br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Marisa%20Monte">Marisa Monte</a><br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Rui%20Monteiro">Rui Monteiro</a><br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Vinicius%20de%20Moraes">Vinicius de Moraes</a><br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Moraes%20Moreira">Moraes Moreira</a><br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Santos%20Moreira">Santos Moreira</a><br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Nelson%20Motta">Nelson Motta</a><br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Jos%C3%A9%20Barata%20Moura">José Barata Moura</a><br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#David%20Mour%C3%A3o-Ferreira">David Mourão-Ferreira</a><br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Sid%C3%B3nio%20Muralha">Sidónio Muralha</a><br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Luyz%20Mylan">Luyz Mylan</a><br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#M%C3%ADsia">Mísia</a><br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Ala%20dos%20Namorados">Ala dos Namorados</a><br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Eduardo%20Nascimento">Eduardo Nascimento</a><br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Milton%20Nascimento">Milton Nascimento</a><br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#David%20Nasser">David Nasser</a><br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#An%C3%ADbal%20Nazar%C3%A9">Aníbal Nazaré</a><br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Netinho">Netinho</a><br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Jo%C3%A3o%20Cabral%20de%20Melo%20Neto">João Cabral de Melo Neto</a><br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Francisco%20Nicholson">Francisco Nicholson</a><br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Jos%C3%A9%20Niza">José Niza</a><br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Ant%C3%B3nio%20Nobre">António Nobre</a><br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Jo%C3%A3o%20Nobre">João Nobre</a><br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#P%C3%B3lo%20Norte">Pólo Norte</a><br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Manuel%20de%20Novas">Manuel de Novas</a><br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Airas%20Nunes">Airas Nunes</a><br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Sebasti%C3%A3o%20Nunes">Sebastião Nunes</a><br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Fernando%20Nunes%20N%C3%A1n%C3%A1">Fernando Nunes Náná</a><br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Alexandre%20O%27Neill">Alexandre O'Neill</a><br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Adriano%20Correia%20de%20Oliveira">Adriano Correia de Oliveira</a><br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Carlos%20Oliveira">Carlos Oliveira</a><br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#C%C3%A9sar%20de%20Oliveira">César de Oliveira</a><br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Gabriel%20de%20Oliveira">Gabriel de Oliveira</a><br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Simone%20de%20Oliveira">Simone de Oliveira</a><br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Pedro%20Os%C3%B3rio">Pedro Osório</a><br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Alain%20Oulman">Alain Oulman</a><br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Duo%20Ouro-Negro">Duo Ouro-Negro</a><br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Manolo%20Outeiri%C3%B1os">Manolo Outeiriños</a><br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Fernando%20Assis%20Pacheco">Fernando Assis Pacheco</a><br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Filipa%20Pais">Filipa Pais</a><br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Vicente%20Paiva">Vicente Paiva</a><br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Carlos%20Pai%C3%A3o">Carlos Paião</a><br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Dalla%20Pallotino">Dalla Pallotino</a><br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Jorge%20Palma">Jorge Palma</a><br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#F.%20Vilela%20Passos">F. Vilela Passos</a><br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Manuel%20Paulo">Manuel Paulo</a><br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Ricardo%20Pav%C3%A3o">Ricardo Pavão</a><br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Santos%20e%20Pecadores">Santos e Pecadores</a><br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Jos%C3%A9%20Pedro">José Pedro</a><br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Jos%C3%A9%20Peixoto">José Peixoto</a><br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Gabriel%20o%20Pensador">Gabriel o Pensador</a><br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Geraldo%20Pereira">Geraldo Pereira</a><br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Jorge%20Constante%20Pereira">Jorge Constante Pereira</a><br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Jo%C3%A3o%20Magalh%C3%A3es%20Pereira">João Magalhães Pereira</a><br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#M%C3%A1rio%20Moniz%20Pereira">Mário Moniz Pereira</a><br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Paulo%20Pereira">Paulo Pereira</a><br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Pedro%20Pereira">Pedro Pereira</a><br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Fernando%20Pessoa">Fernando Pessoa</a><br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Manuel%20Ant%C3%B3nio%20Pina">Manuel António Pina</a><br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Ant%C3%B3nio%20Avelar%20Pinho">António Avelar Pinho</a><br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Piratini">Piratini</a><br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Xutos%20&%20Pontap%C3%A9s">Xutos & Pontapés</a><br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Xutos%20e%20Pontap%C3%A9s">Xutos e Pontapés</a><br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Jos%C3%A9%20da%20Ponte">José da Ponte</a><br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Dulce%20Pontes">Dulce Pontes</a><br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Raul%20Portela">Raul Portela</a><br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Ant%C3%B3nio%20Portugal">António Portugal</a><br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Baden%20Powell">Baden Powell</a><br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Jorge%20Prendas">Jorge Prendas</a><br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Quadrilha">Quadrilha</a><br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Quico">Quico</a><br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Jorge%20Quintela">Jorge Quintela</a><br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Neca%20Rafael">Neca Rafael</a><br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Suzana%20Ralha">Suzana Ralha</a><br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Z%C3%A9%20Ramalho">Zé Ramalho</a><br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Jorge%20Ramos">Jorge Ramos</a><br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Serge%20Reggiani">Serge Reggiani</a><br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Elis%20Regina">Elis Regina</a><br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Frei%20Fado%20d%27El%20Rei">Frei Fado d'El Rei</a><br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Rui%20Reininho">Rui Reininho</a><br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Ricardo%20Reis">Ricardo Reis</a><br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Cristina%20Represas">Cristina Represas</a><br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Lu%C3%ADs%20Represas">Luís Represas</a><br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Resist%C3%AAncia">Resistência</a><br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Alberto%20Ribeiro">Alberto Ribeiro</a><br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Ant%C3%B3nio%20Lopes%20Ribeiro">António Lopes Ribeiro</a><br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Artur%20Ribeiro">Artur Ribeiro</a><br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Francisco%20Ribeiro">Francisco Ribeiro</a><br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#S%C3%A9rgio%20Ricardo">Sérgio Ricardo</a><br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Ricard%C3%A3o">Ricardão</a><br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Rio%20Grande,%20Jorge%20Palma">Rio Grande, Jorge Palma</a><br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Rodrigo">Rodrigo</a><br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Alc%C3%ADdia%20Rodrigues">Alcídia Rodrigues</a><br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Am%C3%A1lia%20Rodrigues">Amália Rodrigues</a><br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Carlos%20Rodrigues">Carlos Rodrigues</a><br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Lupic%C3%ADnio%20Rodrigues">Lupicínio Rodrigues</a><br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Nuno%20Rodrigues">Nuno Rodrigues</a><br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Fernando%20Rolim">Fernando Rolim</a><br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Jorge%20Rom%C3%A3o">Jorge Romão</a><br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Elsa%20Cunha%20Rosa">Elsa Cunha Rosa</a><br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Jo%C3%A3o%20Ferreira%20Rosa">João Ferreira Rosa</a><br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Noel%20Rosa">Noel Rosa</a><br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Renato%20Russo">Renato Russo</a><br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Vozes%20da%20R%C3%A1dio">Vozes da Rádio</a><br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Jos%C3%A9%20R%C3%A9gio">José Régio</a><br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Teresa%20Salgueiro">Teresa Salgueiro</a><br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Janita%20Salom%C3%A9">Janita Salomé</a><br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Raul%20Marques%20e%20os%20Amigos%20da%20Salsa">Raul Marques e os Amigos da Salsa</a><br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Samuel">Samuel</a><br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Ary%20dos%20Santos">Ary dos Santos</a><br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Fernando%20Santos">Fernando Santos</a><br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Jos%C3%A9%20Carlos%20Ary%20dos%20Santos">José Carlos Ary dos Santos</a><br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Luiza%20da%20Gama%20Santos">Luiza da Gama Santos</a><br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Ney%20Costa%20Santos">Ney Costa Santos</a><br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Jos%C3%A9%20Saramago">José Saramago</a><br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Jorge%20de%20Sena">Jorge de Sena</a><br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Sexto%20Sentido">Sexto Sentido</a><br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#V.%20M.%20Sequeira">V. M. Sequeira</a><br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Despe%20e%20Siga">Despe e Siga</a><br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Abel%20Silva">Abel Silva</a><br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Vieira%20da%20Silva">Vieira da Silva</a><br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Isabel%20Silvestre">Isabel Silvestre</a><br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Miguel%20Sim%C3%B5es">Miguel Simões</a><br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Sitiados">Sitiados</a><br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Sivuca">Sivuca</a><br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#A.%20Soares">A. Soares</a><br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Lu%C3%ADsa%20Ducla%20Soares">Luísa Ducla Soares</a><br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Jean%20Sommer">Jean Sommer</a><br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Maximiano%20de%20Sousa">Maximiano de Sousa</a><br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Edmundo%20Souto">Edmundo Souto</a><br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Paralamas%20do%20Sucesso">Paralamas do Sucesso</a><br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Paulo%20S%C3%A1">Paulo Sá</a><br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Taitibitileus">Taitibitileus</a><br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Paulinho%20Tapaj%C3%B3s">Paulinho Tapajós</a><br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Humberto%20Teixeira">Humberto Teixeira</a><br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Renato%20Teixeira">Renato Teixeira</a><br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Tim">Tim</a><br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Jos%C3%A9%20Lu%C3%ADs%20Tinoco">José Luís Tinoco</a><br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Quim%20Tonho">Quim Tonho</a><br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Tonicha">Tonicha</a><br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Toquinho">Toquinho</a><br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Fernando%20Tordo">Fernando Tordo</a><br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Nelson%20Trigueiro">Nelson Trigueiro</a><br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Carlos%20Maria%20Trindade">Carlos Maria Trindade</a><br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Ferrer%20Trindade">Ferrer Trindade</a><br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Trovante">Trovante</a><br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Tuca">Tuca</a><br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Carlos%20T%C3%AA">Carlos Tê</a><br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Legi%C3%A3o%20Urbana">Legião Urbana</a><br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Amadeu%20do%20Vale">Amadeu do Vale</a><br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Jo%C3%A3o%20do%20Vale">João do Vale</a><br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Frederico%20Val%C3%A9rio">Frederico Valério</a><br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Geraldo%20Vandr%C3%A9">Geraldo Vandré</a><br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Lu%C3%ADs%20Varatojo">Luís Varatojo</a><br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Ant%C3%B3nio%20Varia%C3%A7%C3%B5es">António Variações</a><br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Lope%20de%20Vega">Lope de Vega</a><br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Mafalda%20Veiga">Mafalda Veiga</a><br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Caco%20Velho">Caco Velho</a><br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Caetano%20Veloso">Caetano Veloso</a><br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Manuel%20Jorge%20Veloso">Manuel Jorge Veloso</a><br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Rui%20Veloso">Rui Veloso</a><br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Alcir%20Pires%20Vermelho">Alcir Pires Vermelho</a><br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Boris%20Vian">Boris Vian</a><br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Francisco%20Viana">Francisco Viana</a><br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Geraldo%20Bessa%20Victor">Geraldo Bessa Victor</a><br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Fado%20Victoria">Fado Victoria</a><br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Helena%20Vieira">Helena Vieira</a><br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Paulo%20Vilares">Paulo Vilares</a><br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Jo%C3%A3o%20Villaret">João Villaret</a><br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Vitorino">Vitorino</a><br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Cancioneiro%20de%20Vila%20Vi%C3%A7osa">Cancioneiro de Vila Viçosa</a><br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Remy%20Walter">Remy Walter</a><br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Meninos%20d%27Av%C3%B3">Meninos d'Avó</a><br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#an%C3%B3nimo:%20renascen%C3%A7a">anónimo: renascença</a><br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Miguel%20%C3%82ngelo">Miguel Ângelo</a><br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Ces%C3%A1ria%20%C3%89vora">Cesária Évora</a><br />
<br />
<hr /><dir><br />
<li> <a href="" name="popular"><b>popular</b></a> <dir> <i>Band elements: <br />
- <a ,="" abreu,="" canções="" clara="" de="" editora-1992="" href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#" livro="" meu="" o="" porto="">"O meu livro de canções", Clara Abreu (sel.), Porto Editora-1992</a>; </i><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/alecrim.html"> alecrim </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/alecrim.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/fadosDeCoimbra-MeninaEMoca.html"> Menina e moça </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/fadosDeCoimbra-MeninaEMoca.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/freifado-amoresDoDouro.html"> Amores do Douro </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/freifado-amoresDoDouro.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/gaiteiros-lengaLeanga.html"> Lenga, lenga </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/gaiteiros-lengaLeanga.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/gaiteiros-tranguluMangulo.html"> Trângulo mângulo </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/gaiteiros-tranguluMangulo.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/infantil-laVaiOComboio.html"> = Lá vai o comboio </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/infantil-laVaiOComboio.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/infantil-sardinha.html"> = Uma sardinha </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/infantil-sardinha.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/infantil-vemCantarARoda.html"> Vem cantar à roda </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/infantil-vemCantarARoda.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/joaoafonso-sSimao.html"> S. Simão </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/joaoafonso-sSimao.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/madredeus-menino.html"> = O Menino </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/madredeus-menino.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/missia-garraDosSentidos.html"> Garras dos sentidos </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/missia-garraDosSentidos.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/natal-africana.html"> Natal africano </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/natal-africana.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/natal-noiteFeliz.html"> Noite feliz </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/natal-noiteFeliz.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/popular-aCaminhoDeViseu.html"> * A caminho de Viseu </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/popular-aCaminhoDeViseu.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/popular-amoraMadura.html"> Ó minha amora madura </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/popular-amoraMadura.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/popular-chula.html"> *Chula </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/popular-chula.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/popular-entraiPastores.html"> Entrai pastores </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/popular-entraiPastores.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/popular-foiNaNoite.html"> Foi na noite de Natal </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/popular-foiNaNoite.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/popular-galinhas.html"> = Três galinhas a cantar </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/popular-galinhas.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/popular-machadinha.html"> *A machadinha </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/popular-machadinha.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/popular-malhao.html"> *Malhão </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/popular-malhao.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/popular-Mari%C3%A3o.html"> * Marião </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/popular-Mari%C3%A3o.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/popular-meninoEstaDormindo.html"> O menino está dormindo </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/popular-meninoEstaDormindo.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/popular-meuPaiEManelCuco.html"> *Manuel cuco </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/popular-meuPaiEManelCuco.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/popular-moleirinha.html"> moleirinha </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/popular-moleirinha.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/popular-noAltoDaquelaSerra.html"> No alto daquela serra </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/popular-noAltoDaquelaSerra.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/popular-olheiParaOCeu.html"> Olhei para o céu </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/popular-olheiParaOCeu.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/popular-oRosaArredondaASaia.html"> *Ó rosa, arredonda a saia </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/popular-oRosaArredondaASaia.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/popular-plaina.html"> * A plaina </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/popular-plaina.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/popular-ribeiraVaiCheia.html"> *Ribeira vai cheia </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/popular-ribeiraVaiCheia.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/popular-verdeGaio.html"> = Verde Gaio </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/popular-verdeGaio.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/vitorino-laurinda.html"> * Laurinda </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/vitorino-laurinda.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/vitorino-OhQueJanelaTaoAlta.html"> Oh que janela tão alta </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/vitorino-OhQueJanelaTaoAlta.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="popular ?"><b>popular ?</b></a> <dir><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/infantil-noAltoDaMontanha.html"> = No alto da montanha </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/infantil-noAltoDaMontanha.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="popular: Alentejo"><b>popular: Alentejo</b></a> <dir><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/gaiteiros-agoraQueEuVouCantar.html"> Agora que eu vou cantar </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/gaiteiros-agoraQueEuVouCantar.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/popular-fuiTeVerEstavasLavando.html"> Fui-te ver estavas lavando </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/popular-fuiTeVerEstavasLavando.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/popular-naoOlhesPraMimNaoOlhes.html"> Não olhes pra mim não olhes </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/popular-naoOlhesPraMimNaoOlhes.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/popular-oliveiraDaSerra.html"> *Oliveira da serra </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/popular-oliveiraDaSerra.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/popular-queMantoDeTristeza.html"> O que manto de tristeza </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/popular-queMantoDeTristeza.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/popular-rama.html"> *Rama </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/popular-rama.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/popular-rouxinolRepicaOCante.html"> Rouxinol repica o canti </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/popular-rouxinolRepicaOCante.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/vitorino-delicadaDaCintura.html"> Delicada da cintura </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/vitorino-delicadaDaCintura.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/vitorino-dizALaranjaAoLimao.html"> Diz a laranja ao limão </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/vitorino-dizALaranjaAoLimao.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/vitorino-euHeideAmarUmaPedra.html"> Eu hei-de amar uma pedra </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/vitorino-euHeideAmarUmaPedra.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/vitorino-meninaEstaAJnaela.html"> * Menina estás à janela </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/vitorino-meninaEstaAJnaela.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/vitorino-oPatraoDeMeUmCigrarro.html"> Ó patrão dê-me um cigarro </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/vitorino-oPatraoDeMeUmCigrarro.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/vitorino-porqueNaoMeVezJoana.html"> Porque não me vês Joana </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/vitorino-porqueNaoMeVezJoana.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/vitorino-vouMeEmboraVouPartir.html"> Vou-me embora vou partir </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/vitorino-vouMeEmboraVouPartir.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="popular: Algarve"><b>popular: Algarve</b></a> <dir><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/popular-tiaAnicaDoLoule.html"> *Tia Anica de Loulé </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/popular-tiaAnicaDoLoule.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="popular:Açores"><b>popular:Açores</b></a> <dir><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/popular-solPerguntouALua.html"> *O sol perguntou à lua </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/popular-solPerguntouALua.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="popular: Açores"><b>popular: Açores</b></a> <dir><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/acores-lira.html"> Lira </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/acores-lira.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/acores-terraDeBravo.html"> * Os bravos </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/acores-terraDeBravo.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/fadosDeCoimbra-oFadoDosPassarinhos.html"> * O fado dos passarinhos </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/fadosDeCoimbra-oFadoDosPassarinhos.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/popular-aoPassarARibeirinha.html"> *Ao passar a ribeirinha </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/popular-aoPassarARibeirinha.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/popular-aPraia.html"> *A praia </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/popular-aPraia.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/popular-belaAurora.html"> *Bela aurora </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/popular-belaAurora.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/popular-chamarrita2.html"> A senhora Chamarrita </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/popular-chamarrita2.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/popular-charamba.html"> *Charamba </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/popular-charamba.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/popular-ladrao.html"> *O ladrão </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/popular-ladrao.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/popular-olhosPretos.html"> *Olhos pretos </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/popular-olhosPretos.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/popular-pezinhoDoPico.html"> *Pézinho do pico </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/popular-pezinhoDoPico.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/popular-pezinho.html"> Pezinho da vila </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/popular-pezinho.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/popular-sanMacaio.html"> *San Macaio </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/popular-sanMacaio.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/popular-sapateia.html"> *Sapateia </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/popular-sapateia.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="popular: Beira"><b>popular: Beira</b></a> <dir><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/popular-asArmasDoMeuAdufe.html"> As armas do meu adufe </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/popular-asArmasDoMeuAdufe.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/popular-oSenhorDaSerra.html"> Senhor da Serra </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/popular-oSenhorDaSerra.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="popular: Beira-Alta"><b>popular: Beira-Alta</b></a> <dir><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/popular-aoRomperDaBelaAurora.html"> Ao romper da bela aurora </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/popular-aoRomperDaBelaAurora.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/popular-resineiro.html"> * Resineiro engraçado </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/popular-resineiro.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="popular: Beira-Baixa"><b>popular: Beira-Baixa</b></a> <dir><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/beirabaixa-entrudo.html"> Entrudo </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/beirabaixa-entrudo.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/filipapais-roda.html"> Cantiga da Roda </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/filipapais-roda.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/popular-porRibaSeCeivaOPao.html"> Por riba se ceifa o pão </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/popular-porRibaSeCeivaOPao.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/zecafonso-entrudo.html"> Entrudo </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/zecafonso-entrudo.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/zecafonso-mariaFaia.html"> * Maria Faia </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/zecafonso-mariaFaia.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/zecafonso-milhoVerde.html"> Milho verde </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/zecafonso-milhoVerde.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="popular: Madeira"><b>popular: Madeira</b></a> <dir><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/popular-bailinhoDaMadeira.html"> *Bailinho da Madeira </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/popular-bailinhoDaMadeira.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/popular-chamarrita.html"> Chamarrita </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/popular-chamarrita.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="popular: Minho"><b>popular: Minho</b></a> <dir><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/popular-linhoEMourisco.html"> = Este linho é mourisco </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/popular-linhoEMourisco.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/popular-minhaSaiaVelhinha.html"> = A minha saia velhinha </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/popular-minhaSaiaVelhinha.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/popular-saobentinho.html"> = Oh meu S. Bentinho </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/popular-saobentinho.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="popular:Trás-os-Montes"><b>popular:Trás-os-Montes</b></a> <dir><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/popular-ohOhMeuMenino.html"> = Oh oh meu menino </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/popular-ohOhMeuMenino.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="popular: Trás-os-Montes"><b>popular: Trás-os-Montes</b></a> <dir><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/brigada-o.html"> Ó menino ó </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/brigada-o.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/gaiteiros-romanceDaLoba.html"> Romance Da Lhoba (romance da loba) </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/gaiteiros-romanceDaLoba.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/ladeiras-andaDuermeteNino.html"> Anda duermete niño </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/ladeiras-andaDuermeteNino.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/popular-altaVaiALua.html"> Alta vai a lua </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/popular-altaVaiALua.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/popular-cerigoca.html"> Cerigoça </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/popular-cerigoca.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/popular-chinGlinDin.html"> Chin-glin-din </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/popular-chinGlinDin.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/popular-drinDrinDrin.html"> Casei-me cun pastori </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/popular-drinDrinDrin.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/popular-reisDonoes.html"> Cantar dos Reis (Donões, Montalegre) </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/popular-reisDonoes.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/tm-canario.html"> = Canário </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/tm-canario.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="(popular francesa)"><b>(popular francesa)</b></a> <dir><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/popular-galinhas.html"> = Três galinhas a cantar </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/popular-galinhas.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="popular: galego"><b>popular: galego</b></a> <dir><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/zecafonso-achegateAMimMaruxa.html"> = Achégate a mim, Maruxa </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/zecafonso-achegateAMimMaruxa.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="popular: poetas do fado"><b>popular: poetas do fado</b></a> <dir><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/madredeus-ainda01.html"> Guitarra </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/madredeus-ainda01.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="popular: romanceiro de José Leite de Vasconcelos"><b>popular: romanceiro de José Leite de Vasconcelos</b></a> <dir><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/vitorino-em25DeMarco.html"> Em 25 de Março </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/vitorino-em25DeMarco.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="António Quadros (Pintor)"><b>António Quadros (Pintor)</b></a> <dir><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/zecafonso-mafarricas.html"> Ronda das mafarricas </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/zecafonso-mafarricas.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="?"><b>?</b></a> <dir><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/alcoolemia-naoSeiSeMereco.html"> * Não sei se mereço </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/alcoolemia-naoSeiSeMereco.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/bill-de2a6feira.html"> * De 2.ª a 6.ª Feira </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/bill-de2a6feira.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/bill-filhosDaNacao.html"> * Filhos da Nação </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/bill-filhosDaNacao.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/brasil-chaoDeEstrelas.html"> Chão de estrelas </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/brasil-chaoDeEstrelas.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/brasil-modinha.html"> Modinha </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/brasil-modinha.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/brasil-modinha.html"> Modinha </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/brasil-modinha.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/fadosDeCoimbra-adeusSeVelha.html"> Adeus Sé velha </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/fadosDeCoimbra-adeusSeVelha.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/fadosDeCoimbra-AMeiaNoiteAoLuar.html"> * À meia noite ao luar </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/fadosDeCoimbra-AMeiaNoiteAoLuar.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/fadosDeCoimbra-aMinhaCapaRasgada.html"> A minha capa rasgada </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/fadosDeCoimbra-aMinhaCapaRasgada.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/fadosDeCoimbra-aoCairDaTarde.html"> * Ao cair da tarde </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/fadosDeCoimbra-aoCairDaTarde.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/fadosDeCoimbra-aoMorrerOsOlhosDizem.html"> Ao morrer os olhos dizem </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/fadosDeCoimbra-aoMorrerOsOlhosDizem.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/fadosDeCoimbra-baladaDaDespedida2.html"> Balada da despedida (2) </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/fadosDeCoimbra-baladaDaDespedida2.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/fadosDeCoimbra-baladaDaDespedida.html"> * Balada da despedida </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/fadosDeCoimbra-baladaDaDespedida.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/fadosDeCoimbra-baladaDoMondego.html"> Balada do Mondego </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/fadosDeCoimbra-baladaDoMondego.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/fadosDeCoimbra-coimbra.html"> * Coimbra </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/fadosDeCoimbra-coimbra.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/fadosDeCoimbra-coimbraMeninaEMoca.html"> * Coimbra menina e moça </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/fadosDeCoimbra-coimbraMeninaEMoca.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/fadosDeCoimbra-esmeraldaVerde.html"> Esmeralda verde </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/fadosDeCoimbra-esmeraldaVerde.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/fadosDeCoimbra-fadoDeSantaCruz.html"> Fado de Santa Cruz </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/fadosDeCoimbra-fadoDeSantaCruz.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/fadosDeCoimbra-feiticeira.html"> * Feiticeira </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/fadosDeCoimbra-feiticeira.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/fadosDeCoimbra-oMeuDesejo.html"> * O meu desejo </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/fadosDeCoimbra-oMeuDesejo.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/fadosDeCoimbra-oMeuMenino.html"> O meu menino </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/fadosDeCoimbra-oMeuMenino.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/fadosDeCoimbra-oSolAndaLaNoCeu.html"> O sol anda lá no céu </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/fadosDeCoimbra-oSolAndaLaNoCeu.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/fadosDeCoimbra-osTeusOlhosSaoTaoVerdes.html"> Os teus olhos são tão verdes </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/fadosDeCoimbra-osTeusOlhosSaoTaoVerdes.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/fadosDeCoimbra-torreDeSantaCruz.html"> Torre de Santa Cruz </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/fadosDeCoimbra-torreDeSantaCruz.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/fadosDeCoimbra-viraDeCoimbra.html"> * Vira de Coimbra </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/fadosDeCoimbra-viraDeCoimbra.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/fanhais-protesto.html"> Protesto </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/fanhais-protesto.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/freire-Dedicatoria.html"> Dedicatória </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/freire-Dedicatoria.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/gal-chuvaDePrata.html"> Chuva de Prata </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/gal-chuvaDePrata.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/gal-luaDeMel.html"> Lua-de-Mel (Como o Diabo Gosta) </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/gal-luaDeMel.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/gal-meFazBem.html"> Me Faz Bem </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/gal-meFazBem.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/gedeao-maezinha.html"> Mãezinha </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/gedeao-maezinha.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/gnr-cais.html"> * Cais </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/gnr-cais.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/gnr-videoMaria.html"> Vídeo Maria </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/gnr-videoMaria.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/gonzo-deiTeQuaseTudo.html"> Quase tudo </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/gonzo-deiTeQuaseTudo.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/infantil-cuco2.html"> O cuco </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/infantil-cuco2.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/infantil-cuco.html"> = Era uma vez um cuco que não gostava de couves </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/infantil-cuco.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/infantil-indiozinho.html"> O indiozinho </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/infantil-indiozinho.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/infantil-porquinho.html"> O porquinho </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/infantil-porquinho.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/_-juliaFlorista.html"> Júlia Florista </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/_-juliaFlorista.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/natal-neve.html"> = Neve </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/natal-neve.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/ney-corDoPecado.html"> Da cor do pecado </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/ney-corDoPecado.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/_-olhaORioQueVaiCorrendo.html"> Olha o rio que vai correndo </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/_-olhaORioQueVaiCorrendo.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/pecadores-naoVoltareiASerFiel.html"> * Não voltarei a ser fiel </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/pecadores-naoVoltareiASerFiel.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/popular-fazOO.html"> A lua nasceu </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/popular-fazOO.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/quimbarreiros-mestreDeCulinaria.html"> Mestre de culinária </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/quimbarreiros-mestreDeCulinaria.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/radiomacau-anzol.html"> * O anzol </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/radiomacau-anzol.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/trovante-umCasoMais.html"> * Um caso mais </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/trovante-umCasoMais.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="Pedro Abrunhosa"><b>Pedro Abrunhosa</b></a> <dir> <i>See also: <br />
<a href="http://www.citi.pt/abrunhosa"> <b>"Planeta Abrunhosa"</b> </a> <br />
<a href="http://www.abrunhosa.com/pt_index.htm"> <b>Página Oficial</b> </a></i> <i>See also band: <br />
- <a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Bandem%C3%B3nio">Bandemónio</a>; </i><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/abrunhosa-seEuFosseUmDiaoTeuOlhar.html"> Se eu fosse um dia o teu olhar </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/abrunhosa-seEuFosseUmDiaoTeuOlhar.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/abrunhosa-sera.html"> Será </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/abrunhosa-sera.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/abrunhosa-sera.html"> Será </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/abrunhosa-sera.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/abrunhosa-socorro.html"> Socorro </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/abrunhosa-socorro.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/abrunhosa-tudoOQueEuTeDou.html"> Tudo o que eu te dou </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/abrunhosa-tudoOQueEuTeDou.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/abrunhosa-viagens.html"> * Viagens </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/abrunhosa-viagens.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="João Afonso"><b>João Afonso</b></a> <dir><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/joaoafonso-euNaoSeiQueFazOSol.html"> Eu não sei que faz o sol </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/joaoafonso-euNaoSeiQueFazOSol.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/joaoafonso-sSimao.html"> S. Simão </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/joaoafonso-sSimao.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/joaoafonso-sSimao.html"> S. Simão </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/joaoafonso-sSimao.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/missanga-carteiroEmBicicleta.html"> *Carteiro em bicicleta </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/missanga-carteiroEmBicicleta.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="Zeca Afonso"><b>Zeca Afonso</b></a> <dir> <i>See also: <br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/about.zecafonso.html"> <b>Cronologia</b> </a> <br />
<a href="http://www.terravista.pt/meiapraia/2425/zecabiog.html"> <b>Biografia nos "Poetas da música"</b> </a> <br />
<a href="http://www.cidadevirtual.pt/fadocoimbra/zeca.html"> <b>Página nos "Fados de Coimbra"</b> </a> <br />
<a href="http://www.aja.pt/centrodedocumentacao/discografia.htm"> <b>Discografia no centro de documentação Associação José Afonso (muito completo)</b> </a> <br />
<a href="http://www.aja.pt/centrodedocumentacao/biografiadejoseafonso.htm"> <b>Biografia no centro de documentação Associação José Afonso</b> </a> <br />
<a href="http://alfarrabio.um.geira.pt/zeca/index.html"> <b>Zeca Afonso' home page (Arménia Rua)</b> </a></i><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/adriano-meninaDosOlhosTristes.html"> * Menina dos olhos tristes </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/adriano-meninaDosOlhosTristes.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/adriano-meninaDosOlhosTristes.html"> * Menina dos olhos tristes </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/adriano-meninaDosOlhosTristes.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/fadosDeCoimbra-contosVelhinhos.html"> Contos Velhinhos </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/fadosDeCoimbra-contosVelhinhos.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/fadosDeCoimbra-noLagoDoBreu.html"> * No lago do Breu </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/fadosDeCoimbra-noLagoDoBreu.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/fadosDeCoimbra-senhorPoeta.html"> Senhor poeta </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/fadosDeCoimbra-senhorPoeta.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/fadosDeCoimbra-senhorPoeta.html"> Senhor poeta </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/fadosDeCoimbra-senhorPoeta.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/zecafonso-achegateAMimMaruxa.html"> = Achégate a mim, Maruxa </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/zecafonso-achegateAMimMaruxa.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/zecafonso-achegateAMimMaruxa.html"> = Achégate a mim, Maruxa </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/zecafonso-achegateAMimMaruxa.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/zecafonso-alegriaDaCriacao.html"> Alegria da Criação </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/zecafonso-alegriaDaCriacao.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/zecafonso-aMorteSaiuARua.html"> * A Morte saiu à rua </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/zecafonso-aMorteSaiuARua.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/zecafonso-aquelaCativa.html"> * Endechas a Bárbara escrava (aquela cativa) </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/zecafonso-aquelaCativa.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/zecafonso-avenidaDeAngola.html"> * Avenida de Angola </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/zecafonso-avenidaDeAngola.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/zecafonso-bailia.html"> Bailia </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/zecafonso-bailia.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/zecafonso-baladaDoOutono.html"> Balada do Outono </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/zecafonso-baladaDoOutono.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/zecafonso-bradoDaTerra.html"> * Só ouve o brado da terra </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/zecafonso-bradoDaTerra.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/zecafonso-cancaoDeEmbalar.html"> =Canção de embalar </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/zecafonso-cancaoDeEmbalar.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/zecafonso-cantigaDoMonte.html"> * Cantiga do monte </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/zecafonso-cantigaDoMonte.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/zecafonso-cantoMoco.html"> * Canto moço </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/zecafonso-cantoMoco.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/zecafonso-cigano.html"> *Chamaram-me cigano </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/zecafonso-cigano.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/zecafonso-comboioDescendente.html"> Comboio Descendente </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/zecafonso-comboioDescendente.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/zecafonso-comboioDescendente.html"> Comboio Descendente </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/zecafonso-comboioDescendente.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/zecafonso-coroDosCaidos.html"> Coro dos Caídos </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/zecafonso-coroDosCaidos.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/zecafonso-entrudo.html"> Entrudo </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/zecafonso-entrudo.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/zecafonso-euFuiVerAMinhaAmada.html"> * Cantigas do Maio (eu fui ver a minha amada) </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/zecafonso-euFuiVerAMinhaAmada.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/zecafonso-euVouSerComoAToupeira.html"> Eu vou ser como a toupeira </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/zecafonso-euVouSerComoAToupeira.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/zecafonso-formigaNoCarreiro.html"> = A formiga no carreiro </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/zecafonso-formigaNoCarreiro.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/zecafonso-gastaoEraPerfeito.html"> Gastão era perfeito </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/zecafonso-gastaoEraPerfeito.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/zecafonso-grandola.html"> Grândola Vila Morena </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/zecafonso-grandola.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/zecafonso-homemDaGaita.html"> O homem da gaita </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/zecafonso-homemDaGaita.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/zecafonso-jaOTemposehabitua.html"> Já o tempo se habitua </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/zecafonso-jaOTemposehabitua.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/zecafonso-mafarricas.html"> Ronda das mafarricas </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/zecafonso-mafarricas.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/zecafonso-mafarricas.html"> Ronda das mafarricas </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/zecafonso-mafarricas.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/zecafonso-mariaFaia.html"> * Maria Faia </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/zecafonso-mariaFaia.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/zecafonso-meuMeninoEDeOiro.html"> =Menino de oiro </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/zecafonso-meuMeninoEDeOiro.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/zecafonso-milhoVerde.html"> Milho verde </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/zecafonso-milhoVerde.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/zecafonso-mulherDaErva.html"> A mulher da erva </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/zecafonso-mulherDaErva.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/zecafonso-natalDosSimples.html"> Natal dos simples </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/zecafonso-natalDosSimples.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/zecafonso-nefretiteNaoTinhaPapeira.html"> Nefretite não tinha papeira </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/zecafonso-nefretiteNaoTinhaPapeira.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/zecafonso-noValeDeFonteovejuna.html"> No vale de Fuenteovejuna </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/zecafonso-noValeDeFonteovejuna.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/zecafonso-oCoimbraDoMondego.html"> * Oh Coimbra do Mondego </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/zecafonso-oCoimbraDoMondego.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/zecafonso-porAqueleCaminho.html"> Por Aquele Caminho </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/zecafonso-porAqueleCaminho.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/zecafonso-porTrasDaquelaJanela.html"> Por trás daquela janela </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/zecafonso-porTrasDaquelaJanela.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/zecafonso-qualquerDia.html"> * Qualquer Dia </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/zecafonso-qualquerDia.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/zecafonso-qualquerDia.html"> * Qualquer Dia </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/zecafonso-qualquerDia.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/zecafonso-queAmorNaoMeEngana.html"> = Que amor não me engana </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/zecafonso-queAmorNaoMeEngana.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/zecafonso-rainha.html"> Rainha </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/zecafonso-rainha.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/zecafonso-roubamMeUnsDeus.html"> Epígrafe para a arte de Furtar (roubam-me Deus) </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/zecafonso-roubamMeUnsDeus.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/zecafonso-seteMulheresDoMinho.html"> As sete mulheres do Minho </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/zecafonso-seteMulheresDoMinho.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/zecafonso-seVoarasMaisAoPerto.html"> Se voaras mais ao perto </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/zecafonso-seVoarasMaisAoPerto.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/zecafonso-teresaTorga.html"> Teresa Torga </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/zecafonso-teresaTorga.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/zecafonso-trazOutroAmigoTambem.html"> * Traz outro amigo também </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/zecafonso-trazOutroAmigoTambem.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/zecafonso-tuGitana.html"> Tu gitana </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/zecafonso-tuGitana.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/zecafonso-utopia.html"> Utopia </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/zecafonso-utopia.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/zecafonso-vaiMariaVai.html"> Vai, Maria vai </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/zecafonso-vaiMariaVai.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/zecafonso-vampiros.html"> * Vampiros </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/zecafonso-vampiros.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/zecafonso-vejamBem.html"> * Vejam bem </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/zecafonso-vejamBem.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/zecafonso-verdesSaoOsCampos.html"> Verdes são os campos </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/zecafonso-verdesSaoOsCampos.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="João Aguarela"><b>João Aguarela</b></a> <dir> <i>See also band: <br />
- <a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Sitiados">Sitiados</a>; </i><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/sitiados-aCabanaDoPaiTomas.html"> A cabana do Pai Tomás </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/sitiados-aCabanaDoPaiTomas.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="Alcoolémia"><b>Alcoolémia</b></a> <dir><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/alcoolemia-naoSeiSeMereco.html"> * Não sei se mereço </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/alcoolemia-naoSeiSeMereco.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="Manuel Alegre"><b>Manuel Alegre</b></a> <dir><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/adriano-aquelaAlegreMadrugada.html"> E alegre se fez triste </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/adriano-aquelaAlegreMadrugada.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/adriano-cancaoComLagrimas.html"> * Canção com lágrimas </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/adriano-cancaoComLagrimas.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/adriano-cancaoTerceira.html"> Canção terceira </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/adriano-cancaoTerceira.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/adriano-maos.html"> As mãos </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/adriano-maos.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/adriano-meuPensamento.html"> Pensamento </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/adriano-meuPensamento.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/adriano-trovaAoVentoQuePassa.html"> * Trova do vento que passa </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/adriano-trovaAoVentoQuePassa.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/alegre-quemPoderaDomarOsCavalos.html"> Canção tão simples (Quem poderá domar ...) </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/alegre-quemPoderaDomarOsCavalos.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/fadosDeCoimbra-capaNegraRosaNegra.html"> Capa negra, rosa negra </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/fadosDeCoimbra-capaNegraRosaNegra.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/fadosDeCoimbra-senhorPoeta.html"> Senhor poeta </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/fadosDeCoimbra-senhorPoeta.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/tordo-patriaMinha.html"> Uma flor de verde pinho </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/tordo-patriaMinha.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="António Aleixo"><b>António Aleixo</b></a> <dir><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/fanhais-embora.html"> embora os meus olhos sejam </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/fanhais-embora.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="Alexandre"><b>Alexandre</b></a> <dir><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/sexoSentido-sereiUmaSombraAVoar.html"> Serei uma sombra a voar </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/sexoSentido-sereiUmaSombraAVoar.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="António Vitorino de Almeida"><b>António Vitorino de Almeida</b></a> <dir><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/carlosdocarmo_01.html"> Fado do Campo Grande </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/carlosdocarmo_01.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="Joaquim de Almeida"><b>Joaquim de Almeida</b></a> <dir><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/represas-enquantoVivos.html"> Enquanto </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/represas-enquantoVivos.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="Mário Alves"><b>Mário Alves</b></a> <dir> <i>See also band: <br />
- <a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Vozes%20da%20R%C3%A1dio">Vozes da Rádio</a>; </i><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/vozes-mocoila.html"> Moçoila (Toada) </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/vozes-mocoila.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/vozes-sobrinhasSolitarias.html"> Na casa das sobrinhas solitárias </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/vozes-sobrinhasSolitarias.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/vozes-subirSubir.html"> Subir subir </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/vozes-subirSubir.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/vozes-valsaDosSemIsqueiro.html"> Valsa dos sem isqueiro </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/vozes-valsaDosSemIsqueiro.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="João António Amaral"><b>João António Amaral</b></a> <dir><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/missia-naoMeChamemPeloNome.html"> Não me chamem pelo nome </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/missia-naoMeChamemPeloNome.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="A. Amargo"><b>A. Amargo</b></a> <dir><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/amalia-04.html"> Há festa na Mouraria </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/amalia-04.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="Eugénio de Andrade"><b>Eugénio de Andrade</b></a> <dir><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/fausto-naoCantoPorqueSonho.html"> Não canto porque sonho </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/fausto-naoCantoPorqueSonho.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="Arnaldo Antunes"><b>Arnaldo Antunes</b></a> <dir><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/marisamonte-beijaEu.html"> Beija Eu </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/marisamonte-beijaEu.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="Lobo Antunes"><b>Lobo Antunes</b></a> <dir><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/vitorino-boleroDoCoronel.html"> Bolero do coronel sensível que fez amor em Monsanto </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/vitorino-boleroDoCoronel.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/vitorino-medoDoEscuro.html"> Canção para a minha filha Isabel adormecer quando tiver medo do escuro </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/vitorino-medoDoEscuro.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/vitorino-ruaDoQuelhas.html"> Rua do Quelhas (homenagem a Florbela Espanca) </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/vitorino-ruaDoQuelhas.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="Sebastião Antunes"><b>Sebastião Antunes</b></a> <dir> <i>See also band: <br />
- <a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Quadrilha">Quadrilha</a>; </i><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/quadrilha-historiaDaMinhota.html"> História da minhota </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/quadrilha-historiaDaMinhota.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/quadrilha-naoHaDinheiro.html"> Não há dinheiro </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/quadrilha-naoHaDinheiro.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="J.B. de Aquino"><b>J.B. de Aquino</b></a> <dir><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/zeliaduarte_04.html"> Sina do caboclo </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/zeliaduarte_04.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="Matilde Rosa Araújo"><b>Matilde Rosa Araújo</b></a> <dir><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/lopesgraca-cancaoDeEmbalarBonequinhasPobres.html"> Canção de embalar bonequinhas pobres </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/lopesgraca-cancaoDeEmbalarBonequinhasPobres.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/lopesgraca-pastor.html"> Pastor </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/lopesgraca-pastor.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="Norberto Araújo"><b>Norberto Araújo</b></a> <dir><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/amalia-05.html"> Não é desgraça ser pobre </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/amalia-05.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="Ângelo Araújo"><b>Ângelo Araújo</b></a> <dir><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/fadosDeCoimbra-contosVelhinhos.html"> Contos Velhinhos </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/fadosDeCoimbra-contosVelhinhos.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="Mamonas Assassinas"><b>Mamonas Assassinas</b></a> <dir><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/mamonas-peladosEmSantos.html"> Pelados em Santos </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/mamonas-peladosEmSantos.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/mamonas-roboCopGay.html"> RoboCop Gay </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/mamonas-roboCopGay.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/mamonas-sabaoCraCra.html"> Sabão crá-crá </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/mamonas-sabaoCraCra.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/mamonas-viraVira.html"> Vira, vira </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/mamonas-viraVira.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="Martinho de Assunção"><b>Martinho de Assunção</b></a> <dir><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/carlosdocarmo_08.html"> Fado dos azulejos </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/carlosdocarmo_08.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/carlosdocarmo_10.html"> Balada para uma velhinha </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/carlosdocarmo_10.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="Fúria do Açúcar"><b>Fúria do Açúcar</b></a> <dir> <i>Band elements: <br />
- <a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Jos%C3%A9%20Jo%C3%A3o%20Melo">José João Melo (vozes)</a>; <br />
- <a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Filipe%20Larsen">Filipe Larsen (baixo)</a>; <br />
- <a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#S%C3%B3nia%20Fonseca">Sónia Fonseca</a>; <br />
- <a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Ruca%20Rebord%C3%A3o">Ruca Rebordão (Percursão)</a>; <br />
- <a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Mucio%20S%C3%A1">Mucio Sá (guitarra electrica)</a>; </i><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/furia-blue.html"> Blues on de road to Porto </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/furia-blue.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/furia-cumeDaSerra.html"> No cume da serra </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/furia-cumeDaSerra.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/furia-reiDosMatraquilhos.html"> O rei dos matraquilhos </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/furia-reiDosMatraquilhos.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="B.Russel"><b>B.Russel</b></a> <dir><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/gal-personalidade06.html"> Louca me chamam ( Crazy He Call's Me ) </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/gal-personalidade06.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="Cristina Bacelar"><b>Cristina Bacelar</b></a> <dir> <i>See also band: <br />
- <a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Frei%20Fado%20d%27El%20Rei">Frei Fado d'El Rei</a>; </i><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/freifado-perdiMeuAmorNoMar.html"> Perdi meu amor no mar </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/freifado-perdiMeuAmorNoMar.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="Bandemónio"><b>Bandemónio</b></a> <dir> <i>Band elements: <br />
- <a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Edgar%20Caramelo">Edgar Caramelo (metais)</a>; <br />
- <a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Pedro%20Abrunhosa">Pedro Abrunhosa (voz)</a>; <br />
- <a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Cl%C3%A1udio%20Souto">Cláudio Souto (teclas)</a>; <br />
- <a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#M%C3%A1rio%20Barreiros">Mário Barreiros (guitarra)</a>; <br />
- <a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Diana%20Bastos">Diana Bastos (voz)</a>; <br />
- <a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Eduardo%20Santos">Eduardo Santos (metais)</a>; <br />
- <a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Jo%C3%A3o%20Andr%C3%A9">João André (baixo)</a>; <br />
- <a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Alexandre%20Fraz%C3%A3o">Alexandre Frazão (bateria)</a>; <br />
- <a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Klaus%20Nymark">Klaus Nymark (metais)</a>; </i><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/abrunhosa-seEuFosseUmDiaoTeuOlhar.html"> Se eu fosse um dia o teu olhar </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/abrunhosa-seEuFosseUmDiaoTeuOlhar.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/abrunhosa-tudoOQueEuTeDou.html"> Tudo o que eu te dou </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/abrunhosa-tudoOQueEuTeDou.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/abrunhosa-viagens.html"> * Viagens </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/abrunhosa-viagens.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="Rui Baptista"><b>Rui Baptista</b></a> <dir> <i>See also band: <br />
- <a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Taitibitileus">Taitibitileus</a>; </i><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/taitibitileus-meuAbiao.html"> O meu abião </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/taitibitileus-meuAbiao.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="António Barahona"><b>António Barahona</b></a> <dir><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/fadosDeCoimbra-senhorPoeta.html"> Senhor poeta </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/fadosDeCoimbra-senhorPoeta.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="Orestes Barbosa"><b>Orestes Barbosa</b></a> <dir><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/brasil-chaoDeEstrelas.html"> Chão de estrelas </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/brasil-chaoDeEstrelas.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="Zélia Barbosa"><b>Zélia Barbosa</b></a> <dir><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/zeliaduarte_01.html"> Carcará </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/zeliaduarte_01.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/zeliaduarte_02.html"> Funeral do lavrador </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/zeliaduarte_02.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/zeliaduarte_03.html"> Canção da terra </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/zeliaduarte_03.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/zeliaduarte_04.html"> Sina do caboclo </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/zeliaduarte_04.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/zeliaduarte_05.html"> Chegança </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/zeliaduarte_05.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/zeliaduarte_06.html"> Pau de arara </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/zeliaduarte_06.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/zeliaduarte_07.html"> Opinião </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/zeliaduarte_07.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/zeliaduarte_08.html"> Nega Dina </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/zeliaduarte_08.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/zeliaduarte_09.html"> Pedro pedreiro </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/zeliaduarte_09.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/zeliaduarte_10.html"> Feio, não é bonito </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/zeliaduarte_10.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/zeliaduarte_11.html"> Zelão </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/zeliaduarte_11.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/zeliaduarte_12.html"> Cicatriz </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/zeliaduarte_12.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="Quim Barreiros"><b>Quim Barreiros</b></a> <dir><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/quimbarreiros-mestreDeCulinaria.html"> Mestre de culinária </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/quimbarreiros-mestreDeCulinaria.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="Nelson de Barros"><b>Nelson de Barros</b></a> <dir><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/vilaret-fadoFalado.html"> Fado falado </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/vilaret-fadoFalado.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="Ary Barroso"><b>Ary Barroso</b></a> <dir><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/arybarroso-aguarelaDoBrasil.html"> Aquarela do Brasil </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/arybarroso-aguarelaDoBrasil.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/gal-personalidade15.html"> Folha morta </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/gal-personalidade15.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="Pedro Barroso"><b>Pedro Barroso</b></a> <dir> <i>See also: <br />
<a href="http://www.pedrobarroso.com/"> <b>Pagina oficial</b> </a> <br />
<a href="http://www.dca.uac.pt/aecah/cabula/barroso.htm"> <b>Entrevista para "O Cábula"</b> </a></i><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/barroso-cantarBrejeiro.html"> Cantar brejeiro </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/barroso-cantarBrejeiro.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/barroso-cantarE.html"> Cantar é </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/barroso-cantarE.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/barroso-meninaDosOlhosDeAgua.html"> * Menina dos olhos de água </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/barroso-meninaDosOlhosDeAgua.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/barroso-paoDePedras.html"> Pão de pedras </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/barroso-paoDePedras.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="João Bastos"><b>João Bastos</b></a> <dir><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/melo-cantigaDaRua.html"> *Cantiga da rua </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/melo-cantigaDaRua.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="Ronaldo Bastos"><b>Ronaldo Bastos</b></a> <dir><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/caetano-sorte.html"> * Sorte </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/caetano-sorte.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="Belchior"><b>Belchior</b></a> <dir><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/ney05.html"> Sensual </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/ney05.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="Harold Berg"><b>Harold Berg</b></a> <dir><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/mariobranco-monsieurLePresident.html"> Le déserteur </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/mariobranco-monsieurLePresident.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="F. Miguel Bernardes"><b>F. Miguel Bernardes</b></a> <dir><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/zecafonso-qualquerDia.html"> * Qualquer Dia </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/zecafonso-qualquerDia.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="Augustina Bessa-Luís"><b>Augustina Bessa-Luís</b></a> <dir><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/missia-garraDosSentidos.html"> Garras dos sentidos </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/missia-garraDosSentidos.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="Maria Bethânia"><b>Maria Bethânia</b></a> <dir><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/betania-segueOTeuDestino.html"> Segue o teu destino </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/betania-segueOTeuDestino.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/betania-sinoDaMinhaAldeia.html"> O sino da minha aldeia </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/betania-sinoDaMinhaAldeia.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/buarque-amandoSobreOsJornais.html"> Amando sobre os jornais </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/buarque-amandoSobreOsJornais.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/buarque-teresinha.html"> Teresinha </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/buarque-teresinha.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/caetano-tigresa.html"> * Tigresa </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/caetano-tigresa.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/caetanoveloso-avarando.html"> Avarando </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/caetanoveloso-avarando.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/vinicius-meuAmorNaoVasEmbora.html"> * Apelo (Meu amor não vás embora) </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/vinicius-meuAmorNaoVasEmbora.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="Edmundo Bettencourt"><b>Edmundo Bettencourt</b></a> <dir> <i>See also: <br />
<a href="http://www.cidadevirtual.pt/fadocoimbra/bettenco.html"> <b>Página nos "Fados de Coimbra"</b> </a></i><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/bettencourt-samaritana.html"> * Samaritana </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/bettencourt-samaritana.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/bettencourt-samaritana.html"> * Samaritana </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/bettencourt-samaritana.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/fadosDeCoimbra-fadoDeSantaCruz.html"> Fado de Santa Cruz </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/fadosDeCoimbra-fadoDeSantaCruz.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/fadosDeCoimbra-saudadesDeCoimbra.html"> * Saudades de Coimbra </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/fadosDeCoimbra-saudadesDeCoimbra.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/fadosDeCoimbra-saudadesDeCoimbra.html"> * Saudades de Coimbra </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/fadosDeCoimbra-saudadesDeCoimbra.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/zecafonso-oCoimbraDoMondego.html"> * Oh Coimbra do Mondego </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/zecafonso-oCoimbraDoMondego.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/zecafonso-oCoimbraDoMondego.html"> * Oh Coimbra do Mondego </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/zecafonso-oCoimbraDoMondego.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="Biafra"><b>Biafra</b></a> <dir><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/br-sonhoDeIcaro.html"> * Sonho de Ícaro </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/br-sonhoDeIcaro.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="Quinta do Bill"><b>Quinta do Bill</b></a> <dir><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/bill-de2a6feira.html"> * De 2.ª a 6.ª Feira </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/bill-de2a6feira.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/bill-filhosDaNacao.html"> * Filhos da Nação </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/bill-filhosDaNacao.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/bill-voaVoa.html"> * Vôa, Vôa </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/bill-voaVoa.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="Aldir Blanc"><b>Aldir Blanc</b></a> <dir><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/elis-doisPraLaDoisParaCa.html"> Dois pra lá, dois pra cá </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/elis-doisPraLaDoisParaCa.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/ney07.html"> Angra </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/ney07.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="João Bosco"><b>João Bosco</b></a> <dir><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/elis-doisPraLaDoisParaCa.html"> Dois pra lá, dois pra cá </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/elis-doisPraLaDoisParaCa.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/ney07.html"> Angra </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/ney07.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="António Botto"><b>António Botto</b></a> <dir><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/missia-naoMeChamemPeloNome.html"> Não me chamem pelo nome </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/missia-naoMeChamemPeloNome.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="Rogério Bracinha"><b>Rogério Bracinha</b></a> <dir><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/calvario-oracao.html"> Oração </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/calvario-oracao.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="A. P. Braga"><b>A. P. Braga</b></a> <dir><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/apbraga-caixinhas.html"> Caixinhas </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/apbraga-caixinhas.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/apbraga-cancaoParaDesfazerEquivocos.html"> Canção para desfazer equívocos </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/apbraga-cancaoParaDesfazerEquivocos.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/apbraga-cavaloDeVariasCores.html"> Cavalo de várias cores </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/apbraga-cavaloDeVariasCores.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/apbraga-MeninoNegroNaoEntrouNaRoda.html"> O menino negro não entrou na roda </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/apbraga-MeninoNegroNaoEntrouNaRoda.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/apbraga-rodaDaSenhoraRainha.html"> Roda da senhora rainha </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/apbraga-rodaDaSenhoraRainha.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/apbraga-soldadimCatrapim.html"> Soldadim Catrapim </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/apbraga-soldadimCatrapim.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/fausto-daquiDestaLisboa.html"> Daqui desta Lisboa </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/fausto-daquiDestaLisboa.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/fausto-flober.html"> A flóber </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/fausto-flober.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/fausto-homemEABurla.html"> O homem e a burla </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/fausto-homemEABurla.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/fausto-naoCantoPorqueSonho.html"> Não canto porque sonho </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/fausto-naoCantoPorqueSonho.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/fausto-proQueDerEVier.html"> P'ró que der e vier </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/fausto-proQueDerEVier.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/fausto-rosie.html"> Rosie </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/fausto-rosie.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="José Mário Branco"><b>José Mário Branco</b></a> <dir><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/godinho-charlatao.html"> *O charlatão </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/godinho-charlatao.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/godinho-sobreviventes07.html"> Cantiga da velha mãe e dos seus dois filhos - Mãe coragem </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/godinho-sobreviventes07.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/mariobranco-canseirasDestaViada.html"> As canseiras desta vida </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/mariobranco-canseirasDestaViada.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/mariobranco-cantigaDoFogoEDaGuerrs.html"> Cantiga do fogo e da guerra </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/mariobranco-cantigaDoFogoEDaGuerrs.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/mariobranco-cantigaDoFogoEDaGuerrs.html"> Cantiga do fogo e da guerra </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/mariobranco-cantigaDoFogoEDaGuerrs.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/mariobranco-capotesBrancosCapotesNegros.html"> Capotes brancos, capotes negros </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/mariobranco-capotesBrancosCapotesNegros.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/mariobranco-casaComigoMarta.html"> Casa comigo Marta </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/mariobranco-casaComigoMarta.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/mariobranco-companheiro.html"> Eh! Companheiro </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/mariobranco-companheiro.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/mariobranco-doisTostoes.html"> Cantiga para pedir dois tostões </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/mariobranco-doisTostoes.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/mariobranco-doisTostoes.html"> Cantiga para pedir dois tostões </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/mariobranco-doisTostoes.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/mariobranco-fadoDaTristeza.html"> Fado da tristeza </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/mariobranco-fadoDaTristeza.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/mariobranco-monsieurLePresident.html"> Le déserteur </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/mariobranco-monsieurLePresident.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/mariobranco-monsieurLePresident.html"> Le déserteur </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/mariobranco-monsieurLePresident.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/mariobranco-ondeVaisOCaminheiro.html"> Onde vais ó caminheiro </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/mariobranco-ondeVaisOCaminheiro.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/mariobranco-quandoEuForGrande.html"> Quando eu for grande (carta aos meus netos) </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/mariobranco-quandoEuForGrande.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/mariobranco-queixaDasAlmasJovensCensuradas.html"> Queixa das almas jovens censuradas </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/mariobranco-queixaDasAlmasJovensCensuradas.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/mariobranco-santantoninho.html"> Sant'Antoninho </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/mariobranco-santantoninho.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/mariobranco-santantoninho.html"> Sant'Antoninho </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/mariobranco-santantoninho.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/mariobranco-tiroNoLiro.html"> Tiro-no-liro </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/mariobranco-tiroNoLiro.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/mariobranco-vimDeLonge.html"> Eu vim de longe </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/mariobranco-vimDeLonge.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="Sofia de Melo Breyner"><b>Sofia de Melo Breyner</b></a> <dir> <i>See also: <br />
<a href="http://www.cr-sp.rnp.br/literatura/obras/Sophia_Andresen.html"> <b>Biblioteca virtual de lingua e literatura</b> </a></i><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/adriano-porque.html"> Porque </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/adriano-porque.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="Frederico de Brito"><b>Frederico de Brito</b></a> <dir><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/carlosdocarmo_04.html"> Nova Feira da Ladra </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/carlosdocarmo_04.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/carlosdocarmo-canoa.html"> Canoas do Tejo </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/carlosdocarmo-canoa.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/fernandodecarvalho-catraia.html"> Catraia do Porto </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/fernandodecarvalho-catraia.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="Tozé Brito"><b>Tozé Brito</b></a> <dir><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/carlosdocarmo-retalhos.html"> Retalhos da Vida de Um Médico </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/carlosdocarmo-retalhos.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/paulodecarvalho-entaoComoVais.html"> Olá, tu por aqui (?) </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/paulodecarvalho-entaoComoVais.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/paulodecarvalho-entaoComoVais.html"> Olá, tu por aqui (?) </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/paulodecarvalho-entaoComoVais.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="Chico Buarque"><b>Chico Buarque</b></a> <dir> <i>See also: <br />
<a href="http://www.igs.net/%7Eicruz/chico1.html"> <b>Francisco Buarque de Hollanda discography</b> </a></i><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/brasil-calice.html"> Cálice </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/brasil-calice.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/brasil-calice.html"> Cálice </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/brasil-calice.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/brasil-minhaHistoria.html"> Minha história (Menino Jesus) </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/brasil-minhaHistoria.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/buarque-amandoSobreOsJornais.html"> Amando sobre os jornais </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/buarque-amandoSobreOsJornais.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/buarque-bomConselho.html"> Bom conselho </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/buarque-bomConselho.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/buarque-construcao.html"> Construção </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/buarque-construcao.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/buarque-cuidadoComAOutra.html"> Cuidado Com A Outra </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/buarque-cuidadoComAOutra.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/buarque-donoDaVoz.html"> A voz do dono e o dono da voz </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/buarque-donoDaVoz.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/buarque-fadoTropical.html"> Fado tropical </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/buarque-fadoTropical.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/buarque-filosofia.html"> Filosofia </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/buarque-filosofia.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/buarque-geni.html"> Geni e o zepelim </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/buarque-geni.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/buarque-joaoEMaria.html"> João e Maria </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/buarque-joaoEMaria.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/buarque-lagrima.html"> Lágrima </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/buarque-lagrima.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/buarque-meDeixeMudo.html"> Me Deixe Mudo </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/buarque-meDeixeMudo.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/buarque-oFilhoQueEuQueroTer.html"> O Filho Que Eu Quero Ter </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/buarque-oFilhoQueEuQueroTer.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/buarque-oQueSera.html"> O que será quer será </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/buarque-oQueSera.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/buarque-quotidiano.html"> Quotidiano (cotidiano) </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/buarque-quotidiano.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/buarque-semCompromisso.html"> Sem compromisso </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/buarque-semCompromisso.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/buarque-tantoMar2.html"> Tanto mar II </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/buarque-tantoMar2.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/buarque-tantoMar.html"> Tanto mar </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/buarque-tantoMar.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/buarque-teresinha.html"> Teresinha </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/buarque-teresinha.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/gal-personalidade10.html"> Folhetim </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/gal-personalidade10.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/godinho-tempoQuePassou.html"> Um tempo que passou </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/godinho-tempoQuePassou.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/ney04.html"> Não existe pecado ao sul do equador </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/ney04.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/vinicius-valsinha.html"> * Valsinha </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/vinicius-valsinha.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/zeliaduarte_02.html"> Funeral do lavrador </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/zeliaduarte_02.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/zeliaduarte_09.html"> Pedro pedreiro </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/zeliaduarte_09.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="C.Sigman"><b>C.Sigman</b></a> <dir><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/gal-personalidade06.html"> Louca me chamam ( Crazy He Call's Me ) </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/gal-personalidade06.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="António Cabral"><b>António Cabral</b></a> <dir><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/adriano-cancaoDaFronteira.html"> Canção da fronteira </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/adriano-cancaoDaFronteira.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="Adriana Calcanhoto"><b>Adriana Calcanhoto</b></a> <dir><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/calcanhoto-mentiras.html"> Mentiras </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/calcanhoto-mentiras.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="Sílvio Caldas."><b>Sílvio Caldas.</b></a> <dir><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/brasil-chaoDeEstrelas.html"> Chão de estrelas </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/brasil-chaoDeEstrelas.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="António Calvário"><b>António Calvário</b></a> <dir><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/calvario-oracao.html"> Oração </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/calvario-oracao.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="José Calvário"><b>José Calvário</b></a> <dir><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/carlosmendes-festaDaVida.html"> A festa da vida </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/carlosmendes-festaDaVida.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/paulodecarvalho-eDepoisDoAdeus.html"> E depois do Adeus </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/paulodecarvalho-eDepoisDoAdeus.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="Rubens Campos"><b>Rubens Campos</b></a> <dir><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/elis-marambaia.html"> Marambaia </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/elis-marambaia.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="Camões"><b>Camões</b></a> <dir> <i>See also: <br />
<a href="http://www.isr.ist.utl.pt/%7Ecfb/VdS/camoes.html"> <b>Versos de segunda</b> </a> <br />
<a href="http://www.e-net.com.br/seges/camoes.html"> <b>Seges</b> </a> <br />
<a href="http://www.cr-sp.rnp.br/literatura/obras/camo_bio.html"> <b>Biblioteca virtual de língua e literatura</b> </a> <br />
<a href="http://virtual.inesc.pt/%7Ejaj/crestomatia/au.html#Luis%20Vaz%20de%20Camoes"> <b>Crestomatia</b> </a></i><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/amalia-07.html"> Com que voz </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/amalia-07.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/godinho-definicaoDoAmor.html"> Definição do Amor </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/godinho-definicaoDoAmor.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/zecafonso-aquelaCativa.html"> * Endechas a Bárbara escrava (aquela cativa) </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/zecafonso-aquelaCativa.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/zecafonso-verdesSaoOsCampos.html"> Verdes são os campos </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/zecafonso-verdesSaoOsCampos.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="Luís de Camões"><b>Luís de Camões</b></a> <dir><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/amalia-duraMemoria.html"> Dura Memória </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/amalia-duraMemoria.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="Carlos Canelhas"><b>Carlos Canelhas</b></a> <dir><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/iglesias-eleEEla.html"> Ele e Ela </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/iglesias-eleEEla.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="Erasmo Carlos"><b>Erasmo Carlos</b></a> <dir><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/brasil-carta.html"> Carta </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/brasil-carta.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/gal-personalidade12.html"> Olha </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/gal-personalidade12.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/gal-suaEstupidez.html"> * Sua Estupidez </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/gal-suaEstupidez.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="Roberto Carlos"><b>Roberto Carlos</b></a> <dir><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/gal-personalidade12.html"> Olha </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/gal-personalidade12.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/gal-suaEstupidez.html"> * Sua Estupidez </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/gal-suaEstupidez.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="Carlos do Carmo"><b>Carlos do Carmo</b></a> <dir><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/carlosdocarmo_01.html"> Fado do Campo Grande </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/carlosdocarmo_01.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/carlosdocarmo_02.html"> O amarelo da Carris </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/carlosdocarmo_02.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/carlosdocarmo_03.html"> Namorados da cidade </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/carlosdocarmo_03.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/carlosdocarmo_04.html"> Nova Feira da Ladra </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/carlosdocarmo_04.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/carlosdocarmo_05.html"> O homem das castanhas </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/carlosdocarmo_05.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/carlosdocarmo_06.html"> Rosa da noite </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/carlosdocarmo_06.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/carlosdocarmo_07.html"> Fado varina </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/carlosdocarmo_07.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/carlosdocarmo_08.html"> Fado dos azulejos </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/carlosdocarmo_08.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/carlosdocarmo_09.html"> Fado da pouca sorte </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/carlosdocarmo_09.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/carlosdocarmo_10.html"> Balada para uma velhinha </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/carlosdocarmo_10.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/carlosdocarmo_cacilheiro.html"> O Cacilheiro </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/carlosdocarmo_cacilheiro.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/carlosdocarmo-canoa.html"> Canoas do Tejo </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/carlosdocarmo-canoa.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/carlosdocarmo-retalhos.html"> Retalhos da Vida de Um Médico </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/carlosdocarmo-retalhos.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/carlosdocarmo_umHomeNaCidade.html"> Um homem na cidade </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/carlosdocarmo_umHomeNaCidade.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/tordo-patriaMinha.html"> Uma flor de verde pinho </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/tordo-patriaMinha.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="Mário de Sá Carneiro"><b>Mário de Sá Carneiro</b></a> <dir><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/trovante-burro.html"> Fim (Quando eu morrer) </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/trovante-burro.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="Arlindo Duarte Carvalho"><b>Arlindo Duarte Carvalho</b></a> <dir><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/carvalho-chapeuPreto.html"> *Chapéu preto </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/carvalho-chapeuPreto.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="Fernando de Carvalho"><b>Fernando de Carvalho</b></a> <dir><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/fernandodecarvalho-catraia.html"> Catraia do Porto </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/fernandodecarvalho-catraia.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="H.B. de Carvalho"><b>H.B. de Carvalho</b></a> <dir><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/zeliaduarte_12.html"> Cicatriz </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/zeliaduarte_12.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="Paulo de Carvalho"><b>Paulo de Carvalho</b></a> <dir><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/ary-quandoUmHomemQuiser.html"> Quando um Homem Quiser </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/ary-quandoUmHomemQuiser.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/carlosdocarmo_05.html"> O homem das castanhas </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/carlosdocarmo_05.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/carlosdocarmo_cacilheiro.html"> O Cacilheiro </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/carlosdocarmo_cacilheiro.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/paulodecarvalho-eDepoisDoAdeus.html"> E depois do Adeus </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/paulodecarvalho-eDepoisDoAdeus.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/paulodecarvalho-entaoComoVais.html"> Olá, tu por aqui (?) </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/paulodecarvalho-entaoComoVais.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/paulodecarvalho-fadinhoDoBacalhau.html"> Fadinho do bacalhau </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/paulodecarvalho-fadinhoDoBacalhau.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/paulodecarvalho-fadinhoDoBacalhau.html"> Fadinho do bacalhau </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/paulodecarvalho-fadinhoDoBacalhau.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/paulodecarvalho-recadoParaOChico.html"> Recado para o Chico </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/paulodecarvalho-recadoParaOChico.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/paulodecarvvalho-meninosDeHuambo.html"> Os meninos de Huambo </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/paulodecarvvalho-meninosDeHuambo.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="Roberto Carvalho"><b>Roberto Carvalho</b></a> <dir><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/elis-aloMarciano.html"> Alô, alô marciano </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/elis-aloMarciano.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="Tereza Silva Carvalho"><b>Tereza Silva Carvalho</b></a> <dir><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/amalia-amarAmar.html"> * Eu quero amar, amar perdidamente </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/amalia-amarAmar.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/amalia-amarAmar.html"> * Eu quero amar, amar perdidamente </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/amalia-amarAmar.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="Banda do Casaco"><b>Banda do Casaco</b></a> <dir> <i>Band elements: <br />
- <a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Nelson%20Portelinha">Nelson Portelinha (guitarras, trompete, trombone de varas, guimbarda, chapa de zinco)</a>; <br />
- <a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Helena%20Afonso">Helena Afonso (voz, desodorizante em stick)</a>; <br />
- <a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Luis%20Linhares">Luis Linhares (piano, flauta de bizel)</a>; <br />
- <a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Jos%C3%A9%20Campos%20Sousa">José Campos Sousa (guitarra, paus de miranda)</a>; <br />
- <a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#N%C3%A9%20Ladeiras">Né Ladeiras (voz)</a>; <br />
- <a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Ant%C3%B3nio%20Avelar%20Pinho">António Avelar Pinho (voz. timbales)</a>; <br />
- <a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Judi%20Brennan">Judi Brennan (voz, desodorizante em spray)</a>; <br />
- <a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Ant%C3%B3nio%20Pinheiro%20Silva">António Pinheiro Silva</a>; <br />
- <a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Nuno%20Rodrigues">Nuno Rodrigues (voz, guitarras, moedas, garrafa, cigarro, fosforos)</a>; <br />
- <a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Celso%20de%20Carvalho">Celso de Carvalho (Contrabaixo, violoncelo, vibrafone, flexitone)</a>; <br />
- <a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Carlos%20Z%C3%ADngaro">Carlos Zíngaro (violino, guitarra eléctrica, violoncelo, contrabaixo, carrilhão, timbales, paus de miranda)</a>; </i><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/bandaDoCasaco-aiSeALuzia.html"> Ai se a Luzia </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/bandaDoCasaco-aiSeALuzia.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/bandaDoCasaco-cantoDeAmorETrabalho.html"> * Canto de amor e trabalho </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/bandaDoCasaco-cantoDeAmorETrabalho.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/bandadocasaco-eOuvilos.html"> É ouvi-los </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/bandadocasaco-eOuvilos.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/bandadocasaco-horasDePontaEMola.html"> Horas de ponta e mola </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/bandadocasaco-horasDePontaEMola.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/bandadocasaco-natacaoObrigatoria.html"> Natação obrigatória </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/bandadocasaco-natacaoObrigatoria.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="Miguel Castro"><b>Miguel Castro</b></a> <dir> <i>See also band: <br />
- <a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Porquinhos%20da%20Ilda">Porquinhos da Ilda</a>; </i><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/porquinhos-canguru.html"> Canguru </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/porquinhos-canguru.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="Rosalia de Castro"><b>Rosalia de Castro</b></a> <dir> <i>See also: <br />
<a href="http://www.ctv.es/USERS/mforca/Rosal%C3%ADa.htm"> <b>Página no Ximnasio de Academo</b> </a></i><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/adriano-cantarDeEmigracao.html"> * Cantar de emigração (este parte, aquele parte) </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/adriano-cantarDeEmigracao.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="Nelson Cavaquinho"><b>Nelson Cavaquinho</b></a> <dir><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/buarque-cuidadoComAOutra.html"> Cuidado Com A Outra </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/buarque-cuidadoComAOutra.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="Danilo Caymmi"><b>Danilo Caymmi</b></a> <dir><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/brasil-andanca.html"> Andança </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/brasil-andanca.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="Dorival Caymmi"><b>Dorival Caymmi</b></a> <dir><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/gal-soLouco.html"> * Só Louco </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/gal-soLouco.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="G. Chianca"><b>G. Chianca</b></a> <dir><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/popular-aldeiaDaRoupaBranca.html"> *Aldeia da roupa branca </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/popular-aldeiaDaRoupaBranca.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="José Cid"><b>José Cid</b></a> <dir><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/josecid-grandeAmor.html"> Um grande, grande amor </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/josecid-grandeAmor.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/josecid-seEuTePudesseAbra%C3%A7ar.html"> Se eu te pudesse abraçar </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/josecid-seEuTePudesseAbra%C3%A7ar.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="Alves Coelho"><b>Alves Coelho</b></a> <dir><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/franciscoJose-olhosCastanhos.html"> Olhos Castanhos </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/franciscoJose-olhosCastanhos.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="Gerson Conrad"><b>Gerson Conrad</b></a> <dir><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/vinicius-rosaDeHiroshima.html"> A rosa de Hiroxima </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/vinicius-rosaDeHiroshima.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="(versão de) Natália Correia"><b>(versão de) Natália Correia</b></a> <dir><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/zecafonso-noValeDeFonteovejuna.html"> No vale de Fuenteovejuna </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/zecafonso-noValeDeFonteovejuna.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="Natália Correia"><b>Natália Correia</b></a> <dir><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/mariobranco-queixaDasAlmasJovensCensuradas.html"> Queixa das almas jovens censuradas </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/mariobranco-queixaDasAlmasJovensCensuradas.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="Beatriz Costa"><b>Beatriz Costa</b></a> <dir><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/popular-aldeiaDaRoupaBranca.html"> *Aldeia da roupa branca </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/popular-aldeiaDaRoupaBranca.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="Gal Costa"><b>Gal Costa</b></a> <dir><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/arybarroso-aguarelaDoBrasil.html"> Aquarela do Brasil </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/arybarroso-aguarelaDoBrasil.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/buarque-teresinha.html"> Teresinha </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/buarque-teresinha.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/caetano-baby.html"> * Baby </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/caetano-baby.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/caetano-forcaEstranha.html"> * Força Estranha </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/caetano-forcaEstranha.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/caetano-meuBemMeuMal.html"> * Meu Bem, Meu Mal </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/caetano-meuBemMeuMal.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/caetano-sorte.html"> * Sorte </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/caetano-sorte.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/gal-chuvaDePrata.html"> Chuva de Prata </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/gal-chuvaDePrata.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/gal-coracaoVagabundo.html"> * Coração Vagabundo </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/gal-coracaoVagabundo.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/gal-india.html"> Índia </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/gal-india.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/gal-luaDeMel.html"> Lua-de-Mel (Como o Diabo Gosta) </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/gal-luaDeMel.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/gal-luzDoSol.html"> * Luz do Sol </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/gal-luzDoSol.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/gal-meFazBem.html"> Me Faz Bem </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/gal-meFazBem.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/gal-personalidade01.html"> London London </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/gal-personalidade01.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/gal-personalidade02.html"> Azul </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/gal-personalidade02.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/gal-personalidade03.html"> Olhos verdes </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/gal-personalidade03.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/gal-personalidade04.html"> Dom de iludir </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/gal-personalidade04.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/gal-personalidade05.html"> Até quem sabe </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/gal-personalidade05.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/gal-personalidade06.html"> Louca me chamam ( Crazy He Call's Me ) </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/gal-personalidade06.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/gal-personalidade07.html"> Meu bem meu mal </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/gal-personalidade07.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/gal-personalidade08.html"> Canta Brasil </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/gal-personalidade08.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/gal-personalidade09.html"> Baby </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/gal-personalidade09.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/gal-personalidade10.html"> Folhetim </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/gal-personalidade10.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/gal-personalidade11.html"> O amor </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/gal-personalidade11.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/gal-personalidade12.html"> Olha </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/gal-personalidade12.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/gal-personalidade13.html"> Estrada de sol </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/gal-personalidade13.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/gal-personalidade14.html"> Verbos do amor </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/gal-personalidade14.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/gal-personalidade15.html"> Folha morta </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/gal-personalidade15.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/gal-personalidade16.html"> Festa do interior </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/gal-personalidade16.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/gal-soLouco.html"> * Só Louco </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/gal-soLouco.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/gal-suaEstupidez.html"> * Sua Estupidez </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/gal-suaEstupidez.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="Ricardo Costa"><b>Ricardo Costa</b></a> <dir> <i>See also band: <br />
- <a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Frei%20Fado%20d%27El%20Rei">Frei Fado d'El Rei</a>; </i><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/freifado-aDancaDosJograis.html"> A dança dos jograis </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/freifado-aDancaDosJograis.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/freifado-amoresDoDouro.html"> Amores do Douro </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/freifado-amoresDoDouro.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="Soledade Martinho Costa"><b>Soledade Martinho Costa</b></a> <dir><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/represas-eFoiDezembro.html"> E foi Dezembro </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/represas-eFoiDezembro.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="Sueli Costa"><b>Sueli Costa</b></a> <dir><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/betania-segueOTeuDestino.html"> Segue o teu destino </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/betania-segueOTeuDestino.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="Maria Creuza"><b>Maria Creuza</b></a> <dir><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/vinicius-sambaEmPreludio.html"> Samba em prelúdio </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/vinicius-sambaEmPreludio.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="Viriato Cruz"><b>Viriato Cruz</b></a> <dir> <i>See also: <br />
<a href="http://www.terravista.pt/meiapraia/2425/vdacruz.html"> <b>Página dos "Poetas da música"</b> </a></i><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/godinho-namoro.html"> Namoro </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/godinho-namoro.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="Fernando Cunha"><b>Fernando Cunha</b></a> <dir> <i>See also band: <br />
- <a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Resist%C3%AAncia">Resistência</a>; <br />
- <a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Delfins">Delfins</a>; </i><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/delfins-aoPassarUmNavio.html"> Ao passar um navio </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/delfins-aoPassarUmNavio.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/delfins-aqueleInverno.html"> * Aquele Inverno </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/delfins-aqueleInverno.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/delfins-marchaDosDesalinhados.html"> Marcha dos desalinhados </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/delfins-marchaDosDesalinhados.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/delfins-souComoUmRio.html"> Sou como um rio </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/delfins-souComoUmRio.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/resistencia-quandoAlguemNasce.html"> * Nasce selvagem </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/resistencia-quandoAlguemNasce.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="A. Curto"><b>A. Curto</b></a> <dir><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/popular-aldeiaDaRoupaBranca.html"> *Aldeia da roupa branca </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/popular-aldeiaDaRoupaBranca.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="Vicente da Câmara"><b>Vicente da Câmara</b></a> <dir><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/vicente-modaDasTrancasPretas.html"> *A moda das tranças pretas </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/vicente-modaDasTrancasPretas.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/vicente-modaDasTrancasPretas.html"> *A moda das tranças pretas </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/vicente-modaDasTrancasPretas.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="José Cândido"><b>José Cândido</b></a> <dir><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/zeliaduarte_01.html"> Carcará </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/zeliaduarte_01.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="Luís Cília"><b>Luís Cília</b></a> <dir><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/adriano-cancaoTerceira.html"> Canção terceira </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/adriano-cancaoTerceira.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/apbraga-MeninoNegroNaoEntrouNaRoda.html"> O menino negro não entrou na roda </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/apbraga-MeninoNegroNaoEntrouNaRoda.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/cilia-segredo.html"> Segredo </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/cilia-segredo.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="Pino Danielle"><b>Pino Danielle</b></a> <dir><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/marisamonte-bemQusSeQuis.html"> Bem que se quis </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/marisamonte-bemQusSeQuis.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="Zé Dantas"><b>Zé Dantas</b></a> <dir><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/nordeste-oXoteDasMeninas.html"> O xote das meninas </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/nordeste-oXoteDasMeninas.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="José Manuel David"><b>José Manuel David</b></a> <dir> <i>See also band: <br />
- <a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Gaiteiros%20de%20Lisboa">Gaiteiros de Lisboa</a>; </i><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/gaiteiros-agoraQueEuVouCantar.html"> Agora que eu vou cantar </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/gaiteiros-agoraQueEuVouCantar.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="Delfins"><b>Delfins</b></a> <dir> <i>See also: <br />
<a href="http://wwwalu.ci.uminho.pt:8888/%7Esi21702/delfins/"> <b>Página dos delfins (Hugo Dias)</b> </a></i> <i>Band elements: <br />
- <a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#...">...</a>; <br />
- <a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Fernando%20Cunha">Fernando Cunha</a>; <br />
- <a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Miguel%20%C3%82ngelo">Miguel Ângelo</a>; </i><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/delfins-aoPassarUmNavio.html"> Ao passar um navio </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/delfins-aoPassarUmNavio.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/delfins-aqueleInverno.html"> * Aquele Inverno </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/delfins-aqueleInverno.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/delfins-marchaDosDesalinhados.html"> Marcha dos desalinhados </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/delfins-marchaDosDesalinhados.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/delfins-souComoUmRio.html"> Sou como um rio </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/delfins-souComoUmRio.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="Carlos Dias"><b>Carlos Dias</b></a> <dir><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/dias-cheiraALisboa.html"> *Cheira a Lisboa </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/dias-cheiraALisboa.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/santos-lisboaANoite.html"> *Lisboa à noite </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/santos-lisboaANoite.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="José Alberto Diogo"><b>José Alberto Diogo</b></a> <dir><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/carlosmendes-verao.html"> O verão </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/carlosmendes-verao.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="Djavan"><b>Djavan</b></a> <dir><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/djavan-Oceano.html"> Oceano </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/djavan-Oceano.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/gal-personalidade02.html"> Azul </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/gal-personalidade02.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="João Donato"><b>João Donato</b></a> <dir><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/gal-personalidade05.html"> Até quem sabe </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/gal-personalidade05.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/gal-personalidade14.html"> Verbos do amor </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/gal-personalidade14.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="A. Duarte"><b>A. Duarte</b></a> <dir><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/amalia-04.html"> Há festa na Mouraria </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/amalia-04.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="Alfredo Duarte"><b>Alfredo Duarte</b></a> <dir><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/amalia-01.html"> Estranha forma de vida </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/amalia-01.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="Ermelinda Duarte"><b>Ermelinda Duarte</b></a> <dir><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/ermelinda-gaivota.html"> Somos livres (uma gaivota voava voava) </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/ermelinda-gaivota.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="Dolores Duran"><b>Dolores Duran</b></a> <dir><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/gal-personalidade13.html"> Estrada de sol </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/gal-personalidade13.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="Emanuel"><b>Emanuel</b></a> <dir><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/emanual-toma.html"> Toma toma </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/emanual-toma.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/emanuel-pimba.html"> Pimba pimba </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/emanuel-pimba.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="Enapá2000"><b>Enapá2000</b></a> <dir><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/enapa2000-01.html"> És cruel </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/enapa2000-01.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/enapa2000-02.html"> Marilu </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/enapa2000-02.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/enapa2000-03.html"> Menina azul (surf) </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/enapa2000-03.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/enapa2000-semiTango.html"> Semi tango - a saga de Luís Mendonça </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/enapa2000-semiTango.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="Lysias Enio"><b>Lysias Enio</b></a> <dir><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/gal-personalidade05.html"> Até quem sabe </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/gal-personalidade05.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="Florbela Espanca"><b>Florbela Espanca</b></a> <dir> <i>See also: <br />
<a href="http://www.citi.pt/cultura/literatura/poesia/florbela_espanca/index.html"> <b>Página na CITI</b> </a></i><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/amalia-amarAmar.html"> * Eu quero amar, amar perdidamente </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/amalia-amarAmar.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/trovante-serPoeta.html"> Ser Poeta (Perdidamente) </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/trovante-serPoeta.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="Lua Extravagante"><b>Lua Extravagante</b></a> <dir> <i>Band elements: <br />
- <a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Carlos%20Salom%C3%A9">Carlos Salomé</a>; <br />
- <a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Vitorino">Vitorino (Salomé)</a>; <br />
- <a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Filipa%20Pais">Filipa Pais</a>; <br />
- <a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Janita%20Salom%C3%A9">Janita Salomé</a>; </i><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/vitorino-fadoPessoa.html"> Fado Pessoa </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/vitorino-fadoPessoa.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="Francisco Fanhais"><b>Francisco Fanhais</b></a> <dir><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/adriano-porque.html"> Porque </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/adriano-porque.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/adriano-porque.html"> Porque </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/adriano-porque.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/fanhais-embora.html"> embora os meus olhos sejam </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/fanhais-embora.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/fanhais-embora.html"> embora os meus olhos sejam </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/fanhais-embora.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/fanhais-protesto.html"> Protesto </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/fanhais-protesto.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="Manuel Faria"><b>Manuel Faria</b></a> <dir> <i>See also band: <br />
- <a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Trovante">Trovante</a>; </i><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/represas-fizeramOsDiasAssim.html"> Fizeram os dias assim </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/represas-fizeramOsDiasAssim.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="Fausto"><b>Fausto</b></a> <dir> <i>See also: <br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/fausto.html"> <b>Discografia</b> </a> <br />
<a href="http://www.inescn.pt/%7Elquinta/Fausto/0.1.html"> <b>"Crónicas da terra ardente" (Luís Quinta)</b> </a></i><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/fausto-aDerivaPortoRico.html"> À deriva Porto Rico </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/fausto-aDerivaPortoRico.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/fausto-aoLongoDeUmClaroRio.html"> Ao longo de um claro rio de água doce </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/fausto-aoLongoDeUmClaroRio.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/fausto-atrasDosTempos.html"> Atrás dos tempos </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/fausto-atrasDosTempos.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/fausto-aTuaPresenca.html"> A tua presença </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/fausto-aTuaPresenca.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/fausto-barcoVaiDeSaida.html"> O barco vai de saída </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/fausto-barcoVaiDeSaida.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/fausto-chusmaSalvaseAssim.html"> A chusma salva-se assim </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/fausto-chusmaSalvaseAssim.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/fausto-cocaABarriga.html"> * Coça barriga </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/fausto-cocaABarriga.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/fausto-comboioMalandro.html"> Comboio malandro </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/fausto-comboioMalandro.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/fausto-comoUmSonhoAcordado.html"> Como um sonho acordado </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/fausto-comoUmSonhoAcordado.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/fausto-daquiDestaLisboa.html"> Daqui desta Lisboa </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/fausto-daquiDestaLisboa.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/fausto-flober.html"> A flóber </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/fausto-flober.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/fausto-foiPorEla.html"> Foi por ela </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/fausto-foiPorEla.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/fausto-homemEABurla.html"> O homem e a burla </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/fausto-homemEABurla.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/fausto-ilha.html"> A ilha </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/fausto-ilha.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/fausto-MarianaDas7Saias.html"> Mariana das sete saias </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/fausto-MarianaDas7Saias.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/fausto-mar.html"> O mar </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/fausto-mar.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/fausto-naoCantoPorqueSonho.html"> Não canto porque sonho </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/fausto-naoCantoPorqueSonho.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/fausto-pastorQueChoras.html"> Oh pastor que choras </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/fausto-pastorQueChoras.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/fausto-porEsteRioAcima.html"> Por este rio acima </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/fausto-porEsteRioAcima.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/fausto-porqueNaoMeVes.html"> Porque não me vês </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/fausto-porqueNaoMeVes.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/fausto-proQueDerEVier.html"> P'ró que der e vier </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/fausto-proQueDerEVier.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/fausto-rosalinda.html"> Se tu fores ver o mar (Rosalinda) </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/fausto-rosalinda.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/fausto-rosie.html"> Rosie </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/fausto-rosie.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/fausto-sn.html"> Não sou o vosso rei </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/fausto-sn.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/fausto-tenhoUmFraquinhoPorTi.html"> Eu tenho um fraquinho por ti </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/fausto-tenhoUmFraquinhoPorTi.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/fausto-tenhoUmFraquinhoPorTi.html"> Eu tenho um fraquinho por ti </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/fausto-tenhoUmFraquinhoPorTi.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/fausto-umaCantigaDeDesemprego.html"> Uma cantiga de desemprego </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/fausto-umaCantigaDeDesemprego.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/godinho-namoro.html"> Namoro </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/godinho-namoro.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="Nuno Nazareth Fernandes"><b>Nuno Nazareth Fernandes</b></a> <dir><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/ary-desfolhada.html"> Desfolhada </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/ary-desfolhada.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/nascimento-oicam.html"> O vento mudou </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/nascimento-oicam.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/tonicha-menina.html"> Menina </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/tonicha-menina.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="Tuca Fernandes"><b>Tuca Fernandes</b></a> <dir><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/brasil-milla.html"> *Milla </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/brasil-milla.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="José Gomes Ferreira"><b>José Gomes Ferreira</b></a> <dir><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/fausto-pastorQueChoras.html"> Oh pastor que choras </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/fausto-pastorQueChoras.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/lopesgraca-acordai.html"> Acordai </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/lopesgraca-acordai.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="Reinaldo Ferreira"><b>Reinaldo Ferreira</b></a> <dir> <i>See also: <br />
<a href="http://alfarrabio.um.geira.pt/reinaldo/index.html"> <b>"Poemas"</b> </a></i><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/adriano-meninaDosOlhosTristes.html"> * Menina dos olhos tristes </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/adriano-meninaDosOlhosTristes.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/amalia-casaPortuguesa.html"> Uma casa portuguesa </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/amalia-casaPortuguesa.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/amalia-quemDormeANoiteComigo.html"> Medo (Quem dorme à noite comigo?) </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/amalia-quemDormeANoiteComigo.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/apbraga-cavaloDeVariasCores.html"> Cavalo de várias cores </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/apbraga-cavaloDeVariasCores.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/fausto-rosie.html"> Rosie </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/fausto-rosie.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/reinaldo-receitaParaFazerUmHeroi.html"> Receita para fazer um herói </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/reinaldo-receitaParaFazerUmHeroi.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="Raul Ferrão"><b>Raul Ferrão</b></a> <dir><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/fadosDeCoimbra-coimbraeUmaLicao.html"> * Coimbra é uma lição </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/fadosDeCoimbra-coimbraeUmaLicao.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/galhardo-coimbra.html"> *Coimbra </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/galhardo-coimbra.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="José Gomes Filho"><b>José Gomes Filho</b></a> <dir><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/buarque-lagrima.html"> Lágrima </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/buarque-lagrima.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="Oduvaldo Viana Filho"><b>Oduvaldo Viana Filho</b></a> <dir><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/zeliaduarte_05.html"> Chegança </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/zeliaduarte_05.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="J.A. Flores"><b>J.A. Flores</b></a> <dir><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/gal-india.html"> Índia </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/gal-india.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="Artur Fonseca"><b>Artur Fonseca</b></a> <dir><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/amalia-casaPortuguesa.html"> Uma casa portuguesa </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/amalia-casaPortuguesa.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="Celso Fonseca"><b>Celso Fonseca</b></a> <dir><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/caetano-sorte.html"> * Sorte </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/caetano-sorte.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="Fortunato Roma da Fonseca"><b>Fortunato Roma da Fonseca</b></a> <dir><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/fadosDeCoimbra-fadoDeSantaCruz.html"> Fado de Santa Cruz </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/fadosDeCoimbra-fadoDeSantaCruz.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="Manuel da Fonseca"><b>Manuel da Fonseca</b></a> <dir><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/adriano-tejoQueLevasAsAguas.html"> * Tejo que levas as águas </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/adriano-tejoQueLevasAsAguas.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="Mário Faria Fonseca"><b>Mário Faria Fonseca</b></a> <dir><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/zecafonso-oCoimbraDoMondego.html"> * Oh Coimbra do Mondego </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/zecafonso-oCoimbraDoMondego.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="Walter Franco"><b>Walter Franco</b></a> <dir><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/buarque-meDeixeMudo.html"> Me Deixe Mudo </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/buarque-meDeixeMudo.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="Fausto Frazão"><b>Fausto Frazão</b></a> <dir><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/fadosDeCoimbra-MeninaEMoca.html"> Menina e moça </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/fadosDeCoimbra-MeninaEMoca.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="Manuel Freire"><b>Manuel Freire</b></a> <dir><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/freire-Dedicatoria.html"> Dedicatória </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/freire-Dedicatoria.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/freire-Dedicatoria.html"> Dedicatória </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/freire-Dedicatoria.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/freire-eilosQuePartem.html"> Ei-los que partem </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/freire-eilosQuePartem.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/freire-eilosQuePartem.html"> Ei-los que partem </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/freire-eilosQuePartem.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/freire-falaDoVelhoDoResteloAoAstronauta.html"> Fala do Velho do Restelo ao astronauta </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/freire-falaDoVelhoDoResteloAoAstronauta.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/freire-falaDoVelhoDoResteloAoAstronauta.html"> Fala do Velho do Restelo ao astronauta </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/freire-falaDoVelhoDoResteloAoAstronauta.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/freire-lagrimaDePreta.html"> Lágrima de preta </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/freire-lagrimaDePreta.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/freire-livre.html"> = Livre (não há machado que corte) </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/freire-livre.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/freire-livre.html"> = Livre (não há machado que corte) </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/freire-livre.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/freire-meninaBexigosa.html"> Menina bexigosa </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/freire-meninaBexigosa.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/freire-meninaBexigosa.html"> Menina bexigosa </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/freire-meninaBexigosa.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/freire-pedraFilosofal.html"> Pedra filosofal </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/freire-pedraFilosofal.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/freire-pedraFilosofal.html"> Pedra filosofal </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/freire-pedraFilosofal.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/freire-pedroSo.html"> * Pedro Só </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/freire-pedroSo.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/freire-pequenosDeusesCaseiros.html"> Pequenos deuses caseiros </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/freire-pequenosDeusesCaseiros.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/freire-pequenosDeusesCaseiros.html"> Pequenos deuses caseiros </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/freire-pequenosDeusesCaseiros.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/gedeao-maltaDasNaus.html"> * Poema da malta das naus </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/gedeao-maltaDasNaus.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="Manuela de Freitas"><b>Manuela de Freitas</b></a> <dir><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/mariobranco-quandoEuForGrande.html"> Quando eu for grande (carta aos meus netos) </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/mariobranco-quandoEuForGrande.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="GNR"><b>GNR</b></a> <dir> <i>Band elements: <br />
- <a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Rui%20Reininho">Rui Reininho (voz)</a>; <br />
- <a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Alexandre%20Soares">Alexandre Soares (guitarra [...])</a>; <br />
- <a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Zez%C3%A9%20Garcia">Zezé Garcia (guitarra)</a>; <br />
- <a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#T%C3%B3li%20C%C3%A9sar%20Machado">Tóli César Machado (bateria)</a>; <br />
- <a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Jorge%20Rom%C3%A3o">Jorge Romão (baixo)</a>; </i><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/gnr-aoSoldadoDesconfiado.html"> Ao soldado desconhecido </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/gnr-aoSoldadoDesconfiado.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/gnr-bellevue.html"> Bellevue </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/gnr-bellevue.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/gnr-cais.html"> * Cais </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/gnr-cais.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/gnr-dunas.html"> * Dunas </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/gnr-dunas.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/gnr-dunas.html"> * Dunas </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/gnr-dunas.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/gnr-motor.html"> Motor </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/gnr-motor.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/gnr-pronunciaDoNorte.html"> Pronúnicia do Norte </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/gnr-pronunciaDoNorte.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/gnr-psicopatria01.html"> Pós modernos </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/gnr-psicopatria01.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/gnr-psicopatria02.html"> O paciente </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/gnr-psicopatria02.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/gnr-psicopatria03.html"> Dá fundo </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/gnr-psicopatria03.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/gnr-psicopatria04.html"> Cerimónias </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/gnr-psicopatria04.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/gnr-psicopatria05.html"> Efectivamente </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/gnr-psicopatria05.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/gnr-psicopatria06.html"> Nova gente </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/gnr-psicopatria06.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/gnr-psicopatria07.html"> Choque frontal </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/gnr-psicopatria07.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/gnr-psicopatria08.html"> To miss </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/gnr-psicopatria08.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/gnr-valsaDosDetectives01.html"> Morte ao sol </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/gnr-valsaDosDetectives01.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/gnr-valsaDosDetectives02.html"> Valsa dos detectives </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/gnr-valsaDosDetectives02.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/gnr-valsaDosDetectives03.html"> Impressões digitais </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/gnr-valsaDosDetectives03.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/gnr-valsaDosDetectives04.html"> 1991 </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/gnr-valsaDosDetectives04.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/gnr-valsaDosDetectives05.html"> (Um chamado) Desejo eléctrico </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/gnr-valsaDosDetectives05.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/gnr-valsaDosDetectives06.html"> Jardim d'Alá-Walkin' </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/gnr-valsaDosDetectives06.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/gnr-valsaDosDetectives07.html"> Dama ou tigre </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/gnr-valsaDosDetectives07.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/gnr-valsaDosDetectives08.html"> Falha humana </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/gnr-valsaDosDetectives08.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/gnr-videoMaria.html"> Vídeo Maria </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/gnr-videoMaria.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="José Galhardo"><b>José Galhardo</b></a> <dir><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/fadosDeCoimbra-coimbraeUmaLicao.html"> * Coimbra é uma lição </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/fadosDeCoimbra-coimbraeUmaLicao.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/galhardo-coimbra.html"> *Coimbra </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/galhardo-coimbra.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/galhardo-lisboaAntiga.html"> *Lisboa antiga (Olhai, senhores ...) </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/galhardo-lisboaAntiga.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="Lia Gama"><b>Lia Gama</b></a> <dir><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/cilia-segredo.html"> Segredo </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/cilia-segredo.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="Bando dos Gambozinos"><b>Bando dos Gambozinos</b></a> <dir> <i>Band elements: <br />
- <a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Suzana%20Ralha">Suzana Ralha</a>; </i><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/gambozinos-condessa.html"> Pedido de casamento </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/gambozinos-condessa.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/gambozinos-eTaoBomNaoTerJuiso.html"> É tão bom não ter juízo! </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/gambozinos-eTaoBomNaoTerJuiso.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/gambozinos-gatoPhilidor.html"> O gata Philidor </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/gambozinos-gatoPhilidor.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/gambozinos-historiaDeGatos.html"> História de gatos </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/gambozinos-historiaDeGatos.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/gambozinos-lampada.html"> A lâmpada </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/gambozinos-lampada.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/gambozinos-meuLugarFavorito.html"> O meu lugar favorito </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/gambozinos-meuLugarFavorito.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/lopesgraca-cancaoDeEmbalarBonequinhasPobres.html"> Canção de embalar bonequinhas pobres </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/lopesgraca-cancaoDeEmbalarBonequinhasPobres.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/lopesgraca-pastor.html"> Pastor </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/lopesgraca-pastor.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/ralha-aAnaQuer.html"> = A Ana quer </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/ralha-aAnaQuer.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/ralha-ioio.html"> = Raúl tinha um Ioio </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/ralha-ioio.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/ralha-pensarDePernasParaOAr.html"> Pensar de pernas para ar </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/ralha-pensarDePernasParaOAr.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/ralha-quemTemMedoDepapoes.html"> As bruxas </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/ralha-quemTemMedoDepapoes.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/ralha-vivamOsPes.html"> = Vivam os pés </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/ralha-vivamOsPes.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="Miguel Gameiro"><b>Miguel Gameiro</b></a> <dir><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/poloNorte-puraInocencia.html"> Pura Inocência </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/poloNorte-puraInocencia.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="José Garcia"><b>José Garcia</b></a> <dir><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/buarque-lagrima.html"> Lágrima </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/buarque-lagrima.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="Zezé Garcia"><b>Zezé Garcia</b></a> <dir> <i>See also band: <br />
- <a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#GNR">GNR</a>; </i><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/gnr-valsaDosDetectives05.html"> (Um chamado) Desejo eléctrico </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/gnr-valsaDosDetectives05.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/gnr-valsaDosDetectives08.html"> Falha humana </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/gnr-valsaDosDetectives08.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="António Gedeão"><b>António Gedeão</b></a> <dir> <i>See also: <br />
<a href="http://www.citi.pt/cultura/literatura/poesia/antonio_gedeao/index.html"> <b>Página na CITI</b> </a> <br />
<a href="http://www.mct.pt/romulo/crono.htm"> <b>Cronologia de António Gedeão/Rómulo de Carvalho</b> </a></i><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/freire-lagrimaDePreta.html"> Lágrima de preta </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/freire-lagrimaDePreta.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/freire-pedraFilosofal.html"> Pedra filosofal </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/freire-pedraFilosofal.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/gedeao-carriche.html"> Calçada de Carriche </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/gedeao-carriche.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/gedeao-desencontro.html"> Desencontro </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/gedeao-desencontro.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/gedeao-estrelaManha.html"> Estrela da Manhã </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/gedeao-estrelaManha.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/gedeao-fechoEclair.html"> Poema do fecho éclair </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/gedeao-fechoEclair.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/gedeao-maezinha.html"> Mãezinha </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/gedeao-maezinha.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/gedeao-maltaDasNaus.html"> * Poema da malta das naus </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/gedeao-maltaDasNaus.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/gedeao-pedraLioz.html"> Poema da pedra lioz </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/gedeao-pedraLioz.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/gedeao-tempoDePoesia.html"> Tempo de Poesia </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/gedeao-tempoDePoesia.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/gedeao-vidroConcavo.html"> Vidro Côncavo </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/gedeao-vidroConcavo.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/samuel-falaDoHomemNascido.html"> Fala do Homem nascido </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/samuel-falaDoHomemNascido.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/samuel-poemaDaPedraLioz.html"> Poema da Pedra Lioz </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/samuel-poemaDaPedraLioz.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="Augusto Gil"><b>Augusto Gil</b></a> <dir><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/fado-fogueiras.html"> Fado das fogueiras </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/fado-fogueiras.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="Gilberto Gil"><b>Gilberto Gil</b></a> <dir> <i>See also: <br />
<a href="http://www.gilbertogil.com.br/"> <b>Página oficial de Gilberto Gil</b> </a></i><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/brasil-calice.html"> Cálice </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/brasil-calice.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/ney03.html"> Fé menino </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/ney03.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="João Gil"><b>João Gil</b></a> <dir> <i>See also band: <br />
- <a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Rio%20Grande">Rio Grande</a>; <br />
- <a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Ala%20dos%20Namorados">Ala dos Namorados</a>; <br />
- <a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Trovante">Trovante</a>; </i><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/ala-fimDoMundo.html"> * Fim do Mundo (e ao cabo do teu ser) </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/ala-fimDoMundo.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/ala-fimDoMundo.html"> * Fim do Mundo (e ao cabo do teu ser) </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/ala-fimDoMundo.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/ala-loucosDeLisboa.html"> Loucos de Lisboa </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/ala-loucosDeLisboa.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/ala-zePassarinho.html"> A história do Zé Passarinho </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/ala-zePassarinho.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/joaogil-subornoPassional.html"> Suborno passional </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/joaogil-subornoPassional.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/palma-sentaTeAi.html"> * Senta-te aí </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/palma-sentaTeAi.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/represas-namoro.html"> Namoro II </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/represas-namoro.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/riogrande-carteiro.html"> O sobrescrito </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/riogrande-carteiro.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/riogrande-casamento.html"> O dia do nó </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/riogrande-casamento.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/riogrande-diaDePasseio.html"> Dia de passeio </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/riogrande-diaDePasseio.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/riogrande-lisnave.html"> Lisnave </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/riogrande-lisnave.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/riogrande_serraDaAdica.html"> * O caçador da Adiça </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/riogrande_serraDaAdica.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/riogrande_sortes.html"> Fui às sortes e safei-me </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/riogrande_sortes.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/tim-fisga.html"> * A fisga </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/tim-fisga.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/tim-postalDosCorreios.html"> *Postal dos correios (querida mãe, querido pai, ...) </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/tim-postalDosCorreios.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/trovante-125azul.html"> * 125 azul </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/trovante-125azul.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/trovante-burro.html"> Fim (Quando eu morrer) </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/trovante-burro.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/trovante-memoriasDeUmBeijo.html"> Memórias de um beijo (Lembras-me uma marcha de Lisboa) </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/trovante-memoriasDeUmBeijo.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/trovante-peters.html"> Peter's </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/trovante-peters.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/trovante-poeOMeuRetrato.html"> Aerograma (Põe o meu retrato...) </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/trovante-poeOMeuRetrato.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/trovante-serPoeta.html"> Ser Poeta (Perdidamente) </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/trovante-serPoeta.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/trovante-timor.html"> Timor </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/trovante-timor.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/trovante-xacara.html"> * Travessa do poço dos negros </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/trovante-xacara.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="João Gilberto"><b>João Gilberto</b></a> <dir><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/joaogilberto-mariaNinguem.html"> Maria Ninguém </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/joaogilberto-mariaNinguem.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/jobim-desafinado.html"> Desafinado </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/jobim-desafinado.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="Ginguinhas"><b>Ginguinhas</b></a> <dir><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/vicente-modaDasTrancasPretas.html"> *A moda das tranças pretas </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/vicente-modaDasTrancasPretas.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="Sérgio Godinho"><b>Sérgio Godinho</b></a> <dir> <i>See also: <br />
<a href="http://www.musicaesom.pt/biografias.html#sergio"> <b>biografia em "Música e Sons"</b> </a> <br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/cache/godinho.it.html"> <b>biografia resumida (em italiano)</b> </a> <br />
<a href="http://www.instituto-camoes.pt/bases/godinho.htm"> <b>Discografia e letras de Sérgio Godinho (Instituto Camões)-muito completo</b> </a> <br />
<a href="http://inescca.inescc.pt/%7Ealcada/sgodinho.html"> <b>Discografia (Luís Alçada)</b> </a> <br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/archive/sg0.htm"> <b>Entrevista no jornal BLITZe</b> </a> <br />
<a href="http://www.praca-das-flores.pt/sergiogodinho/sergiogodinho.htm"> <b>Praça das flores</b> </a></i> <i>Band elements: <br />
- <a ,="" -="" 1984="" acordes="" canções="" carlos="" das="" godinho="" guerreiro,="" href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#" os="" sérgio="">"Sérgio Godinho - os acordes das canções", Carlos Guerreiro, 1984 (esgotado)</a>; </i><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/despeesiga-toBom.html"> Tô bom (estou bom) </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/despeesiga-toBom.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/gambozinos-lampada.html"> A lâmpada </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/gambozinos-lampada.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/godinho-2andarDireito.html"> 2º andar direito </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/godinho-2andarDireito.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/godinho-4Quadras.html"> Quatro quadras soltas </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/godinho-4Quadras.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/godinho-afectos.html"> Os afectos </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/godinho-afectos.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/godinho-agueantaAi.html"> Aguenta aí </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/godinho-agueantaAi.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/godinho-aliceNoPaisDosMatraquilhos.html"> Alice No País Dos Matraquilhos </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/godinho-aliceNoPaisDosMatraquilhos.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/godinho-aosAmores.html"> Aos Amores! </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/godinho-aosAmores.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/godinho-ArmasDoAmor.html"> As Armas do Amor </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/godinho-ArmasDoAmor.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/godinho-arranjaMeUmEmprego.html"> Arranja-me um emprego </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/godinho-arranjaMeUmEmprego.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/godinho-baladaDaRita.html"> * Balada Da Rita </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/godinho-baladaDaRita.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/godinho-barcaDosAmantes.html"> Barca Dos Amantes </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/godinho-barcaDosAmantes.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/godinho-barcaDosAmantes.html"> Barca Dos Amantes </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/godinho-barcaDosAmantes.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/godinho-barnabe.html"> Barnabé </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/godinho-barnabe.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/godinho-carrocaDosPoetas.html"> A carroça dos poetas </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/godinho-carrocaDosPoetas.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/godinho-casimiro.html"> Cuidado com as imitações (Casimiro) </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/godinho-casimiro.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/godinho-certezasDoMeuMaisBrilhanteAmor.html"> As certezas do meu mais brilhante amor </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/godinho-certezasDoMeuMaisBrilhanteAmor.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/godinho-charlatao.html"> *O charlatão </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/godinho-charlatao.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/godinho-comUmBrilhozinhoNosOlhos.html"> Com um brilhozinho nos olhos </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/godinho-comUmBrilhozinhoNosOlhos.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/godinho-correioAzul.html"> Correio azul </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/godinho-correioAzul.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/godinho-definicaoDoAmor.html"> Definição do Amor </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/godinho-definicaoDoAmor.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/godinho-definicaoDoAmor.html"> Definição do Amor </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/godinho-definicaoDoAmor.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/godinho-democracia.html"> A Democracia </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/godinho-democracia.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/godinho-demoniosDeAlcacerQuibir.html"> Os Demónios de Alcácer Quibir </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/godinho-demoniosDeAlcacerQuibir.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/godinho-diasUteis.html"> Dias úteis </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/godinho-diasUteis.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/godinho-embalo.html"> = Embalo </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/godinho-embalo.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/godinho-emboscadas.html"> Emboscadas </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/godinho-emboscadas.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/godinho-espalhemANoticia.html"> * Espalhem a notícia </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/godinho-espalhemANoticia.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/godinho-espalhemANoticia.html"> * Espalhem a notícia </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/godinho-espalhemANoticia.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/godinho-euContigo.html"> Eu contigo </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/godinho-euContigo.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/godinho-fadoGago.html"> Fado gago </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/godinho-fadoGago.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/godinho-fartoDeVoar.html"> Farto de voar </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/godinho-fartoDeVoar.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/godinho-felizmina.html"> D. Felizmina e sua loja </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/godinho-felizmina.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/godinho-horasExtraordinarias.html"> * Horas extraordinárias </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/godinho-horasExtraordinarias.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/godinho-istoAndaTudoLigado.html"> Isto anda tudo ligado </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/godinho-istoAndaTudoLigado.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/godinho-lisboaQueAmanhece.html"> Lisboa Que Amanhece </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/godinho-lisboaQueAmanhece.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/godinho-mareAlta.html"> * Maré alta </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/godinho-mareAlta.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/godinho-mesa.html"> A mesa </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/godinho-mesa.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/godinho-minhaCachopa.html"> A minha cachopa </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/godinho-minhaCachopa.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/godinho-namoro.html"> Namoro </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/godinho-namoro.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/godinho-naoMeBeijesPorEngano.html"> Não me beijes por engano </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/godinho-naoMeBeijesPorEngano.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/godinho-naoRespire.html"> Não respire </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/godinho-naoRespire.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/godinho-naoVasContarQueMudeiAFechadura.html"> Não vás contar que mudei a fechadura </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/godinho-naoVasContarQueMudeiAFechadura.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/godinho-naVidaReal.html"> Na vida real </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/godinho-naVidaReal.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/godinho-noitePassada.html"> A noite passada </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/godinho-noitePassada.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/godinho-paula.html"> * Paula </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/godinho-paula.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/godinho-pires.html"> Carta do marinheiro Pires </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/godinho-pires.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/godinho-postalParaOCanada2.html"> * Assim como um postal para o Canadá (2) </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/godinho-postalParaOCanada2.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/godinho-postalParaOCanada.html"> Assim como um postal para o Canadá </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/godinho-postalParaOCanada.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/godinho-primeiroDia.html"> * O primeiro dia </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/godinho-primeiroDia.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/godinho-saoDoisBracos.html"> = Canção dos abraços </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/godinho-saoDoisBracos.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/godinho-sobreviventes01.html"> Que força é essa </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/godinho-sobreviventes01.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/godinho-sobreviventes02.html"> A-A-E-I-O </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/godinho-sobreviventes02.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/godinho-sobreviventes03.html"> Descansa a cabeça (Estalajadeira) </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/godinho-sobreviventes03.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/godinho-sobreviventes04.html"> Que bom que é </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/godinho-sobreviventes04.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/godinho-sobreviventes06.html"> Senhor marquês </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/godinho-sobreviventes06.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/godinho-sobreviventes07.html"> Cantiga da velha mãe e dos seus dois filhos - Mãe coragem </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/godinho-sobreviventes07.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/godinho-sobreviventes08.html"> A linda Joana </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/godinho-sobreviventes08.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/godinho-sobreviventes09.html"> Romance de um dia na estrada </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/godinho-sobreviventes09.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/godinho-talvezQuesonhando.html"> Talvez que sonhando </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/godinho-talvezQuesonhando.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/godinho-talvezQuesonhando.html"> Talvez que sonhando </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/godinho-talvezQuesonhando.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/godinho-tempoQuePassou.html"> Um tempo que passou </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/godinho-tempoQuePassou.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/godinho-temRatos.html"> Tem ratos </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/godinho-temRatos.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/godinho-tercaFeira.html"> * É terça-feira </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/godinho-tercaFeira.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/mariobranco-cantigaDoFogoEDaGuerrs.html"> Cantiga do fogo e da guerra </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/mariobranco-cantigaDoFogoEDaGuerrs.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/mariobranco-casaComigoMarta.html"> Casa comigo Marta </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/mariobranco-casaComigoMarta.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/mariobranco-companheiro.html"> Eh! Companheiro </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/mariobranco-companheiro.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/mariobranco-doisTostoes.html"> Cantiga para pedir dois tostões </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/mariobranco-doisTostoes.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/represas-chaveDosSonhos.html"> Chave dos sonhos </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/represas-chaveDosSonhos.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="Luís Goes"><b>Luís Goes</b></a> <dir><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/gois-comoUmaAveOuUmrio.html"> *Como uma ave ou um rio </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/gois-comoUmaAveOuUmrio.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/gois-comoUmaAveOuUmrio.html"> *Como uma ave ou um rio </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/gois-comoUmaAveOuUmrio.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="Gabriel Gomes"><b>Gabriel Gomes</b></a> <dir> <i>See also band: <br />
- <a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#S%C3%A9tima%20Legi%C3%A3o">Sétima Legião</a>; <br />
- <a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Madredeus">Madredeus</a>; </i><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/madredeus-espiritoDaPaz09.html"> As cores do sol </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/madredeus-espiritoDaPaz09.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/madredeus-espiritoDaPaz11.html"> Vem </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/madredeus-espiritoDaPaz11.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="Joaquim Luís Gomes"><b>Joaquim Luís Gomes</b></a> <dir><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/carlosdocarmo_06.html"> Rosa da noite </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/carlosdocarmo_06.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="Luiz Gonzaga"><b>Luiz Gonzaga</b></a> <dir><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/nordeste-oXoteDasMeninas.html"> O xote das meninas </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/nordeste-oXoteDasMeninas.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="Luíz Gonzaga"><b>Luíz Gonzaga</b></a> <dir><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/nordeste-asaBranca.html"> Asa branca </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/nordeste-asaBranca.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="Paulo Gonzo"><b>Paulo Gonzo</b></a> <dir><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/gonzo-deiTeQuaseTudo.html"> Quase tudo </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/gonzo-deiTeQuaseTudo.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/gonzo-jardinsProibidos.html"> Jardins proibidos </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/gonzo-jardinsProibidos.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/gonzo-leveBeijoTriste.html"> Leve beijo triste </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/gonzo-leveBeijoTriste.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="C. Gonçalves"><b>C. Gonçalves</b></a> <dir><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/amalia-grito.html"> Grito </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/amalia-grito.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="Manno Goés"><b>Manno Goés</b></a> <dir><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/brasil-milla.html"> *Milla </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/brasil-milla.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="Rio Grande"><b>Rio Grande</b></a> <dir> <i>Band elements: <br />
- <a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Vitorino">Vitorino</a>; <br />
- <a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Jo%C3%A3o%20Gil">João Gil</a>; <br />
- <a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Tim">Tim</a>; <br />
- <a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Jorge%20Palma">Jorge Palma</a>; <br />
- <a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Rui%20Veloso">Rui Veloso</a>; <br />
- <a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Jo%C3%A3o%20Monge">João Monge</a>; </i><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/palma-sentaTeAi.html"> * Senta-te aí </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/palma-sentaTeAi.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/riogrande-carteiro.html"> O sobrescrito </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/riogrande-carteiro.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/riogrande-diaDePasseio.html"> Dia de passeio </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/riogrande-diaDePasseio.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/riogrande-lisnave.html"> Lisnave </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/riogrande-lisnave.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/riogrande_serraDaAdica.html"> * O caçador da Adiça </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/riogrande_serraDaAdica.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/riogrande_sortes.html"> Fui às sortes e safei-me </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/riogrande_sortes.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/tim-fisga.html"> * A fisga </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/tim-fisga.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/tim-postalDosCorreios.html"> *Postal dos correios (querida mãe, querido pai, ...) </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/tim-postalDosCorreios.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="Fernando Lopes Graça"><b>Fernando Lopes Graça</b></a> <dir><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/lopesgraca-acordai.html"> Acordai </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/lopesgraca-acordai.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/lopesgraca-cancaoDeEmbalarBonequinhasPobres.html"> Canção de embalar bonequinhas pobres </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/lopesgraca-cancaoDeEmbalarBonequinhasPobres.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/lopesgraca-pastor.html"> Pastor </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/lopesgraca-pastor.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="António Ferreira Guedes"><b>António Ferreira Guedes</b></a> <dir><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/adriano-erguemSeOsMuros.html"> Erguem-se muros </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/adriano-erguemSeOsMuros.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/fadosDeCoimbra-patria.html"> Pátria </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/fadosDeCoimbra-patria.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="Pedro Guerra"><b>Pedro Guerra</b></a> <dir><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/represas-LIBRE.html"> Libre </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/represas-LIBRE.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="Ruy Guerra"><b>Ruy Guerra</b></a> <dir><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/buarque-fadoTropical.html"> Fado tropical </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/buarque-fadoTropical.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/ney04.html"> Não existe pecado ao sul do equador </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/ney04.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/zeliaduarte_03.html"> Canção da terra </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/zeliaduarte_03.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="Carlos Guerreiro"><b>Carlos Guerreiro</b></a> <dir> <i>See also band: <br />
- <a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Gaiteiros%20de%20Lisboa">Gaiteiros de Lisboa</a>; </i><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/gaiteiros-chulaGaiteira.html"> Chula gaiteira </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/gaiteiros-chulaGaiteira.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/gaiteiros-eraNaoEraDoTemanhoDumPardal.html"> Era não era do tamanho de um pardal </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/gaiteiros-eraNaoEraDoTemanhoDumPardal.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/gaiteiros-tranguluMangulo.html"> Trângulo mângulo </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/gaiteiros-tranguluMangulo.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="M.O. Guerreiro"><b>M.O. Guerreiro</b></a> <dir><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/gal-india.html"> Índia </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/gal-india.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="Maria Guinot"><b>Maria Guinot</b></a> <dir><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/guinot-silencio.html"> Silêncio e tanta gente </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/guinot-silencio.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/guinot-silencio.html"> Silêncio e tanta gente </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/guinot-silencio.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="Henricão"><b>Henricão</b></a> <dir><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/elis-marambaia.html"> Marambaia </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/elis-marambaia.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="Curros Henriquez"><b>Curros Henriquez</b></a> <dir><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/adriano-quandoNoSilencioDasNoitesDeLuar.html"> Emigração (Quando no silêncio das noites de luar) </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/adriano-quandoNoSilencioDasNoitesDeLuar.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="Augusto Hilário"><b>Augusto Hilário</b></a> <dir> <i>See also: <br />
<a href="http://www.cidadevirtual.pt/fadocoimbra/aughil.html"> <b>Página nos "Fados de Coimbra"</b> </a></i><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/fadosDeCoimbra-fadoHilario.html"> Fado Hilário </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/fadosDeCoimbra-fadoHilario.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="Maria Teresa Hora"><b>Maria Teresa Hora</b></a> <dir><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/cilia-segredo.html"> Segredo </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/cilia-segredo.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="Rildo Hora"><b>Rildo Hora</b></a> <dir><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/represas-CINCOESTRADAS.html"> Cinco estradas </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/represas-CINCOESTRADAS.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="Maria Teresa Horta"><b>Maria Teresa Horta</b></a> <dir><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/represas-QUEMDISSEporqueteamava.html"> Quem disse </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/represas-QUEMDISSEporqueteamava.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="Nelson Horta"><b>Nelson Horta</b></a> <dir><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/tonho-tenhoFome.html"> Tenho fome </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/tonho-tenhoFome.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/tonho-tenhoFome.html"> Tenho fome </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/tonho-tenhoFome.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="Madalena Iglésias"><b>Madalena Iglésias</b></a> <dir><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/iglesias-eleEEla.html"> Ele e Ela </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/iglesias-eleEEla.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="Porquinhos da Ilda"><b>Porquinhos da Ilda</b></a> <dir> <i>See also: <br />
<a href="http://viriato.isr.ist.utl.pt/%7Ensg/porquinhos.html"> <b>Página dos "Porquinhos da Ilda" por Nuno Senna</b> </a></i> <i>Band elements: <br />
- <a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Nando%20Araujo">Nando Araujo (baixo, voz)</a>; <br />
- <a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Carlos%20Antunes">Carlos Antunes (bateria, voz)</a>; <br />
- <a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Miguel%20Castro">Miguel Castro (voz, guitarra)</a>; <br />
- <a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Jo%C3%A3o%20Garcia">João Garcia (guitarra)</a>; </i><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/porquinhos-canguru.html"> Canguru </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/porquinhos-canguru.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="Ira!"><b>Ira!</b></a> <dir> <i>Band elements: <br />
- <a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Edgard%20Scandurra">Edgard Scandurra (guitarra)</a>; <br />
- <a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Andr%C3%A9%20Jung">André Jung (bateria)</a>; <br />
- <a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Ricardo%20Gaspa">Ricardo Gaspa (baixo)</a>; <br />
- <a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Marcos" nasi="" valadão="">Marcos "Nasi" Valadão (voz)</a>; </i><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/reinaldo-receitaParaFazerUmHeroi.html"> Receita para fazer um herói </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/reinaldo-receitaParaFazerUmHeroi.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/reinaldo-receitaParaFazerUmHeroi.html"> Receita para fazer um herói </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/reinaldo-receitaParaFazerUmHeroi.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="Iris"><b>Iris</b></a> <dir> <i>Band elements: <br />
- <a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Thierry">Thierry (bateria)</a>; <br />
- <a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Domingos%20Caetano">Domingos Caetano (voz, guitarra electrica e acústica)</a>; <br />
- <a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Chico%20Mesquita">Chico Mesquita (vozes, viola baixo)</a>; <br />
- <a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Ray%20Van%20Duyvenbode">Ray Van Duyvenbode (vozes, guitarras acústicas)</a>; </i><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/iris-ohMaeAqueleMocoBateuMe.html"> Oh mãe, aquele moço bateu-me </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/iris-ohMaeAqueleMocoBateuMe.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/iris-vaoDarBanhoAoCao.html"> Vão dar banhó cão </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/iris-vaoDarBanhoAoCao.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="António Jacinto"><b>António Jacinto</b></a> <dir><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/fausto-comboioMalandro.html"> Comboio malandro </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/fausto-comboioMalandro.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="Alberto Janes"><b>Alberto Janes</b></a> <dir><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/amalia-darDeBeberADor.html"> Dar de beber à dor </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/amalia-darDeBeberADor.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="Brigada Vitor Jara"><b>Brigada Vitor Jara</b></a> <dir> <i>Band elements: <br />
- <a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#...">...</a>; <br />
- <a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#N%C3%A9%20Ladeiras">Né Ladeiras</a>; </i><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/brigada-o.html"> Ó menino ó </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/brigada-o.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/popular-Mari%C3%A3o.html"> * Marião </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/popular-Mari%C3%A3o.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="Tom Jobim"><b>Tom Jobim</b></a> <dir> <i>See also: <br />
<a href="http://www.nortemag.com./tom"> <b>Letras diversas (pagina do Tom Jobim)</b> </a></i><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/gal-personalidade13.html"> Estrada de sol </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/gal-personalidade13.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/jobim-aguasDeMarco.html"> Águas de Março </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/jobim-aguasDeMarco.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/jobim-aguasDeMarco.html"> Águas de Março </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/jobim-aguasDeMarco.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/jobim-desafinado.html"> Desafinado </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/jobim-desafinado.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/jobim-sambaDeUmaNotaSo.html"> * Samba de uma nota só </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/jobim-sambaDeUmaNotaSo.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/jobim-vouTeContar.html"> * Wave (Vou te contar) </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/jobim-vouTeContar.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/vinicius-felicidade.html"> Felicidade </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/vinicius-felicidade.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/vinicius-garotaDeIpanema.html"> Garota de Ipanema </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/vinicius-garotaDeIpanema.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="Francisco José"><b>Francisco José</b></a> <dir><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/franciscoJose-olhosCastanhos.html"> Olhos Castanhos </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/franciscoJose-olhosCastanhos.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="Herman José"><b>Herman José</b></a> <dir><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/paiao-beijinho.html"> * Beijinho </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/paiao-beijinho.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="Augusto Tomaz Jr."><b>Augusto Tomaz Jr.</b></a> <dir><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/buarque-cuidadoComAOutra.html"> Cuidado Com A Outra </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/buarque-cuidadoComAOutra.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="Alfredo Keil"><b>Alfredo Keil</b></a> <dir><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/portuguesa.html"> A Portuguesa (hino nacional português) </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/portuguesa.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="Zé Ketti"><b>Zé Ketti</b></a> <dir><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/zeliaduarte_07.html"> Opinião </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/zeliaduarte_07.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/zeliaduarte_08.html"> Nega Dina </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/zeliaduarte_08.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/zeliaduarte_12.html"> Cicatriz </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/zeliaduarte_12.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="Mauro Kwitko"><b>Mauro Kwitko</b></a> <dir><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/ney02.html"> Mal necessário </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/ney02.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="Né Ladeiras"><b>Né Ladeiras</b></a> <dir> <i>See also: <br />
<a href="http://www.musicaesom.pt/biografias.html#ne"> <b>biografia em "Música e Sons"</b> </a> <br />
<a href="http://musicnet.forum.pt/ecos/entrevistas/e-nelade.htm"> <b>Music net-Entrevista com</b> </a></i> <i>See also band: <br />
- <a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Brigada%20Vitor%20Jara">Brigada Vitor Jara</a>; <br />
- <a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Banda%20do%20Casaco">Banda do Casaco</a>; </i><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/fausto-pastorQueChoras.html"> Oh pastor que choras </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/fausto-pastorQueChoras.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/ladeiras-andaDuermeteNino.html"> Anda duermete niño </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/ladeiras-andaDuermeteNino.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/ladeiras-emCoimbraSereiTua.html"> Em Coimbra serei tua </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/ladeiras-emCoimbraSereiTua.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/neladeiras-sonhoAzul.html"> Sonho azul </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/neladeiras-sonhoAzul.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="Rita Lee"><b>Rita Lee</b></a> <dir><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/elis-aloMarciano.html"> Alô, alô marciano </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/elis-aloMarciano.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="Sétima Legião"><b>Sétima Legião</b></a> <dir> <i>Band elements: <br />
- <a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Ricardo%20Camacho">Ricardo Camacho (teclas, guitarra, programação rítmica)</a>; <br />
- <a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Rodrigo%20Le%C3%A3o">Rodrigo Leão (baixo, voz)</a>; <br />
- <a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Paulo%20Abelho%20percuss%C3%B5es,%20samplers,">Paulo Abelho percussões, samplers,</a>; <br />
- <a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Gabriel%20Gomes">Gabriel Gomes (Acordeão)</a>; <br />
- <a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Nuno%20Cruz">Nuno Cruz (bateria)</a>; <br />
- <a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Paulo%20Gabriel%20Marinho">Paulo Gabriel Marinho (Flauta, Gaita de Foles)</a>; <br />
- <a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Francisco%20Menezes">Francisco Menezes (letras, coros)</a>; <br />
- <a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Pedro%20Oliveira">Pedro Oliveira (voz, guitarra)</a>; </i><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/setimalegiao-florDeMaio.html"> = Flor de Maio (?) </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/setimalegiao-florDeMaio.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/setimalegiao-mar01.html"> Sete mares </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/setimalegiao-mar01.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/setimalegiao-mar02.html"> Noutro lugar </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/setimalegiao-mar02.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/setimalegiao-mar03.html"> Saudades </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/setimalegiao-mar03.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/setimalegiao-mar04.html"> Além-Tejo </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/setimalegiao-mar04.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/setimalegiao-mar05.html"> A reconquista </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/setimalegiao-mar05.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/setimalegiao-mar06.html"> Os limites do mar </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/setimalegiao-mar06.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/setimalegiao-navegar.html"> * Navegar </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/setimalegiao-navegar.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/setimalegiao-navegar.html"> * Navegar </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/setimalegiao-navegar.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/setimalegiao-porQuemNaoEsqueci.html"> * Por quem não esqueci </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/setimalegiao-porQuemNaoEsqueci.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/setimalegiao-porQuemNaoEsqueci.html"> * Por quem não esqueci </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/setimalegiao-porQuemNaoEsqueci.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/setimalegiao-senhoraDasRosas.html"> = Senhora das rosas </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/setimalegiao-senhoraDasRosas.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="Mário Henrique Leiria"><b>Mário Henrique Leiria</b></a> <dir><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/fausto-flober.html"> A flóber </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/fausto-flober.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="Rodrigo Leão"><b>Rodrigo Leão</b></a> <dir> <i>See also band: <br />
- <a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#S%C3%A9tima%20Legi%C3%A3o">Sétima Legião</a>; <br />
- <a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Madredeus">Madredeus</a>; </i><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/madredeus-ainda01.html"> Guitarra </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/madredeus-ainda01.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/madredeus-ainda02.html"> Milagre </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/madredeus-ainda02.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/madredeus-ainda06.html"> Alfama </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/madredeus-ainda06.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/madredeus-espiritoDaPaz11.html"> Vem </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/madredeus-espiritoDaPaz11.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="Arto Lindsay"><b>Arto Lindsay</b></a> <dir><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/marisamonte-beijaEu.html"> Beija Eu </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/marisamonte-beijaEu.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="Ivan Lins"><b>Ivan Lins</b></a> <dir><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/brasil-madalena.html"> * Madalena </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/brasil-madalena.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="Carlos Lira"><b>Carlos Lira</b></a> <dir><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/zeliaduarte_06.html"> Pau de arara </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/zeliaduarte_06.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/zeliaduarte_10.html"> Feio, não é bonito </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/zeliaduarte_10.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="Gaiteiros de Lisboa"><b>Gaiteiros de Lisboa</b></a> <dir> <i>See also: <br />
<a href="http://www.arede.pt/blitz/arq/p10.htm"> <b>No blitz</b> </a></i> <i>Band elements: <br />
- <a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Jos%C3%A9%20Salgueiro">José Salgueiro</a>; <br />
- <a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Paulo%20Marinho">Paulo Marinho (Sétima Legião)</a>; <br />
- <a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Rui%20Vaz">Rui Vaz</a>; <br />
- <a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Jos%C3%A9%20Manuel%20David">José Manuel David</a>; <br />
- <a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Pedro%20Casaes">Pedro Casaes</a>; <br />
- <a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Carlos%20Guerreiro">Carlos Guerreiro</a>; </i><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/gaiteiros-agoraQueEuVouCantar.html"> Agora que eu vou cantar </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/gaiteiros-agoraQueEuVouCantar.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/gaiteiros-chulaGaiteira.html"> Chula gaiteira </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/gaiteiros-chulaGaiteira.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/gaiteiros-eraNaoEraDoTemanhoDumPardal.html"> Era não era do tamanho de um pardal </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/gaiteiros-eraNaoEraDoTemanhoDumPardal.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/gaiteiros-lengaLeanga.html"> Lenga, lenga </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/gaiteiros-lengaLeanga.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/gaiteiros-romanceDaLoba.html"> Romance Da Lhoba (romance da loba) </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/gaiteiros-romanceDaLoba.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/gaiteiros-tranguluMangulo.html"> Trângulo mângulo </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/gaiteiros-tranguluMangulo.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/godinho-talvezQuesonhando.html"> Talvez que sonhando </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/godinho-talvezQuesonhando.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/popular-porRibaSeCeivaOPao.html"> Por riba se ceifa o pão </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/popular-porRibaSeCeivaOPao.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="Carla Lopes"><b>Carla Lopes</b></a> <dir> <i>See also band: <br />
- <a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Frei%20Fado%20d%27El%20Rei">Frei Fado d'El Rei</a>; </i><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/freifado-aDancaDosJograis.html"> A dança dos jograis </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/freifado-aDancaDosJograis.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/freifado-amoresDoDouro.html"> Amores do Douro </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/freifado-amoresDoDouro.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/freifado-amorPopular.html"> Amor popular </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/freifado-amorPopular.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/freifado-deusaDeAzul.html"> Deusa de azul </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/freifado-deusaDeAzul.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/freifado-donzela.html"> Donzela </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/freifado-donzela.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/freifado-meninoDoMar.html"> Menino do mar </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/freifado-meninoDoMar.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/freifado-meninoDoMar.html"> Menino do mar </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/freifado-meninoDoMar.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="Henrique Lourenço"><b>Henrique Lourenço</b></a> <dir><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/amalia-raizes.html"> Raízes </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/amalia-raizes.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="Lucinha"><b>Lucinha</b></a> <dir><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/ney01.html"> Bandolero </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/ney01.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="Lunáticos"><b>Lunáticos</b></a> <dir><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/lunaticos-estouNaLua.html"> * Estou na Lua </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/lunaticos-estouNaLua.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="Alma Lusa"><b>Alma Lusa</b></a> <dir> <i>Band elements: <br />
- <a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Carlos%20Jesus">Carlos Jesus (guitarra portuguesa)</a>; <br />
- <a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#In%C3%AAs%20Santos">Inês Santos (voz)</a>; <br />
- <a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Carlos%20Ferreirinha">Carlos Ferreirinha (cavaquinho , voz)</a>; <br />
- <a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Pedro%20Soares">Pedro Soares (gaita de fole , voz)</a>; <br />
- <a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Henrique%20Lopes">Henrique Lopes (percussion , voz)</a>; <br />
- <a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Jos%C3%A9%20Cid.">José Cid (acordeão, voz).</a>; </i><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/josecid-seEuTePudesseAbra%C3%A7ar.html"> Se eu te pudesse abraçar </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/josecid-seEuTePudesseAbra%C3%A7ar.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="Carlos Lyra"><b>Carlos Lyra</b></a> <dir><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/joaogilberto-mariaNinguem.html"> Maria Ninguém </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/joaogilberto-mariaNinguem.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="Edu Lôbo"><b>Edu Lôbo</b></a> <dir><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/zeliaduarte_03.html"> Canção da terra </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/zeliaduarte_03.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/zeliaduarte_05.html"> Chegança </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/zeliaduarte_05.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="Rádio Macau"><b>Rádio Macau</b></a> <dir> <i>Band elements: <br />
- <a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Filipe">Filipe</a>; <br />
- <a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Pedro%20Malaquias">Pedro Malaquias</a>; <br />
- <a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Emanuel%20Ramalho">Emanuel Ramalho</a>; <br />
- <a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Flak">Flak</a>; <br />
- <a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Xana">Xana</a>; <br />
- <a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Alex">Alex</a>; </i><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/radiomacau-anzol.html"> * O anzol </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/radiomacau-anzol.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="António Macedo"><b>António Macedo</b></a> <dir><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/_-cantaCanta.html"> Canta, canta amigo canta </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/_-cantaCanta.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="Tóli César Machado"><b>Tóli César Machado</b></a> <dir> <i>See also band: <br />
- <a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#GNR">GNR</a>; </i><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/gnr-aoSoldadoDesconfiado.html"> Ao soldado desconhecido </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/gnr-aoSoldadoDesconfiado.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/gnr-bellevue.html"> Bellevue </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/gnr-bellevue.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/gnr-motor.html"> Motor </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/gnr-motor.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/gnr-pronunciaDoNorte.html"> Pronúnicia do Norte </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/gnr-pronunciaDoNorte.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/gnr-psicopatria01.html"> Pós modernos </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/gnr-psicopatria01.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/gnr-psicopatria02.html"> O paciente </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/gnr-psicopatria02.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/gnr-psicopatria03.html"> Dá fundo </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/gnr-psicopatria03.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/gnr-psicopatria04.html"> Cerimónias </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/gnr-psicopatria04.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/gnr-psicopatria05.html"> Efectivamente </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/gnr-psicopatria05.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/gnr-psicopatria06.html"> Nova gente </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/gnr-psicopatria06.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/gnr-psicopatria07.html"> Choque frontal </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/gnr-psicopatria07.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/gnr-psicopatria08.html"> To miss </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/gnr-psicopatria08.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/gnr-valsaDosDetectives01.html"> Morte ao sol </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/gnr-valsaDosDetectives01.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/gnr-valsaDosDetectives02.html"> Valsa dos detectives </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/gnr-valsaDosDetectives02.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/gnr-valsaDosDetectives03.html"> Impressões digitais </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/gnr-valsaDosDetectives03.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="Madredeus"><b>Madredeus</b></a> <dir> <i>See also: <br />
<a href="http://www.puug.pt/Lisboa/p/ouvir/madredeus/madredeus.html"> <b>Página dos Madredeus (páginas de Lisboa)</b> </a> <br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/http//www.terravista.pt/AguaAlto/1002/madrebio.htm"> <b>Cronologia por Jorge P. Pires</b> </a> <br />
<a href="http://www.mind.pt/madredeus/"> <b>Página oficial dos Madredeus</b> </a></i> <i>Band elements: <br />
- <a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Rodrigo%20Le%C3%A3o">Rodrigo Leão (teclados)</a>; <br />
- <a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Gabriel%20Gomes">Gabriel Gomes (acordeão)</a>; <br />
- <a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Pedro%20Ayres%20Magalh%C3%A3es">Pedro Ayres Magalhães (guitarra)</a>; <br />
- <a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Jos%C3%A9%20Peixoto">José Peixoto (guitarra)</a>; <br />
- <a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Francisco%20Ribeiro">Francisco Ribeiro (violoncelo)</a>; <br />
- <a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Fernando%20J%C3%BAdice">Fernando Júdice (97..)</a>; <br />
- <a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Teresa%20Salgueiro">Teresa Salgueiro (voz)</a>; <br />
- <a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Carlos%20Maria%20Trindade">Carlos Maria Trindade</a>; </i><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/madredeus-ainda01.html"> Guitarra </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/madredeus-ainda01.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/madredeus-ainda02.html"> Milagre </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/madredeus-ainda02.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/madredeus-ainda03.html"> Céu da Mouraria </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/madredeus-ainda03.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/madredeus-ainda04.html"> As cidades e os campos </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/madredeus-ainda04.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/madredeus-ainda05.html"> O Tejo </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/madredeus-ainda05.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/madredeus-ainda06.html"> Alfama </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/madredeus-ainda06.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/madredeus-ainda07.html"> Ainda </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/madredeus-ainda07.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/madredeus-espiritoDaPaz01.html"> Destino </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/madredeus-espiritoDaPaz01.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/madredeus-espiritoDaPaz02.html"> Silêncio </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/madredeus-espiritoDaPaz02.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/madredeus-espiritoDaPaz03.html"> Os senhores da guerra </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/madredeus-espiritoDaPaz03.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/madredeus-espiritoDaPaz04.html"> Pregão </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/madredeus-espiritoDaPaz04.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/madredeus-espiritoDaPaz05.html"> O mar </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/madredeus-espiritoDaPaz05.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/madredeus-espiritoDaPaz06.html"> Sentimento </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/madredeus-espiritoDaPaz06.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/madredeus-espiritoDaPaz07.html"> Culpa </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/madredeus-espiritoDaPaz07.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/madredeus-espiritoDaPaz08.html"> Amargura </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/madredeus-espiritoDaPaz08.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/madredeus-espiritoDaPaz09.html"> As cores do sol </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/madredeus-espiritoDaPaz09.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/madredeus-espiritoDaPaz10.html"> Ao longe o mar </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/madredeus-espiritoDaPaz10.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/madredeus-espiritoDaPaz11.html"> Vem </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/madredeus-espiritoDaPaz11.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/madredeus-espiritoDaPaz12.html"> Ajuda </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/madredeus-espiritoDaPaz12.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/madredeus-ladrao.html"> O ladrão </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/madredeus-ladrao.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/madredeus-menino.html"> = O Menino </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/madredeus-menino.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/madredeus-paraiso01.html"> O paraíso </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/madredeus-paraiso01.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/madredeus-paraiso02.html"> A andorinha da primavera </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/madredeus-paraiso02.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/madredeus-pastor.html"> O Pastor </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/madredeus-pastor.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/madredeus-praiaDoMar.html"> A praia do mar </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/madredeus-praiaDoMar.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/madredeus-vacaDeFogo.html"> A vaca de fogo </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/madredeus-vacaDeFogo.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="António Mafra"><b>António Mafra</b></a> <dir> <i>See also band: <br />
- <a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Conjunto%20Ant%C3%B3nio%20Mafra">Conjunto António Mafra</a>; </i><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/mafra-arrebita.html"> Arrebita </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/mafra-arrebita.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/mafra-seteEPico.html"> Sete e Pico </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/mafra-seteEPico.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="Conjunto António Mafra"><b>Conjunto António Mafra</b></a> <dir> <i>See also: <br />
<a href="http://mafras.no.sapo.pt/"> <b>Página do Conjunto António Mafra</b> </a></i> <i>Band elements: <br />
- <a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Ven%C3%A2ncio%20Castro">Venâncio Castro( bombo, voz [58..98])</a>; <br />
- <a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Nunes%20Pinto">Nunes Pinto( guitarra, voz [58..65 ])</a>; <br />
- <a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Ant%C3%B3nio%20Mafra">António Mafra( guitarra Portuguesa, voz [58..77])</a>; <br />
- <a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#M%C3%A1rio%20Jo%C3%A3o">Mário João( bombo, voz [58..])</a>; <br />
- <a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Manuel%20Campanh%C3%A3">Manuel Campanhã( viola braguesa, cavaquinho, alaúde, voz [86..])</a>; <br />
- <a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Manuel%20Barros">Manuel Barros( voz, guitarra [58..])</a>; <br />
- <a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Jos%C3%A9%20Mafra">José Mafra( guitarra, voz [58..])</a>; <br />
- <a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Liberto%20Marques">Liberto Marques( guitarra, voz [58..93 ])</a>; <br />
- <a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Porf%C3%ADrio%20Gomes">Porfírio Gomes( ferrinhos, voz [93..])</a>; <br />
- <a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Fernando%20Figueiredo">Fernando Figueiredo( guitarra, viola baixo, alaúde, voz [98..])</a>; </i><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/mafra-arrebita.html"> Arrebita </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/mafra-arrebita.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/mafra-seteEPico.html"> Sete e Pico </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/mafra-seteEPico.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="Pedro Ayres Magalhães"><b>Pedro Ayres Magalhães</b></a> <dir> <i>See also band: <br />
- <a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Her%C3%B3is%20do%20Mar">Heróis do Mar</a>; <br />
- <a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Resist%C3%AAncia">Resistência</a>; <br />
- <a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Madredeus">Madredeus</a>; </i><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/ladeiras-emCoimbraSereiTua.html"> Em Coimbra serei tua </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/ladeiras-emCoimbraSereiTua.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/ladeiras-emCoimbraSereiTua.html"> Em Coimbra serei tua </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/ladeiras-emCoimbraSereiTua.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/madredeus-ainda01.html"> Guitarra </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/madredeus-ainda01.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/madredeus-ainda02.html"> Milagre </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/madredeus-ainda02.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/madredeus-ainda03.html"> Céu da Mouraria </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/madredeus-ainda03.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/madredeus-ainda05.html"> O Tejo </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/madredeus-ainda05.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/madredeus-ainda06.html"> Alfama </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/madredeus-ainda06.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/madredeus-ainda06.html"> Alfama </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/madredeus-ainda06.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/madredeus-ainda07.html"> Ainda </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/madredeus-ainda07.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/madredeus-espiritoDaPaz01.html"> Destino </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/madredeus-espiritoDaPaz01.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/madredeus-espiritoDaPaz02.html"> Silêncio </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/madredeus-espiritoDaPaz02.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/madredeus-espiritoDaPaz03.html"> Os senhores da guerra </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/madredeus-espiritoDaPaz03.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/madredeus-espiritoDaPaz05.html"> O mar </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/madredeus-espiritoDaPaz05.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/madredeus-espiritoDaPaz06.html"> Sentimento </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/madredeus-espiritoDaPaz06.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/madredeus-espiritoDaPaz07.html"> Culpa </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/madredeus-espiritoDaPaz07.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/madredeus-espiritoDaPaz08.html"> Amargura </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/madredeus-espiritoDaPaz08.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/madredeus-espiritoDaPaz09.html"> As cores do sol </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/madredeus-espiritoDaPaz09.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/madredeus-espiritoDaPaz09.html"> As cores do sol </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/madredeus-espiritoDaPaz09.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/madredeus-espiritoDaPaz10.html"> Ao longe o mar </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/madredeus-espiritoDaPaz10.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/madredeus-espiritoDaPaz11.html"> Vem </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/madredeus-espiritoDaPaz11.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/madredeus-espiritoDaPaz11.html"> Vem </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/madredeus-espiritoDaPaz11.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/madredeus-espiritoDaPaz12.html"> Ajuda </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/madredeus-espiritoDaPaz12.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/madredeus-hajaOQueHouver.html"> Haja o que houver </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/madredeus-hajaOQueHouver.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/madredeus-ladrao.html"> O ladrão </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/madredeus-ladrao.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/madredeus-paraiso01.html"> O paraíso </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/madredeus-paraiso01.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/madredeus-paraiso02.html"> A andorinha da primavera </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/madredeus-paraiso02.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/madredeus-pastor.html"> O Pastor </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/madredeus-pastor.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/madredeus-praiaDoMar.html"> A praia do mar </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/madredeus-praiaDoMar.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/madredeus-vacaDeFogo.html"> A vaca de fogo </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/madredeus-vacaDeFogo.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/neladeiras-sonhoAzul.html"> Sonho azul </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/neladeiras-sonhoAzul.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="Vladimir Maiakovski"><b>Vladimir Maiakovski</b></a> <dir><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/gal-personalidade11.html"> O amor </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/gal-personalidade11.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="Pedro Malaquias"><b>Pedro Malaquias</b></a> <dir> <i>See also band: <br />
- <a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#R%C3%A1dio%20Macau">Rádio Macau</a>; </i><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/gonzo-jardinsProibidos.html"> Jardins proibidos </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/gonzo-jardinsProibidos.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="Raul Marques"><b>Raul Marques</b></a> <dir> <i>See also band: <br />
- <a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Raul%20Marques%20e%20os%20Amigos%20da%20Salsa">Raul Marques e os Amigos da Salsa</a>; </i><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/salsa.html"> Tu és (a estrela do meu sonho) </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/salsa.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="José Flávio Martins"><b>José Flávio Martins</b></a> <dir> <i>See also band: <br />
- <a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Frei%20Fado%20d%27El%20Rei">Frei Fado d'El Rei</a>; </i><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/freifado-aDancaDosJograis.html"> A dança dos jograis </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/freifado-aDancaDosJograis.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/freifado-aDancaDosJograis.html"> A dança dos jograis </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/freifado-aDancaDosJograis.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/freifado-amorPopular.html"> Amor popular </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/freifado-amorPopular.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/freifado-deusaDeAzul.html"> Deusa de azul </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/freifado-deusaDeAzul.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/freifado-deusaDeAzul.html"> Deusa de azul </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/freifado-deusaDeAzul.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/freifado-donzela.html"> Donzela </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/freifado-donzela.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/freifado-memoriasDeUmTrovador.html"> Memórias de um trovador </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/freifado-memoriasDeUmTrovador.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/freifado-memoriasDeUmTrovador.html"> Memórias de um trovador </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/freifado-memoriasDeUmTrovador.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/freifado-perdiMeuAmorNoMar.html"> Perdi meu amor no mar </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/freifado-perdiMeuAmorNoMar.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/freifado-perdiMeuAmorNoMar.html"> Perdi meu amor no mar </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/freifado-perdiMeuAmorNoMar.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/freifado-rabelo.html"> Rabelo </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/freifado-rabelo.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/freifado-rabelo.html"> Rabelo </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/freifado-rabelo.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="Paulo Martins"><b>Paulo Martins</b></a> <dir><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/sexoSentido-bastavaUmaPalavra.html"> Bastava uma palavra para dizer </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/sexoSentido-bastavaUmaPalavra.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="Vitor Martins"><b>Vitor Martins</b></a> <dir><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/brasil-madalena.html"> * Madalena </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/brasil-madalena.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="Ney Matogrosso"><b>Ney Matogrosso</b></a> <dir><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/ney01.html"> Bandolero </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/ney01.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/ney02.html"> Mal necessário </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/ney02.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/ney03.html"> Fé menino </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/ney03.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/ney04.html"> Não existe pecado ao sul do equador </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/ney04.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/ney05.html"> Sensual </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/ney05.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/ney06.html"> Rejeição </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/ney06.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/ney07.html"> Angra </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/ney07.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/ney-corDoPecado.html"> Da cor do pecado </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/ney-corDoPecado.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/vinicius-rosaDeHiroshima.html"> A rosa de Hiroxima </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/vinicius-rosaDeHiroshima.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="Ignez Mazoni"><b>Ignez Mazoni</b></a> <dir><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/ignez-lindaMaca.html"> A linda maça reineta </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/ignez-lindaMaca.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="Pedro Homem de Mello"><b>Pedro Homem de Mello</b></a> <dir><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/amalia-prece.html"> Prece </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/amalia-prece.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="António Luís Melo"><b>António Luís Melo</b></a> <dir><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/melo-cantigaDaRua.html"> *Cantiga da rua </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/melo-cantigaDaRua.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="José João Melo"><b>José João Melo</b></a> <dir> <i>See also band: <br />
- <a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#F%C3%BAria%20do%20A%C3%A7%C3%BAcar">Fúria do Açúcar</a>; </i><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/furia-blue.html"> Blues on de road to Porto </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/furia-blue.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/furia-cumeDaSerra.html"> No cume da serra </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/furia-cumeDaSerra.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/furia-reiDosMatraquilhos.html"> O rei dos matraquilhos </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/furia-reiDosMatraquilhos.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="Pedro Homem de Melo"><b>Pedro Homem de Melo</b></a> <dir><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/amalia-havemosDeIraViana.html"> Havemos de ir a Viana </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/amalia-havemosDeIraViana.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/amalia-povoQueLavasNoRio.html"> Povo que lavas no rio </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/amalia-povoQueLavasNoRio.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="António Menano"><b>António Menano</b></a> <dir> <i>See also: <br />
<a href="http://www.cidadevirtual.pt/fadocoimbra/menano.html"> <b>Página nos "Fados de Coimbra"</b> </a></i><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/fadosDeCoimbra-fadoDeSantaCruz.html"> Fado de Santa Cruz </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/fadosDeCoimbra-fadoDeSantaCruz.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/fadosDeCoimbra-fadoHilario.html"> Fado Hilário </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/fadosDeCoimbra-fadoHilario.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/fadosDeCoimbra-MeninaEMoca.html"> Menina e moça </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/fadosDeCoimbra-MeninaEMoca.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/fadosDeCoimbra-oFadoDosPassarinhos.html"> * O fado dos passarinhos </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/fadosDeCoimbra-oFadoDosPassarinhos.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/fadosDeCoimbra-solitario.html"> * Fado solitário </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/fadosDeCoimbra-solitario.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="Francisco Menano"><b>Francisco Menano</b></a> <dir><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/fado-fogueiras.html"> Fado das fogueiras </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/fado-fogueiras.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/fadosDeCoimbra-solitario.html"> * Fado solitário </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/fadosDeCoimbra-solitario.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/menano-anto.html"> Fado d'Anto </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/menano-anto.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="Horácio Menano"><b>Horácio Menano</b></a> <dir><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/fadosDeCoimbra-solitario.html"> * Fado solitário </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/fadosDeCoimbra-solitario.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="Carlos Mendes"><b>Carlos Mendes</b></a> <dir><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/carlosmendes-amelia.html"> Amélia dos Olhos Doces </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/carlosmendes-amelia.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/carlosmendes-amelia.html"> Amélia dos Olhos Doces </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/carlosmendes-amelia.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/carlosmendes-festaDaVida.html"> A festa da vida </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/carlosmendes-festaDaVida.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/carlosmendes-verao.html"> O verão </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/carlosmendes-verao.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/gedeao-carriche.html"> Calçada de Carriche </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/gedeao-carriche.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/gedeao-fechoEclair.html"> Poema do fecho éclair </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/gedeao-fechoEclair.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/gedeao-vidroConcavo.html"> Vidro Côncavo </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/gedeao-vidroConcavo.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="Duarte Mendes"><b>Duarte Mendes</b></a> <dir><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/duarteMendes-madrugada.html"> Madrugada </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/duarteMendes-madrugada.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/gedeao-tempoDePoesia.html"> Tempo de Poesia </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/gedeao-tempoDePoesia.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/gedeao-vidroConcavo.html"> Vidro Côncavo </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/gedeao-vidroConcavo.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="Roberto Mendes"><b>Roberto Mendes</b></a> <dir><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/betania-sinoDaMinhaAldeia.html"> O sino da minha aldeia </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/betania-sinoDaMinhaAldeia.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="Henrique Lopes de Mendonça"><b>Henrique Lopes de Mendonça</b></a> <dir><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/portuguesa.html"> A Portuguesa (hino nacional português) </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/portuguesa.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="Newton Mendonça"><b>Newton Mendonça</b></a> <dir><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/jobim-desafinado.html"> Desafinado </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/jobim-desafinado.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/jobim-sambaDeUmaNotaSo.html"> * Samba de uma nota só </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/jobim-sambaDeUmaNotaSo.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="João Pedro Messeder"><b>João Pedro Messeder</b></a> <dir><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/gambozinos-meuLugarFavorito.html"> O meu lugar favorito </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/gambozinos-meuLugarFavorito.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="Fred Micaelo"><b>Fred Micaelo</b></a> <dir><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/dulcePontes_lusitanaPaixao.html"> Lusitana paixão </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/dulcePontes_lusitanaPaixao.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="Minidrunfes"><b>Minidrunfes</b></a> <dir> <i>See also: <br />
<a href="http://www-rum.ci.uminho.pt/bandas/minidrunfes/md.html"> <b>página oficial dos Minidrunfes</b> </a></i><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/minidrunfes-oGayDoLiceu.html"> O Gay do Liceu </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/minidrunfes-oGayDoLiceu.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/minidrunfes-oGayDoLiceu.html"> O Gay do Liceu </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/minidrunfes-oGayDoLiceu.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="Cebola Mol"><b>Cebola Mol</b></a> <dir> <i>See also: <br />
<a href="http://cebolamol.clix.pt/"> <b>Página dos Cebola Mol</b> </a></i><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/cebolamol-fadinho.html"> Ai Que Lindo Fadinho </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/cebolamol-fadinho.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="Secos e Molhados"><b>Secos e Molhados</b></a> <dir><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/vinicius-rosaDeHiroshima.html"> A rosa de Hiroxima </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/vinicius-rosaDeHiroshima.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="João Monge"><b>João Monge</b></a> <dir> <i>See also band: <br />
- <a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Rio%20Grande">Rio Grande</a>; </i><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/ala-cantorDeServico.html"> O cantor de serviço </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/ala-cantorDeServico.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/ala-haDiasEmQueMaisVale.html"> Há dias em que mais vale... </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/ala-haDiasEmQueMaisVale.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/ala-loucosDeLisboa.html"> Loucos de Lisboa </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/ala-loucosDeLisboa.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/ala-meninaEOsValetes.html"> A Menina e os valetes </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/ala-meninaEOsValetes.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/ala-trocaTintas.html"> O troca pingas </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/ala-trocaTintas.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/ala-zePassarinho.html"> A história do Zé Passarinho </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/ala-zePassarinho.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/joaogil-subornoPassional.html"> Suborno passional </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/joaogil-subornoPassional.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/palma-sentaTeAi.html"> * Senta-te aí </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/palma-sentaTeAi.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/riogrande-carteiro.html"> O sobrescrito </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/riogrande-carteiro.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/riogrande-casamento.html"> O dia do nó </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/riogrande-casamento.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/riogrande-diaDePasseio.html"> Dia de passeio </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/riogrande-diaDePasseio.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/riogrande-lisnave.html"> Lisnave </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/riogrande-lisnave.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/riogrande_serraDaAdica.html"> * O caçador da Adiça </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/riogrande_serraDaAdica.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/riogrande_sortes.html"> Fui às sortes e safei-me </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/riogrande_sortes.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/tim-fisga.html"> * A fisga </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/tim-fisga.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/tim-postalDosCorreios.html"> *Postal dos correios (querida mãe, querido pai, ...) </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/tim-postalDosCorreios.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/trovante-poeOMeuRetrato.html"> Aerograma (Põe o meu retrato...) </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/trovante-poeOMeuRetrato.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/trovante-timor.html"> Timor </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/trovante-timor.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="Marisa Monte"><b>Marisa Monte</b></a> <dir><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/marisamonte-amorILoveYou.html"> Amor, I love you </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/marisamonte-amorILoveYou.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/marisamonte-beijaEu.html"> Beija Eu </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/marisamonte-beijaEu.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/marisamonte-bemQusSeQuis.html"> Bem que se quis </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/marisamonte-bemQusSeQuis.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/marisamonte-queMeImporta.html"> O que me importa </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/marisamonte-queMeImporta.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="Rui Monteiro"><b>Rui Monteiro</b></a> <dir><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/paulodecarvvalho-meninosDeHuambo.html"> Os meninos de Huambo </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/paulodecarvvalho-meninosDeHuambo.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="Vinicius de Moraes"><b>Vinicius de Moraes</b></a> <dir> <i>See also: <br />
<a href="http://students.si.fct.unl.pt/users/tms/vinicius/"> <b>Página do Vinicius de Moraes</b> </a></i><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/buarque-oFilhoQueEuQueroTer.html"> O Filho Que Eu Quero Ter </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/buarque-oFilhoQueEuQueroTer.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/vinicius-casa.html"> * Casa </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/vinicius-casa.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/vinicius-EMelhorSerAlegre.html"> Samba da Benção </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/vinicius-EMelhorSerAlegre.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/vinicius-felicidade.html"> Felicidade </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/vinicius-felicidade.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/vinicius-garotaDeIpanema.html"> Garota de Ipanema </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/vinicius-garotaDeIpanema.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/vinicius-meuAmorNaoVasEmbora.html"> * Apelo (Meu amor não vás embora) </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/vinicius-meuAmorNaoVasEmbora.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/vinicius-meuAmorNaoVasEmbora.html"> * Apelo (Meu amor não vás embora) </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/vinicius-meuAmorNaoVasEmbora.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/vinicius-passarUmaTardeEmItapua.html"> Tarde Em Itapuã </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/vinicius-passarUmaTardeEmItapua.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/vinicius-pato.html"> Pato </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/vinicius-pato.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/vinicius-quandoALuzDosOlhosMeus.html"> Pela luz dos olhos teus </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/vinicius-quandoALuzDosOlhosMeus.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/vinicius-quemEHomemDeBem.html"> Berimbau (Quem é homem de bem) </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/vinicius-quemEHomemDeBem.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/vinicius-quemEHomemDeBem.html"> Berimbau (Quem é homem de bem) </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/vinicius-quemEHomemDeBem.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/vinicius-rosaDeHiroshima.html"> A rosa de Hiroxima </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/vinicius-rosaDeHiroshima.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/vinicius-sambaEmPreludio.html"> Samba em prelúdio </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/vinicius-sambaEmPreludio.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/vinicius-sambaEmPreludio.html"> Samba em prelúdio </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/vinicius-sambaEmPreludio.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/vinicius-valsaDoBordel.html"> Valsa do bordel </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/vinicius-valsaDoBordel.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/vinicius-valsinha.html"> * Valsinha </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/vinicius-valsinha.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/zeliaduarte_06.html"> Pau de arara </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/zeliaduarte_06.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="Moraes Moreira"><b>Moraes Moreira</b></a> <dir><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/gal-personalidade16.html"> Festa do interior </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/gal-personalidade16.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="Santos Moreira"><b>Santos Moreira</b></a> <dir><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/amalia-02.html"> Libertação </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/amalia-02.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="Nelson Motta"><b>Nelson Motta</b></a> <dir><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/marisamonte-bemQusSeQuis.html"> Bem que se quis </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/marisamonte-bemQusSeQuis.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="José Barata Moura"><b>José Barata Moura</b></a> <dir><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/baratamoura-comAPrendaDoPadrinho.html"> = Com a prenda do padrinho </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/baratamoura-comAPrendaDoPadrinho.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/baratamoura-comAPrendaDoPadrinho.html"> = Com a prenda do padrinho </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/baratamoura-comAPrendaDoPadrinho.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/baratamoura-comeAPapa.html"> Joana come a papa </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/baratamoura-comeAPapa.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/baratamoura-fungaga.html"> Fungágá da bicharada </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/baratamoura-fungaga.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/baratamoura_madalena.html"> Madalena </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/baratamoura_madalena.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/baratamoura-olhaABolaManel.html"> Olha a bola Manel </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/baratamoura-olhaABolaManel.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/baratamoura-resolveramFazerEstaCancao.html"> Resolveram fazer esta canção </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/baratamoura-resolveramFazerEstaCancao.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="David Mourão-Ferreira"><b>David Mourão-Ferreira</b></a> <dir><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/amalia-02.html"> Libertação </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/amalia-02.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/amalia-08.html"> Madrugada de Alfama </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/amalia-08.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/amalia-11.html"> Maria Lisboa </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/amalia-11.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/amalia-barcoNegro.html"> *Barco negro </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/amalia-barcoNegro.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="Sidónio Muralha"><b>Sidónio Muralha</b></a> <dir><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/amalia-raizes.html"> Raízes </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/amalia-raizes.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/freire-meninaBexigosa.html"> Menina bexigosa </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/freire-meninaBexigosa.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/freire-pequenosDeusesCaseiros.html"> Pequenos deuses caseiros </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/freire-pequenosDeusesCaseiros.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="Luyz Mylan"><b>Luyz Mylan</b></a> <dir><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/vitorino-sospirasteBaldovinos.html"> Sospirastes Baldovinos </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/vitorino-sospirasteBaldovinos.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="Mísia"><b>Mísia</b></a> <dir><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/missia-garraDosSentidos.html"> Garras dos sentidos </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/missia-garraDosSentidos.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/missia-naoMeChamemPeloNome.html"> Não me chamem pelo nome </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/missia-naoMeChamemPeloNome.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="Ala dos Namorados"><b>Ala dos Namorados</b></a> <dir> <i>Band elements: <br />
- <a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Manuel%20Paulo">Manuel Paulo (piano, orgão, acordeão, sintetizador)</a>; <br />
- <a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Nuno%20Guerreiro">Nuno Guerreiro (voz)</a>; <br />
- <a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Jo%C3%A3o%20Gil">João Gil (viola, percussão)</a>; <br />
- <a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Jos%C3%A9%20Moz%20Carrapa">José Moz Carrapa (violas, percussão)</a>; </i><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/ala-cantorDeServico.html"> O cantor de serviço </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/ala-cantorDeServico.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/ala-fimDoMundo.html"> * Fim do Mundo (e ao cabo do teu ser) </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/ala-fimDoMundo.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/ala-haDiasEmQueMaisVale.html"> Há dias em que mais vale... </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/ala-haDiasEmQueMaisVale.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/ala-loucosDeLisboa.html"> Loucos de Lisboa </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/ala-loucosDeLisboa.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/ala-meninaEOsValetes.html"> A Menina e os valetes </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/ala-meninaEOsValetes.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/ala-trocaTintas.html"> O troca pingas </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/ala-trocaTintas.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/ala-zePassarinho.html"> A história do Zé Passarinho </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/ala-zePassarinho.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="Eduardo Nascimento"><b>Eduardo Nascimento</b></a> <dir><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/nascimento-oicam.html"> O vento mudou </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/nascimento-oicam.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="Milton Nascimento"><b>Milton Nascimento</b></a> <dir><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/godinho-barcaDosAmantes.html"> Barca Dos Amantes </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/godinho-barcaDosAmantes.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/miltonnascimento-amigo.html"> Amigo </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/miltonnascimento-amigo.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/miltonnascimento-amorDeIndio.html"> Amor de índio </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/miltonnascimento-amorDeIndio.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/miltonnascimento-beteto.html"> Paula e Bebeto </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/miltonnascimento-beteto.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/miltonnascimento-cancaoAmiga.html"> Canção Amiga </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/miltonnascimento-cancaoAmiga.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/miltonnascimento-cancaoDaAmerica.html"> Canção da América </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/miltonnascimento-cancaoDaAmerica.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/miltonnascimento-coracaoDeEstudante.html"> Coração de Estudante </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/miltonnascimento-coracaoDeEstudante.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/miltonnascimento-paisagemDaJanela.html"> Paisagem da janela </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/miltonnascimento-paisagemDaJanela.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/miltonnascimento-rouxinol.html"> O rouxinol </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/miltonnascimento-rouxinol.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/miltonnascimento-sanVicente.html"> San Vicente </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/miltonnascimento-sanVicente.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/miltonnascimento-sanVicente.html#1"> Nos bailes da vida </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/miltonnascimento-sanVicente.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="David Nasser"><b>David Nasser</b></a> <dir><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/gal-personalidade08.html"> Canta Brasil </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/gal-personalidade08.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="Aníbal Nazaré"><b>Aníbal Nazaré</b></a> <dir><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/nazare-naoVenhasTarde.html"> *Não venhas tarde </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/nazare-naoVenhasTarde.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/vilaret-fadoFalado.html"> Fado falado </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/vilaret-fadoFalado.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="Netinho"><b>Netinho</b></a> <dir><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/brasil-milla.html"> *Milla </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/brasil-milla.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="João Cabral de Melo Neto"><b>João Cabral de Melo Neto</b></a> <dir><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/zeliaduarte_02.html"> Funeral do lavrador </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/zeliaduarte_02.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="Francisco Nicholson"><b>Francisco Nicholson</b></a> <dir><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/calvario-oracao.html"> Oração </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/calvario-oracao.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="José Niza"><b>José Niza</b></a> <dir><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/adriano-aquelaAlegreMadrugada.html"> E alegre se fez triste </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/adriano-aquelaAlegreMadrugada.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/adriano-cantarDeEmigracao.html"> * Cantar de emigração (este parte, aquele parte) </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/adriano-cantarDeEmigracao.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/adriano-quandoNoSilencioDasNoitesDeLuar.html"> Emigração (Quando no silêncio das noites de luar) </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/adriano-quandoNoSilencioDasNoitesDeLuar.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/carlosmendes-festaDaVida.html"> A festa da vida </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/carlosmendes-festaDaVida.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/freire-lagrimaDePreta.html"> Lágrima de preta </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/freire-lagrimaDePreta.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/gedeao-carriche.html"> Calçada de Carriche </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/gedeao-carriche.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/gedeao-desencontro.html"> Desencontro </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/gedeao-desencontro.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/gedeao-estrelaManha.html"> Estrela da Manhã </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/gedeao-estrelaManha.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/gedeao-fechoEclair.html"> Poema do fecho éclair </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/gedeao-fechoEclair.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/gedeao-pedraLioz.html"> Poema da pedra lioz </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/gedeao-pedraLioz.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/gedeao-tempoDePoesia.html"> Tempo de Poesia </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/gedeao-tempoDePoesia.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/gedeao-vidroConcavo.html"> Vidro Côncavo </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/gedeao-vidroConcavo.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/paulodecarvalho-eDepoisDoAdeus.html"> E depois do Adeus </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/paulodecarvalho-eDepoisDoAdeus.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/samuel-falaDoHomemNascido.html"> Fala do Homem nascido </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/samuel-falaDoHomemNascido.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/samuel-poemaDaPedraLioz.html"> Poema da Pedra Lioz </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/samuel-poemaDaPedraLioz.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/tordo-patriaMinha.html"> Uma flor de verde pinho </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/tordo-patriaMinha.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="António Nobre"><b>António Nobre</b></a> <dir><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/menano-anto.html"> Fado d'Anto </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/menano-anto.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="João Nobre"><b>João Nobre</b></a> <dir><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/calvario-oracao.html"> Oração </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/calvario-oracao.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/nazare-naoVenhasTarde.html"> *Não venhas tarde </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/nazare-naoVenhasTarde.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="Pólo Norte"><b>Pólo Norte</b></a> <dir><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/poloNorte-puraInocencia.html"> Pura Inocência </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/poloNorte-puraInocencia.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="Manuel de Novas"><b>Manuel de Novas</b></a> <dir><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/cesaria-tudoTemSeLimite.html"> Tudo tem se limite </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/cesaria-tudoTemSeLimite.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="Airas Nunes"><b>Airas Nunes</b></a> <dir><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/zecafonso-bailia.html"> Bailia </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/zecafonso-bailia.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="Sebastião Nunes"><b>Sebastião Nunes</b></a> <dir><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/buarque-lagrima.html"> Lágrima </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/buarque-lagrima.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="Fernando Nunes Náná"><b>Fernando Nunes Náná</b></a> <dir><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/meninos-toqueDeCaixa.html"> A toque de caixa </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/meninos-toqueDeCaixa.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="Alexandre O'Neill"><b>Alexandre O'Neill</b></a> <dir><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/amalia-06.html"> Gaivota </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/amalia-06.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/fausto-daquiDestaLisboa.html"> Daqui desta Lisboa </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/fausto-daquiDestaLisboa.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/godinho-mesa.html"> A mesa </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/godinho-mesa.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="Adriano Correia de Oliveira"><b>Adriano Correia de Oliveira</b></a> <dir> <i>See also: <br />
<a href="http://www.cidadevirtual.pt/fadocoimbra/adcorol.html"> <b>Página nos "fados de coimbra"</b> </a></i><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/acores-lira.html"> Lira </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/acores-lira.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/adriano-aquelaAlegreMadrugada.html"> E alegre se fez triste </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/adriano-aquelaAlegreMadrugada.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/adriano-cancaoComLagrimas.html"> * Canção com lágrimas </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/adriano-cancaoComLagrimas.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/adriano-cancaoComLagrimas.html"> * Canção com lágrimas </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/adriano-cancaoComLagrimas.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/adriano-cancaoDaFronteira.html"> Canção da fronteira </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/adriano-cancaoDaFronteira.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/adriano-cancaoTerceira.html"> Canção terceira </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/adriano-cancaoTerceira.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/adriano-cantarDeEmigracao.html"> * Cantar de emigração (este parte, aquele parte) </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/adriano-cantarDeEmigracao.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/adriano-erguemSeOsMuros.html"> Erguem-se muros </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/adriano-erguemSeOsMuros.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/adriano-maos.html"> As mãos </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/adriano-maos.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/adriano-maos.html"> As mãos </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/adriano-maos.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/adriano-meninaDosOlhosTristes.html"> * Menina dos olhos tristes </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/adriano-meninaDosOlhosTristes.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/adriano-meuPensamento.html"> Pensamento </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/adriano-meuPensamento.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/adriano-porque.html"> Porque </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/adriano-porque.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/adriano-quandoNoSilencioDasNoitesDeLuar.html"> Emigração (Quando no silêncio das noites de luar) </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/adriano-quandoNoSilencioDasNoitesDeLuar.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/adriano-tejoQueLevasAsAguas.html"> * Tejo que levas as águas </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/adriano-tejoQueLevasAsAguas.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/adriano-tejoQueLevasAsAguas.html"> * Tejo que levas as águas </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/adriano-tejoQueLevasAsAguas.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/adriano-trovaAoVentoQuePassa.html"> * Trova do vento que passa </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/adriano-trovaAoVentoQuePassa.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/alegre-quemPoderaDomarOsCavalos.html"> Canção tão simples (Quem poderá domar ...) </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/alegre-quemPoderaDomarOsCavalos.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/fadosDeCoimbra-capaNegraRosaNegra.html"> Capa negra, rosa negra </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/fadosDeCoimbra-capaNegraRosaNegra.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/fadosDeCoimbra-capaNegraRosaNegra.html"> Capa negra, rosa negra </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/fadosDeCoimbra-capaNegraRosaNegra.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/fadosDeCoimbra-patria.html"> Pátria </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/fadosDeCoimbra-patria.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/zecafonso-porAqueleCaminho.html"> Por Aquele Caminho </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/zecafonso-porAqueleCaminho.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="Carlos Oliveira"><b>Carlos Oliveira</b></a> <dir><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/freire-livre.html"> = Livre (não há machado que corte) </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/freire-livre.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="César de Oliveira"><b>César de Oliveira</b></a> <dir><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/dias-cheiraALisboa.html"> *Cheira a Lisboa </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/dias-cheiraALisboa.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="Gabriel de Oliveira"><b>Gabriel de Oliveira</b></a> <dir><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/oliveira-embucado.html"> *Embuçado </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/oliveira-embucado.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="Simone de Oliveira"><b>Simone de Oliveira</b></a> <dir><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/ary-desfolhada.html"> Desfolhada </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/ary-desfolhada.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="Pedro Osório"><b>Pedro Osório</b></a> <dir><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/carlosmendes-verao.html"> O verão </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/carlosmendes-verao.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="Alain Oulman"><b>Alain Oulman</b></a> <dir><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/amalia-06.html"> Gaivota </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/amalia-06.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/amalia-07.html"> Com que voz </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/amalia-07.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/amalia-08.html"> Madrugada de Alfama </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/amalia-08.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/amalia-10.html"> Fado português </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/amalia-10.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/amalia-11.html"> Maria Lisboa </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/amalia-11.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/amalia-amendoaAmarga.html"> Amêndoa Amarga </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/amalia-amendoaAmarga.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/amalia-duraMemoria.html"> Dura Memória </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/amalia-duraMemoria.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/amalia-havemosDeIraViana.html"> Havemos de ir a Viana </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/amalia-havemosDeIraViana.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/amalia-prece.html"> Prece </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/amalia-prece.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/amalia-quemDormeANoiteComigo.html"> Medo (Quem dorme à noite comigo?) </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/amalia-quemDormeANoiteComigo.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/ary-meuAmor.html"> Meu amor, meu amor </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/ary-meuAmor.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="Duo Ouro-Negro"><b>Duo Ouro-Negro</b></a> <dir> <i>Band elements: <br />
- <a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#...">...</a>; <br />
- <a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Ra%C3%BAl%20...">Raúl ...</a>; </i><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/ouronegro-amanha.html"> * Amanhã </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/ouronegro-amanha.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/ouronegro-amanha.html"> * Amanhã </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/ouronegro-amanha.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="Manolo Outeiriños"><b>Manolo Outeiriños</b></a> <dir><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/gaiteiros-chulaGaiteira.html"> Chula gaiteira </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/gaiteiros-chulaGaiteira.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="Fernando Assis Pacheco"><b>Fernando Assis Pacheco</b></a> <dir><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/freire-pedroSo.html"> * Pedro Só </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/freire-pedroSo.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="Filipa Pais"><b>Filipa Pais</b></a> <dir> <i>See also band: <br />
- <a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Lua%20Extravagante">Lua Extravagante</a>; </i><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/filipapais-roda.html"> Cantiga da Roda </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/filipapais-roda.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="Vicente Paiva"><b>Vicente Paiva</b></a> <dir><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/gal-personalidade03.html"> Olhos verdes </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/gal-personalidade03.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="Carlos Paião"><b>Carlos Paião</b></a> <dir><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/paiao-beijinho.html"> * Beijinho </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/paiao-beijinho.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/paiao-capuchinho.html"> * Capuchinho </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/paiao-capuchinho.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/paiao-cinderela.html"> * Cinderela </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/paiao-cinderela.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/paiao-poDeArroz.html"> Pó-de-arroz </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/paiao-poDeArroz.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/paiao-poDeArroz.html"> Pó-de-arroz </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/paiao-poDeArroz.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="Dalla Pallotino"><b>Dalla Pallotino</b></a> <dir><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/brasil-minhaHistoria.html"> Minha história (Menino Jesus) </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/brasil-minhaHistoria.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="Jorge Palma"><b>Jorge Palma</b></a> <dir> <i>See also: <br />
<a href="http://www.jorge-palma.pt.vu/"> <b>Terra dos Sonhos ("página não oficial do grande Jorge Palma")</b> </a> <br />
<a href="http://www.geocities.com/Area51/Hollow/6173/jorgepalma/indice.html"> <b>Página não oficial (tem muitas letras de músicas)</b> </a></i> <i>See also band: <br />
- <a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Rio%20Grande">Rio Grande</a>; </i><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/palma-bairroDoAmor.html"> O bairro do amor </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/palma-bairroDoAmor.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/palma-baladaDumEstranho.html"> Balada dum estranho </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/palma-baladaDumEstranho.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/palma-boletimMeteorologico.html"> Boletim Meteorológico </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/palma-boletimMeteorologico.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/palma-daMeLume.html"> Dá-me lume </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/palma-daMeLume.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/palma-deixaMeRir.html"> Deixa-me rir </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/palma-deixaMeRir.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/palma-estrelaDoMar.html"> Estrela do Mar </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/palma-estrelaDoMar.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/palma-estrelaDoMar.html"> Estrela do Mar </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/palma-estrelaDoMar.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/palma-ladoErradoDaNoite.html"> O lado errado da noite </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/palma-ladoErradoDaNoite.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/palma-sentaTeAi.html"> * Senta-te aí </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/palma-sentaTeAi.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="F. Vilela Passos"><b>F. Vilela Passos</b></a> <dir><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/fadosDeCoimbra-minhoEncantador.html"> * Minho encantador </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/fadosDeCoimbra-minhoEncantador.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="Manuel Paulo"><b>Manuel Paulo</b></a> <dir> <i>See also band: <br />
- <a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Ala%20dos%20Namorados">Ala dos Namorados</a>; </i><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/ala-cantorDeServico.html"> O cantor de serviço </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/ala-cantorDeServico.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/ala-haDiasEmQueMaisVale.html"> Há dias em que mais vale... </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/ala-haDiasEmQueMaisVale.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/ala-meninaEOsValetes.html"> A Menina e os valetes </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/ala-meninaEOsValetes.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/ala-trocaTintas.html"> O troca pingas </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/ala-trocaTintas.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="Ricardo Pavão"><b>Ricardo Pavão</b></a> <dir><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/ney06.html"> Rejeição </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/ney06.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="Santos e Pecadores"><b>Santos e Pecadores</b></a> <dir> <i>Band elements: <br />
- <a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#...">...</a>; <br />
- <a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Olavo%20Bilac">Olavo Bilac (voz)</a>; </i><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/pecadores-naoVoltareiASerFiel.html"> * Não voltarei a ser fiel </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/pecadores-naoVoltareiASerFiel.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="José Pedro"><b>José Pedro</b></a> <dir> <i>See also band: <br />
- <a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Xutos%20e%20Pontap%C3%A9s">Xutos e Pontapés</a>; </i><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/resistencia-naoSouOUnico.html"> * Não sou o único </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/resistencia-naoSouOUnico.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/xutos_01.html"> Dados viciados </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/xutos_01.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/xutos_05.html"> Um jogador </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/xutos_05.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="José Peixoto"><b>José Peixoto</b></a> <dir> <i>See also band: <br />
- <a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Madredeus">Madredeus</a>; </i><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/madredeus-ainda05.html"> O Tejo </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/madredeus-ainda05.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/madredeus-praiaDoMar.html"> A praia do mar </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/madredeus-praiaDoMar.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="Gabriel o Pensador"><b>Gabriel o Pensador</b></a> <dir> <i>See also: <br />
<a href="http://www.geocities.com/SunsetStrip/Towers/9922/gabriel.htm"> <b>pagina do Gabriel o Pensador</b> </a></i><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/gabriel-2345meia78.html"> 2345meia78!! </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/gabriel-2345meia78.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/gabriel-cachimboDaPaz.html"> Cachimbo da PAZ!!! </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/gabriel-cachimboDaPaz.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/gabriel-festaDaMusica.html"> Festa da Música </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/gabriel-festaDaMusica.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/gabriel-maisUmaDose.html"> + 1 dose </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/gabriel-maisUmaDose.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="Geraldo Pereira"><b>Geraldo Pereira</b></a> <dir><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/buarque-semCompromisso.html"> Sem compromisso </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/buarque-semCompromisso.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="Jorge Constante Pereira"><b>Jorge Constante Pereira</b></a> <dir><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/godinho-afectos.html"> Os afectos </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/godinho-afectos.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/godinho-embalo.html"> = Embalo </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/godinho-embalo.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/godinho-felizmina.html"> D. Felizmina e sua loja </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/godinho-felizmina.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/godinho-pires.html"> Carta do marinheiro Pires </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/godinho-pires.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/godinho-saoDoisBracos.html"> = Canção dos abraços </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/godinho-saoDoisBracos.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="João Magalhães Pereira"><b>João Magalhães Pereira</b></a> <dir><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/nascimento-oicam.html"> O vento mudou </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/nascimento-oicam.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="Mário Moniz Pereira"><b>Mário Moniz Pereira</b></a> <dir><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/carlosdocarmo_07.html"> Fado varina </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/carlosdocarmo_07.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="Paulo Pereira"><b>Paulo Pereira</b></a> <dir> <i>See also band: <br />
- <a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Meninos%20d%27Av%C3%B3">Meninos d'Avó</a>; </i><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/meninos-toqueDeCaixa.html"> A toque de caixa </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/meninos-toqueDeCaixa.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="Pedro Pereira"><b>Pedro Pereira</b></a> <dir> <i>See also band: <br />
- <a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Meninos%20d%27Av%C3%B3">Meninos d'Avó</a>; </i><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/meninos-rapoTaxo.html"> Rap'ó Taxo </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/meninos-rapoTaxo.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/meninos-toqueDeCaixa.html"> A toque de caixa </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/meninos-toqueDeCaixa.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="Fernando Pessoa"><b>Fernando Pessoa</b></a> <dir> <i>See also: <br />
<a href="http://www.e-net.com.br/seges/pessoa.html"> <b>Fernando Pessoa [seges] (obra completa!)</b> </a> <br />
<a href="http://nicewww.cern.ch/%7Epintopc/www/FPessoa/Welcome.html"> <b>Fernando Pessoa in English</b> </a> <br />
<a href="http://www.isr.ist.utl.pt/%7Ecfb/VdS/pessoa.html"> <b>Versos de Segunda</b> </a> <br />
<a href="http://www.estado-arte.pt/nomen/pessoa.html"> <b>Fernando Pessoa (by nomen)</b> </a></i><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/betania-segueOTeuDestino.html"> Segue o teu destino </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/betania-segueOTeuDestino.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/betania-sinoDaMinhaAldeia.html"> O sino da minha aldeia </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/betania-sinoDaMinhaAldeia.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/dulcepontes-infante.html"> O Infante </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/dulcepontes-infante.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/mafaldaveiga-meninoDaSuaMae.html"> O menino da sua mãe </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/mafaldaveiga-meninoDaSuaMae.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/vitorino-fadoPessoa.html"> Fado Pessoa </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/vitorino-fadoPessoa.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/zecafonso-comboioDescendente.html"> Comboio Descendente </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/zecafonso-comboioDescendente.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="Manuel António Pina"><b>Manuel António Pina</b></a> <dir><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/ralha-aAnaQuer.html"> = A Ana quer </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/ralha-aAnaQuer.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/ralha-ioio.html"> = Raúl tinha um Ioio </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/ralha-ioio.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/ralha-pensarDePernasParaOAr.html"> Pensar de pernas para ar </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/ralha-pensarDePernasParaOAr.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/ralha-quemTemMedoDepapoes.html"> As bruxas </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/ralha-quemTemMedoDepapoes.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/ralha-vivamOsPes.html"> = Vivam os pés </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/ralha-vivamOsPes.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="António Avelar Pinho"><b>António Avelar Pinho</b></a> <dir> <i>See also band: <br />
- <a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Banda%20do%20Casaco">Banda do Casaco</a>; </i><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/bandaDoCasaco-aiSeALuzia.html"> Ai se a Luzia </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/bandaDoCasaco-aiSeALuzia.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/bandadocasaco-eOuvilos.html"> É ouvi-los </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/bandadocasaco-eOuvilos.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/bandadocasaco-horasDePontaEMola.html"> Horas de ponta e mola </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/bandadocasaco-horasDePontaEMola.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/bandadocasaco-natacaoObrigatoria.html"> Natação obrigatória </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/bandadocasaco-natacaoObrigatoria.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="Piratini"><b>Piratini</b></a> <dir><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/amalia-barcoNegro.html"> *Barco negro </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/amalia-barcoNegro.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="Xutos & Pontapés"><b>Xutos & Pontapés</b></a> <dir><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/xutos-longaSeTornaAEspera.html"> * Longa se torna a espera </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/xutos-longaSeTornaAEspera.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/xutos-longaSeTornaAEspera.html"> * Longa se torna a espera </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/xutos-longaSeTornaAEspera.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="Xutos e Pontapés"><b>Xutos e Pontapés</b></a> <dir> <i>See also: <br />
<a href="http://www.xutos.pt/"> <b>Página dos Xutos e Pontapés</b> </a></i> <i>Band elements: <br />
- <a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Kalu">Kalu (bateria)</a>; <br />
- <a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Jo%C3%A3o%20Cabeleira">João Cabeleira (guitarra [83..])</a>; <br />
- <a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Francis">Francis (guitarra, [78..83])</a>; <br />
- <a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Jos%C3%A9%20Pedro">José Pedro (guitarra)</a>; <br />
- <a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Tim">Tim (voz, baixo)</a>; <br />
- <a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Jos%C3%A9%20Leonel">José Leonel (voz, [78..81])</a>; <br />
- <a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Gui">Gui (saxofone, [84..90])</a>; </i><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/resistencia-naoSouOUnico.html"> * Não sou o único </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/resistencia-naoSouOUnico.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/xutos_01.html"> Dados viciados </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/xutos_01.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/xutos_02.html"> Não sou Jesus </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/xutos_02.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/xutos_03.html"> Dá um mergulho </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/xutos_03.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/xutos_04.html"> Manhã submersa </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/xutos_04.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/xutos_05.html"> Um jogador </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/xutos_05.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/xutos_homemDoLeme.html"> * Homem do leme </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/xutos_homemDoLeme.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="José da Ponte"><b>José da Ponte</b></a> <dir><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/dulcePontes_lusitanaPaixao.html"> Lusitana paixão </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/dulcePontes_lusitanaPaixao.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/dulcePontes_lusitanaPaixao.html"> Lusitana paixão </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/dulcePontes_lusitanaPaixao.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="Dulce Pontes"><b>Dulce Pontes</b></a> <dir><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/dulcepontes-infante.html"> O Infante </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/dulcepontes-infante.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/dulcePontes_lusitanaPaixao.html"> Lusitana paixão </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/dulcePontes_lusitanaPaixao.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="Raul Portela"><b>Raul Portela</b></a> <dir><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/galhardo-lisboaAntiga.html"> *Lisboa antiga (Olhai, senhores ...) </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/galhardo-lisboaAntiga.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/popular-aldeiaDaRoupaBranca.html"> *Aldeia da roupa branca </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/popular-aldeiaDaRoupaBranca.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="António Portugal"><b>António Portugal</b></a> <dir> <i>See also: <br />
<a href="http://www.cidadevirtual.pt/fadocoimbra/portugal.html"> <b>Página nos "Fados de Coimbra"</b> </a></i><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/adriano-meuPensamento.html"> Pensamento </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/adriano-meuPensamento.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/adriano-trovaAoVentoQuePassa.html"> * Trova do vento que passa </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/adriano-trovaAoVentoQuePassa.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/alegre-quemPoderaDomarOsCavalos.html"> Canção tão simples (Quem poderá domar ...) </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/alegre-quemPoderaDomarOsCavalos.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/fadosDeCoimbra-capaNegraRosaNegra.html"> Capa negra, rosa negra </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/fadosDeCoimbra-capaNegraRosaNegra.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/fadosDeCoimbra-patria.html"> Pátria </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/fadosDeCoimbra-patria.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="Baden Powell"><b>Baden Powell</b></a> <dir><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/vinicius-EMelhorSerAlegre.html"> Samba da Benção </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/vinicius-EMelhorSerAlegre.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/vinicius-meuAmorNaoVasEmbora.html"> * Apelo (Meu amor não vás embora) </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/vinicius-meuAmorNaoVasEmbora.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/vinicius-quemEHomemDeBem.html"> Berimbau (Quem é homem de bem) </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/vinicius-quemEHomemDeBem.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="Jorge Prendas"><b>Jorge Prendas</b></a> <dir> <i>See also band: <br />
- <a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Vozes%20da%20R%C3%A1dio">Vozes da Rádio</a>; </i><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/vozes-sobrinhasSolitarias.html"> Na casa das sobrinhas solitárias </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/vozes-sobrinhasSolitarias.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/vozes-valsaDosSemIsqueiro.html"> Valsa dos sem isqueiro </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/vozes-valsaDosSemIsqueiro.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="Quadrilha"><b>Quadrilha</b></a> <dir> <i>Band elements: <br />
- <a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Pierre%20Escodo">Pierre Escodo (concertina, acordeão, teclas)</a>; <br />
- <a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Jo%C3%A3o%20Ramos">João Ramos (violino, Tin Whistle)</a>; <br />
- <a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Sebasti%C3%A3o%20Antunes">Sebastião Antunes (voz, guitarra, flautas, bandoleta)</a>; <br />
- <a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Rui%20Nunes">Rui Nunes (baixo)</a>; <br />
- <a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#M%C3%A1rio%20Jo%C3%A3o%20Santos">Mário João Santos (bateria, percussão)</a>; </i><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/quadrilha-historiaDaMinhota.html"> História da minhota </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/quadrilha-historiaDaMinhota.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/quadrilha-naoHaDinheiro.html"> Não há dinheiro </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/quadrilha-naoHaDinheiro.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="Quico"><b>Quico</b></a> <dir> <i>See also band: <br />
- <a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Frei%20Fado%20d%27El%20Rei">Frei Fado d'El Rei</a>; </i><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/freifado-aDancaDosJograis.html"> A dança dos jograis </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/freifado-aDancaDosJograis.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/freifado-rabelo.html"> Rabelo </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/freifado-rabelo.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="Jorge Quintela"><b>Jorge Quintela</b></a> <dir><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/dulcePontes_lusitanaPaixao.html"> Lusitana paixão </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/dulcePontes_lusitanaPaixao.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="Neca Rafael"><b>Neca Rafael</b></a> <dir><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/necarafael-jaEstasComOsCopos.html"> Já estás c'os copos </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/necarafael-jaEstasComOsCopos.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/necarafael-jaEstasComOsCopos.html"> Já estás c'os copos </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/necarafael-jaEstasComOsCopos.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="Suzana Ralha"><b>Suzana Ralha</b></a> <dir> <i>See also band: <br />
- <a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Bando%20dos%20Gambozinos">Bando dos Gambozinos</a>; </i><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/gambozinos-condessa.html"> Pedido de casamento </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/gambozinos-condessa.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/gambozinos-eTaoBomNaoTerJuiso.html"> É tão bom não ter juízo! </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/gambozinos-eTaoBomNaoTerJuiso.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/gambozinos-gatoPhilidor.html"> O gata Philidor </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/gambozinos-gatoPhilidor.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/gambozinos-historiaDeGatos.html"> História de gatos </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/gambozinos-historiaDeGatos.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/gambozinos-lampada.html"> A lâmpada </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/gambozinos-lampada.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/gambozinos-meuLugarFavorito.html"> O meu lugar favorito </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/gambozinos-meuLugarFavorito.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/ralha-aAnaQuer.html"> = A Ana quer </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/ralha-aAnaQuer.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/ralha-ioio.html"> = Raúl tinha um Ioio </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/ralha-ioio.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/ralha-pensarDePernasParaOAr.html"> Pensar de pernas para ar </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/ralha-pensarDePernasParaOAr.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/ralha-quemTemMedoDepapoes.html"> As bruxas </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/ralha-quemTemMedoDepapoes.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/ralha-vivamOsPes.html"> = Vivam os pés </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/ralha-vivamOsPes.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="Zé Ramalho"><b>Zé Ramalho</b></a> <dir><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/brasil-frevoMulher.html"> Frevo mulher </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/brasil-frevoMulher.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="Jorge Ramos"><b>Jorge Ramos</b></a> <dir><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/gnr-psicopatria06.html"> Nova gente </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/gnr-psicopatria06.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/gnr-psicopatria07.html"> Choque frontal </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/gnr-psicopatria07.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="Serge Reggiani"><b>Serge Reggiani</b></a> <dir><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/mariobranco-monsieurLePresident.html"> Le déserteur </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/mariobranco-monsieurLePresident.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="Elis Regina"><b>Elis Regina</b></a> <dir><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/elis-aloMarciano.html"> Alô, alô marciano </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/elis-aloMarciano.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/elis-doisPraLaDoisParaCa.html"> Dois pra lá, dois pra cá </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/elis-doisPraLaDoisParaCa.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/elis-marambaia.html"> Marambaia </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/elis-marambaia.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/elis-romaria.html"> * Romaria </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/elis-romaria.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/jobim-aguasDeMarco.html"> Águas de Março </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/jobim-aguasDeMarco.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="Frei Fado d'El Rei"><b>Frei Fado d'El Rei</b></a> <dir> <i>See also: <br />
<a href="http://www.fc.up.pt/cmup/home/jfalves/frei/frei.html"> <b>Página feita por José F. Alves</b> </a> <br />
<a href="http://www.caleida.pt/ffdr/"> <b>Página Frei Fado d'El Rei</b> </a></i> <i>Band elements: <br />
- <a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Cristina%20Bacelar">Cristina Bacelar (guitarra clássica)</a>; <br />
- <a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Ricardo%20Costa">Ricardo Costa (guitarra clássica)</a>; <br />
- <a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Jos%C3%A9%20Fl%C3%A1vio%20Martins">José Flávio Martins (baixo)</a>; <br />
- <a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Quico">Quico (teclas)</a>; <br />
- <a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Carla%20Lopes">Carla Lopes (voz)</a>; <br />
- <a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#M%C3%A1rio%20Costa">Mário Costa (percussão)</a>; </i><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/freifado-aDancaDosJograis.html"> A dança dos jograis </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/freifado-aDancaDosJograis.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/freifado-amoresDoDouro.html"> Amores do Douro </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/freifado-amoresDoDouro.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/freifado-amorPopular.html"> Amor popular </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/freifado-amorPopular.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/freifado-deusaDeAzul.html"> Deusa de azul </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/freifado-deusaDeAzul.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/freifado-donzela.html"> Donzela </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/freifado-donzela.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/freifado-memoriasDeUmTrovador.html"> Memórias de um trovador </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/freifado-memoriasDeUmTrovador.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/freifado-meninoDoMar.html"> Menino do mar </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/freifado-meninoDoMar.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/freifado-perdiMeuAmorNoMar.html"> Perdi meu amor no mar </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/freifado-perdiMeuAmorNoMar.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/freifado-rabelo.html"> Rabelo </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/freifado-rabelo.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="Rui Reininho"><b>Rui Reininho</b></a> <dir> <i>See also band: <br />
- <a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#GNR">GNR</a>; </i><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/gnr-aoSoldadoDesconfiado.html"> Ao soldado desconhecido </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/gnr-aoSoldadoDesconfiado.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/gnr-bellevue.html"> Bellevue </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/gnr-bellevue.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/gnr-motor.html"> Motor </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/gnr-motor.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/gnr-pronunciaDoNorte.html"> Pronúnicia do Norte </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/gnr-pronunciaDoNorte.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/gnr-psicopatria01.html"> Pós modernos </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/gnr-psicopatria01.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/gnr-psicopatria01.html"> Pós modernos </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/gnr-psicopatria01.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/gnr-psicopatria02.html"> O paciente </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/gnr-psicopatria02.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/gnr-psicopatria03.html"> Dá fundo </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/gnr-psicopatria03.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/gnr-psicopatria04.html"> Cerimónias </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/gnr-psicopatria04.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/gnr-psicopatria05.html"> Efectivamente </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/gnr-psicopatria05.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/gnr-psicopatria06.html"> Nova gente </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/gnr-psicopatria06.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/gnr-psicopatria07.html"> Choque frontal </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/gnr-psicopatria07.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/gnr-psicopatria07.html"> Choque frontal </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/gnr-psicopatria07.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/gnr-psicopatria08.html"> To miss </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/gnr-psicopatria08.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/gnr-psicopatria08.html"> To miss </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/gnr-psicopatria08.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/gnr-valsaDosDetectives01.html"> Morte ao sol </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/gnr-valsaDosDetectives01.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/gnr-valsaDosDetectives02.html"> Valsa dos detectives </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/gnr-valsaDosDetectives02.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/gnr-valsaDosDetectives03.html"> Impressões digitais </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/gnr-valsaDosDetectives03.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/gnr-valsaDosDetectives04.html"> 1991 </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/gnr-valsaDosDetectives04.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/gnr-valsaDosDetectives05.html"> (Um chamado) Desejo eléctrico </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/gnr-valsaDosDetectives05.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/gnr-valsaDosDetectives06.html"> Jardim d'Alá-Walkin' </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/gnr-valsaDosDetectives06.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/gnr-valsaDosDetectives07.html"> Dama ou tigre </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/gnr-valsaDosDetectives07.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/gnr-valsaDosDetectives08.html"> Falha humana </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/gnr-valsaDosDetectives08.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="Ricardo Reis"><b>Ricardo Reis</b></a> <dir><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/betania-segueOTeuDestino.html"> Segue o teu destino </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/betania-segueOTeuDestino.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="Cristina Represas"><b>Cristina Represas</b></a> <dir><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/represas-linhaDaFrente.html"> Linha da frente </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/represas-linhaDaFrente.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="Luís Represas"><b>Luís Represas</b></a> <dir> <i>See also band: <br />
- <a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Trovante">Trovante</a>; </i><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/mafaldaveiga-fragilidade.html"> Fragilidade </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/mafaldaveiga-fragilidade.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/represas-AHoradoLobo.html"> A hora do lobo </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/represas-AHoradoLobo.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/represas-Aofimaocabo.html"> Ao fim ao cabo </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/represas-Aofimaocabo.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/represas-AQUINAOMEPARECE.html"> Aqui não me parece </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/represas-AQUINAOMEPARECE.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/represas-AssaltoAobeijoarmado.html"> Assalto (ao beijo armado) </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/represas-AssaltoAobeijoarmado.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/represas-ausenciaETu.html"> Ausência e tu </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/represas-ausenciaETu.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/represas-Avezmaisproximadofim.html"> A veza mais próxima do fim </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/represas-Avezmaisproximadofim.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/represas-Bencao_de_ser_homem.html"> Benção de ser homem </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/represas-Bencao_de_ser_homem.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/represas-cantoDaNoite.html"> Ao canto da noite </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/represas-cantoDaNoite.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/represas-chaveDosSonhos.html"> Chave dos sonhos </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/represas-chaveDosSonhos.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/represas-CINCOESTRADAS.html"> Cinco estradas </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/represas-CINCOESTRADAS.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/represas-comUmDesejoSo.html"> Com um desejo só </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/represas-comUmDesejoSo.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/represas-DofundodoTempo.html"> Do fundo do tempo </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/represas-DofundodoTempo.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/represas-eFoiDezembro.html"> E foi Dezembro </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/represas-eFoiDezembro.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/represas-EmfrentedoSol.html"> Em frente do sol </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/represas-EmfrentedoSol.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/represas-Enquantodormes.html"> Enquanto dormes </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/represas-Enquantodormes.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/represas-enquantoVivos.html"> Enquanto </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/represas-enquantoVivos.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/represas-faleiDeMais.html"> Falei demais </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/represas-faleiDeMais.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/represas-Feiticeira.html"> Feiticeira </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/represas-Feiticeira.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/represas-fizeramOsDiasAssim.html"> Fizeram os dias assim </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/represas-fizeramOsDiasAssim.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/represas-foiComoFoi.html"> Foi como foi </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/represas-foiComoFoi.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/represas-foraDoTempo.html"> * Fora de tempo </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/represas-foraDoTempo.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/represas-GuaguancayFado.html"> Guaguancó y fado </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/represas-GuaguancayFado.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/represas-Imortais.html"> Imortais </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/represas-Imortais.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/represas-LIBRE.html"> Libre </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/represas-LIBRE.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/represas-linhaDaFrente.html"> Linha da frente </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/represas-linhaDaFrente.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/represas-namoro.html"> Namoro II </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/represas-namoro.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/represas-NaoEPorCastigo.html"> Às vezes </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/represas-NaoEPorCastigo.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/represas-naoMeAtrevo.html"> Não me atrevo </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/represas-naoMeAtrevo.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/represas-NevasobreaMarginal.html"> Neva sobre a marginal </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/represas-NevasobreaMarginal.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/represas-NoEscuro.html"> No escuro </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/represas-NoEscuro.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/represas-Olhos.html"> Olhos </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/represas-Olhos.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/represas-oMelhorDeMim.html"> O melhor de mim </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/represas-oMelhorDeMim.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/represas-OQUEVAISERjuroquevi.html"> O que vai ser </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/represas-OQUEVAISERjuroquevi.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/represas-PODESVOAR.html"> Para sempre </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/represas-PODESVOAR.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/represas-porCimaDaVida.html"> Por cima da vida </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/represas-porCimaDaVida.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/represas-Proscritos.html"> Proscritos </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/represas-Proscritos.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/represas-quandoMePerco.html"> Quando me perco </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/represas-quandoMePerco.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/represas-QUEMDISSEporqueteamava.html"> Quem disse </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/represas-QUEMDISSEporqueteamava.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/represas-sombras.html"> Sombras </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/represas-sombras.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/represas-ultima_festa.html"> A última festa </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/represas-ultima_festa.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/trovante-125azul.html"> * 125 azul </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/trovante-125azul.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/trovante-memoriasDeUmBeijo.html"> Memórias de um beijo (Lembras-me uma marcha de Lisboa) </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/trovante-memoriasDeUmBeijo.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/trovante-peters.html"> Peter's </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/trovante-peters.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/trovante-xacara.html"> * Travessa do poço dos negros </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/trovante-xacara.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="Resistência"><b>Resistência</b></a> <dir> <i>Band elements: <br />
- <a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Fernando%20J%C3%BAdice">Fernando Júdice (baixo)</a>; <br />
- <a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Fredo%20Mergner">Fredo Mergner (guitarra)</a>; <br />
- <a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Olavo%20Bilac">Olavo Bilac (voz)</a>; <br />
- <a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Pedro%20Ayres%20Magalh%C3%A3es">Pedro Ayres Magalhães (voz, guitarras)</a>; <br />
- <a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Jos%C3%A9%20Salgueiro">José Salgueiro (percussão)</a>; <br />
- <a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Tim">Tim (voz, guitarras)</a>; <br />
- <a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Miguel%20%C3%82ngelo">Miguel Ângelo (voz)</a>; <br />
- <a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Fernando%20Cunha">Fernando Cunha (voz , guitarras)</a>; <br />
- <a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Dudas">Dudas (guitarra)</a>; <br />
- <a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Alex%20Fraz%C3%A3o">Alex Frazão (bateria)</a>; </i><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/delfins-aqueleInverno.html"> * Aquele Inverno </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/delfins-aqueleInverno.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/resistencia-naoSouOUnico.html"> * Não sou o único </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/resistencia-naoSouOUnico.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/resistencia-quandoAlguemNasce.html"> * Nasce selvagem </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/resistencia-quandoAlguemNasce.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="Alberto Ribeiro"><b>Alberto Ribeiro</b></a> <dir><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/fernandodecarvalho-catraia.html"> Catraia do Porto </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/fernandodecarvalho-catraia.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="António Lopes Ribeiro"><b>António Lopes Ribeiro</b></a> <dir><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/vilaret-prociss%C3%A3o.html"> Procissão </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/vilaret-prociss%C3%A3o.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="Artur Ribeiro"><b>Artur Ribeiro</b></a> <dir><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/amalia-nemAsParedesConfesso.html"> Nem às paredes confesso </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/amalia-nemAsParedesConfesso.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/ribeiro-rosinhaDosLimoes.html"> *A Rosinha dos limões </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/ribeiro-rosinhaDosLimoes.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="Francisco Ribeiro"><b>Francisco Ribeiro</b></a> <dir> <i>See also band: <br />
- <a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Madredeus">Madredeus</a>; </i><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/madredeus-ainda04.html"> As cidades e os campos </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/madredeus-ainda04.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/madredeus-espiritoDaPaz03.html"> Os senhores da guerra </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/madredeus-espiritoDaPaz03.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/madredeus-espiritoDaPaz03.html"> Os senhores da guerra </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/madredeus-espiritoDaPaz03.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/madredeus-espiritoDaPaz04.html"> Pregão </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/madredeus-espiritoDaPaz04.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/madredeus-ladrao.html"> O ladrão </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/madredeus-ladrao.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/madredeus-menino.html"> = O Menino </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/madredeus-menino.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="Sérgio Ricardo"><b>Sérgio Ricardo</b></a> <dir><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/zeliaduarte_11.html"> Zelão </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/zeliaduarte_11.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="Ricardão"><b>Ricardão</b></a> <dir><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/furia-cumeDaSerra.html"> No cume da serra </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/furia-cumeDaSerra.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="Rio Grande, Jorge Palma"><b>Rio Grande, Jorge Palma</b></a> <dir><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/riogrande-casamento.html"> O dia do nó </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/riogrande-casamento.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="Rodrigo"><b>Rodrigo</b></a> <dir><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/rodrigo-caisDoSodre.html"> O cais do Sodré </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/rodrigo-caisDoSodre.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/rodrigo-caisDoSodre.html"> O cais do Sodré </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/rodrigo-caisDoSodre.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="Alcídia Rodrigues"><b>Alcídia Rodrigues</b></a> <dir><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/oliveira-embucado.html"> *Embuçado </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/oliveira-embucado.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="Amália Rodrigues"><b>Amália Rodrigues</b></a> <dir> <i>See also: <br />
<a href="http://www.instituto-camoes.pt/bases/amalia/links.htm"> <b>ligações a várias páginas sobre Amália</b> </a> <br />
<a href="http://nav.webring.yahoo.com/hub?ring=ar23&list"> <b>Amália WEB-ring</b> </a></i><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/amalia-01.html"> Estranha forma de vida </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/amalia-01.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/amalia-01.html"> Estranha forma de vida </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/amalia-01.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/amalia-02.html"> Libertação </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/amalia-02.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/amalia-04.html"> Há festa na Mouraria </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/amalia-04.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/amalia-05.html"> Não é desgraça ser pobre </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/amalia-05.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/amalia-06.html"> Gaivota </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/amalia-06.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/amalia-07.html"> Com que voz </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/amalia-07.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/amalia-08.html"> Madrugada de Alfama </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/amalia-08.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/amalia-09.html"> Ai, Mouraria </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/amalia-09.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/amalia-10.html"> Fado português </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/amalia-10.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/amalia-11.html"> Maria Lisboa </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/amalia-11.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/amalia-amendoaAmarga.html"> Amêndoa Amarga </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/amalia-amendoaAmarga.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/amalia-barcoNegro.html"> *Barco negro </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/amalia-barcoNegro.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/amalia-casaPortuguesa.html"> Uma casa portuguesa </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/amalia-casaPortuguesa.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/amalia-darDeBeberADor.html"> Dar de beber à dor </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/amalia-darDeBeberADor.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/amalia-duraMemoria.html"> Dura Memória </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/amalia-duraMemoria.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/amalia-fadoCiume.html"> Fado do Ciúme </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/amalia-fadoCiume.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/amalia-fadoXuxu.html"> Fado Xuxu </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/amalia-fadoXuxu.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/amalia-grito.html"> Grito </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/amalia-grito.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/amalia-grito.html"> Grito </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/amalia-grito.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/amalia-havemosDeIraViana.html"> Havemos de ir a Viana </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/amalia-havemosDeIraViana.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/amalia-nemAsParedesConfesso.html"> Nem às paredes confesso </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/amalia-nemAsParedesConfesso.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/amalia-povoQueLavasNoRio.html"> Povo que lavas no rio </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/amalia-povoQueLavasNoRio.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/amalia-prece.html"> Prece </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/amalia-prece.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/amalia-quemDormeANoiteComigo.html"> Medo (Quem dorme à noite comigo?) </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/amalia-quemDormeANoiteComigo.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/amalia-raizes.html"> Raízes </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/amalia-raizes.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/ary-meuAmor.html"> Meu amor, meu amor </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/ary-meuAmor.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="Carlos Rodrigues"><b>Carlos Rodrigues</b></a> <dir><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/apbraga-rodaDaSenhoraRainha.html"> Roda da senhora rainha </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/apbraga-rodaDaSenhoraRainha.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/apbraga-soldadimCatrapim.html"> Soldadim Catrapim </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/apbraga-soldadimCatrapim.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="Lupicínio Rodrigues"><b>Lupicínio Rodrigues</b></a> <dir><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/caetano-felicidade.html"> * Felicidade </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/caetano-felicidade.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="Nuno Rodrigues"><b>Nuno Rodrigues</b></a> <dir> <i>See also band: <br />
- <a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Banda%20do%20Casaco">Banda do Casaco</a>; </i><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/bandaDoCasaco-aiSeALuzia.html"> Ai se a Luzia </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/bandaDoCasaco-aiSeALuzia.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/bandadocasaco-eOuvilos.html"> É ouvi-los </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/bandadocasaco-eOuvilos.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/bandadocasaco-horasDePontaEMola.html"> Horas de ponta e mola </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/bandadocasaco-horasDePontaEMola.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/bandadocasaco-natacaoObrigatoria.html"> Natação obrigatória </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/bandadocasaco-natacaoObrigatoria.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="Fernando Rolim"><b>Fernando Rolim</b></a> <dir><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/fadosDeCoimbra-ondasDoMar.html"> Ondas do mar </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/fadosDeCoimbra-ondasDoMar.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="Jorge Romão"><b>Jorge Romão</b></a> <dir> <i>See also band: <br />
- <a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#GNR">GNR</a>; </i><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/gnr-aoSoldadoDesconfiado.html"> Ao soldado desconhecido </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/gnr-aoSoldadoDesconfiado.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/gnr-bellevue.html"> Bellevue </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/gnr-bellevue.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/gnr-psicopatria01.html"> Pós modernos </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/gnr-psicopatria01.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/gnr-psicopatria02.html"> O paciente </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/gnr-psicopatria02.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/gnr-psicopatria03.html"> Dá fundo </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/gnr-psicopatria03.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/gnr-psicopatria04.html"> Cerimónias </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/gnr-psicopatria04.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/gnr-psicopatria05.html"> Efectivamente </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/gnr-psicopatria05.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/gnr-psicopatria08.html"> To miss </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/gnr-psicopatria08.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/gnr-valsaDosDetectives07.html"> Dama ou tigre </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/gnr-valsaDosDetectives07.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/gnr-valsaDosDetectives08.html"> Falha humana </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/gnr-valsaDosDetectives08.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="Elsa Cunha Rosa"><b>Elsa Cunha Rosa</b></a> <dir><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/infantil-chuva.html"> = A chuva </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/infantil-chuva.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="João Ferreira Rosa"><b>João Ferreira Rosa</b></a> <dir><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/rosa-embocado.html"> Embuçado </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/rosa-embocado.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="Noel Rosa"><b>Noel Rosa</b></a> <dir><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/buarque-filosofia.html"> Filosofia </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/buarque-filosofia.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="Renato Russo"><b>Renato Russo</b></a> <dir><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/lagiaourbana-tempoPerdido.html"> Tempo Perdido </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/lagiaourbana-tempoPerdido.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="Vozes da Rádio"><b>Vozes da Rádio</b></a> <dir> <i>Band elements: <br />
- <a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Rui%20Vilhena">Rui Vilhena</a>; <br />
- <a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Ant%C3%B3nio%20Miguel">António Miguel</a>; <br />
- <a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Ricardo%20Fraguas">Ricardo Fraguas</a>; <br />
- <a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Jorge%20Prendas">Jorge Prendas</a>; <br />
- <a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#M%C3%A1rio%20Alves">Mário Alves</a>; </i><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/vozes-mocoila.html"> Moçoila (Toada) </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/vozes-mocoila.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/vozes-sobrinhasSolitarias.html"> Na casa das sobrinhas solitárias </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/vozes-sobrinhasSolitarias.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/vozes-subirSubir.html"> Subir subir </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/vozes-subirSubir.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/vozes-valsaDosSemIsqueiro.html"> Valsa dos sem isqueiro </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/vozes-valsaDosSemIsqueiro.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="José Régio"><b>José Régio</b></a> <dir><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/amalia-10.html"> Fado português </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/amalia-10.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="Teresa Salgueiro"><b>Teresa Salgueiro</b></a> <dir> <i>See also band: <br />
- <a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Madredeus">Madredeus</a>; </i><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/madredeus-ladrao.html"> O ladrão </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/madredeus-ladrao.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="Janita Salomé"><b>Janita Salomé</b></a> <dir> <i>See also: <br />
<a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Pedro%20Homem%20de%20Melo"> <b>Praça das flores (contem as letras de quase todos os albuns!)</b> </a></i> <i>See also band: <br />
- <a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Lua%20Extravagante">Lua Extravagante</a>; </i><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/vitorino-euHeideAmarUmaPedra.html"> Eu hei-de amar uma pedra </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/vitorino-euHeideAmarUmaPedra.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/vitorino-homensDoLargo.html"> Os homens do largo </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/vitorino-homensDoLargo.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/zecafonso-alegriaDaCriacao.html"> Alegria da Criação </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/zecafonso-alegriaDaCriacao.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="Raul Marques e os Amigos da Salsa"><b>Raul Marques e os Amigos da Salsa</b></a> <dir> <i>Band elements: <br />
- <a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Brendan%20Hemsworth">Brendan Hemsworth (bateria, percussão)</a>; <br />
- <a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Andr%C3%A9s" pancho="" tarrabia="">Andrés "Pancho" Tarrabia (Congas, percussão)</a>; <br />
- <a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Jos%C3%A9%20Soares">José Soares (baixo)</a>; <br />
- <a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Miguel%20Reis%20Lima">Miguel Reis Lima (trompete)</a>; <br />
- <a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Raul%20Marques">Raul Marques (trompete, guitarras, voz)</a>; <br />
- <a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#M%C3%A1rio%20Santos">Mário Santos (saxofone tenor)</a>; <br />
- <a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Kiko">Kiko (voz)</a>; <br />
- <a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Telmo%20Marques">Telmo Marques (piano)</a>; <br />
- <a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Chico%20Reis">Chico Reis (saxofone alto, voz)</a>; </i><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/salsa.html"> Tu és (a estrela do meu sonho) </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/salsa.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="Samuel"><b>Samuel</b></a> <dir><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/gedeao-desencontro.html"> Desencontro </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/gedeao-desencontro.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/gedeao-pedraLioz.html"> Poema da pedra lioz </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/gedeao-pedraLioz.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/gedeao-vidroConcavo.html"> Vidro Côncavo </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/gedeao-vidroConcavo.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/samuel-falaDoHomemNascido.html"> Fala do Homem nascido </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/samuel-falaDoHomemNascido.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/samuel-poemaDaPedraLioz.html"> Poema da Pedra Lioz </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/samuel-poemaDaPedraLioz.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="Ary dos Santos"><b>Ary dos Santos</b></a> <dir> <i>See also: <br />
<a href="http://www.terravista.pt/meiapraia/2425/aryprima.html"> <b>Página dos "Poetas da música"</b> </a> <br />
<a href="http://www.citi.pt/cultura/literatura/poesia/ary_dos_santos/"> <b>Página na CITI</b> </a></i><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/ary-desfolhada.html"> Desfolhada </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/ary-desfolhada.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/ary-meuAmor.html"> Meu amor, meu amor </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/ary-meuAmor.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/ary-quandoUmHomemQuiser.html"> Quando um Homem Quiser </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/ary-quandoUmHomemQuiser.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/ary-tourada.html"> Tourada </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/ary-tourada.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/carlosdocarmo_01.html"> Fado do Campo Grande </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/carlosdocarmo_01.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/carlosdocarmo_02.html"> O amarelo da Carris </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/carlosdocarmo_02.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/carlosdocarmo_03.html"> Namorados da cidade </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/carlosdocarmo_03.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/carlosdocarmo_04.html"> Nova Feira da Ladra </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/carlosdocarmo_04.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/carlosdocarmo_05.html"> O homem das castanhas </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/carlosdocarmo_05.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/carlosdocarmo_06.html"> Rosa da noite </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/carlosdocarmo_06.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/carlosdocarmo_07.html"> Fado varina </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/carlosdocarmo_07.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/carlosdocarmo_08.html"> Fado dos azulejos </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/carlosdocarmo_08.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/carlosdocarmo_09.html"> Fado da pouca sorte </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/carlosdocarmo_09.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/carlosdocarmo_10.html"> Balada para uma velhinha </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/carlosdocarmo_10.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/carlosdocarmo_cacilheiro.html"> O Cacilheiro </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/carlosdocarmo_cacilheiro.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/carlosdocarmo-retalhos.html"> Retalhos da Vida de Um Médico </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/carlosdocarmo-retalhos.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/carlosdocarmo_umHomeNaCidade.html"> Um homem na cidade </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/carlosdocarmo_umHomeNaCidade.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/paulodecarvalho-fadinhoDoBacalhau.html"> Fadinho do bacalhau </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/paulodecarvalho-fadinhoDoBacalhau.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/tonicha-menina.html"> Menina </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/tonicha-menina.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="Fernando Santos"><b>Fernando Santos</b></a> <dir><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/santos-lisboaANoite.html"> *Lisboa à noite </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/santos-lisboaANoite.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="José Carlos Ary dos Santos"><b>José Carlos Ary dos Santos</b></a> <dir><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/amalia-amendoaAmarga.html"> Amêndoa Amarga </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/amalia-amendoaAmarga.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="Luiza da Gama Santos"><b>Luiza da Gama Santos</b></a> <dir><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/luisaSantoa-bolaColorica.html"> Bola colorida </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/luisaSantoa-bolaColorica.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="Ney Costa Santos"><b>Ney Costa Santos</b></a> <dir><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/gal-personalidade11.html"> O amor </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/gal-personalidade11.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="José Saramago"><b>José Saramago</b></a> <dir><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/freire-falaDoVelhoDoResteloAoAstronauta.html"> Fala do Velho do Restelo ao astronauta </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/freire-falaDoVelhoDoResteloAoAstronauta.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="Jorge de Sena"><b>Jorge de Sena</b></a> <dir><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/zecafonso-roubamMeUnsDeus.html"> Epígrafe para a arte de Furtar (roubam-me Deus) </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/zecafonso-roubamMeUnsDeus.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="Sexto Sentido"><b>Sexto Sentido</b></a> <dir><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/sexoSentido-bastavaUmaPalavra.html"> Bastava uma palavra para dizer </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/sexoSentido-bastavaUmaPalavra.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/sexoSentido-sereiUmaSombraAVoar.html"> Serei uma sombra a voar </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/sexoSentido-sereiUmaSombraAVoar.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="V. M. Sequeira"><b>V. M. Sequeira</b></a> <dir><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/amalia-casaPortuguesa.html"> Uma casa portuguesa </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/amalia-casaPortuguesa.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="Despe e Siga"><b>Despe e Siga</b></a> <dir> <i>Band elements: <br />
- <a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#S%C3%A9rgio%20Nascimento">Sérgio Nascimento (bateria, percussão)</a>; <br />
- <a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Nuno%20Rafael">Nuno Rafael (guitarras, percussão)</a>; <br />
- <a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Jo%C3%A3o%20Cardoso">João Cardoso (teclas)</a>; <br />
- <a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Ricardo">Ricardo (baixo)</a>; <br />
- <a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Lu%C3%ADs%20Varatojo">Luís Varatojo (voz, guitarra, percussão)</a>; <br />
- <a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Gui">Gui (Metais)</a>; </i><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/despeesiga-toBom.html"> Tô bom (estou bom) </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/despeesiga-toBom.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="Abel Silva"><b>Abel Silva</b></a> <dir><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/gal-personalidade14.html"> Verbos do amor </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/gal-personalidade14.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/gal-personalidade16.html"> Festa do interior </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/gal-personalidade16.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="Vieira da Silva"><b>Vieira da Silva</b></a> <dir> <i>See also: <br />
<a href="http://www.terravista.pt/meiapraia/2425/avsilva.html"> <b>Página dos "Poetas da música"</b> </a></i><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/vieiradasilva-cancaoDeMagoa.html"> Canção de mágoa </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/vieiradasilva-cancaoDeMagoa.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/vieiradasilva-cancaoParaUmPovoTriste.html"> canção para um povo triste </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/vieiradasilva-cancaoParaUmPovoTriste.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/vieiradasilva-ondeEstasoLiberdade?.html"> Onde estás ó liberdade? </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/vieiradasilva-ondeEstasoLiberdade?.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="Isabel Silvestre"><b>Isabel Silvestre</b></a> <dir><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/gnr-pronunciaDoNorte.html"> Pronúnicia do Norte </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/gnr-pronunciaDoNorte.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/variacoes-deolindaDeJesus.html"> Deolinda de Jesus </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/variacoes-deolindaDeJesus.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="Miguel Simões"><b>Miguel Simões</b></a> <dir><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/tonho-tenhoFome.html"> Tenho fome </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/tonho-tenhoFome.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="Sitiados"><b>Sitiados</b></a> <dir> <i>Band elements: <br />
- <a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Jos%C3%A9%20Resende">José Resende</a>; <br />
- <a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Sandra%20Batista">Sandra Batista (acordeão)</a>; <br />
- <a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Jo%C3%A3o%20Aguarela">João Aguarela (viola campaniça, viola acústica)</a>; <br />
- <a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Jo%C3%A3o%20Marques">João Marques</a>; <br />
- <a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Fernando%20Fonseca">Fernando Fonseca</a>; </i><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/sitiados-aCabanaDoPaiTomas.html"> A cabana do Pai Tomás </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/sitiados-aCabanaDoPaiTomas.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="Sivuca"><b>Sivuca</b></a> <dir><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/buarque-joaoEMaria.html"> João e Maria </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/buarque-joaoEMaria.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="A. Soares"><b>A. Soares</b></a> <dir><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/gnr-psicopatria01.html"> Pós modernos </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/gnr-psicopatria01.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/gnr-psicopatria07.html"> Choque frontal </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/gnr-psicopatria07.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/gnr-psicopatria08.html"> To miss </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/gnr-psicopatria08.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="Luísa Ducla Soares"><b>Luísa Ducla Soares</b></a> <dir><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/gambozinos-condessa.html"> Pedido de casamento </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/gambozinos-condessa.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/gambozinos-eTaoBomNaoTerJuiso.html"> É tão bom não ter juízo! </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/gambozinos-eTaoBomNaoTerJuiso.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/gambozinos-gatoPhilidor.html"> O gata Philidor </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/gambozinos-gatoPhilidor.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/gambozinos-historiaDeGatos.html"> História de gatos </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/gambozinos-historiaDeGatos.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="Jean Sommer"><b>Jean Sommer</b></a> <dir><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/mariobranco-santantoninho.html"> Sant'Antoninho </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/mariobranco-santantoninho.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="Maximiano de Sousa"><b>Maximiano de Sousa</b></a> <dir><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/amalia-nemAsParedesConfesso.html"> Nem às paredes confesso </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/amalia-nemAsParedesConfesso.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="Edmundo Souto"><b>Edmundo Souto</b></a> <dir><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/brasil-andanca.html"> Andança </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/brasil-andanca.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="Paralamas do Sucesso"><b>Paralamas do Sucesso</b></a> <dir><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/paralamasdosucesso-lanternaDosAfogados.html"> Lanterna dos afogados </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/paralamasdosucesso-lanternaDosAfogados.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="Paulo Sá"><b>Paulo Sá</b></a> <dir><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/fadosDeCoimbra-minhoEncantador.html"> * Minho encantador </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/fadosDeCoimbra-minhoEncantador.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="Taitibitileus"><b>Taitibitileus</b></a> <dir> <i>Band elements: <br />
- <a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Hugo%20Correia">Hugo Correia (bateria, guitarra, teclas, instrumentos de sopro)</a>; <br />
- <a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Albino">Albino (teclas)</a>; <br />
- <a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Rui%20Baptista">Rui Baptista (guitarra solo, voz)</a>; <br />
- <a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Filipa%20Lemos">Filipa Lemos (voz)</a>; <br />
- <a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Fernando">Fernando (guitarra Ritmo, voz)</a>; <br />
- <a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Alexandra%20Cardoso">Alexandra Cardoso (voz)</a>; </i><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/taitibitileus-meuAbiao.html"> O meu abião </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/taitibitileus-meuAbiao.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="Paulinho Tapajós"><b>Paulinho Tapajós</b></a> <dir><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/brasil-andanca.html"> Andança </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/brasil-andanca.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="Humberto Teixeira"><b>Humberto Teixeira</b></a> <dir><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/nordeste-asaBranca.html"> Asa branca </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/nordeste-asaBranca.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="Renato Teixeira"><b>Renato Teixeira</b></a> <dir><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/elis-romaria.html"> * Romaria </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/elis-romaria.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="Tim"><b>Tim</b></a> <dir> <i>See also band: <br />
- <a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Rio%20Grande">Rio Grande</a>; <br />
- <a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Xutos%20e%20Pontap%C3%A9s">Xutos e Pontapés</a>; <br />
- <a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Resist%C3%AAncia">Resistência</a>; </i><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/riogrande-carteiro.html"> O sobrescrito </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/riogrande-carteiro.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/tim-fisga.html"> * A fisga </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/tim-fisga.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/tim-postalDosCorreios.html"> *Postal dos correios (querida mãe, querido pai, ...) </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/tim-postalDosCorreios.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/xutos_02.html"> Não sou Jesus </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/xutos_02.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/xutos_03.html"> Dá um mergulho </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/xutos_03.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/xutos_04.html"> Manhã submersa </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/xutos_04.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/xutos-longaSeTornaAEspera.html"> * Longa se torna a espera </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/xutos-longaSeTornaAEspera.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="José Luís Tinoco"><b>José Luís Tinoco</b></a> <dir><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/carlosdocarmo_02.html"> O amarelo da Carris </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/carlosdocarmo_02.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/carlosdocarmo_umHomeNaCidade.html"> Um homem na cidade </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/carlosdocarmo_umHomeNaCidade.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/duarteMendes-madrugada.html"> Madrugada </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/duarteMendes-madrugada.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="Quim Tonho"><b>Quim Tonho</b></a> <dir><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/tonho-tenhoFome.html"> Tenho fome </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/tonho-tenhoFome.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="Tonicha"><b>Tonicha</b></a> <dir><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/gedeao-desencontro.html"> Desencontro </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/gedeao-desencontro.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/gedeao-vidroConcavo.html"> Vidro Côncavo </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/gedeao-vidroConcavo.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/tonicha-menina.html"> Menina </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/tonicha-menina.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="Toquinho"><b>Toquinho</b></a> <dir><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/buarque-oFilhoQueEuQueroTer.html"> O Filho Que Eu Quero Ter </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/buarque-oFilhoQueEuQueroTer.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/vinicius-passarUmaTardeEmItapua.html"> Tarde Em Itapuã </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/vinicius-passarUmaTardeEmItapua.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="Fernando Tordo"><b>Fernando Tordo</b></a> <dir><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/ary-quandoUmHomemQuiser.html"> Quando um Homem Quiser </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/ary-quandoUmHomemQuiser.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/ary-tourada.html"> Tourada </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/ary-tourada.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/ary-tourada.html"> Tourada </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/ary-tourada.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/carlosdocarmo_03.html"> Namorados da cidade </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/carlosdocarmo_03.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/carlosdocarmo_09.html"> Fado da pouca sorte </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/carlosdocarmo_09.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/tordo-adeusTristeza.html"> Adeus tristeza </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/tordo-adeusTristeza.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/tordo-fevereiro.html"> Fevereiro </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/tordo-fevereiro.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/tordo-oBemAparecido.html"> O bem aparecido </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/tordo-oBemAparecido.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/tordo-soOPassadoEQueNao.html"> Só o passado é que não </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/tordo-soOPassadoEQueNao.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/tordo-souDeOutrasCoisas.html"> Sou de outras coisas </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/tordo-souDeOutrasCoisas.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="Nelson Trigueiro"><b>Nelson Trigueiro</b></a> <dir><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/buarque-semCompromisso.html"> Sem compromisso </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/buarque-semCompromisso.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="Carlos Maria Trindade"><b>Carlos Maria Trindade</b></a> <dir> <i>See also band: <br />
- <a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Her%C3%B3is%20do%20Mar">Heróis do Mar</a>; <br />
- <a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Madredeus">Madredeus</a>; </i><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/madredeus-paraiso02.html"> A andorinha da primavera </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/madredeus-paraiso02.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="Ferrer Trindade"><b>Ferrer Trindade</b></a> <dir><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/amalia-nemAsParedesConfesso.html"> Nem às paredes confesso </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/amalia-nemAsParedesConfesso.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="Trovante"><b>Trovante</b></a> <dir> <i>Band elements: <br />
- <a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Jos%C3%A9%20Salgueiro">José Salgueiro (bateria)</a>; <br />
- <a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Fernando%20J%C3%BAdice">Fernando Júdice (baixo)</a>; <br />
- <a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Lu%C3%ADs%20Represas">Luís Represas (guitarra, voz)</a>; <br />
- <a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Artur%20Costa">Artur Costa (sax)</a>; <br />
- <a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Jos%C3%A9%20Martins">José Martins (sintetizador)</a>; <br />
- <a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Jo%C3%A3o%20Gil">João Gil (guitarra, voz)</a>; <br />
- <a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Jo%C3%A3o%20Nuno%20Represas">João Nuno Represas (percussão)</a>; <br />
- <a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Manuel%20Faria">Manuel Faria (piano, sintetizador)</a>; </i><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/represas-fizeramOsDiasAssim.html"> Fizeram os dias assim </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/represas-fizeramOsDiasAssim.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/represas-namoro.html"> Namoro II </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/represas-namoro.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/trovante-125azul.html"> * 125 azul </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/trovante-125azul.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/trovante-burro.html"> Fim (Quando eu morrer) </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/trovante-burro.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/trovante-memoriasDeUmBeijo.html"> Memórias de um beijo (Lembras-me uma marcha de Lisboa) </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/trovante-memoriasDeUmBeijo.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/trovante-peters.html"> Peter's </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/trovante-peters.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/trovante-poeOMeuRetrato.html"> Aerograma (Põe o meu retrato...) </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/trovante-poeOMeuRetrato.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/trovante-serPoeta.html"> Ser Poeta (Perdidamente) </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/trovante-serPoeta.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/trovante-timor.html"> Timor </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/trovante-timor.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/trovante-umCasoMais.html"> * Um caso mais </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/trovante-umCasoMais.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/trovante-xacara.html"> * Travessa do poço dos negros </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/trovante-xacara.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="Tuca"><b>Tuca</b></a> <dir><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/ney05.html"> Sensual </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/ney05.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="Carlos Tê"><b>Carlos Tê</b></a> <dir><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/ruiveloso-aOrigemDoMal.html"> A origem do mal </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/ruiveloso-aOrigemDoMal.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/ruiveloso-armenio.html"> Arménio (o trolha da Areosa) </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/ruiveloso-armenio.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/ruiveloso-bairroDoOriente.html"> *Bairro do oriente </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/ruiveloso-bairroDoOriente.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/ruiveloso-beira.html"> * Beirã </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/ruiveloso-beira.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/ruiveloso-doMeuVagar.html"> Do meu vagar </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/ruiveloso-doMeuVagar.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/ruiveloso-jura.html"> Jura </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/ruiveloso-jura.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/ruiveloso-ladoLunar.html"> Lado lunar </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/ruiveloso-ladoLunar.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/ruiveloso-ladrao.html"> Fado do ladrão enamorado </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/ruiveloso-ladrao.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/ruiveloso-lagosDeCristais.html"> Lagos de cristais </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/ruiveloso-lagosDeCristais.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/ruiveloso-naoHaEstrelasNoCeu.html"> *Não há estrelas no céu </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/ruiveloso-naoHaEstrelasNoCeu.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/ruiveloso-oPrometidoeDevido.html"> O prometido é devido </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/ruiveloso-oPrometidoeDevido.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/ruiveloso-oQueEuQueroSerQuandoForGrande.html"> O que eu quero ser quando for grande </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/ruiveloso-oQueEuQueroSerQuandoForGrande.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/ruiveloso-paixao.html"> * Paixão (anel de rubi ... Rivoli) </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/ruiveloso-paixao.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/ruiveloso-portoCovo.html"> * Porto Côvo </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/ruiveloso-portoCovo.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/ruiveloso-portoSentido.html"> * Porto sentido </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/ruiveloso-portoSentido.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/ruiveloso-seiDeUmaCamponesa.html"> *Sei de uma camponesa </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/ruiveloso-seiDeUmaCamponesa.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="Legião Urbana"><b>Legião Urbana</b></a> <dir><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/lagiaourbana-tempoPerdido.html"> Tempo Perdido </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/lagiaourbana-tempoPerdido.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="Amadeu do Vale"><b>Amadeu do Vale</b></a> <dir><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/amalia-09.html"> Ai, Mouraria </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/amalia-09.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/amalia-fadoCiume.html"> Fado do Ciúme </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/amalia-fadoCiume.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/amalia-fadoXuxu.html"> Fado Xuxu </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/amalia-fadoXuxu.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/galhardo-lisboaAntiga.html"> *Lisboa antiga (Olhai, senhores ...) </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/galhardo-lisboaAntiga.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="João do Vale"><b>João do Vale</b></a> <dir><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/zeliaduarte_01.html"> Carcará </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/zeliaduarte_01.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/zeliaduarte_04.html"> Sina do caboclo </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/zeliaduarte_04.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="Frederico Valério"><b>Frederico Valério</b></a> <dir><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/amalia-09.html"> Ai, Mouraria </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/amalia-09.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/amalia-fadoCiume.html"> Fado do Ciúme </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/amalia-fadoCiume.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/amalia-fadoXuxu.html"> Fado Xuxu </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/amalia-fadoXuxu.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="Geraldo Vandré"><b>Geraldo Vandré</b></a> <dir><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/vandre-paraNaoDizerQue.html"> Pra não dizer que não falei das flores </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/vandre-paraNaoDizerQue.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="Luís Varatojo"><b>Luís Varatojo</b></a> <dir> <i>See also band: <br />
- <a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Despe%20e%20Siga">Despe e Siga</a>; </i><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/despeesiga-toBom.html"> Tô bom (estou bom) </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/despeesiga-toBom.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="António Variações"><b>António Variações</b></a> <dir><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/variacoes-amaliasNaVoz.html"> Todos nós temos Amália na voz </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/variacoes-amaliasNaVoz.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/variacoes-cancaoDoEngate.html"> *Canção do engate </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/variacoes-cancaoDoEngate.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/variacoes-deolindaDeJesus.html"> Deolinda de Jesus </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/variacoes-deolindaDeJesus.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/variacoes-deolindaDeJesus.html"> Deolinda de Jesus </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/variacoes-deolindaDeJesus.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="Lope de Vega"><b>Lope de Vega</b></a> <dir><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/zecafonso-noValeDeFonteovejuna.html"> No vale de Fuenteovejuna </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/zecafonso-noValeDeFonteovejuna.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="Mafalda Veiga"><b>Mafalda Veiga</b></a> <dir> <i>See also: <br />
<a href="http://www.fe.up.pt/%7Efsilva/mafalda/index.htm"> <b>Mafalda Veiga por Filipe Silva (muito completa)</b> </a></i><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/mafaldaveiga-baladaDeUnSoldado.html"> Balada de un Soldado </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/mafaldaveiga-baladaDeUnSoldado.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/mafaldaveiga-baladaDeUnSoldado.html"> Balada de un Soldado </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/mafaldaveiga-baladaDeUnSoldado.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/mafaldaveiga-charco.html"> Charco </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/mafaldaveiga-charco.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/mafaldaveiga-emTodaAParte.html"> Em toda a parte </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/mafaldaveiga-emTodaAParte.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/mafaldaveiga-fragilidade.html"> Fragilidade </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/mafaldaveiga-fragilidade.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/mafaldaveiga-fragilidade.html"> Fragilidade </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/mafaldaveiga-fragilidade.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/mafaldaveiga-meninoDaSuaMae.html"> O menino da sua mãe </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/mafaldaveiga-meninoDaSuaMae.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/mafaldaveiga-nos.html"> Nós </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/mafaldaveiga-nos.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/mafaldaveiga-prisao.html"> Prisão </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/mafaldaveiga-prisao.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/mafaldaveiga-restolho.html"> * Restolho </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/mafaldaveiga-restolho.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="Caco Velho"><b>Caco Velho</b></a> <dir><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/amalia-barcoNegro.html"> *Barco negro </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/amalia-barcoNegro.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="Caetano Veloso"><b>Caetano Veloso</b></a> <dir> <i>See also: <br />
<a href="http://www.caetanoveloso.com.br/"> <b>Página oficial de Caetano Veloso</b> </a></i><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/caetano-alegriaAlegria.html"> * Alegria, Alegria </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/caetano-alegriaAlegria.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/caetano-alegriaAlegria.html"> * Alegria, Alegria </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/caetano-alegriaAlegria.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/caetano-aLuzDeTieta.html"> A luz de Tieta </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/caetano-aLuzDeTieta.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/caetano-baby.html"> * Baby </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/caetano-baby.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/caetano-eclipseOculto.html"> * Eclipse Oculto </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/caetano-eclipseOculto.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/caetano-eclipseOculto.html"> * Eclipse Oculto </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/caetano-eclipseOculto.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/caetano-felicidade.html"> * Felicidade </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/caetano-felicidade.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/caetano-forcaEstranha.html"> * Força Estranha </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/caetano-forcaEstranha.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/caetano-irene.html"> * Irene </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/caetano-irene.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/caetano-irene.html"> * Irene </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/caetano-irene.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/caetano-luaDeSaoJorge.html"> * Lua de São Jorge </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/caetano-luaDeSaoJorge.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/caetano-luaDeSaoJorge.html"> * Lua de São Jorge </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/caetano-luaDeSaoJorge.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/caetano-luzDoSol.html"> * Luz do Sol </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/caetano-luzDoSol.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/caetano-luzDoSol.html"> * Luz do Sol </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/caetano-luzDoSol.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/caetano-meuBemMeuMal.html"> * Meu Bem, Meu Mal </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/caetano-meuBemMeuMal.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/caetano-naoIdentificado.html"> * Não Identificado </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/caetano-naoIdentificado.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/caetano-naoIdentificado.html"> * Não Identificado </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/caetano-naoIdentificado.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/caetano-oLeaozinho.html"> * O Leãozinho </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/caetano-oLeaozinho.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/caetano-oLeaozinho.html"> * O Leãozinho </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/caetano-oLeaozinho.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/caetano-ondeORioEMaisBaiano.html"> Onde o Rio é mais baiano </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/caetano-ondeORioEMaisBaiano.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/caetano-oQuereres.html"> * O Quereres </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/caetano-oQuereres.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/caetano-oQuereres.html"> * O Quereres </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/caetano-oQuereres.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/caetano-partidoAlto.html"> * Partido Alto </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/caetano-partidoAlto.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/caetano-partidoAlto.html"> * Partido Alto </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/caetano-partidoAlto.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/caetano-podresPoderes.html"> * Podres Poderes </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/caetano-podresPoderes.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/caetano-podresPoderes.html"> * Podres Poderes </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/caetano-podresPoderes.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/caetano-qualquerCoisa.html"> * Qualquer Coisa </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/caetano-qualquerCoisa.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/caetano-qualquerCoisa.html"> * Qualquer Coisa </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/caetano-qualquerCoisa.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/caetano-rapte-meCamaleoa.html"> * Rapte-me, Camaleoa </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/caetano-rapte-meCamaleoa.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/caetano-rapte-meCamaleoa.html"> * Rapte-me, Camaleoa </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/caetano-rapte-meCamaleoa.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/caetano-sampa.html"> * Sampa </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/caetano-sampa.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/caetano-sampa.html"> * Sampa </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/caetano-sampa.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/caetano-sorte.html"> * Sorte </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/caetano-sorte.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/caetano-tigresa.html"> * Tigresa </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/caetano-tigresa.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/caetano-trilhosUrbanos.html"> * Trilhos Urbanos </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/caetano-trilhosUrbanos.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/caetano-trilhosUrbanos.html"> * Trilhos Urbanos </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/caetano-trilhosUrbanos.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/caetano-um%C3%8Dndio.html"> * Um Índio </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/caetano-um%C3%8Dndio.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/caetano-um%C3%8Dndio.html"> * Um Índio </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/caetano-um%C3%8Dndio.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/caetano-vacaProfana.html"> * Vaca Profana </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/caetano-vacaProfana.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/caetano-vacaProfana.html"> * Vaca Profana </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/caetano-vacaProfana.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/caetanoveloso-argonautas.html"> Os Argonautas </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/caetanoveloso-argonautas.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/caetanoveloso-avarando.html"> Avarando </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/caetanoveloso-avarando.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/caetanoveloso-lealdade.html"> Lealdade </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/caetanoveloso-lealdade.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/caetano-voceNaoEntendeNada.html"> * Você Não Entende Nada </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/caetano-voceNaoEntendeNada.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/caetano-voceNaoEntendeNada.html"> * Você Não Entende Nada </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/caetano-voceNaoEntendeNada.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/gal-coracaoVagabundo.html"> * Coração Vagabundo </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/gal-coracaoVagabundo.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/gal-coracaoVagabundo.html"> * Coração Vagabundo </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/gal-coracaoVagabundo.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/gal-luzDoSol.html"> * Luz do Sol </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/gal-luzDoSol.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/gal-personalidade01.html"> London London </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/gal-personalidade01.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/gal-personalidade04.html"> Dom de iludir </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/gal-personalidade04.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/gal-personalidade07.html"> Meu bem meu mal </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/gal-personalidade07.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/gal-personalidade09.html"> Baby </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/gal-personalidade09.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/gal-personalidade11.html"> O amor </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/gal-personalidade11.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="Manuel Jorge Veloso"><b>Manuel Jorge Veloso</b></a> <dir><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/freire-pedroSo.html"> * Pedro Só </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/freire-pedroSo.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="Rui Veloso"><b>Rui Veloso</b></a> <dir> <i>See also band: <br />
- <a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Rio%20Grande">Rio Grande</a>; </i><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/ruiveloso-aOrigemDoMal.html"> A origem do mal </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/ruiveloso-aOrigemDoMal.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/ruiveloso-armenio.html"> Arménio (o trolha da Areosa) </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/ruiveloso-armenio.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/ruiveloso-baileDaParoquia.html"> Baile da paróquia </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/ruiveloso-baileDaParoquia.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/ruiveloso-bairroDoOriente.html"> *Bairro do oriente </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/ruiveloso-bairroDoOriente.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/ruiveloso-beira.html"> * Beirã </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/ruiveloso-beira.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/ruiveloso-beira.html"> * Beirã </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/ruiveloso-beira.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/ruiveloso-doMeuVagar.html"> Do meu vagar </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/ruiveloso-doMeuVagar.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/ruiveloso-doMeuVagar.html"> Do meu vagar </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/ruiveloso-doMeuVagar.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/ruiveloso-jura.html"> Jura </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/ruiveloso-jura.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/ruiveloso-jura.html"> Jura </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/ruiveloso-jura.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/ruiveloso-ladoLunar.html"> Lado lunar </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/ruiveloso-ladoLunar.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/ruiveloso-ladoLunar.html"> Lado lunar </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/ruiveloso-ladoLunar.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/ruiveloso-ladrao.html"> Fado do ladrão enamorado </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/ruiveloso-ladrao.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/ruiveloso-lagosDeCristais.html"> Lagos de cristais </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/ruiveloso-lagosDeCristais.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/ruiveloso-lagosDeCristais.html"> Lagos de cristais </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/ruiveloso-lagosDeCristais.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/ruiveloso-naoHaEstrelasNoCeu.html"> *Não há estrelas no céu </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/ruiveloso-naoHaEstrelasNoCeu.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/ruiveloso-oPrometidoeDevido.html"> O prometido é devido </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/ruiveloso-oPrometidoeDevido.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/ruiveloso-oPrometidoeDevido.html"> O prometido é devido </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/ruiveloso-oPrometidoeDevido.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/ruiveloso-oQueEuQueroSerQuandoForGrande.html"> O que eu quero ser quando for grande </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/ruiveloso-oQueEuQueroSerQuandoForGrande.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/ruiveloso-paixao.html"> * Paixão (anel de rubi ... Rivoli) </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/ruiveloso-paixao.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/ruiveloso-paixao.html"> * Paixão (anel de rubi ... Rivoli) </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/ruiveloso-paixao.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/ruiveloso-portoCovo.html"> * Porto Côvo </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/ruiveloso-portoCovo.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/ruiveloso-portoCovo.html"> * Porto Côvo </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/ruiveloso-portoCovo.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/ruiveloso-portoSentido.html"> * Porto sentido </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/ruiveloso-portoSentido.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/ruiveloso-seiDeUmaCamponesa.html"> *Sei de uma camponesa </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/ruiveloso-seiDeUmaCamponesa.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/tim-postalDosCorreios.html"> *Postal dos correios (querida mãe, querido pai, ...) </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/tim-postalDosCorreios.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="Alcir Pires Vermelho"><b>Alcir Pires Vermelho</b></a> <dir><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/gal-personalidade08.html"> Canta Brasil </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/gal-personalidade08.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="Boris Vian"><b>Boris Vian</b></a> <dir><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/mariobranco-monsieurLePresident.html"> Le déserteur </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/mariobranco-monsieurLePresident.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/mariobranco-monsieurLePresident.html"> Le déserteur </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/mariobranco-monsieurLePresident.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="Francisco Viana"><b>Francisco Viana</b></a> <dir><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/represas-Feiticeira.html"> Feiticeira </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/represas-Feiticeira.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="Geraldo Bessa Victor"><b>Geraldo Bessa Victor</b></a> <dir><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/apbraga-MeninoNegroNaoEntrouNaRoda.html"> O menino negro não entrou na roda </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/apbraga-MeninoNegroNaoEntrouNaRoda.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="Fado Victoria"><b>Fado Victoria</b></a> <dir><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/amalia-povoQueLavasNoRio.html"> Povo que lavas no rio </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/amalia-povoQueLavasNoRio.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="Helena Vieira"><b>Helena Vieira</b></a> <dir><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/zecafonso-tuGitana.html"> Tu gitana </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/zecafonso-tuGitana.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="Paulo Vilares"><b>Paulo Vilares</b></a> <dir> <i>See also band: <br />
- <a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Meninos%20d%27Av%C3%B3">Meninos d'Avó</a>; </i><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/meninos-rapoTaxo.html"> Rap'ó Taxo </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/meninos-rapoTaxo.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/meninos-toqueDeCaixa.html"> A toque de caixa </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/meninos-toqueDeCaixa.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="João Villaret"><b>João Villaret</b></a> <dir><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/vilaret-fadoFalado.html"> Fado falado </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/vilaret-fadoFalado.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/vilaret-prociss%C3%A3o.html"> Procissão </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/vilaret-prociss%C3%A3o.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="Vitorino"><b>Vitorino</b></a> <dir> <i>See also: <br />
<a href="http://www.praca-das-flores.pt/vitorino/vitorino.htm"> <b>Praça das flores (contem as letras de quase todos os albuns!)</b> </a></i> <i>See also band: <br />
- <a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Rio%20Grande">Rio Grande</a>; <br />
- <a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Lua%20Extravagante">Lua Extravagante</a>; </i><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/riogrande_serraDaAdica.html"> * O caçador da Adiça </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/riogrande_serraDaAdica.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/riogrande_sortes.html"> Fui às sortes e safei-me </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/riogrande_sortes.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/vitorino-boleroDoCoronel.html"> Bolero do coronel sensível que fez amor em Monsanto </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/vitorino-boleroDoCoronel.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/vitorino-contosDoPrincipeReal.html"> Contos do príncipe Real </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/vitorino-contosDoPrincipeReal.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/vitorino-delicadaDaCintura.html"> Delicada da cintura </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/vitorino-delicadaDaCintura.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/vitorino-dizALaranjaAoLimao.html"> Diz a laranja ao limão </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/vitorino-dizALaranjaAoLimao.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/vitorino-em25DeMarco.html"> Em 25 de Março </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/vitorino-em25DeMarco.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/vitorino-euHeideAmarUmaPedra.html"> Eu hei-de amar uma pedra </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/vitorino-euHeideAmarUmaPedra.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/vitorino-fadoPessoa.html"> Fado Pessoa </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/vitorino-fadoPessoa.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/vitorino-homensDoLargo.html"> Os homens do largo </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/vitorino-homensDoLargo.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/vitorino-laurinda.html"> * Laurinda </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/vitorino-laurinda.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/vitorino-medoDoEscuro.html"> Canção para a minha filha Isabel adormecer quando tiver medo do escuro </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/vitorino-medoDoEscuro.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/vitorino-meninaEstaAJnaela.html"> * Menina estás à janela </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/vitorino-meninaEstaAJnaela.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/vitorino-OhQueJanelaTaoAlta.html"> Oh que janela tão alta </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/vitorino-OhQueJanelaTaoAlta.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/vitorino-oPatraoDeMeUmCigrarro.html"> Ó patrão dê-me um cigarro </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/vitorino-oPatraoDeMeUmCigrarro.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/vitorino-porqueNaoMeVezJoana.html"> Porque não me vês Joana </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/vitorino-porqueNaoMeVezJoana.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/vitorino-quedaDoImperio.html"> * Queda do Império (perguntei ao vento) </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/vitorino-quedaDoImperio.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/vitorino-ruaDoQuelhas.html"> Rua do Quelhas (homenagem a Florbela Espanca) </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/vitorino-ruaDoQuelhas.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/vitorino-vouMeEmboraVouPartir.html"> Vou-me embora vou partir </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/vitorino-vouMeEmboraVouPartir.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="Cancioneiro de Vila Viçosa"><b>Cancioneiro de Vila Viçosa</b></a> <dir><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/zecafonso-tuGitana.html"> Tu gitana </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/zecafonso-tuGitana.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="Remy Walter"><b>Remy Walter</b></a> <dir><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/gnr-valsaDosDetectives06.html"> Jardim d'Alá-Walkin' </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/gnr-valsaDosDetectives06.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/gnr-valsaDosDetectives08.html"> Falha humana </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/gnr-valsaDosDetectives08.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="Meninos d'Avó"><b>Meninos d'Avó</b></a> <dir> <i>See also: <br />
<a href="http://www.planeta-x.com/meninos"> <b>Página</b> </a></i> <i>Band elements: <br />
- <a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Paulo%20Pereira">Paulo Pereira (bateria, percussões ,tachos também, pianos, sintetizador)</a>; <br />
- <a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Sert%C3%B3rio%20Calado">Sertório Calado (Como participante na bateria)</a>; <br />
- <a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Pedro%20Pereira">Pedro Pereira (guitarras, voz)</a>; <br />
- <a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Paulo%20Vilares">Paulo Vilares (guitarra eléctrica)</a>; <br />
- <a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Nani">Nani (Acordeão, guitarras)</a>; </i><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/meninos-rapoTaxo.html"> Rap'ó Taxo </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/meninos-rapoTaxo.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/meninos-toqueDeCaixa.html"> A toque de caixa </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/meninos-toqueDeCaixa.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="anónimo: renascença"><b>anónimo: renascença</b></a> <dir><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/anonimo-puestosEstanFrenteAFrente.html"> Puestos entan frente a frente </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/anonimo-puestosEstanFrenteAFrente.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="Miguel Ângelo"><b>Miguel Ângelo</b></a> <dir> <i>See also band: <br />
- <a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Resist%C3%AAncia">Resistência</a>; <br />
- <a href="http://natura.di.uminho.pt/%7Ejj/musica/indice_autores.html#Delfins">Delfins</a>; </i><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/delfins-aoPassarUmNavio.html"> Ao passar um navio </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/delfins-aoPassarUmNavio.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/delfins-aqueleInverno.html"> * Aquele Inverno </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/delfins-aqueleInverno.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/delfins-marchaDosDesalinhados.html"> Marcha dos desalinhados </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/delfins-marchaDosDesalinhados.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/delfins-souComoUmRio.html"> Sou como um rio </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/delfins-souComoUmRio.lyr"> . </a> </li><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/resistencia-quandoAlguemNasce.html"> * Nasce selvagem </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/resistencia-quandoAlguemNasce.lyr"> . </a> </li><br />
</dir> </li><br />
<li> <a href="" name="Cesária Évora"><b>Cesária Évora</b></a> <dir><br />
<li> <a href="http://natura.di.uminho.pt/%7Ejj/musica/html/cesaria-tudoTemSeLimite.html"> Tudo tem se limite </a>-<a href="http://natura.di.uminho.pt/%7Ejj/musica/cesaria-tudoTemSeLimite.lyr"> . </a></li><br />
</dir>.<br />
.<br />
<br />
http://natura.di.uminho.pt/~jj/musica/indice_autores.html<br />
.<br />
.<br />
</li><br />
</dir>Victor Nogueirahttp://www.blogger.com/profile/13759238536489604722noreply@blogger.com0tag:blogger.com,1999:blog-2736353218304570703.post-83117633735982306532010-02-11T00:30:00.004+00:002010-02-11T00:40:11.208+00:00M. Moleiro Editores.<br />
.<br />
<div align="center"><a href="http://www.moleiro.com/index.php?idioma=pt"><img alt="M.
Moleiro é a empresa com mais prestígio em todo o mundo, especializada na
reprodução de códices, mapas, obras de arte geralmente realizadas sobre
suporte de pergaminho, vitela, papel, papiro... entre os séculos VIII e
XVI sob a forma, na maioria dos casos, de livro de iluminuras." border="0" src="http://www.moleiro.com/nuevaweb/logogif/perfeccion_pt.gif" /></a> </div><br />
<br />
<div style="text-align: center;"><span class="textoGrisN10"> <span style="color: blue;">M. Moleiro é a empresa com mais prestígio em todo o mundo, especializada na reprodução de códices, mapas, obras de arte geralmente realizadas sobre suporte de pergaminho, vitela, papel, papiro... entre os séculos VIII e XVI sob a forma, na maioria dos casos, de livro de iluminuras.</span></span><br />
<span class="textoGrisN10"> </span></div><br />
<br />
<div align="center"><div align="center"><ul style="display: inline;"><li class="Navigator02" style="display: inline;"> <a class="sicilia" href="http://www.moleiro.com/index.php?idioma=pt" title="Início">Início</a> </li>
<li class="Navigator02" style="display: inline;"> <span class="BolaNaranja"> • </span> <a class="sicilia" href="http://www.moleiro.com/prensa.php?idioma=pt" title="Imprensa">Imprensa</a> </li>
<li class="Navigator02" style="display: inline;"> <span class="BolaNaranja"> • </span> <a class="sicilia" href="http://www.moleiro.com/postcards_step1.php?idioma=pt" title="Postais">Postais</a> </li>
<li class="Navigator02" style="display: inline;"> <span class="BolaNaranja"> • </span> <a class="sicilia" href="http://www.moleiro.com/expo.php?idioma=pt" title="Exposições">Exposições</a> </li>
<li class="Navigator02" style="display: inline;"> <span class="BolaNaranja"> • </span> <a class="sicilia" href="http://www.moleiro.com/cupones/index.php?idioma=pt" title="CATÁLOGO GRATUITO">CATÁLOGO GRATUITO</a> </li>
<li class="Navigator02" style="display: inline;"> <span class="BolaNaranja"> • </span> <a class="sicilia" href="http://www.moleiro.com/email.php?idioma=pt" title="@e-mail">@Contactar</a> </li>
<li class="Navigator02" style="display: inline;"> <span class="BolaNaranja"> • </span> <a class="sicilia" href="http://www.moleiro.com/shop/index.php?idioma=pt" title="MONTRA!">MONTRA!</a> </li>
<li class="Navigator02" style="display: inline;"> <span class="BolaNaranja"> • </span> <a class="sicilia" href="http://www.moleiro.com/pdf/index.php?idioma=pt" title="Catálogos PDF">Catálogos PDF</a> </li>
<li class="Navigator02" style="display: inline;"> <span class="BolaNaranja"> • </span> <a class="sicilia" href="http://www.moleiro.com/facsimile.tv.php?idioma=pt" title="Video">Video</a> </li>
</ul></div></div><br />
<div align="center"><link href="http://www.moleiro.com/css/Moleiro.css" rel="stylesheet" type="text/css"></link> <span class="SeleccionIdioma"> <a class="hey" href="http://www.moleiro.com/index.php?idioma=es" title="Español">español</a> <span style="color: #838b83;">-</span> <a class="hey" href="http://www.moleiro.com/index.php?idioma=en" title="English"> english</a> <a class="hey" href="http://www.moleiro.com/index.php?idioma=de" title="Deutsch">- deutsch</a> <a class="hey" href="http://www.moleiro.com/index.php?idioma=fr" title="Français">- français</a> <a class="hey" href="http://www.moleiro.com/index.php?idioma=it" title="Italiano">- italiano</a></span> </div><br />
<div align="center" style="position: relative;"><br />
<br />
<br />
<div class="imagen_desplegable"><a href="http://www.moleiro.com/illuminated-manuscripts.php?p=apas/pt"><img alt="Atlas e Mapas" border="0" onmouseover="mostrar_todo('mapas')" src="http://www.moleiro.com/nuevaweb/imagenes_index/index_atlas4.jpg" /></a> <br />
<div class="menu_desplegable" id="mapas" style="display: none;"><a href="http://www.moleiro.com/base.php?p=AM/pt" style="display: block;">Atlas Miller </a> <a href="http://www.moleiro.com/base.php?p=AU/pt" style="display: block;">Atlas Universal</a> <a href="http://www.moleiro.com/base.php?p=AV/pt" style="display: block;">Atlas Vallard</a> <a href="http://www.moleiro.com/base.php?p=MC/pt" style="display: block;">Mapa-múndi Catalão</a> <a href="http://www.moleiro.com/base.php?p=MCC/pt" style="display: block;">A Carta de Cristóvão Colombo, Mapa-múndi</a> </div></div><div class="imagen_desplegable"><br />
<a href="http://www.moleiro.com/illuminated-manuscripts.php?p=eato/pt" onmouseover="mostrar_todo('beatos')"><img alt="Beatos" border="0" height="55" id="Beatos" name="Beatos" src="http://www.moleiro.com/nuevaweb/imagenes_index/index_beatos1.jpg" width="100" /></a> <br />
<div class="menu_desplegable" id="beatos" style="display: none;"><a href="http://www.moleiro.com/base.php?p=BA/pt" style="display: block;">Beato de Arroyo</a> <a href="http://www.moleiro.com/base.php?p=BC/pt" style="display: block;">Beato de Cardeña</a> <a href="http://www.moleiro.com/base.php?p=BG/pt" style="display: block;">Beato de Girona</a> <a href="http://www.moleiro.com/base.php?p=BLFIYDS/pt" style="display: block;">Beato de Fernando I e Dona Sancha</a> <a href="http://www.moleiro.com/base.php?p=BS/pt" style="display: block;">Beato de Silos </a> </div></div><div class="imagen_desplegable"><a href="http://www.moleiro.com/illuminated-manuscripts.php?p=blicos/pt" onmouseover="mostrar_todo('biblicos')"> <img alt="Livros Bíblicos" border="0" height="55" id="Biblicos" name="Biblicos" src="http://www.moleiro.com/nuevaweb/imagenes_index/index_biblicos2.jpg" width="100" /></a> <br />
<div class="menu_desplegable" id="biblicos" style="display: none;"><a href="http://www.moleiro.com/base.php?p=AF/pt" style="display: block;">Apocalipse Flamengo</a> <a href="http://www.moleiro.com/base.php?p=AFR/pt" style="display: block;">Apocalipse 1313</a> <a href="http://www.moleiro.com/base.php?p=AG/pt" style="display: block;">Apocalipse Gulbenkian</a> <a href="http://www.moleiro.com/base.php?p=BN/pt" style="display: block;">Bíblia moralizada de Nápoles</a> <a href="http://www.moleiro.com/base.php?p=BSL/pt" style="display: block;">Bíblia de São Luís</a> <a href="http://www.moleiro.com/base.php?p=GC/pt" style="display: block;">Genealogia de Cristo</a> <a href="http://www.moleiro.com/base.php?p=MU/pt" style="display: block;">Martirológio de Usuardo</a> <a href="http://www.moleiro.com/base.php?p=SG/pt" style="display: block;">Saltério Glosado</a> </div></div><div class="imagen_desplegable"><a href="http://www.moleiro.com/illuminated-manuscripts.php?p=oras/pt" onmouseover="mostrar_todo('horas')"> <img alt="Livros de horas" border="0" height="55" id="Horas" name="Horas" src="http://www.moleiro.com/nuevaweb/imagenes_index/index_horas3.jpg" width="100" /></a> <br />
<div class="menu_desplegable" id="horas" style="display: none;"><a href="http://www.moleiro.com/base.php?p=BIC/pt" style="display: block;">Breviário de Isabel, a Católica </a> <a href="http://www.moleiro.com/base.php?p=GHAB/pt" style="display: block;">Grandes Horas de Ana da Bretanha</a> <a href="http://www.moleiro.com/base.php?p=LG/pt" style="display: block;">Livro do Golfe (Livro de Horas)</a> <a href="http://www.moleiro.com/base.php?p=LHCVIII/pt" style="display: block;">Livro de Horas de Carlos VIII</a> <a href="http://www.moleiro.com/base.php?p=LHJL/pt" style="display: block;">Livro de Horas de Joana I de Castela </a> <a href="http://www.moleiro.com/base.php?p=LHLO/pt" style="display: block;">Livro de Horas de Luís de Orleans</a> <a href="http://www.moleiro.com/base.php?p=LHMN/pt" style="display: block;">Livro de Horas de Maria de Navarra</a> <a href="http://www.moleiro.com/base.php?p=LOAB/pt" style="display: block;">Livro de Oração de Alberto de Brandemburgo</a> </div></div><div class="imagen_desplegable"><a href="http://www.moleiro.com/illuminated-manuscripts.php?p=edicina/pt" onmouseover="mostrar_todo('medicina')"><img alt="Medicina" border="0" height="55" id="Medicinas" name="Medicinas" src="http://www.moleiro.com/nuevaweb/imagenes_index/index_medicina1.jpg" width="100" /></a> <br />
<div class="menu_desplegable" id="medicina" style="display: block;"><a href="http://www.moleiro.com/base.php?p=LMS/pt" style="display: block;">Livro dos Medicamentos Simples</a> <a href="http://www.moleiro.com/base.php?p=TAS/pt" style="display: block;">Tacuinum Sanitatis</a> <a href="http://www.moleiro.com/base.php?p=TS/pt" style="display: block;">Theatrum Sanitatis</a> <a href="http://www.moleiro.com/base.php?p=TyA/pt" style="display: block;">Theriaka e Alexipharmaka, de Nicandro </a> </div></div><div class="imagen_desplegable"><a href="http://www.moleiro.com/illuminated-manuscripts.php?p=Misce/pt" onmouseover="mostrar_todo('miscelanea')"><img alt="Miscelânea" border="0" height="55" id="Miscelanea" name="Miscelanea" src="http://www.moleiro.com/nuevaweb/imagenes_index/index_miscelanea4.jpg" width="100" /></a> <br />
<div class="menu_desplegable" id="miscelanea" style="display: none;"><a href="http://www.moleiro.com/base.php?p=LCZ/pt" style="display: block;">O Livro do Cavaleiro Zifar</a> <a href="http://www.moleiro.com/base.php?p=LF/pt" style="display: block;">Livro da Felicidade</a> <a href="http://www.moleiro.com/base.php?p=LT/pt" style="display: block;">Livro do Tesouro</a> <a href="http://www.moleiro.com/base.php?p=LTestamentos/pt" style="display: block;">Livro dos Testamentos</a> </div></div><div class="imagen_desplegable"><a href="http://www.moleiro.com/shop/art-shop.php?p=LAA/pt" onmouseover="mostrar_todo('tienda')"> <img alt="MONTRA!" border="0" height="55" id="Agotados" name="Agotados" src="http://www.moleiro.com/nuevaweb/imagenes_index/index_arte4.jpg" width="100" /></a> <br />
<div class="menu_desplegable" id="tienda" style="display: none;"><a href="http://www.moleiro.com/shop/art-shop-details.php?p=AB/pt" style="display: block;">El Arte Barroco en España y Portugal</a> <a href="http://www.moleiro.com/shop/art-shop-details.php?p=AEM/pt" style="display: block;">El Arte en la Edad Media</a> <a href="http://www.moleiro.com/shop/art-shop-details.php?p=APOC/pt" style="display: block;">Comentarios al Apocalipsis</a> <a href="http://www.moleiro.com/shop/art-shop-details.php?p=AR/pt" style="display: block;">El Arte en el Renacimiento</a> <a href="http://www.moleiro.com/shop/art-shop-details.php?p=AyS/pt" style="display: block;">El Águila y la Sibila </a> <a href="http://www.moleiro.com/shop/art-shop-details.php?p=BFIYS-Arte/pt" style="display: block;">Beato de Fernando I y Sancha</a> <a href="http://www.moleiro.com/shop/art-shop-details.php?p=BORO/pt" style="display: block;">Borobudur</a> <a href="http://www.moleiro.com/shop/art-shop-details.php?p=CA/pt" style="display: block;">Cantigas de Amigo </a> <a href="http://www.moleiro.com/shop/art-shop-details.php?p=IR/pt" style="display: block;">Iglesias de Roma </a> <a href="http://www.moleiro.com/shop/art-shop-details.php?p=MI/pt" style="display: block;">Beato de Liébana - Manuscritos Iluminados</a> <a href="http://www.moleiro.com/shop/art-shop-details.php?p=MyM/pt" style="display: block;">Mujeres. Mitologías</a> <a href="http://www.moleiro.com/shop/art-shop-details.php?p=TEM/pt" style="display: block;">Talleres de Arquitectura en la Edad Media </a> <a href="http://www.moleiro.com/shop/art-shop-details.php?p=TR/pt" style="display: block;">Talleres del Renacimiento</a> </div></div><div style="color: black;"><br />
</div><div align="center" style="color: black;"><b><span style="font-family: Verdana,Arial,Helvetica,sans-serif; font-size: xx-small;"> Atlas e Mapas</span></b></div><div align="center" style="color: black;"><span style="font-family: Verdana,Arial,Helvetica,sans-serif; font-size: xx-small;"><b><span style="font-family: Verdana,Arial,Helvetica,sans-serif; font-size: xx-small;">Beatos</span></b> </span></div><div align="center" style="color: black;"><b><span style="font-family: Verdana,Arial,Helvetica,sans-serif; font-size: xx-small;"> Livros Bíblicos</span> </b></div><div align="center" style="color: black;"><b><span style="font-family: Verdana,Arial,Helvetica,sans-serif; font-size: xx-small;"> Livros de horas</span></b> </div><div align="center" style="color: black;"><b><span style="font-family: Verdana,Arial,Helvetica,sans-serif; font-size: xx-small;">Medicina</span></b></div><div align="center" style="color: black;"><b><span style="font-family: Verdana,Arial,Helvetica,sans-serif; font-size: xx-small;">Miscelânea</span></b></div><div align="center" style="color: black;"><b><span style="font-family: Verdana,Arial,Helvetica,sans-serif; font-size: xx-small;">MONTRA!</span></b><br />
<b><span style="font-family: Verdana,Arial,Helvetica,sans-serif; font-size: xx-small;">. </span></b></div><div style="color: black;"><div style="color: red;"><b>Clicar nas imagens para aceder aos Catálogos</b></div><br />
</div></div><div style="color: black;"><a class="sicilia" href="http://www.moleiro.com/shop/index.php?idioma=pt"> </a> </div><ul style="color: black; display: inline;"><li class="Navigator03" style="display: inline;"> <a class="silvia" href="http://www.moleiro.com/nosotros.php?idioma=pt" title="Quem somos?">Quem somos?</a> </li>
<li class="Navigator03" style="display: inline;"> <span class="BolaNegra"> • </span><a class="silvia" href="http://www.moleiro.com/facsimile.book.commentary.volume.php?idioma=pt" title="Livros de estudo">Livros de estudo</a> </li>
<li class="Navigator03" style="display: inline;"> <span class="BolaNegra"> • </span><a class="silvia" href="http://www.moleiro.com/facsimile.tv.php?idioma=pt" title="Video">Video</a> </li>
<li class="Navigator03" style="display: inline;"> <span class="BolaNegra"> • </span><a class="silvia" href="http://www.moleiro.com/encuadernacion.php?idioma=pt" title="Processo de encadernação">Processo de encadernação</a> </li>
<li class="Navigator03" style="display: inline;"> <span class="BolaNegra"> • </span><a class="silvia" href="http://www.moleiro.com/mapa.php?idioma=pt" title="Mapa do Site">Mapa do Site</a> </li>
<li class="Navigator03" style="display: inline;"> <span class="BolaNegra"> • </span><a class="silvia" href="http://www.moleiro.com/shop/?idioma=pt" title="MONTRA!">MONTRA!</a> </li>
<li class="Navigator03" style="display: inline;"><span class="BolaNegra"> • </span> <a class="silvia" href="http://www.moleiro.com/rss/rss-expo.php?idioma=pt" title="RSS
Feed" type="application/RSS+xml">RSS feed</a> </li>
</ul><div style="color: black;"><br />
</div><div style="color: black;"><br />
</div><div align="center"><div style="color: black;"><link href="http://www.moleiro.com/css/Moleiro.css" rel="stylesheet" type="text/css"></link> </div><div align="center"><br />
<br />
<span class="textoN10"> 1991-2010 © <a class="firenze" href="http://www.moleiro.com/email.php?idioma=pt&sesion=3274ad92400cb8e5e01fbcdb51b22a7c" title="@Contactar"> M. Moleiro Editor, S.A.</a> - <a class="five" href="http://www.moleiro.com/nosotros.php?idioma=pt">Quem somos? </a> <br />
<a class="sicilia" href="http://maps.google.es/maps?f=q&hl=pt&q=travessera+de+gracia,+17,Barcelona&ll=41.394244,2.146583&spn=0.010785,0.026951&om=1" target="_blank" title="Google Maps">Travesera de Gracia, 17-21 - 08021 Barcelona - Espanha</a> <br />
España +34 93 240 20 91 - Fax +34 93 201 50 62<br />
USA +1 (305) 831 4986 - UK +44 (0) 20 7193 4986 <br />
NIF A-59888206 - Todos os direitos reservados. </span></div></div><br />
Victor Nogueirahttp://www.blogger.com/profile/13759238536489604722noreply@blogger.com0tag:blogger.com,1999:blog-2736353218304570703.post-9988956330423805002010-02-10T23:10:00.001+00:002010-02-10T23:12:43.117+00:00Le Monde Diplomatique PT - 2ª série<div style="margin-bottom: 5px; text-align: center;"><a href="http://pt.mondediplo.com/spip.php?article688"><img alt="" class="spip_logos" height="274" src="http://pt.mondediplo.com/IMG/arton688.jpg" width="180" /></a> </div><div style="margin-bottom: 5px; text-align: center;"><a href="http://pt.mondediplo.com/spip.php?article631"><img alt="" class="spip_logos" height="268" src="http://pt.mondediplo.com/IMG/arton631.jpg" width="180" /></a> </div><div style="margin-bottom: 5px; text-align: center;"><a href="http://pt.mondediplo.com/spip.php?article626"><img alt="" class="spip_logos" height="274" src="http://pt.mondediplo.com/IMG/arton626.jpg" width="180" /></a> </div><div style="margin-bottom: 5px; text-align: center;"><a href="http://pt.mondediplo.com/spip.php?article589"><img alt="" class="spip_logos" height="269" src="http://pt.mondediplo.com/IMG/arton589.jpg" width="180" /></a> </div><div style="margin-bottom: 5px; text-align: center;"><a href="http://pt.mondediplo.com/spip.php?article568"><img alt="" class="spip_logos" height="275" src="http://pt.mondediplo.com/IMG/arton568.jpg" width="180" /></a> </div><div style="margin-bottom: 5px; text-align: center;"><a href="http://pt.mondediplo.com/spip.php?article532"><img alt="" class="spip_logos" height="274" src="http://pt.mondediplo.com/IMG/arton532.jpg" width="180" /></a> </div><div style="margin-bottom: 5px; text-align: center;"><a href="http://pt.mondediplo.com/spip.php?article527"><img alt="" class="spip_logos" height="274" src="http://pt.mondediplo.com/IMG/arton527.jpg" width="180" /></a> </div><div style="margin-bottom: 5px; text-align: center;"><a href="http://pt.mondediplo.com/spip.php?article510"><img alt="" class="spip_logos" height="274" src="http://pt.mondediplo.com/IMG/arton510.jpg" width="180" /></a> </div><div style="margin-bottom: 5px; text-align: center;"><a href="http://pt.mondediplo.com/spip.php?article501"><img alt="" class="spip_logos" height="274" src="http://pt.mondediplo.com/IMG/arton501.jpg" width="180" /></a> </div><div style="margin-bottom: 5px; text-align: center;"><a href="http://pt.mondediplo.com/spip.php?article491"><img alt="" class="spip_logos" height="274" src="http://pt.mondediplo.com/IMG/arton491.jpg" width="180" /></a> </div><div class="breves"><h2 class="menu-titre"><a href="http://pt.mondediplo.com/spip.php?rubrique21" style="font-variant: small-caps;">Na mesma rubrica</a></h2><ul><li><a href="http://pt.mondediplo.com/spip.php?article688">Le Monde diplomatique – edição portuguesa, II Série, n.º 40</a></li>
<li><a href="http://pt.mondediplo.com/spip.php?article631">Le Monde diplomatique – edição portuguesa, II Série, n.º 39</a></li>
<li><a href="http://pt.mondediplo.com/spip.php?article626">Le Monde diplomatique – edição portuguesa, II Série, n.º 38</a></li>
<li><a href="http://pt.mondediplo.com/spip.php?article589">Le Monde diplomatique – edição portuguesa, II Série, n.º 37</a></li>
<li><a href="http://pt.mondediplo.com/spip.php?article568">Le Monde diplomatique – edição portuguesa, II Série, n.º 36</a></li>
<li><a href="http://pt.mondediplo.com/spip.php?article532">Le Monde diplomatique – edição portuguesa, II Série, n.º 35</a></li>
<li><a href="http://pt.mondediplo.com/spip.php?article527">Le Monde diplomatique – edição portuguesa, II Série, n.º 34</a></li>
<li><a href="http://pt.mondediplo.com/spip.php?article510">Le Monde diplomatique – edição portuguesa, II Série, n.º 33</a></li>
<li><a class="on" href="http://pt.mondediplo.com/spip.php?article501">Le Monde diplomatique – edição portuguesa, II Série, n.º 32</a></li>
<li><a href="http://pt.mondediplo.com/spip.php?article491">Le Monde diplomatique – edição portuguesa, II Série, n.º 31</a></li>
</ul>.<br />
<div style="text-align: center;"><b>Clicar nas imagens ou nas hiperligações para ter acesso ao conteúdo</b></div><br />
.</div>Victor Nogueirahttp://www.blogger.com/profile/13759238536489604722noreply@blogger.com0tag:blogger.com,1999:blog-2736353218304570703.post-7891329056114018852010-01-14T18:49:00.000+00:002010-01-14T18:49:00.140+00:00Abriu a Frenesi Loja, linha electrónica de venda de livros<b>pimenta negra </b><br />
<b>.</b><br />
<b>Um blogue sobre os movimentos sociais, a ecologia, a contra-cultura, os livros, com uma perspectiva crítica sobre todas as formas de poder (económico, político, etc)</b><br />
<br />
<h2 class="date-header">3.1.10</h2><!-- Begin .post --> <a href="http://daliedaqui.blogspot.com/2010/01/abriu-frenesi-loja-linha-electronica-de.html" name="9051117045521416321"></a> <h3 class="post-title" style="text-align: justify;"> Abriu a Frenesi Loja, linha electrónica de venda de livros que não se encontram nas mercearias livreiras </h3><div class="post-body"> <br />
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhgw6iG3LPPBuz2w9HXQXsair5NDdi-yutscmQ7mRAWkmusiMEOvGKJpn79TNkt9Br1oFMtAPrP1FmWxWbT3ceEoShvFaBkxr8IiBa8bTXqbvO4dPnXNQzlHq8c_Tbcv3xbpzGnwKQqjItC/s1600-h/frenesi.bmp"><img alt="" border="0" id="BLOGGER_PHOTO_ID_5426362565076862674" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhgw6iG3LPPBuz2w9HXQXsair5NDdi-yutscmQ7mRAWkmusiMEOvGKJpn79TNkt9Br1oFMtAPrP1FmWxWbT3ceEoShvFaBkxr8IiBa8bTXqbvO4dPnXNQzlHq8c_Tbcv3xbpzGnwKQqjItC/s400/frenesi.bmp" style="display: block; height: 240px; margin: 0px auto 10px; text-align: center; width: 216px;" /></a><br />
<div align="justify"><span style="font-family: trebuchet ms;">Abriu a </span><a href="http://frenesilivros.blogspot.com/"><span style="font-family: trebuchet ms;">FRENESI LOJA</span></a><span style="font-family: trebuchet ms;">, linha electrónica aberta compras de livros raros, modernos e antigos... Livros que, por não se encontrarem nas mercearias livreiras que hoje abastecem o mercado, e não sendo em nada menos merecedores de atenção cultural.<br />
.<br />
Os preços... Bom, os preços são o que são, determina-os o custo de cada busca e respectivo valor de aquisição... E não são, seguramente, exagerados se se tiver em conta o que se gasta em cervejas (e no resto...) numa noite de estróina!</span></div><div align="justify"><span style="font-family: trebuchet ms;">.<br />
Dá para dizer: no intervalo da bebida cultivem-se!, comecem já a formar a vossa biblioteca ideal.<br />
.<br />
Para ir recebendo a montra de livros actualizada envie o seu e-mail para a </span><a href="mailto:frenesilivros@yahoo.com"><span style="font-family: trebuchet ms;">frenesilivros@yahoo.com</span></a><br />
<span style="font-family: trebuchet ms;"><br />
.<br />
</span><a href="http://frenesilivros.blogspot.com/"><span style="font-family: trebuchet ms;">http://frenesilivros.blogspot.com/</span></a><br />
<a href="http://frenesi-livros.blogspot.com/"><span style="font-family: trebuchet ms;">http://frenesi-livros.blogspot.com/</span></a></div><div align="justify"><span style="font-family: trebuchet ms;">. <br />
</span></div><div align="justify"> </div></div><div class="post-footer"> <em>posted by viriato @ <a href="http://pimentanegra.blogspot.com/2010/01/abriu-frenesi-loja-linha-electronica-de.html" title="permanent link">13.1.10</a></em></div><div class="post-footer"><em>.</em></div><div class="post-footer"><em>.</em><br />
</div>Victor Nogueirahttp://www.blogger.com/profile/13759238536489604722noreply@blogger.com0tag:blogger.com,1999:blog-2736353218304570703.post-70901858001191304072009-11-21T22:48:00.001+00:002009-11-21T22:51:56.157+00:00O significado dos nomes<h3 class="post-title"></h3><h3 class="post-title"><img alt="http://monitorando.files.wordpress.com/2008/01/library.gif" height="200" src="http://monitorando.files.wordpress.com/2008/01/library.gif" width="194" /><img alt="http://www.eb23-d-martim-fernandes.rcts.pt/projectos/bevparra/images/biblioteca.jpg" height="200" src="http://www.eb23-d-martim-fernandes.rcts.pt/projectos/bevparra/images/biblioteca.jpg" width="157" /> <br />
</h3><h3 class="post-title"><a href="http://anjodeva.blogspot.com/2008/02/o-significado-dos-nomes.html">O significado dos nomes</a> </h3><div style="text-align: justify;">O estudo destinado a explicação dos nomes próprios recebe o nome de ONOMÁSTICA, que é um dos ramos da lingüística que se inclui a Antroponímia (estudo dos nomes das pessoas).<br />
</div><div style="text-align: justify;">.<br />
</div><div style="text-align: justify;">Quem assume a escolha do nome enfrenta uma grande responsabilidade. Uma pessoa pode sofrer a vida inteira por conta de um nome mal escolhido. Nomes estranhos, difíceis de serem escritos e entendidos, são incômodos. Quando você escolher o nome de seu filho, procure um que seja bonito, tenha um significado interessante e facilite a vida dele. Um nome deve ser motivo de orgulho para quem o carrega e é algo bom que se pode dar sem nenhum custo à uma pessoa a quem, desde antes de nascer, já queremos bem.<br />
</div><div style="text-align: justify;">.<br />
Pense muito bem antes de escolher o nome, leia com atenção os significados.<br />
</div><div style="text-align: justify;"><br />
<span style="font-size: large;"><b>A</b></span><br />
Abel: Significa vaidade e indica uma pessoa aventureira e ousada, que precisa controlar seus impulsos para não tomar atitudes agressivas, que lhe causariam sérios problemas a curto ou médio prazo.<br />
<br />
Abelardo: francês: "colméia", ou germânico: "nobre, corajoso". Variante de Eberardo, Everardo.<br />
<br />
Abelardo: Significa abelha e indica uma pessoa ousada e empreendedora. Inspira muita confiança e gosta de desafiar a própria capacidade, lançando-se constantemente em novos projetos.<br />
Abigail: hebraico: "meu pai (Deus) é alegria, na fonte da alegria". Variante Abighail.Abreu: português: "agradecimento, proferir, dar". Muda rapidamente de humor. Mas sempre significa fonte de prazer e indica uma pessoa que muda muito passa por cima disso e consegue fazer com que as coisas aconteçam de modo favorável a ela.<br />
<br />
Abraão: Significa pai de uma multidão e indica uma pessoa que faz do charme um instrumento para viver bem. Gasta em viagens e passeios com amigos o que lhe sobra de dinheiro. Mas no fundo é um sábio que apenas aguarda o momento certo para mostrar toda a sua inteligência e toda a sua capacidade de realização.<br />
Açucena: árabe: "branca, alva como a flor".<br />
<br />
Ada: Significa feliz, próspera e indica uma pessoa muito amorosa. Embora pareça quase sempre indecisa entre dois caminhos, sua intuição geralmente lhe revela a escolha mais indicada.<br />
<br />
Adail: Significa guia e defensora. Indica uma pessoa que é capaz de ajudar as outras porque confia muito em si própria. Isso lhe abre as portas para o sucesso e ela pode se realizar como psicóloga, professora ou conselheira sentimental.<br />
<br />
Adair: celta: "lugar de carvalhos, passagem sobre os carvalhos". Variante: Aldair.<br />
Adalberto: germânico: "brilho da nobreza". Variante: Adalbert. Significa nobre, brilhante e ilustre e indica uma pessoa que está sempre procurando fazer importantes conquistas. Mas precisa do estímulo dos pais e dos amigos para alcançar o sucesso que deseja.<br />
Adalgisa: Significa lança de nobreza e indica uma pessoa que tende a se achar a dona da verdade. Mas sempre dá conselhos muito úteis a quem recorre a ela. Tem uma autoridade natural que não se transforma em autoritarismo devido à sua grande espiritualidade.<br />
<br />
Adão: Significa terra vermelha e, por extensão, o homem criado da terra, do barro. Segundo a bíblia, foi o nome que Deus deu ao primeiro ser humano. Indica uma pessoa que gasta com a família todo o dinheiro que ganha. No amor, é meigo e tende a seguir as sugestões da mulher, revelando-se portanto um companheiro formidável.<br />
Adelaide: germânico: "garbo, porte, de linhagem nobre, princesa da terra". Uma pessoa dinâmica e com grande sabedoria. Mas precisa se abrir um pouco, pois em geral não deixa nada nem ninguém interferir nas suas certezas.<br />
<br />
Adélia: Significa nobre e indica uma pessoa que luta para tomar as rédeas do seu destino. Não gosta de depender de ninguém, nem mesmo dos pais. Hábil e esperta, em geral consegue o que quer da vida. Mas deve combater a ansiedade e desenvolver o sentido de vida em comum.<br />
<br />
Adelina, Aline: Diminutivo de Adélia. Realista ao extremo, quem tem esses nome precisa dar um pouco mais de atenção aos sonhos, para tornar a vida mais colorida e cheia de ideais.<br />
Ademar: germânico: Variantes: Adhemar, Hademar, Edemar.Significa guerreiro famoso e indica uma pessoa que encara os desafios com disposição, como se cada dia representasse uma batalha a ser vencida com bom humor. Por isso, raramente fica deprimido.<br />
Aderbal: fenício: "que cultua Baal (Deus fenício)".<br />
Adilson: variante: Ailson ou ainda filho de Adil ou descendente de Wilson, filho de Wilson. Significa filho de Adão e indica uma pessoa que não muda sua rotina por nada nesse mundo e não gosta que ninguém dê palpite na sua vida. Da mesma forma, respeita a individualidade dos outros.<br />
<br />
Adina: Significa voluptuosa. Esse nome predispões a mulher, quando ela é bem jovem, a se fazer admirar sobretudo pela beleza física ou pela sensualidade. Na maturidade, desenvolve também o brilho intelectual.<br />
<br />
Adolfo: Significa lobo nobre, lobo herói, bravo guerreiro e indica uma pessoa que não hesita em assumir a responsabilidade pelos seus atos. Ouve, analisa e depois toma decisões firmes, das quais dificilmente volta atrás.<br />
<br />
Adonias: Significa aquele de quem Deus é senhor e indica uma pessoa que economiza bastante, mas sem se privar do conforto. Faz sucesso como administrador de empresas ou auditor. No amor, é fiel ao extremo, mas em contrapartida exige carinho e atenção constantes.<br />
<br />
Adoniram: Significa o Senhor é excelso e indica uma pessoa que luta como ninguém pelos seus objetivos. Nos estudos, é brilhante ou pelo menos muito esforçado. E, no trabalho, logo ganha o respeito de todos.<br />
<br />
Adônis: Significa senhor e se refere a um personagem mitológico famoso pela sua beleza. Indica uma pessoa cautelosa, que não esbanja dinheiro, mesmo quando tem o bastante para isso. Consciente do seu valor, espera que os outros também o reconheçam.<br />
Adriana: latim: "da cidade de Ádria, da região do mar adriático, nascida ou procedente de Ádria". Variante: Adriene. Masculino: Adriano. Significa escura, morena, e revela uma pessoa com grandes chances de triunfar na vida, pois mostra interesse pelos mais variados assuntos e aprende tudo com facilidade. E sabe repartir com os outros o que consegue com o estudo e o trabalho.<br />
<br />
Adriane: Trata-se de pessoa com grande chance de triunfar . Mostra interesse pelos mais variados assuntos e aprende tudo com facilidade. Sabe que para ser querida , precisa demonstrar seu afeto . Pode obter êxito como dentista, bióloga e fonoaudióloga. Usa suas economias inclusive para ajudar os amigos.<br />
<br />
Adriano: Significa o que veio da região da Abria e indica uma pessoa muito ativa mas que costuma oscilar entre os interesses imediatos e os ideais de longo prazo, e isso lhe acarreta dilemas constantes.<br />
<br />
Adroaldo: Significa o que governa com nobreza e indica uma pessoa muito crítica consigo mesma, que analisa todos os seus atos e não admite cometer erros. No entanto, perdoa com facilidade as falhas alheias.<br />
Afonso: germânico: "nobre, atencioso". Feminino: Afonsina. Significa pronto para o combate e indica uma pessoa que preocupada com o bem estar dos outros, procura ajudas a todos que se encontram em dificuldades. Idealista, coloca a justiça acima de tudo.<br />
Agar: Significa estrangeira e indica uma pessoa que tende a errar muito porque age como se não tivesse nenhum envolvimento com o que está acontecendo. Mas, quando vence essa tendência e aprende a ouvir também o coração. Desenvolve grande capacidade de análise e de julgamento.<br />
<br />
Ágata: Significa bondosa e predispões a criança ao amor. A pessoa assim chamada está sempre pronta a ajudar quem precisa. Seus conselhos, baseados numa intuição aguçada, são muito eficientes.<br />
<br />
Agildo: Significa oferta dos deuses e indica uma pessoa que permanece confiante em quaisquer circunstâncias, pois encara cada obstáculo que encontra como estímulo para continuar lutando<br />
<br />
Agnaldo: Significa o que governa pela espada e indica uma pessoa cuja maior preocupação é preservar a independência. Ambicioso, usa toda a sua inteligência e sua capacidade de liderança para alcançar o sucesso. Os pais devem educá-lo para que não se torne autoritário<br />
<br />
Agnelo: Significa cordeirinho e indica uma pessoa brilhante e disposta a progredir na vida, mas que tende a estagnar por estar sempre concordando com a vontade dos outros. Só no amor realmente seletivo: se dá bem apenas com mulheres no mínimo encantadoras.<br />
<br />
Agnes: Significa pura e indica uma pessoa que vê a vida com otimismo e enfrenta os problemas com muita disposição. Sua sinceridade e alegria atraem felicidade, saúde e prosperidade. Não há acontecimento negativo que consiga derrubá-la.<br />
<br />
Agostinho: Variação de Augusto<br />
Aguiar: português: "lugar onde habitam as águias".<br />
<br />
Aguinaldo: Significa o que governa pela espada e indica uma pessoa cuja maior preocupação é preservar a independência. Ambicioso, usa toda a sua inteligência e sua capacidade de liderança para alcançar o sucesso. Os pais devem educá-lo para que não se torne autoritário<br />
<br />
Aída: Significa próspera, feliz e indica uma pessoa que tende a perder o controle das emoções. Apaixona-se com facilidade e se irrita com mais facilidade ainda. Mas não guarda mágoas de ninguém, nem trai um namorado. Tudo na vida é muito claro e honesto.<br />
<br />
Aidê: Esse nome vem do francês Haydée e se associa a independência e ousadia. Indica uma pessoa que define claramente seus ideais e luta arduamente por eles. Mas por trás do seu jeito seguro se esconde uma sensibilidade enorme. Também muito inteligente, ela adora conversar com pessoas mais velhas, para aperfeiçoar seus conhecimentos.<br />
Ailson: germânico: "de sagrada família". Variante: Ailton. Nome literário, sem significado claro, indica uma pessoa que aproveita intensamente cada momento da vida, mas sem se descuidar do futuro. Persegue com toda garra seus ideais e vive com verdadeira paixão cada uma das vitórias que alcança.<br />
<br />
Aimê: Este nome vem do francês Aimée. Significa amada e se associa à força da emoção e da intuição. Indica uma pessoa perfeita e moralista, que só deixa de ser severa no julgamento dos outros quando a satisfação dos seus próprios desejos lhe ensina que a paixão não é obrigatoriamente um pecado. Então passa a ver a si própria e às outras pessoas de uma forma menos crítica.<br />
Aírton: francês: nome criado por Júlio Verne em a "Ilha Misteriosa". Nome literário, sem significado claro, indica uma pessoa que aproveita intensamente cada momento da vida, mas sem se descuidar do futuro. Persegue com toda garra seus ideais e vive com verdadeira paixão cada uma das vitórias que alcança.<br />
<br />
Ajuricaba: Significa abelha feroz e indica uma pessoa que não tolera a inércia. Inovador e até excêntrico, contesta desde muito cedo todas as regras que lhe são impostas e busca sempre seus próprios caminhos<br />
Alaíde: francês: de linhagem nobre". Variação de Adelaide. Indica uma pessoa equilibrada e positiva. Otimista, ela contagia todo mundo com sua alegria de viver. Tem vida amorosa intensa e variada, mas não trai nem suporta traições.<br />
Alan: celta ou teutônico: "crescer, gracioso, agradável". Significa belo , harmonioso e indica uma pessoa emotiva, que se magoa com facilidade, embora nem sempre demonstre sua tristeza. Prefere exibir sua simpatia para cativar todo mundo que o rodeia. Tende a conseguir sucesso como músico ou paisagista.<br />
Alana: celta: "linda, bela".<br />
Alba: latim: "pedra preciosa, pérola, alva, branca, procedente de Alba, cidade italiana". É uma pessoa que tende a se mostrar uma tanto arrogante, o que dificulta seus relacionamentos. Amante do bom e do melhor, gasta o que tem e mais um pouco. Mas com o tempo, aprende a cultivar a humildade e então triunfa na vida.<br />
<br />
Albertina: Significa ilustre e indica uma pessoa que, além de intuitiva, é prática, paciente e organizada. Ótima conselheira, não mede esforços para apoiar, com ensinamentos, quem recorre a ela. Também se mostra generosa com que lhe pede dinheiro emprestado.<br />
<br />
Alberto: teutônico: "brilhante, ilustre".Variante: Adalberto. Muito famoso e indica uma pessoa que possui a dose certa de de equilíbrio e coloca muita energia na concretização dos sonhos. Seu talento sempre acaba sendo reconhecido.<br />
<br />
Albuquerque: latim: "carvalho branco".<br />
Alcântara: arabe: "a ponte".<br />
<br />
Alceu, Alcides: Significa forte e indica uma pessoa extremamente ativa e que, por isso, quase sempre alcança seus objetivos. Seus pontos fortes são a persistência e a força de vontade.Planeja seus negócios com muito cuidado e pode se realizar como economista ou engenheiro.<br />
Alceu: grego: "força". Variante: Alcides.<br />
<br />
Alcibíades: Significa defensor da vida e indica uma pessoa impetuosa e persistente, que consegue alcançar altos postos na profissão que escolhe. Mas no amor precisa aprender a abrir seu coração, pois é muito racional e dificilmente se deixa dominar pelas emoções.<br />
<br />
Alcina: Significa de mente forte e indica alguém com tanta capacidade de persuasão que pode convencer as outras pessoas de que terra é outro ou vice-versa. Mas não se vale desse Dom para enriquecer ilicitamente. Usa-o apenas para arejar as idéias de quem conversa com ela.<br />
<br />
Alcinda, Alcione: Nome de uma estrela muito brilhante da constelação das Plêiades. Revela uma pessoa que gosta de demonstrar seu lado alegre. Possui grande capacidade de comunicação e de sedução e está destinada a Ter inúmeros amigos e vários amores.<br />
<br />
Alcindo, Alcino: Significa espírito forte e indica uma pessoa conservadora e autoritária, que precisa aprender a ser paciente diante das mudanças, bem-humorado face aos imprevistos e prudente do dia-a-dia.<br />
<br />
Alcione: grego: "que vive no mar, ave marinha, maçarico".<br />
<br />
Alda: Significa velha, sábia e rica. É uma pessoa que tem grande possibilidade de desenvolvimento espiritual, mas que não deixa de desfrutar os prazeres da vida. Consegue inúmeras vitórias quando organiza convenientemente seu dia-a-dia e suas economias.<br />
<br />
Aldir, Aldo: Significa velho, experiente. Indica uma pessoa que tem grande possibilidade de desenvolvimento espiritual, mas que não deve descuidar do lado material da vida. Consegue inúmeras alegrias quando organiza suas economias e reúne condições financeiras de ajudar os outros.<br />
<br />
Aleixo: Significa o que defende e indica uma pessoa que deve controlar a impulsividade para não tomar atitudes das quais se arrependerá.<br />
<br />
Alejandra, Alessandra, Alexandra: Significa defensora da humanidade e indica uma pessoa de caráter conciliador. Quem tem esse nome sempre procura resolver os problemas dos outros e conquista a todos com sua enorme meiguice.<br />
<br />
Alencar: germânico: "templo de Alanos". Derivado também da Vila portuguesa de Alenquer.<br />
Alessandra: grego: "que resiste aos homens". Adaptação feminina de Alexandre.<br />
Alexandre: grego: "que resiste aos homens, que socorre os homens, que repele o inimigo". Significa defensor da humanidade e indica um espírito justiceiro, que não pode ver outra pessoa passando dificuldades sem procurar ajudar. Tem sucesso quando trabalha em atividades comunitárias.<br />
Alfredo: anglo-saxão: "bom conselheiro, conselheiro dos elfos". Significa conselheiros dos espíritos e indica uma pessoa muito prática, que sabe usar a lógica para atingir seu objetivos e afastar as más influências. Está sempre disposto a ajudar os amigos e resolver até problemas íntimos.<br />
Alice: fenício-cartaginês, francês ou grego: "nobre, sincera, a defensora, a protetora". Significa a verdadeira. É uma pessoa extremamente sincera mesmo quando isso lhe pode custar uma amizade. Tem também o Dom da liderança. Por isso, não gosta de trabalhar para os outros. Prefere exercer uma profissão liberal ou montar sua empresa.<br />
<br />
Alícia: Variação de Alice. Indica uma pessoa muito empreendedora e com grande força interior. É muito admirada pela capacidade de poupar e aplicar bem seu dinheiro. Mas precisa tomar cuidado para não se impacientar demais quando as coisas demoram a acontecer.<br />
<br />
Alina: Significa agulha e predispõe a criança a se tornar profunda nas suas observações e na maneira de ver o mundo. Com o passar do tempo, porém, ela vai se tornando livre e desprendida e chega a agir de maneira quase superficial. Mas, quando percebe que fez uma escolha indevida, luta com toda a sua garra para corrigir o erro.<br />
Aline: celta: "de linhagem nobre, graciosa, atraente". Variante: Alina.<br />
<br />
Alípio: Significa o que não tem tristeza e indica uma pessoa extrovertida e falante que chama a atenção em qualquer roda social. Tende a gastar todas as suas economias em objetos sofisticados.<br />
Alison: germânico: "de sagrada fama".<br />
Almeida: arabe: "a mesa, chão plano, campo plano".<br />
<br />
Almir: Significa príncipe e brilhante. indica uma pessoa carismática e persistente, que consegue altos pontos na profissão que escolhe, seja ela qual for. Tem grande habilidade para liderar grupos de trabalho e consegue bons lucros quando monta seu próprio negócio.<br />
<br />
Almira: Significa delicada e mostra uma pessoa meiga mas persistente, que consegue altos postos na profissão que escolhe, seja ela qual for. Tem grande habilidade para negociar e sempre consegue bons lucros quando trabalha no comércio.<br />
<br />
Aloísio, Aluísio: Variação de Luís<br />
Aloísio: germânico, latim: "inteiramente prudente, esperto". Variante: Aluísio. Feminino: Aloísia.<br />
<br />
Altino: Significa que veio da cidade de Altino e indica uma pessoa que confia na própria capacidade de contornar as dificuldades. Por isso, enfrenta os problemas com serenidade e paciência e, geralmente, se dá bem. Ajudado pela intuição, raramente perde uma parada.<br />
Álvaro: germânico: "guerreiro dos elfos, tudo vigia, defende, cuida".<br />
<br />
Álvaro: Significa o que defende de todos e indica uma pessoa de iniciativa, que está sempre em busca de novas oportunidades. Mas não faz nada sem antes avaliar atentamente todas as chances de progresso e todos os riscos de fracasso.<br />
Alves: derivado de Álvaro.<br />
Alzira: germânico: "graça e beleza". Masculino: Alziro.<br />
<br />
Alzira: Significa ornamento, beleza. Indica uma pessoa intuitiva e extrovertida, que tem idéias originais e brilhantes a respeito de tudo e gosta de debatê-las com os amigos. Destaca-se em profissões ligadas à criação e à comunicação, como propaganda e jornalismo.<br />
<br />
Amadeu: Significa o que ama a Deus e indica uma pessoa que que consegue vencer muitos problemas do dia-a-dia, mas vive as voltas com dificuldades financeiras, pois seu estilo de vida o leva a gastar mais do que ganha.Se controla essa tendência, torna-se um ótimo chefe de família.<br />
<br />
Amador: Significa o que ama e indica uma pessoa competente que não decepciona em nenhum trabalho que se proponha a realizar, pois faz pois faz tudo com muito empenho e envolvimento pessoal.<br />
Amália, Amélia, Ailema: gótico: "trabalhadora, ativa, laboriosa". Significa trabalhadora e revela uma pessoa esforçada na luta pelos seus objetivos. Emotiva e sensível, magoa-se com facilidade, mas não demonstra nada disso. Também não guarda rancor de que a ofendeu sem querer. Prefere exibir sua simpatia, a qual lhe abre muitas portas.<br />
<br />
Amâncio: Significa amante e indica uma pessoa com grande capacidade de liderança decorrente á sua dedicação as tarefas e aos companheiros e também a sua ousadia. Muito raramente deixa passar uma oportunidade por estar desatento ou por excesso de cautela.<br />
Amanda: latim: "digna de ser amada". Mostra uma pessoa cuja vida afetiva é marcada pelo excesso de pretendentes. Dinâmica e ativa, ela sempre resolve seus problemas de maneira inteligente, sem forçar situações ou incomodar os outros.<br />
<br />
Amândio: Significa digno de ser amado e indica uma pessoa original, criativa e inteligente. Além disso dispõe de muita energia e luta com toda a garra para alcançar seus ideais.<br />
Amaral: português: "espécie de uma planta amarga".<br />
<br />
Amélia: Variação de Amália. A pessoa assim chamada é muito original, inteligente e tem garra para alcançar seus objetivos. Alem disso, ela sabe aplicar bem o dinheiro que ganha, razão pela qual consegue um bom pé-de-meia ainda na juventude.<br />
<br />
América: Significa a que governa a casa. Indica uma pessoa aventureira e esperta, de pulso firme, que não deixa passar nenhuma oportunidade de se destacar. No amor, é muito sensual e tende a viver romances sempre emocionantes e, não raro tempestuosos.<br />
<br />
Américo; Significa o que governa a pátria. E indica uma pessoa de pulso firme, que não deixa passar nenhuma oportunidade de se destacar e por isso mesmo assume posições de liderança na escola, no trabalho ou em qualquer outro grupo. Perfeccionista e exigente em relação a tudo, irrita-se com facilidade e não tolera qualquer tipo de erro.<br />
<br />
Amílcar: Veja Hamílcar<br />
<br />
Amin: Significa fiel, constante e indica uma pessoa cuja capacidade de fazer novos amigos e novas conquistas amorosas é muito grande.Dono de um coração de ouro, dificilmente cria atrito com alguém<br />
<br />
Amir: Variação de Emir<br />
<br />
Ana Augusta: O sucesso parece lhe chegar por pura sorte mas, na verdade, é fruto de uma inteligência e de uma determinação admiráveis.<br />
<br />
Ana Beatriz: Graças ao seu grande magnetismo pessoal, consegue cativar com um sorriso ou com um olhar. Mas é muito criteriosa: só dá seu amor ao homem que poderá fazê-la feliz e a quem ela poderá fazer feliz.<br />
<br />
Ana Carla: Indica uma pessoa serena, que se aceita como é, com toda a naturalidade, pois sabe que não se deixará escravizar pelas suas fraquezas nem usará sua força contra os outros.<br />
<br />
Ana Carolina: Usa sua inteligência privilegiada para vencer as dúvidas do dia-a-dia e também para ajudar os amigos com excelentes conselhos. Quando não abandona os estudos, consegue muito sucesso na vida.<br />
<br />
Ana Cláudia: Tem idéias brilhantes e o Dom de pressentir o perigo. Embora goste da solidão, não vive sem afeto. Exige muito de si mesmo e mais ainda dos outros.<br />
<br />
Ana Cristina: É um tanto vaidosa. Procura se vestir com roupas da moda mesmo quando isso pesa muito no seu bolso. Mas, na maturidade, descobre outros valores e se dedica com muito amor à família.<br />
<br />
Ana Graciela: É tão preocupada em ser justa que às vezes chega a não fazer nada com medo de prejudicar alguém. Deve aprender a ser ousada.<br />
<br />
Ana Lúcia: Tem muita disposição para o trabalho, mas, para alcançar o sucesso, precisa de um pouco mais de objetividade no seu modo de agir.<br />
<br />
Ana Luísa: Possui idealismo, espírito de liderança e energia de sobra para tornar realidade praticamente todos os seus sonhos.<br />
<br />
Ana Maria: Tem todas as chances de realizar seus desejos, pois seu nome é uma marca de prosperidade e lhe abre as portas do sucesso.<br />
<br />
Ana Paula: É muito bondosa e procura manter um clima de harmonia ao seu redor. Demora a tomar decisões, mas quando o faz não costuma errar.<br />
<br />
Ana Rosa: Tranqüila e dócil, mostra-se também extremamente ativa e independente. Inimiga da rotina, está sempre aberta a novas idéias.<br />
<br />
Ana Verônica: É extrovertida e faz muitos amigos devido ao seu espírito inteligentemente brincalhão. Tem alguma dificuldade em levar as pessoas ou as idéias a sério por muito tempo, mas, vencida essa inconstância, obtém êxito em todos os seus empreendimentos.<br />
Ana: hebraico: "cheia de graça, a benéfica". Variante: Anita (diminutivo espanhol). Predispõe a criança a se tornar muito segura, graças à sua boa organização mental. Sua intuição lhe garante boas escolhas nos estudos, na profissão e no amor.<br />
<br />
Ananias: Variação de João<br />
<br />
Anastácia: Significa renascida pelo batismo. Indica uma pessoa que está sempre em busca de sabedoria. Sabe esperar o momento certo para agir e se prepara para quando esse momento chegar. Por isso, tem êxito em todos os seus empreendimentos.<br />
<br />
Anastácio: Significa o que ressurge para a vida pelo batismo e indica uma pessoa batalhadora, altiva e com grande senso de justiça. Encara cada tarefa como uma missão a ser cumprida e sabe que tudo contribui de um modo ou de outra, para sua evolução.<br />
<br />
Anatole, Anatólio: Significa o que veio do Oriente e indica uma pessoa sempre pronta a intervir a favor de quem sofre uma injustiça. Mas sua maior preocupação é preservar a todo custo, a própria independência, pois acredita que só assim consegue o sucesso.<br />
Anderson: germânico e inglês: "filho de André". Indica uma pessoa que ganha muito dinheiro ouvindo sua intuição. Tem muitas admiradoras, e na juventude se relaciona com todas elas, sem pensar num compromisso sério.<br />
André: grego: "másculo, viril, robusto, forte". Femininos: Andréia, Andresa. Indica uma pessoa intuitiva e extrovertida. Tem sempre idéias originais e brilhantes a respeito de tudo e gosta de debatê-las com os amigos. Dá-se muito bem em informática, pedagogia, teatro e circo.<br />
Andréa Luísa: Indica uma pessoa um pouco dispersiva, que tem dificuldade para se concentra nos estudos e no trabalho. Mas sua inteligência brilhante lhe permite resolver adequadamente todos problemas e alcançar grande sucesso.<br />
<br />
Andréia, Andréa: Significa forte, viril e predispõe a coragem, à lealdade e à fidelidade. Muito decidida, a pessoa assim chamada transmite segurança a todos que a rodeiam. Inteligente e sensível, sempre consegue o suficiente para viver confortavelmente.<br />
<br />
Ângela Fabiana: Graças à sua personalidade extremamente agradável e generosa, faz inúmeras amizades ao longo da vida. Além disso, exibe no dia-a-dia um espírito alegre e criativo.<br />
<br />
Ângela Maria: Indica uma pessoa graciosa, delicada e muita simpática, que fala as verdades de maneira suave porém inteligentes. Às vezes, chega a ser irônica, mas jamais perde a classe.<br />
<br />
Ângela: Significa anjo, mensageira. Indica uma pessoa bondosa, que busca manter um clima de harmonia no lar, na escola e no trabalho. É leal com todas as pessoas que a rodeiam, e por isso, conquista a simpatia delas. Procura ser diplomática e polida, mas quando precisa dizer uma verdade doída, não hesita nem um pouco.<br />
<br />
Angélica Maria: Indica uma pessoa a ir para frente sem expor demais. Acumula muito conhecimento ao longo da sua vida e gosta de dividir sua sabedoria com pessoa realmente interessada nela.<br />
<br />
Angélica Natália: Tem aptidão para participar de associações de qualquer gênero. Mas só assume a responsabilidade de liderar um grupo se o trabalho a ser executado lhe parecer muito gratificante. Pode ter sucesso mas artes plásticas e também na carreira diplomática.<br />
Angélica: grego, latim: "pura como um anjo, também nome de uma flor". Revela uma pessoa expansiva mas muito discreta em relação à sua vida íntima. Inquieta e criativa, prefere trabalhos que lhe permitam agir por conta própria e relacionamentos que não lhe tirem a liberdade.<br />
Ângelo: grego, latim: "anjo, o mensageiro". Feminino: Ângela.Indica uma pessoa que procura comunicar seus conhecimentos para manter um clima de harmonia nos ambientes que freqüenta. É leal e extrovertido, e por isso, conquista a simpatia de todos - e sobretudo de todas - que o conhecem.<br />
Aníbal: Significa dádiva do deus Baal e indica uma pessoa passiva e receptiva, que normalmente se mostra calma, gentil, diplomática e bondosa. Apesar de não ser ambicioso, consegue tudo o que deseja usando sua enorme capacidade de convencer e mesmo seduzir.<br />
<br />
Aniceto: Significa invencível e indica uma pessoa inteligente que tem grande facilidade para transmitir conhecimentos aos outros e o faz com bastante clareza e paciência. Não se preocupa em enriquecer, pois vive bem mesmo com pouco dinheiro no bolso.<br />
<br />
Anita: Forma diminutiva de Ana, esse nome revela uma criança que fala pouco mas observa os adultos com atenção. Por isso mesmo, aprende tudo bem depressa. Muito exigente consigo mesma e com os outros, ao crescer se torna uma excelente líder.<br />
<br />
Anselmo: Significa protegido pelas divindades e indica uma pessoa hábil e talentosa, que busca o progresso em coisas práticas ou em projetos que sabe que conseguirá realizar. Tem grande sabedoria, muita força interiro e uma enorme capacidade de liderança.<br />
<br />
Antão, Antônio; Significa o que está na vanguarda e indica uma pessoa de força interior e fé inabalável nos seus próprios ideais. Isto lhe permite estar sempre à frente, abrindo caminhos que geralmente levam a resultados positivos para todos.<br />
<br />
Antenor: Significa adversário e indica uma pessoa que lidera naturalmente as outras. Seu caráter irrepreensível e a determinação com que age, transmitem segurança a todos os que o cercam.<br />
<br />
Antero: Significa florido e indica uma pessoa sempre bem disposta e bem humorada, que conduz a vida com discrição e harmonia. Ótimo confidente, costuma fazer amizades sinceras e duradouras.<br />
Antônio: grego, latim: "inestimável, o que não tem preço, fazer frente aos inimigos, o que enfrenta".<br />
<br />
Anunciação: De origem religiosa, é mais usado como parte do nome composto Maria da Anunciação. Indica uma pessoa que, além de ser muito prática no dia-a-dia, tem facilidade para exercer atividades que dependem de expressão verbal. Mas precisa aprender a não gastar energia inutilmente, perseguindo ideais que talvez nem sejam verdadeiramente os dela.<br />
<br />
Aparecida: Associado à aparição da Virgem Maria, é mais usado como parte do nome composto Maria Aparecida. A pessoa assim chamada é vigorosa, arrebatada e dinâmica em todos os seus atos. Tem sucesso profissional e, como em geral não lhe falta dinheiro, ajuda quem precisa de favores sem medo de que venham a lhe faltar meios de subsistência.<br />
Aparecida: brasileiro: "a que apareceu, surgiu". Masculino: Aparecido.<br />
<br />
Aparecido: Nome associado à aparição da Virgem Maria. Indica uma pessoa vigorosa, arrebatada e dinâmica em todos os seus atos. Tem sucesso profissional, e como em geral não lhe falta dinheiro, ajuda quem precisa de valores, sem temer que venham a lhe faltar meios de subsistência.<br />
<br />
Aparício: Significa aparição e indica uma pessoa que tem na franqueza sua marca registrada. Diz sempre a verdade, doa a quem doer, e isto às vezes lhe causa sérios aborrecimentos. Os pais devem ensiná-lo a ser um pouco mais diplomático.<br />
<br />
Apolônio: Significa consagrado ao deus Apolo e indica uma pessoa que aproveita intensamente cada momento, sem se importar demais com o futuro. Não se preocupa em poupar dinheiro, e no amor, não é ciumento - mas também não se mostra muito fiel.<br />
<br />
Araci, Aracy: Significa a mãe do dia, ou seja, a aurora. É uma pessoa impaciente e aventureira, que tende a levar uma vida movimentada, pois adora fazer amizades, namorar e experimentar novas sensações. Como detesta assumir novos compromissos, corre o risco de se revelar fútil, se não atentar para isso e corrigir essa tendência.<br />
<br />
Ariadna, Ariadne: Significa puro. Indica uma pessoa meticulosa, que consegue alcançar altos postos em profissões ligadas à pesquisa. Mas precisa cuidar mais do seu lado racional, pois quando tem de tomar uma decisão difícil, tende a se deixar envolver por emoções contraditórias.<br />
Ariadne: grego: "a muito respeitável, muito santa, castíssima".<br />
<br />
Ariana: Variação de Ariadne. Indica uma pessoa que consegue se concentrar mesmo em meio à maior algazarra. E tem o Dom da conciliação: sempre procura criar um clima de paz à sua volta. Mas isso pode se voltar contra ela, pois às vezes concorda com os outros só por concordar e depois se arrepende do que disse.<br />
Ariane: forma francesa de Ariadne.<br />
Ariel: hebraico: "leão de Deus, fogo de Deus".Nome de um anjo ou espírito do ar. Significa leão de Deus. Indica doçura, suavidade e sentimentos elevados. A criança a ssim chamada tende a alcançar grande realização intelectual e espiritual e se destaca pelo amor ao próximo.<br />
<br />
Arlete: Significa penhor, garantia e predispõe a menina a confiar em si própria. A criatividade será outro de seus pontos fortes para superar todos os obstáculos. Sua capacidade de tomar decisões fará com que ocupe cargos de liderança ou realize grandes negócios.<br />
Armando: germânico, francês: "homem da guerra, homem do exército".<br />
Arnaldo: teutônico: "forte como uma águia".<br />
Artur: celta: "urso(art) grande(ur), urso nobre, ou quem tem cabelos eriçados".<br />
Astride: sueco: "amazona de lança, amazona protegida por deuses". Nome de uma rainha Belga.<br />
Átila: gótico: "pequeno pai, paizinho".<br />
<br />
Augusta Renata: Inteligente e esforçada, e quando encontra dificuldades procura entender o motivo e toma a iniciativa apropriada. Pensa muito rápido e logo acha a resposta para qualquer problema.<br />
<br />
Augusta: Significa majestosa e indica uma pessoa de temperamento calmo, que não se expõe a riscos desnecessários. Prefere uma profissão na qual possa se realizar e ganhar o suficiente para viver com conforto a um negócio próprio mais cheio de riscos.<br />
Augusto: latim: "o maior, o máximo, nobre". Feminino: Augusta.<br />
<br />
Áurea: Significa de ouro, dourada. Indica uma pessoa que estuda bem o que está acontecendo antes de tomar qualquer iniciativa. E, como pensa muito depressa, logo acha resposta para qualquer problema. Mas nem sempre divide suas descobertas com os outros.<br />
Aurélia: latim: "dourada, filha do ouro". Significa brilhante como o sol . Indica uma pessoa requintada, que gosta de ambientes sofisticados e coisas luxuosas. E, para alcançar ou manter esse nível de vida, planeja o que fazer com cada centavo do seu dinheiro. Só se afetividade com homens de muito charme e delicadeza.<br />
<br />
Aureliana: Variação de Aurélia. Indica uma pessoa que gosta de brilhar em tudo o que faz e, por isso, evita assumir tarefas para as quais não se ache competente ou com as quais não se simpatize desde o começo. Em relação a isso, chega a ser teimosa<br />
Aurélio: etrusco: "sol".<br />
Aurora: latim: "brilhante, reluzente". Significa o romper do dia. Indica pouco ambiciosa e que pensa muito antes de tomar uma decisão. E essa tendência a adiar decisões importante que pode leva-la a envolvimento de situações delicadas. Os pais devem incentiva-la a, desde cedo, dizer o que pensa e assumir pequenas e grandes responsabilidades.<br />
Azevedo: português: "lugar de azevinhos, arbusto espinhoso".<br />
<br />
BBárbara: latim: "estrangeira, estranha".<br />
Balduíno : Significa amigo audacioso e indica uma pessoa agradável e jovial. Suas idéias arrojadas às vezes confundem os outros, mas quando a conversa se estende, todos entendem que ele luta pelo seu bem-estar e também pelo bem-estar de toda a comunidade.<br />
<br />
Baltazar: Significa rei protegido pelo deus Baal e indica uma pessoa introvertida e até um pouco desconfiada, mas que nunca nega colaboração aqueles que recorrem a ele. Os amigos o admiram e o respeitam muito.<br />
<br />
Bárbara Cristina: É muito carente e tende a assumir atitudes infantis mesmo na idade adulta. Mas, quando vence esta insegurança inata, mostra-se muito competente.<br />
<br />
Bárbara Heliodora: Indica uma pessoa apesar de inteligente e esforçada, encontra dificuldades para vencer na vida porque se atira de cabeça em tudo. Precisa a aprender a se mais ponderada a pensar bem antes de iniciar uma atividade ou um romance.<br />
Bárbara: Significa estrangeira e se associa a uma pessoa original, que está sempre em busca de novidades. Por isso, quando sente que suas tarefas estão ficando rotineiras, trata logo de mudar de atividade. Criativa, pode fazer sucesso nas artes ou na literatura, mas não se preocupa muito em ganhar dinheiro com isso.<br />
Barbosa: português: “lugar onde há muitas árvores com barba de bode (velho).<br />
<br />
Barnabé: Significa filho do profeta e indica uma pessoa que, se souber aproveitar seu magnetismo e sua liderança, terá sucesso tanto na vida profissional como na amorosa.<br />
Barreto:português: "aldeola".<br />
Barros: português: "que trabalha com barro, que tem barro".<br />
Barroso: português: "lugar onde tem muito barro, ou aquele que tem muitas espinhas no rosto".<br />
Bartolomeu: aramaico: "que suspende as águas".<br />
<br />
Bartolomeu: Significa filho de Tolmai e indica um vencedor nato. Boa parte de seus êxitos se deve ao forte sentimento de autoconfiança que alimenta, mas ele detesta ficar contando vantagem.<br />
<br />
Baruque: Significa abençoado, bendito e indica uma pessoa de temperamento caprichoso e instável, que não suporta nenhuma rotina. Também no amor, a idéia de um casamento convencional não o agrade. Os pais devem aconselhá-lo a pelo menos controlar bem os seus gastos.<br />
<br />
Basílio: Significa real e indica uma pessoa disciplinada, trabalhadora e intuitiva, que em geral se sai bem de situações difíceis, especialmente quando se deixa guiar pelo sexto sentido.<br />
Bastos: português: "pouco espesso".<br />
Batista: latim: "o que batiza". É mais usado como parte do nome composto João Batista. Indica uma pessoa refinada: um verdadeiro cavalheiro. Perseverante, paga qualquer peço para alcançar seus objetivos. Tende a enriquecer depressa e até viver luxuosamente.<br />
Beatriz: latim: “a que faz feliz alguém”. Indica uma pessoa bem disposta, capaz de fazer piada com tudo, para alegrar a si própria e para dar nova luz aos ambientes que freqüenta. Mas isso não impede que ela tenha um espírito crítico, capaz de distinguir com muita clareza o certo e o errado.<br />
Bela: latim: "linda, bela".<br />
<br />
Belarmino: Significa belo Armínio. Indica uma pessoa que possui uma intuição muito desenvolvida e é ligada a assuntos esotéricos. É prudente ao tomar atitudes e sincero em tudo o que faz.<br />
<br />
Belisário: Significa arremessador de dardos e indica uma pessoa discreta e observadora, que prefere ouvir a falar. Mas quando fala é para emitir opiniões sérias. Seus comentários, embora carregados de ironia, são sempre apropriados e objetivos.<br />
<br />
Bendita, Benedita, Benta: Significa bendita, benta, abençoada e indica uma pessoa que tem na franqueza e na competência os pontos fortes da sua personalidade. Consegue ganhar bastante dinheiro, mas não o retém por muito tempo. Prefere viver bem o presente a economizar para o futuro.<br />
<br />
Benedito, Benito, Bento: Significa bendito, bento, abençoado e indica uma pessoa que tende a se sair bem em suas empreitadas. Por isso mesmo, não se preocupa em poupar nem um centavo do que ganha. Acha que viver bem o presente é mais importante que economizar para o futuro. Feminino: Benedita.<br />
<br />
Benjamim: Significa filho da felicidade e indica uma pessoa que está sempre analisando seus sentimentos. Por isso mesmo, cultiva poucas amizades e não se apaixona com facilidade. Os pais devem lhe ensinar a liberar as emoções, enfatizando, naturalmente, as positivas.<br />
Bento: adaptação de Benedito. Feminino: Benta.<br />
<br />
Berenice: Significa a portadora da vitória e indica uma pessoa criativa, que luta com unhas e dentes pelos seus objetivos e tende a encontrar o sucesso em atividades que envolvem risco financeiro.<br />
<br />
Bernadete: Diminutivo de Bernarda. Indica uma pessoa que sabe aproveitar as oportunidades que se apresentam. Age com rapidez e segurança e consegue muito êxito nos seus empreendimentos.<br />
<br />
Bernarda: Significa a quem tem a força da ursa. Indica uma pessoa que mostra pouco entusiasmo quando precisa improvisar ou inovar, mas se dá bem com a rotina que impõe a si própria.<br />
Bernardo: germânico: "forte como urso, urso forte, soldado corajoso". Feminino: Bernarda. Indica uma pessoa que mostra pouco entusiasmo quando precisa improvisar ou inovar, mas se dá bem com a rotina que impõe a si própria. Consegue sucesso em profissões que exigem dedicação, mas não requerem muita criatividade.<br />
<br />
Berta: Significa brilhante, gloriosa e indica uma pessoa muito inteligente e empreendedora, que se destaca em áreas ligadas ao setor financeiro. É tímida mas, quando mostra suas qualidades, cativa a todos.<br />
<br />
Bertrando: Significa corvo brilhante e indica uma pessoa pouco ambiciosa em relação a dinheiro. Contenta-se com o que consegue , pois sabe viver bem sem gastar muito. Mas quem quiser ganhar seu coração, precisa ter muita sensibilidade, pois em relação ao amor ele é muito exigente.<br />
Bianca: germânico, latim: "branca, alva". Variação de Branca. Marca uma pessoa com grande capacidade de observação e senso de justiça. É do tipo que pouco erra nas avaliações e nos julgamentos. Pode ser bem sucedida como advogada ou juíza.<br />
<br />
Bibiana: Variação de Viviana. Indica uma pessoa expansiva, que se comunica com facilidade. Quem tem esse nome está sempre viajando ou pelo menos fazendo novas amizades, pois adora conhecer pessoas e lugares. Precisa aprender a economizar um pouco, se não quiser estar constantemente em apuros financeiros.<br />
<br />
Blanche: Variação de Branca. Indica uma pessoa que tem grande respeito pela justiça e se orienta pelo que lhe parece mais honesto. Controlada também nos gastos, tem sucesso em negócio próprio ou na administração financeira do lar.<br />
Blenda: germânico: "gloriosa, encantadora". Variante: Brenda.<br />
<br />
Bolívar: Significa moinho à beira do riacho e indica uma pessoa que trabalha com afinco e geralmente consegue transformar em pó os obstáculos ao seu progresso. Tem êxito sobretudo em atividades direta ou indiretamente ligadas à agricultura, à diplomacia e à comunicação.<br />
Bonifácio: latim: "que tem destino venturoso, o que faz bem ou boas obras". Significa destinado à felicidade e indica uma pessoa de temperamento impulsivo, o que a ajuda a superar algumas dificuldades mas pode lhe criar outras. Os pais precisam lhe ensinar a esperar o momento certo para agir, sem se precipitar e sem perder oportunidades.<br />
Borges: francês: "nascido ou procedente de Bourges".<br />
<br />
Bóris: Significa combatente e indica uma pessoa com grande disposição para enfrentar os obstáculos. A persistência é a chave do sucesso, mas às vezes ele confunde pertinácia com teimosia e combate adversários que nem existem.<br />
Braga: português: “procedente de Braga. Topônimo”.<br />
<br />
Branca: Significa branca, luminosa, brilhante e indica uma pessoa receptiva e otimista. Embora um tanto ingênua, luta vigorosamente no dia-a-dia e em geral atinge seus ideais.<br />
<br />
Brandão: Significa o que luta com a espada e indica uma pessoa de hábitos regulares, que não altera sua rotina senão por motivos realmente sérios. Dessa forma, pode dirigir a vida para objetivos claros e razoáveis - e tende a alcançá-los.<br />
<br />
Brás: Significa gago e indica uma pessoa com alguma dificuldade de comunicação, tendência essa que desaparece se os pais a incentivarem a dizer sem reserva tudo o que pensa. Metódico, quem tem esse nome hierarquiza sus gastos e tende e enriquecer.<br />
Bráulio: latim: "radiante, resplandecente".<br />
Breno: celta: "rei, chefe, dirigente".<br />
<br />
Bridget, Brígida: Significa grande, elevada. Indica uma pessoa que se programa para objetivos elevados e, senão os alcança, fica muito frustrada. Mas isto raramente acontece, pois ela sempre se prepara de forma conveniente.<br />
<br />
Brigite: teutônico: "forte, a grande, elevada". Significa guia indica uma pessoa com grande capacidade de liderança, que não mede esforços para alcançar seus objetivos. E essa perseverança a leva ao sucesso profissional e amoroso.<br />
Brito: celta: "briga, forte, resistente, ou derivado de Brites".<br />
Bruna: teutônico: "escura, parda". Masculino: Bruno.<br />
<br />
Bruno: Significa moreno, escuro e indica uma pessoa calma e diplomática, que consegue tudo o que deseja pela capacidade de convencer, nunca pela força. A liderança que revela vem mais da sua capacidade de analisar corretamente cada situação do que de um talento inato.<br />
Bueno: espanhol: "bom".<br />
<br />
CCabral: português: "lugar onde há cabras".<br />
Caetano: latim: "habitante ou natural de Gaieta ou Gaeta". Feminino: Caetana. Indica uma pessoa inteligente e atraente. Se souber aproveitar seus magnetismo, terá muito sucesso, tanto na vida profissional como na vida amorosa.<br />
Caio: latim: "cordão, cajado, alegre, contente".Significa feliz, contente e indica uma pessoa ambiciosa e de personalidade forte, que faz tudo o que está ao seus alcance para progredir na escala social<br />
Caiuã: tupi: "morador do mato".<br />
Caldas: latim: "águas quentes".<br />
Caled: Significa imortal e predispõe a uma vida longa, saudável e lúcida. Quem tem esse nome, não revela pressa para nada, nem mesmo para decidir a qual das suas muitas namoradas dará seu coração.<br />
<br />
Calisto: Significa o mais belo e indica uma pessoa comunicativa, expansiva e sedutora. Essas qualidades lhe permitem se tornar um conquistador, desses que passam de uma aventura amorosa para outra quase sem intervalo. Mas na maturidade essa tendência é refreada ele se revela um excelente pai de família.<br />
<br />
Calvino: Significa meio calvo e indica uma pessoa que, de tão tímida, chega a parecer antipática e agressiva. É criterioso nos seus relacionamentos, pois sempre usa a razão para tomar decisões. Os pais precisam, sutilmente, levá-lo a se abrir para o mundo.<br />
Camila: fenício: "a selvagem, protetora selvagem".<br />
Camilo: latim: "servidor de sacerdotes, o que está perante Deus". Significa aquele que nasceu livre ou de família importante (e que por isso podia ajudar nos templos das cerimônias pagãs). Indica uma pessoa que trabalha com amor e dedicação e, portanto sempre se sai bem ao executar suas tarefas.<br />
Cândido: latim: "puro, inocente". Feminino: Cândida.<br />
Candido: Significa puro, ingênuo, inocente. Indica uma pessoa que vê o mundo sem malícia, mas nem por isso se deixa manipular. Prático, paciente e organizado, vence a seu modo os obstáculos que encontra e ganha experiência bastante para apoiar, com conselhos úteis e detalhados, quem recorre a ele.<br />
Cardoso: português: "chão cheio de cardos, terreno cardoso".<br />
Carina: italiano: "querida". Variante: Karina.<br />
<br />
Carlos: teutônico, germânico: "fazendeiro", latim: "varonil, vigoroso". Feminino: Carla. Significa homem e indica uma pessoa que nunca deixa uma oportunidade passar em branco por estar desatento ou por ter medo de riscos.<br />
<br />
Carmelita, Carmem, Carmencita: latim: "poema".<br />
Carolina: de Carlos, filha de Carlos, de Carla.<br />
Carvalho: espanhol, português: "lugar de muitos carvalhos".<br />
Cassandra: grego: "auxiliar do homem".<br />
Cássia, Cassiana, Cassiano: latim: "nome de uma árvore".<br />
<br />
Cassiano: Esse nome se associa a justiça e designa uma pessoa muito rigorosa nos seus julgamento. Responsável e persistente, luta sem medo contra todas as dificuldades, mas dificilmente entende quem não tem uma determinação e uma honestidade semelhantes às suas.<br />
Cássio: latim: "distinto, ilustrado". Indica uma pessoa com agudo senso de justiça e muita preocupação em conseguir o poder, embora não se preocupe demais com os bens materiais.<br />
<br />
Catão: Significa agudo, perspicaz e indica uma pessoa que mergulha profundamente em tudo o que lhe interessa. É determinado, não se contenta com pouco e luta com uma tremenda disposição para progredir. Suas chances de sucesso são enormes e ele aproveita todas elas.<br />
Catarina: grego, latim: "pura, casta". Masculino: Catarino.<br />
Cauã: tupi: "gavião".<br />
<br />
Cauê: Nome de provável origem tupi e talvez associado à bebida fermentada (ka´wi) que os índios tomam. Indica uma pessoa de extrema bondade e inteligência, muito elogiada pelo seu jeito amoroso e um tanto tímido que encanta a todos.<br />
Cecília: latim: "ceguinha".<br />
<br />
Cedar: Significa negro e indica uma pessoa que, movida pela curiosidade, desenvolve idéias originais e criativas que lhe permitem transpor os obstáculos com alguma facilidade. É muito elegante, e isso pode levá-lo a exagerar no gastos com roupas.<br />
Celene: grego: "nome de uma das irmãs de Atlas". Variantes: Celene, Cilene.<br />
Celeste: latim: "celestial, divina, do céu".<br />
Célia: latim: "celestial, celeste".<br />
Celina: latim: "filha do céu". Variantes: Celínia. Masculino: Celino, Celínio.<br />
Celso: latim: "excelso, sublime". Significa elevado, nobre e indica uma pessoa que, quando não se deixa dominar pelo orgulho, adquire muito conhecimento e o utiliza para o bem de toda a comunidade. Tende a um acentuado progresso material e espiritual durante toda a vida.<br />
César: latim: "de cabeleira longa, de cabelos compridos". Indica um homem inteligente, com excelente memória e que tem sempre uma idéia brilhante para facilitar seu trabalho. essa sua capacidade lhe traz grandes lucros.<br />
Chagas: português: "refere-se as cinco chagas de Cristo".<br />
Chaves: português: "nome de uma cidade portuguesa, Chaves".<br />
Cibele: grego: "a grande mãe dos deuses, filha da terra e do céu, mulher de Urano, mãe de Saturno".<br />
<br />
Cícero: Significa plantador de ervilha e indica um líder natural, com capacidade de decidir e dar ordens. Seu estilo de vida provoca muita admiração mas também muita inveja.<br />
Cíntia: grego, latim: "natural de Cinto, monte da ilha de Delos". Um dos nomes da deusa Artêmis.<br />
Cirilo: grego: "de plena autoridade". Significa senhor e indica uma pessoa dotada de autocontrole e grande capacidade de decisão. Inteligente e equilibrado, geralmente alcança a realização profissional e afetiva<br />
<br />
Ciro: Significa sol ou eleito e indica uma pessoa de temperamento alegre e despojado, que leva a vida sem grandes preocupações, pois confia nos seus méritos e nas suas qualidades. Também não dá muita atenção à economia, pois sabe que sempre conseguirá ganhar mais dinheiro.<br />
Clara: latim: "brilhante, luzente".<br />
Clarice: francês: "claridade". Variante: Clarisse.<br />
Cláudio: latim: "coxo". Feminino: Cláudia, Claudine. Significa o que anda com dificuldade e indica uma pessoa que, graças ao seu caráter arrebatador e audacioso, consegue dirigir suas energias de modo a atingir seus objetivos sem demasiado esforço.<br />
Cleber: germânico: "taipeiro, padeiro". Significa colador de papel de parede. Segurança e determinação são suas maiores virtudes, mas sua discrição é também muito elogiada. Se alguém lhe confia um segredo, ele o leva até o túmulo.<br />
Cleide: o mesmo que Gleide.<br />
Clélia: latim: "famosa, ilustrada, nobre".<br />
<br />
Clemente, Clementino: Significa clemente, bondoso e indica uma pessoa sempre disposta a entender e perdoar as outras. Mas, quando se convence de que alguém é realmente um mau caráter, afasta-se definitivamente.<br />
Cléo: grego: "gloria, fama".<br />
Cleusa: o mesmo que Creusa.<br />
<br />
Clodoaldo: Significa chefe ilustre e indica uma pessoa com capacidade de sobra para liderar as outras, mas que só assume o comando quando é convidada. Em geral, prefere desenvolver atividades individuais, pois tende a confiar mais em si mesmo que em grupos de trabalho.<br />
<br />
Clodomiro: Significa ilustre, famoso, renomado e indica uma pessoa que não se desespera nem diante do maior problema, pois sua determinação é suficiente para que ele sobreviva mesmo em tempos difíceis.<br />
<br />
Clodovil: Significa guerreiro célebre e indica uma pessoa que pensa grande e sonha alto. Como a sorte geralmente o acompanha, alcança suas metas na vida sem maiores dificuldades. Sua presença é sempre marcante.<br />
Clóvis: germânico: guerreiro famoso".<br />
Coimbra: celta: "castelo, fortaleza".<br />
Colombo: Significa pombo e indica uma pessoa que procura viver em paz com as outras, muitas vezes abrindo mão de suas pretensões para não quebrar a harmonia do ambiente. Só não abre mão das longas viagens que faz sempre que tem oportunidade.<br />
Conceição: latim: "concepção".<br />
<br />
Conrado: Significa conselheiro prudente. Indica uma pessoa que faz da sua liberdade sua bandeira e, por isso pode ser vista como irresponsável. Mas seguramente não é. Tem consciência dos seus deveres e faz questão de cumpri-los à risca, para não ficar preso à sensação de culpa.<br />
<br />
Constante, Constantino: Significa constante, perseverante e indica uma pessoa predestinada ao sucesso, pois está sempre se preparando para aproveitar as boas oportunidades e sabe reconhecê-las, quando elas surgem.<br />
Consuelo: espanhol: "consolo, consolação".<br />
Cosme: Significa ornamento e predispõe a pessoa a se preocupar com beleza e elegância. Quem tem esse nome não só cuida bastante da aparência como pode desenvolver atividades ligadas às artes ou à moda.<br />
Couto: português: "terra coutada, privilegiada, defesa".<br />
Creusa: grego: "a dominadora, a soberana".<br />
Crispim: latim: "o que tem cabelos crepos". Indica uma pessoa com grande força interior. É muito admirado e elogiado pela capacidade que demonstra de poupar e aplicar bem o seu dinheiro.<br />
Cristiano: grego: "seguidor dos ensinamentos de Cristo, ungido do Senhor". Significa cristão e indica uma pessoa positiva, otimista, organizada e com grande capacidade de liderança, derivada da consciência do seu próprio valor.<br />
Cristino: grego: "ungido do Senhor".<br />
Cristo: grego: "o ungido, o consagrado".<br />
Cristóvão: Significa portador de Cristo e indica uma pessoa preocupada com sua evolução espiritual mas que precisa tomar cuidado para não se impacientar com quem pensa de maneira diferente da sua.<br />
Cubas: português: "vasilha, pipa".<br />
<br />
DDafne: grego: "loureiro".<br />
<br />
Custódio: Significa anjo da guarda e indica uma pessoa preocupada com as outras mas que não abre mão dos seus próprios ideais ou dos seus próprios prazeres apenas para satisfazer alguém.<br />
<br />
Dafne: Significa loureiro. Nome da ninfa que foi amada por Apolo e transformada nessa planta. Indica uma pessoa cheia de qualidades, entre as quais se destacam o encanto, o brilho e a facilidade em se comunicar e despertar confiança.<br />
<br />
Dagoberto: Significa brilhante como o dia e indica uma pessoa persistente, decidida e carismática. Sua personalidade firme sempre o leva a tomar decisões acertadas na vida.<br />
Daisy, Deise: anglo-saxão: "olho do dia, isto é, sol, é correspondente inglês de Margarida e significa olho-do-dia. Indica uma pessoa intuitiva e que gosta de dividir o que descobre. Se aprende quando e a quem dar conselhos, viverá relações muito harmoniosas, pois é carinhosa e fiel.<br />
Dália: norueguês: "do vale".<br />
<br />
Dalila: Significa dócil e designa a personagem bíblica que traiu o herói Sansão cortando seus cabelos para que ele perdesse a força. Devido a essa tradição, seu nome está associado a alguém que não se preocupa em ferir os outros para conseguir o que deseja. Revela ainda uma mulher que se submete aos desejos do amante mas tende a lhe ser infiel.<br />
Dalton: Significa aldeia do vale e indica uma pessoa que sempre se mostra muito curiosa e criativa. Para ele, nenhum obstáculo é grande demais, pois sabe que, com algum esforço, consegue resolver tudo.<br />
Damião: latim: "homem do povo". Significa domador e indica uma pessoa dotada de temperamento impulsivo, que não cede diante de nenhum tipo de pressão quando o que está em jogo é a possibilidade de alcançar suas metas.<br />
<br />
Daniel, Danilo: hebraico, significa Deus é meu juiz indica uma pessoa que não se preocupara exageradamente com a opinião dos outros. O importante para ele é estar em paz com a própria consciência e com seus princípios morais. Tem uma intuição muito grande e sabe usá-la. Feminino: Daniela.<br />
<br />
Daniela Helena: Sofisticada e exigente, destaca-se pelo bom gosto e pela elegância que demonstra no dia-a-dia.<br />
<br />
Daniela: Significa Deus é meu juiz. E revela uma pessoa que age sem se preocupar exageradamente com a opinião dos outros. O importante para ela é estar em paz com sua própria consciência. Espirituosa e empreendedora, tem uma personalidade brilhante e cativa todo mundo.<br />
Danilo: escandinavo: "o dinamarquês". Feminino: Danila.<br />
Danton: Significa de Antônio e indica uma pessoa que, devido à sua mania de perfeição, por vezes cria conflitos com aqueles que a rodeiam. Se controlar essa tendência, poderá fazer amizades duradouras.<br />
<br />
Darci: Significa nobre de Arcy e indica uma pessoa que analisa tudo muito bem antes de tomar qualquer iniciativa. E como pensa depressa, sempre acha rapidamente uma solução conveniente para os problemas.<br />
Dário: grego: "o que segura". Feminino: Dária. Significa poderoso e salvador e indica uma pessoa que precisa lutar muito até alcançar seus objetivos. Mas isso não o aborrece, pois costuma encarar cada empecilho como uma desafio a ser superado;<br />
<br />
Darlene Glória: Exigente consigo e com todos à sua volta, tem uma grande força interior e impõe respeito sem se esforçar para isso.<br />
<br />
Darlene: Significa a queridinha e predispõe a criança a ser mimada, competitiva e ciumenta. Mas, à medida que cresce, ela vai se tornando independente e aprende a merecer aquilo que deseja. Sempre dá muito valor ao que possui; não gosta de emprestar nada e não tolera desperdício.<br />
<br />
David: hebraico: "o amado, querido". Variantes: Davi, Dávide, Deivide, Daivide.Débora: hebraico: "abelha". Significa predileto, amado e indica uma pessoa que aproveita todas as oportunidades de sucesso que surgem mostrando competência e dedicação. Sente-se muito atraído pelas aventuras amorosas, mas procura acima de tudo ser um bom chefe de família.<br />
Débora Regina: Mostra-se cativante e sensual até nos menores atos. Ao mesmo tempo, é dinâmica e está sempre de bom humor. Os colegas e amigos simplesmente a adoram.<br />
<br />
Débora: Significa abelha e designa uma pessoa que possui uma força de vontade excepcional. Ela luta com grande determinação para alcançar seus objetivos. Embora muito cautelosa, quando confia em alguém se revela uma companheira doce e amigável.<br />
Décio: Significa o décimo (filho). Indica uma pessoa responsável, que encara com seriedade tudo o que faz e gosta de ser elogiada por isso, É tão meticuloso que nenhum detalhe escapa à sua percepção.<br />
<br />
Delfim: Significa golfinho e indica uma pessoa que tende a se realizar profissionalmente nas áreas ligadas à comunicação. Em relação ao dinheiro e ao amor, procura ouvir não só o coração mas também a mente.<br />
Délia: grego: "a visível, da ilha de Delos". Um dos nomes da deusa Artêmis.<br />
<br />
Demétrio, Demétrius: Significa consagrado à deus Demeter e indica uma pessoa que, embora inteligente e esforçada, encontra dificuldades para vencer na vida tão rapidamente quanto gostaria. O sucesso só vem depois que ele aprende que existe um tempo de plantar e um tempo de colher.<br />
Denilson: forma inglesa de filho de Denis.<br />
Denis: forma francesa de Dionísio.<br />
<br />
Denise Aparecida: Sempre divide o que tem com quem está necessitado. Mas, às vezes, ao tentar resolver problemas alheios, esquece suas próprias necessidades. Precisa corrigir logo cedo essa tendência.<br />
Denise: francês: "adepta a Dionísio". Variação de Dione. Revela uma pessoa alegra, de temperamento gentil e amante da beleza. Seu apurado senso estético faz com que se interesse por várias formas de arte e só namore homens bonitos.<br />
<br />
Deodato: Significa dado por Deus e indica uma pessoa que tenta assumir um comportamento liberal mas quase sempre acaba agindo de modo bem conservador, o que deixa os outros muito confusos.<br />
<br />
Deodoro: Significa presente de Zeus e indica uma pessoa determinada, que tem paciência, autoridade e muito senso prático. A soma dessas qualidades lhe permite esperar o momento certo para agir sempre da maneira mais conveniente.<br />
Diana Regina: É um tanto autoritária, até mesmo com os amigos e com o namorado, mas suas "ordens" visam ao bem-estar de todos.<br />
<br />
Diana: latim: "a brilhante, a divina, deusa da caça, deusa da mitologia, revela uma pessoa autoritária e caprichosa, mas que obtém o que deseja principalmente por se mostrar organizada, prática e muito objetiva. Em geral consegue aliar a busca do sucesso a um bom relacionamento com as pessoas que a rodeiam. E no amor logo encontra um bom parceiro e constitui um lar estável.<br />
<br />
Dilermando: Significa o que tem boa pontaria e indica uma pessoa que tem na franqueza sua maior virtude. Quando precisa dizer algo ou tomar alguma atitude drástica, vai direto ao objetivo, sem rodeios.<br />
<br />
Dimas: nome do ladrão crucificado ao lado de Jesus e que se arrependeu dos seus pecados. Indica uma pessoa criteriosa e ponderada, que reflete muito antes de emitir um julgamento. E quando percebe que errou, não hesita em reconhecer e em se corrigir.<br />
Diná, Dina: hebraico: "a inocente, a absolvida, a julgada". Uma pessoa que tem a intuição como a marca registrada. Além disso, a inteligência e o dinamismo são seus fortes aliados. Gosta do conforto e dos jogos de sedução e geralmente consegue desfrutar, com bom senso, muitos dos prazeres da vida.<br />
<br />
Dina: Variação de Adina. Indica uma pessoa que tende a usar a força de sedução para conquistar tudo o que deseja. Se for mimada em criança, poderá se tornar possessiva e manipuladora, quando adulta. Mas, se aprender que as conquistas precisam ser merecidas, desenvolverá uma grande capacidade de lutar pelos seus ideais.<br />
Diniz: o mesmo que Dionísio.<br />
<br />
Dinorá: Significa luz e indica alguém que, graças à sua apurada intuição, toma decisões certas até quando todo mundo à sua volta está confuso. Inteligente, dinâmica e meiga, tem boas chances de se realizar profissional e amorosamente.<br />
<br />
Diógenes: Significa gerado por Zeus e indica uma pessoa que cultiva bons hábitos e dirige sua vida para objetivos bem definidos.<br />
Diogo: latim: "instruído". Variante: Diego. Indica uma pessoa dotada de forte magnetismo e muita capacidade de liderança. Quem tem esse nome, em geral, se revela um ser humano preocupado com o bem-estar coletivo.<br />
<br />
Dione: Esse nome está associado à Dionísio, o deus do vinho, e revela uma pessoa extrovertida mas muito rigorosa consigo mesma e com os outros. Só trabalha naquilo que se gosta e presta muita atenção no que faz. Por isso, sua competência no trabalho sempre é elogiada e premiada.<br />
Dionísio: grego: "o consagrado a Baco, deus do vinho". Indica uma pessoa prática e realista, que faz da inteligência uma ferramenta para conseguir a felicidade. Pensa positivamente e por isso consegue sucesso.<br />
Dirce: grego: "fonte, turvar a água".<br />
Dirceu: grego: "fonte". Significa de Dirce (personagem da mitologia grega que foi transformada em fonte). Indica uma pessoa que identifica o perigo como se contasse com um radar, mas às vezes se expõe a ele, pois adora correr riscos e viver de modo emocionante.<br />
<br />
Djalma: Significa capacete e indica uma pessoa sensível, romântica e predisposta ao bem. Mas ele nunca perde a noção da realidade, o que lhe permite analisar friamente o que acontece ao seu redor.<br />
Dolores: espanhol: "dor, dores".<br />
<br />
Domício: Significa domado, doméstico e indica uma pessoa que dá pouco valor a bens materiais, mas nunca passa apuras financeiros, pois sabe controlar suas despesas<br />
Domingos: latim: "nascido no domingo, dia consagrado ao Senhor". Significa o que pertence a Deus e indica uma pessoa muito discreta. Dificilmente alguém a verá fazendo propaganda das suas realizações - que aliás, costumam ser numerosas.<br />
<br />
Donaldo: Significa o que governa o mundo e indica uma pessoa expansiva e com grande poder de persuasão. Gosta de obter todo tipo de conhecimento. Precisa aprender a gastar com moderação.<br />
Donário: latim: "dádiva, presente". Feminino: Donária.<br />
<br />
Donato: Significa dado e indica uma pessoa que sempre procura corresponder às expectativas dos outros. Enquanto não aprende a viver de acordo com a sua consciência, e não de acordo com a consciência alheia, fracassa na luta pelo progresso.<br />
Dora: Significa dádiva de Deus e indica uma pessoa que prefere resolver as coisas devagar, de maneira paciente e ordenada. O bom senso e a moderação estão presentes em todas a suas atitudes.<br />
<br />
Dores: Usado como parte do nome composto Maria das Dores.<br />
<br />
Dorival, Dorval, Durval, Durvalino: Significa aquele que veio de Orval e indica uma pessoa de temperamento impetuoso, que muitas vezes se mostra imprudente e agressiva. Seu maior desafio é tornar-se mais tolerante e aprender a agir com diplomacia - algo que os pais devem lhe ensinar já na infância.<br />
Douglas: escocês: "do rio preto, rio de águas turvas". indica uma pessoa que, com seu temperamento impulsivo, consegue resultados rápidos em tudo o que se propõe a fazer. Mas nem sempre esses resultados são satisfatórios, pois o excesso de autoconfiança pode induzi-lo ao erro.<br />
Dourival: português: "do vale dourado". Variante: Dorival.<br />
<br />
Duílio: Significa rebelde, inimigo e indica uma pessoa muito independente, que não se deixa sugestionar pelos outros. Acredita que sua consciência é o único juiz que ele pode tolerar e faz tudo do seu jeito.<br />
Dulce: latim: "doce, suave, agradável".<br />
Dulcídio: Significa doce e indica uma pessoa cheia de ternura mas que luta com unhas e dentes para alcançar seus ideais. Tem grande chance de sucesso, inclusive no campo afetivo, pois seu forte apego ao lar e à família faz dele o marido ideal.<br />
E<br />
Éder: basco: "belo".<br />
Edgar: germânico: "próspero, defensor da propriedade".<br />
Edilson: de Wilson, Vilson.<br />
Edite: anglo-saxão: "rico presente, combate pelas riquesas". Variante: Edith.<br />
Edmar: teutônico: "ilustre pelos bens, riquesas". Feminino: Edmara.<br />
Edmilson: justaposição de Edmundo e Wilson.<br />
Edmundo: anglo-saxão: "próspero protetor, defensor dos bens, riquezas".<br />
Edna: hebraico: "a que conhece o segredo da juventude, rejuvenescimento". Indica uma pessoa extrovertida e cheia de energia. Por vaidade ou amor próprio, vive consciente da sua importância, e isso a aguda a correr os riscos que levam ao sucesso.<br />
Edson: forma inglesa de filho de Eduardo, Edmundo.<br />
Eduardo: anglo-saxão: "guarda das riquezas".<br />
Elaine, Elena: forma francesa de Helena. Variante: Elane.<br />
Eleonor: arabe: "meu Deus é luz", galês: "luz". Variante: Eleonora.<br />
Eli: hebraico: "o altíssimo, o elevado". Variante: Ely.<br />
<br />
Eliana, Eliane: grego, latim: "bela como o sol, beleza resplandecente". Associado ao Sol, esse nome indica uma pessoa perspicaz e cordial, que sabe se comportar bem em qualquer situação. Embora um pouco dispersiva, tem muita habilidade para lidar com o público<br />
Elisa fenício, cartaginês: "contente, alegre". Variantes: Eliza, Elise.Variação de Elisabete. A franqueza é a marca registrada da pessoa que tem esse nome. Mesmo que às vezes lhe traga alguns problemas, sua tendência a dizer sempre o que pensa revela uma grande qualidade: o apego à verdade. Na maturidade, torna-se mais diplomática, mas continua sentindo aversão pela mentira.<br />
<br />
Elisabete, Elisabeth, Elizabete, Elizabeth Lisabete: hebraico: "consagrada a Deus, consagrada de Deus". Indica uma pessoa extremamente ativa, que, graças à sua persistência e à sua força de vontade, sempre alcança os objetivos a que se propõe.Uma de suas virtudes é a capacidade de planejar tudo com muito cuidado.<br />
Elisângela: justaposição de Elí e Ângela.<br />
Eliseu: hebraico: "meu Deus é salvação".<br />
Elói: francês: "o eleito".<br />
Eloisa: derivado de Luísa, filha ou descendente de Luísa. Variantes: Eloise, Eloiza, Eloize.<br />
Elvira: latim: "loura, branca".<br />
Elvis: norueguês: "sábio, erudito".<br />
Elza, Elsa: teunônico.Significa virgem das águas e dos císnes, é uma pessoa falante, curiosa e criativa. Para ela, nenhum obstáculo é grande demais. Fica deprimida com facilidade, mas, com algum esforço, logo supera a crise. No lar, é uma excelente mãe e companheira.<br />
Emanuel: hebraico: "Deus conosco".<br />
Emerson: teutônico: "governador industrioso".<br />
Emília: gótico: "aquela que é trabalhadora, ativa". Variante: Amália.<br />
Erasmo: grego: "amável, digno de respeito, simpático".<br />
Ercília: Veja Hercília.<br />
Erica: forma feminina de Érico, que é o mesmo que Erick. Significa sempre poderosa e indica uma pessoa perseverante, que realmente se dedica ao que faz. Tímida por fora, no íntimo se orgulha dos seus inúmeros talentos e da sua romântica sensualidade.<br />
Erick: escandinavo: "poderoso como uma águia". Variante: Eric, Érico.<br />
Ernesto: teutônico: "lutador decidido, dedicado".<br />
Esperança: latim: "nome de uma deusa romana, irmã do Sono".<br />
Estefânia: Significa coroa, realeza. é uma pessoa aberta para a revisão dos seus próprios valores, quando isso parece importante. Consegue grande progresso material porque não fica presa a idéias fixas.<br />
Estéfano: grego, latim: "coroa, diadema, o coroado". Variante: Estéfani.<br />
Estela: Significa estrela e indica uma pessoa talentosa, inteligente e versátil. Ela procura sempre cumprir suas tarefas com dedicação e brilhantismo, pois adora os elogios. Tem sucesso no campo artístico.<br />
Ester: hebraico: "estrela".<br />
Ester: Significa estrela. Indica uma pessoa cativante, charmosa e sensual. Apesar de ser um pouco dispersiva, consegue resolver seus problemas e também os da sua família.<br />
Euclides: grego: "famoso, glorioso".<br />
Eugênia: Significa bem nascida, nobre e indica única pessoa atenta aos detalhes e exigente consigo mesma e com os outros, só se relaciona bem com pessoas do mesmo nível cultural e social que o seu.<br />
Eugênio: grego: "de bom nascimento, de estirpe ilustre". Feminino: Eugênia.Euler: teutônico: "oleiro".<br />
<br />
Eunice: Significa boa vitória, indica uma criança que adora ser o centro das atenções, Mas já na adolescência essa mania é canalizada para alguma atividade na qual ela possa se destacar naturalmente.<br />
Eva: hebraico: "vivente, vida, a raiz da vida, mãe da humanidade". Indica uma pessoa voltada para o lar e para a família, faz questão de inventar e de percorrer seus próprios caminhos. Essa é a sua receita de felicidade.<br />
Evandro: grego: "homem bom, homem corajoso e valente".<br />
Everton: teutônico: "que protege a lei, ou pela lei".<br />
<br />
FFabiana: filha, descendente de Fábio(a), ou feminino de Fabiano.<br />
Fábia: Significa aquela que planta favas e indica uma pessoa comunicativa, que tem facilidade em estabelecer qualquer tipo de diálogo. Para ela, todas as mudanças são bem-vindas, principalmente quando lhe permitem formar novas amizades ou conhecer novos ambientes.<br />
<br />
Fabiana, Fabiane: Significa fava que cresce e predispõe a pessoa a ter um sucesso cada vez maior em todos os seus empreendimentos. Honestidade e rapidez mental são suas características mais marcantes.<br />
Fabiano: latim: "fava que esta crescendo, feijão que cresce".<br />
Fábio: latim: "fava, que planta fava, feijão". Feminino: Fábia.<br />
<br />
Fabíola: latim: "contadora de conto, fábula, ou derivado feminino de Fábio(a), Fabião, Fabiano(a)". Diminutivo de Fábia, Indica uma pessoa que, como tem muito charme e inspira confiança, vive rodeada de amigos.<br />
<br />
Fabrícia: Significa aquela que trabalha em obras de metal. Indica uma pessoa impulsiva e que não cede a nenhum tipo de pressão. Na juventude, chega a ser obstinada. Na maturidade, torna-se apenas teimosa.<br />
Fabrício: latim, francês: "que trabalha com metais, ferreiro". Variante: Fabrízio.<br />
Fátima: árabe: "a que deixou de mamar, mulher perfeita".<br />
<br />
Fátima: É o nome da filha de Maomé. Significa desmamada (ou seja, que deixou de ser bebê, que alcançou um degrau mais alto na escala da evolução). Indica uma pessoa que sabe ouvir a intuição e não se prende a regras ultrapassadas.<br />
Fausto: latim: "feliz, venturoso, faustoso". Feminino: Fausta.<br />
Felipe: grego: "que gosta de cavalos, amigo dos cavalos". Variantes: Filipi, Philip, Phelipe, Fhelipe, Félip.<br />
Feminino: Alexandra. Variante: Alexandro, Alessandro, Alex.<br />
<br />
Feminino: Bonifácia.<br />
<br />
Feminino: Cristiane, Cristina.<br />
Feminino: Ivani, Ivete, Ivone, Ivonete e Ivonice.<br />
Jaciara: tupi: "dia de lua, despontar da lua".<br />
<br />
Fernanda: Significa ousada e indica única batalhadora incansável, que leva até o fim tudo o que começa e quase sempre consegue resultados positivos. A criatividade e o amor à liberdade são outras das suas características mais marcantes.<br />
Fernando: teutônico: "ousado, alto". Feminino: Fernanda.<br />
Filomena: grego: "a deve ser amada". Masculino: Filomeno.<br />
<br />
Flávia: Significa dourada. Indica uma pessoa brilhante e aventureira, que adora experimentar novas sensações. Sua capacidade de concentração a ajuda a ter sucesso em atividades de planejamento.<br />
Flávio: latim: "o de cabelos louros, áureo". Feminino: Flávia. Variantes: Flaviano,<br />
Flora: latim: "deusa das flores, deusa da primavera". Uma pessoa que ama a natureza e que, ao longo da vida.<br />
Fonseca: português: "fonte seca".<br />
Fontana: latim: "alargamento da fonte".<br />
Fontes: português: "das fontes".<br />
Franceline: francês: "vindo de França, nome antigo da Gália".<br />
Fred: germânico: "paz", ou abreviação de Alfredo, Frederico.<br />
Frederico: teutônico: "dirigente da paz, senhor da paz, paz que protege".<br />
Frida: germânico: "protetora".<br />
Fúlvio: latim: "o cor parda, ruça, ruivo". Feminino: Fúlvia.<br />
<br />
FGabriel: hebraico: "homem, herói de Deus, enviado de Deus".<br />
Gabriela: hebraico: "de Gabriel, enviada de Gabriel". Também feminino de Gabriel.<br />
<br />
Galileu: Significa o que veio da Galileia e indica uma pessoa que se destaca pela honestidade, pelo dinamismo e por um senso prático fora do comum. Como o trabalho toma boa parte do seu tempo, tende a ser solitário, mas encontra prazer na companhia dos livros e da boa música<br />
Galvão: galês: "falcão branco".<br />
Ganimedes: Significa alegria dos deuses e indica uma pessoa que tem facilidade para tratar de política e de assuntos sociais. Graças ao seu poder de comunicação, resolve até problemas que parecem sem solução.<br />
<br />
Gaspar: Nome de um dos reis magos. Significa inspetor e indica uma pessoa que, por ser sensata e ponderada, encara o dia-a-dia com grande senso de responsabilidade. Outra das suas características mais marcantes é o ciúme, que ele precisa dominar se quiser ser feliz no amor.<br />
<br />
Gastão: Significa hóspede e indica uma pessoa detalhista. Nada escapa à sua observação. Além disso, possui um senso de organização bem apurado. Às vezes fala muito, mas isso não chega a constituir um problema, pois todos gostam da sua conversa.<br />
<br />
Gaudêncio: Significa o que tem alegria inferior e indica uma pessoa que convive de modo agradável e gentil com as outras. Consegue animar qualquer ambiente e sente-se feliz ao ver que alegrou os outros. Faz muito sucesso em carreiras que exijam contato pessoal e envolvam viagens, como a de comissário de bordo.<br />
<br />
Gedeão: Significa o que destrói e indica uma pessoa com uma irritante tendência a encontrar defeitos em tudo o que os outros fazem. Mas na verdade isso de deve à sua alta capacidade de análise e crítica, que, quando é bem dirigida, lhe rende sucessos formidáveis.<br />
<br />
Generoso: Significa generoso mesmo e indica uma pessoa que sabe se dar mas que não se permite grandes prazeres. Por isso mesmo, pode acabar se transformando num homem tenso, voltado para os outros não é egoísmo, é algo que todos devem ter.<br />
<br />
Genésio: Significa protetor da família e indica uma pessoa que faz da humildade; o seu modo de ser. Gosta de ler e medita e está sempre pronto a dar proteção e conselhos aos amigos e parentes.<br />
Geni: diminutivo de Eugênia. variante: Geny.<br />
George: forma de vários idiomas de Jorge. Variante: Georges. Feminino: Geórgia.<br />
<br />
Geraldo: Significa o que domina com a lança e indica uma pessoa capaz de enfrentar qualquer desafio. Raramente desiste de lutar por um objetivo: vai em frente mesmo quando tem poucas chances de sucesso. Feminino: Geralda.<br />
<br />
Germano: Significa irmão e indica uma pessoa fraternal, aprecia as atividades sociais e as funç6es nas quais possa estimular as outras, de alguma forma. Seu dinamismo o ajuda a obter vitórias significativas.<br />
Gerson: hebraico: "peregrino, estrangeiro". Variante: Gelson. Significa proscrito e indica uma pessoa admirada pela sua simpatia e inteligência, mas que também é criticada por sua extrema vaidade: vive preocupada com a aparência e com a forma física.<br />
<br />
Gervásio: Significa lança pontuda e indica uma pessoa com uma aguda percepção dos problemas sociais e vontade de resolvê-los. No entanto, nunca ,deixa que essa preocupação o afaste da sua evolução social e espiritual.<br />
<br />
Getúlio: Significa o que veio da Gaefulia (região da África) e indica uma pessoa extrovertida e comunicativa, que atrai com facilidade a atenção das outras pessoas e consegue convencê-las dos seus ideais.<br />
Gilberto: germânico: "prisioneiro de guerra, ilustre, preclaro". Significa famoso flecheiro e é a marca registrada de quem está sempre de bem com a vida. Encara os desafios com disposição, como se cada obstáculo fosse uma batalha já vencida.<br />
Gilda: nórdico: "que tem valor, valorosa". Masculino: Gildo.<br />
<br />
Gildo: Significa valoroso e indica uma pessoa paciente e perseverante, que se dedica sem reservas às tarefas que lhe são designadas e não mede sacrifícios para realizá-las a contento.<br />
Gisela:teutônico: "sinal de fé".<br />
Glauber: teutônico: "crente, o que tem fé".<br />
Gláucia: nome de uma flor semelhante a papoula. Variante: Glauce. Significa verde-azulado ou verde claro e indica uma pessoa que dá muito valor ao ser humano e à amizade. Por isso, é dócil e carinhosa com todo mundo. Seus amigos e seus parentes sempre encontram nela o apoio de que precisam.<br />
Gleide: celta: "princesa". Variante: Cleide.<br />
Gleusa: o mesmo que Creusa, Cleusa.<br />
<br />
Glicério: Significa doce e indica uma pessoa que vive à frente do seu tempo e tem facilidade para assimilar novos conhecimentos. Essa combinação lhe permite ser um vencedor em tudo o que se propõe a fazer.<br />
<br />
Glória: É um nome associado à Virgem Maria. é uma pessoa que sente irresistível desejo de se aventurar pelo mundo e conhecer lugares e povos exóticos. Em geral, realiza esse e muitos outros sonhos, pois é inteligente e esforçada.<br />
<br />
Godofredo: Significa protegido por Deus e indica uma pessoa espiritualizada e de intuição muito forte. Ele nunca se fecha em si mesmo, pois está sempre em busca de novos desafios.<br />
<br />
Golias: Significa guerreiro poderoso e indica uma pessoa que mostra acentuada tendência para as atividades físicas. Mas costuma confiar muito na sua própria força e descuidar de detalhes que depois se revelam muito importantes.<br />
<br />
Gonçalo: Significa aquele que se preserva mesmo no combate e indica uma pessoa que não foge à luta, quando se trata de alcançar seus objetivos, mas que não se deixa seduzir por causas que não sejam suas.<br />
<br />
Graça, Grace: latim: dom, graça. É um nome associado às deusas mitológicas que tinham o dom de agradar. Significa também beleza e elegância. Indica uma pessoa que procura viver em harmonia com todo mundo. Mas sua delicadeza não deve ser confundida com fragilidade, pois se trata de uma mulher muito forte.<br />
Graciliano: Significa franzino e indica uma pessoa que confia na própria capacidade de contornar dificuldades. Por isso, enfrenta os problemas com serenidade e paciência e, geralmente, se dá bem.<br />
Graziela: italiano: "graciosa, a de muita graça, linda".<br />
<br />
Grego: "nome de uma flor das margens do mediterrâneo". Masculino: Lígio.<br />
<br />
Gregório: Significa cuidadoso, vigilante e indica uma pessoa prudente,que evita ao máximo os conflitos e não emite uma opinião sem antes refletir sobre o assunto. Graças a essa atitude cautelosa, conquista o respeito de todos.<br />
Greice: pronúncia inglesa de Grace, o mesmo que graça.<br />
Guaraci: tupi: "amanhecer, sol, mãe dos ventos". Variante: Guaracy.<br />
<br />
Guido: Significa criança da floresta e indica uma pessoa que, ajudada pela intuição investe seu tempo e sua energia em atividades que lhe dão um excelente retorno. No amor, custa a amadurecer e procura alguém que lhe tudo sem pedir nada em troca, pois tem medo de abrir mão da sua liberdade.<br />
<br />
Guilherme: teutônico: o que protege, protetor". Feminino: Guilhermina. Indica um homem que se orgulha da sua força (física, mental ou moral) e se vale dela para auxiliar a pessoas de quem gosta.<br />
<br />
Guilhermina: Significa protetora voluntária e indica uma pessoa que se orgulha da sua sabedoria e se vale dela para dar conselhos sempre muito úteis. Só não é nem um pouco sábia quando se trata de comprar roupas: para andar na moda, não se importa de gastar mais do que ganha.<br />
<br />
Gumercindo, Gumersindo: Indica um espírito lutador, que persegue o sucesso com muita garra sem perder o bom humor nem a honestidade. Seu otimismo o ajuda a resolver todos os problemas.<br />
<br />
Gustavo: Significa bastão de combate ou cetro do rei e indica uma pessoa impetuosa e tão segura de si que às vezes pode parecer arrogante. Tem chances de alcançar muito sucesso na carreira política ou militar.<br />
Guta: latim: "nódoa". Masculino: Guto.<br />
HHalina: grego: "que tem sal". Obs: não é variante de Alina ou Aline.<br />
Haline: grego: "marinha, do mar". Obs: não é variante da origem celta, Aline.<br />
<br />
Hamilcar: Significa graça de Hércules. O grande,poder de comunicação de quem tem esse nome garante a realização de praticamente todos os seus objetivos. Por isso, deve fincar os pés na realidade para evitar que pensamentos inúteis tomem conta da sua mente.<br />
<br />
Haníbal: Significa dádiva do deus Baal e indica uma pessoa passiva e .receptiva, que normalmente se mostra calma, gentil. diplomática e bondosa. Apesar de não ser ambicioso, consegue tudo o que deseja usando sua enorme capacidade de convencer e mesmo de seduzir.<br />
Haroldo: anglo-saxão: "o que governa o exercito". Significa comandante do exército e indica uma pessoa que se sai bem em atividades profissionais que exigem liderança. Mas na vida pessoal tende a adiar decisões importantes. Os pais devem lhe ensinar a tomar atitudes firmes e comunicá-las claramente aos outros.<br />
<br />
Haydée: Veja Aidê.<br />
Hebe: grego: "juvenilidade". Nome da deusa mitológica da juventude. Indica alguém que costuma proporcionar segurança e alegria às outras pessoas. É amante da verdade e dos prazeres espirituais e físicos. A determinação e a sorte são seu passaporte para o sucesso.<br />
Heber: hebraico: "companheiro, homem companheiro". Não é variante de Eber.<br />
Heda: germânico: "luta".<br />
Heitor: grego; "o guardador, soberano, conservador da vitória". Indica uma pessoa que, apesar de ter um caráter avesso a mudanças e novidades, apresenta notável propensão para levar uma vida de aventuras.<br />
<br />
Hélder: Significa luminoso, límpido e indica um homem muito sóbrio, que sempre conquista as pessoas com as quais se envolve. Elas nunca se cansam de louvar sua coragem, sua perspicácia e a força do seu caráter.<br />
Helen: forma inglesa e abreviada de Helena.<br />
<br />
Helena, Helene: grego: Significa tocha. luz.Indica uma pessoa que parece estar sempre olhando para dentro de si em busca da sua verdadeira personalidade. E ela sabe tirar proveito dessa tendência, que lhe permite analisar bem todas as questões antes de tomar uma decisão irreversível.<br />
<br />
Helga = Sagrado<br />
Hélio: grego: "Deus sol". Variante: Élio. Indica uma pessoa cheia de iniciativa, que tem muito senso de responsabilidade e desenvolve uma profunda ligação com a família. Destaca-se em atividades ligadas às artes e à filosofia.<br />
Heloísa: forma de grafia de Luiza. Variante: Eloisa. Indica um pessoa persistente, que alcança sucesso em todas as áreas de atividade quando consegue acreditar na sua própria capacidade. Precisa se valorizar mais, inclusive nas relações afetivas, para não ser manipulada pelos outros.<br />
<br />
Henoque: Significa iniciado, consagrado e indica uma pessoa que acumula grandes conhecimentos ao longo da vida mas só se dispõe a dividi-los com quem acha que merece essa honraria. Interessa-se muito por esoterismo e ordens secretas.Tendência ao alcoolismo.<br />
<br />
Henrique: teutônico: "príncipe poderoso, senhor da casa, do lar. Variantes: Henriques, Enrique, Enriques. Significa senhor da pátria e indica uma pessoa boa e prestativa, apesar do seu ar um tanto arrogante. Os amigos sabem que podem contar com sua colaboração a qualquer momento. <br />
</div><div style="text-align: justify;"><br />
</div><div style="text-align: justify;"><br />
</div><div style="text-align: justify;"><br />
<br />
<br />
Henriqueta: Chefe, comandante, poderoso. Luta sempre, seja pelos seus direitos ou pelos dos outros. Acima de tudo é individualista e corajosa, utópica mas vencedora. É uma líder por natureza, apesar de ter uma personalidade doce.<br />
<br />
Héracles, Hércules: Nome do herói mitológico mais conhecido como Hércules. Indica uma pessoa que aceita para si tarefas das quais os outros tendem a fugir, pois acredita sem reservas na sua força física ou mental.<br />
Herbert: germânico: "o que brilha, brilhante".<br />
<br />
Hercília: Significa orvalho e indica uma pessoa inteligente e muito disposta a lutar pelos seus objetivos. Enfrenta todos os desafios com sabedoria e, por isso, quase sempre consegue o que deseja.<br />
<br />
Herculano: Significa relativo a Hércules e indica uma pessoa que encontra nos livros uma fonte para enriquecer sua visão do mundo. E ele associa a essa característica muita disciplina e senso prático, o que lhe abre as portas do sucesso.<br />
Hércules: grego, latim: "dividir, fazer a partilha de bens".<br />
Hermes: grego: "o mensageiro, o esclarecedor, apoio".<br />
<br />
Hermes: Significa mensageiro e também o que engana, com palavras e indica uma pessoa individualista e carismática, que gosta de iniciar projetos e de comandar os outros. Adora receber aplausos por tudo aquilo que faz, mas quase nunca elogia os outros.<br />
Hermínio: latim: derivado de Hermes, ou etrusco: "o grande, o forte, o poderoso deus Irmin.<br />
<br />
Hermógenes: Significa descendente de Hércules. Indica uma pessoa atenciosa, que procura estar bem com todo mundo. Mas, por tentar resolver problemas alheios, às vezes se esquece das suas próprias obrigações.<br />
<br />
Heródoto: Significa dádiva da deusa Hera e indica uma pessoa que sempre divide tudo o que tem com quem está necessitado- No amor, prefere estar livre para se relacionar com várias pessoas.<br />
Higino: grego: "saudável, de boa saúde". Feminino: Higina. Indica uma pessoa .que busca viver em harmonia não só com as outras mas também com a natureza. Não faz nada que agrida os outros, que agrida seu corpo ou que agrida o meio ambiente.<br />
<br />
Hilário: latim: "divertido, alegre, contente". Feminino: Hilária. Hilário: Indica uma pessoa que está sempre de bom humor porque faz questão de esquecer as coisas ruins do passado. Quando sente que é preciso, procura reformular seu modo de ver o mundo para que nada atrapalhe sua evolução espiritual.<br />
Hilda: teutônico: "guerreira, donzela de batalha". Masculino: Hildo.<br />
<br />
Hilde: Significa donzela da batalha e indica uma pessoa muito voluntariosa, que em geral só faz o que quer. Praticamente indiferente à glória e à riqueza material, ela parece distante e distraída, mas é atenta a tudo o que acontece e tem idéias muitas claras.<br />
<br />
Hildebrando: Significa o que combate com a espada e indica uma pessoa que não dá passos no sentido contrário aos objetivos que estabelece, desde cedo na sua vida. Sejam quais forem os obstáculos, ele os enfrenta e sempre faz seu próprio caminho.<br />
<br />
Hildefonso: Significa pronto para o combate e indica uma pessoa que tem aptidão para desempenhar tarefas de qualquer gênero. Nada o intimida e sua força de vontade geralmente lhe abre as portas do sucesso.<br />
<br />
Hílton: Significa aldeia da colina e indica uma pessoa com grande capacidade de adaptação a novas idéias. Ele se realiza em trabalhos intelectuais, tem raciocínio rápido e acentuado interesse pelas ciências.<br />
<br />
Hipólito: Significa o que solta os cavalos e indica uma pessoa que se adapta com facilidade às mudanças no trabalho e na vida amorosa. Mas é ambicioso e quer ser o primeiro em tudo. Se não corrigir essa tendência, corre o risco de se tomar um vencedor solitário.<br />
<br />
Hogo:Significa inteligente indica uma pessoa afetiva, leal e sincera. Não lhe falta também, criatividade. O aspecto negativo do seu temperamento é a tendência à vaidade e ao egoísmo. Os pais devem lhe ensinar a dar mais atenção ao lado positivo das pessoas que o cercam.<br />
<br />
Homero: Nome de um grande poeta grego. Significa refém e indica uma pessoa prática e decidida, a quem todos procuram quando precisam de orientação. Tem grande capacidade de fantasiar, mas não mistura os sonhos com a realidade. É equilibrado e sabe lidar bem com conflitos.<br />
<br />
Honório: Significa o que merece honras e indica uma pessoa que sempre é a primeira a tomar a iniciativa mais apropriada. Gosta muito de trabalhar com pesquisa ou ensino. Tem consciência do seu valor e exige que os outros também o reconheçam. Caso contrário, se irrita.<br />
Horácio: grego: "visível evidente, manifesto", latim: "deusa da mocidade (Hora). Feminino: Horácia. Significa protegido pelas deusas Horas. Seu jeito metódico e discreto esconde uma personalidade inteligente e versátil. Para viver bem, só precisa aprender a liberar mais completamente suas emoções.<br />
<br />
Hortênsia: Significa a que cultiva o jardim. Indica uma pessoa que dá a todos os seus atos um toque de originalidade. Quando desenvolve também o espírito prático, para direcionar melhor suas idéias, consegue o sucesso com muita facilidade.<br />
Hortênsio: latim: "o da horta, jardineiro". Feminino: Hortênsia. Variantes: Hortêncio, Hortencia.<br />
Hosana: aramaico: "peço-te a salvação, salvar". Variantes: Hosaná, Hosanã.<br />
Hugo: germânico: "o pensamento, espírito, razão". também abreviatura de Humberto.<br />
Humberto: germânico: "de inteligência brilhante". feminino: Humberta.Significa o brilho do gigante e indica uma pessoa preocupada com as dores alheias. Faz de tudo para ajudar os outros, matéria e espiritualmente. Ao longo da vida, desenvolve grande força física ou moral.<br />
<br />
IIago: variante de Jacó.<br />
<br />
Iara: Tupi, senhora d'água, mãe d'água. Variante: Yara, Iasmin: árabe: "flor, como uma flor.". Apesar de parecer submissa e quase sem iniciativa, tem muita garra para lutar por seus objetivos. Quando estabelece uma meta, é persistente até o fim. Usa de muita doçura até conquistar a pessoa amada.<br />
<br />
Ibraim: Variação de Abrão.<br />
<br />
Ícaro: grego: "personagem mitológico, filho de Dédalo que fugiu da ilha de Creta usando asas pregadas com cera, tentou voar. Indica uma pessoa que trabalha com obstinação, sobretudo quando sabe que está perto de atingir as metas que se havia estipulado. Nunca desanima, e essa disposição geralmente garante seu sucesso.<br />
Idália: latim: "a que viu o sol", grego: "do monte Idálion".<br />
Idalina: italiano: "natural da Adália, Idálion". Masculino: Idalino.<br />
Idálio: grego: "sol falmejante, ou natural da ilha Idálion".<br />
Ieda: hebraico: "favo de mel". Masculino: Iedo.<br />
Iemanjá: iorubana-africano: "senhora do mar, protetora das mães e esposas".<br />
<br />
Ifigênia: Grego, significa vigorosa. Masculino: Ifigênio. Um sonho, por mais impossível que pareça, é perfeitamente realizável nas mãos dessa pessoa. Possui força suficiente para levantar seus projetos até o fim. Luta com todas as armas para conquistar o seu amado.<br />
Ifigênia: grego: "nascida com poder, com vigor, com força".<br />
<br />
Ígor, Iuri: Variação de Jorge . Igor: forma russa de Ingomar, e também do grego Geógios.<br />
Ilca: eslavo: "mulher honrada pela sua vivacidade, ativa". Variante: Ilka.<br />
Ilsa, Ilza: germânico: "ninfa, ondina", ou variante de Elsa, de Nilza.<br />
Imaculada: Italiano, sem mácula, pura. Santa da Igreja Católica. Indica perseverança e persistência na hora de seguir em frente pelos caminhos traçados ou escolhidos de antemão; em algumas ocasiões, estes caminhos pode apresentar-se confusos e cheios de obstáculos.<br />
Inácio: latim: "ardente, fogoso". Feminino: Inácia. Indica uma pessoa vivaz e inteligente, que em geral amadurece com as dificuldades. Supera com bom humor e perseverança os obstáculos e acaba obtendo grandes êxitos.<br />
Inês: grego: "a pura, a casta". Variantes: Ignês, Inêz. Variação de Agnes, a casta, a pura, de origem grega. Naturalmente calma e ponderada, seus modos indicam até certa timidez. Quando gosta de uma pessoa, torna-se amiga fiel para toda a vida.<br />
Ingrid: escandinavo: "amazona de Ingo".<br />
<br />
Iolanda: Grego, florescência de violeta. Variante: Yolanda. Embora tenha grande capacidade de comunicação, dificilmente revela seus pensamentos mais íntimos. Gosta de discrição e é uma batalhadora na profissão. Tem muitos admiradores, mas não é fútil.<br />
<br />
Ioná: Hebraico, significa pomba. É pessoa que não mede esforços para ajudar alguém que esteja em dificuldades, mas se esquece um pouco de si própria. Geralmente tem problemas financeiros. Tendência a ser vista como uma boa amiga.<br />
<br />
Ione: Grego, quer dizer pedra de cor violeta. Nom de uma ninfa da mitologia grega. Sempre alegre, não dramatiza nem mesmo as situações mais difíceis. Sempre vê o lado positivo e consegue tirar lições proveitosas de tudo o que acontece. Seu jeito espontâneo provoca ciúmes.<br />
<br />
Iracema: Anagrama de América.Nome criado por José de Alencar. Revela uma grande capacidade para saber estar no seu lugar. ë próprio de pessoas que, mesmo nos momentos difíceis, sabem manter as aparências. Consideram a vida como um lugar de passagem e mostram, geralmente, um temperamento agradável.<br />
<br />
Iraci: Tupi, mãe do mel, doçura, abelha rainha. A pessoa tende a ser caprichosa em todos os detalhes, minuciosa no trabalho e ardente nos amores. Variante: Iracy.<br />
Irene: Grego, "deusa da paz". Masculino: Ireno. Variante: Eirene. Nome de mulheres que, embora se encontrem com problemas difíceis de solucionar, nunca se deprimem nem desanimam, muito pelo contrário, sabem enfrentar a vida com otimismo: agigantam-se nas dificuldades.<br />
<br />
Ireneu, Irineu: Significa pacífico e indica uma pessoa dotada de gênio forte, que tenta impor suas idéias ao invés de dialogar. Isso pode lhe causar problemas. mas, como tem bom caráter, sempre conserva os amigos.<br />
Íris: Grego, mensageira dos deuses, velocidade, rapidez. Indica satisfação por bem fazer. Em sentido genérico, identifica-se com a atitude ética perante a vida, com as convicções gradualmente adquiridas e com a reflexão sobre os bons costumes.<br />
Irma: teutônico: "nobre, a grande, consagrada a Irmin".<br />
<br />
Isa: Teutônico, diminutivo de Isabel, "de bondade férrea, ferrenha".. A inteligência e a capacidade de comunicação são seus ontos fortes. Gosta de impor sua personalidade - nunca cede às pressões. Muito volúvel, só é fiel quando ama verdadeiramente.<br />
Isabel: Teutônico ou hebraico : "a casta". Variantes: Isabela, Isabele. Izebel, a casta. Do francês Isabelle e do espanhol Isabel. Derivado de Elisabete. Variação: Isabéu. Nome que significa cumprir com as promessas. É próprio das pessoas que se regem pelo clássico lema "promessa é dívida". Respeitam escrupulosamente as decisões dos outros.<br />
Isadora: grego: "dádiva de Ísis, presente de Ísis".<br />
Isaias: hebraico: "salvação é Deus".<br />
Isaque: hebraico: "riso de Sara, que riu quando nasceu".<br />
Isaura: grego: "natural da Isaúria, antiga província da Ásia Menor".<br />
Isauro: grego: "veloz como o vento, ou natural da Isáuria".<br />
Isis: Egípcio, deusa suprema. Mulher muito inteligente e de bom caráter, que consegue se comunicar com a maior facilidade. Costuma viver rodeada de pessoas amigas. Quando a paixão bate forte, faz de tudo para agradar.<br />
Israel: hebraico: "Deus se mostra forte, Deus luta, que vê a Deus".<br />
Ítalo: grego, latim: "bezerro, novilho, vitelo". Feminino: Ítala.<br />
Itamar: hebraico: "ilha da palmeira". Feminino: Itamara, Tamara.<br />
Ivã, Ivan: forma russa de João.<br />
<br />
Ivana: Feminino de Ivan, ver esse nome. Significa Joana. Indica inteireza, arrebatamento e júbilo. É próprio de mulheres que , em geral, escolhem o caminho mais difícil para atingir seus objetivos. Não obstante isto, quase sempre obtêm o que deseja.<br />
Ivani: derivado de Ivo e Ivan, ver esse nome. Trata-se de uma pessoa brilhante, que coloca muita garra em tudo o que se propõe a fazer. É também ótima companheira e faz amigos facilmente. Dedica-se inteiramente ao parceiro e faz feliz a quem ama.<br />
Ivete: forma francesa do feminino de Ivo, Ivan.<br />
Ivo: anglo-saxão: "filho do arco, o que usa arco para combater, ativo, vigilante".<br />
<br />
Ivone: Feminino diminutivo de Ivo, que vem do anglo-saxão, e significa pessoa atenta. Nome que indica liberdade e esperança. É próprio de pessoas com grande integridade e que se regem por seus próprios critérios, os quais defendem com firmeza sempre que consideram necessário.<br />
Izolita: Esperanto, significa isolada, solitária. Um amor de pessoa. Cheia de ternura e compreensão para com seus. Bastante abnegada, capaz de qualquer sacrifício para servir ao seu semelhante.<br />
<br />
J<br />
Jacimar, Jacimara: tupi: "lua de guerra, lua boa para guerra ou caça".<br />
Jacinta: grego: "nome de uma flor"". Masculino: Jacinto, ligado à flor jacinto. Indica uma pessoa muito severa na análise que faz dos outros. Mas está sempre disposta a perdoar os defeitos de caráter que encontra e procura viver em com todo mundo, pois adora ter muitos amigos.<br />
<br />
Jacinto: Personagem da mitologia que, depois de morto, foi transformado na flor que tem esse nome. Indica uma pessoa sempre disposta a perdoar as falhas de caráter que encontra nos outros, pois sabe que também tem as suas. Procura viver bem com todo mundo e tem muitos amigos.<br />
Jacira: tupi: "abelha da lua, lua de mel, abelha noturna".<br />
Jack: forma inglesa de Jacob.<br />
Jackson: inglês: "filho de Jack".<br />
<br />
Jacó: Significa o que supera. Sua generosidade faz com que seja uma daquelas pessoas com quem sempre se pode contar. Gosta de ser útil e tem sempre uma solução para todos os problemas.<br />
Jacob: hebraico: "que segue as pegadas de Deus, calcanhar, astucioso". Variante: Jacó.<br />
Jácomo: forma italiana de Jacob. Variante: Giácomo.<br />
<br />
Jaime: Variação de Jacó.<br />
Jair: hebraico: "ele desperta, o iluminado. Significa animado por Deus ou habitante floresta e indica uma pessoa que vive à frente do seu tempo e por isso está sempre aberto a novas experiências. Acredita na amizade e se mostra constantemente disposto a ajudar os verdadeiros amigos.<br />
Jairo: hebraico: "o iluminado, o esclarecido".<br />
Jamil: árabe: "o belo". Variante: Jaime. Feminino: Jamila e Jamile.<br />
Jamila, Jamile: Significa formosa e indica uma pessoa de raciocínio rápido, que, tem idéias claras e confia no próprio sucesso. Assim, consegue com certa facilidade o que outros custam a conquistar ou nem conquistam.<br />
Jana: latim: "lua". Variante: Jane<br />
<br />
Janaina: Esse é um dos nomes de Iemanjá, a deusa do mar e protetora das mães e das esposas. Indica uma pessoa que, num primeiro momento, dá a impressão de ser arrogante. Mas por trás dessa aparência esnobe se esconde uma personalidade bondosa e protetora. O mesmo que Iemanjá.<br />
<br />
Jandira: tupi: "mel da abelha jandaia". Variante: Jandaia. Indica uma pessoa doce mas corajosa e firme, que transmite muita segurança quando toma uma decisão. É muito inteligente, mas não gosta de ser elogiada por isso. Prefere que reparem na cultura que adquire com seu esforço.<br />
<br />
Jane: Variação de Joana. Indica uma pessoa que sabe definir seus objetivos e obtém sucesso em atividades que exigem raciocínio rápido. Como tem grande poder de persuasão, não teme assumir posições de liderança.<br />
<br />
Janete: forma francesa de Joana, Jane e Janice, diminutivo de Jane. Indica uma pessoa que alcança o sucesso se desenvolver atividades nas quais possa atuar sozinha. No entanto, precisa evitar que sua forte tendência ao individualismo prejudique as relações pessoais, sobretudo as amorosas.<br />
Janice: latim "de Jano, graça de Jano".<br />
Jaqueline: forma feminina francesa de Jacob. Significa aquela que supera, Indica uma pessoa que está sempre em atividade. Seus pontos fortes são a persistência e a força de vontade. Planeja sua vida com muito cuidado e segue à risca seus planos até sentir que ultrapassou todas as suas barreiras.<br />
Jardel: francês: "joio, ou garganta".<br />
Jeferson: inglês: "filho de jafet". Variante: Jefferson.<br />
Jelson: variação gráfica de Gerson ou Jeferson.<br />
Jenifer: galês: "de faces brancas".<br />
Jeová: hebraico: "o ser por excelência, Deus".<br />
Jeremias: hebraico: "a quem Jeová constitui, exaltado por Javé". Significa elevado por Deus e indica uma pessoa que, por apresentar virtudes como disciplina, grande senso prático e determinação, é muito procurada pelos colegas para opinar sobre assuntos de trabalho e mesmo sobre dilemas amorosos.<br />
Jerônimo: grego: "quem tem nome sagrado". Variante: Gerôninmo.Jéssica: hebraico: "cheia de riquezas".<br />
<br />
Jessé: Significa rico, poderoso, viril e indica uma pessoa que, apesar do comportamento contido, é dono de uma forte personalidade. Como detesta exibir suas muitas qualidades, ganha fama de misterioso ou dissimulado, embora todos concordem que ele mente muito pouco.<br />
<br />
Jéssica: Significa cheia de riquezas e indica uma criança vaidosa e sedutora, que às vezes brinca um pouco com o perigo.À medida que cresce, porém, acumula também riquezas interiores e consegue êxito em quase todas as suas empreitadas.<br />
Jesus: hebraico: "Deus é seu auxílio, Javé é salvação, filho de Josué" (José).<br />
<br />
Jó: Significa hostilizado e indica uma pessoa paciente diante das adversidades. Refere-se ao patriarca bíblico que sofreu muito mas nunca se voltou contra Deus. Não é um nome que traga uma vibração de alegria.<br />
Joana: feminino de João, variante de Joanã, Jane. Significa Deus é cheio de bênçãos e indica uma pessoa que só amadurece depois de muito lutar pelo equilíbrio entre a razão e o coração. Chega a ser vista como alguém que não sabe o que quer, mas quando se decide entra de corpo e alma na conquista dos seus ideais.<br />
João: hebraico, grego, latim: "Javé é misericordioso, Javé presenteou, Deus é gracioso, Deus é cheio de graça". Indica uma pessoa com forte espírito de liderança. Impulsivo, às vezes é mal interpretado, mas seus atos sempre visam o benefício da maioria, pois possui nobreza de caráter.<br />
Joaquim: hebraico: "Javé levanta, restabelece, elevado é Javé". Feminino: Joaquina. Indica uma pessoa firme e segura e que age sempre de maneira leal. Apesar da aparente frieza, sempre se mostra atencioso, confiável e disposto a ajudar.<br />
Joel: hebraico: "Javé, Jeová é Deus, adorador de Deus". Feminino: Joelma. Indica uma pessoa que esconde, por trás do seu jeito frágil, uma personalidade poderosa, capaz de lidar sem qualquer embaraço com todos os desafios do dia-a-dia.<br />
Jonas: hebraico: "pomba, amante da paz". Indica uma pessoa capaz de atravessar as piores crises com paciência, tranqüilidade e resignação. Autoconfiante e otimista, não desiste de lutar por seus projetos nem mesmo quando as dificuldades parecem ser incontornáveis.<br />
Jônatas: hebraico: "dado por Javé". Variante: Jonatã, Jônatan. Indica um homem dono de uma inteligência brilhante. Muito criativo, só precisa tomar cuidado para não desperdiçar energias em coisas sem importância. Os pais devem ensiná-lo a ser mais seletivo em tudo.<br />
Jorge: grego: "trabalhador da terra, agricultor". Indica um homem determinado e seguro de si. Pode ser um pouco arrogante e impetuoso, mas sempre respeita os limites das pessoas à sua volta.<br />
José: hebraico: "o que nasceu depois dos outros, aquele que acrescenta, Deus aumentou (com outro filho)". Feminino: Josefina. Variantes: Jôse, Josefa. Indica uma pessoa sensível, confiante e generosa, que sofre com os problemas alheios. É muito conciliador e conserva o autocontrole mesmo nas piores situações.<br />
Josué: hebraico: "Deus é auxílio". Um dos nomes que Jesus era conhecido.<br />
<br />
Juarez: Derivado do sobrenome do revolucionário -mexicano Benito Juarez. Predispõe a criança a se preocupar com os problemas sociais, mas também a se valer da agressividade para fazer prevalecer suas opiniões.<br />
Judite: hebraico: "a louvada, mulher vinda da cidade de Iehud, a judia". Variantes: Judith, Judithe.<br />
Júlia: latim: "a cheia de juventude". Indica uma pessoa de memória prodigiosa, muito senso de organização e um dinamismo contagiante. Excelente amiga, dedica-se totalmente às pessoas que estima.<br />
Juliana: descendente de Júlio, Júlia, ou nascida em julho. Variante italiano: Giuliana.<br />
Juliano: latim: "que pertence a Júpiter, Juno, filho de Júlio, nascido em julho". Variante italiana: Giuliano.<br />
Julieta: derivado de Júlia, Júlio. Variante italiana: Giulieta. - uma pessoa suave, que prefere uma vida tranqüila a loucas aventuras. Adora literatura, cinema e teatro. No amor, entrega-se a sonhos românticos difíceis de ser concretizados.<br />
Júlio: latim: "o luzente, o brilhante (relativo a Júpiter)". Indica uma pessoa de mem6ria prodigiosa, muito senso de organização e um dinamismo contagiante. Apesar de geralmente se mostrar meio sovina, é generoso com suas namoradas.Juscelino: De significado desconhecido, talvez associado a regozijo ou justiça. Indica uma pessoa equilibrada e decidida, que dificilmente erra quando precisa tomar uma atitude drástica para resolver um problema. Por isso, nunca precisa voltar atrás das suas decisões.<br />
<br />
<br />
K<br />
Kalina - Ucraniano Planta de comer<br />
Kammille - Latim "Camilla" - Jovem criada.<br />
Kaolin - Indígena Bela jovem<br />
Kalina - Ucraniano Planta de comer<br />
Kammille - Latim "Camilla" - Jovem criada.<br />
Kaolin - Indígena Bela jovem Kate - Inglês, hipocorístico de Catarina, que vem do grego, pura , casta. Pessoa que tem confiança em si, apesar de atravessar períodos negativos em todos os setores da vida. É perseverante e logo aprende a superar as fases ruins. Tem facilidade em novos relacionamentos amorosos. Disciplina e organização são sua ferramentas.Katia, Katya: adaptação russa de Catarina.<br />
Karem/Karen - dinamarquês de diminutivo Catarina, que vem do grego, pura , casta. Ela é a mais desenvolta e alegre do seu grupo social. Está sempre à frente de todas as iniciativas comunitárias, paciente, uma excelente confidente. Se o amor não vem a ela, ela vai em busca.Kate - Inglês, hipocorístico de Catarina, que vem do grego, pura , casta. Pessoa que tem confiança em si, apesar de atravessar períodos negativos em todos os setores da vida. É perseverante e logo aprende a superar as fases ruins. Tem facilidade em novos relacionamentos amorosos. Disciplina e organização são sua ferramentas.Karim - Árabe Mulher muito generosa<br />
Karina - Grego Graciosa, engraçada<br />
Karol - Húngaro Feminina, delicada<br />
Kássia - Polonês Variação de Cássia (distinta)<br />
Kelda - Primavera florida<br />
Keli - Gaulês Agressiva<br />
Kelly - Irlandês Donzela guerreira.<br />
Kerina - Grego Deusa poderosa.<br />
Khadija - Árabe Criança prematura<br />
Kim - Anglo-saxão Chefe, administradora.<br />
Kuana - Indígena Doce perfume.<br />
Kuarashí - Indígena Sol<br />
Kuat - Africano Variante de Kuarashí<br />
Kumari - Indígena Comadre<br />
Kurumí - Indígena Menino<br />
Kelli, Kelly: irlandês, donzela, guerreira".<br />
Kerina: hindu; "poderosa deusa".<br />
Kim: chinês: "ouro".<br />
Klaus: versão germânica de Nicolau.<br />
<br />
<br />
LLadislau: eslavo: "senhor da glória".<br />
Laércio: latim: "nascido ou vindo de Laerte, cidade da Cicília".<br />
Laerte: grego: "guarda, salvador do povo, levantador de pedras (refere-se ao nome de uma formiga)". Variante: Laertes.<br />
<br />
Laila: Árabe, significa formosa, bela, bonita. É extremamente amorosa e preocupada com o mundo ao seu redor. Sente necessidade de ajudar as outras pessoas e de ter uma vida familiar segura, e sem atritos. É a pessoa mais apaixonada. Quando ama é pra valer. Sua generosidade pode causar perdas irreparáveis.<br />
<br />
Laila: Árabe, significa formosa, bela, bonita. É extremamente amorosa e preocupada com o mundo ao seu redor. Sente necessidade de ajudar as outras pessoas e de ter uma vida familiar segura, e sem atritos. É a pessoa mais apaixonada. Quando ama é pra valer. Sua generosidade pode causar perdas irreparáveis.<br />
Lair: árabe: "brilhante, luminoso".<br />
<br />
Lais: Grego, quer dizer a democrática. Representa a superioridade de espírito sobre a atraente efemeridade das paixões inúteis. É próprio de pessoas que tem certa predisposição para a rebeldia perante as injustiças.<br />
<br />
Lais: Grego, quer dizer a democrática. Representa a superioridade de espírito sobre a atraente efemeridade das paixões inúteis. É próprio de pessoas que tem certa predisposição para a rebeldia perante as injustiças.<br />
<br />
Lana: Italiano , diminutivo de Helena, que vem do grego, Helene, tocha. Faz alusão à fantasia e a timidez. É próprio de pessoas que tem um mundo anímico rico de imagens e de projetos.<br />
<br />
Lana: Italiano , diminutivo de Helena, que vem do grego, Helene, tocha. Faz alusão à fantasia e a timidez. É próprio de pessoas que tem um mundo anímico rico de imagens e de projetos.<br />
Lara: latim: "ninfa do Tibre, mãe de Lares".<br />
Larissa: grego: "cheia de alegria".<br />
<br />
Laura: Latim, significa coroa de folhas de louro. Diminutivo: Laurita. Variante: Lauriana. Nome de pessoas que se deixam dominar por sentimentos contraditórios. Preocupa-as a opinião dos outros, e são muito seletivas ao escolher companheiros, seja no jogo, no trabalho ou para toda a vida. Às vezes uma radical solidão os detêm.<br />
Lauro: latim: "árvore de loureiro".<br />
Lavínia: latim: "a purificada".<br />
Lázaro: hebraico: "Deus é meu socorro".<br />
Léa, Léia: hebraico: "leoa" e do Anglo-saxão, significa campo verdejante. Queixa-se sempre de que não tem dinheiro, mas ele nunca falta porque costuma ser pessoa muita precavida, trabalha-se melhor em algo de que gosta.<br />
<br />
Leandro: grego: "homem do povo, homem dócil". Feminino: Leandra.<br />
<br />
Leda: Latim, quer dizer alegre. Atenciosa, observa e analisa tudo o que acontece à sua volta. Por gostar de se sentir útil, está sempre disposta a oferecer ajuda. É romântica e espera encontrar no casamento a realização dos seus sonhos.<br />
<br />
Leda: Latim, quer dizer alegre. Atenciosa, observa e analisa tudo o que acontece à sua volta. Por gostar de se sentir útil, está sempre disposta a oferecer ajuda. É romântica e espera encontrar no casamento a realização dos seus sonhos.<br />
<br />
Leila: Árabe, significa negra como a noite. independente e determinada, trabalha ardentemente para conseguir o que deseja. Por isso , sabe dar valor ao que possui e não tolera desperdícios. Tende a ser feliz na maturidade, depois de muitas paixões.<br />
<br />
Leilane: Havaiano, significa flor do céu. É desconfiada e observa detalhadamente as pessoas antes de se aproximar. Por ser muito seletiva, acaba fazendo poucas amizades. Costuma despertar grandes paixões, que normalmente são um pouco tumutuadas.<br />
Lenita: Latim, significa suavidade. Encara a vida com seriedade e procura ser correta em tudo o que faz. Mas nem por isso deixa de aproveitar os bons momentos e curtir aventuras. não lhe faltam boas oportunidades no amor, pois é muito cortejada.<br />
Leonardo: germânico: "forte como o leão", germânico: "coração de leão".<br />
Leone: italiano: "leão". Variante: Leoni.<br />
Leonor: Árabe, significa que a sua luz é o Senhor. Nome que indica predisposição para recorrer a um ser transcendente e superior quando se tem problemas muito graves que transbordam a capacidade humana. Destacada tendência ao misticismo.<br />
Leonora: derivado de Leonor ou Leonora.<br />
Letícia: Latim, significa alegria. Mostra força de vontade pouco comum, embora, por vezes, não consiga ver bem à sua volta. É própria de mulheres que se preocupam por satisfazer os desejos de quem não tem ajuda.<br />
Leví: hebraico: "aderir, unido, estar ligado".<br />
Lia: hebraico: "exausta, fatigada, cansada, de olhos tristes".<br />
Liana: forma de grafia de Liane e Eliana.<br />
Liane: francês: "cipó, vinha trepadeira".<br />
Liberato: latim: "libertado, liberto". feminino: Liberata.<br />
Lídia: Grego, significa mulher de Lídia, uma região da Ásia Menor. Sua bondade e seu comportamento recatado nem sempre são bem interpretados pelos outros. Muitos chegam a confundir timidez com orgulho. Consegue sempre que o seu companheiro ceda e lhe dê razão. Masculino: Lídio.<br />
Lígia: germânico: "nome de uma filha de um dos reis Lígios, tribo germânica".<br />
Lilia: latim: "lírio, símbolo da pureza e inocência".<br />
Liliana: Do inglês Lilian, que significa pura, inocente. Variantes: Liliane, Liliam, Liliosa. É dotada de um temperamento impulsivo, que não cede diante de nenhum tipo de pressão. Luta para alcançar suas metas. Sempre investe com sabedoria e precaução.<br />
Liliana: latim: "cheia de lírios". Variante: Liliane.<br />
Linda: Espanhol, linda, bonita. Ótima conselheira, usa sempre de muita honestidade e clareza quando os amigos a procuram em busca de ajuda para contomar as dificuldades. O amor deve contribuir para tornar a vida agradável.<br />
Linda: espanhol: "bela, bonita".<br />
Line: Do latim Alina, agulha. Do celta Aline, graciosa. variantes: Adeline, Alene, Aleen. Revela um temperamento sensível e reservado. É próprio de pessoas que preferem agüentar uma injustiça por exemplo, do que manifestar o seu inconformismo através de explosões ruidosas.<br />
Lins: germânico: "da cidade de Linz, na Áustria".<br />
Lisa: italiano: "refere-se a Mona Lisa",também diminutivo de Elisa, Elisabete.<br />
Lisandro: grego: homem remido, resgatado, o que liberta o homem". Variantes: Lisandro, Lizandro. Femininos: Lisandra, Lissandra, Lizandra.<br />
Lóis: americano: "Lóis é a entidade que tomou o lugar dos orixás africanos".<br />
<br />
Lorena: Latim, do reino de Lotério, indica tranquilidade e integridade de ânimo, em especial nos momentos de tomar decisões definitivas. É próprio de mulheres que tratam seus assuntos com seriedade e evitam comportar-se com negligência.<br />
<br />
Loreta: Latim, bosquezinho de loureiros. Diminutivo de Laura. Masculino: Loreto. Temperamental, ora é simpática e agradável, ora intolerante e sisuda. Por isso, enfrenta dificuldades nos relacionamentos, pois nem todos entendem suas mudanças bruscas de humor. Conquista facilmente o parceiro.<br />
<br />
Luana: Africano, de Luanda. Variante: Luanda. Nome de pessoa bastante intuitiva e perceptiva das situações de perigo, como se contasse com um radar. Ela é fiel e exige fidelidade em troca.<br />
Luana: africano: "de Luanda, capital da Angola".<br />
Lucas: latim: "natural de Lucânia, terra da luz", ou o mesmo que Lúcio.<br />
<br />
Lucélia: Feminino de Lucélio, forma derivada de Lúcio, latim, luz. Representa o zelo e a paixão pelo estudo e pela sabedoria. É próprio de pessoas que têm em alta estima os sentimentos éticos e que se conduzem com honra e honestidade.<br />
Lucélia:Composição de Lúcio, Lucas e Célia, Adelia. Masculino: Lucélio.<br />
<br />
Lúcia: Feminino de Lúcio, latim, luz. Nome que significa preocupação pelos outros e por tudo que a rodeia. Pessoas que valorizam a amizade e a solidariedade. Costumam estar sempre dispostas a prestar toda a espécie de ajuda a quem solicita.<br />
Lúcia: latim: "luminosa, luzente, que brilha".<br />
Luciano: filho ou descendente de Lúcio, Lúcia. Feminino: Luciana.<br />
<br />
Luciene: Feminino de Luciano, latim, forma derivada de Lúcio, luz. Variante: Luciana. Encara a vida com seriedade e procura ser correta em tudo o que faz. Mas nem por isso deixa de aproveitar os bons momentos e curtir as aventuras. Não lhe faltam boas oportunidades no amor, pois é muito cortejada.<br />
Lúcio: latim: "nascido com o dia, luzente, nascido com a manhã, refere-se a aqueles que nascem pela manhã".<br />
<br />
Lucíola: Diminutivo de Lúcia, ver esse nome. Revela paixão pelas pequenas coisas que a vida oferece, porém sem as quais não seria possível ser feliz. É próprio de mulheres que valorizam as amizades antigas e a fidelidade.<br />
<br />
Lucrécia: Dama romana famosa por sua virtude. Feminino de Lucrécio, latim. É uma pessoa que não precisa fazer muito esforço para ser agradável e conquistar a simpatia dos outros. Também não faz sacrifícios para realizar seus planos. É minuciosa nas suas tarefas.<br />
Luís: francês derivado do germânico: "guerreiro célebre". Variante: Luiz. Feminino: Luisa, Luiza.<br />
Luiziane: Variação de Luzia, que por sua vez, vem de Lúcia, latim , luz. Numa primeira abordagem, indica preocupação pelo saber total, profundo e verdadeiro. É próprio de pessoas com grande clareza de idéias e de projetos, a quem é difícil enganar com argumentos falaciosos.<br />
Luma: tibetano: "música, canção, lira".<br />
Lurdes: nome de origem religiosa. Variante: Lourdes.<br />
<br />
Lurdes: Variação de Lourdes, francês, nome de origem religiosa, quase sempre composto com Maria (Maria de Lourdes). Pessoa extremamente ponderada e tímida. É a mais fiel das amigas; sabe como ninguém ouvir e guardar todos os segredos que lhe contam. No amor, procura sempre novas experiências.<br />
Luzia: nome popularizado pela pronúncia portuguesa de Lúcia. Variante: Lusia.<br />
<br />
<br />
MMacedo: latim: "lugar onde há macieiras, maçãs".<br />
<br />
Madalena: Hebraico, a dos cabelos penteados. Pessoa discreta e observadora que prefere ouvir a falar. Está sempre analisando seus sentimentos e revela preocupação com a vida espiritual.<br />
Mafalda: Variante de Matilde guerreira que combate com energia. Dócil e sincera, sente-se feliz quando conquista a simpatia dos outros. Por isso, faz tudo para agradar aos amigos e não se importa de ouvir suas lamentações . Muito conservadora, coloca a família acima de tudo.<br />
Magali: De origem provençal, correspondente a Margarida. Revela paixão pelas coisas que lhe são gratas e queridas. É próprio de pessoas com vontade de ferro, que não se retraem quando lhes surgem problemas ou conflitos graves.<br />
Magda: Variação e diminutivo de Madalena, ver esse nome. Faz alusão à força e a convicção . Próprio de mulheres que se preocupam com os valores éticos e morais, de maneira especial, mostram solidariedade para com os que necessitam.<br />
Maiara: Tupi, significa senhora. Racional, sabe exatamente o que fazer para atingir seus objetivos. devido à sua determinação e perspicácia, consegue obter êxito com seus projetos. É capaz de ligar-se a uma pessoa por toda a sua vida.<br />
Malvina: Irlandês, chefe cortês, gosta de disputar. Idealista e determinada, nada a faz desistir quando se propõe a conseguir algo. O espírito empreendedor com que conduz seus negócios lhe garante um futuro bem-sucedido. Entrega-se intensamente à paixão.<br />
Mara: Hebraico , amarga. Hipocorístico de Maria, Marisa, etc. Tem grande respeito pela justiça e se orienta sempre pelo que é certo e honesto, sem entretanto ser autoritária. Controlada nos gastos, terá sucesso em negócio próprio.<br />
Marcela: Feminino de Marcelo, ver esse nome. Ela está sempre fazendo várias coisas ao mesmo tempo sem se perder. Versatilidade é o que não lhe falta e gosta de uma vida social bastante intensa.<br />
Márcia: Feminino de Márcio, ver esse nome. Acha que o verdadeiro amor compõe-se de uma sucessão de instantes maravilhosos. Realiza com minúcias suas tarefas . O dinheiro é suficiente para o imprescindível .<br />
Margarida: Latim, significa pérola. Em geral, a pessoa que tem este nome é especial, é fora do comum e apresenta com freqüência qualidades pouco correntes: compreensão , doçura e preocupação com os demais . São fiéis no amor e não reprovam infidelidades alheias.<br />
Mari: Tupi, árvore cheia de espinhos. Pode ser deturpação de Maria ou Mari, do japonês Mariko. Sua delicadeza faz com que as pessoas ouçam com atenção suas opiniões. Por isso mesmo, aproveita as chances para também apresentar suas críticas. Costuma manter relacionamentos abertos e felizes.<br />
Maria: Hebraico, significa senhora soberana. Nome que indica serenidade, força vital e vontade de viver. Por vezes são forçadas a pedir auxílio para resolução dos muitos problemas que tem de enfrentar na vida e para agüentar a dor. Consideram o dinheiro necessário, mas não essencial.<br />
Maria Alice: Grego/Hebraico, senhora que não conhece a mentira. Em geral , está relacionado com o anseio por galgar degraus na sociedade . Por conseguinte , nunca estão conformadas com seu estado atual, buscando sempre melhorias mediante o contato pessoal.<br />
Maria Estela: Latim/Hebraico, senhora estrela. Esteja onde estiver, impressiona pela elegância natural. sabe ser sensata no relacionamento com os mais diversos tipos de pessoas. Desperta muitas paixões e , mesmo assim, costuma ser leal.<br />
Maria Helena: Grego/Hebraico, , senhora da luz, indica preparação e exigência para consigo mesmo . Em geral, são pessoas muito atarefadas e ativas ; sempre estão preparando e realizando novos projetos; tudo lhes corre bem, em especial trabalhos e tarefas manuais.<br />
Mariana: Aglutinação de Maria e Ana. Ver esses nomes . Indica inteireza de ânimo e espírito aberto . ë próprio de pessoas que amam sua profissão e seus afazeres. Preocupam -se como os demais na medida em que deles necessitam e , em geral, são pessoas receptivas.<br />
Marilene: Aglutinação de Maria e Helene, o mesmo que Maria Helena . Representa a idéia de levar a cabo uma série de iniciativas especialmente relacionadas com a liberdade e com a emancipação . É próprio de mulheres que têm por lema o bastarem-se a si próprias.<br />
Marli: Pessoas com diversos interesse que não descansa ate chegar ao fundo de todos os assuntos, espírito democrático e critico. Não tolera corrupção e luta por um mundo melhor<br />
Madalena: hebraico: "a dos cabelos penteados, cidade das torres, natural de Mágdala, cidade junto ao mar do Galiléia".<br />
Magalí: provençal: "das margaridas".<br />
Magda: forma inglesa de Madalena.<br />
Maiara: tupi: "senhora".<br />
Malú: hipocorístico de Maria de Lurdes, Maria da Luz.<br />
Manuel: adaptação portuguesa de Emanuel.<br />
Maomé: árabe: "o altamente louvado, estimado".<br />
Mara: hebraico: "amarga, amargosa, amargura".<br />
Marcelo: latim: "martelinho". Feminino: Marcela. Indica uma pessoa que confia muito na sua capacidade de contornar as dificuldades. Por isso, enfrenta os problemas com serenidade e paciência. E geralmente se dá bem.<br />
Márcia: latim: "que pertence a Marte".<br />
<br />
Marcílio, Márcio: Nome associado a uma família da Roma antiga e também a Marte, o deus da guerra. Indica uma pessoa que se destaca pela garra com que luta pelos seus objetivos e pela impulsividade com que toma decisões das quais tende a se arrepender mais tarde.<br />
Márcio: latim: "nome sob o qual os guerreiros invocavam Júpiter".<br />
<br />
Marco, Marcos, Marcus: Significa protegido por Marte, o deus da guerra. É impulsivo e exprime sem timidez suas opiniões. Seu grande otimismo o leva a dirigir suas habilidades apenas para fins positivos.<br />
Marcos: latim: "grande martelador, martelador". Variante: Marcus.<br />
Margarida: grego: "pérola". Variante: Margarete.<br />
Maria: de uma língua semítica: "senhora, excelsa, sublime". Nome de mulher que entra na composição de nomes masculinos como Antônio Maria e José Maria.<br />
Mariana: junção de Maria e Ana.<br />
Marilda: junção de Maria e Hilda, Gilda.<br />
<br />
Marília: Variante de Maria, ver esse nome. Forma poética de Tomás Gonzaga. Pessoa amável , responsável e muito determinada, que luta sem medo contra todas as dificuldades até concretizar seus planos. Só então sente-se plenamente realizada. Nem sempre consegue acertar na escolha do companheiro.<br />
Marina: Latim, oriundo mar. Nome de mulheres muito dadas ao sonho e a fantasia. Costumam refugiar-se no seu mundo de fantasia quando se encontram frente a determinados problemas - especialmente familiares - que não conseguem solucionar.<br />
Marta: Aramaico, significa dona de casa. Diminutivo: Martinha. Indica certa inclinação à calma nos momentos mais difíceis da vida. É próprio de pessoas que se preocupam em estabelecer boas relações com seus vizinhos e conhecidos.<br />
Matilde: Guerreira que combate com energia. Nome que indica certa preocupação pelo futuro. É próprio de pessoas que aproveitam uma determinada circunstância para medrar. Embora façam tudo não porque gostem do poder, mas antes para assegurar o seu futuro. Realizam seu trabalho com gosto e aproveitamento.<br />
Maura: Feminino de Mauro. Além de intuitiva, é prática, paciente e organizada. Ótima conselheira, não mede esforços para apoiar, com ensinamentos, quem recorre a ela. Retribui carinho quando o recebe.<br />
Mayara: Variante de Maiara, tupi, que quer dizer senhora. Revela certa capacidade para tomar a vida com descontração. É próprio das pessoas que dramatizam as situações mais conflituosas e delicadas . Por vezes, podem ter implícita dose de volubilidade.<br />
Melaine: Variação de Melâine, grego, significa de pele escura. Variantes: Melania, Melanie. Adapta-se facilmente a novas situações e enfrenta com garra os desafios. Por isso, obtêm, ao longo da vida, principalmente no setor profissional. Sua Determinação chega a afastar o ser amado.<br />
Melissa: Grego, significa mel. Mostra certa satisfação pelos resultados obtidos com o esforço e com a persistência . É próprio de mulheres que sabem combinar com aproveitamento ao longo da vida a reflexão e a ação.<br />
Micaela: Forma feminina de Miguel. Indica predisposição ao sacrifício e preocupação pelos demais. Num sentido genérico, é próprio de pessoas muito sensíveis às desigualdades sociais e ,por isso, são por vezes desprendidas e solitárias.<br />
Milena: Sérvio, significa amorosa. Representa sensibilidade e retidão de conduta, mormente no trato com as pessoas . Se as circunstâncias o exigem, não hesitam em prestar seu apoio a projetos de natureza política.<br />
Miriam: Hebraico, significa senhora. Mostram inclinações altruístas e , sobretudo, preocupam-se com o bem alheio. Próprio de pessoas que contribuem com seu estímulo e seu trabalho para o desenvolvimento de projetos inéditos e possíveis.<br />
Mirza: Persa, significa pessoa nobre. Aceita e enfrenta com naturalidade os obstáculos que encontra pela frente, mesmo os que parecem intransponíveis . Seu segredo está na perseverança e no otimismo. Só aceita como para uma pessoa de personalidade forte.<br />
Marina: latim: "do mar".<br />
Mário: latim: "homem másculo, varonil, viril". Indica uma pessoa rigorosa de mais consigo mesma e que se atormenta até com os menores erros que comete. Só é capaz de realizações gratificantes quando se liberta disso.<br />
Marisa: justaposição de Maria e Isa, Luisa, Elisa.<br />
Marlene: derivado de Madalena, ou justaposição de Maria e Helena.<br />
Masculino: Núbio.Odair: variação gráfica de Adair.<br />
<br />
Masculino: Priscílio, Priscilo, Pricílio. Variantes: Pricília, Pricila, Priscila.<br />
Quadros: espanhol: porção de terra lavrada".<br />
Matatias: hebraico: "presente de Javé".<br />
<br />
Mateus, Matias, Matheus : latim derivado do hebraico Mathathiah=Matatias.Nome de um dos doze apóstolos de Jesus. Indica uma pessoa equilibrada e muito racional, que não gosta de magoar ninguém e procura sempre ser gentil nas suas palavras.<br />
Maurício, Maurílio, Mauro: latim: Significa o que veio da Mauritânia, África e também escuro, moreno. Indica uma pessoa constante na luta pelos seus objetivos e na dedicação aos amigos e à mulher que escolhe para ser sua companheira. Feminino: Maurícia.<br />
Mauro: grego: "nativo da Mauritânia, África setentrional, pardo como um mouro".Feminino: Maura.<br />
Melanie: forma francesa de Melânio.<br />
Melânio: grego: "preto, negro". Feminino: Melânia.<br />
Melissa: grego: "abelha, ativa, aplicada".<br />
Mendes: egípcio: "nome de divindade mitológica".<br />
Mercedes: espanhol: "graças, mercês".<br />
Merlin: celta: "encantador"<br />
Messias: Significa o ungido e indica uma pessoa cheia de planos para melhorar a vida da sua comunidade. Planos esses que sempre procura pôr em prática. usando para isso seus múltiplos talentos.<br />
Michel: forma francesa, inglesa e germânica de Mikhael, Miguel.<br />
Michele: forma francesa do feminino de Michel.<br />
Miguel: hebraico: "quem é como Deus". Nome de um arcanjo. Significa ninguém é como Deus e indica uma pessoa diplomática e inteligente, que consegue se sair bem de qualquer situação. Atento e intuitivo, sempre percebe o momento certo para agir e então toma as decisões mais corretas.<br />
Milena: sérvio: "a amável, a amorosa". Também justaposição de Maria e Helena.<br />
Miriam: variante em vários idiomas de Maria.<br />
Moacir: Significa dolorido, magoado e indica uma pessoa sensível e voluntariosa. Possui uma personalidade forte e, apesar das crises de depressão que às vezes enfrenta, não se deixa dominar pela desânimo e jamais entrega os pontos.<br />
Mônica: grego: "solitária, viuva", latim: "monja".<br />
Moraes: latim: "muros". Variante: Morais.<br />
Murilo: espanhol: "pequeno muro". Feminino: Murila.<br />
<br />
<br />
NNádia: ucraniano: "esperança".<br />
Nádia: Sânscrito, significa espírito de luz. A fidelidade é a chave do afeto. Desenvolve uma grande capacidade de trabalho. Embora o dinheiro deva ser utilizado apenas como um meio para atingir alguns fins, nem sempre sucede assim.<br />
Nair: Árabe, uma redução de Nairalzaurak, a estrela brilhante do navio. É uma pessoa discreta e também muito original. Sabe dar um toque de requinte em tudo que faz e sente-se feliz quando é elogiada pelo bom gosto em se vestir. Só alguém discreto e dedicado conseguirá seu amor.<br />
Nancy: Francês, significa cheia de graça. Pode ser também Nanci. O amor que não produz felicidade deve ser abandonado, este é o seu ponto de vista. É profissional dedicada e eficaz. Sempre que podem, põem em prática o poder que o dinheiro proporciona.<br />
Nara: Anglo-saxão, a mais próxima. Não tem muito empenho em agradar as pessoas chegadas. Realiza seu trabalho com precisão. Prefere poupar dinheiro do que necessitar dele.Natacha: Diminutivo russo de Natália. Está sempre mencionando o dinheiro e veloriza-o ao extremo. Manifesta sua preferência pelo amor interesseiro, em luigar do amor romântico. É boa trabalhadora, embora inconstante.<br />
Natália: Latim, Natalis, dia natalício. só consegue amadurecer depois de muito lutar para chegar a um equilíbrio entre a razão e o coração. Por isso muitas vezes é vista como uma pessoa inconstante. É fiel e exige que seja tratada com deferência.<br />
Neila: Representa forma de inquietação mental. é próprio de mulheres com espírito batalhador e pro vezes sedutoras. Regem-se pelo lema de que é preferível agradar a hostilizar as pessoas.<br />
Neiva: Nome de origem geográfica. Graciosa, delicada e muito simpática, fala as verdades de maneira suave, porém inteligente. Às vezes chega a ser irônica, mas jamais perde a classe. Tem muito pretendentes e tende a ser infiel.<br />
Nívia: Latim, significa branca como a neve. Reconhece que a excessiva preocupação pelo dinheiro é contra producente. É fiel e exige que seja tratada com deferência. Com freqüência, mostra seu desinteresse pelo trabalho.<br />
Noélia: Feminino de Noel, que vem do francês e quer dizer natal. Sempre cumpre com seus compromissos laborais. Valoriza o dinheiro porque confere autonomia e poder de decisão. Sua timidez impede que manifeste seus sentimentos.<br />
Noemi: Hebraico, significa minha suavidade. Revela incerteza e, ao mesmo tempo, curiosidade por tudo que acontece ao seu redor. Num sentido universal, é próprio de pessoas que desejariam ver resolvidos todos os problemas num instante.<br />
Noemia: Hebraico, significa flor de beleza. Nome sob o qual reflete um sentimento relacionado com a compreensão e a preocupação pelos mais necessitados. O lema dessas mulheres é a solidariedade para com quem sofre os danos infligidos pelos seus semelhantes. A ternura deve presidir a toda a relação amorosa entre pessoas.<br />
Norma: Latim, quer dizer norma, regra, costume. Costuma proporcionar segurança e alegria às pessoas que a rodeiam. É amante da verdade e dos prazeres espirituais e físicos. Tem muita determinação. A atividade é a sua "paixão oculta".<br />
Nancy: francês: "cheia de graça".<br />
Naomi: hebraico: "a agradável".<br />
Napoleão: Significa o que veio de Nápoles e indica uma pessoa que está sempre aberta a novas experiências, mas que não admite ter sua liberdade pessoal ameaçada nem mesmo pelos mais nobres objetivos.<br />
Natacha: forma russa de Natália.<br />
<br />
Natal: Significa dia do nascimento e indica uma pessoa de aparência meiga e tranqüila mas que cedo ou tarde revela uma personalidade marcada pela força de vontade e pela determinação.<br />
Natália: o mesmo que Natal.<br />
Natan, Natanael: Significa dom de Deus e indica uma pessoa que enfrenta o dia-a-dia com muito otimismo. Nunca desanima diante dos problemas, pois acredita que sempre encontrará força para vencê-los.<br />
Neide: grego: "nadadora".<br />
<br />
Neil: Significa campeão e indica uma pessoa que busca equilíbrio e justiça em tudo o que faz. De virtudes elevadas, age sempre com austeridade, imparcialidade e integridade. Sabe que todas as ações causam reações e, portanto, mede bem as consequências antes de agir.<br />
<br />
Neilson: Significa filho de Neil e indica uma pessoa, à primeira vista, distante e arredia. Mas seus amigos e suas amigas logo descobrem, por trás dessa máscara, uma personalidade dinâmica e calorosa.<br />
Nelson: inglês: "filho de Neil ou Nelly".<br />
<br />
Nelson: Tirado do sobrenome do almirante inglês Horatio Nelson, esse nome indica uma pessoa metódica, que cultiva hábitos simples e luta com persistência para alcançar seus objetivos. Além disso, é um excelente amigo em todas as horas. As outras pessoas sabem que podem contar com ele.<br />
Nero: latim: "forte, corajoso, homem valente".<br />
<br />
Nestor: Significa o que volta e indica uma pessoa que conquista as outras com uma conversa agradável, enriquecida por sua memória prodigiosa. Sua criatividade e sua inteligência também o tomam muito admirado e lhe abrem as portas do sucesso.<br />
Neusa: grego: "a que nada, nadadora".<br />
Ney: francês: "novo, que opõe-se ao velho, antigo".<br />
Nice: grego: "vitória, deusa da vitória".<br />
Nicolau: grego: " povo vitorioso, vencedor do povo". Variantes: Nicola, Nicolas. Feminino: Nicole.<br />
Nicolau: Significa o que vence junto com o povo. Indica uma pessoa dotada de grande simpatia e capacidade de comunicação, que consegue se fazer entender até mesmo com um olhar ou uma mudança no tom da voz.<br />
Nilton: anglo-saxão: "do rio baixo, beira do rio".<br />
Nívea: latim: "alva como a neve". Variante: Nívia. Masculino: Nívio.<br />
Noel: francês: "refere-se ao natal, Papai Noel".<br />
Noêmia: hebraico: "benquerença de Javé, flor de beleza".<br />
Norma: latim: "modelo, regra, lei, preceito".<br />
Núbia: egípcio: "terra do Ouro", ou latim "nublada, coberta de nuvens".<br />
<br />
<br />
O<br />
NOdélia: Feminino de Odélio, que significa pequeno saudável, vem do anglo-francês. Confere à portadora uma sorte incrível, o segredo de uma felicidade durável junto com os seus.<br />
<br />
Ofélia: Grego, significa ofídio, serpente, cobra. Revela diferença e autonomia. É próprio mulheres que vivem a vida de uma maneira independente e autônoma, sem ligar a modos, convenções ou caprichos sociais. Sabem o que querem a cada momento.<br />
<br />
Ofélia: Grego, significa ofídio, serpente, cobra. Revela diferença e autonomia. É próprio mulheres que vivem a vida de uma maneira independente e autônoma, sem ligar a modos, convenções ou caprichos sociais. Sabem o que querem a cada momento.<br />
Olavo: nórdico: "filho de Deus, sobrevivente dos ancestrais, descendentes antigos".<br />
Olga: Antigo nórdico, Halag, significa santa ou sagrada; ou do russo Oleg, também com o mesmo significado. Nome próprio de mulher de caráter forte e marcante personalidade. Em geral domina as situações e não o inverso. Suas responsabilidades no trabalho não tem limites, salvo que a impeçam por motivos extraordinários.<br />
<br />
Olímpia: Feminino de Olímpio, monte onde moravam os deuses. Indica certa tendência para as belas artes, especialmente música. É próprio de pessoas que valorizam tanto as qualidades estéticas, quanto os valores éticos quando se propõem a iniciar uma nova amizade.<br />
Olinda: latim: "fragrante, perfume".<br />
<br />
Olívia: Latim, derivado de Oliveira, árvore consagrada aos deuses Apolo, Júpiter e Minerva. Masculino: Olívio. Nome próprio de mulher que se caracteriza por contrariar e opor-se às decisões dos seus familiares e amigos. Manifesta o seu desacordo sempre que o considera necessário e sem reservas.<br />
Olívio: latim: "oliveira, símbolo da paz e da ciência". Feminino: Olívia.<br />
Oscar: nórdico: "lanceiro divino, lança dos deuses". Feminino: Oscarina.<br />
Osmar: germânico: "afamado, ilustrado pelos deuses". Femininos: Osmara, Osmarina.<br />
Otávio: latim: refere-se ao oitavo filho". Feminino: Otávia.<br />
Otto: germânico: "rico, poderoso, nobre". Variante: Othon.<br />
<br />
<br />
PPaloma: espanhol: "pomba".<br />
Pâmela: grego: "toda a doçura, tudo mel". Variante: Pamela.<br />
Paola: italiano: "natural de Paola, Calábria", ou forma italiana de Paula.<br />
Pascoal: latim: "nascido na páscoa".<br />
<br />
Pascoal: Nome associado à Páscoa, indica uma pessoa criteriosa e muito exigente, que se irrita demais quando não obtém imediatamente o que deseja. Os pais devem ensiná-lo a ter calma, a entender que tudo acontece na hora certa nem antes nem depois.<br />
Patrício: latim: "patriota, da pátria, conterrâneo nobre, fidalgo". Feminino: Patrícia.<br />
<br />
Patrício: Significa pátria, fidalgo. Indica uma pessoa que cobra muito de si mesmo e se revela eficiente em tudo o que faz. Às vezes parece meio esnobe, mas essa tendência desaparece ainda na juventude.<br />
Paula: variante de Paola, ou feminino de Paulo.<br />
Paulo: latim: Significa pequeno e indica uma pessoa com muita disposição e um otimismo contagiante. Encara cada dia como um novo degrau para obter o desenvolvimento material e social. Dono de uma ambição inata, planeja cuidadosamente os passos da sua caminhada para o sucesso.<br />
Pedro: latim: "nascido de pedra, rocha, rochedo". Feminino: Pedra. Variantes: Peter, Pierre.<br />
<br />
Pedro: Significa pedra e indica uma pessoa simples mas que busca a realização intelectual e espiritual. Ele se destaca pela vida disciplinada e pela determinação com que luta pelos seus objetivos. Mas seu idealismo está voltado para a humanidade como um todo no cotidiano. Tende a monopolizar as atenções e a não atribuir muita importância à fidelidade no amor e na amizade.<br />
<br />
Perpétuo: Significa o que dura para sempre e predispõe a pessoa a viver muitos anos com saúde e lucidez. Quem tem esse nome nunca revela pressa para nada, pois sabe que tudo acontece no momento certo.<br />
Petra: latim: "pedra".<br />
<br />
Plácido: Significa sereno, tranqüilo e indica uma pessoa exigente consigo mesma e com os outros. Busca a perfeição em tudo o que faz e sua firmeza e seu espírito de liderança despertam admiração e respeito.<br />
Poliana: composição de Polidoro e Ana, Policarpo e Ana.<br />
Policarpo: grego: "o de muitos frutos, frutoso"<br />
Polidoro: grego: "o de muitos dons, o que muito dá ou distribui".<br />
Priscila: latim: "do passado, dos tempos primitivos, descendente de Prisco".<br />
<br />
<br />
Q<br />
Quandt - Árabe Esperta<br />
Quaraciama - Tupi Aurora<br />
Quércia - Latim Carvalho<br />
Querubim - Latim Anjo<br />
Quinci - Latim Quinto filho<br />
Quintela - Latim Referente a quinta<br />
Quíone - Mitológico Filha do rio Nilo<br />
Quirá - Árabe Mulher gorda<br />
Quirina - Latim Lança<br />
Quiron - Mitológico Centauro, filho de Saturno e Filira<br />
Quitéria - Espanhol Mártir espanhola Santa da Igreja Católica. Embora não seja tímida, por vezes manifesta-se como tal. Realiza com aproveitamento seu trabalho. O dinheiro é muito importante para levar uma vida digna e sã.<br />
Queirós: espanhol: "do vale de Quiróz". Variante: Queiroz.<br />
<br />
Quércia: Italiano,significa carvalho. Pessoa astuta que usa a sua inteligência para galgar a escadaria do sucesso. Deve seguir o caminho do bem para triunfar.<br />
Quércia: italiano: "carvalho".<br />
Querubin: hebraico: "anjos, ser maravilhoso".<br />
Quevedo: espanhol: "de Quevedo, vindo ou natural de Quevedo".<br />
<br />
Quincas: Hipocorístico de Joaquim. O amor o leva a certa loucuras, o que o torna único. Deve levar-se a cabo o trabalho com total aproveitamento. A função do dinheiro deve assemelhar-se ao meio para obter determinados fins.<br />
<br />
Quirino: Latim, aquele que luta com a lança. É fiel a um amor único. A meticulosidade no trabalho é o seu lema. Por experiência, sabe que o dinheiro abre muitas portas, senão todas.<br />
Quirino: latim: "o que lida com dardo ou lança, guerreiro".<br />
Quixote: espanhol: "peça de arnês destinada a cobrir a coxa".<br />
<br />
RRafael: hebraico: "curado por Deus, Deus curou". Feminino: Rafaela. Nome de um anjo. Significa Deus cura e indica uma pessoa paciente e perseverante, que procura beneficiar os que precisam de ajuda. Mas, ao mesmo tempo, usa de todos os meios ao seu alcance para obter sucesso e prestígio.<br />
<br />
Raimundo: Significa protetor ou sábio. Indica uma pessoa que tende a se isolar, pois é muito rigorosa consigo mesma e supervaloriza as virtudes dos outros. Mas, quando se conscientiza da sua própria importância, toma-se capaz de dar apoio e conselhos valiosos a todo mundo.<br />
Rangel: nome de origem espanhola.<br />
<br />
Raquel: Hebraico, calma como uma ovelha. Nome de pessoas que freqüentemente podem chegar a sentir-se vítimas de uma situação familiar ou social. Seus esforços para esclarecer eventuais mal-entendidos faz com que sempre consigam restabelecer a confiança depositada sobre eles.<br />
Raquel: hebraico: "cordeirinha, ovelhazinha, mansa como a ovelha".<br />
Raul: anglo-saxão: "que combate com prudência". Significa o que segue os conselhos do lobo ou o que luta com prudência. Indica uma pessoa batalhadora, que consegue o sucesso por meio da luta mas que não se expõe a riscos desnecessários. É sempre notado por seu alto grau de inteligência.<br />
<br />
Rebeca: Hebraico, aquela que une. Indica predisposição para a criatividade e entusiasma-se pela contemplação das obras de arte. Sua sensibilidade por assuntos sociais também é muito desenvolvida e, com freqüência, mostra-se solícita.<br />
Regina: Latim, significa rainha. Indica voluntarismo e firmeza de decisão. É próprio de mulheres que, da mesma forma que os antigos sofistas gregos, usam todos os recursos verbais para convencer seus interlocutores.<br />
Reginaldo: anglo-saxão: "o que governa pelo conselho". Feminino: Reginalda.<br />
<br />
Reginaldo: Significa o que governa ouvindo seus conselheiros. Indica uma pessoa que não mede esforços na hora de servir os outros. Líder nato, procura não impor suas idéias - apenas mostra o que é mais conveniente para todos. Por isso mesmo, sempre encontra muitos seguidores.<br />
<br />
Remo: Um dos fundadores de Roma. Seu nome indica uma pessoa que gosta de viver bem e persegue o luxo. Em geral com êxito. É extremamente organizado e jamais deixa suas tarefas para a última hora.<br />
Renato: latim: "o renascido, renascido para sempre". Feminino: Renata. Variante: Renée. Indica uma pessoa criativa e talentosa. Quase sempre tem mais de uma grande chance na vida, mas essa sorte pode desenvolver nele uma tendência a adiar decisões urgentes.<br />
Rex: latim: "rei".<br />
Ribeiro: português: "riozinho". Variante: Ribeira.<br />
Ricardo: germânico: "senhor de poder, rico e forte". Feminino: Ricarda. Significa senhor poderoso e indica um homem prático e decidido, o qual todos procuram quando precisam de orientação. Equilibrado e seguro não se intimida quando precisa lidar com pessoas cuja opinião diverge da sua.<br />
<br />
Rina: Abreviação italiana de Catarina. Indica inquietação e dinamismo, especialmente no momento de escolher entre diversas opções. É próprio de pessoas competentes e capacitadas; em geral, permanecem sempre atentas às novidades e inovações que se produzem ao seu redor.<br />
Rita: derivado italiano de Margarida, Margarete. Diminutivo de Margaret, ou do italiano Margherita (Margarida). Faz alusão a determinadas atitudes relacionadas com a tenacidade e com a força de vontade. É próprio de pessoas que se sacrificam ao extremo quando estão convictas de que há uma razão para isto.<br />
Roberta: Feminino de Roberto, ver esse nome. Indica satisfação e alegria. É próprio de mulheres que, em geral, vêm em qualquer circunstância, por muito adverso e desagradável que posso parecer, o lado benéfico e positivo.<br />
Roberto: anglo-saxão: "brilhante na glória". Feminino: Roberta. Variantes: Robson, Robim, Robert. Indica uma pessoa muito estudiosa e trabalhadora, mas também muito centralizadora. Quando ocupa posições de mando, não sabe delegar tarefas nem responsabilidades. Os pais devem incentivá-lo a praticar esportes de equipe.<br />
Roderico: teutônico: "príncipe poderoso".<br />
<br />
Rodrigo, Rui: Significa rei famoso e indica uma pessoa que, embora seja sincera e leal, tende a falar muito, sem pensar no que diz, e isso pode lhe trazer problemas. Os pais devem lhe ensinar a medir as palavras. Forma variante de Roderico.<br />
Rodrigues: forma portuguesa de Roderico.<br />
Roger: teutônico: "afamado na lança, lanceiro de fama".<br />
Rogério: derivado de Roger. Feminino: Rogéria.<br />
<br />
Romana: Latim, natural de Roma. Masculino: Romano. Por desconfiança inata, evita manifestar seus afetos. Quase tudo em sua vida gravita em orno do trabalho. Valoriza o dinheiro de forma objetiva, embora lhe custe reconhecer a sua necessidade.<br />
Romeu: latim: "o que vai a Roma por devoção, peregrino de Roma". Variante: Romeo.<br />
Romilda: Significa donzela da batalha gloriosa. Masculino: Romildo. Contém uma personalidade forte, apta a vencer pelos seus próprios meios e capacidade profissional. Não deixa escapar a felicidade.<br />
Rômulo: Foi fundador e primeiro rei de Roma. Seu nome indica uma pessoa dinâmica, que resolve os problemas de maneira criativa, sem medos nem incertezas. Raramente volta atrás de uma decisão.<br />
Ronaldo: germânico: "o que governa com mistério, com segredo". Indica uma pessoa que faz tudo com muito capricho e inteligência.É muito elogiado por isso, embora não costume tomar conhecidas suas realizações. Aliás, ser discreto em tudo o que lhe diz respeito é outra das suas características.<br />
Roque: francês: "rocha", escandinavo: "homem grande e forte". Significa elevado e indica uma pessoa que tende a fazer comentários sobre tudo o que acontece. E isso às vezes lhe cria problemas. Mas esse seu espírito crítico está associado a uma grande vontade de melhorar o mundo para todos os que nele vivem.<br />
<br />
Rosa: Grego, significa a flor, a rosa. Nome de pessoa que, em cada circunstância da sua vida, sabem valorizar o que lhes convém. Quase sempre acertam ao escolher as suas amizades e a profissão. No entanto, fogem da monotonia: gostam de arranjar novos amigos ou mudar de trabalho. Variante: Rose.<br />
Rosane: francês: "rosa graciosa". Variante: Roxana, Roseana. Masculino: Rosano.<br />
Rosângela: Composição de Rosa mais Ângela. Grego, significa rosa angelical. Reflete longamente, antes de eleger seu par. Custa-lhe comprometer-se sentimentalmente e profissionalmente. O dinheiro abre todas as portas e satisfaz todos os caprichos.<br />
<br />
Rosária: Forma feminina de Rosário. Nome de origem religiosa. Bondosa, busca manter um clima de harmonia a seu redor. Demora a tomar decisões, mas quando o faz não costuma errar. Não é ambiciosa, mas preocupa-se em poupar o que pode.<br />
<br />
Rose: Variante de Rosa, ver este nome. Nome de mulher ambiciosa que gosta do dinheiro, porque, na sua opinião, confere poder e liberdade. No amor estão sempre procurando um par ideal. São responsáveis no trabalho.<br />
<br />
Roseli: Forma francesa de Rosa. As pessoas com este nome valorizam suficientemente o dinheiro, pois consideram-no indispensável. Entregam-se sem reserva à pessoa amada; cumprem todas as suas promessas e exigem, em troca, fidelidade total.<br />
Rosely: inglês: "descendente de Rose, filha de Rose".Variante: Roselí.<br />
<br />
Rosemeire: Composto de Rose e Maria, significa senhora rosa. É muito exigente no afeto; às vezes pede o impossível. Desenvolve grande capacidade produtiva no trabalho. Sem dinheiro não se pode realizar projetos ambiciosos.<br />
<br />
Rosinha: Diminutivo de Rosa, ver esse nome. Outros diminutivos: Roseta, Rosete, Rosina, Rosita. Gosta dos prazeres da vida e desfruta intensamente cada momento. Costuma proporcionar muita alegria às pessoas que a rodeiam.<br />
<br />
Rosivalda: Significa cavalo poderoso. Vem de Rosvaldo, Rosvalda. Revela a tendência a procurar em casa alheia o remédio para os males provenientes de seu conflitivo mundo interior. É próprio de pessoas que, por sua vezes lançam sobre os demais as culpas pelas suas próprias debilidades e fracassos.<br />
Rosy: inglês: "róseo, semelhante a rosa".<br />
<br />
Ruben: Significa Deus consolou minha aflição e indica uma pessoa que busca a evolução espiritual mas, para isso, procura refrear sua grande sensualidade e acaba restringindo suas emoções. Os pais devem lhe ensinar a encarar de maneira mais natural seus instintos.<br />
Rubens: latim: "rubro, avermalhado". Indica uma pessoa que, por saber ouvir sua intuição, quase sempre toma as decisões mais acertadas. Quando erra, reconhece isso sem pestanejar, mas não tolera críticas injustificadas.<br />
<br />
Rúbia: Espanhol, significa de cor dourada. Reflete a necessidade e busca de solidão. Próprio de mulheres que valorizam mais o próprio pensamento e o mundo privado, do que a pompa e o falatório do mundo de aparência social.<br />
Rui: francês: "rei".<br />
Rute: Hebraico, significa no auge da beleza. Prática, prefere encarar todos os problemas assim que eles aparecem. Não tem muita paciência com quem costuma dramatizar a vida. Gosta de investimento seguro, com lucro rápido. "companheira e amiga, visão de beleza, visão inebriada, plena beleza". Variante: Ruth.<br />
<br />
RSabrina: hebraico: "nascida em Israel". Masculino: Sabrino.<br />
<br />
Sabino: Significa vindo do povo protegido pelo Deus Sabus. Indica uma pessoa independente, que procura agir apenas de acordo com suas próprias idéias. Quando defende um ponto de vista discutível, chega a ser teimoso. Mas, quando erra, assume sozinho a culpa do seu erro.<br />
Sacha: persa: "a ema voltando de água". Em russa o mesmo que Alexandra.<br />
Sales: português: "do castelo de Sales, Savóia, França".<br />
Salete: francês: "nascida no castelo de Sales, Savóia, França".<br />
Salim: Significa paz e indica um homem ao qual não falta energia para transformar boas idéias em trabalho lucrativo. Se os pais lhe ensinarem a vencer a tendência à arrogância, será um excelente administrador.<br />
<br />
Salomão: É o nome do mais poderoso dos monarcas hebreus citados na Bíblia. Significa pacífico e indica uma pessoa extremamente sábia,que não corre atrás de modismos e não se deixa seduzir por títulos ou riquezas. Embora um tanto desencantado, tem no amor que nutre pelas mulheres um grande incentivo para suas conquistas materiais.<br />
Salomé: hebraico: "pacífica".<br />
Samara: Aramaico, significa aquela que ouve, ouvinte. hebraico: "guiada por Deus".Para ela, não precisar de dinheiro é uma meta interessante. É boa profissional e executa seu trabalho com eficiência. A racionalidade deve presidir às situações amorosas e afetivas.<br />
Sampaio: aglutinação de São Paulo.<br />
Samuel: hebraico: "ouvido por Deus, seu nome é Deus". Feminino: Samuela. Indica uma pessoa que age com determinação e justiça e só descansa quando atinge seus objetivos. A recompensa dessa atitude é ser bem-sucedido em praticamente todos os seus empreendimentos.<br />
Sanches: espanhol: "filho de Sancho, descendente de Sancho".<br />
Sandra: abreviação italiana de Alessandra, Cassandra.<br />
Sandro: abreviação italiana de Alessandro.<br />
Santoro: italiano: "de todos os Santos".<br />
<br />
Sara: Hebraico, significa princesa. É uma pessoa predisposta ao sucesso profissional. Sua vontade de vencer é bem maior do que as dificuldades que possam aparecer. É uma pessoa com tendência a enriquecer.<br />
Schumacher: germânico: "fabricante de sapatos, sapateiro".<br />
Sebastiana: Feminino de Sebastião, ver este nome. Valoriza o dinheiro, porque ele pode abrir muitas portas. É fiel e, em troca, quer receber o mesmo tratamento. Realiza seu trabalho com aproveitamento.<br />
Sebastião: grego: "magnifico, sagrado, reverenciado". Feminino: Sebastiana.<br />
Seixas: latim: "pedras, seixos".<br />
Selene: grego: "lua, deusa da lua".<br />
Selma: Árabe/celta, significa pacifica, justa. Variação de Anselmo. Indica um caráter que se caracteriza por mostrar sua preferência pelo otimismo perante o pessimismo. É próprio de quem é capaz de sacrificar-se pelos outros e, em contrapartida, mostra-se indolente consigo mesma. Masculino: Selmo.<br />
Sérgio: latim: "servo, o que cuida, protege".<br />
Severo: latim: "sério, severo, grave". Feminino: Severa. Variante: Severino.<br />
Sheila: Gaulês, forma irlandesa de Célia, Cecília, que vem do latim e significa cega. Revela um certo tipo de indecisão, especialmente quando se trata de assumir novas responsabilidades.<br />
<br />
Shirley: Anglo-saxão, significa pasto verdejante. Variante: Shirlei. Só se move emocionalmente se ganhar algo em troca. Realiza com aproveitamento seu trabalho. Considera o dinheiro essencial sobretudo para aparecer diante dos demais.<br />
Sidnei: inglês: "justaposição de Saint Denis, procedente Saint Denis, nascido em Saint Denis na França". Nome unissex no Brasil.<br />
Silmara: germânico: "célebre pela vitória". Variantes: Simara, Siumara.<br />
Silva: latim: "selva, floresta, mata".<br />
<br />
Silvana: Latim, proveniente da floresta, da selva. Pessoa que tem todas as chances de realizar seus desejos. Isso porque esse nome é uma marca de prosperidade. Para se relacionar bem é preciso controlar a impetuosidade.<br />
<br />
Sílvia: Latim, da floresta, da selva. Revela paixão pela vida e a vontade de assumir tudo o que contribua para aumentar a felicidade humana. Por vezes, seu grande poder de comunicação pode provocar invejas e incompreensões por parte de seus amigos.<br />
Sílvia: latim: "filha da selva, nascida na selva, no mato".<br />
Sílvio: latim: "nome de um filho de Enéas e Lavínia que nasceu num bosque".<br />
Simeão: hebraico: "o escutado, o que se faz ouvir".<br />
Simone: feminino francês de Simeão, Simão.<br />
Sofia: Grego, significa sabedoria, sapiência". refere-se ao Espírito Santo.. Apesar de ser um pouco dispersiva, consegue resolver adequadamente seus problemas. O sucesso profissional irá depender de muito esforço. Convém ter sempre uma tarefa para manter-se ocupada. Variante: Sophia.<br />
<br />
Solange: Francês, significa majestosa. Intuitiva e inconstante, tem sempre idéias originais a respeito de todos os assuntos, e gosta de debatê-las com os colegas. Desenvolve tarefas dificultosas com total dedicação.<br />
<br />
Sônia: Russo, Sonja, significa sábia. Ou variação de Sofia. Simboliza o respeito por valores éticos e morais. É próprio de mulheres que levam à prática seus pensamentos, especialmente no campo afetivo e passional. Em geral, conduzem-se na vida com ingenuidade e simplicidade.<br />
Soraia: árabe: "estrela da manhã, refere-se ao planeta Vênus". Variantes: Soraya, Suraia.<br />
Sueli: Germânico, significa brilho, luz. Variante: Suely, Soeli. Simboliza a necessidade de se sentir amparada e cuidadosa em qualquer infortúnio. É próprio de mulheres que experimentam alguma timidez ao agir, ainda que costumem expressar suas opiniões com desenvoltura e clareza.<br />
Susana: hebraico: "lírio gracioso, a pura açucena". Variantes: Suzana, Suzie.<br />
Taciana: variante de Tatiana, ou filha de Tasso. Masculino: Taciano.<br />
Susie: Diminutivo de Suzana. É mais propensa ao racionalismo do que a emotividade. Realiza todas as tarefas com eficácia. Considera importante o dinheiro, mas se conformam com o justo.<br />
<br />
Suzana: Hebraico, significa pura como um lírio. Variante: Susana. Representa a união entre a destreza e a habilidade. É própria de pessoas intuitivas e muito capacitadas, que sempre dominam as situações, especialmente no plano profissional, e estão sempre atentas a todos os detalhes.<br />
<br />
<br />
T<br />
Tadeu: siríaco: "o amável, o amoroso". Feminino: Tadea, Tadéia.Significa o que louva e indica uma pessoa muito sensível, sempre capaz de ver ou imaginar os motivos que levaram os outros a tomar decisões que o contrariaram. Mas nem por isso deixa de ser firme quando precisa impor sua vontade e sua autoridade<br />
Taína: Carajás, quer dizer estrela. Revela nervosismo perante situações delicadas, especialmente as relacionadas com assuntos familiares. é próprio de pessoas que mostram sempre um caráter utilitarista e que manifestam interesse pela cultura e pelo saber.<br />
<br />
Tais: Grego, aquela que deve ser contemplada. Jamais deixa transparecer suas fraquezas. Prefere encarar os problemas sozinha a ter de partilhar sua dor. Costuma ter boas idéias, a maioria audaciosa. Suas reservas de emergência não a deixam na mão.<br />
Talita: araimaico: "mocinha, donzela, menina".<br />
Talita: Aramaico, quer dizes menina. Denota insatisfação e alegria. É próprio de pessoas alegres na aparência, justamente porque os problemas que as cercam são bastante profundos. ë trabalhadora, mas pouco ordenada.<br />
<br />
Tâmara: Árabe, nome de fruto da tamareira. Realiza seu trabalho com paixão. O afeto e o carinho sempre benéficos. O dinheiro é necessário para que não se dependa de ninguém e para decidir-se por si mesma.<br />
Tamara: árabe: "nome do fruto da tamareira".<br />
<br />
Tancredo: Significa o que toma decisões ponderadas e indica uma pessoa de personalidade forte, que nunca passa despercebido. O fato de pensar bem antes de se manifestar a respeito de qualquer coisa o leva a fazer amizades sinceras e duradouras<br />
<br />
Tânia: Forma diminutiva russa para Estefânia, que vem do grego e significa coroa, diadema. É uma pessoa que vai conseguir sucesso porque é paciente, perseverante e habilidosa, quando precisa enfrentar obstáculos. Inimiga de gastos supérfluos, mantém as finanças em dia. Sucesso como engenheira, secretária ou compradora.<br />
Tânia: forma russa de Tatiana.<br />
<br />
Tarcísio: Significa o que veio de Tarso e indica uma pessoa que não dá muita importância aos bens materiais. Quer apenas o suficiente para levar uma vida tranqüila e poder buscar a evolução espiritual.<br />
Tarsila: grego: "coragem, confiança". Variantes: Tarcila, Tarcila. Masculino: Tarcilo, Tarcílio.<br />
Tarsísio: latim: "de Thásos". Feminino: Tarsísia.<br />
<br />
Tatiana: De origem russa "nascido da expressão infantil tata (papai).A fidelidade e o respeito são os pilares de um bom relacionamento amoroso. Sempre está em continua atividade e realizando novos projetos.<br />
Telma: grego: "desejo, vontade".<br />
Teobaldo: teutônico: "audacioso como o povo". Variante: Theobaldo.<br />
Teodoro: grego: "presente de Deus". Feminino: Teodora. Significa presente dos deuses e indica uma pessoa que se adapta bem a qualquer situação. Tem bom senso e a capacidade de se manter calmo até quando todos à sua volta estão desesperados. Por isso, consegue muitas vitórias pela vida afora.<br />
<br />
Teodósio: Significa presente para os deuses e indica uma pessoa otimista, generosa e um tanto ingênua. Precisa se esforçar muito para vencer na vida, mas o trabalho não o assusta e geralmente ele tem sucesso.<br />
<br />
Tércio: Significa o terceiro (filho) e indica um sensitivo em potencial. Quando consegue desenvolver sua espiritualidade, é feliz mesmo tendo poucos bens materiais. Mas, caso se deixe levar por sonhos de enriquecimento rápido, acabará se tomando uma pessoa frustrada e constantemente de mau humor. Os pais devem lhe ensinar, desde cedo, a apreciar a beleza que existe nas coisas simples.<br />
<br />
Teresa: Latim, natural da terra. Nome que indica realismo e fantasia ao mesmo tempo. Sempre dispostas a realizar coisas e a planejar projetos para levá-los à prática. A sua força de vontade não decresce perante os obstáculos nem as dificuldades que podem encontrar no seu caminho.<br />
Teresa: latim: "a natural da Ilha de Therásia". Masculinos: Tereso, Terezo.<br />
<br />
Tereza Cristina: Latim, cristão natural de Tera. Indica preocupação e interesse pelos demais. É próprio de pessoas que estão sempre dependentes dos acontecimentos ao seu redor; são convencidas de fazer algo que não desejam.<br />
<br />
Tereza: Variante de Teresa, ver esse nome. Inteligente, tem grande facilidade para transmitir conhecimentos aos outros e o faz com bastante clareza e paciência. Seu maior sonho é construir família e ter filhos.<br />
<br />
Terezinha: Diminutivo de Teresa, ver esse nome. Amiga de todas as horas, é muito leal e sabe sempre dar apoio a quem procura. Por isso mesmo, vive cercada de gente. Controla bem suas finanças e tem sempre reserva.<br />
<br />
Thais Helena: Grego, luz que deve ser contemplada. Indica prosperidade, segurança e confiança nas próprias origens. De um ponto de vista universal, é característico de pessoas trabalhadoras, mas, ao mesmo tempo, pouco imaginativas.<br />
Tiago: nome de um dos apóstolos de Cristo. variante: Thiago.<br />
<br />
Tiago: Variação de Jacó. Veja também Santiago e Iago<br />
<br />
Tibério: Nome associado ao rio Tibre, indica uma pessoa que possui aguçado senso de justiça e sempre procura agir com toda sinceridade e prudência. Tem grande facilidade em se expressar e sabe se valer disso para alcançar o sucesso profissional e afetivo.<br />
Tobias: hebraico: "bom é Javé, Deus é o bom".<br />
<br />
Tolmai: Significa o que suspende as águas e indica uma pessoa com grande poder de análise. Julga a todos e a si mesmo com severidade, mas está sempre disposto a perdoar os erros que detecta nos outros e busca constantemente o auto-aprimoramento.<br />
Tomás: aramaico: "gêmeo". Variante: Thomás, Thomas.<br />
<br />
Tomás: Significa gêmeos e indica uma pessoa de com arrebatado, que vive de maneira intensa e dificilmente se acostuma com uma existência pacata, marcada por atividades de rotina<br />
<br />
Tomé: Variação de Tomás.<br />
<br />
Tônia: Diminutivo de Antônia. Quanto mais se amar, mais tranqüilo se está na vida. Desenvolve seu trabalho com alto rendimento, mas é pouco inconstante. O dinheiro contribui para aumentar a alegria das pessoas.<br />
Túlia: celta: "pacífica, quieta".<br />
Túlio: latim: "levar, levantar".<br />
Ubirajara: tupi: "senhor da lança, tacape".<br />
<br />
<br />
U<br />
Ubaldo: Significa espírito ousado. Nome relacionado com a mente, próprio de pessoas intelectuais. Valoriza o dinheiro, mas não o considera a salvação universal. É fiel e nunca joga com os sentimentos alheios.<br />
<br />
Ubirani: Indica tenacidade e delicadeza. É próprio de pessoas cuidadosas e atenciosas para com os outros; chama a atenção pelo seu caráter aberto e compreensivo, sobretudo em relação a valores tradicionais.<br />
<br />
Ubiratã: Tupi, significa tacape forte. Ubiratan ou Ubirtam. A maior felicidade provém da satisfação emocional. O trabalho bem feito produz bem-estar e tranqüilidade. Dispor de dinheiro é necessidade inegável.<br />
Ulhoa: basco: "galinha".<br />
<br />
Ulísses: Grego, significa o irritado. Para ele, o dinheiro faz com que as pessoas se sintam mais livres e decididas. ë fiel e exige em troca fidelidade e respeito. Realiza suas tarefas com minúcia.<br />
Ulisses: latim, grego: "o odiado por Zeus, o irritado".<br />
Umberto: variante ortográfica de Humberto.Valber: germânico: "governador brilhante, ou urso dominador".<br />
<br />
Urbano: Latim, aquele que vive na cidade. Consegue solução mesmo para um problema muito difícil e resolve a contento qualquer tarefa.<br />
<br />
Úrsula: Latim, pequena ursa. A experiência demonstra que é sempre necessário ter dinheiro em conta. Sentir-se amado é a coisa mais agradável da vida. Realiza seu trabalho com aproveitamento e rigor.<br />
<br />
<br />
V<br />
Vagner: Nome tirado do sobrenome do compositor alemão Riehard Wagner. Indica uma pessoa cujo magnetismo é tão forte que envolve facilmente os outros e ele sabe utilizar esse dom com bom senso.<br />
Valda: variante de grafia de Velda, feminino de Valdo ou de abreviação de<br />
Valdemar: variante de grafia de Waldemar.<br />
Valdemiro: derivado de Wladimir, filho Wladimir.<br />
Valdete: justaposição de Valdemar, Valdomiro e Odete.<br />
Valdir: adaptação gráfica brasileira de Waldir. Variação de Valdo.<br />
<br />
Valdo: Significa poderoso ou o que dirige. Indica uma pessoa de temperamento autoritário, o que a ajuda a superar sua timidez, que também é grande. Quando contrariado, chega a se mostrar agressivo<br />
<br />
Valdomiro, Valdemar. Variante: Walda. O mesmo que Valdemiro.<br />
<br />
Valentim: Significa saudável e valente. Indica uma pessoa vigorosa e de temperamento forte,.capaz de passar por cima de qualquer obstáculo quando se propõe a fazer algo. E quase sempre alcança o que deseja.<br />
Valentino: latim: "natural de Valência". Feminino: Valentina.<br />
<br />
Valéria: Feminino de Valério, que vem do latim e significa cheio de saúde. Com o dinheiro resolvem-se muitos assuntos difíceis. Tudo é permitido se é feito por amor: o amor move montanhas. Desempenha seu trabalho com eficiência e aproveitamento.<br />
<br />
Valéria: Feminino de Valério, que vem do latim e significa cheio de saúde. Com o dinheiro resolvem-se muitos assuntos difíceis. Tudo é permitido se é feito por amor: o amor move montanhas. Desempenha seu trabalho com eficiência e aproveitamento.<br />
Valério: latim: "que tem saúde, robusto, que é forte". Feminino: Valéria. Indica uma pessoa que tende a adquirir grande força física e que usa sua resistência para lutar dia e noite pela realização dos seus sonhos. É brilhante nos estudos e se destaca no terreno profissional<br />
Valmir: teutônico: "eleito, escolhido, amado e brilhante". Variante: Waldir.<br />
Valquíria: escandinavo: "a virgem". Nome de três ninfas ou deusas escandinavas.<br />
Valter: variante ortográfica de Walter.<br />
Vanda: polonês: "pequena vândala, peregrina, andarilha". Masculino: Vando. Preocupa-se para agradar os seus entes queridos. É profissional excelente. Seu senos de dever está acima de todas as coisas. É carinhosa e afetiva, mas sua timidez excessiva não lhe permite manifestar seu valor.<br />
<br />
Vanderlei, Vanderley: holandês:: Significa da ardósia e indica uma pessoa esforçada e organizada, mas que dispensa tanta atenção aos detalhes que chega a sacrificar o resultado final. Se superar essa tendência, fará grande sucesso em atividades de planejamento. Varites, Wanderley. Feminino: Vanderléia.<br />
<br />
Vanessa: Gênero de lindas borboletas. Indica dinamismo é realizadora de projetos que comportem fama e celebridade. É próprio de pessoas que sentem uma especial atração pelo brilho social, apegadas as aparências. São pessoas de seriedade, respeitosas e principalmente estudiosas. Nome popularizado pelo escritor americano Dean Swift.<br />
<br />
Vânia: Germânico, significa esperança. Para ela, o dinheiro é importante para resolver os problemas. Encontrar o verdadeiro amor é descobrir a paz interior duradoura. Realiza sua tarefa com profissionalismo. Também feminino russo de Ivan.<br />
<br />
Venâncio: latim "caçador". Feminino: Venância.<br />
<br />
Ventura: espanhol: "felicidade, boa sorte".<br />
<br />
Vera Lúcia: Latim, quer dizer luz verdadeira. Está relacionado com um futuro promissor, em especial no campo profissional e, em geral, lutam por idéias relacionadas com a sua própria visão ética da vida, tanto a privada quanto a pública.<br />
<br />
Vera: Latim, russo, significa verdadeira. Trabalhadeira, consegue-se sobrepujar diante das maiores dificuldades. Conservadora, a idéia da família é fundamental para ela. A dignidade está acima de todas as coisas.<br />
Verônica: grego-latim: "verdadeira imagem".Variante de Berenice, que vem do grego e significa portadora da vitória. Representa a necessidade que têm algumas pessoas de quem se preocupa em pôr em ordem na sua vida e, em geral, nunca estão satisfeitas com os resultados que obtêm.<br />
Vicente: latim: "vencedor do mal, aquele que vence".<br />
Vilma: derivado do teutônico Wilhelmine, o mesmo que Guilhermina. Variante: Wilma.<br />
Vilmar: teutônico: "resoluto, de muita fama, muito célebre". Variante: Wilmar.<br />
<br />
Vílson: O mesmo que Wilson : Filho de William. Variante ortográfiaca de Wilson.<br />
<br />
Vinicius, Vinícios, Vinício: Significa vinicultor (aquele que cultiva uva) e indica uma pessoa ousada e criativa, que se destaca em qualquer grupo que freqüente. Todos admiram sua originalidade e isso lhe permite fazer muitos amigos e também diversas conquistas amorosas<br />
Vinícius: latim "que tem voz agradável, vinicultor". Variantes: Venício, Venícios. Femininos: Venícia, Vinícia.<br />
Violeta: Francês, nome de uma flor. Pode confiar! Você tem uma força que a empurra para frente. Com esse "auxílio" consegue atingir todos os seus objetivos com facilidade. Reflete longamente, antes de eleger seu par.<br />
Virgílio: latim: "varinha, raminho". Feminino: Virgília.<br />
Virgínia: latim: "virgem, donzela, capaz ao matrimônio". Masculino: Virgílio.<br />
Vitor: latim: "vencedor, vitorioso sobre o pecado". Variante: Victor.<br />
<br />
Vítor: Significa vencedor. Indica uma pessoa competente mas que apresenta certa reserva em expor seus pontos de vista, tendência que deve combater se quiser atingir o sucesso pleno.<br />
<br />
Vitória: latim: "deusa romana das vitórias". Feminino de Vítor, ver esse nome. Indica a paixão pela cerimônia e pelo luxo. É próprio de pessoas que sentem atração especial por grandes solenidades, pelos ritos, pelos boatos e pela glória. Gostam de ser tratadas como rainhas.<br />
<br />
Vitório: latim: "vitorioso, vencedor".É a forma masculina do nome da deusa mitológica que garante a vitória. Indica alguém que tem muita facilidade para resolver os problemas, pois sua simpatia e suas boas intenções atraem para ela o apoio significativo é uma pessoas influente.<br />
<br />
Viviana: Latim, significa cheia de vida.. Nos momentos de precisão se revela esta pessoa uma líder nata. Também derivado da pronúncia portuguesa de Bibiana. Variantes: Viviane, Vivina Vivian. Masculino: Viviano.<br />
<br />
<br />
<br />
WWagner: germânico: "fabricante de vagões, de carros". Variante: Vagner.<br />
<br />
Waldemar: teutônico: o que governa com brilhantismo, célebre pelo governo".<br />
<br />
Waldir: Valdir, que comanda governa.<br />
<br />
Wanda: peregrina<br />
Wilma: Variante de Vilma, do masculino: Vilmar, protetora<br />
<br />
Wanderley: Vanderlei,das Ardósias.<br />
Washington: inglês: "da aldeia dos Wess, da aldeia dos Wessyng".<br />
Welington: inglês: "de uma família próspera".<br />
Wesley: anglo-saxão: "prado ocidental".<br />
<br />
William: Variação de Guilherme<br />
Willian: teutônico: "protetor resoluto".<br />
Wilmar variante de grafia de Vilmar.<br />
Wilson: inglês: "filho de Will que é o mesmo que Willian.<br />
Wilton: inglês: "da fazenda primaveril, da aldeia de Willian".<br />
<br />
<br />
XXavier: derivado do basco Etchberri ou Etchaberri: "casa nova".<br />
<br />
Xafik: Árabe - Clemente<br />
Xantipa: Grego - Égua rara<br />
Xavier: Variação de Javier: Basco: Proprietário da nova casa<br />
Xerxes: Persa - O que guia<br />
Ximene: espanhol: "o mesmo que Simão, Simon". Variante: Ximenes.<br />
Yara: tupi: "mãe d'água".<br />
Xisto: Latim - Alameda<br />
<br />
<br />
<br />
Y<br />
Yago: Variante de Jacobo (ver).<br />
Yair: Variante de Iair.<br />
Yani: Peregrino viejero<br />
Yasmin: Árabe, significa flor branca. Nasceu para conhecer o sucesso e ser feliz. Transpõe todas as barreiras.<br />
Yeda: variante de grafia de Ieda.<br />
Yeray: Grande<br />
Yolanda: Grego, significa flor de violeta. É uma pessoa viva, cheia de interesses bem diversificados. Muda freqüentemente de ocupação e é capaz de fazer várias coisas ao mesmo tempo. Acha que o dinheiro confere poder e prestígio.<br />
Yolanda: grego: "flor de violeta".<br />
Yoná: hebraico: "pomba".<br />
Yone: grego: "violeta". Variante: Ione.<br />
Yuri: forma russa de Jorge, George.<br />
Yves: De origen francés.<br />
Yvete: variante feminino de Ivo.<br />
Yvone: anglo-saxão: "arco de teixo". Variante: Ivone.<br />
<br />
<br />
ZZacarias: Significa aquele de quem Deus sem lembrou e indica uma pessoa que estabelece metas para si própria e trabalha com perseverança para alcançá-las. Em geral, obtém o que deseja e está sempre pronto a dividir suas conquistas com as pessoas a quem ama.<br />
Zagalo: espanhol: "pastor".<br />
Zanetti: variante italiana de João.<br />
Zaque: árabe: "inteligente".<br />
Zelda: variação gráfica de Zilda, ou abreviação de Griselda.<br />
Zélia: grego: "zelo, rival". Masculino: Zélio.<br />
Zélio: Significa zelo e indica uma pessoa altamente sensível e criteriosa. Quando libera sua criatividade, é muito bem sucedido nas artes. Interessa-se também por religião, mas sem se deixar levar por fanatismos ou por manipuladores da opinião pública.<br />
Zelma: variante gráfica de Selma.<br />
Zenilda: aglutinação de José e Nilda, Zenon e Hilda.<br />
Zenite: grego: "de Zeus, consagrado a Zeus".<br />
Zenóbio: Grego. vida dada por Deus.<br />
Zilda: germânico: "a guerreira vitoriosa". Masculino: Zildo.<br />
Zoraia: persa: "a bela, de extraordinária beleza".<br />
Zoraide: armênio ou árabe"mulher cativante, a eloqüente". Variante: Zoraia.<br />
Zuleica: árabe ou persa: "gordinha, roliça, de radiante beleza".<br />
Zulmira: teutônico: "a resplandecente, celebridade da luz". Masculino: Zulmiro.<br />
</div><h3 class="post-title" style="text-align: justify;"> </h3><h3 class="post-title" style="text-align: justify;"><a href="http://anjodeva.blogspot.com/2008/02/o-significado-dos-nomes.html">O significado dos nomes</a> </h3><div></div><div style="text-align: justify;">O estudo destinado a explicação dos nomes próprios recebe o nome de ONOMÁSTICA, que é um dos ramos da lingüística que se inclui a Antroponímia (estudo dos nomes das pessoas).<br />
Quem assume a escolha do nome enfrenta uma grande responsabilidade. Uma pessoa pode sofrer a vida inteira por conta de um nome mal escolhido. Nomes estranhos, difíceis de serem escritos e entendidos, são incômodos. Quando você escolher o nome de seu filho, procure um que seja bonito, tenha um significado interessante e facilite a vida dele. Um nome deve ser motivo de orgulho para quem o carrega e é algo bom que se pode dar sem nenhum custo à uma pessoa a quem, desde antes de nascer, já queremos bem.<br />
Pense muito bem antes de escolher o nome, leia com atenção os significados.<br />
<br />
A<br />
Abel: Significa vaidade e indica uma pessoa aventureira e ousada, que precisa controlar seus impulsos para não tomar atitudes agressivas, que lhe causariam sérios problemas a curto ou médio prazo.<br />
<br />
Abelardo: francês: "colméia", ou germânico: "nobre, corajoso". Variante de Eberardo, Everardo.<br />
<br />
Abelardo: Significa abelha e indica uma pessoa ousada e empreendedora. Inspira muita confiança e gosta de desafiar a própria capacidade, lançando-se constantemente em novos projetos.<br />
Abigail: hebraico: "meu pai (Deus) é alegria, na fonte da alegria". Variante Abighail.Abreu: português: "agradecimento, proferir, dar". Muda rapidamente de humor. Mas sempre significa fonte de prazer e indica uma pessoa que muda muito passa por cima disso e consegue fazer com que as coisas aconteçam de modo favorável a ela.<br />
<br />
Abraão: Significa pai de uma multidão e indica uma pessoa que faz do charme um instrumento para viver bem. Gasta em viagens e passeios com amigos o que lhe sobra de dinheiro. Mas no fundo é um sábio que apenas aguarda o momento certo para mostrar toda a sua inteligência e toda a sua capacidade de realização.<br />
Açucena: árabe: "branca, alva como a flor".<br />
<br />
Ada: Significa feliz, próspera e indica uma pessoa muito amorosa. Embora pareça quase sempre indecisa entre dois caminhos, sua intuição geralmente lhe revela a escolha mais indicada.<br />
<br />
Adail: Significa guia e defensora. Indica uma pessoa que é capaz de ajudar as outras porque confia muito em si própria. Isso lhe abre as portas para o sucesso e ela pode se realizar como psicóloga, professora ou conselheira sentimental.<br />
<br />
Adair: celta: "lugar de carvalhos, passagem sobre os carvalhos". Variante: Aldair.<br />
Adalberto: germânico: "brilho da nobreza". Variante: Adalbert. Significa nobre, brilhante e ilustre e indica uma pessoa que está sempre procurando fazer importantes conquistas. Mas precisa do estímulo dos pais e dos amigos para alcançar o sucesso que deseja.<br />
Adalgisa: Significa lança de nobreza e indica uma pessoa que tende a se achar a dona da verdade. Mas sempre dá conselhos muito úteis a quem recorre a ela. Tem uma autoridade natural que não se transforma em autoritarismo devido à sua grande espiritualidade.<br />
<br />
Adão: Significa terra vermelha e, por extensão, o homem criado da terra, do barro. Segundo a bíblia, foi o nome que Deus deu ao primeiro ser humano. Indica uma pessoa que gasta com a família todo o dinheiro que ganha. No amor, é meigo e tende a seguir as sugestões da mulher, revelando-se portanto um companheiro formidável.<br />
Adelaide: germânico: "garbo, porte, de linhagem nobre, princesa da terra". Uma pessoa dinâmica e com grande sabedoria. Mas precisa se abrir um pouco, pois em geral não deixa nada nem ninguém interferir nas suas certezas.<br />
<br />
Adélia: Significa nobre e indica uma pessoa que luta para tomar as rédeas do seu destino. Não gosta de depender de ninguém, nem mesmo dos pais. Hábil e esperta, em geral consegue o que quer da vida. Mas deve combater a ansiedade e desenvolver o sentido de vida em comum.<br />
<br />
Adelina, Aline: Diminutivo de Adélia. Realista ao extremo, quem tem esses nome precisa dar um pouco mais de atenção aos sonhos, para tornar a vida mais colorida e cheia de ideais.<br />
Ademar: germânico: Variantes: Adhemar, Hademar, Edemar.Significa guerreiro famoso e indica uma pessoa que encara os desafios com disposição, como se cada dia representasse uma batalha a ser vencida com bom humor. Por isso, raramente fica deprimido.<br />
Aderbal: fenício: "que cultua Baal (Deus fenício)".<br />
Adilson: variante: Ailson ou ainda filho de Adil ou descendente de Wilson, filho de Wilson. Significa filho de Adão e indica uma pessoa que não muda sua rotina por nada nesse mundo e não gosta que ninguém dê palpite na sua vida. Da mesma forma, respeita a individualidade dos outros.<br />
<br />
Adina: Significa voluptuosa. Esse nome predispões a mulher, quando ela é bem jovem, a se fazer admirar sobretudo pela beleza física ou pela sensualidade. Na maturidade, desenvolve também o brilho intelectual.<br />
<br />
Adolfo: Significa lobo nobre, lobo herói, bravo guerreiro e indica uma pessoa que não hesita em assumir a responsabilidade pelos seus atos. Ouve, analisa e depois toma decisões firmes, das quais dificilmente volta atrás.<br />
<br />
Adonias: Significa aquele de quem Deus é senhor e indica uma pessoa que economiza bastante, mas sem se privar do conforto. Faz sucesso como administrador de empresas ou auditor. No amor, é fiel ao extremo, mas em contrapartida exige carinho e atenção constantes.<br />
<br />
Adoniram: Significa o Senhor é excelso e indica uma pessoa que luta como ninguém pelos seus objetivos. Nos estudos, é brilhante ou pelo menos muito esforçado. E, no trabalho, logo ganha o respeito de todos.<br />
<br />
Adônis: Significa senhor e se refere a um personagem mitológico famoso pela sua beleza. Indica uma pessoa cautelosa, que não esbanja dinheiro, mesmo quando tem o bastante para isso. Consciente do seu valor, espera que os outros também o reconheçam.<br />
Adriana: latim: "da cidade de Ádria, da região do mar adriático, nascida ou procedente de Ádria". Variante: Adriene. Masculino: Adriano. Significa escura, morena, e revela uma pessoa com grandes chances de triunfar na vida, pois mostra interesse pelos mais variados assuntos e aprende tudo com facilidade. E sabe repartir com os outros o que consegue com o estudo e o trabalho.<br />
<br />
Adriane: Trata-se de pessoa com grande chance de triunfar . Mostra interesse pelos mais variados assuntos e aprende tudo com facilidade. Sabe que para ser querida , precisa demonstrar seu afeto . Pode obter êxito como dentista, bióloga e fonoaudióloga. Usa suas economias inclusive para ajudar os amigos.<br />
<br />
Adriano: Significa o que veio da região da Abria e indica uma pessoa muito ativa mas que costuma oscilar entre os interesses imediatos e os ideais de longo prazo, e isso lhe acarreta dilemas constantes.<br />
<br />
Adroaldo: Significa o que governa com nobreza e indica uma pessoa muito crítica consigo mesma, que analisa todos os seus atos e não admite cometer erros. No entanto, perdoa com facilidade as falhas alheias.<br />
Afonso: germânico: "nobre, atencioso". Feminino: Afonsina. Significa pronto para o combate e indica uma pessoa que preocupada com o bem estar dos outros, procura ajudas a todos que se encontram em dificuldades. Idealista, coloca a justiça acima de tudo.<br />
Agar: Significa estrangeira e indica uma pessoa que tende a errar muito porque age como se não tivesse nenhum envolvimento com o que está acontecendo. Mas, quando vence essa tendência e aprende a ouvir também o coração. Desenvolve grande capacidade de análise e de julgamento.<br />
<br />
Ágata: Significa bondosa e predispões a criança ao amor. A pessoa assim chamada está sempre pronta a ajudar quem precisa. Seus conselhos, baseados numa intuição aguçada, são muito eficientes.<br />
<br />
Agildo: Significa oferta dos deuses e indica uma pessoa que permanece confiante em quaisquer circunstâncias, pois encara cada obstáculo que encontra como estímulo para continuar lutando<br />
<br />
Agnaldo: Significa o que governa pela espada e indica uma pessoa cuja maior preocupação é preservar a independência. Ambicioso, usa toda a sua inteligência e sua capacidade de liderança para alcançar o sucesso. Os pais devem educá-lo para que não se torne autoritário<br />
<br />
Agnelo: Significa cordeirinho e indica uma pessoa brilhante e disposta a progredir na vida, mas que tende a estagnar por estar sempre concordando com a vontade dos outros. Só no amor realmente seletivo: se dá bem apenas com mulheres no mínimo encantadoras.<br />
<br />
Agnes: Significa pura e indica uma pessoa que vê a vida com otimismo e enfrenta os problemas com muita disposição. Sua sinceridade e alegria atraem felicidade, saúde e prosperidade. Não há acontecimento negativo que consiga derrubá-la.<br />
<br />
Agostinho: Variação de Augusto<br />
Aguiar: português: "lugar onde habitam as águias".<br />
<br />
Aguinaldo: Significa o que governa pela espada e indica uma pessoa cuja maior preocupação é preservar a independência. Ambicioso, usa toda a sua inteligência e sua capacidade de liderança para alcançar o sucesso. Os pais devem educá-lo para que não se torne autoritário<br />
<br />
Aída: Significa próspera, feliz e indica uma pessoa que tende a perder o controle das emoções. Apaixona-se com facilidade e se irrita com mais facilidade ainda. Mas não guarda mágoas de ninguém, nem trai um namorado. Tudo na vida é muito claro e honesto.<br />
<br />
Aidê: Esse nome vem do francês Haydée e se associa a independência e ousadia. Indica uma pessoa que define claramente seus ideais e luta arduamente por eles. Mas por trás do seu jeito seguro se esconde uma sensibilidade enorme. Também muito inteligente, ela adora conversar com pessoas mais velhas, para aperfeiçoar seus conhecimentos.<br />
Ailson: germânico: "de sagrada família". Variante: Ailton. Nome literário, sem significado claro, indica uma pessoa que aproveita intensamente cada momento da vida, mas sem se descuidar do futuro. Persegue com toda garra seus ideais e vive com verdadeira paixão cada uma das vitórias que alcança.<br />
<br />
Aimê: Este nome vem do francês Aimée. Significa amada e se associa à força da emoção e da intuição. Indica uma pessoa perfeita e moralista, que só deixa de ser severa no julgamento dos outros quando a satisfação dos seus próprios desejos lhe ensina que a paixão não é obrigatoriamente um pecado. Então passa a ver a si própria e às outras pessoas de uma forma menos crítica.<br />
Aírton: francês: nome criado por Júlio Verne em a "Ilha Misteriosa". Nome literário, sem significado claro, indica uma pessoa que aproveita intensamente cada momento da vida, mas sem se descuidar do futuro. Persegue com toda garra seus ideais e vive com verdadeira paixão cada uma das vitórias que alcança.<br />
<br />
Ajuricaba: Significa abelha feroz e indica uma pessoa que não tolera a inércia. Inovador e até excêntrico, contesta desde muito cedo todas as regras que lhe são impostas e busca sempre seus próprios caminhos<br />
Alaíde: francês: de linhagem nobre". Variação de Adelaide. Indica uma pessoa equilibrada e positiva. Otimista, ela contagia todo mundo com sua alegria de viver. Tem vida amorosa intensa e variada, mas não trai nem suporta traições.<br />
Alan: celta ou teutônico: "crescer, gracioso, agradável". Significa belo , harmonioso e indica uma pessoa emotiva, que se magoa com facilidade, embora nem sempre demonstre sua tristeza. Prefere exibir sua simpatia para cativar todo mundo que o rodeia. Tende a conseguir sucesso como músico ou paisagista.<br />
Alana: celta: "linda, bela".<br />
Alba: latim: "pedra preciosa, pérola, alva, branca, procedente de Alba, cidade italiana". É uma pessoa que tende a se mostrar uma tanto arrogante, o que dificulta seus relacionamentos. Amante do bom e do melhor, gasta o que tem e mais um pouco. Mas com o tempo, aprende a cultivar a humildade e então triunfa na vida.<br />
<br />
Albertina: Significa ilustre e indica uma pessoa que, além de intuitiva, é prática, paciente e organizada. Ótima conselheira, não mede esforços para apoiar, com ensinamentos, quem recorre a ela. Também se mostra generosa com que lhe pede dinheiro emprestado.<br />
<br />
Alberto: teutônico: "brilhante, ilustre".Variante: Adalberto. Muito famoso e indica uma pessoa que possui a dose certa de de equilíbrio e coloca muita energia na concretização dos sonhos. Seu talento sempre acaba sendo reconhecido.<br />
<br />
Albuquerque: latim: "carvalho branco".<br />
Alcântara: arabe: "a ponte".<br />
<br />
Alceu, Alcides: Significa forte e indica uma pessoa extremamente ativa e que, por isso, quase sempre alcança seus objetivos. Seus pontos fortes são a persistência e a força de vontade.Planeja seus negócios com muito cuidado e pode se realizar como economista ou engenheiro.<br />
Alceu: grego: "força". Variante: Alcides.<br />
<br />
Alcibíades: Significa defensor da vida e indica uma pessoa impetuosa e persistente, que consegue alcançar altos postos na profissão que escolhe. Mas no amor precisa aprender a abrir seu coração, pois é muito racional e dificilmente se deixa dominar pelas emoções.<br />
<br />
Alcina: Significa de mente forte e indica alguém com tanta capacidade de persuasão que pode convencer as outras pessoas de que terra é outro ou vice-versa. Mas não se vale desse Dom para enriquecer ilicitamente. Usa-o apenas para arejar as idéias de quem conversa com ela.<br />
<br />
Alcinda, Alcione: Nome de uma estrela muito brilhante da constelação das Plêiades. Revela uma pessoa que gosta de demonstrar seu lado alegre. Possui grande capacidade de comunicação e de sedução e está destinada a Ter inúmeros amigos e vários amores.<br />
<br />
Alcindo, Alcino: Significa espírito forte e indica uma pessoa conservadora e autoritária, que precisa aprender a ser paciente diante das mudanças, bem-humorado face aos imprevistos e prudente do dia-a-dia.<br />
<br />
Alcione: grego: "que vive no mar, ave marinha, maçarico".<br />
<br />
Alda: Significa velha, sábia e rica. É uma pessoa que tem grande possibilidade de desenvolvimento espiritual, mas que não deixa de desfrutar os prazeres da vida. Consegue inúmeras vitórias quando organiza convenientemente seu dia-a-dia e suas economias.<br />
<br />
Aldir, Aldo: Significa velho, experiente. Indica uma pessoa que tem grande possibilidade de desenvolvimento espiritual, mas que não deve descuidar do lado material da vida. Consegue inúmeras alegrias quando organiza suas economias e reúne condições financeiras de ajudar os outros.<br />
<br />
Aleixo: Significa o que defende e indica uma pessoa que deve controlar a impulsividade para não tomar atitudes das quais se arrependerá.<br />
<br />
Alejandra, Alessandra, Alexandra: Significa defensora da humanidade e indica uma pessoa de caráter conciliador. Quem tem esse nome sempre procura resolver os problemas dos outros e conquista a todos com sua enorme meiguice.<br />
<br />
Alencar: germânico: "templo de Alanos". Derivado também da Vila portuguesa de Alenquer.<br />
Alessandra: grego: "que resiste aos homens". Adaptação feminina de Alexandre.<br />
Alexandre: grego: "que resiste aos homens, que socorre os homens, que repele o inimigo". Significa defensor da humanidade e indica um espírito justiceiro, que não pode ver outra pessoa passando dificuldades sem procurar ajudar. Tem sucesso quando trabalha em atividades comunitárias.<br />
Alfredo: anglo-saxão: "bom conselheiro, conselheiro dos elfos". Significa conselheiros dos espíritos e indica uma pessoa muito prática, que sabe usar a lógica para atingir seu objetivos e afastar as más influências. Está sempre disposto a ajudar os amigos e resolver até problemas íntimos.<br />
Alice: fenício-cartaginês, francês ou grego: "nobre, sincera, a defensora, a protetora". Significa a verdadeira. É uma pessoa extremamente sincera mesmo quando isso lhe pode custar uma amizade. Tem também o Dom da liderança. Por isso, não gosta de trabalhar para os outros. Prefere exercer uma profissão liberal ou montar sua empresa.<br />
<br />
Alícia: Variação de Alice. Indica uma pessoa muito empreendedora e com grande força interior. É muito admirada pela capacidade de poupar e aplicar bem seu dinheiro. Mas precisa tomar cuidado para não se impacientar demais quando as coisas demoram a acontecer.<br />
<br />
Alina: Significa agulha e predispõe a criança a se tornar profunda nas suas observações e na maneira de ver o mundo. Com o passar do tempo, porém, ela vai se tornando livre e desprendida e chega a agir de maneira quase superficial. Mas, quando percebe que fez uma escolha indevida, luta com toda a sua garra para corrigir o erro.<br />
Aline: celta: "de linhagem nobre, graciosa, atraente". Variante: Alina.<br />
<br />
Alípio: Significa o que não tem tristeza e indica uma pessoa extrovertida e falante que chama a atenção em qualquer roda social. Tende a gastar todas as suas economias em objetos sofisticados.<br />
Alison: germânico: "de sagrada fama".<br />
Almeida: arabe: "a mesa, chão plano, campo plano".<br />
<br />
Almir: Significa príncipe e brilhante. indica uma pessoa carismática e persistente, que consegue altos pontos na profissão que escolhe, seja ela qual for. Tem grande habilidade para liderar grupos de trabalho e consegue bons lucros quando monta seu próprio negócio.<br />
<br />
Almira: Significa delicada e mostra uma pessoa meiga mas persistente, que consegue altos postos na profissão que escolhe, seja ela qual for. Tem grande habilidade para negociar e sempre consegue bons lucros quando trabalha no comércio.<br />
<br />
Aloísio, Aluísio: Variação de Luís<br />
Aloísio: germânico, latim: "inteiramente prudente, esperto". Variante: Aluísio. Feminino: Aloísia.<br />
<br />
Altino: Significa que veio da cidade de Altino e indica uma pessoa que confia na própria capacidade de contornar as dificuldades. Por isso, enfrenta os problemas com serenidade e paciência e, geralmente, se dá bem. Ajudado pela intuição, raramente perde uma parada.<br />
Álvaro: germânico: "guerreiro dos elfos, tudo vigia, defende, cuida".<br />
<br />
Álvaro: Significa o que defende de todos e indica uma pessoa de iniciativa, que está sempre em busca de novas oportunidades. Mas não faz nada sem antes avaliar atentamente todas as chances de progresso e todos os riscos de fracasso.<br />
Alves: derivado de Álvaro.<br />
Alzira: germânico: "graça e beleza". Masculino: Alziro.<br />
<br />
Alzira: Significa ornamento, beleza. Indica uma pessoa intuitiva e extrovertida, que tem idéias originais e brilhantes a respeito de tudo e gosta de debatê-las com os amigos. Destaca-se em profissões ligadas à criação e à comunicação, como propaganda e jornalismo.<br />
<br />
Amadeu: Significa o que ama a Deus e indica uma pessoa que que consegue vencer muitos problemas do dia-a-dia, mas vive as voltas com dificuldades financeiras, pois seu estilo de vida o leva a gastar mais do que ganha.Se controla essa tendência, torna-se um ótimo chefe de família.<br />
<br />
Amador: Significa o que ama e indica uma pessoa competente que não decepciona em nenhum trabalho que se proponha a realizar, pois faz pois faz tudo com muito empenho e envolvimento pessoal.<br />
Amália, Amélia, Ailema: gótico: "trabalhadora, ativa, laboriosa". Significa trabalhadora e revela uma pessoa esforçada na luta pelos seus objetivos. Emotiva e sensível, magoa-se com facilidade, mas não demonstra nada disso. Também não guarda rancor de que a ofendeu sem querer. Prefere exibir sua simpatia, a qual lhe abre muitas portas.<br />
<br />
Amâncio: Significa amante e indica uma pessoa com grande capacidade de liderança decorrente á sua dedicação as tarefas e aos companheiros e também a sua ousadia. Muito raramente deixa passar uma oportunidade por estar desatento ou por excesso de cautela.<br />
Amanda: latim: "digna de ser amada". Mostra uma pessoa cuja vida afetiva é marcada pelo excesso de pretendentes. Dinâmica e ativa, ela sempre resolve seus problemas de maneira inteligente, sem forçar situações ou incomodar os outros.<br />
<br />
Amândio: Significa digno de ser amado e indica uma pessoa original, criativa e inteligente. Além disso dispõe de muita energia e luta com toda a garra para alcançar seus ideais.<br />
Amaral: português: "espécie de uma planta amarga".<br />
<br />
Amélia: Variação de Amália. A pessoa assim chamada é muito original, inteligente e tem garra para alcançar seus objetivos. Alem disso, ela sabe aplicar bem o dinheiro que ganha, razão pela qual consegue um bom pé-de-meia ainda na juventude.<br />
<br />
América: Significa a que governa a casa. Indica uma pessoa aventureira e esperta, de pulso firme, que não deixa passar nenhuma oportunidade de se destacar. No amor, é muito sensual e tende a viver romances sempre emocionantes e, não raro tempestuosos.<br />
<br />
Américo; Significa o que governa a pátria. E indica uma pessoa de pulso firme, que não deixa passar nenhuma oportunidade de se destacar e por isso mesmo assume posições de liderança na escola, no trabalho ou em qualquer outro grupo. Perfeccionista e exigente em relação a tudo, irrita-se com facilidade e não tolera qualquer tipo de erro.<br />
<br />
Amílcar: Veja Hamílcar<br />
<br />
Amin: Significa fiel, constante e indica uma pessoa cuja capacidade de fazer novos amigos e novas conquistas amorosas é muito grande.Dono de um coração de ouro, dificilmente cria atrito com alguém<br />
<br />
Amir: Variação de Emir<br />
<br />
Ana Augusta: O sucesso parece lhe chegar por pura sorte mas, na verdade, é fruto de uma inteligência e de uma determinação admiráveis.<br />
<br />
Ana Beatriz: Graças ao seu grande magnetismo pessoal, consegue cativar com um sorriso ou com um olhar. Mas é muito criteriosa: só dá seu amor ao homem que poderá fazê-la feliz e a quem ela poderá fazer feliz.<br />
<br />
Ana Carla: Indica uma pessoa serena, que se aceita como é, com toda a naturalidade, pois sabe que não se deixará escravizar pelas suas fraquezas nem usará sua força contra os outros.<br />
<br />
Ana Carolina: Usa sua inteligência privilegiada para vencer as dúvidas do dia-a-dia e também para ajudar os amigos com excelentes conselhos. Quando não abandona os estudos, consegue muito sucesso na vida.<br />
<br />
Ana Cláudia: Tem idéias brilhantes e o Dom de pressentir o perigo. Embora goste da solidão, não vive sem afeto. Exige muito de si mesmo e mais ainda dos outros.<br />
<br />
Ana Cristina: É um tanto vaidosa. Procura se vestir com roupas da moda mesmo quando isso pesa muito no seu bolso. Mas, na maturidade, descobre outros valores e se dedica com muito amor à família.<br />
<br />
Ana Graciela: É tão preocupada em ser justa que às vezes chega a não fazer nada com medo de prejudicar alguém. Deve aprender a ser ousada.<br />
<br />
Ana Lúcia: Tem muita disposição para o trabalho, mas, para alcançar o sucesso, precisa de um pouco mais de objetividade no seu modo de agir.<br />
<br />
Ana Luísa: Possui idealismo, espírito de liderança e energia de sobra para tornar realidade praticamente todos os seus sonhos.<br />
<br />
Ana Maria: Tem todas as chances de realizar seus desejos, pois seu nome é uma marca de prosperidade e lhe abre as portas do sucesso.<br />
<br />
Ana Paula: É muito bondosa e procura manter um clima de harmonia ao seu redor. Demora a tomar decisões, mas quando o faz não costuma errar.<br />
<br />
Ana Rosa: Tranqüila e dócil, mostra-se também extremamente ativa e independente. Inimiga da rotina, está sempre aberta a novas idéias.<br />
<br />
Ana Verônica: É extrovertida e faz muitos amigos devido ao seu espírito inteligentemente brincalhão. Tem alguma dificuldade em levar as pessoas ou as idéias a sério por muito tempo, mas, vencida essa inconstância, obtém êxito em todos os seus empreendimentos.<br />
Ana: hebraico: "cheia de graça, a benéfica". Variante: Anita (diminutivo espanhol). Predispõe a criança a se tornar muito segura, graças à sua boa organização mental. Sua intuição lhe garante boas escolhas nos estudos, na profissão e no amor.<br />
<br />
Ananias: Variação de João<br />
<br />
Anastácia: Significa renascida pelo batismo. Indica uma pessoa que está sempre em busca de sabedoria. Sabe esperar o momento certo para agir e se prepara para quando esse momento chegar. Por isso, tem êxito em todos os seus empreendimentos.<br />
<br />
Anastácio: Significa o que ressurge para a vida pelo batismo e indica uma pessoa batalhadora, altiva e com grande senso de justiça. Encara cada tarefa como uma missão a ser cumprida e sabe que tudo contribui de um modo ou de outra, para sua evolução.<br />
<br />
Anatole, Anatólio: Significa o que veio do Oriente e indica uma pessoa sempre pronta a intervir a favor de quem sofre uma injustiça. Mas sua maior preocupação é preservar a todo custo, a própria independência, pois acredita que só assim consegue o sucesso.<br />
Anderson: germânico e inglês: "filho de André". Indica uma pessoa que ganha muito dinheiro ouvindo sua intuição. Tem muitas admiradoras, e na juventude se relaciona com todas elas, sem pensar num compromisso sério.<br />
André: grego: "másculo, viril, robusto, forte". Femininos: Andréia, Andresa. Indica uma pessoa intuitiva e extrovertida. Tem sempre idéias originais e brilhantes a respeito de tudo e gosta de debatê-las com os amigos. Dá-se muito bem em informática, pedagogia, teatro e circo.<br />
Andréa Luísa: Indica uma pessoa um pouco dispersiva, que tem dificuldade para se concentra nos estudos e no trabalho. Mas sua inteligência brilhante lhe permite resolver adequadamente todos problemas e alcançar grande sucesso.<br />
<br />
Andréia, Andréa: Significa forte, viril e predispõe a coragem, à lealdade e à fidelidade. Muito decidida, a pessoa assim chamada transmite segurança a todos que a rodeiam. Inteligente e sensível, sempre consegue o suficiente para viver confortavelmente.<br />
<br />
Ângela Fabiana: Graças à sua personalidade extremamente agradável e generosa, faz inúmeras amizades ao longo da vida. Além disso, exibe no dia-a-dia um espírito alegre e criativo.<br />
<br />
Ângela Maria: Indica uma pessoa graciosa, delicada e muita simpática, que fala as verdades de maneira suave porém inteligentes. Às vezes, chega a ser irônica, mas jamais perde a classe.<br />
<br />
Ângela: Significa anjo, mensageira. Indica uma pessoa bondosa, que busca manter um clima de harmonia no lar, na escola e no trabalho. É leal com todas as pessoas que a rodeiam, e por isso, conquista a simpatia delas. Procura ser diplomática e polida, mas quando precisa dizer uma verdade doída, não hesita nem um pouco.<br />
<br />
Angélica Maria: Indica uma pessoa a ir para frente sem expor demais. Acumula muito conhecimento ao longo da sua vida e gosta de dividir sua sabedoria com pessoa realmente interessada nela.<br />
<br />
Angélica Natália: Tem aptidão para participar de associações de qualquer gênero. Mas só assume a responsabilidade de liderar um grupo se o trabalho a ser executado lhe parecer muito gratificante. Pode ter sucesso mas artes plásticas e também na carreira diplomática.<br />
Angélica: grego, latim: "pura como um anjo, também nome de uma flor". Revela uma pessoa expansiva mas muito discreta em relação à sua vida íntima. Inquieta e criativa, prefere trabalhos que lhe permitam agir por conta própria e relacionamentos que não lhe tirem a liberdade.<br />
Ângelo: grego, latim: "anjo, o mensageiro". Feminino: Ângela.Indica uma pessoa que procura comunicar seus conhecimentos para manter um clima de harmonia nos ambientes que freqüenta. É leal e extrovertido, e por isso, conquista a simpatia de todos - e sobretudo de todas - que o conhecem.<br />
Aníbal: Significa dádiva do deus Baal e indica uma pessoa passiva e receptiva, que normalmente se mostra calma, gentil, diplomática e bondosa. Apesar de não ser ambicioso, consegue tudo o que deseja usando sua enorme capacidade de convencer e mesmo seduzir.<br />
<br />
Aniceto: Significa invencível e indica uma pessoa inteligente que tem grande facilidade para transmitir conhecimentos aos outros e o faz com bastante clareza e paciência. Não se preocupa em enriquecer, pois vive bem mesmo com pouco dinheiro no bolso.<br />
<br />
Anita: Forma diminutiva de Ana, esse nome revela uma criança que fala pouco mas observa os adultos com atenção. Por isso mesmo, aprende tudo bem depressa. Muito exigente consigo mesma e com os outros, ao crescer se torna uma excelente líder.<br />
<br />
Anselmo: Significa protegido pelas divindades e indica uma pessoa hábil e talentosa, que busca o progresso em coisas práticas ou em projetos que sabe que conseguirá realizar. Tem grande sabedoria, muita força interiro e uma enorme capacidade de liderança.<br />
<br />
Antão, Antônio; Significa o que está na vanguarda e indica uma pessoa de força interior e fé inabalável nos seus próprios ideais. Isto lhe permite estar sempre à frente, abrindo caminhos que geralmente levam a resultados positivos para todos.<br />
<br />
Antenor: Significa adversário e indica uma pessoa que lidera naturalmente as outras. Seu caráter irrepreensível e a determinação com que age, transmitem segurança a todos os que o cercam.<br />
<br />
Antero: Significa florido e indica uma pessoa sempre bem disposta e bem humorada, que conduz a vida com discrição e harmonia. Ótimo confidente, costuma fazer amizades sinceras e duradouras.<br />
Antônio: grego, latim: "inestimável, o que não tem preço, fazer frente aos inimigos, o que enfrenta".<br />
<br />
Anunciação: De origem religiosa, é mais usado como parte do nome composto Maria da Anunciação. Indica uma pessoa que, além de ser muito prática no dia-a-dia, tem facilidade para exercer atividades que dependem de expressão verbal. Mas precisa aprender a não gastar energia inutilmente, perseguindo ideais que talvez nem sejam verdadeiramente os dela.<br />
<br />
Aparecida: Associado à aparição da Virgem Maria, é mais usado como parte do nome composto Maria Aparecida. A pessoa assim chamada é vigorosa, arrebatada e dinâmica em todos os seus atos. Tem sucesso profissional e, como em geral não lhe falta dinheiro, ajuda quem precisa de favores sem medo de que venham a lhe faltar meios de subsistência.<br />
Aparecida: brasileiro: "a que apareceu, surgiu". Masculino: Aparecido.<br />
<br />
Aparecido: Nome associado à aparição da Virgem Maria. Indica uma pessoa vigorosa, arrebatada e dinâmica em todos os seus atos. Tem sucesso profissional, e como em geral não lhe falta dinheiro, ajuda quem precisa de valores, sem temer que venham a lhe faltar meios de subsistência.<br />
<br />
Aparício: Significa aparição e indica uma pessoa que tem na franqueza sua marca registrada. Diz sempre a verdade, doa a quem doer, e isto às vezes lhe causa sérios aborrecimentos. Os pais devem ensiná-lo a ser um pouco mais diplomático.<br />
<br />
Apolônio: Significa consagrado ao deus Apolo e indica uma pessoa que aproveita intensamente cada momento, sem se importar demais com o futuro. Não se preocupa em poupar dinheiro, e no amor, não é ciumento - mas também não se mostra muito fiel.<br />
<br />
Araci, Aracy: Significa a mãe do dia, ou seja, a aurora. É uma pessoa impaciente e aventureira, que tende a levar uma vida movimentada, pois adora fazer amizades, namorar e experimentar novas sensações. Como detesta assumir novos compromissos, corre o risco de se revelar fútil, se não atentar para isso e corrigir essa tendência.<br />
<br />
Ariadna, Ariadne: Significa puro. Indica uma pessoa meticulosa, que consegue alcançar altos postos em profissões ligadas à pesquisa. Mas precisa cuidar mais do seu lado racional, pois quando tem de tomar uma decisão difícil, tende a se deixar envolver por emoções contraditórias.<br />
Ariadne: grego: "a muito respeitável, muito santa, castíssima".<br />
<br />
Ariana: Variação de Ariadne. Indica uma pessoa que consegue se concentrar mesmo em meio à maior algazarra. E tem o Dom da conciliação: sempre procura criar um clima de paz à sua volta. Mas isso pode se voltar contra ela, pois às vezes concorda com os outros só por concordar e depois se arrepende do que disse.<br />
Ariane: forma francesa de Ariadne.<br />
Ariel: hebraico: "leão de Deus, fogo de Deus".Nome de um anjo ou espírito do ar. Significa leão de Deus. Indica doçura, suavidade e sentimentos elevados. A criança a ssim chamada tende a alcançar grande realização intelectual e espiritual e se destaca pelo amor ao próximo.<br />
<br />
Arlete: Significa penhor, garantia e predispõe a menina a confiar em si própria. A criatividade será outro de seus pontos fortes para superar todos os obstáculos. Sua capacidade de tomar decisões fará com que ocupe cargos de liderança ou realize grandes negócios.<br />
Armando: germânico, francês: "homem da guerra, homem do exército".<br />
Arnaldo: teutônico: "forte como uma águia".<br />
Artur: celta: "urso(art) grande(ur), urso nobre, ou quem tem cabelos eriçados".<br />
Astride: sueco: "amazona de lança, amazona protegida por deuses". Nome de uma rainha Belga.<br />
Átila: gótico: "pequeno pai, paizinho".<br />
<br />
Augusta Renata: Inteligente e esforçada, e quando encontra dificuldades procura entender o motivo e toma a iniciativa apropriada. Pensa muito rápido e logo acha a resposta para qualquer problema.<br />
<br />
Augusta: Significa majestosa e indica uma pessoa de temperamento calmo, que não se expõe a riscos desnecessários. Prefere uma profissão na qual possa se realizar e ganhar o suficiente para viver com conforto a um negócio próprio mais cheio de riscos.<br />
Augusto: latim: "o maior, o máximo, nobre". Feminino: Augusta.<br />
<br />
Áurea: Significa de ouro, dourada. Indica uma pessoa que estuda bem o que está acontecendo antes de tomar qualquer iniciativa. E, como pensa muito depressa, logo acha resposta para qualquer problema. Mas nem sempre divide suas descobertas com os outros.<br />
Aurélia: latim: "dourada, filha do ouro". Significa brilhante como o sol . Indica uma pessoa requintada, que gosta de ambientes sofisticados e coisas luxuosas. E, para alcançar ou manter esse nível de vida, planeja o que fazer com cada centavo do seu dinheiro. Só se afetividade com homens de muito charme e delicadeza.<br />
<br />
Aureliana: Variação de Aurélia. Indica uma pessoa que gosta de brilhar em tudo o que faz e, por isso, evita assumir tarefas para as quais não se ache competente ou com as quais não se simpatize desde o começo. Em relação a isso, chega a ser teimosa<br />
Aurélio: etrusco: "sol".<br />
Aurora: latim: "brilhante, reluzente". Significa o romper do dia. Indica pouco ambiciosa e que pensa muito antes de tomar uma decisão. E essa tendência a adiar decisões importante que pode leva-la a envolvimento de situações delicadas. Os pais devem incentiva-la a, desde cedo, dizer o que pensa e assumir pequenas e grandes responsabilidades.<br />
Azevedo: português: "lugar de azevinhos, arbusto espinhoso".<br />
<br />
BBárbara: latim: "estrangeira, estranha".<br />
Balduíno : Significa amigo audacioso e indica uma pessoa agradável e jovial. Suas idéias arrojadas às vezes confundem os outros, mas quando a conversa se estende, todos entendem que ele luta pelo seu bem-estar e também pelo bem-estar de toda a comunidade.<br />
<br />
Baltazar: Significa rei protegido pelo deus Baal e indica uma pessoa introvertida e até um pouco desconfiada, mas que nunca nega colaboração aqueles que recorrem a ele. Os amigos o admiram e o respeitam muito.<br />
<br />
Bárbara Cristina: É muito carente e tende a assumir atitudes infantis mesmo na idade adulta. Mas, quando vence esta insegurança inata, mostra-se muito competente.<br />
<br />
Bárbara Heliodora: Indica uma pessoa apesar de inteligente e esforçada, encontra dificuldades para vencer na vida porque se atira de cabeça em tudo. Precisa a aprender a se mais ponderada a pensar bem antes de iniciar uma atividade ou um romance.<br />
Bárbara: Significa estrangeira e se associa a uma pessoa original, que está sempre em busca de novidades. Por isso, quando sente que suas tarefas estão ficando rotineiras, trata logo de mudar de atividade. Criativa, pode fazer sucesso nas artes ou na literatura, mas não se preocupa muito em ganhar dinheiro com isso.<br />
Barbosa: português: “lugar onde há muitas árvores com barba de bode (velho).<br />
<br />
Barnabé: Significa filho do profeta e indica uma pessoa que, se souber aproveitar seu magnetismo e sua liderança, terá sucesso tanto na vida profissional como na amorosa.<br />
Barreto:português: "aldeola".<br />
Barros: português: "que trabalha com barro, que tem barro".<br />
Barroso: português: "lugar onde tem muito barro, ou aquele que tem muitas espinhas no rosto".<br />
Bartolomeu: aramaico: "que suspende as águas".<br />
<br />
Bartolomeu: Significa filho de Tolmai e indica um vencedor nato. Boa parte de seus êxitos se deve ao forte sentimento de autoconfiança que alimenta, mas ele detesta ficar contando vantagem.<br />
<br />
Baruque: Significa abençoado, bendito e indica uma pessoa de temperamento caprichoso e instável, que não suporta nenhuma rotina. Também no amor, a idéia de um casamento convencional não o agrade. Os pais devem aconselhá-lo a pelo menos controlar bem os seus gastos.<br />
<br />
Basílio: Significa real e indica uma pessoa disciplinada, trabalhadora e intuitiva, que em geral se sai bem de situações difíceis, especialmente quando se deixa guiar pelo sexto sentido.<br />
Bastos: português: "pouco espesso".<br />
Batista: latim: "o que batiza". É mais usado como parte do nome composto João Batista. Indica uma pessoa refinada: um verdadeiro cavalheiro. Perseverante, paga qualquer peço para alcançar seus objetivos. Tende a enriquecer depressa e até viver luxuosamente.<br />
Beatriz: latim: “a que faz feliz alguém”. Indica uma pessoa bem disposta, capaz de fazer piada com tudo, para alegrar a si própria e para dar nova luz aos ambientes que freqüenta. Mas isso não impede que ela tenha um espírito crítico, capaz de distinguir com muita clareza o certo e o errado.<br />
Bela: latim: "linda, bela".<br />
<br />
Belarmino: Significa belo Armínio. Indica uma pessoa que possui uma intuição muito desenvolvida e é ligada a assuntos esotéricos. É prudente ao tomar atitudes e sincero em tudo o que faz.<br />
<br />
Belisário: Significa arremessador de dardos e indica uma pessoa discreta e observadora, que prefere ouvir a falar. Mas quando fala é para emitir opiniões sérias. Seus comentários, embora carregados de ironia, são sempre apropriados e objetivos.<br />
<br />
Bendita, Benedita, Benta: Significa bendita, benta, abençoada e indica uma pessoa que tem na franqueza e na competência os pontos fortes da sua personalidade. Consegue ganhar bastante dinheiro, mas não o retém por muito tempo. Prefere viver bem o presente a economizar para o futuro.<br />
<br />
Benedito, Benito, Bento: Significa bendito, bento, abençoado e indica uma pessoa que tende a se sair bem em suas empreitadas. Por isso mesmo, não se preocupa em poupar nem um centavo do que ganha. Acha que viver bem o presente é mais importante que economizar para o futuro. Feminino: Benedita.<br />
<br />
Benjamim: Significa filho da felicidade e indica uma pessoa que está sempre analisando seus sentimentos. Por isso mesmo, cultiva poucas amizades e não se apaixona com facilidade. Os pais devem lhe ensinar a liberar as emoções, enfatizando, naturalmente, as positivas.<br />
Bento: adaptação de Benedito. Feminino: Benta.<br />
<br />
Berenice: Significa a portadora da vitória e indica uma pessoa criativa, que luta com unhas e dentes pelos seus objetivos e tende a encontrar o sucesso em atividades que envolvem risco financeiro.<br />
<br />
Bernadete: Diminutivo de Bernarda. Indica uma pessoa que sabe aproveitar as oportunidades que se apresentam. Age com rapidez e segurança e consegue muito êxito nos seus empreendimentos.<br />
<br />
Bernarda: Significa a quem tem a força da ursa. Indica uma pessoa que mostra pouco entusiasmo quando precisa improvisar ou inovar, mas se dá bem com a rotina que impõe a si própria.<br />
Bernardo: germânico: "forte como urso, urso forte, soldado corajoso". Feminino: Bernarda. Indica uma pessoa que mostra pouco entusiasmo quando precisa improvisar ou inovar, mas se dá bem com a rotina que impõe a si própria. Consegue sucesso em profissões que exigem dedicação, mas não requerem muita criatividade.<br />
<br />
Berta: Significa brilhante, gloriosa e indica uma pessoa muito inteligente e empreendedora, que se destaca em áreas ligadas ao setor financeiro. É tímida mas, quando mostra suas qualidades, cativa a todos.<br />
<br />
Bertrando: Significa corvo brilhante e indica uma pessoa pouco ambiciosa em relação a dinheiro. Contenta-se com o que consegue , pois sabe viver bem sem gastar muito. Mas quem quiser ganhar seu coração, precisa ter muita sensibilidade, pois em relação ao amor ele é muito exigente.<br />
Bianca: germânico, latim: "branca, alva". Variação de Branca. Marca uma pessoa com grande capacidade de observação e senso de justiça. É do tipo que pouco erra nas avaliações e nos julgamentos. Pode ser bem sucedida como advogada ou juíza.<br />
<br />
Bibiana: Variação de Viviana. Indica uma pessoa expansiva, que se comunica com facilidade. Quem tem esse nome está sempre viajando ou pelo menos fazendo novas amizades, pois adora conhecer pessoas e lugares. Precisa aprender a economizar um pouco, se não quiser estar constantemente em apuros financeiros.<br />
<br />
Blanche: Variação de Branca. Indica uma pessoa que tem grande respeito pela justiça e se orienta pelo que lhe parece mais honesto. Controlada também nos gastos, tem sucesso em negócio próprio ou na administração financeira do lar.<br />
Blenda: germânico: "gloriosa, encantadora". Variante: Brenda.<br />
<br />
Bolívar: Significa moinho à beira do riacho e indica uma pessoa que trabalha com afinco e geralmente consegue transformar em pó os obstáculos ao seu progresso. Tem êxito sobretudo em atividades direta ou indiretamente ligadas à agricultura, à diplomacia e à comunicação.<br />
Bonifácio: latim: "que tem destino venturoso, o que faz bem ou boas obras". Significa destinado à felicidade e indica uma pessoa de temperamento impulsivo, o que a ajuda a superar algumas dificuldades mas pode lhe criar outras. Os pais precisam lhe ensinar a esperar o momento certo para agir, sem se precipitar e sem perder oportunidades.<br />
Borges: francês: "nascido ou procedente de Bourges".<br />
<br />
Bóris: Significa combatente e indica uma pessoa com grande disposição para enfrentar os obstáculos. A persistência é a chave do sucesso, mas às vezes ele confunde pertinácia com teimosia e combate adversários que nem existem.<br />
Braga: português: “procedente de Braga. Topônimo”.<br />
<br />
Branca: Significa branca, luminosa, brilhante e indica uma pessoa receptiva e otimista. Embora um tanto ingênua, luta vigorosamente no dia-a-dia e em geral atinge seus ideais.<br />
<br />
Brandão: Significa o que luta com a espada e indica uma pessoa de hábitos regulares, que não altera sua rotina senão por motivos realmente sérios. Dessa forma, pode dirigir a vida para objetivos claros e razoáveis - e tende a alcançá-los.<br />
<br />
Brás: Significa gago e indica uma pessoa com alguma dificuldade de comunicação, tendência essa que desaparece se os pais a incentivarem a dizer sem reserva tudo o que pensa. Metódico, quem tem esse nome hierarquiza sus gastos e tende e enriquecer.<br />
Bráulio: latim: "radiante, resplandecente".<br />
Breno: celta: "rei, chefe, dirigente".<br />
<br />
Bridget, Brígida: Significa grande, elevada. Indica uma pessoa que se programa para objetivos elevados e, senão os alcança, fica muito frustrada. Mas isto raramente acontece, pois ela sempre se prepara de forma conveniente.<br />
<br />
Brigite: teutônico: "forte, a grande, elevada". Significa guia indica uma pessoa com grande capacidade de liderança, que não mede esforços para alcançar seus objetivos. E essa perseverança a leva ao sucesso profissional e amoroso.<br />
Brito: celta: "briga, forte, resistente, ou derivado de Brites".<br />
Bruna: teutônico: "escura, parda". Masculino: Bruno.<br />
<br />
Bruno: Significa moreno, escuro e indica uma pessoa calma e diplomática, que consegue tudo o que deseja pela capacidade de convencer, nunca pela força. A liderança que revela vem mais da sua capacidade de analisar corretamente cada situação do que de um talento inato.<br />
Bueno: espanhol: "bom".<br />
<br />
CCabral: português: "lugar onde há cabras".<br />
Caetano: latim: "habitante ou natural de Gaieta ou Gaeta". Feminino: Caetana. Indica uma pessoa inteligente e atraente. Se souber aproveitar seus magnetismo, terá muito sucesso, tanto na vida profissional como na vida amorosa.<br />
Caio: latim: "cordão, cajado, alegre, contente".Significa feliz, contente e indica uma pessoa ambiciosa e de personalidade forte, que faz tudo o que está ao seus alcance para progredir na escala social<br />
Caiuã: tupi: "morador do mato".<br />
Caldas: latim: "águas quentes".<br />
Caled: Significa imortal e predispõe a uma vida longa, saudável e lúcida. Quem tem esse nome, não revela pressa para nada, nem mesmo para decidir a qual das suas muitas namoradas dará seu coração.<br />
<br />
Calisto: Significa o mais belo e indica uma pessoa comunicativa, expansiva e sedutora. Essas qualidades lhe permitem se tornar um conquistador, desses que passam de uma aventura amorosa para outra quase sem intervalo. Mas na maturidade essa tendência é refreada ele se revela um excelente pai de família.<br />
<br />
Calvino: Significa meio calvo e indica uma pessoa que, de tão tímida, chega a parecer antipática e agressiva. É criterioso nos seus relacionamentos, pois sempre usa a razão para tomar decisões. Os pais precisam, sutilmente, levá-lo a se abrir para o mundo.<br />
Camila: fenício: "a selvagem, protetora selvagem".<br />
Camilo: latim: "servidor de sacerdotes, o que está perante Deus". Significa aquele que nasceu livre ou de família importante (e que por isso podia ajudar nos templos das cerimônias pagãs). Indica uma pessoa que trabalha com amor e dedicação e, portanto sempre se sai bem ao executar suas tarefas.<br />
Cândido: latim: "puro, inocente". Feminino: Cândida.<br />
Candido: Significa puro, ingênuo, inocente. Indica uma pessoa que vê o mundo sem malícia, mas nem por isso se deixa manipular. Prático, paciente e organizado, vence a seu modo os obstáculos que encontra e ganha experiência bastante para apoiar, com conselhos úteis e detalhados, quem recorre a ele.<br />
Cardoso: português: "chão cheio de cardos, terreno cardoso".<br />
Carina: italiano: "querida". Variante: Karina.<br />
<br />
Carlos: teutônico, germânico: "fazendeiro", latim: "varonil, vigoroso". Feminino: Carla. Significa homem e indica uma pessoa que nunca deixa uma oportunidade passar em branco por estar desatento ou por ter medo de riscos.<br />
<br />
Carmelita, Carmem, Carmencita: latim: "poema".<br />
Carolina: de Carlos, filha de Carlos, de Carla.<br />
Carvalho: espanhol, português: "lugar de muitos carvalhos".<br />
Cassandra: grego: "auxiliar do homem".<br />
Cássia, Cassiana, Cassiano: latim: "nome de uma árvore".<br />
<br />
Cassiano: Esse nome se associa a justiça e designa uma pessoa muito rigorosa nos seus julgamento. Responsável e persistente, luta sem medo contra todas as dificuldades, mas dificilmente entende quem não tem uma determinação e uma honestidade semelhantes às suas.<br />
Cássio: latim: "distinto, ilustrado". Indica uma pessoa com agudo senso de justiça e muita preocupação em conseguir o poder, embora não se preocupe demais com os bens materiais.<br />
<br />
Catão: Significa agudo, perspicaz e indica uma pessoa que mergulha profundamente em tudo o que lhe interessa. É determinado, não se contenta com pouco e luta com uma tremenda disposição para progredir. Suas chances de sucesso são enormes e ele aproveita todas elas.<br />
Catarina: grego, latim: "pura, casta". Masculino: Catarino.<br />
Cauã: tupi: "gavião".<br />
<br />
Cauê: Nome de provável origem tupi e talvez associado à bebida fermentada (ka´wi) que os índios tomam. Indica uma pessoa de extrema bondade e inteligência, muito elogiada pelo seu jeito amoroso e um tanto tímido que encanta a todos.<br />
Cecília: latim: "ceguinha".<br />
<br />
Cedar: Significa negro e indica uma pessoa que, movida pela curiosidade, desenvolve idéias originais e criativas que lhe permitem transpor os obstáculos com alguma facilidade. É muito elegante, e isso pode levá-lo a exagerar no gastos com roupas.<br />
Celene: grego: "nome de uma das irmãs de Atlas". Variantes: Celene, Cilene.<br />
Celeste: latim: "celestial, divina, do céu".<br />
Célia: latim: "celestial, celeste".<br />
Celina: latim: "filha do céu". Variantes: Celínia. Masculino: Celino, Celínio.<br />
Celso: latim: "excelso, sublime". Significa elevado, nobre e indica uma pessoa que, quando não se deixa dominar pelo orgulho, adquire muito conhecimento e o utiliza para o bem de toda a comunidade. Tende a um acentuado progresso material e espiritual durante toda a vida.<br />
César: latim: "de cabeleira longa, de cabelos compridos". Indica um homem inteligente, com excelente memória e que tem sempre uma idéia brilhante para facilitar seu trabalho. essa sua capacidade lhe traz grandes lucros.<br />
Chagas: português: "refere-se as cinco chagas de Cristo".<br />
Chaves: português: "nome de uma cidade portuguesa, Chaves".<br />
Cibele: grego: "a grande mãe dos deuses, filha da terra e do céu, mulher de Urano, mãe de Saturno".<br />
<br />
Cícero: Significa plantador de ervilha e indica um líder natural, com capacidade de decidir e dar ordens. Seu estilo de vida provoca muita admiração mas também muita inveja.<br />
Cíntia: grego, latim: "natural de Cinto, monte da ilha de Delos". Um dos nomes da deusa Artêmis.<br />
Cirilo: grego: "de plena autoridade". Significa senhor e indica uma pessoa dotada de autocontrole e grande capacidade de decisão. Inteligente e equilibrado, geralmente alcança a realização profissional e afetiva<br />
<br />
Ciro: Significa sol ou eleito e indica uma pessoa de temperamento alegre e despojado, que leva a vida sem grandes preocupações, pois confia nos seus méritos e nas suas qualidades. Também não dá muita atenção à economia, pois sabe que sempre conseguirá ganhar mais dinheiro.<br />
Clara: latim: "brilhante, luzente".<br />
Clarice: francês: "claridade". Variante: Clarisse.<br />
Cláudio: latim: "coxo". Feminino: Cláudia, Claudine. Significa o que anda com dificuldade e indica uma pessoa que, graças ao seu caráter arrebatador e audacioso, consegue dirigir suas energias de modo a atingir seus objetivos sem demasiado esforço.<br />
Cleber: germânico: "taipeiro, padeiro". Significa colador de papel de parede. Segurança e determinação são suas maiores virtudes, mas sua discrição é também muito elogiada. Se alguém lhe confia um segredo, ele o leva até o túmulo.<br />
Cleide: o mesmo que Gleide.<br />
Clélia: latim: "famosa, ilustrada, nobre".<br />
<br />
Clemente, Clementino: Significa clemente, bondoso e indica uma pessoa sempre disposta a entender e perdoar as outras. Mas, quando se convence de que alguém é realmente um mau caráter, afasta-se definitivamente.<br />
Cléo: grego: "gloria, fama".<br />
Cleusa: o mesmo que Creusa.<br />
<br />
Clodoaldo: Significa chefe ilustre e indica uma pessoa com capacidade de sobra para liderar as outras, mas que só assume o comando quando é convidada. Em geral, prefere desenvolver atividades individuais, pois tende a confiar mais em si mesmo que em grupos de trabalho.<br />
<br />
Clodomiro: Significa ilustre, famoso, renomado e indica uma pessoa que não se desespera nem diante do maior problema, pois sua determinação é suficiente para que ele sobreviva mesmo em tempos difíceis.<br />
<br />
Clodovil: Significa guerreiro célebre e indica uma pessoa que pensa grande e sonha alto. Como a sorte geralmente o acompanha, alcança suas metas na vida sem maiores dificuldades. Sua presença é sempre marcante.<br />
Clóvis: germânico: guerreiro famoso".<br />
Coimbra: celta: "castelo, fortaleza".<br />
Colombo: Significa pombo e indica uma pessoa que procura viver em paz com as outras, muitas vezes abrindo mão de suas pretensões para não quebrar a harmonia do ambiente. Só não abre mão das longas viagens que faz sempre que tem oportunidade.<br />
Conceição: latim: "concepção".<br />
<br />
Conrado: Significa conselheiro prudente. Indica uma pessoa que faz da sua liberdade sua bandeira e, por isso pode ser vista como irresponsável. Mas seguramente não é. Tem consciência dos seus deveres e faz questão de cumpri-los à risca, para não ficar preso à sensação de culpa.<br />
<br />
Constante, Constantino: Significa constante, perseverante e indica uma pessoa predestinada ao sucesso, pois está sempre se preparando para aproveitar as boas oportunidades e sabe reconhecê-las, quando elas surgem.<br />
Consuelo: espanhol: "consolo, consolação".<br />
Cosme: Significa ornamento e predispõe a pessoa a se preocupar com beleza e elegância. Quem tem esse nome não só cuida bastante da aparência como pode desenvolver atividades ligadas às artes ou à moda.<br />
Couto: português: "terra coutada, privilegiada, defesa".<br />
Creusa: grego: "a dominadora, a soberana".<br />
Crispim: latim: "o que tem cabelos crepos". Indica uma pessoa com grande força interior. É muito admirado e elogiado pela capacidade que demonstra de poupar e aplicar bem o seu dinheiro.<br />
Cristiano: grego: "seguidor dos ensinamentos de Cristo, ungido do Senhor". Significa cristão e indica uma pessoa positiva, otimista, organizada e com grande capacidade de liderança, derivada da consciência do seu próprio valor.<br />
Cristino: grego: "ungido do Senhor".<br />
Cristo: grego: "o ungido, o consagrado".<br />
Cristóvão: Significa portador de Cristo e indica uma pessoa preocupada com sua evolução espiritual mas que precisa tomar cuidado para não se impacientar com quem pensa de maneira diferente da sua.<br />
Cubas: português: "vasilha, pipa".<br />
<br />
DDafne: grego: "loureiro".<br />
<br />
Custódio: Significa anjo da guarda e indica uma pessoa preocupada com as outras mas que não abre mão dos seus próprios ideais ou dos seus próprios prazeres apenas para satisfazer alguém.<br />
<br />
Dafne: Significa loureiro. Nome da ninfa que foi amada por Apolo e transformada nessa planta. Indica uma pessoa cheia de qualidades, entre as quais se destacam o encanto, o brilho e a facilidade em se comunicar e despertar confiança.<br />
<br />
Dagoberto: Significa brilhante como o dia e indica uma pessoa persistente, decidida e carismática. Sua personalidade firme sempre o leva a tomar decisões acertadas na vida.<br />
Daisy, Deise: anglo-saxão: "olho do dia, isto é, sol, é correspondente inglês de Margarida e significa olho-do-dia. Indica uma pessoa intuitiva e que gosta de dividir o que descobre. Se aprende quando e a quem dar conselhos, viverá relações muito harmoniosas, pois é carinhosa e fiel.<br />
Dália: norueguês: "do vale".<br />
<br />
Dalila: Significa dócil e designa a personagem bíblica que traiu o herói Sansão cortando seus cabelos para que ele perdesse a força. Devido a essa tradição, seu nome está associado a alguém que não se preocupa em ferir os outros para conseguir o que deseja. Revela ainda uma mulher que se submete aos desejos do amante mas tende a lhe ser infiel.<br />
Dalton: Significa aldeia do vale e indica uma pessoa que sempre se mostra muito curiosa e criativa. Para ele, nenhum obstáculo é grande demais, pois sabe que, com algum esforço, consegue resolver tudo.<br />
Damião: latim: "homem do povo". Significa domador e indica uma pessoa dotada de temperamento impulsivo, que não cede diante de nenhum tipo de pressão quando o que está em jogo é a possibilidade de alcançar suas metas.<br />
<br />
Daniel, Danilo: hebraico, significa Deus é meu juiz indica uma pessoa que não se preocupara exageradamente com a opinião dos outros. O importante para ele é estar em paz com a própria consciência e com seus princípios morais. Tem uma intuição muito grande e sabe usá-la. Feminino: Daniela.<br />
<br />
Daniela Helena: Sofisticada e exigente, destaca-se pelo bom gosto e pela elegância que demonstra no dia-a-dia.<br />
<br />
Daniela: Significa Deus é meu juiz. E revela uma pessoa que age sem se preocupar exageradamente com a opinião dos outros. O importante para ela é estar em paz com sua própria consciência. Espirituosa e empreendedora, tem uma personalidade brilhante e cativa todo mundo.<br />
Danilo: escandinavo: "o dinamarquês". Feminino: Danila.<br />
Danton: Significa de Antônio e indica uma pessoa que, devido à sua mania de perfeição, por vezes cria conflitos com aqueles que a rodeiam. Se controlar essa tendência, poderá fazer amizades duradouras.<br />
<br />
Darci: Significa nobre de Arcy e indica uma pessoa que analisa tudo muito bem antes de tomar qualquer iniciativa. E como pensa depressa, sempre acha rapidamente uma solução conveniente para os problemas.<br />
Dário: grego: "o que segura". Feminino: Dária. Significa poderoso e salvador e indica uma pessoa que precisa lutar muito até alcançar seus objetivos. Mas isso não o aborrece, pois costuma encarar cada empecilho como uma desafio a ser superado;<br />
<br />
Darlene Glória: Exigente consigo e com todos à sua volta, tem uma grande força interior e impõe respeito sem se esforçar para isso.<br />
<br />
Darlene: Significa a queridinha e predispõe a criança a ser mimada, competitiva e ciumenta. Mas, à medida que cresce, ela vai se tornando independente e aprende a merecer aquilo que deseja. Sempre dá muito valor ao que possui; não gosta de emprestar nada e não tolera desperdício.<br />
<br />
David: hebraico: "o amado, querido". Variantes: Davi, Dávide, Deivide, Daivide.Débora: hebraico: "abelha". Significa predileto, amado e indica uma pessoa que aproveita todas as oportunidades de sucesso que surgem mostrando competência e dedicação. Sente-se muito atraído pelas aventuras amorosas, mas procura acima de tudo ser um bom chefe de família.<br />
Débora Regina: Mostra-se cativante e sensual até nos menores atos. Ao mesmo tempo, é dinâmica e está sempre de bom humor. Os colegas e amigos simplesmente a adoram.<br />
<br />
Débora: Significa abelha e designa uma pessoa que possui uma força de vontade excepcional. Ela luta com grande determinação para alcançar seus objetivos. Embora muito cautelosa, quando confia em alguém se revela uma companheira doce e amigável.<br />
Décio: Significa o décimo (filho). Indica uma pessoa responsável, que encara com seriedade tudo o que faz e gosta de ser elogiada por isso, É tão meticuloso que nenhum detalhe escapa à sua percepção.<br />
<br />
Delfim: Significa golfinho e indica uma pessoa que tende a se realizar profissionalmente nas áreas ligadas à comunicação. Em relação ao dinheiro e ao amor, procura ouvir não só o coração mas também a mente.<br />
Délia: grego: "a visível, da ilha de Delos". Um dos nomes da deusa Artêmis.<br />
<br />
Demétrio, Demétrius: Significa consagrado à deus Demeter e indica uma pessoa que, embora inteligente e esforçada, encontra dificuldades para vencer na vida tão rapidamente quanto gostaria. O sucesso só vem depois que ele aprende que existe um tempo de plantar e um tempo de colher.<br />
Denilson: forma inglesa de filho de Denis.<br />
Denis: forma francesa de Dionísio.<br />
<br />
Denise Aparecida: Sempre divide o que tem com quem está necessitado. Mas, às vezes, ao tentar resolver problemas alheios, esquece suas próprias necessidades. Precisa corrigir logo cedo essa tendência.<br />
Denise: francês: "adepta a Dionísio". Variação de Dione. Revela uma pessoa alegra, de temperamento gentil e amante da beleza. Seu apurado senso estético faz com que se interesse por várias formas de arte e só namore homens bonitos.<br />
<br />
Deodato: Significa dado por Deus e indica uma pessoa que tenta assumir um comportamento liberal mas quase sempre acaba agindo de modo bem conservador, o que deixa os outros muito confusos.<br />
<br />
Deodoro: Significa presente de Zeus e indica uma pessoa determinada, que tem paciência, autoridade e muito senso prático. A soma dessas qualidades lhe permite esperar o momento certo para agir sempre da maneira mais conveniente.<br />
Diana Regina: É um tanto autoritária, até mesmo com os amigos e com o namorado, mas suas "ordens" visam ao bem-estar de todos.<br />
<br />
Diana: latim: "a brilhante, a divina, deusa da caça, deusa da mitologia, revela uma pessoa autoritária e caprichosa, mas que obtém o que deseja principalmente por se mostrar organizada, prática e muito objetiva. Em geral consegue aliar a busca do sucesso a um bom relacionamento com as pessoas que a rodeiam. E no amor logo encontra um bom parceiro e constitui um lar estável.<br />
<br />
Dilermando: Significa o que tem boa pontaria e indica uma pessoa que tem na franqueza sua maior virtude. Quando precisa dizer algo ou tomar alguma atitude drástica, vai direto ao objetivo, sem rodeios.<br />
<br />
Dimas: nome do ladrão crucificado ao lado de Jesus e que se arrependeu dos seus pecados. Indica uma pessoa criteriosa e ponderada, que reflete muito antes de emitir um julgamento. E quando percebe que errou, não hesita em reconhecer e em se corrigir.<br />
Diná, Dina: hebraico: "a inocente, a absolvida, a julgada". Uma pessoa que tem a intuição como a marca registrada. Além disso, a inteligência e o dinamismo são seus fortes aliados. Gosta do conforto e dos jogos de sedução e geralmente consegue desfrutar, com bom senso, muitos dos prazeres da vida.<br />
<br />
Dina: Variação de Adina. Indica uma pessoa que tende a usar a força de sedução para conquistar tudo o que deseja. Se for mimada em criança, poderá se tornar possessiva e manipuladora, quando adulta. Mas, se aprender que as conquistas precisam ser merecidas, desenvolverá uma grande capacidade de lutar pelos seus ideais.<br />
Diniz: o mesmo que Dionísio.<br />
<br />
Dinorá: Significa luz e indica alguém que, graças à sua apurada intuição, toma decisões certas até quando todo mundo à sua volta está confuso. Inteligente, dinâmica e meiga, tem boas chances de se realizar profissional e amorosamente.<br />
<br />
Diógenes: Significa gerado por Zeus e indica uma pessoa que cultiva bons hábitos e dirige sua vida para objetivos bem definidos.<br />
Diogo: latim: "instruído". Variante: Diego. Indica uma pessoa dotada de forte magnetismo e muita capacidade de liderança. Quem tem esse nome, em geral, se revela um ser humano preocupado com o bem-estar coletivo.<br />
<br />
Dione: Esse nome está associado à Dionísio, o deus do vinho, e revela uma pessoa extrovertida mas muito rigorosa consigo mesma e com os outros. Só trabalha naquilo que se gosta e presta muita atenção no que faz. Por isso, sua competência no trabalho sempre é elogiada e premiada.<br />
Dionísio: grego: "o consagrado a Baco, deus do vinho". Indica uma pessoa prática e realista, que faz da inteligência uma ferramenta para conseguir a felicidade. Pensa positivamente e por isso consegue sucesso.<br />
Dirce: grego: "fonte, turvar a água".<br />
Dirceu: grego: "fonte". Significa de Dirce (personagem da mitologia grega que foi transformada em fonte). Indica uma pessoa que identifica o perigo como se contasse com um radar, mas às vezes se expõe a ele, pois adora correr riscos e viver de modo emocionante.<br />
<br />
Djalma: Significa capacete e indica uma pessoa sensível, romântica e predisposta ao bem. Mas ele nunca perde a noção da realidade, o que lhe permite analisar friamente o que acontece ao seu redor.<br />
Dolores: espanhol: "dor, dores".<br />
<br />
Domício: Significa domado, doméstico e indica uma pessoa que dá pouco valor a bens materiais, mas nunca passa apuras financeiros, pois sabe controlar suas despesas<br />
Domingos: latim: "nascido no domingo, dia consagrado ao Senhor". Significa o que pertence a Deus e indica uma pessoa muito discreta. Dificilmente alguém a verá fazendo propaganda das suas realizações - que aliás, costumam ser numerosas.<br />
<br />
Donaldo: Significa o que governa o mundo e indica uma pessoa expansiva e com grande poder de persuasão. Gosta de obter todo tipo de conhecimento. Precisa aprender a gastar com moderação.<br />
Donário: latim: "dádiva, presente". Feminino: Donária.<br />
<br />
Donato: Significa dado e indica uma pessoa que sempre procura corresponder às expectativas dos outros. Enquanto não aprende a viver de acordo com a sua consciência, e não de acordo com a consciência alheia, fracassa na luta pelo progresso.<br />
Dora: Significa dádiva de Deus e indica uma pessoa que prefere resolver as coisas devagar, de maneira paciente e ordenada. O bom senso e a moderação estão presentes em todas a suas atitudes.<br />
<br />
Dores: Usado como parte do nome composto Maria das Dores.<br />
<br />
Dorival, Dorval, Durval, Durvalino: Significa aquele que veio de Orval e indica uma pessoa de temperamento impetuoso, que muitas vezes se mostra imprudente e agressiva. Seu maior desafio é tornar-se mais tolerante e aprender a agir com diplomacia - algo que os pais devem lhe ensinar já na infância.<br />
Douglas: escocês: "do rio preto, rio de águas turvas". indica uma pessoa que, com seu temperamento impulsivo, consegue resultados rápidos em tudo o que se propõe a fazer. Mas nem sempre esses resultados são satisfatórios, pois o excesso de autoconfiança pode induzi-lo ao erro.<br />
Dourival: português: "do vale dourado". Variante: Dorival.<br />
<br />
Duílio: Significa rebelde, inimigo e indica uma pessoa muito independente, que não se deixa sugestionar pelos outros. Acredita que sua consciência é o único juiz que ele pode tolerar e faz tudo do seu jeito.<br />
Dulce: latim: "doce, suave, agradável".<br />
Dulcídio: Significa doce e indica uma pessoa cheia de ternura mas que luta com unhas e dentes para alcançar seus ideais. Tem grande chance de sucesso, inclusive no campo afetivo, pois seu forte apego ao lar e à família faz dele o marido ideal.<br />
E<br />
Éder: basco: "belo".<br />
Edgar: germânico: "próspero, defensor da propriedade".<br />
Edilson: de Wilson, Vilson.<br />
Edite: anglo-saxão: "rico presente, combate pelas riquesas". Variante: Edith.<br />
Edmar: teutônico: "ilustre pelos bens, riquesas". Feminino: Edmara.<br />
Edmilson: justaposição de Edmundo e Wilson.<br />
Edmundo: anglo-saxão: "próspero protetor, defensor dos bens, riquezas".<br />
Edna: hebraico: "a que conhece o segredo da juventude, rejuvenescimento". Indica uma pessoa extrovertida e cheia de energia. Por vaidade ou amor próprio, vive consciente da sua importância, e isso a aguda a correr os riscos que levam ao sucesso.<br />
Edson: forma inglesa de filho de Eduardo, Edmundo.<br />
Eduardo: anglo-saxão: "guarda das riquezas".<br />
Elaine, Elena: forma francesa de Helena. Variante: Elane.<br />
Eleonor: arabe: "meu Deus é luz", galês: "luz". Variante: Eleonora.<br />
Eli: hebraico: "o altíssimo, o elevado". Variante: Ely.<br />
<br />
Eliana, Eliane: grego, latim: "bela como o sol, beleza resplandecente". Associado ao Sol, esse nome indica uma pessoa perspicaz e cordial, que sabe se comportar bem em qualquer situação. Embora um pouco dispersiva, tem muita habilidade para lidar com o público<br />
Elisa fenício, cartaginês: "contente, alegre". Variantes: Eliza, Elise.Variação de Elisabete. A franqueza é a marca registrada da pessoa que tem esse nome. Mesmo que às vezes lhe traga alguns problemas, sua tendência a dizer sempre o que pensa revela uma grande qualidade: o apego à verdade. Na maturidade, torna-se mais diplomática, mas continua sentindo aversão pela mentira.<br />
<br />
Elisabete, Elisabeth, Elizabete, Elizabeth Lisabete: hebraico: "consagrada a Deus, consagrada de Deus". Indica uma pessoa extremamente ativa, que, graças à sua persistência e à sua força de vontade, sempre alcança os objetivos a que se propõe.Uma de suas virtudes é a capacidade de planejar tudo com muito cuidado.<br />
Elisângela: justaposição de Elí e Ângela.<br />
Eliseu: hebraico: "meu Deus é salvação".<br />
Elói: francês: "o eleito".<br />
Eloisa: derivado de Luísa, filha ou descendente de Luísa. Variantes: Eloise, Eloiza, Eloize.<br />
Elvira: latim: "loura, branca".<br />
Elvis: norueguês: "sábio, erudito".<br />
Elza, Elsa: teunônico.Significa virgem das águas e dos císnes, é uma pessoa falante, curiosa e criativa. Para ela, nenhum obstáculo é grande demais. Fica deprimida com facilidade, mas, com algum esforço, logo supera a crise. No lar, é uma excelente mãe e companheira.<br />
Emanuel: hebraico: "Deus conosco".<br />
Emerson: teutônico: "governador industrioso".<br />
Emília: gótico: "aquela que é trabalhadora, ativa". Variante: Amália.<br />
Erasmo: grego: "amável, digno de respeito, simpático".<br />
Ercília: Veja Hercília.<br />
Erica: forma feminina de Érico, que é o mesmo que Erick. Significa sempre poderosa e indica uma pessoa perseverante, que realmente se dedica ao que faz. Tímida por fora, no íntimo se orgulha dos seus inúmeros talentos e da sua romântica sensualidade.<br />
Erick: escandinavo: "poderoso como uma águia". Variante: Eric, Érico.<br />
Ernesto: teutônico: "lutador decidido, dedicado".<br />
Esperança: latim: "nome de uma deusa romana, irmã do Sono".<br />
Estefânia: Significa coroa, realeza. é uma pessoa aberta para a revisão dos seus próprios valores, quando isso parece importante. Consegue grande progresso material porque não fica presa a idéias fixas.<br />
Estéfano: grego, latim: "coroa, diadema, o coroado". Variante: Estéfani.<br />
Estela: Significa estrela e indica uma pessoa talentosa, inteligente e versátil. Ela procura sempre cumprir suas tarefas com dedicação e brilhantismo, pois adora os elogios. Tem sucesso no campo artístico.<br />
Ester: hebraico: "estrela".<br />
Ester: Significa estrela. Indica uma pessoa cativante, charmosa e sensual. Apesar de ser um pouco dispersiva, consegue resolver seus problemas e também os da sua família.<br />
Euclides: grego: "famoso, glorioso".<br />
Eugênia: Significa bem nascida, nobre e indica única pessoa atenta aos detalhes e exigente consigo mesma e com os outros, só se relaciona bem com pessoas do mesmo nível cultural e social que o seu.<br />
Eugênio: grego: "de bom nascimento, de estirpe ilustre". Feminino: Eugênia.Euler: teutônico: "oleiro".<br />
<br />
Eunice: Significa boa vitória, indica uma criança que adora ser o centro das atenções, Mas já na adolescência essa mania é canalizada para alguma atividade na qual ela possa se destacar naturalmente.<br />
Eva: hebraico: "vivente, vida, a raiz da vida, mãe da humanidade". Indica uma pessoa voltada para o lar e para a família, faz questão de inventar e de percorrer seus próprios caminhos. Essa é a sua receita de felicidade.<br />
Evandro: grego: "homem bom, homem corajoso e valente".<br />
Everton: teutônico: "que protege a lei, ou pela lei".<br />
<br />
FFabiana: filha, descendente de Fábio(a), ou feminino de Fabiano.<br />
Fábia: Significa aquela que planta favas e indica uma pessoa comunicativa, que tem facilidade em estabelecer qualquer tipo de diálogo. Para ela, todas as mudanças são bem-vindas, principalmente quando lhe permitem formar novas amizades ou conhecer novos ambientes.<br />
<br />
Fabiana, Fabiane: Significa fava que cresce e predispõe a pessoa a ter um sucesso cada vez maior em todos os seus empreendimentos. Honestidade e rapidez mental são suas características mais marcantes.<br />
Fabiano: latim: "fava que esta crescendo, feijão que cresce".<br />
Fábio: latim: "fava, que planta fava, feijão". Feminino: Fábia.<br />
<br />
Fabíola: latim: "contadora de conto, fábula, ou derivado feminino de Fábio(a), Fabião, Fabiano(a)". Diminutivo de Fábia, Indica uma pessoa que, como tem muito charme e inspira confiança, vive rodeada de amigos.<br />
<br />
Fabrícia: Significa aquela que trabalha em obras de metal. Indica uma pessoa impulsiva e que não cede a nenhum tipo de pressão. Na juventude, chega a ser obstinada. Na maturidade, torna-se apenas teimosa.<br />
Fabrício: latim, francês: "que trabalha com metais, ferreiro". Variante: Fabrízio.<br />
Fátima: árabe: "a que deixou de mamar, mulher perfeita".<br />
<br />
Fátima: É o nome da filha de Maomé. Significa desmamada (ou seja, que deixou de ser bebê, que alcançou um degrau mais alto na escala da evolução). Indica uma pessoa que sabe ouvir a intuição e não se prende a regras ultrapassadas.<br />
Fausto: latim: "feliz, venturoso, faustoso". Feminino: Fausta.<br />
Felipe: grego: "que gosta de cavalos, amigo dos cavalos". Variantes: Filipi, Philip, Phelipe, Fhelipe, Félip.<br />
Feminino: Alexandra. Variante: Alexandro, Alessandro, Alex.<br />
<br />
Feminino: Bonifácia.<br />
<br />
Feminino: Cristiane, Cristina.<br />
Feminino: Ivani, Ivete, Ivone, Ivonete e Ivonice.<br />
Jaciara: tupi: "dia de lua, despontar da lua".<br />
<br />
Fernanda: Significa ousada e indica única batalhadora incansável, que leva até o fim tudo o que começa e quase sempre consegue resultados positivos. A criatividade e o amor à liberdade são outras das suas características mais marcantes.<br />
Fernando: teutônico: "ousado, alto". Feminino: Fernanda.<br />
Filomena: grego: "a deve ser amada". Masculino: Filomeno.<br />
<br />
Flávia: Significa dourada. Indica uma pessoa brilhante e aventureira, que adora experimentar novas sensações. Sua capacidade de concentração a ajuda a ter sucesso em atividades de planejamento.<br />
Flávio: latim: "o de cabelos louros, áureo". Feminino: Flávia. Variantes: Flaviano,<br />
Flora: latim: "deusa das flores, deusa da primavera". Uma pessoa que ama a natureza e que, ao longo da vida.<br />
Fonseca: português: "fonte seca".<br />
Fontana: latim: "alargamento da fonte".<br />
Fontes: português: "das fontes".<br />
Franceline: francês: "vindo de França, nome antigo da Gália".<br />
Fred: germânico: "paz", ou abreviação de Alfredo, Frederico.<br />
Frederico: teutônico: "dirigente da paz, senhor da paz, paz que protege".<br />
Frida: germânico: "protetora".<br />
Fúlvio: latim: "o cor parda, ruça, ruivo". Feminino: Fúlvia.<br />
<br />
FGabriel: hebraico: "homem, herói de Deus, enviado de Deus".<br />
Gabriela: hebraico: "de Gabriel, enviada de Gabriel". Também feminino de Gabriel.<br />
<br />
Galileu: Significa o que veio da Galileia e indica uma pessoa que se destaca pela honestidade, pelo dinamismo e por um senso prático fora do comum. Como o trabalho toma boa parte do seu tempo, tende a ser solitário, mas encontra prazer na companhia dos livros e da boa música<br />
Galvão: galês: "falcão branco".<br />
Ganimedes: Significa alegria dos deuses e indica uma pessoa que tem facilidade para tratar de política e de assuntos sociais. Graças ao seu poder de comunicação, resolve até problemas que parecem sem solução.<br />
<br />
Gaspar: Nome de um dos reis magos. Significa inspetor e indica uma pessoa que, por ser sensata e ponderada, encara o dia-a-dia com grande senso de responsabilidade. Outra das suas características mais marcantes é o ciúme, que ele precisa dominar se quiser ser feliz no amor.<br />
<br />
Gastão: Significa hóspede e indica uma pessoa detalhista. Nada escapa à sua observação. Além disso, possui um senso de organização bem apurado. Às vezes fala muito, mas isso não chega a constituir um problema, pois todos gostam da sua conversa.<br />
<br />
Gaudêncio: Significa o que tem alegria inferior e indica uma pessoa que convive de modo agradável e gentil com as outras. Consegue animar qualquer ambiente e sente-se feliz ao ver que alegrou os outros. Faz muito sucesso em carreiras que exijam contato pessoal e envolvam viagens, como a de comissário de bordo.<br />
<br />
Gedeão: Significa o que destrói e indica uma pessoa com uma irritante tendência a encontrar defeitos em tudo o que os outros fazem. Mas na verdade isso de deve à sua alta capacidade de análise e crítica, que, quando é bem dirigida, lhe rende sucessos formidáveis.<br />
<br />
Generoso: Significa generoso mesmo e indica uma pessoa que sabe se dar mas que não se permite grandes prazeres. Por isso mesmo, pode acabar se transformando num homem tenso, voltado para os outros não é egoísmo, é algo que todos devem ter.<br />
<br />
Genésio: Significa protetor da família e indica uma pessoa que faz da humildade; o seu modo de ser. Gosta de ler e medita e está sempre pronto a dar proteção e conselhos aos amigos e parentes.<br />
Geni: diminutivo de Eugênia. variante: Geny.<br />
George: forma de vários idiomas de Jorge. Variante: Georges. Feminino: Geórgia.<br />
<br />
Geraldo: Significa o que domina com a lança e indica uma pessoa capaz de enfrentar qualquer desafio. Raramente desiste de lutar por um objetivo: vai em frente mesmo quando tem poucas chances de sucesso. Feminino: Geralda.<br />
<br />
Germano: Significa irmão e indica uma pessoa fraternal, aprecia as atividades sociais e as funç6es nas quais possa estimular as outras, de alguma forma. Seu dinamismo o ajuda a obter vitórias significativas.<br />
Gerson: hebraico: "peregrino, estrangeiro". Variante: Gelson. Significa proscrito e indica uma pessoa admirada pela sua simpatia e inteligência, mas que também é criticada por sua extrema vaidade: vive preocupada com a aparência e com a forma física.<br />
<br />
Gervásio: Significa lança pontuda e indica uma pessoa com uma aguda percepção dos problemas sociais e vontade de resolvê-los. No entanto, nunca ,deixa que essa preocupação o afaste da sua evolução social e espiritual.<br />
<br />
Getúlio: Significa o que veio da Gaefulia (região da África) e indica uma pessoa extrovertida e comunicativa, que atrai com facilidade a atenção das outras pessoas e consegue convencê-las dos seus ideais.<br />
Gilberto: germânico: "prisioneiro de guerra, ilustre, preclaro". Significa famoso flecheiro e é a marca registrada de quem está sempre de bem com a vida. Encara os desafios com disposição, como se cada obstáculo fosse uma batalha já vencida.<br />
Gilda: nórdico: "que tem valor, valorosa". Masculino: Gildo.<br />
<br />
Gildo: Significa valoroso e indica uma pessoa paciente e perseverante, que se dedica sem reservas às tarefas que lhe são designadas e não mede sacrifícios para realizá-las a contento.<br />
Gisela:teutônico: "sinal de fé".<br />
Glauber: teutônico: "crente, o que tem fé".<br />
Gláucia: nome de uma flor semelhante a papoula. Variante: Glauce. Significa verde-azulado ou verde claro e indica uma pessoa que dá muito valor ao ser humano e à amizade. Por isso, é dócil e carinhosa com todo mundo. Seus amigos e seus parentes sempre encontram nela o apoio de que precisam.<br />
Gleide: celta: "princesa". Variante: Cleide.<br />
Gleusa: o mesmo que Creusa, Cleusa.<br />
<br />
Glicério: Significa doce e indica uma pessoa que vive à frente do seu tempo e tem facilidade para assimilar novos conhecimentos. Essa combinação lhe permite ser um vencedor em tudo o que se propõe a fazer.<br />
<br />
Glória: É um nome associado à Virgem Maria. é uma pessoa que sente irresistível desejo de se aventurar pelo mundo e conhecer lugares e povos exóticos. Em geral, realiza esse e muitos outros sonhos, pois é inteligente e esforçada.<br />
<br />
Godofredo: Significa protegido por Deus e indica uma pessoa espiritualizada e de intuição muito forte. Ele nunca se fecha em si mesmo, pois está sempre em busca de novos desafios.<br />
<br />
Golias: Significa guerreiro poderoso e indica uma pessoa que mostra acentuada tendência para as atividades físicas. Mas costuma confiar muito na sua própria força e descuidar de detalhes que depois se revelam muito importantes.<br />
<br />
Gonçalo: Significa aquele que se preserva mesmo no combate e indica uma pessoa que não foge à luta, quando se trata de alcançar seus objetivos, mas que não se deixa seduzir por causas que não sejam suas.<br />
<br />
Graça, Grace: latim: dom, graça. É um nome associado às deusas mitológicas que tinham o dom de agradar. Significa também beleza e elegância. Indica uma pessoa que procura viver em harmonia com todo mundo. Mas sua delicadeza não deve ser confundida com fragilidade, pois se trata de uma mulher muito forte.<br />
Graciliano: Significa franzino e indica uma pessoa que confia na própria capacidade de contornar dificuldades. Por isso, enfrenta os problemas com serenidade e paciência e, geralmente, se dá bem.<br />
Graziela: italiano: "graciosa, a de muita graça, linda".<br />
<br />
Grego: "nome de uma flor das margens do mediterrâneo". Masculino: Lígio.<br />
<br />
Gregório: Significa cuidadoso, vigilante e indica uma pessoa prudente,que evita ao máximo os conflitos e não emite uma opinião sem antes refletir sobre o assunto. Graças a essa atitude cautelosa, conquista o respeito de todos.<br />
Greice: pronúncia inglesa de Grace, o mesmo que graça.<br />
Guaraci: tupi: "amanhecer, sol, mãe dos ventos". Variante: Guaracy.<br />
<br />
Guido: Significa criança da floresta e indica uma pessoa que, ajudada pela intuição investe seu tempo e sua energia em atividades que lhe dão um excelente retorno. No amor, custa a amadurecer e procura alguém que lhe tudo sem pedir nada em troca, pois tem medo de abrir mão da sua liberdade.<br />
<br />
Guilherme: teutônico: o que protege, protetor". Feminino: Guilhermina. Indica um homem que se orgulha da sua força (física, mental ou moral) e se vale dela para auxiliar a pessoas de quem gosta.<br />
<br />
Guilhermina: Significa protetora voluntária e indica uma pessoa que se orgulha da sua sabedoria e se vale dela para dar conselhos sempre muito úteis. Só não é nem um pouco sábia quando se trata de comprar roupas: para andar na moda, não se importa de gastar mais do que ganha.<br />
<br />
Gumercindo, Gumersindo: Indica um espírito lutador, que persegue o sucesso com muita garra sem perder o bom humor nem a honestidade. Seu otimismo o ajuda a resolver todos os problemas.<br />
<br />
Gustavo: Significa bastão de combate ou cetro do rei e indica uma pessoa impetuosa e tão segura de si que às vezes pode parecer arrogante. Tem chances de alcançar muito sucesso na carreira política ou militar.<br />
Guta: latim: "nódoa". Masculino: Guto.<br />
HHalina: grego: "que tem sal". Obs: não é variante de Alina ou Aline.<br />
Haline: grego: "marinha, do mar". Obs: não é variante da origem celta, Aline.<br />
<br />
Hamilcar: Significa graça de Hércules. O grande,poder de comunicação de quem tem esse nome garante a realização de praticamente todos os seus objetivos. Por isso, deve fincar os pés na realidade para evitar que pensamentos inúteis tomem conta da sua mente.<br />
<br />
Haníbal: Significa dádiva do deus Baal e indica uma pessoa passiva e .receptiva, que normalmente se mostra calma, gentil. diplomática e bondosa. Apesar de não ser ambicioso, consegue tudo o que deseja usando sua enorme capacidade de convencer e mesmo de seduzir.<br />
Haroldo: anglo-saxão: "o que governa o exercito". Significa comandante do exército e indica uma pessoa que se sai bem em atividades profissionais que exigem liderança. Mas na vida pessoal tende a adiar decisões importantes. Os pais devem lhe ensinar a tomar atitudes firmes e comunicá-las claramente aos outros.<br />
<br />
Haydée: Veja Aidê.<br />
Hebe: grego: "juvenilidade". Nome da deusa mitológica da juventude. Indica alguém que costuma proporcionar segurança e alegria às outras pessoas. É amante da verdade e dos prazeres espirituais e físicos. A determinação e a sorte são seu passaporte para o sucesso.<br />
Heber: hebraico: "companheiro, homem companheiro". Não é variante de Eber.<br />
Heda: germânico: "luta".<br />
Heitor: grego; "o guardador, soberano, conservador da vitória". Indica uma pessoa que, apesar de ter um caráter avesso a mudanças e novidades, apresenta notável propensão para levar uma vida de aventuras.<br />
<br />
Hélder: Significa luminoso, límpido e indica um homem muito sóbrio, que sempre conquista as pessoas com as quais se envolve. Elas nunca se cansam de louvar sua coragem, sua perspicácia e a força do seu caráter.<br />
Helen: forma inglesa e abreviada de Helena.<br />
<br />
Helena, Helene: grego: Significa tocha. luz.Indica uma pessoa que parece estar sempre olhando para dentro de si em busca da sua verdadeira personalidade. E ela sabe tirar proveito dessa tendência, que lhe permite analisar bem todas as questões antes de tomar uma decisão irreversível.<br />
<br />
Helga = Sagrado<br />
Hélio: grego: "Deus sol". Variante: Élio. Indica uma pessoa cheia de iniciativa, que tem muito senso de responsabilidade e desenvolve uma profunda ligação com a família. Destaca-se em atividades ligadas às artes e à filosofia.<br />
Heloísa: forma de grafia de Luiza. Variante: Eloisa. Indica um pessoa persistente, que alcança sucesso em todas as áreas de atividade quando consegue acreditar na sua própria capacidade. Precisa se valorizar mais, inclusive nas relações afetivas, para não ser manipulada pelos outros.<br />
<br />
Henoque: Significa iniciado, consagrado e indica uma pessoa que acumula grandes conhecimentos ao longo da vida mas só se dispõe a dividi-los com quem acha que merece essa honraria. Interessa-se muito por esoterismo e ordens secretas.Tendência ao alcoolismo.<br />
<br />
Henrique: teutônico: "príncipe poderoso, senhor da casa, do lar. Variantes: Henriques, Enrique, Enriques. Significa senhor da pátria e indica uma pessoa boa e prestativa, apesar do seu ar um tanto arrogante. Os amigos sabem que podem contar com sua colaboração a qualquer momento.<br />
<br />
Henriqueta: Chefe, comandante, poderoso. Luta sempre, seja pelos seus direitos ou pelos dos outros. Acima de tudo é individualista e corajosa, utópica mas vencedora. É uma líder por natureza, apesar de ter uma personalidade doce.<br />
<br />
Héracles, Hércules: Nome do herói mitológico mais conhecido como Hércules. Indica uma pessoa que aceita para si tarefas das quais os outros tendem a fugir, pois acredita sem reservas na sua força física ou mental.<br />
Herbert: germânico: "o que brilha, brilhante".<br />
<br />
Hercília: Significa orvalho e indica uma pessoa inteligente e muito disposta a lutar pelos seus objetivos. Enfrenta todos os desafios com sabedoria e, por isso, quase sempre consegue o que deseja.<br />
<br />
Herculano: Significa relativo a Hércules e indica uma pessoa que encontra nos livros uma fonte para enriquecer sua visão do mundo. E ele associa a essa característica muita disciplina e senso prático, o que lhe abre as portas do sucesso.<br />
Hércules: grego, latim: "dividir, fazer a partilha de bens".<br />
Hermes: grego: "o mensageiro, o esclarecedor, apoio".<br />
<br />
Hermes: Significa mensageiro e também o que engana, com palavras e indica uma pessoa individualista e carismática, que gosta de iniciar projetos e de comandar os outros. Adora receber aplausos por tudo aquilo que faz, mas quase nunca elogia os outros.<br />
Hermínio: latim: derivado de Hermes, ou etrusco: "o grande, o forte, o poderoso deus Irmin.<br />
<br />
Hermógenes: Significa descendente de Hércules. Indica uma pessoa atenciosa, que procura estar bem com todo mundo. Mas, por tentar resolver problemas alheios, às vezes se esquece das suas próprias obrigações.<br />
<br />
Heródoto: Significa dádiva da deusa Hera e indica uma pessoa que sempre divide tudo o que tem com quem está necessitado- No amor, prefere estar livre para se relacionar com várias pessoas.<br />
Higino: grego: "saudável, de boa saúde". Feminino: Higina. Indica uma pessoa .que busca viver em harmonia não só com as outras mas também com a natureza. Não faz nada que agrida os outros, que agrida seu corpo ou que agrida o meio ambiente.<br />
<br />
Hilário: latim: "divertido, alegre, contente". Feminino: Hilária. Hilário: Indica uma pessoa que está sempre de bom humor porque faz questão de esquecer as coisas ruins do passado. Quando sente que é preciso, procura reformular seu modo de ver o mundo para que nada atrapalhe sua evolução espiritual.<br />
Hilda: teutônico: "guerreira, donzela de batalha". Masculino: Hildo.<br />
<br />
Hilde: Significa donzela da batalha e indica uma pessoa muito voluntariosa, que em geral só faz o que quer. Praticamente indiferente à glória e à riqueza material, ela parece distante e distraída, mas é atenta a tudo o que acontece e tem idéias muitas claras.<br />
<br />
Hildebrando: Significa o que combate com a espada e indica uma pessoa que não dá passos no sentido contrário aos objetivos que estabelece, desde cedo na sua vida. Sejam quais forem os obstáculos, ele os enfrenta e sempre faz seu próprio caminho.<br />
<br />
Hildefonso: Significa pronto para o combate e indica uma pessoa que tem aptidão para desempenhar tarefas de qualquer gênero. Nada o intimida e sua força de vontade geralmente lhe abre as portas do sucesso.<br />
<br />
Hílton: Significa aldeia da colina e indica uma pessoa com grande capacidade de adaptação a novas idéias. Ele se realiza em trabalhos intelectuais, tem raciocínio rápido e acentuado interesse pelas ciências.<br />
<br />
Hipólito: Significa o que solta os cavalos e indica uma pessoa que se adapta com facilidade às mudanças no trabalho e na vida amorosa. Mas é ambicioso e quer ser o primeiro em tudo. Se não corrigir essa tendência, corre o risco de se tomar um vencedor solitário.<br />
<br />
Hogo:Significa inteligente indica uma pessoa afetiva, leal e sincera. Não lhe falta também, criatividade. O aspecto negativo do seu temperamento é a tendência à vaidade e ao egoísmo. Os pais devem lhe ensinar a dar mais atenção ao lado positivo das pessoas que o cercam.<br />
<br />
Homero: Nome de um grande poeta grego. Significa refém e indica uma pessoa prática e decidida, a quem todos procuram quando precisam de orientação. Tem grande capacidade de fantasiar, mas não mistura os sonhos com a realidade. É equilibrado e sabe lidar bem com conflitos.<br />
<br />
Honório: Significa o que merece honras e indica uma pessoa que sempre é a primeira a tomar a iniciativa mais apropriada. Gosta muito de trabalhar com pesquisa ou ensino. Tem consciência do seu valor e exige que os outros também o reconheçam. Caso contrário, se irrita.<br />
Horácio: grego: "visível evidente, manifesto", latim: "deusa da mocidade (Hora). Feminino: Horácia. Significa protegido pelas deusas Horas. Seu jeito metódico e discreto esconde uma personalidade inteligente e versátil. Para viver bem, só precisa aprender a liberar mais completamente suas emoções.<br />
<br />
Hortênsia: Significa a que cultiva o jardim. Indica uma pessoa que dá a todos os seus atos um toque de originalidade. Quando desenvolve também o espírito prático, para direcionar melhor suas idéias, consegue o sucesso com muita facilidade.<br />
Hortênsio: latim: "o da horta, jardineiro". Feminino: Hortênsia. Variantes: Hortêncio, Hortencia.<br />
Hosana: aramaico: "peço-te a salvação, salvar". Variantes: Hosaná, Hosanã.<br />
Hugo: germânico: "o pensamento, espírito, razão". também abreviatura de Humberto.<br />
Humberto: germânico: "de inteligência brilhante". feminino: Humberta.Significa o brilho do gigante e indica uma pessoa preocupada com as dores alheias. Faz de tudo para ajudar os outros, matéria e espiritualmente. Ao longo da vida, desenvolve grande força física ou moral.<br />
<br />
IIago: variante de Jacó.<br />
<br />
Iara: Tupi, senhora d'água, mãe d'água. Variante: Yara, Iasmin: árabe: "flor, como uma flor.". Apesar de parecer submissa e quase sem iniciativa, tem muita garra para lutar por seus objetivos. Quando estabelece uma meta, é persistente até o fim. Usa de muita doçura até conquistar a pessoa amada.<br />
<br />
Ibraim: Variação de Abrão.<br />
<br />
Ícaro: grego: "personagem mitológico, filho de Dédalo que fugiu da ilha de Creta usando asas pregadas com cera, tentou voar. Indica uma pessoa que trabalha com obstinação, sobretudo quando sabe que está perto de atingir as metas que se havia estipulado. Nunca desanima, e essa disposição geralmente garante seu sucesso.<br />
Idália: latim: "a que viu o sol", grego: "do monte Idálion".<br />
Idalina: italiano: "natural da Adália, Idálion". Masculino: Idalino.<br />
Idálio: grego: "sol falmejante, ou natural da ilha Idálion".<br />
Ieda: hebraico: "favo de mel". Masculino: Iedo.<br />
Iemanjá: iorubana-africano: "senhora do mar, protetora das mães e esposas".<br />
<br />
Ifigênia: Grego, significa vigorosa. Masculino: Ifigênio. Um sonho, por mais impossível que pareça, é perfeitamente realizável nas mãos dessa pessoa. Possui força suficiente para levantar seus projetos até o fim. Luta com todas as armas para conquistar o seu amado.<br />
Ifigênia: grego: "nascida com poder, com vigor, com força".<br />
<br />
Ígor, Iuri: Variação de Jorge . Igor: forma russa de Ingomar, e também do grego Geógios.<br />
Ilca: eslavo: "mulher honrada pela sua vivacidade, ativa". Variante: Ilka.<br />
Ilsa, Ilza: germânico: "ninfa, ondina", ou variante de Elsa, de Nilza.<br />
Imaculada: Italiano, sem mácula, pura. Santa da Igreja Católica. Indica perseverança e persistência na hora de seguir em frente pelos caminhos traçados ou escolhidos de antemão; em algumas ocasiões, estes caminhos pode apresentar-se confusos e cheios de obstáculos.<br />
Inácio: latim: "ardente, fogoso". Feminino: Inácia. Indica uma pessoa vivaz e inteligente, que em geral amadurece com as dificuldades. Supera com bom humor e perseverança os obstáculos e acaba obtendo grandes êxitos.<br />
Inês: grego: "a pura, a casta". Variantes: Ignês, Inêz. Variação de Agnes, a casta, a pura, de origem grega. Naturalmente calma e ponderada, seus modos indicam até certa timidez. Quando gosta de uma pessoa, torna-se amiga fiel para toda a vida.<br />
Ingrid: escandinavo: "amazona de Ingo".<br />
<br />
Iolanda: Grego, florescência de violeta. Variante: Yolanda. Embora tenha grande capacidade de comunicação, dificilmente revela seus pensamentos mais íntimos. Gosta de discrição e é uma batalhadora na profissão. Tem muitos admiradores, mas não é fútil.<br />
<br />
Ioná: Hebraico, significa pomba. É pessoa que não mede esforços para ajudar alguém que esteja em dificuldades, mas se esquece um pouco de si própria. Geralmente tem problemas financeiros. Tendência a ser vista como uma boa amiga.<br />
<br />
Ione: Grego, quer dizer pedra de cor violeta. Nom de uma ninfa da mitologia grega. Sempre alegre, não dramatiza nem mesmo as situações mais difíceis. Sempre vê o lado positivo e consegue tirar lições proveitosas de tudo o que acontece. Seu jeito espontâneo provoca ciúmes.<br />
<br />
Iracema: Anagrama de América.Nome criado por José de Alencar. Revela uma grande capacidade para saber estar no seu lugar. ë próprio de pessoas que, mesmo nos momentos difíceis, sabem manter as aparências. Consideram a vida como um lugar de passagem e mostram, geralmente, um temperamento agradável.<br />
<br />
Iraci: Tupi, mãe do mel, doçura, abelha rainha. A pessoa tende a ser caprichosa em todos os detalhes, minuciosa no trabalho e ardente nos amores. Variante: Iracy.<br />
Irene: Grego, "deusa da paz". Masculino: Ireno. Variante: Eirene. Nome de mulheres que, embora se encontrem com problemas difíceis de solucionar, nunca se deprimem nem desanimam, muito pelo contrário, sabem enfrentar a vida com otimismo: agigantam-se nas dificuldades.<br />
<br />
Ireneu, Irineu: Significa pacífico e indica uma pessoa dotada de gênio forte, que tenta impor suas idéias ao invés de dialogar. Isso pode lhe causar problemas. mas, como tem bom caráter, sempre conserva os amigos.<br />
Íris: Grego, mensageira dos deuses, velocidade, rapidez. Indica satisfação por bem fazer. Em sentido genérico, identifica-se com a atitude ética perante a vida, com as convicções gradualmente adquiridas e com a reflexão sobre os bons costumes.<br />
Irma: teutônico: "nobre, a grande, consagrada a Irmin".<br />
<br />
Isa: Teutônico, diminutivo de Isabel, "de bondade férrea, ferrenha".. A inteligência e a capacidade de comunicação são seus ontos fortes. Gosta de impor sua personalidade - nunca cede às pressões. Muito volúvel, só é fiel quando ama verdadeiramente.<br />
Isabel: Teutônico ou hebraico : "a casta". Variantes: Isabela, Isabele. Izebel, a casta. Do francês Isabelle e do espanhol Isabel. Derivado de Elisabete. Variação: Isabéu. Nome que significa cumprir com as promessas. É próprio das pessoas que se regem pelo clássico lema "promessa é dívida". Respeitam escrupulosamente as decisões dos outros.<br />
Isadora: grego: "dádiva de Ísis, presente de Ísis".<br />
Isaias: hebraico: "salvação é Deus".<br />
Isaque: hebraico: "riso de Sara, que riu quando nasceu".<br />
Isaura: grego: "natural da Isaúria, antiga província da Ásia Menor".<br />
Isauro: grego: "veloz como o vento, ou natural da Isáuria".<br />
Isis: Egípcio, deusa suprema. Mulher muito inteligente e de bom caráter, que consegue se comunicar com a maior facilidade. Costuma viver rodeada de pessoas amigas. Quando a paixão bate forte, faz de tudo para agradar.<br />
Israel: hebraico: "Deus se mostra forte, Deus luta, que vê a Deus".<br />
Ítalo: grego, latim: "bezerro, novilho, vitelo". Feminino: Ítala.<br />
Itamar: hebraico: "ilha da palmeira". Feminino: Itamara, Tamara.<br />
Ivã, Ivan: forma russa de João.<br />
<br />
Ivana: Feminino de Ivan, ver esse nome. Significa Joana. Indica inteireza, arrebatamento e júbilo. É próprio de mulheres que , em geral, escolhem o caminho mais difícil para atingir seus objetivos. Não obstante isto, quase sempre obtêm o que deseja.<br />
Ivani: derivado de Ivo e Ivan, ver esse nome. Trata-se de uma pessoa brilhante, que coloca muita garra em tudo o que se propõe a fazer. É também ótima companheira e faz amigos facilmente. Dedica-se inteiramente ao parceiro e faz feliz a quem ama.<br />
Ivete: forma francesa do feminino de Ivo, Ivan.<br />
Ivo: anglo-saxão: "filho do arco, o que usa arco para combater, ativo, vigilante".<br />
<br />
Ivone: Feminino diminutivo de Ivo, que vem do anglo-saxão, e significa pessoa atenta. Nome que indica liberdade e esperança. É próprio de pessoas com grande integridade e que se regem por seus próprios critérios, os quais defendem com firmeza sempre que consideram necessário.<br />
Izolita: Esperanto, significa isolada, solitária. Um amor de pessoa. Cheia de ternura e compreensão para com seus. Bastante abnegada, capaz de qualquer sacrifício para servir ao seu semelhante.<br />
<br />
J<br />
Jacimar, Jacimara: tupi: "lua de guerra, lua boa para guerra ou caça".<br />
Jacinta: grego: "nome de uma flor"". Masculino: Jacinto, ligado à flor jacinto. Indica uma pessoa muito severa na análise que faz dos outros. Mas está sempre disposta a perdoar os defeitos de caráter que encontra e procura viver em com todo mundo, pois adora ter muitos amigos.<br />
<br />
Jacinto: Personagem da mitologia que, depois de morto, foi transformado na flor que tem esse nome. Indica uma pessoa sempre disposta a perdoar as falhas de caráter que encontra nos outros, pois sabe que também tem as suas. Procura viver bem com todo mundo e tem muitos amigos.<br />
Jacira: tupi: "abelha da lua, lua de mel, abelha noturna".<br />
Jack: forma inglesa de Jacob.<br />
Jackson: inglês: "filho de Jack".<br />
<br />
Jacó: Significa o que supera. Sua generosidade faz com que seja uma daquelas pessoas com quem sempre se pode contar. Gosta de ser útil e tem sempre uma solução para todos os problemas.<br />
Jacob: hebraico: "que segue as pegadas de Deus, calcanhar, astucioso". Variante: Jacó.<br />
Jácomo: forma italiana de Jacob. Variante: Giácomo.<br />
<br />
Jaime: Variação de Jacó.<br />
Jair: hebraico: "ele desperta, o iluminado. Significa animado por Deus ou habitante floresta e indica uma pessoa que vive à frente do seu tempo e por isso está sempre aberto a novas experiências. Acredita na amizade e se mostra constantemente disposto a ajudar os verdadeiros amigos.<br />
Jairo: hebraico: "o iluminado, o esclarecido".<br />
Jamil: árabe: "o belo". Variante: Jaime. Feminino: Jamila e Jamile.<br />
Jamila, Jamile: Significa formosa e indica uma pessoa de raciocínio rápido, que, tem idéias claras e confia no próprio sucesso. Assim, consegue com certa facilidade o que outros custam a conquistar ou nem conquistam.<br />
Jana: latim: "lua". Variante: Jane<br />
<br />
Janaina: Esse é um dos nomes de Iemanjá, a deusa do mar e protetora das mães e das esposas. Indica uma pessoa que, num primeiro momento, dá a impressão de ser arrogante. Mas por trás dessa aparência esnobe se esconde uma personalidade bondosa e protetora. O mesmo que Iemanjá.<br />
<br />
Jandira: tupi: "mel da abelha jandaia". Variante: Jandaia. Indica uma pessoa doce mas corajosa e firme, que transmite muita segurança quando toma uma decisão. É muito inteligente, mas não gosta de ser elogiada por isso. Prefere que reparem na cultura que adquire com seu esforço.<br />
<br />
Jane: Variação de Joana. Indica uma pessoa que sabe definir seus objetivos e obtém sucesso em atividades que exigem raciocínio rápido. Como tem grande poder de persuasão, não teme assumir posições de liderança.<br />
<br />
Janete: forma francesa de Joana, Jane e Janice, diminutivo de Jane. Indica uma pessoa que alcança o sucesso se desenvolver atividades nas quais possa atuar sozinha. No entanto, precisa evitar que sua forte tendência ao individualismo prejudique as relações pessoais, sobretudo as amorosas.<br />
Janice: latim "de Jano, graça de Jano".<br />
Jaqueline: forma feminina francesa de Jacob. Significa aquela que supera, Indica uma pessoa que está sempre em atividade. Seus pontos fortes são a persistência e a força de vontade. Planeja sua vida com muito cuidado e segue à risca seus planos até sentir que ultrapassou todas as suas barreiras.<br />
Jardel: francês: "joio, ou garganta".<br />
Jeferson: inglês: "filho de jafet". Variante: Jefferson.<br />
Jelson: variação gráfica de Gerson ou Jeferson.<br />
Jenifer: galês: "de faces brancas".<br />
Jeová: hebraico: "o ser por excelência, Deus".<br />
Jeremias: hebraico: "a quem Jeová constitui, exaltado por Javé". Significa elevado por Deus e indica uma pessoa que, por apresentar virtudes como disciplina, grande senso prático e determinação, é muito procurada pelos colegas para opinar sobre assuntos de trabalho e mesmo sobre dilemas amorosos.<br />
Jerônimo: grego: "quem tem nome sagrado". Variante: Gerôninmo.Jéssica: hebraico: "cheia de riquezas".<br />
<br />
Jessé: Significa rico, poderoso, viril e indica uma pessoa que, apesar do comportamento contido, é dono de uma forte personalidade. Como detesta exibir suas muitas qualidades, ganha fama de misterioso ou dissimulado, embora todos concordem que ele mente muito pouco.<br />
<br />
Jéssica: Significa cheia de riquezas e indica uma criança vaidosa e sedutora, que às vezes brinca um pouco com o perigo.À medida que cresce, porém, acumula também riquezas interiores e consegue êxito em quase todas as suas empreitadas.<br />
Jesus: hebraico: "Deus é seu auxílio, Javé é salvação, filho de Josué" (José).<br />
<br />
Jó: Significa hostilizado e indica uma pessoa paciente diante das adversidades. Refere-se ao patriarca bíblico que sofreu muito mas nunca se voltou contra Deus. Não é um nome que traga uma vibração de alegria.<br />
Joana: feminino de João, variante de Joanã, Jane. Significa Deus é cheio de bênçãos e indica uma pessoa que só amadurece depois de muito lutar pelo equilíbrio entre a razão e o coração. Chega a ser vista como alguém que não sabe o que quer, mas quando se decide entra de corpo e alma na conquista dos seus ideais.<br />
João: hebraico, grego, latim: "Javé é misericordioso, Javé presenteou, Deus é gracioso, Deus é cheio de graça". Indica uma pessoa com forte espírito de liderança. Impulsivo, às vezes é mal interpretado, mas seus atos sempre visam o benefício da maioria, pois possui nobreza de caráter.<br />
Joaquim: hebraico: "Javé levanta, restabelece, elevado é Javé". Feminino: Joaquina. Indica uma pessoa firme e segura e que age sempre de maneira leal. Apesar da aparente frieza, sempre se mostra atencioso, confiável e disposto a ajudar.<br />
Joel: hebraico: "Javé, Jeová é Deus, adorador de Deus". Feminino: Joelma. Indica uma pessoa que esconde, por trás do seu jeito frágil, uma personalidade poderosa, capaz de lidar sem qualquer embaraço com todos os desafios do dia-a-dia.<br />
Jonas: hebraico: "pomba, amante da paz". Indica uma pessoa capaz de atravessar as piores crises com paciência, tranqüilidade e resignação. Autoconfiante e otimista, não desiste de lutar por seus projetos nem mesmo quando as dificuldades parecem ser incontornáveis.<br />
Jônatas: hebraico: "dado por Javé". Variante: Jonatã, Jônatan. Indica um homem dono de uma inteligência brilhante. Muito criativo, só precisa tomar cuidado para não desperdiçar energias em coisas sem importância. Os pais devem ensiná-lo a ser mais seletivo em tudo.<br />
Jorge: grego: "trabalhador da terra, agricultor". Indica um homem determinado e seguro de si. Pode ser um pouco arrogante e impetuoso, mas sempre respeita os limites das pessoas à sua volta.<br />
José: hebraico: "o que nasceu depois dos outros, aquele que acrescenta, Deus aumentou (com outro filho)". Feminino: Josefina. Variantes: Jôse, Josefa. Indica uma pessoa sensível, confiante e generosa, que sofre com os problemas alheios. É muito conciliador e conserva o autocontrole mesmo nas piores situações.<br />
Josué: hebraico: "Deus é auxílio". Um dos nomes que Jesus era conhecido.<br />
<br />
Juarez: Derivado do sobrenome do revolucionário -mexicano Benito Juarez. Predispõe a criança a se preocupar com os problemas sociais, mas também a se valer da agressividade para fazer prevalecer suas opiniões.<br />
Judite: hebraico: "a louvada, mulher vinda da cidade de Iehud, a judia". Variantes: Judith, Judithe.<br />
Júlia: latim: "a cheia de juventude". Indica uma pessoa de memória prodigiosa, muito senso de organização e um dinamismo contagiante. Excelente amiga, dedica-se totalmente às pessoas que estima.<br />
Juliana: descendente de Júlio, Júlia, ou nascida em julho. Variante italiano: Giuliana.<br />
Juliano: latim: "que pertence a Júpiter, Juno, filho de Júlio, nascido em julho". Variante italiana: Giuliano.<br />
Julieta: derivado de Júlia, Júlio. Variante italiana: Giulieta. - uma pessoa suave, que prefere uma vida tranqüila a loucas aventuras. Adora literatura, cinema e teatro. No amor, entrega-se a sonhos românticos difíceis de ser concretizados.<br />
Júlio: latim: "o luzente, o brilhante (relativo a Júpiter)". Indica uma pessoa de mem6ria prodigiosa, muito senso de organização e um dinamismo contagiante. Apesar de geralmente se mostrar meio sovina, é generoso com suas namoradas.Juscelino: De significado desconhecido, talvez associado a regozijo ou justiça. Indica uma pessoa equilibrada e decidida, que dificilmente erra quando precisa tomar uma atitude drástica para resolver um problema. Por isso, nunca precisa voltar atrás das suas decisões.<br />
<br />
<br />
K<br />
Kalina - Ucraniano Planta de comer<br />
Kammille - Latim "Camilla" - Jovem criada.<br />
Kaolin - Indígena Bela jovem<br />
Kalina - Ucraniano Planta de comer<br />
Kammille - Latim "Camilla" - Jovem criada.<br />
Kaolin - Indígena Bela jovem Kate - Inglês, hipocorístico de Catarina, que vem do grego, pura , casta. Pessoa que tem confiança em si, apesar de atravessar períodos negativos em todos os setores da vida. É perseverante e logo aprende a superar as fases ruins. Tem facilidade em novos relacionamentos amorosos. Disciplina e organização são sua ferramentas.Katia, Katya: adaptação russa de Catarina.<br />
Karem/Karen - dinamarquês de diminutivo Catarina, que vem do grego, pura , casta. Ela é a mais desenvolta e alegre do seu grupo social. Está sempre à frente de todas as iniciativas comunitárias, paciente, uma excelente confidente. Se o amor não vem a ela, ela vai em busca.Kate - Inglês, hipocorístico de Catarina, que vem do grego, pura , casta. Pessoa que tem confiança em si, apesar de atravessar períodos negativos em todos os setores da vida. É perseverante e logo aprende a superar as fases ruins. Tem facilidade em novos relacionamentos amorosos. Disciplina e organização são sua ferramentas.Karim - Árabe Mulher muito generosa<br />
Karina - Grego Graciosa, engraçada<br />
Karol - Húngaro Feminina, delicada<br />
Kássia - Polonês Variação de Cássia (distinta)<br />
Kelda - Primavera florida<br />
Keli - Gaulês Agressiva<br />
Kelly - Irlandês Donzela guerreira.<br />
Kerina - Grego Deusa poderosa.<br />
Khadija - Árabe Criança prematura<br />
Kim - Anglo-saxão Chefe, administradora.<br />
Kuana - Indígena Doce perfume.<br />
Kuarashí - Indígena Sol<br />
Kuat - Africano Variante de Kuarashí<br />
Kumari - Indígena Comadre<br />
Kurumí - Indígena Menino<br />
Kelli, Kelly: irlandês, donzela, guerreira".<br />
Kerina: hindu; "poderosa deusa".<br />
Kim: chinês: "ouro".<br />
Klaus: versão germânica de Nicolau.<br />
<br />
<br />
LLadislau: eslavo: "senhor da glória".<br />
Laércio: latim: "nascido ou vindo de Laerte, cidade da Cicília".<br />
Laerte: grego: "guarda, salvador do povo, levantador de pedras (refere-se ao nome de uma formiga)". Variante: Laertes.<br />
<br />
Laila: Árabe, significa formosa, bela, bonita. É extremamente amorosa e preocupada com o mundo ao seu redor. Sente necessidade de ajudar as outras pessoas e de ter uma vida familiar segura, e sem atritos. É a pessoa mais apaixonada. Quando ama é pra valer. Sua generosidade pode causar perdas irreparáveis.<br />
<br />
Laila: Árabe, significa formosa, bela, bonita. É extremamente amorosa e preocupada com o mundo ao seu redor. Sente necessidade de ajudar as outras pessoas e de ter uma vida familiar segura, e sem atritos. É a pessoa mais apaixonada. Quando ama é pra valer. Sua generosidade pode causar perdas irreparáveis.<br />
Lair: árabe: "brilhante, luminoso".<br />
<br />
Lais: Grego, quer dizer a democrática. Representa a superioridade de espírito sobre a atraente efemeridade das paixões inúteis. É próprio de pessoas que tem certa predisposição para a rebeldia perante as injustiças.<br />
<br />
Lais: Grego, quer dizer a democrática. Representa a superioridade de espírito sobre a atraente efemeridade das paixões inúteis. É próprio de pessoas que tem certa predisposição para a rebeldia perante as injustiças.<br />
<br />
Lana: Italiano , diminutivo de Helena, que vem do grego, Helene, tocha. Faz alusão à fantasia e a timidez. É próprio de pessoas que tem um mundo anímico rico de imagens e de projetos.<br />
<br />
Lana: Italiano , diminutivo de Helena, que vem do grego, Helene, tocha. Faz alusão à fantasia e a timidez. É próprio de pessoas que tem um mundo anímico rico de imagens e de projetos.<br />
Lara: latim: "ninfa do Tibre, mãe de Lares".<br />
Larissa: grego: "cheia de alegria".<br />
<br />
Laura: Latim, significa coroa de folhas de louro. Diminutivo: Laurita. Variante: Lauriana. Nome de pessoas que se deixam dominar por sentimentos contraditórios. Preocupa-as a opinião dos outros, e são muito seletivas ao escolher companheiros, seja no jogo, no trabalho ou para toda a vida. Às vezes uma radical solidão os detêm.<br />
Lauro: latim: "árvore de loureiro".<br />
Lavínia: latim: "a purificada".<br />
Lázaro: hebraico: "Deus é meu socorro".<br />
Léa, Léia: hebraico: "leoa" e do Anglo-saxão, significa campo verdejante. Queixa-se sempre de que não tem dinheiro, mas ele nunca falta porque costuma ser pessoa muita precavida, trabalha-se melhor em algo de que gosta.<br />
<br />
Leandro: grego: "homem do povo, homem dócil". Feminino: Leandra.<br />
<br />
Leda: Latim, quer dizer alegre. Atenciosa, observa e analisa tudo o que acontece à sua volta. Por gostar de se sentir útil, está sempre disposta a oferecer ajuda. É romântica e espera encontrar no casamento a realização dos seus sonhos.<br />
<br />
Leda: Latim, quer dizer alegre. Atenciosa, observa e analisa tudo o que acontece à sua volta. Por gostar de se sentir útil, está sempre disposta a oferecer ajuda. É romântica e espera encontrar no casamento a realização dos seus sonhos.<br />
<br />
Leila: Árabe, significa negra como a noite. independente e determinada, trabalha ardentemente para conseguir o que deseja. Por isso , sabe dar valor ao que possui e não tolera desperdícios. Tende a ser feliz na maturidade, depois de muitas paixões.<br />
<br />
Leilane: Havaiano, significa flor do céu. É desconfiada e observa detalhadamente as pessoas antes de se aproximar. Por ser muito seletiva, acaba fazendo poucas amizades. Costuma despertar grandes paixões, que normalmente são um pouco tumutuadas.<br />
Lenita: Latim, significa suavidade. Encara a vida com seriedade e procura ser correta em tudo o que faz. Mas nem por isso deixa de aproveitar os bons momentos e curtir aventuras. não lhe faltam boas oportunidades no amor, pois é muito cortejada.<br />
Leonardo: germânico: "forte como o leão", germânico: "coração de leão".<br />
Leone: italiano: "leão". Variante: Leoni.<br />
Leonor: Árabe, significa que a sua luz é o Senhor. Nome que indica predisposição para recorrer a um ser transcendente e superior quando se tem problemas muito graves que transbordam a capacidade humana. Destacada tendência ao misticismo.<br />
Leonora: derivado de Leonor ou Leonora.<br />
Letícia: Latim, significa alegria. Mostra força de vontade pouco comum, embora, por vezes, não consiga ver bem à sua volta. É própria de mulheres que se preocupam por satisfazer os desejos de quem não tem ajuda.<br />
Leví: hebraico: "aderir, unido, estar ligado".<br />
Lia: hebraico: "exausta, fatigada, cansada, de olhos tristes".<br />
Liana: forma de grafia de Liane e Eliana.<br />
Liane: francês: "cipó, vinha trepadeira".<br />
Liberato: latim: "libertado, liberto". feminino: Liberata.<br />
Lídia: Grego, significa mulher de Lídia, uma região da Ásia Menor. Sua bondade e seu comportamento recatado nem sempre são bem interpretados pelos outros. Muitos chegam a confundir timidez com orgulho. Consegue sempre que o seu companheiro ceda e lhe dê razão. Masculino: Lídio.<br />
Lígia: germânico: "nome de uma filha de um dos reis Lígios, tribo germânica".<br />
Lilia: latim: "lírio, símbolo da pureza e inocência".<br />
Liliana: Do inglês Lilian, que significa pura, inocente. Variantes: Liliane, Liliam, Liliosa. É dotada de um temperamento impulsivo, que não cede diante de nenhum tipo de pressão. Luta para alcançar suas metas. Sempre investe com sabedoria e precaução.<br />
Liliana: latim: "cheia de lírios". Variante: Liliane.<br />
Linda: Espanhol, linda, bonita. Ótima conselheira, usa sempre de muita honestidade e clareza quando os amigos a procuram em busca de ajuda para contomar as dificuldades. O amor deve contribuir para tornar a vida agradável.<br />
Linda: espanhol: "bela, bonita".<br />
Line: Do latim Alina, agulha. Do celta Aline, graciosa. variantes: Adeline, Alene, Aleen. Revela um temperamento sensível e reservado. É próprio de pessoas que preferem agüentar uma injustiça por exemplo, do que manifestar o seu inconformismo através de explosões ruidosas.<br />
Lins: germânico: "da cidade de Linz, na Áustria".<br />
Lisa: italiano: "refere-se a Mona Lisa",também diminutivo de Elisa, Elisabete.<br />
Lisandro: grego: homem remido, resgatado, o que liberta o homem". Variantes: Lisandro, Lizandro. Femininos: Lisandra, Lissandra, Lizandra.<br />
Lóis: americano: "Lóis é a entidade que tomou o lugar dos orixás africanos".<br />
<br />
Lorena: Latim, do reino de Lotério, indica tranquilidade e integridade de ânimo, em especial nos momentos de tomar decisões definitivas. É próprio de mulheres que tratam seus assuntos com seriedade e evitam comportar-se com negligência.<br />
<br />
Loreta: Latim, bosquezinho de loureiros. Diminutivo de Laura. Masculino: Loreto. Temperamental, ora é simpática e agradável, ora intolerante e sisuda. Por isso, enfrenta dificuldades nos relacionamentos, pois nem todos entendem suas mudanças bruscas de humor. Conquista facilmente o parceiro.<br />
<br />
Luana: Africano, de Luanda. Variante: Luanda. Nome de pessoa bastante intuitiva e perceptiva das situações de perigo, como se contasse com um radar. Ela é fiel e exige fidelidade em troca.<br />
Luana: africano: "de Luanda, capital da Angola".<br />
Lucas: latim: "natural de Lucânia, terra da luz", ou o mesmo que Lúcio.<br />
<br />
Lucélia: Feminino de Lucélio, forma derivada de Lúcio, latim, luz. Representa o zelo e a paixão pelo estudo e pela sabedoria. É próprio de pessoas que têm em alta estima os sentimentos éticos e que se conduzem com honra e honestidade.<br />
Lucélia:Composição de Lúcio, Lucas e Célia, Adelia. Masculino: Lucélio.<br />
<br />
Lúcia: Feminino de Lúcio, latim, luz. Nome que significa preocupação pelos outros e por tudo que a rodeia. Pessoas que valorizam a amizade e a solidariedade. Costumam estar sempre dispostas a prestar toda a espécie de ajuda a quem solicita.<br />
Lúcia: latim: "luminosa, luzente, que brilha".<br />
Luciano: filho ou descendente de Lúcio, Lúcia. Feminino: Luciana.<br />
<br />
Luciene: Feminino de Luciano, latim, forma derivada de Lúcio, luz. Variante: Luciana. Encara a vida com seriedade e procura ser correta em tudo o que faz. Mas nem por isso deixa de aproveitar os bons momentos e curtir as aventuras. Não lhe faltam boas oportunidades no amor, pois é muito cortejada.<br />
Lúcio: latim: "nascido com o dia, luzente, nascido com a manhã, refere-se a aqueles que nascem pela manhã".<br />
<br />
Lucíola: Diminutivo de Lúcia, ver esse nome. Revela paixão pelas pequenas coisas que a vida oferece, porém sem as quais não seria possível ser feliz. É próprio de mulheres que valorizam as amizades antigas e a fidelidade.<br />
<br />
Lucrécia: Dama romana famosa por sua virtude. Feminino de Lucrécio, latim. É uma pessoa que não precisa fazer muito esforço para ser agradável e conquistar a simpatia dos outros. Também não faz sacrifícios para realizar seus planos. É minuciosa nas suas tarefas.<br />
Luís: francês derivado do germânico: "guerreiro célebre". Variante: Luiz. Feminino: Luisa, Luiza.<br />
Luiziane: Variação de Luzia, que por sua vez, vem de Lúcia, latim , luz. Numa primeira abordagem, indica preocupação pelo saber total, profundo e verdadeiro. É próprio de pessoas com grande clareza de idéias e de projetos, a quem é difícil enganar com argumentos falaciosos.<br />
Luma: tibetano: "música, canção, lira".<br />
Lurdes: nome de origem religiosa. Variante: Lourdes.<br />
<br />
Lurdes: Variação de Lourdes, francês, nome de origem religiosa, quase sempre composto com Maria (Maria de Lourdes). Pessoa extremamente ponderada e tímida. É a mais fiel das amigas; sabe como ninguém ouvir e guardar todos os segredos que lhe contam. No amor, procura sempre novas experiências.<br />
Luzia: nome popularizado pela pronúncia portuguesa de Lúcia. Variante: Lusia.<br />
<br />
<br />
MMacedo: latim: "lugar onde há macieiras, maçãs".<br />
<br />
Madalena: Hebraico, a dos cabelos penteados. Pessoa discreta e observadora que prefere ouvir a falar. Está sempre analisando seus sentimentos e revela preocupação com a vida espiritual.<br />
Mafalda: Variante de Matilde guerreira que combate com energia. Dócil e sincera, sente-se feliz quando conquista a simpatia dos outros. Por isso, faz tudo para agradar aos amigos e não se importa de ouvir suas lamentações . Muito conservadora, coloca a família acima de tudo.<br />
Magali: De origem provençal, correspondente a Margarida. Revela paixão pelas coisas que lhe são gratas e queridas. É próprio de pessoas com vontade de ferro, que não se retraem quando lhes surgem problemas ou conflitos graves.<br />
Magda: Variação e diminutivo de Madalena, ver esse nome. Faz alusão à força e a convicção . Próprio de mulheres que se preocupam com os valores éticos e morais, de maneira especial, mostram solidariedade para com os que necessitam.<br />
Maiara: Tupi, significa senhora. Racional, sabe exatamente o que fazer para atingir seus objetivos. devido à sua determinação e perspicácia, consegue obter êxito com seus projetos. É capaz de ligar-se a uma pessoa por toda a sua vida.<br />
Malvina: Irlandês, chefe cortês, gosta de disputar. Idealista e determinada, nada a faz desistir quando se propõe a conseguir algo. O espírito empreendedor com que conduz seus negócios lhe garante um futuro bem-sucedido. Entrega-se intensamente à paixão.<br />
Mara: Hebraico , amarga. Hipocorístico de Maria, Marisa, etc. Tem grande respeito pela justiça e se orienta sempre pelo que é certo e honesto, sem entretanto ser autoritária. Controlada nos gastos, terá sucesso em negócio próprio.<br />
Marcela: Feminino de Marcelo, ver esse nome. Ela está sempre fazendo várias coisas ao mesmo tempo sem se perder. Versatilidade é o que não lhe falta e gosta de uma vida social bastante intensa.<br />
Márcia: Feminino de Márcio, ver esse nome. Acha que o verdadeiro amor compõe-se de uma sucessão de instantes maravilhosos. Realiza com minúcias suas tarefas . O dinheiro é suficiente para o imprescindível .<br />
Margarida: Latim, significa pérola. Em geral, a pessoa que tem este nome é especial, é fora do comum e apresenta com freqüência qualidades pouco correntes: compreensão , doçura e preocupação com os demais . São fiéis no amor e não reprovam infidelidades alheias.<br />
Mari: Tupi, árvore cheia de espinhos. Pode ser deturpação de Maria ou Mari, do japonês Mariko. Sua delicadeza faz com que as pessoas ouçam com atenção suas opiniões. Por isso mesmo, aproveita as chances para também apresentar suas críticas. Costuma manter relacionamentos abertos e felizes.<br />
Maria: Hebraico, significa senhora soberana. Nome que indica serenidade, força vital e vontade de viver. Por vezes são forçadas a pedir auxílio para resolução dos muitos problemas que tem de enfrentar na vida e para agüentar a dor. Consideram o dinheiro necessário, mas não essencial.<br />
Maria Alice: Grego/Hebraico, senhora que não conhece a mentira. Em geral , está relacionado com o anseio por galgar degraus na sociedade . Por conseguinte , nunca estão conformadas com seu estado atual, buscando sempre melhorias mediante o contato pessoal.<br />
Maria Estela: Latim/Hebraico, senhora estrela. Esteja onde estiver, impressiona pela elegância natural. sabe ser sensata no relacionamento com os mais diversos tipos de pessoas. Desperta muitas paixões e , mesmo assim, costuma ser leal.<br />
Maria Helena: Grego/Hebraico, , senhora da luz, indica preparação e exigência para consigo mesmo . Em geral, são pessoas muito atarefadas e ativas ; sempre estão preparando e realizando novos projetos; tudo lhes corre bem, em especial trabalhos e tarefas manuais.<br />
Mariana: Aglutinação de Maria e Ana. Ver esses nomes . Indica inteireza de ânimo e espírito aberto . ë próprio de pessoas que amam sua profissão e seus afazeres. Preocupam -se como os demais na medida em que deles necessitam e , em geral, são pessoas receptivas.<br />
Marilene: Aglutinação de Maria e Helene, o mesmo que Maria Helena . Representa a idéia de levar a cabo uma série de iniciativas especialmente relacionadas com a liberdade e com a emancipação . É próprio de mulheres que têm por lema o bastarem-se a si próprias.<br />
Marli: Pessoas com diversos interesse que não descansa ate chegar ao fundo de todos os assuntos, espírito democrático e critico. Não tolera corrupção e luta por um mundo melhor<br />
Madalena: hebraico: "a dos cabelos penteados, cidade das torres, natural de Mágdala, cidade junto ao mar do Galiléia".<br />
Magalí: provençal: "das margaridas".<br />
Magda: forma inglesa de Madalena.<br />
Maiara: tupi: "senhora".<br />
Malú: hipocorístico de Maria de Lurdes, Maria da Luz.<br />
Manuel: adaptação portuguesa de Emanuel.<br />
Maomé: árabe: "o altamente louvado, estimado".<br />
Mara: hebraico: "amarga, amargosa, amargura".<br />
Marcelo: latim: "martelinho". Feminino: Marcela. Indica uma pessoa que confia muito na sua capacidade de contornar as dificuldades. Por isso, enfrenta os problemas com serenidade e paciência. E geralmente se dá bem.<br />
Márcia: latim: "que pertence a Marte".<br />
<br />
Marcílio, Márcio: Nome associado a uma família da Roma antiga e também a Marte, o deus da guerra. Indica uma pessoa que se destaca pela garra com que luta pelos seus objetivos e pela impulsividade com que toma decisões das quais tende a se arrepender mais tarde.<br />
Márcio: latim: "nome sob o qual os guerreiros invocavam Júpiter".<br />
<br />
Marco, Marcos, Marcus: Significa protegido por Marte, o deus da guerra. É impulsivo e exprime sem timidez suas opiniões. Seu grande otimismo o leva a dirigir suas habilidades apenas para fins positivos.<br />
Marcos: latim: "grande martelador, martelador". Variante: Marcus.<br />
Margarida: grego: "pérola". Variante: Margarete.<br />
Maria: de uma língua semítica: "senhora, excelsa, sublime". Nome de mulher que entra na composição de nomes masculinos como Antônio Maria e José Maria.<br />
Mariana: junção de Maria e Ana.<br />
Marilda: junção de Maria e Hilda, Gilda.<br />
<br />
Marília: Variante de Maria, ver esse nome. Forma poética de Tomás Gonzaga. Pessoa amável , responsável e muito determinada, que luta sem medo contra todas as dificuldades até concretizar seus planos. Só então sente-se plenamente realizada. Nem sempre consegue acertar na escolha do companheiro.<br />
Marina: Latim, oriundo mar. Nome de mulheres muito dadas ao sonho e a fantasia. Costumam refugiar-se no seu mundo de fantasia quando se encontram frente a determinados problemas - especialmente familiares - que não conseguem solucionar.<br />
Marta: Aramaico, significa dona de casa. Diminutivo: Martinha. Indica certa inclinação à calma nos momentos mais difíceis da vida. É próprio de pessoas que se preocupam em estabelecer boas relações com seus vizinhos e conhecidos.<br />
Matilde: Guerreira que combate com energia. Nome que indica certa preocupação pelo futuro. É próprio de pessoas que aproveitam uma determinada circunstância para medrar. Embora façam tudo não porque gostem do poder, mas antes para assegurar o seu futuro. Realizam seu trabalho com gosto e aproveitamento.<br />
Maura: Feminino de Mauro. Além de intuitiva, é prática, paciente e organizada. Ótima conselheira, não mede esforços para apoiar, com ensinamentos, quem recorre a ela. Retribui carinho quando o recebe.<br />
Mayara: Variante de Maiara, tupi, que quer dizer senhora. Revela certa capacidade para tomar a vida com descontração. É próprio das pessoas que dramatizam as situações mais conflituosas e delicadas . Por vezes, podem ter implícita dose de volubilidade.<br />
Melaine: Variação de Melâine, grego, significa de pele escura. Variantes: Melania, Melanie. Adapta-se facilmente a novas situações e enfrenta com garra os desafios. Por isso, obtêm, ao longo da vida, principalmente no setor profissional. Sua Determinação chega a afastar o ser amado.<br />
Melissa: Grego, significa mel. Mostra certa satisfação pelos resultados obtidos com o esforço e com a persistência . É próprio de mulheres que sabem combinar com aproveitamento ao longo da vida a reflexão e a ação.<br />
Micaela: Forma feminina de Miguel. Indica predisposição ao sacrifício e preocupação pelos demais. Num sentido genérico, é próprio de pessoas muito sensíveis às desigualdades sociais e ,por isso, são por vezes desprendidas e solitárias.<br />
Milena: Sérvio, significa amorosa. Representa sensibilidade e retidão de conduta, mormente no trato com as pessoas . Se as circunstâncias o exigem, não hesitam em prestar seu apoio a projetos de natureza política.<br />
Miriam: Hebraico, significa senhora. Mostram inclinações altruístas e , sobretudo, preocupam-se com o bem alheio. Próprio de pessoas que contribuem com seu estímulo e seu trabalho para o desenvolvimento de projetos inéditos e possíveis.<br />
Mirza: Persa, significa pessoa nobre. Aceita e enfrenta com naturalidade os obstáculos que encontra pela frente, mesmo os que parecem intransponíveis . Seu segredo está na perseverança e no otimismo. Só aceita como para uma pessoa de personalidade forte.<br />
Marina: latim: "do mar".<br />
Mário: latim: "homem másculo, varonil, viril". Indica uma pessoa rigorosa de mais consigo mesma e que se atormenta até com os menores erros que comete. Só é capaz de realizações gratificantes quando se liberta disso.<br />
Marisa: justaposição de Maria e Isa, Luisa, Elisa.<br />
Marlene: derivado de Madalena, ou justaposição de Maria e Helena.<br />
Masculino: Núbio.Odair: variação gráfica de Adair.<br />
<br />
Masculino: Priscílio, Priscilo, Pricílio. Variantes: Pricília, Pricila, Priscila.<br />
Quadros: espanhol: porção de terra lavrada".<br />
Matatias: hebraico: "presente de Javé".<br />
<br />
Mateus, Matias, Matheus : latim derivado do hebraico Mathathiah=Matatias.Nome de um dos doze apóstolos de Jesus. Indica uma pessoa equilibrada e muito racional, que não gosta de magoar ninguém e procura sempre ser gentil nas suas palavras.<br />
Maurício, Maurílio, Mauro: latim: Significa o que veio da Mauritânia, África e também escuro, moreno. Indica uma pessoa constante na luta pelos seus objetivos e na dedicação aos amigos e à mulher que escolhe para ser sua companheira. Feminino: Maurícia.<br />
Mauro: grego: "nativo da Mauritânia, África setentrional, pardo como um mouro".Feminino: Maura.<br />
Melanie: forma francesa de Melânio.<br />
Melânio: grego: "preto, negro". Feminino: Melânia.<br />
Melissa: grego: "abelha, ativa, aplicada".<br />
Mendes: egípcio: "nome de divindade mitológica".<br />
Mercedes: espanhol: "graças, mercês".<br />
Merlin: celta: "encantador"<br />
Messias: Significa o ungido e indica uma pessoa cheia de planos para melhorar a vida da sua comunidade. Planos esses que sempre procura pôr em prática. usando para isso seus múltiplos talentos.<br />
Michel: forma francesa, inglesa e germânica de Mikhael, Miguel.<br />
Michele: forma francesa do feminino de Michel.<br />
Miguel: hebraico: "quem é como Deus". Nome de um arcanjo. Significa ninguém é como Deus e indica uma pessoa diplomática e inteligente, que consegue se sair bem de qualquer situação. Atento e intuitivo, sempre percebe o momento certo para agir e então toma as decisões mais corretas.<br />
Milena: sérvio: "a amável, a amorosa". Também justaposição de Maria e Helena.<br />
Miriam: variante em vários idiomas de Maria.<br />
Moacir: Significa dolorido, magoado e indica uma pessoa sensível e voluntariosa. Possui uma personalidade forte e, apesar das crises de depressão que às vezes enfrenta, não se deixa dominar pela desânimo e jamais entrega os pontos.<br />
Mônica: grego: "solitária, viuva", latim: "monja".<br />
Moraes: latim: "muros". Variante: Morais.<br />
Murilo: espanhol: "pequeno muro". Feminino: Murila.<br />
<br />
<br />
NNádia: ucraniano: "esperança".<br />
Nádia: Sânscrito, significa espírito de luz. A fidelidade é a chave do afeto. Desenvolve uma grande capacidade de trabalho. Embora o dinheiro deva ser utilizado apenas como um meio para atingir alguns fins, nem sempre sucede assim.<br />
Nair: Árabe, uma redução de Nairalzaurak, a estrela brilhante do navio. É uma pessoa discreta e também muito original. Sabe dar um toque de requinte em tudo que faz e sente-se feliz quando é elogiada pelo bom gosto em se vestir. Só alguém discreto e dedicado conseguirá seu amor.<br />
Nancy: Francês, significa cheia de graça. Pode ser também Nanci. O amor que não produz felicidade deve ser abandonado, este é o seu ponto de vista. É profissional dedicada e eficaz. Sempre que podem, põem em prática o poder que o dinheiro proporciona.<br />
Nara: Anglo-saxão, a mais próxima. Não tem muito empenho em agradar as pessoas chegadas. Realiza seu trabalho com precisão. Prefere poupar dinheiro do que necessitar dele.Natacha: Diminutivo russo de Natália. Está sempre mencionando o dinheiro e veloriza-o ao extremo. Manifesta sua preferência pelo amor interesseiro, em luigar do amor romântico. É boa trabalhadora, embora inconstante.<br />
Natália: Latim, Natalis, dia natalício. só consegue amadurecer depois de muito lutar para chegar a um equilíbrio entre a razão e o coração. Por isso muitas vezes é vista como uma pessoa inconstante. É fiel e exige que seja tratada com deferência.<br />
Neila: Representa forma de inquietação mental. é próprio de mulheres com espírito batalhador e pro vezes sedutoras. Regem-se pelo lema de que é preferível agradar a hostilizar as pessoas.<br />
Neiva: Nome de origem geográfica. Graciosa, delicada e muito simpática, fala as verdades de maneira suave, porém inteligente. Às vezes chega a ser irônica, mas jamais perde a classe. Tem muito pretendentes e tende a ser infiel.<br />
Nívia: Latim, significa branca como a neve. Reconhece que a excessiva preocupação pelo dinheiro é contra producente. É fiel e exige que seja tratada com deferência. Com freqüência, mostra seu desinteresse pelo trabalho.<br />
Noélia: Feminino de Noel, que vem do francês e quer dizer natal. Sempre cumpre com seus compromissos laborais. Valoriza o dinheiro porque confere autonomia e poder de decisão. Sua timidez impede que manifeste seus sentimentos.<br />
Noemi: Hebraico, significa minha suavidade. Revela incerteza e, ao mesmo tempo, curiosidade por tudo que acontece ao seu redor. Num sentido universal, é próprio de pessoas que desejariam ver resolvidos todos os problemas num instante.<br />
Noemia: Hebraico, significa flor de beleza. Nome sob o qual reflete um sentimento relacionado com a compreensão e a preocupação pelos mais necessitados. O lema dessas mulheres é a solidariedade para com quem sofre os danos infligidos pelos seus semelhantes. A ternura deve presidir a toda a relação amorosa entre pessoas.<br />
Norma: Latim, quer dizer norma, regra, costume. Costuma proporcionar segurança e alegria às pessoas que a rodeiam. É amante da verdade e dos prazeres espirituais e físicos. Tem muita determinação. A atividade é a sua "paixão oculta".<br />
Nancy: francês: "cheia de graça".<br />
Naomi: hebraico: "a agradável".<br />
Napoleão: Significa o que veio de Nápoles e indica uma pessoa que está sempre aberta a novas experiências, mas que não admite ter sua liberdade pessoal ameaçada nem mesmo pelos mais nobres objetivos.<br />
Natacha: forma russa de Natália.<br />
<br />
Natal: Significa dia do nascimento e indica uma pessoa de aparência meiga e tranqüila mas que cedo ou tarde revela uma personalidade marcada pela força de vontade e pela determinação.<br />
Natália: o mesmo que Natal.<br />
Natan, Natanael: Significa dom de Deus e indica uma pessoa que enfrenta o dia-a-dia com muito otimismo. Nunca desanima diante dos problemas, pois acredita que sempre encontrará força para vencê-los.<br />
Neide: grego: "nadadora".<br />
<br />
Neil: Significa campeão e indica uma pessoa que busca equilíbrio e justiça em tudo o que faz. De virtudes elevadas, age sempre com austeridade, imparcialidade e integridade. Sabe que todas as ações causam reações e, portanto, mede bem as consequências antes de agir.<br />
<br />
Neilson: Significa filho de Neil e indica uma pessoa, à primeira vista, distante e arredia. Mas seus amigos e suas amigas logo descobrem, por trás dessa máscara, uma personalidade dinâmica e calorosa.<br />
Nelson: inglês: "filho de Neil ou Nelly".<br />
<br />
Nelson: Tirado do sobrenome do almirante inglês Horatio Nelson, esse nome indica uma pessoa metódica, que cultiva hábitos simples e luta com persistência para alcançar seus objetivos. Além disso, é um excelente amigo em todas as horas. As outras pessoas sabem que podem contar com ele.<br />
Nero: latim: "forte, corajoso, homem valente".<br />
<br />
Nestor: Significa o que volta e indica uma pessoa que conquista as outras com uma conversa agradável, enriquecida por sua memória prodigiosa. Sua criatividade e sua inteligência também o tomam muito admirado e lhe abrem as portas do sucesso.<br />
Neusa: grego: "a que nada, nadadora".<br />
Ney: francês: "novo, que opõe-se ao velho, antigo".<br />
Nice: grego: "vitória, deusa da vitória".<br />
Nicolau: grego: " povo vitorioso, vencedor do povo". Variantes: Nicola, Nicolas. Feminino: Nicole.<br />
Nicolau: Significa o que vence junto com o povo. Indica uma pessoa dotada de grande simpatia e capacidade de comunicação, que consegue se fazer entender até mesmo com um olhar ou uma mudança no tom da voz.<br />
Nilton: anglo-saxão: "do rio baixo, beira do rio".<br />
Nívea: latim: "alva como a neve". Variante: Nívia. Masculino: Nívio.<br />
Noel: francês: "refere-se ao natal, Papai Noel".<br />
Noêmia: hebraico: "benquerença de Javé, flor de beleza".<br />
Norma: latim: "modelo, regra, lei, preceito".<br />
Núbia: egípcio: "terra do Ouro", ou latim "nublada, coberta de nuvens".<br />
<br />
<br />
O<br />
NOdélia: Feminino de Odélio, que significa pequeno saudável, vem do anglo-francês. Confere à portadora uma sorte incrível, o segredo de uma felicidade durável junto com os seus.<br />
<br />
Ofélia: Grego, significa ofídio, serpente, cobra. Revela diferença e autonomia. É próprio mulheres que vivem a vida de uma maneira independente e autônoma, sem ligar a modos, convenções ou caprichos sociais. Sabem o que querem a cada momento.<br />
<br />
Ofélia: Grego, significa ofídio, serpente, cobra. Revela diferença e autonomia. É próprio mulheres que vivem a vida de uma maneira independente e autônoma, sem ligar a modos, convenções ou caprichos sociais. Sabem o que querem a cada momento.<br />
Olavo: nórdico: "filho de Deus, sobrevivente dos ancestrais, descendentes antigos".<br />
Olga: Antigo nórdico, Halag, significa santa ou sagrada; ou do russo Oleg, também com o mesmo significado. Nome próprio de mulher de caráter forte e marcante personalidade. Em geral domina as situações e não o inverso. Suas responsabilidades no trabalho não tem limites, salvo que a impeçam por motivos extraordinários.<br />
<br />
Olímpia: Feminino de Olímpio, monte onde moravam os deuses. Indica certa tendência para as belas artes, especialmente música. É próprio de pessoas que valorizam tanto as qualidades estéticas, quanto os valores éticos quando se propõem a iniciar uma nova amizade.<br />
Olinda: latim: "fragrante, perfume".<br />
<br />
Olívia: Latim, derivado de Oliveira, árvore consagrada aos deuses Apolo, Júpiter e Minerva. Masculino: Olívio. Nome próprio de mulher que se caracteriza por contrariar e opor-se às decisões dos seus familiares e amigos. Manifesta o seu desacordo sempre que o considera necessário e sem reservas.<br />
Olívio: latim: "oliveira, símbolo da paz e da ciência". Feminino: Olívia.<br />
Oscar: nórdico: "lanceiro divino, lança dos deuses". Feminino: Oscarina.<br />
Osmar: germânico: "afamado, ilustrado pelos deuses". Femininos: Osmara, Osmarina.<br />
Otávio: latim: refere-se ao oitavo filho". Feminino: Otávia.<br />
Otto: germânico: "rico, poderoso, nobre". Variante: Othon.<br />
<br />
<br />
PPaloma: espanhol: "pomba".<br />
Pâmela: grego: "toda a doçura, tudo mel". Variante: Pamela.<br />
Paola: italiano: "natural de Paola, Calábria", ou forma italiana de Paula.<br />
Pascoal: latim: "nascido na páscoa".<br />
<br />
Pascoal: Nome associado à Páscoa, indica uma pessoa criteriosa e muito exigente, que se irrita demais quando não obtém imediatamente o que deseja. Os pais devem ensiná-lo a ter calma, a entender que tudo acontece na hora certa nem antes nem depois.<br />
Patrício: latim: "patriota, da pátria, conterrâneo nobre, fidalgo". Feminino: Patrícia.<br />
<br />
Patrício: Significa pátria, fidalgo. Indica uma pessoa que cobra muito de si mesmo e se revela eficiente em tudo o que faz. Às vezes parece meio esnobe, mas essa tendência desaparece ainda na juventude.<br />
Paula: variante de Paola, ou feminino de Paulo.<br />
Paulo: latim: Significa pequeno e indica uma pessoa com muita disposição e um otimismo contagiante. Encara cada dia como um novo degrau para obter o desenvolvimento material e social. Dono de uma ambição inata, planeja cuidadosamente os passos da sua caminhada para o sucesso.<br />
Pedro: latim: "nascido de pedra, rocha, rochedo". Feminino: Pedra. Variantes: Peter, Pierre.<br />
<br />
Pedro: Significa pedra e indica uma pessoa simples mas que busca a realização intelectual e espiritual. Ele se destaca pela vida disciplinada e pela determinação com que luta pelos seus objetivos. Mas seu idealismo está voltado para a humanidade como um todo no cotidiano. Tende a monopolizar as atenções e a não atribuir muita importância à fidelidade no amor e na amizade.<br />
<br />
Perpétuo: Significa o que dura para sempre e predispõe a pessoa a viver muitos anos com saúde e lucidez. Quem tem esse nome nunca revela pressa para nada, pois sabe que tudo acontece no momento certo.<br />
Petra: latim: "pedra".<br />
<br />
Plácido: Significa sereno, tranqüilo e indica uma pessoa exigente consigo mesma e com os outros. Busca a perfeição em tudo o que faz e sua firmeza e seu espírito de liderança despertam admiração e respeito.<br />
Poliana: composição de Polidoro e Ana, Policarpo e Ana.<br />
Policarpo: grego: "o de muitos frutos, frutoso"<br />
Polidoro: grego: "o de muitos dons, o que muito dá ou distribui".<br />
Priscila: latim: "do passado, dos tempos primitivos, descendente de Prisco".<br />
<br />
<br />
Q<br />
Quandt - Árabe Esperta<br />
Quaraciama - Tupi Aurora<br />
Quércia - Latim Carvalho<br />
Querubim - Latim Anjo<br />
Quinci - Latim Quinto filho<br />
Quintela - Latim Referente a quinta<br />
Quíone - Mitológico Filha do rio Nilo<br />
Quirá - Árabe Mulher gorda<br />
Quirina - Latim Lança<br />
Quiron - Mitológico Centauro, filho de Saturno e Filira<br />
Quitéria - Espanhol Mártir espanhola Santa da Igreja Católica. Embora não seja tímida, por vezes manifesta-se como tal. Realiza com aproveitamento seu trabalho. O dinheiro é muito importante para levar uma vida digna e sã.<br />
Queirós: espanhol: "do vale de Quiróz". Variante: Queiroz.<br />
<br />
Quércia: Italiano,significa carvalho. Pessoa astuta que usa a sua inteligência para galgar a escadaria do sucesso. Deve seguir o caminho do bem para triunfar.<br />
Quércia: italiano: "carvalho".<br />
Querubin: hebraico: "anjos, ser maravilhoso".<br />
Quevedo: espanhol: "de Quevedo, vindo ou natural de Quevedo".<br />
<br />
Quincas: Hipocorístico de Joaquim. O amor o leva a certa loucuras, o que o torna único. Deve levar-se a cabo o trabalho com total aproveitamento. A função do dinheiro deve assemelhar-se ao meio para obter determinados fins.<br />
<br />
Quirino: Latim, aquele que luta com a lança. É fiel a um amor único. A meticulosidade no trabalho é o seu lema. Por experiência, sabe que o dinheiro abre muitas portas, senão todas.<br />
Quirino: latim: "o que lida com dardo ou lança, guerreiro".<br />
Quixote: espanhol: "peça de arnês destinada a cobrir a coxa".<br />
<br />
RRafael: hebraico: "curado por Deus, Deus curou". Feminino: Rafaela. Nome de um anjo. Significa Deus cura e indica uma pessoa paciente e perseverante, que procura beneficiar os que precisam de ajuda. Mas, ao mesmo tempo, usa de todos os meios ao seu alcance para obter sucesso e prestígio.<br />
<br />
Raimundo: Significa protetor ou sábio. Indica uma pessoa que tende a se isolar, pois é muito rigorosa consigo mesma e supervaloriza as virtudes dos outros. Mas, quando se conscientiza da sua própria importância, toma-se capaz de dar apoio e conselhos valiosos a todo mundo.<br />
Rangel: nome de origem espanhola.<br />
<br />
Raquel: Hebraico, calma como uma ovelha. Nome de pessoas que freqüentemente podem chegar a sentir-se vítimas de uma situação familiar ou social. Seus esforços para esclarecer eventuais mal-entendidos faz com que sempre consigam restabelecer a confiança depositada sobre eles.<br />
Raquel: hebraico: "cordeirinha, ovelhazinha, mansa como a ovelha".<br />
Raul: anglo-saxão: "que combate com prudência". Significa o que segue os conselhos do lobo ou o que luta com prudência. Indica uma pessoa batalhadora, que consegue o sucesso por meio da luta mas que não se expõe a riscos desnecessários. É sempre notado por seu alto grau de inteligência.<br />
<br />
Rebeca: Hebraico, aquela que une. Indica predisposição para a criatividade e entusiasma-se pela contemplação das obras de arte. Sua sensibilidade por assuntos sociais também é muito desenvolvida e, com freqüência, mostra-se solícita.<br />
Regina: Latim, significa rainha. Indica voluntarismo e firmeza de decisão. É próprio de mulheres que, da mesma forma que os antigos sofistas gregos, usam todos os recursos verbais para convencer seus interlocutores.<br />
Reginaldo: anglo-saxão: "o que governa pelo conselho". Feminino: Reginalda.<br />
<br />
Reginaldo: Significa o que governa ouvindo seus conselheiros. Indica uma pessoa que não mede esforços na hora de servir os outros. Líder nato, procura não impor suas idéias - apenas mostra o que é mais conveniente para todos. Por isso mesmo, sempre encontra muitos seguidores.<br />
<br />
Remo: Um dos fundadores de Roma. Seu nome indica uma pessoa que gosta de viver bem e persegue o luxo. Em geral com êxito. É extremamente organizado e jamais deixa suas tarefas para a última hora.<br />
Renato: latim: "o renascido, renascido para sempre". Feminino: Renata. Variante: Renée. Indica uma pessoa criativa e talentosa. Quase sempre tem mais de uma grande chance na vida, mas essa sorte pode desenvolver nele uma tendência a adiar decisões urgentes.<br />
Rex: latim: "rei".<br />
Ribeiro: português: "riozinho". Variante: Ribeira.<br />
Ricardo: germânico: "senhor de poder, rico e forte". Feminino: Ricarda. Significa senhor poderoso e indica um homem prático e decidido, o qual todos procuram quando precisam de orientação. Equilibrado e seguro não se intimida quando precisa lidar com pessoas cuja opinião diverge da sua.<br />
<br />
Rina: Abreviação italiana de Catarina. Indica inquietação e dinamismo, especialmente no momento de escolher entre diversas opções. É próprio de pessoas competentes e capacitadas; em geral, permanecem sempre atentas às novidades e inovações que se produzem ao seu redor.<br />
Rita: derivado italiano de Margarida, Margarete. Diminutivo de Margaret, ou do italiano Margherita (Margarida). Faz alusão a determinadas atitudes relacionadas com a tenacidade e com a força de vontade. É próprio de pessoas que se sacrificam ao extremo quando estão convictas de que há uma razão para isto.<br />
Roberta: Feminino de Roberto, ver esse nome. Indica satisfação e alegria. É próprio de mulheres que, em geral, vêm em qualquer circunstância, por muito adverso e desagradável que posso parecer, o lado benéfico e positivo.<br />
Roberto: anglo-saxão: "brilhante na glória". Feminino: Roberta. Variantes: Robson, Robim, Robert. Indica uma pessoa muito estudiosa e trabalhadora, mas também muito centralizadora. Quando ocupa posições de mando, não sabe delegar tarefas nem responsabilidades. Os pais devem incentivá-lo a praticar esportes de equipe.<br />
Roderico: teutônico: "príncipe poderoso".<br />
<br />
Rodrigo, Rui: Significa rei famoso e indica uma pessoa que, embora seja sincera e leal, tende a falar muito, sem pensar no que diz, e isso pode lhe trazer problemas. Os pais devem lhe ensinar a medir as palavras. Forma variante de Roderico.<br />
Rodrigues: forma portuguesa de Roderico.<br />
Roger: teutônico: "afamado na lança, lanceiro de fama".<br />
Rogério: derivado de Roger. Feminino: Rogéria.<br />
<br />
Romana: Latim, natural de Roma. Masculino: Romano. Por desconfiança inata, evita manifestar seus afetos. Quase tudo em sua vida gravita em orno do trabalho. Valoriza o dinheiro de forma objetiva, embora lhe custe reconhecer a sua necessidade.<br />
Romeu: latim: "o que vai a Roma por devoção, peregrino de Roma". Variante: Romeo.<br />
Romilda: Significa donzela da batalha gloriosa. Masculino: Romildo. Contém uma personalidade forte, apta a vencer pelos seus próprios meios e capacidade profissional. Não deixa escapar a felicidade.<br />
Rômulo: Foi fundador e primeiro rei de Roma. Seu nome indica uma pessoa dinâmica, que resolve os problemas de maneira criativa, sem medos nem incertezas. Raramente volta atrás de uma decisão.<br />
Ronaldo: germânico: "o que governa com mistério, com segredo". Indica uma pessoa que faz tudo com muito capricho e inteligência.É muito elogiado por isso, embora não costume tomar conhecidas suas realizações. Aliás, ser discreto em tudo o que lhe diz respeito é outra das suas características.<br />
Roque: francês: "rocha", escandinavo: "homem grande e forte". Significa elevado e indica uma pessoa que tende a fazer comentários sobre tudo o que acontece. E isso às vezes lhe cria problemas. Mas esse seu espírito crítico está associado a uma grande vontade de melhorar o mundo para todos os que nele vivem.<br />
<br />
Rosa: Grego, significa a flor, a rosa. Nome de pessoa que, em cada circunstância da sua vida, sabem valorizar o que lhes convém. Quase sempre acertam ao escolher as suas amizades e a profissão. No entanto, fogem da monotonia: gostam de arranjar novos amigos ou mudar de trabalho. Variante: Rose.<br />
Rosane: francês: "rosa graciosa". Variante: Roxana, Roseana. Masculino: Rosano.<br />
Rosângela: Composição de Rosa mais Ângela. Grego, significa rosa angelical. Reflete longamente, antes de eleger seu par. Custa-lhe comprometer-se sentimentalmente e profissionalmente. O dinheiro abre todas as portas e satisfaz todos os caprichos.<br />
<br />
Rosária: Forma feminina de Rosário. Nome de origem religiosa. Bondosa, busca manter um clima de harmonia a seu redor. Demora a tomar decisões, mas quando o faz não costuma errar. Não é ambiciosa, mas preocupa-se em poupar o que pode.<br />
<br />
Rose: Variante de Rosa, ver este nome. Nome de mulher ambiciosa que gosta do dinheiro, porque, na sua opinião, confere poder e liberdade. No amor estão sempre procurando um par ideal. São responsáveis no trabalho.<br />
<br />
Roseli: Forma francesa de Rosa. As pessoas com este nome valorizam suficientemente o dinheiro, pois consideram-no indispensável. Entregam-se sem reserva à pessoa amada; cumprem todas as suas promessas e exigem, em troca, fidelidade total.<br />
Rosely: inglês: "descendente de Rose, filha de Rose".Variante: Roselí.<br />
<br />
Rosemeire: Composto de Rose e Maria, significa senhora rosa. É muito exigente no afeto; às vezes pede o impossível. Desenvolve grande capacidade produtiva no trabalho. Sem dinheiro não se pode realizar projetos ambiciosos.<br />
<br />
Rosinha: Diminutivo de Rosa, ver esse nome. Outros diminutivos: Roseta, Rosete, Rosina, Rosita. Gosta dos prazeres da vida e desfruta intensamente cada momento. Costuma proporcionar muita alegria às pessoas que a rodeiam.<br />
<br />
Rosivalda: Significa cavalo poderoso. Vem de Rosvaldo, Rosvalda. Revela a tendência a procurar em casa alheia o remédio para os males provenientes de seu conflitivo mundo interior. É próprio de pessoas que, por sua vezes lançam sobre os demais as culpas pelas suas próprias debilidades e fracassos.<br />
Rosy: inglês: "róseo, semelhante a rosa".<br />
<br />
Ruben: Significa Deus consolou minha aflição e indica uma pessoa que busca a evolução espiritual mas, para isso, procura refrear sua grande sensualidade e acaba restringindo suas emoções. Os pais devem lhe ensinar a encarar de maneira mais natural seus instintos.<br />
Rubens: latim: "rubro, avermalhado". Indica uma pessoa que, por saber ouvir sua intuição, quase sempre toma as decisões mais acertadas. Quando erra, reconhece isso sem pestanejar, mas não tolera críticas injustificadas.<br />
<br />
Rúbia: Espanhol, significa de cor dourada. Reflete a necessidade e busca de solidão. Próprio de mulheres que valorizam mais o próprio pensamento e o mundo privado, do que a pompa e o falatório do mundo de aparência social.<br />
Rui: francês: "rei".<br />
Rute: Hebraico, significa no auge da beleza. Prática, prefere encarar todos os problemas assim que eles aparecem. Não tem muita paciência com quem costuma dramatizar a vida. Gosta de investimento seguro, com lucro rápido. "companheira e amiga, visão de beleza, visão inebriada, plena beleza". Variante: Ruth.<br />
<br />
RSabrina: hebraico: "nascida em Israel". Masculino: Sabrino.<br />
<br />
Sabino: Significa vindo do povo protegido pelo Deus Sabus. Indica uma pessoa independente, que procura agir apenas de acordo com suas próprias idéias. Quando defende um ponto de vista discutível, chega a ser teimoso. Mas, quando erra, assume sozinho a culpa do seu erro.<br />
Sacha: persa: "a ema voltando de água". Em russa o mesmo que Alexandra.<br />
Sales: português: "do castelo de Sales, Savóia, França".<br />
Salete: francês: "nascida no castelo de Sales, Savóia, França".<br />
Salim: Significa paz e indica um homem ao qual não falta energia para transformar boas idéias em trabalho lucrativo. Se os pais lhe ensinarem a vencer a tendência à arrogância, será um excelente administrador.<br />
<br />
Salomão: É o nome do mais poderoso dos monarcas hebreus citados na Bíblia. Significa pacífico e indica uma pessoa extremamente sábia,que não corre atrás de modismos e não se deixa seduzir por títulos ou riquezas. Embora um tanto desencantado, tem no amor que nutre pelas mulheres um grande incentivo para suas conquistas materiais.<br />
Salomé: hebraico: "pacífica".<br />
Samara: Aramaico, significa aquela que ouve, ouvinte. hebraico: "guiada por Deus".Para ela, não precisar de dinheiro é uma meta interessante. É boa profissional e executa seu trabalho com eficiência. A racionalidade deve presidir às situações amorosas e afetivas.<br />
Sampaio: aglutinação de São Paulo.<br />
Samuel: hebraico: "ouvido por Deus, seu nome é Deus". Feminino: Samuela. Indica uma pessoa que age com determinação e justiça e só descansa quando atinge seus objetivos. A recompensa dessa atitude é ser bem-sucedido em praticamente todos os seus empreendimentos.<br />
Sanches: espanhol: "filho de Sancho, descendente de Sancho".<br />
Sandra: abreviação italiana de Alessandra, Cassandra.<br />
Sandro: abreviação italiana de Alessandro.<br />
Santoro: italiano: "de todos os Santos".<br />
<br />
Sara: Hebraico, significa princesa. É uma pessoa predisposta ao sucesso profissional. Sua vontade de vencer é bem maior do que as dificuldades que possam aparecer. É uma pessoa com tendência a enriquecer.<br />
Schumacher: germânico: "fabricante de sapatos, sapateiro".<br />
Sebastiana: Feminino de Sebastião, ver este nome. Valoriza o dinheiro, porque ele pode abrir muitas portas. É fiel e, em troca, quer receber o mesmo tratamento. Realiza seu trabalho com aproveitamento.<br />
Sebastião: grego: "magnifico, sagrado, reverenciado". Feminino: Sebastiana.<br />
Seixas: latim: "pedras, seixos".<br />
Selene: grego: "lua, deusa da lua".<br />
Selma: Árabe/celta, significa pacifica, justa. Variação de Anselmo. Indica um caráter que se caracteriza por mostrar sua preferência pelo otimismo perante o pessimismo. É próprio de quem é capaz de sacrificar-se pelos outros e, em contrapartida, mostra-se indolente consigo mesma. Masculino: Selmo.<br />
Sérgio: latim: "servo, o que cuida, protege".<br />
Severo: latim: "sério, severo, grave". Feminino: Severa. Variante: Severino.<br />
Sheila: Gaulês, forma irlandesa de Célia, Cecília, que vem do latim e significa cega. Revela um certo tipo de indecisão, especialmente quando se trata de assumir novas responsabilidades.<br />
<br />
Shirley: Anglo-saxão, significa pasto verdejante. Variante: Shirlei. Só se move emocionalmente se ganhar algo em troca. Realiza com aproveitamento seu trabalho. Considera o dinheiro essencial sobretudo para aparecer diante dos demais.<br />
Sidnei: inglês: "justaposição de Saint Denis, procedente Saint Denis, nascido em Saint Denis na França". Nome unissex no Brasil.<br />
Silmara: germânico: "célebre pela vitória". Variantes: Simara, Siumara.<br />
Silva: latim: "selva, floresta, mata".<br />
<br />
Silvana: Latim, proveniente da floresta, da selva. Pessoa que tem todas as chances de realizar seus desejos. Isso porque esse nome é uma marca de prosperidade. Para se relacionar bem é preciso controlar a impetuosidade.<br />
<br />
Sílvia: Latim, da floresta, da selva. Revela paixão pela vida e a vontade de assumir tudo o que contribua para aumentar a felicidade humana. Por vezes, seu grande poder de comunicação pode provocar invejas e incompreensões por parte de seus amigos.<br />
Sílvia: latim: "filha da selva, nascida na selva, no mato".<br />
Sílvio: latim: "nome de um filho de Enéas e Lavínia que nasceu num bosque".<br />
Simeão: hebraico: "o escutado, o que se faz ouvir".<br />
Simone: feminino francês de Simeão, Simão.<br />
Sofia: Grego, significa sabedoria, sapiência". refere-se ao Espírito Santo.. Apesar de ser um pouco dispersiva, consegue resolver adequadamente seus problemas. O sucesso profissional irá depender de muito esforço. Convém ter sempre uma tarefa para manter-se ocupada. Variante: Sophia.<br />
<br />
Solange: Francês, significa majestosa. Intuitiva e inconstante, tem sempre idéias originais a respeito de todos os assuntos, e gosta de debatê-las com os colegas. Desenvolve tarefas dificultosas com total dedicação.<br />
<br />
Sônia: Russo, Sonja, significa sábia. Ou variação de Sofia. Simboliza o respeito por valores éticos e morais. É próprio de mulheres que levam à prática seus pensamentos, especialmente no campo afetivo e passional. Em geral, conduzem-se na vida com ingenuidade e simplicidade.<br />
Soraia: árabe: "estrela da manhã, refere-se ao planeta Vênus". Variantes: Soraya, Suraia.<br />
Sueli: Germânico, significa brilho, luz. Variante: Suely, Soeli. Simboliza a necessidade de se sentir amparada e cuidadosa em qualquer infortúnio. É próprio de mulheres que experimentam alguma timidez ao agir, ainda que costumem expressar suas opiniões com desenvoltura e clareza.<br />
Susana: hebraico: "lírio gracioso, a pura açucena". Variantes: Suzana, Suzie.<br />
Taciana: variante de Tatiana, ou filha de Tasso. Masculino: Taciano.<br />
Susie: Diminutivo de Suzana. É mais propensa ao racionalismo do que a emotividade. Realiza todas as tarefas com eficácia. Considera importante o dinheiro, mas se conformam com o justo.<br />
<br />
Suzana: Hebraico, significa pura como um lírio. Variante: Susana. Representa a união entre a destreza e a habilidade. É própria de pessoas intuitivas e muito capacitadas, que sempre dominam as situações, especialmente no plano profissional, e estão sempre atentas a todos os detalhes.<br />
<br />
<br />
T<br />
Tadeu: siríaco: "o amável, o amoroso". Feminino: Tadea, Tadéia.Significa o que louva e indica uma pessoa muito sensível, sempre capaz de ver ou imaginar os motivos que levaram os outros a tomar decisões que o contrariaram. Mas nem por isso deixa de ser firme quando precisa impor sua vontade e sua autoridade<br />
Taína: Carajás, quer dizer estrela. Revela nervosismo perante situações delicadas, especialmente as relacionadas com assuntos familiares. é próprio de pessoas que mostram sempre um caráter utilitarista e que manifestam interesse pela cultura e pelo saber.<br />
<br />
Tais: Grego, aquela que deve ser contemplada. Jamais deixa transparecer suas fraquezas. Prefere encarar os problemas sozinha a ter de partilhar sua dor. Costuma ter boas idéias, a maioria audaciosa. Suas reservas de emergência não a deixam na mão.<br />
Talita: araimaico: "mocinha, donzela, menina".<br />
Talita: Aramaico, quer dizes menina. Denota insatisfação e alegria. É próprio de pessoas alegres na aparência, justamente porque os problemas que as cercam são bastante profundos. ë trabalhadora, mas pouco ordenada.<br />
<br />
Tâmara: Árabe, nome de fruto da tamareira. Realiza seu trabalho com paixão. O afeto e o carinho sempre benéficos. O dinheiro é necessário para que não se dependa de ninguém e para decidir-se por si mesma.<br />
Tamara: árabe: "nome do fruto da tamareira".<br />
<br />
Tancredo: Significa o que toma decisões ponderadas e indica uma pessoa de personalidade forte, que nunca passa despercebido. O fato de pensar bem antes de se manifestar a respeito de qualquer coisa o leva a fazer amizades sinceras e duradouras<br />
<br />
Tânia: Forma diminutiva russa para Estefânia, que vem do grego e significa coroa, diadema. É uma pessoa que vai conseguir sucesso porque é paciente, perseverante e habilidosa, quando precisa enfrentar obstáculos. Inimiga de gastos supérfluos, mantém as finanças em dia. Sucesso como engenheira, secretária ou compradora.<br />
Tânia: forma russa de Tatiana.<br />
<br />
Tarcísio: Significa o que veio de Tarso e indica uma pessoa que não dá muita importância aos bens materiais. Quer apenas o suficiente para levar uma vida tranqüila e poder buscar a evolução espiritual.<br />
Tarsila: grego: "coragem, confiança". Variantes: Tarcila, Tarcila. Masculino: Tarcilo, Tarcílio.<br />
Tarsísio: latim: "de Thásos". Feminino: Tarsísia.<br />
<br />
Tatiana: De origem russa "nascido da expressão infantil tata (papai).A fidelidade e o respeito são os pilares de um bom relacionamento amoroso. Sempre está em continua atividade e realizando novos projetos.<br />
Telma: grego: "desejo, vontade".<br />
Teobaldo: teutônico: "audacioso como o povo". Variante: Theobaldo.<br />
Teodoro: grego: "presente de Deus". Feminino: Teodora. Significa presente dos deuses e indica uma pessoa que se adapta bem a qualquer situação. Tem bom senso e a capacidade de se manter calmo até quando todos à sua volta estão desesperados. Por isso, consegue muitas vitórias pela vida afora.<br />
<br />
Teodósio: Significa presente para os deuses e indica uma pessoa otimista, generosa e um tanto ingênua. Precisa se esforçar muito para vencer na vida, mas o trabalho não o assusta e geralmente ele tem sucesso.<br />
<br />
Tércio: Significa o terceiro (filho) e indica um sensitivo em potencial. Quando consegue desenvolver sua espiritualidade, é feliz mesmo tendo poucos bens materiais. Mas, caso se deixe levar por sonhos de enriquecimento rápido, acabará se tomando uma pessoa frustrada e constantemente de mau humor. Os pais devem lhe ensinar, desde cedo, a apreciar a beleza que existe nas coisas simples.<br />
<br />
Teresa: Latim, natural da terra. Nome que indica realismo e fantasia ao mesmo tempo. Sempre dispostas a realizar coisas e a planejar projetos para levá-los à prática. A sua força de vontade não decresce perante os obstáculos nem as dificuldades que podem encontrar no seu caminho.<br />
Teresa: latim: "a natural da Ilha de Therásia". Masculinos: Tereso, Terezo.<br />
<br />
Tereza Cristina: Latim, cristão natural de Tera. Indica preocupação e interesse pelos demais. É próprio de pessoas que estão sempre dependentes dos acontecimentos ao seu redor; são convencidas de fazer algo que não desejam.<br />
<br />
Tereza: Variante de Teresa, ver esse nome. Inteligente, tem grande facilidade para transmitir conhecimentos aos outros e o faz com bastante clareza e paciência. Seu maior sonho é construir família e ter filhos.<br />
<br />
Terezinha: Diminutivo de Teresa, ver esse nome. Amiga de todas as horas, é muito leal e sabe sempre dar apoio a quem procura. Por isso mesmo, vive cercada de gente. Controla bem suas finanças e tem sempre reserva.<br />
<br />
Thais Helena: Grego, luz que deve ser contemplada. Indica prosperidade, segurança e confiança nas próprias origens. De um ponto de vista universal, é característico de pessoas trabalhadoras, mas, ao mesmo tempo, pouco imaginativas.<br />
Tiago: nome de um dos apóstolos de Cristo. variante: Thiago.<br />
<br />
Tiago: Variação de Jacó. Veja também Santiago e Iago<br />
<br />
Tibério: Nome associado ao rio Tibre, indica uma pessoa que possui aguçado senso de justiça e sempre procura agir com toda sinceridade e prudência. Tem grande facilidade em se expressar e sabe se valer disso para alcançar o sucesso profissional e afetivo.<br />
Tobias: hebraico: "bom é Javé, Deus é o bom".<br />
<br />
Tolmai: Significa o que suspende as águas e indica uma pessoa com grande poder de análise. Julga a todos e a si mesmo com severidade, mas está sempre disposto a perdoar os erros que detecta nos outros e busca constantemente o auto-aprimoramento.<br />
Tomás: aramaico: "gêmeo". Variante: Thomás, Thomas.<br />
<br />
Tomás: Significa gêmeos e indica uma pessoa de com arrebatado, que vive de maneira intensa e dificilmente se acostuma com uma existência pacata, marcada por atividades de rotina<br />
<br />
Tomé: Variação de Tomás.<br />
<br />
Tônia: Diminutivo de Antônia. Quanto mais se amar, mais tranqüilo se está na vida. Desenvolve seu trabalho com alto rendimento, mas é pouco inconstante. O dinheiro contribui para aumentar a alegria das pessoas.<br />
Túlia: celta: "pacífica, quieta".<br />
Túlio: latim: "levar, levantar".<br />
Ubirajara: tupi: "senhor da lança, tacape".<br />
<br />
<br />
U<br />
Ubaldo: Significa espírito ousado. Nome relacionado com a mente, próprio de pessoas intelectuais. Valoriza o dinheiro, mas não o considera a salvação universal. É fiel e nunca joga com os sentimentos alheios.<br />
<br />
Ubirani: Indica tenacidade e delicadeza. É próprio de pessoas cuidadosas e atenciosas para com os outros; chama a atenção pelo seu caráter aberto e compreensivo, sobretudo em relação a valores tradicionais.<br />
<br />
Ubiratã: Tupi, significa tacape forte. Ubiratan ou Ubirtam. A maior felicidade provém da satisfação emocional. O trabalho bem feito produz bem-estar e tranqüilidade. Dispor de dinheiro é necessidade inegável.<br />
Ulhoa: basco: "galinha".<br />
<br />
Ulísses: Grego, significa o irritado. Para ele, o dinheiro faz com que as pessoas se sintam mais livres e decididas. ë fiel e exige em troca fidelidade e respeito. Realiza suas tarefas com minúcia.<br />
Ulisses: latim, grego: "o odiado por Zeus, o irritado".<br />
Umberto: variante ortográfica de Humberto.Valber: germânico: "governador brilhante, ou urso dominador".<br />
<br />
Urbano: Latim, aquele que vive na cidade. Consegue solução mesmo para um problema muito difícil e resolve a contento qualquer tarefa.<br />
<br />
Úrsula: Latim, pequena ursa. A experiência demonstra que é sempre necessário ter dinheiro em conta. Sentir-se amado é a coisa mais agradável da vida. Realiza seu trabalho com aproveitamento e rigor.<br />
<br />
<br />
V<br />
Vagner: Nome tirado do sobrenome do compositor alemão Riehard Wagner. Indica uma pessoa cujo magnetismo é tão forte que envolve facilmente os outros e ele sabe utilizar esse dom com bom senso.<br />
Valda: variante de grafia de Velda, feminino de Valdo ou de abreviação de<br />
Valdemar: variante de grafia de Waldemar.<br />
Valdemiro: derivado de Wladimir, filho Wladimir.<br />
Valdete: justaposição de Valdemar, Valdomiro e Odete.<br />
Valdir: adaptação gráfica brasileira de Waldir. Variação de Valdo.<br />
<br />
Valdo: Significa poderoso ou o que dirige. Indica uma pessoa de temperamento autoritário, o que a ajuda a superar sua timidez, que também é grande. Quando contrariado, chega a se mostrar agressivo<br />
<br />
Valdomiro, Valdemar. Variante: Walda. O mesmo que Valdemiro.<br />
<br />
Valentim: Significa saudável e valente. Indica uma pessoa vigorosa e de temperamento forte,.capaz de passar por cima de qualquer obstáculo quando se propõe a fazer algo. E quase sempre alcança o que deseja.<br />
Valentino: latim: "natural de Valência". Feminino: Valentina.<br />
<br />
Valéria: Feminino de Valério, que vem do latim e significa cheio de saúde. Com o dinheiro resolvem-se muitos assuntos difíceis. Tudo é permitido se é feito por amor: o amor move montanhas. Desempenha seu trabalho com eficiência e aproveitamento.<br />
<br />
Valéria: Feminino de Valério, que vem do latim e significa cheio de saúde. Com o dinheiro resolvem-se muitos assuntos difíceis. Tudo é permitido se é feito por amor: o amor move montanhas. Desempenha seu trabalho com eficiência e aproveitamento.<br />
Valério: latim: "que tem saúde, robusto, que é forte". Feminino: Valéria. Indica uma pessoa que tende a adquirir grande força física e que usa sua resistência para lutar dia e noite pela realização dos seus sonhos. É brilhante nos estudos e se destaca no terreno profissional<br />
Valmir: teutônico: "eleito, escolhido, amado e brilhante". Variante: Waldir.<br />
Valquíria: escandinavo: "a virgem". Nome de três ninfas ou deusas escandinavas.<br />
Valter: variante ortográfica de Walter.<br />
Vanda: polonês: "pequena vândala, peregrina, andarilha". Masculino: Vando. Preocupa-se para agradar os seus entes queridos. É profissional excelente. Seu senos de dever está acima de todas as coisas. É carinhosa e afetiva, mas sua timidez excessiva não lhe permite manifestar seu valor.<br />
<br />
Vanderlei, Vanderley: holandês:: Significa da ardósia e indica uma pessoa esforçada e organizada, mas que dispensa tanta atenção aos detalhes que chega a sacrificar o resultado final. Se superar essa tendência, fará grande sucesso em atividades de planejamento. Varites, Wanderley. Feminino: Vanderléia.<br />
<br />
Vanessa: Gênero de lindas borboletas. Indica dinamismo é realizadora de projetos que comportem fama e celebridade. É próprio de pessoas que sentem uma especial atração pelo brilho social, apegadas as aparências. São pessoas de seriedade, respeitosas e principalmente estudiosas. Nome popularizado pelo escritor americano Dean Swift.<br />
<br />
Vânia: Germânico, significa esperança. Para ela, o dinheiro é importante para resolver os problemas. Encontrar o verdadeiro amor é descobrir a paz interior duradoura. Realiza sua tarefa com profissionalismo. Também feminino russo de Ivan.<br />
<br />
Venâncio: latim "caçador". Feminino: Venância.<br />
<br />
Ventura: espanhol: "felicidade, boa sorte".<br />
<br />
Vera Lúcia: Latim, quer dizer luz verdadeira. Está relacionado com um futuro promissor, em especial no campo profissional e, em geral, lutam por idéias relacionadas com a sua própria visão ética da vida, tanto a privada quanto a pública.<br />
<br />
Vera: Latim, russo, significa verdadeira. Trabalhadeira, consegue-se sobrepujar diante das maiores dificuldades. Conservadora, a idéia da família é fundamental para ela. A dignidade está acima de todas as coisas.<br />
Verônica: grego-latim: "verdadeira imagem".Variante de Berenice, que vem do grego e significa portadora da vitória. Representa a necessidade que têm algumas pessoas de quem se preocupa em pôr em ordem na sua vida e, em geral, nunca estão satisfeitas com os resultados que obtêm.<br />
Vicente: latim: "vencedor do mal, aquele que vence".<br />
Vilma: derivado do teutônico Wilhelmine, o mesmo que Guilhermina. Variante: Wilma.<br />
Vilmar: teutônico: "resoluto, de muita fama, muito célebre". Variante: Wilmar.<br />
<br />
Vílson: O mesmo que Wilson : Filho de William. Variante ortográfiaca de Wilson.<br />
<br />
Vinicius, Vinícios, Vinício: Significa vinicultor (aquele que cultiva uva) e indica uma pessoa ousada e criativa, que se destaca em qualquer grupo que freqüente. Todos admiram sua originalidade e isso lhe permite fazer muitos amigos e também diversas conquistas amorosas<br />
Vinícius: latim "que tem voz agradável, vinicultor". Variantes: Venício, Venícios. Femininos: Venícia, Vinícia.<br />
Violeta: Francês, nome de uma flor. Pode confiar! Você tem uma força que a empurra para frente. Com esse "auxílio" consegue atingir todos os seus objetivos com facilidade. Reflete longamente, antes de eleger seu par.<br />
Virgílio: latim: "varinha, raminho". Feminino: Virgília.<br />
Virgínia: latim: "virgem, donzela, capaz ao matrimônio". Masculino: Virgílio.<br />
Vitor: latim: "vencedor, vitorioso sobre o pecado". Variante: Victor.<br />
<br />
Vítor: Significa vencedor. Indica uma pessoa competente mas que apresenta certa reserva em expor seus pontos de vista, tendência que deve combater se quiser atingir o sucesso pleno.<br />
<br />
Vitória: latim: "deusa romana das vitórias". Feminino de Vítor, ver esse nome. Indica a paixão pela cerimônia e pelo luxo. É próprio de pessoas que sentem atração especial por grandes solenidades, pelos ritos, pelos boatos e pela glória. Gostam de ser tratadas como rainhas.<br />
<br />
Vitório: latim: "vitorioso, vencedor".É a forma masculina do nome da deusa mitológica que garante a vitória. Indica alguém que tem muita facilidade para resolver os problemas, pois sua simpatia e suas boas intenções atraem para ela o apoio significativo é uma pessoas influente.<br />
<br />
Viviana: Latim, significa cheia de vida.. Nos momentos de precisão se revela esta pessoa uma líder nata. Também derivado da pronúncia portuguesa de Bibiana. Variantes: Viviane, Vivina Vivian. Masculino: Viviano.<br />
<br />
<br />
<br />
WWagner: germânico: "fabricante de vagões, de carros". Variante: Vagner.<br />
<br />
Waldemar: teutônico: o que governa com brilhantismo, célebre pelo governo".<br />
<br />
Waldir: Valdir, que comanda governa.<br />
<br />
Wanda: peregrina<br />
Wilma: Variante de Vilma, do masculino: Vilmar, protetora<br />
<br />
Wanderley: Vanderlei,das Ardósias.<br />
Washington: inglês: "da aldeia dos Wess, da aldeia dos Wessyng".<br />
Welington: inglês: "de uma família próspera".<br />
Wesley: anglo-saxão: "prado ocidental".<br />
<br />
William: Variação de Guilherme<br />
Willian: teutônico: "protetor resoluto".<br />
Wilmar variante de grafia de Vilmar.<br />
Wilson: inglês: "filho de Will que é o mesmo que Willian.<br />
Wilton: inglês: "da fazenda primaveril, da aldeia de Willian".<br />
<br />
<br />
XXavier: derivado do basco Etchberri ou Etchaberri: "casa nova".<br />
<br />
Xafik: Árabe - Clemente<br />
Xantipa: Grego - Égua rara<br />
Xavier: Variação de Javier: Basco: Proprietário da nova casa<br />
Xerxes: Persa - O que guia<br />
Ximene: espanhol: "o mesmo que Simão, Simon". Variante: Ximenes.<br />
Yara: tupi: "mãe d'água".<br />
Xisto: Latim - Alameda<br />
<br />
<br />
<br />
Y<br />
Yago: Variante de Jacobo (ver).<br />
Yair: Variante de Iair.<br />
Yani: Peregrino viejero<br />
Yasmin: Árabe, significa flor branca. Nasceu para conhecer o sucesso e ser feliz. Transpõe todas as barreiras.<br />
Yeda: variante de grafia de Ieda.<br />
Yeray: Grande<br />
Yolanda: Grego, significa flor de violeta. É uma pessoa viva, cheia de interesses bem diversificados. Muda freqüentemente de ocupação e é capaz de fazer várias coisas ao mesmo tempo. Acha que o dinheiro confere poder e prestígio.<br />
Yolanda: grego: "flor de violeta".<br />
Yoná: hebraico: "pomba".<br />
Yone: grego: "violeta". Variante: Ione.<br />
Yuri: forma russa de Jorge, George.<br />
Yves: De origen francés.<br />
Yvete: variante feminino de Ivo.<br />
Yvone: anglo-saxão: "arco de teixo". Variante: Ivone.<br />
<br />
<br />
ZZacarias: Significa aquele de quem Deus sem lembrou e indica uma pessoa que estabelece metas para si própria e trabalha com perseverança para alcançá-las. Em geral, obtém o que deseja e está sempre pronto a dividir suas conquistas com as pessoas a quem ama.<br />
Zagalo: espanhol: "pastor".<br />
Zanetti: variante italiana de João.<br />
Zaque: árabe: "inteligente".<br />
Zelda: variação gráfica de Zilda, ou abreviação de Griselda.<br />
</div>Zélia: grego: "zelo, rival". Masculino: Zélio.<br />
Zélio: Significa zelo e indica uma pessoa altamente sensível e criteriosa. Quando libera sua criatividade, é muito bem sucedido nas artes. Interessa-se também por religião, mas sem se deixar levar por fanatismos ou por manipuladores da opinião pública.<br />
Zelma: variante gráfica de Selma.<br />
Zenilda: aglutinação de José e Nilda, Zenon e Hilda.<br />
Zenite: grego: "de Zeus, consagrado a Zeus".<br />
Zenóbio: Grego. vida dada por Deus.<br />
Zilda: germânico: "a guerreira vitoriosa". Masculino: Zildo.<br />
Zoraia: persa: "a bela, de extraordinária beleza".<br />
Zoraide: armênio ou árabe"mulher cativante, a eloqüente". Variante: Zoraia.<br />
Zuleica: árabe ou persa: "gordinha, roliça, de radiante beleza".<br />
Zulmira: teutônico: "a resplandecente, celebridade da luz". Masculino: Zulmiro.<br />
.<br />
.<br />
http://anjodeva.blogspot.com/<br />
.<br />
.Victor Nogueirahttp://www.blogger.com/profile/13759238536489604722noreply@blogger.com0tag:blogger.com,1999:blog-2736353218304570703.post-41692195126212633802009-11-21T22:37:00.000+00:002009-11-21T22:37:40.573+00:00Curiosidades que valem o que valem: Significado da Primeira Letra do Seu Nome<h3 class="post-title" style="text-align: justify;"> <a href="http://anjodeva.blogspot.com/2008/02/significado-da-primeira-letra-do-seu.html">Significado da Primeira Letra do Seu Nome</a> </h3><div> </div><div style="text-align: justify;">.<br />
</div><div style="text-align: justify;">Cada letra tem um som e cada som transmite uma energia que influência, e muito, a personalidade de uma pessoa. Procure a inicial de seu nome ou de seus amigos e descubra o que ela tem a dizer.<br />
,<br />
A- Dona (o) de uma personalidade ativa e decidida, você é uma pessoa cheia de energia, sempre pronta a se lançar em alguma aventura. Uma vida sem desafios, para você não tem a menor graça. E como também é um (a )líder nato(a), acaba arrastando os outros com o seu entusiasmo. Só tome cuidado para não se tornar um (a ) cabeça dura.<br />
,<br />
B- Você é do tipo que sabe o que quer, e sempre chega lá. Embora viva em busca de prazeres, é muito preocupada com a segurança financeira. Tem hábitos enraizados, uma memória excelente e adora dividir suas experiências com alguém, de preferência com seu amor. Seu aprendizado é lento, mas profundo: depois que aprendeu, nunca mais esquece. O lado vingativo? O risco de se tornar teimoso (a ) e ciumento(a).<br />
.<br />
C- Criativo (a ), amável e expressivo (a), você é uma pessoa cheia de charme e com uma dose incrível de curiosidade. Tem a maior dificuldade de se concentrar no que está fazendo e não consegue guardar suas idéias só para você: precisa compartilhar tudo com os outros. Festas? Você adora, e está sempre de bom astral. O único perigo é exagerar a dose e se tornar nervoso (a), inquieto (a ) e pouco fofoqueiro(a). Mesmo porque você adora "enfeitar" a realidade.<br />
.<br />
D - Atencioso (a), ligado à família e com um senso maternal enorme, você gosta de se sentir útil e necessário(a) e costuma assumir mais responsabilidades do que pode. Sua palavra é uma só e dificilmente você volta atrás. Muito ocupado (a ), está sempre fazendo alguma coisa e dificilmente tem uma hora livre para o lazer. O perigo é se tornar dependente e infantil demais, "sempre pendurado(a) nos outros" .<br />
,<br />
E- Inteligente e comunicativo(a), você tem necessidade incrível de falar, mas nem sempre diz tudo o que se passa pela sua cabeça. Movida (o) pela razão, só fica bravo(a) quando é desmentido(a) ou contrariado(a) . E como pensa muito, também tem dificuldade de se concentrar no que está fazendo.Poderia se tornar um (a ) ótimo(a) escritor(a), advogado(a) ou professor(a).Mas precisa controlar seu nervosismo e tomar cuidado para não virar um (a )tagarela.<br />
.<br />
F- Romântico (a ), divertido(a) e cheio(a0 de amor para dar, você quer que todos gostem de você, e não economiza gentileza e simpatia. Adora ser o centro das atenções e, da vida, quer apenas o melhor: dinheiro, poder,sucesso... Mas basta aparecer uma criança que seu coração derrete. Quanto ao lado negativo, bem, você tem um certo ar de mandão(dona) e pode se tornar muito egoísta se continuar se preocupando tanto com as coisas e com você. Afinal ninguém tem obrigação de ser perfeito.<br />
.<br />
G - Sério(a) e honesto(a) no trabalho, você busca a perfeição em tudo o que faz e se aborrece quando as coisas não saem como queria. Pensa muito antes de agir, mas quando decide é capaz de mergulhar de cabeça no que está fazendo e esquecer da vida. Assuntos ligados a saúde são os seus preferidos, e poderia muito bem trabalhar nessa área. Cuidado com a impaciência, que pode levá-la a um estress facilmente.<br />
.<br />
H- Bastante ligado(a) em dinheiro e posição, sua personalidade cresce quando você se vê diante de um desafio. " Vem quem tem" poderia ser perfeitamente seu lema na vida. E você não fica dias buscando soluções para os problemas: resolve tudo num segundo. Isso sem dúvida, faz de você uma pessoa meio solitária, pouco chegada a brincadeiras e um tanto quanto distante e severa Será que toda essa eficiência não esconde uma certa insegurança?<br />
.<br />
I- Carinhoso (a), sensual e muito fiel, você tem necessidade de demonstrar seu amor a todo instante ? e espera que a pessoa amada faça o mesmo.Superprotetor (a ) e muito prático(a), está sempre disposto(a) a resolver os problemas dos amigos mais chegados. E costuma ficar bravo (a ) quando eles não aceitam sua ajuda ou seus conselhos. Outra grande preocupação sua é o dinheiro, coisa de que você gosta bastante, não? Cuidado para não se tornar uma pessoa muito teimosa, possessiva e dependente.<br />
.<br />
J- Você joga de igual para igual com qualquer pessoa. Não se sente melhor nem pior que ninguém e tem uma cabeça bastante aberta. Ficar parado (a )?Impossível! Com sua agilidade mental e física, você passa o tempo todo tendo ( adora estudar), não perde uma oportunidade de viajar e tem uma paixão pela vida de dar inveja a qualquer um. Só não é legal na hora de julgar os outros ou de dizer certas "verdades" à queima-roupa, sem um pingo de diplomacia.<br />
.<br />
K- Você tem muito poder! É independente, decidido(a) e tem um magnetismo invejável, mas nem por isso vive anunciando suas qualidades. Ao contrário.Gosta de ficar quieto (a ), observando e tirando suas próprias conclusões,sem se preocupar com a opinião alheia. A sensualidade é outro de seus pontos fracos, e você sabe explora-la muito bem. Seus defeitos? Ser ciumento (a ), meio(a) possessivo(a), Por isso cuidado com certas manias.<br />
.<br />
L- Essa coisa de grupo definitivamente não faz sua cabeça. Seu negócio é um de cada vez e, quando sai com um amigo ou um (a ) paquera, não quer mais ninguém por perto. Nessas horas você fica totalmente à vontade, e, até tira de letra qualquer desentendimento que possa surgir. Agora, se há uma coisa que deixa você nervoso (a ) é ter que tomar uma decisão. Ufa, como é difícil, não? Por isso, às vezes, você parecia teimosa (o ). Ou preguiçosa (o )e desligada(o). Mas é tudo fuga.<br />
.<br />
M- Emotivo (a) e muito ligado(a) à família, você exagera nos seus cuidados e corre o risco de sufocar aqueles que ama. Mas isso é porque tem muita energia e precisa manter as mãos e a cabeça sempre ocupadas com alguma coisa. Nas relações de amor ou de amizade, quando se machuca, você se recolhe para dentro de sei mesmo (a ) e só sai depois de um pedido de perdão.Quer um conselho? Controle melhor seu temperamento e deixe as pessoas amadas mais na delas.<br />
.<br />
N- Criativo (a ), dinâmico(a0 e inteligente, você é um(a) trabalhador(a)incansável, disciplinado(a) e sempre disposto(a) a colaborar com os outros, sem nenhuma outra intenção a não ser a de ajudar. Prático(a)consegue executar tarefas cansativas e monótonas, que a maioria das pessoas detestaria encarar. Mas quando está trabalhando odeia ser interrompido(a). É muito critico(a) como você mesmo(a) e com os outros.<br />
,<br />
O - Em casa, rodeada pela família, você se sente uma rainha: assume qualquer responsabilidade, resolve todos os problemas, se emociona com todas as situações. Mas se alguém o(a) magoar é capaz de dias em silêncio,curtindo sua mágoa. Não, você não é vingativa, mas é possível que passo anos sem falar com a pessoa que o(a) ofendeu. Cuidado! Esse negócio de controlar manipular a vida dos outros pode acabar virando obsessão. E da sua vida,quem cuida?<br />
.<br />
P - Você busca a paz a qualquer preço, nem que seja... brigando! E nem de longe imagina viver ao lado de pessoas que se relacionam à base de tapas e berros, sejam elas sua mãe, seu pai ou o grande amor da sua vida. Além de paz, seu coração seu coração precisa muito de amor. E você está sempre namorando. Mas que ninguém tente prendê-la ou proibi-la disso ou daquilo, porque, aí, é adeus na certa Só tome cuidado para não julgar e criticar os outros.<br />
.<br />
Q - Você tem um bom coração e está sempre disposta a ajudar os menos favorecidos. Vive tentando encontrar soluções para os problemas que afligem a humanidade e sabe direitinho como agir quando está interessada em alguma coisa, pois costuma correr atrás do que quer. Em geral é movida pela intuição, que em você é muito forte. O difícil é manter os dois pés no chão e fazer uma coisa de cada vez, já que está sempre envolvida com mil planos.<br />
.<br />
R - Quando se trata de resolver os problemas dos outros, você pensa e age como se fosse a pessoa mais sábia do mundo. Quando o problema é seu, fica totalmente confuso (a ). Isso acontece porque gostaria de decidir as coisas sempre com a cabeça fria. Mas como o coração tem mania de se intrometer nas nossas dúvidas, fica difícil mesmo decidir. Quer um conselho? Controle sua ansiedade e não tenha medo de errar! Essa é uma boa maneira de aprender, sabia?<br />
.<br />
S - Você sabe perfeitamente o que quer da vida... e sempre consegue chegar lá! Tem a maior habilidade para envolver as pessoas que podem ajudá-la a tocar seus planos e não se importa nem um pouco em fazer um "teatrinho "quando necessário. Sua sensualidade não passa despercebida, e você aprendeu a usar essa arma muito bem. Principalmente entre quatro paredes.O perigo é se tornar muito dominador (a ).<br />
.<br />
T- Você tem tanto amor para dar, tanta compaixão, que é capaz de passar a vida fazendo o bem para os outros, esquecendo que é uma pessoa e que também precisa receber ajuda e amor. Tome cuidado: agindo assim, pode acabar na posição de mártir . Até porque uma aura de santidade você já tem. É lógico que algumas vezes, não consegue perdoar ou esquecer um mal que lhe fizeram. Mas isso é o mínimo que pode fazer para se defender.<br />
.<br />
U- Amigável , aberto(a) e generoso(a), você é uma pessoa simpática, respeitada e fácil de se lidar Mas quando se trata do seu dinheiro, do seu tempo e de suas preocupações, nada é mais importante. Nem ninguém. Isso, sem dúvida, é um sinal de que você tem muito o que aprender sobre o crescimento da alma. Mas se controlar esse egoísmo e for um pouco mais diplomático (a ) no trato com as pessoas, já terá andado metade do caminho.<br />
.<br />
V- Você é uma lucidez fora do comum, quando se trata de julgar o mundo e as pessoas. E toda vez que abre a boca diz a coisa certa. O problema é que vive com um pé no chão e outro na lua, ligando e desligando sua atenção com uma rapidez incrível. Por, isso muitas vezes, parece estar nem ai com o que ocorre no mundo ou a sua volta. Liberdade, para você, é a coisa mais importante do mundo e, por isso, costuma resolver sozinho (a ) seus problemas, sem pedir ajuda ou conselhos a ninguém. Ordens? Você detesta, tanto dar quanto receber. Só precisa aprender a controlar sua teimosia.<br />
.<br />
W- Nada pode deixar você mais feliz do que um elogio. É capaz até de dar uma festa, só porque alguém disse que é bonito (a ) Em compensação, costuma entrar na mais profunda depressão quando se sente humilhada ou desrespeitada por alguém. E, em vez de por para fora sua indignação , se esconde e se isola de todos. Com crianças, você se dá superbem e fica totalmente a vontade para demonstrar todo o seu romantismo e sua criatividade. Cuidado! Esse excesso de sensibilidade revela uma certa vaidade pessoal, que precisa ser trabalhada . Pense nisso.<br />
.<br />
X- Cheia de talentos, você possui muita energia e é capaz de levar seu entusiasmo a extremos, deixando as pessoas atrapalhadas, com a maior dificuldade em acompanhar seu ritmo. Pudera! Você se envolve em mil projetos ao mesmo tempo! E, mesmo que não termine nenhum, agita tanto no começo que é impossível para seus amigos ficarem de fora. Cuidado para não se tornar muito confusa e dispersa, sem saber que rumo tomar.Principalmente nas coisas do coração.<br />
.<br />
Y- Muito independente, você adora conquistar títulos, pessoas e fãs. É organizada, responsável e leva o maior jeito para ser chefe, pois sabe comandar um grupo como ninguém. Com tudo isso, não é de admirar que tenha um estilo todo próprio de fazer as coisas e não esteja nem aí para o que os outros pensem ou digam. Com o dinheiro, você é até meio pão dura, mas sabe muito bem fazer seu pé ?de - meia. Só precisa ter cuidado para não virar uma esnobe. E achar que não há espaço para algumas bobagens em sua vida, principalmente o amor<br />
.<br />
Z- Esta é a letra do destino. E se seu nome começa com Z, você tanto pode ser o (a ) maior sortudo(a) como ter vários problemas na vida, mesmo que não faça nada para isso. Por outro lado, tem um ótimo coração, muita criatividade e bastante energia física. Gosta de manter uma certa privacidade e tem muitos segredos que não conta para ninguém. Sua personalidade muda bastante, dependendo da situação. E por isso, as vezes, as pessoas não conseguem entende-lo(a). Tente confiar um pouco mais nos outros e... acredite : a felicidade existe!<br />
</div>.<br />
<a href="http://www.vidasentimental.com.br/">http://www.vidasentimental.com.br</a><br />
.<br />
.Victor Nogueirahttp://www.blogger.com/profile/13759238536489604722noreply@blogger.com0